WEBVTT

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♪

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♪

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>>> Announcer: SELF-TRAINED

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ARTIST, WRITER AND NATURALIST

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NED SMITH IS AMONG THE PREMIERE

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NATURE ARTISTS OF THE

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20th CENTURY.

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OVER THE SPAN OF 45 YEARS, SMITH

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CREATED THOUSANDS OF

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ASTONISHINGLY ACCURATE DRAWINGS

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AND PAINTINGS OF WILDLIFE,

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HIGHLIGHTING THE IMPORTANT

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CONNECTION BETWEEN ART AND

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CONSERVATION.

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>> NED SMITH IS THE GUY WHO CAME

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IN THE MAIL ONCE A MONTH ON THE

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COVER OF "GAME NEWS" TO MYSELF

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AND HUNDREDS OF THOUSANDS OF

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OTHER PENNSYLVANIANS.

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IT'S ICONIC WITH SPORTSMAN.

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IT'S JUST LIKE GETTING YOUR

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HUNTING LICENSE.

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IT'S SOMETHING THAT YOU SHOULD

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HAVE AND SOMETHING THAT YOU

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SHOULD READ.

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IT'S A REAL TREASURE TROVE OF

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PENNSYLVANIA HISTORY.

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>> I THINK NED SMITH HAS TO BE

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ONE OF PENNSYLVANIA'S BIGGEST

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CONSERVATION AND ENVIRONMENTAL

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HEROES BECAUSE HE DID IT IN A

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WAY THAT TOUCHED SO MANY LIVES,

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THROUGH HIS ARTWORK AND THROUGH

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HIS WRITINGS.

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>> HE WENT THE EXTRA MILE OF

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BEING ABLE TO CREATE THE HEART

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OF AN ANIMAL.

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YOU COULD FEEL IT BEATING IN THE

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ARTWORK.

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IT'S WONDERFUL STUFF.

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>> AND THAT'S A HARD THING TO DO

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BECAUSE WE ARE ON THE OUTSIDE

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LOOKING IN.

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WE'RE NOT A

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BLACK CAPPED CHICKADEE OR A

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PEREGRINE FALCON OR A

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BLACK BEAR.

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AND IN ORDER TO CONVEY THAT, AN

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ARTIST NEEDS TO BE ABLE TO -- TO

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AN EXTENT GET INSIDE THE SKIN OF

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THAT ANIMAL.

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AND HE WAS VERY GOOD AT DOING

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THAT.

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>> JUST BY LOOKING AT NED'S

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WORK, YOU INSTANTLY WERE

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ATTRACTED TO WILDLIFE.

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AND HIS PAINTINGS DID THAT.

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IT MADE YOU WANT TO LOOK DEEPER.

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IT MADE YOU WANT TO KNOW MORE

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ABOUT THAT SPECIES.

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>> NED'S BIGGEST LEGACY AS A

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CONSERVATIONIST WAS AS AN

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EDUCATOR.

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HE STARTED A LOT OF PEOPLE ON

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THAT TREK THAT GOES FROM

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RECOGNITION TO LOVE, TO

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RESPONSIBILITY, TO ACTION.

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YOU DON'T TRY TO SAVE SOMETHING

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UNLESS YOU REALLY CARE ABOUT IT

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AND FOR UNTOLD TENS OF THOUSANDS

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OF PEOPLE HE LAID THE GROUNDWORK

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THAT MADE IT POSSIBLE FOR SO

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MANY PEOPLE TO SEE THE

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CONSERVATIONIST IN THEMSELVES.

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>> Announcer: MAJOR FUNDING FOR

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"NED SMITH, GONE FOR THE DAY" IS

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PROVIDED BY THE PENNSYLVANIA

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DEPARTMENT OF CONSERVATION AND

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NATURAL RESOURCES, THE HEINZ

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ENDOWMENTS, THE WILLIAM PENN

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FOUNDATION, THE PENNSYLVANIA

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PARKS AND FOREST FOUNDATION, THE

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PENNSYLVANIA CONSERVATION

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HERITAGE COMMITTEE, AND BY

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VIEWERS LIKE YOU.

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THANK YOU.

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♪

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EDMOND STANLEY SMITH, BETTER

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KNOWN AS NED SMITH, WAS BORN ON

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OCTOBER 9, 1919 IN MILLERSBURG,

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A SMALL TOWN NESTLED ALONG THE

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SUSQUEHANNA RIVER JUST 25 MILES

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NORTH OF PENNSYLVANIA'S CAPITAL

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CITY OF HARRISBURG.

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THE MIDDLE OF THREE CHILDREN,

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NED WAS ALWAYS CLOSE TO NATURE.

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>> HE WAS REALLY FORTUNATE FOR A

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KID WITH AN INTEREST IN NATURE

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AND A CREATIVE STREAK THAT HE

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ENDED UP WITH PARENTS THAT

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EMBRACED AND ENCOURAGED HIM IN

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BOTH.

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HIS FATHER WAS AN AMATEUR

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BOTANIST.

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HIS MOTHER WAS AN AVID BIRDER.

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AT A TIME WHEN THERE WEREN'T A

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LOT OF BIRDERS.

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HE REALLY WAS A PRODUCT OF THIS

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CENTRAL PENNSYLVANIA

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INTERSECTION OF THE

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SUSQUEHANNA RIVER AND THE RIGID

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VALLEY SYSTEM WITH THESE

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BEAUTIFUL OLD PENNSYLVANIA

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GERMAN FARMS.

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HE WAS DRAWING AT AN EARLY AGE,

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AND DRAWING PRETTY SERIOUSLY AT

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AN EARLY AGE.

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>> IN ELEMENTARY SCHOOL, HE DID

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GET HIMSELF INTO A LITTLE BIT OF

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TROUBLE FOR DOODLING.

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HIS TEACHERS WERE NOT VERY FOND

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OF THE FACT THAT HE WOULD HURRY

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THROUGH HIS PENMANSHIP LESSONS

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SO THAT HE COULD DO SOME

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SKETCHES.

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ONE OF HIS TEACHERS IS QUOTED

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SAYING, "YOU'LL NEVER AMOUNT TO

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A THING IF YOU DON'T FOCUS ON

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YOUR SCHOOLWORK AND YOUR

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PENMANSHIP."

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>> HIS PARENTS HAD JUST PAINTED

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THE INSIDE OF THE HOUSE AND NED

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GOT A HOLD OF CRAYONS AND DID

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THESE ENORMOUS DRAWINGS UP AND

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DOWN THE HALLWAY.

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AND BEYOND NOT GETTING IN

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TROUBLE, THEY ACTUALLY KEPT

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THEM.

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THEY DIDN'T PAINT THEM OVER.

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THEY KEPT THEM FOR MANY YEARS AS

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A VALIDATION OF HIS CREATIVITY.

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>> Announcer: NED BEGAN CREATING

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NATURE INSPIRED ART IN HIGH

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SCHOOL AND ALTHOUGH HIS LACK OF

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FOCUS FRUSTRATED TEACHERS, HIS

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PARENTS RECOGNIZED HIS TALENT

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AND HELP FOSTER THE BLOSSOMING

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CREATIVE STREAK IN THEIR YOUNG

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SON.

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>> HE HAD AN AUNT THAT HAD GONE

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OFF TO EUROPE AND HAD BEEN

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RATHER SUCCESSFUL WORKING IN

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CORPORATE LIFE.

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AND SHE TOLD NED AND HIS BROTHER

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DICK THAT SHE WOULD PAY FOR THEM

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TO GO TO COLLEGE.

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AND NED SAID HE WANTED TO GO TO

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ART SCHOOL AND SHE REFUSED TO

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PAY FOR HIM TO GO TO ART SCHOOL

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BECAUSE SHE SAID SHE HAD SEEN

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TOO MANY STARVING ARTISTS IN

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EUROPE.

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SO, AFTER HIGH SCHOOL, HE

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STARTED WORKING AT A LOCAL

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MACHINE SHOP.

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>> Announcer: NED WAS ALWAYS

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VERY TALENTED WITH HIS HANDS.

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HE WAS A THINKER AND AN INVENTOR

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HIS WHOLE LIFE, BUT HE WAS

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CONTINUING TO DO ART ON THE

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SIDE.

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IN 1936, NED MET HIS HIGH SCHOOL

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SWEETHEART MARIE REYNOLDS, WHOSE

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LOVE OF THE SUSQUEHANNA HILLS

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EQUALED HIS OWN.

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NINE YEARS LATER, THEY WOULD

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MARRY.

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IN MAY OF 1938, IN THE EARLY

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PART OF THEIR ROMANCE, NED FOUND

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HIMSELF LAID OFF FROM WORK.

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>> FAR FROM THIS BEING AN

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ECONOMIC CALAMITY, IT WAS

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PERFECT TIMING BECAUSE HE

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GRABBED A BACKPACK, HE THREW A

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WEEKS WORTH OF FOOD IN AND A BED

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ROLL AND HEADED UP ON THE SIDE

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OF A MOUNTAIN TO WHERE THERE WAS

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A SMALL SPRING THAT HE KNEW OF.

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AND HE SET UP A CAMP AND HE SET

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UP A LITTLE BLIND BY THE SPRING

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AND HE SPENT THE WHOLE WEEK

05:17.333 --> 05:18.600 align:left position:0%,start line:93.33% size:100%
WATCHING, AND OBSERVING AND

05:18.600 --> 05:19.700 align:left position:0%,start line:93.33% size:100%
DRAWING THE WARBLERS AND OTHER

05:19.700 --> 05:20.600 align:left position:0%,start line:93.33% size:100%
SONGBIRDS THAT WERE COMING DOWN

05:20.600 --> 05:22.433 align:left position:0%,start line:93.33% size:100%
TO DRINK IN THERE.

05:22.433 --> 05:23.400 align:left position:0%,start line:93.33% size:100%
SO HE WAS KIND OF FORGING HIS

05:23.400 --> 05:25.666 align:left position:0%,start line:93.33% size:100%
OWN PATH AS AN ARTIST.

05:25.666 --> 05:27.300 align:left position:0%,start line:93.33% size:100%
>> Announcer: AFTER THAT WEEK

05:27.300 --> 05:29.633 align:left position:0%,start line:93.33% size:100%
LONG RICH AND SOUL SATISFYING

05:29.633 --> 05:31.033 align:left position:0%,start line:93.33% size:100%
EXPERIENCE IN THE WOODS, NED

05:31.033 --> 05:32.033 align:left position:0%,start line:93.33% size:100%
WENT BACK TO WORK IN THE MACHINE

05:32.033 --> 05:33.900 align:left position:0%,start line:93.33% size:100%
SHOP FOR SEVERAL YEARS.

05:33.900 --> 05:35.533 align:left position:0%,start line:93.33% size:100%
HIS FIRST PROFESSIONAL

05:35.533 --> 05:37.800 align:left position:0%,start line:93.33% size:100%
ILLUSTRATION JOB WAS A COVER IN

05:37.800 --> 05:39.733 align:left position:0%,start line:93.33% size:100%
1940 FOR "PENNSYLVANIA ANGLER

05:39.733 --> 05:41.133 align:left position:0%,start line:93.33% size:100%
MAGAZINE" WHICH WAS PUBLISHED,

05:41.133 --> 05:42.200 align:left position:0%,start line:93.33% size:100%
BY WHAT IS NOW THE PENNSYLVANIA

05:42.200 --> 05:43.800 align:left position:0%,start line:93.33% size:100%
FISH AND BOAT COMMISSION.

05:43.800 --> 05:45.900 align:left position:0%,start line:93.33% size:100%
>> I HAVE TO SAY, A NOT

05:45.900 --> 05:47.933 align:left position:0%,start line:93.33% size:100%
PARTICULARLY GOOD PAINTING OF

05:47.933 --> 05:49.633 align:left position:0%,start line:93.33% size:100%
BIRDS ALONG THE STREAMSIDE.

05:49.633 --> 05:51.066 align:left position:0%,start line:93.33% size:100%
THAT WAS THE FIRST TIME THAT HE

05:51.066 --> 05:52.566 align:left position:0%,start line:93.33% size:100%
WAS A PUBLISHED ILLUSTRATOR.

05:52.566 --> 05:55.233 align:left position:0%,start line:93.33% size:100%
AND OVER THE COURSE OF

05:55.233 --> 05:56.633 align:left position:0%,start line:93.33% size:100%
THE 1940s, HE MOVED INTO WORKING

05:56.633 --> 05:58.633 align:left position:0%,start line:93.33% size:100%
IN ILLUSTRATION FULL TIME.

05:58.633 --> 05:59.933 align:left position:0%,start line:93.33% size:100%
>> IN THE VERY EARLIEST WORK

05:59.933 --> 06:01.933 align:left position:0%,start line:93.33% size:100%
LIKE SO MANY ARTISTS, YOU COULD

06:01.933 --> 06:04.633 align:left position:0%,start line:93.33% size:100%
SEE SOMEONE WHO IS TRYING VERY

06:04.633 --> 06:07.666 align:left position:0%,start line:93.33% size:100%
HARD TO GET A TECHNIQUE DOWN.

06:07.666 --> 06:08.400 align:left position:0%,start line:93.33% size:100%
AND THEN, THAT EVOLVED VERY

06:08.400 --> 06:09.533 align:left position:0%,start line:93.33% size:100%
QUICKLY FOR HIM.

06:09.533 --> 06:11.100 align:left position:0%,start line:93.33% size:100%
HE FOUND THE MOST BEAUTIFUL WAY

06:11.100 --> 06:12.833 align:left position:0%,start line:93.33% size:100%
OF DOING PEN AND INK WORK.

06:12.833 --> 06:14.233 align:left position:0%,start line:93.33% size:100%
OF ALL THE ARTISTS, AND I MEAN

06:14.233 --> 06:15.233 align:left position:0%,start line:93.33% size:100%
I'VE STUDIED ILLUSTRATION MY

06:15.233 --> 06:16.666 align:left position:0%,start line:93.33% size:100%
ENTIRE LIFE, I THINK HE WAS ONE

06:16.666 --> 06:18.033 align:left position:0%,start line:93.33% size:100%
OF THE FINEST INK ARTISTS I'VE

06:18.033 --> 06:20.933 align:left position:0%,start line:93.33% size:100%
EVER SEEN.

06:20.933 --> 06:23.133 align:left position:0%,start line:93.33% size:100%
♪

06:23.133 --> 06:24.800 align:left position:0%,start line:93.33% size:100%
>> Announcer: BY 1950, NED HAD

06:24.800 --> 06:26.866 align:left position:0%,start line:93.33% size:100%
AN OPPORTUNITY TO WORK AS A FULL

06:26.866 --> 06:27.933 align:left position:0%,start line:93.33% size:100%
TIME ILLUSTRATOR FOR THE

06:27.933 --> 06:28.966 align:left position:0%,start line:93.33% size:100%
PENNSYLVANIN GAME COMMISSIONS

06:28.966 --> 06:29.766 align:left position:0%,start line:93.33% size:100%
"PENNSYLVANIA

06:29.766 --> 06:30.833 align:left position:0%,start line:93.33% size:100%
GAME NEWS MAGAZINE."

06:30.833 --> 06:31.733 align:left position:0%,start line:93.33% size:100%
IT WAS A TURNING POINT IN IS

06:31.733 --> 06:33.533 align:left position:0%,start line:93.33% size:100%
CAREER.

06:33.533 --> 06:34.966 align:left position:0%,start line:93.33% size:100%
>> IT'S ALWAYS BEEN THIS KIND OF

06:34.966 --> 06:36.000 align:left position:0%,start line:93.33% size:100%
FUNKY, LITTLE MAGAZINE.

06:36.000 --> 06:39.233 align:left position:0%,start line:93.33% size:100%
IT'S ONLY SIX BY NINE FORMAT,

06:39.233 --> 06:41.366 align:left position:0%,start line:93.33% size:100%
DIFFERENT THAN OTHER MAGAZINES.

06:41.366 --> 06:43.566 align:left position:0%,start line:93.33% size:100%
AND ABSOLUTELY BELOVED BY

06:43.566 --> 06:44.733 align:left position:0%,start line:93.33% size:100%
HUNDREDS OF ANGLERS AND OUTDOORS

06:44.733 --> 06:46.833 align:left position:0%,start line:93.33% size:100%
PEOPLE IN PENNSYLVANIA.

06:46.833 --> 06:48.633 align:left position:0%,start line:93.33% size:100%
>> UNLIKE THE BIG PUBLICATIONS

06:48.633 --> 06:49.466 align:left position:0%,start line:93.33% size:100%
AT THAT TIME, "SPORTS OF FIELD",

06:49.466 --> 06:50.466 align:left position:0%,start line:93.33% size:100%
"OUTDOOR LIFE."

06:50.466 --> 06:51.433 align:left position:0%,start line:93.33% size:100%
WE WEREN'T REPORTING ON THE

06:51.433 --> 06:52.900 align:left position:0%,start line:93.33% size:100%
WHOLE COUNTRY.

06:52.900 --> 06:54.666 align:left position:0%,start line:93.33% size:100%
IF YOU BOUGHT "GAME NEWS," YOU

06:54.666 --> 06:55.200 align:left position:0%,start line:93.33% size:100%
READ ABOUT HUNTING IN

06:55.200 --> 06:56.466 align:left position:0%,start line:93.33% size:100%
PENNSYLVANIA.

06:56.466 --> 06:58.533 align:left position:0%,start line:93.33% size:100%
IT APPEALED TO A LOT OF PEOPLE.

06:58.533 --> 07:00.366 align:left position:0%,start line:93.33% size:100%
IT WAS NOT SOMETHING THAT YOU

07:00.366 --> 07:01.300 align:left position:0%,start line:93.33% size:100%
CAN PICK UP OFF THE SHELF

07:01.300 --> 07:03.366 align:left position:0%,start line:93.33% size:100%
ANYWHERE ELSE.

07:03.366 --> 07:04.466 align:left position:0%,start line:93.33% size:100%
AND PEOPLE BOUGHT "GAME NEWS"

07:04.466 --> 07:06.533 align:left position:0%,start line:93.33% size:100%
BECAUSE THEY WANTED THAT

07:06.533 --> 07:08.200 align:left position:0%,start line:93.33% size:100%
DEFINITIVE SOURCE OF HUNTING

07:08.200 --> 07:10.666 align:left position:0%,start line:93.33% size:100%
INFORMATION FOR PENNSYLVANIA.

07:10.666 --> 07:12.533 align:left position:0%,start line:93.33% size:100%
>> IT HAS BEEN A PART OF

07:12.533 --> 07:14.933 align:left position:0%,start line:93.33% size:100%
PEOPLES' UPBRINGING.

07:14.933 --> 07:17.466 align:left position:0%,start line:93.33% size:100%
YOU KNOW, YOU GO TO A HUNTING OR

07:17.466 --> 07:18.533 align:left position:0%,start line:93.33% size:100%
FISHING CAMP AND THERE IS PILES

07:18.533 --> 07:19.200 align:left position:0%,start line:93.33% size:100%
OF OLD "PENNSYLVANIA GAME NEWS"

07:19.200 --> 07:21.466 align:left position:0%,start line:93.33% size:100%
THERE.

07:21.466 --> 07:23.366 align:left position:0%,start line:93.33% size:100%
FOR THE BETTER PART OF 35 YEARS,

07:23.366 --> 07:24.333 align:left position:0%,start line:93.33% size:100%
NED SMITH WAS ASSOCIATED WITH

07:24.333 --> 07:25.766 align:left position:0%,start line:93.33% size:100%
THE MAGAZINE.

07:25.766 --> 07:28.000 align:left position:0%,start line:93.33% size:100%
ONE OF THOSE THINGS THAT WAS

07:28.000 --> 07:29.466 align:left position:0%,start line:93.33% size:100%
ALWAYS THERE, AND WAS JUST SORT

07:29.466 --> 07:31.300 align:left position:0%,start line:93.33% size:100%
OF THE FABRIC AND THE FOUNDATION

07:31.300 --> 07:32.700 align:left position:0%,start line:93.33% size:100%
OF BEING A HUNTER OR AN ANGLER

07:32.700 --> 07:35.033 align:left position:0%,start line:93.33% size:100%
IN PENNSYLVANIA.

07:35.033 --> 07:36.400 align:left position:0%,start line:93.33% size:100%
>> NED WAS IDENTIFIED WITH "GAME

07:36.400 --> 07:37.400 align:left position:0%,start line:93.33% size:100%
NEWS" IN A WAY NORMAN ROCKWELL

07:37.400 --> 07:38.933 align:left position:0%,start line:93.33% size:100%
WAS IDENTIFIED WITH THE

07:38.933 --> 07:40.866 align:left position:0%,start line:93.33% size:100%
"SATURDAY EVENING POST."

07:40.866 --> 07:43.333 align:left position:0%,start line:93.33% size:100%
WHEN YOU GOT THE POST, THERE WAS

07:43.333 --> 07:43.966 align:left position:0%,start line:93.33% size:100%
A NORMAN ROCKWELL COVER AND

07:43.966 --> 07:44.566 align:left position:0%,start line:93.33% size:100%
THAT'S WHAT HE BECAME FAMOUS

07:44.566 --> 07:46.400 align:left position:0%,start line:93.33% size:100%
FOR.

07:46.400 --> 07:48.566 align:left position:0%,start line:93.33% size:100%
PEOPLE LOOK FORWARD TO GETTING

07:48.566 --> 07:50.200 align:left position:0%,start line:93.33% size:100%
AND LOOKING AT THE COVER.

07:50.200 --> 07:52.233 align:left position:0%,start line:93.33% size:100%
>> HIS FIRST COVER WAS A

07:52.233 --> 07:53.900 align:left position:0%,start line:93.33% size:100%
WHITE TAILED DEER.

07:53.900 --> 07:54.666 align:left position:0%,start line:93.33% size:100%
AND IT WAS ON A SPECIAL EDITION

07:54.666 --> 07:57.433 align:left position:0%,start line:93.33% size:100%
OF GAME NEWS.

07:57.433 --> 07:57.800 align:left position:0%,start line:93.33% size:100%
AND THAT WAS 1950THAT HE DID

07:57.800 --> 08:01.033 align:left position:0%,start line:93.33% size:100%
THAT.

08:01.033 --> 08:03.100 align:left position:0%,start line:93.33% size:100%
BUT OVER THE NEXT SIX YEARS, NED

08:03.100 --> 08:05.233 align:left position:0%,start line:93.33% size:100%
DOES TWO DOZEN COVERS.

08:05.233 --> 08:06.600 align:left position:0%,start line:93.33% size:100%
AND OVER THE COURSE OF HIS

08:06.600 --> 08:07.533 align:left position:0%,start line:93.33% size:100%
CAREER WITH GAME NEWS, HE

08:07.533 --> 08:10.033 align:left position:0%,start line:93.33% size:100%
DID 122.

08:10.033 --> 08:12.300 align:left position:0%,start line:93.33% size:100%
WHEN I WAS A KID IN THE 1960s

08:12.300 --> 08:14.433 align:left position:0%,start line:93.33% size:100%
AND 1970s, THERE WAS A TIME WHEN

08:14.433 --> 08:15.366 align:left position:0%,start line:93.33% size:100%
EVERY OTHER COVER WOULD BE A

08:15.366 --> 08:18.666 align:left position:0%,start line:93.33% size:100%
NED SMITH PAINTING.

08:18.666 --> 08:20.200 align:left position:0%,start line:93.33% size:100%
AND AS AN AVID NATURALIST AND A

08:20.200 --> 08:22.100 align:left position:0%,start line:93.33% size:100%
NOT PARTICULARLY GOOD ARTIST

08:22.100 --> 08:23.433 align:left position:0%,start line:93.33% size:100%
MYSELF, I WOULD RUN TO THE

08:23.433 --> 08:24.800 align:left position:0%,start line:93.33% size:100%
MAILBOX WHEN IT WAS THAT TIME OF

08:24.800 --> 08:25.333 align:left position:0%,start line:93.33% size:100%
THE MONTH TO GET THE "GAME

08:25.333 --> 08:26.366 align:left position:0%,start line:93.33% size:100%
NEWS."

08:26.366 --> 08:26.833 align:left position:0%,start line:93.33% size:100%
AND IT WAS LIKE --

08:26.833 --> 08:27.700 align:left position:0%,start line:93.33% size:100%
[ GASP ]

08:27.700 --> 08:28.800 align:left position:0%,start line:93.33% size:100%
OH, IT'S NOT A NED SMITH COVER.

08:28.800 --> 08:30.233 align:left position:0%,start line:93.33% size:100%
>> Announcer: AS A STAFF

08:30.233 --> 08:31.766 align:left position:0%,start line:93.33% size:100%
ILLUSTRATOR FOR THE GAME

08:31.766 --> 08:33.100 align:left position:0%,start line:93.33% size:100%
COMMISSION, SMITH PRODUCED

08:33.100 --> 08:34.300 align:left position:0%,start line:93.33% size:100%
ARTWORK, NOT JUST FOR

08:34.300 --> 08:36.400 align:left position:0%,start line:93.33% size:100%
"GAME NEWS MAGAZINE."

08:36.400 --> 08:38.133 align:left position:0%,start line:93.33% size:100%
BUT ALSO FOR POSTERS, FLYERS AND

08:38.133 --> 08:38.666 align:left position:0%,start line:93.33% size:100%
PUBLICATIONS COMMISSIONED BY THE

08:38.666 --> 08:40.766 align:left position:0%,start line:93.33% size:100%
AGENCY.

08:40.766 --> 08:43.000 align:left position:0%,start line:93.33% size:100%
IN 1951, HE WAS PROMOTED TO

08:43.000 --> 08:44.833 align:left position:0%,start line:93.33% size:100%
ACTING EDITOR WHEN THE MAIN

08:44.833 --> 08:45.466 align:left position:0%,start line:93.33% size:100%
EDITOR RETURNED TO MILITARY DUTY

08:45.466 --> 08:47.766 align:left position:0%,start line:93.33% size:100%
DURING THE KOREAN WAR.

08:47.766 --> 08:49.100 align:left position:0%,start line:93.33% size:100%
>> AND NED SUDDENLY FOUND

08:49.100 --> 08:50.133 align:left position:0%,start line:93.33% size:100%
HIMSELF NOT JUST THE FULL TIME

08:50.133 --> 08:51.500 align:left position:0%,start line:93.33% size:100%
ILLUSTRATOR FOR THE GAME

08:51.500 --> 08:52.600 align:left position:0%,start line:93.33% size:100%
COMMISSION BUT ALSO THE ACTING

08:52.600 --> 08:55.066 align:left position:0%,start line:93.33% size:100%
EDITOR FOR THE MAGAZINE.

08:55.066 --> 08:56.033 align:left position:0%,start line:93.33% size:100%
SO HE WAS WRITING A LOT OF THE

08:56.033 --> 08:57.000 align:left position:0%,start line:93.33% size:100%
MAGAZINE, HE WAS LAYING IT OUT,

08:57.000 --> 08:58.066 align:left position:0%,start line:93.33% size:100%
HE WAS EDITIING, HE WAS DOING

08:58.066 --> 08:58.900 align:left position:0%,start line:93.33% size:100%
THE MAJORITY OF THE

08:58.900 --> 09:00.500 align:left position:0%,start line:93.33% size:100%
ILLUSTRATIONS FOR IT.

09:00.500 --> 09:03.200 align:left position:0%,start line:93.33% size:100%
IT WAS A REAL BAPTISM BY FIRE,

09:03.200 --> 09:06.366 align:left position:0%,start line:93.33% size:100%
BUT ANYTIME YOU DO ANYTHING OVER

09:06.366 --> 09:08.133 align:left position:0%,start line:93.33% size:100%
AND OVER AGAIN REPEATEDLY IN AN

09:08.133 --> 09:09.566 align:left position:0%,start line:93.33% size:100%
INTENSE SITUATION LIKE THAT, YOU

09:09.566 --> 09:10.566 align:left position:0%,start line:93.33% size:100%
EITHER FLAME OUT COMPLETELY OR

09:10.566 --> 09:11.666 align:left position:0%,start line:93.33% size:100%
YOU BECOME VERY GOOD AT IT.

09:11.666 --> 09:13.300 align:left position:0%,start line:93.33% size:100%
AND HE BECAME VERY GOOD AT IT.

09:13.300 --> 09:14.733 align:left position:0%,start line:93.33% size:100%
>> IF YOU LOOK AT SOME OF NED'S

09:14.733 --> 09:17.066 align:left position:0%,start line:93.33% size:100%
EARLIER STUFF FROM THE 50s AND

09:17.066 --> 09:18.900 align:left position:0%,start line:93.33% size:100%
LOOK AT STUFF HE WAS DOING IN

09:18.900 --> 09:20.333 align:left position:0%,start line:93.33% size:100%
THE 70s AND THEN THE EARLY 80s.

09:20.333 --> 09:21.933 align:left position:0%,start line:93.33% size:100%
IT'S AMAZING WHAT HE WAS

09:21.933 --> 09:25.500 align:left position:0%,start line:93.33% size:100%
ACCOMPLISHING AND HOW POWERFUL

09:25.500 --> 09:27.633 align:left position:0%,start line:93.33% size:100%
HE HAD BECOME AS AN ARTIST.

09:27.633 --> 09:28.933 align:left position:0%,start line:93.33% size:100%
IN HIS EARLIER STUFF, YOU COULD

09:28.933 --> 09:31.000 align:left position:0%,start line:93.33% size:100%
STILL SEE HIS HUMOR.

09:31.000 --> 09:33.766 align:left position:0%,start line:93.33% size:100%
A GROUSE HUNTER STEPPING THROUGH

09:33.766 --> 09:35.100 align:left position:0%,start line:93.33% size:100%
THICK COVER AND HOLDING HIS GUN

09:35.100 --> 09:36.433 align:left position:0%,start line:93.33% size:100%
IN ONE HAND AND ALL OF A SUDDEN,

09:36.433 --> 09:37.000 align:left position:0%,start line:93.33% size:100%
A GROUSE TAKES OUT UNDERNEATH

09:37.000 --> 09:39.200 align:left position:0%,start line:93.33% size:100%
HIS FEET.

09:39.200 --> 09:41.566 align:left position:0%,start line:93.33% size:100%
OR A GUY EATING A SANDWICH WITH

09:41.566 --> 09:41.900 align:left position:0%,start line:93.33% size:100%
A BEAR RUNNING IN THE

09:41.900 --> 09:45.033 align:left position:0%,start line:93.33% size:100%
BACKGROUND.

09:45.033 --> 09:46.633 align:left position:0%,start line:93.33% size:100%
PROBABLY THE MAGAZINE'S ALL TIME

09:46.633 --> 09:48.166 align:left position:0%,start line:93.33% size:100%
FAVORITE IS THE MAILMAN SNEAKING

09:48.166 --> 09:49.400 align:left position:0%,start line:93.33% size:100%
A PEAK AT "GAME NEWS" JUST

09:49.400 --> 09:49.700 align:left position:0%,start line:93.33% size:100%
BEFORE HE PUTS IT IN THE

09:49.700 --> 09:52.000 align:left position:0%,start line:93.33% size:100%
MAILBOX.

09:52.000 --> 09:53.833 align:left position:0%,start line:93.33% size:100%
JUST THE COMEDY, THE WHOLE

09:53.833 --> 09:55.166 align:left position:0%,start line:93.33% size:100%
NORMAN ROCKWELL TOUCH THAT HE

09:55.166 --> 09:57.066 align:left position:0%,start line:93.33% size:100%
HAD IN THAT.

09:57.066 --> 09:58.766 align:left position:0%,start line:93.33% size:100%
TO THIS DAY, WHEN YOU LOOK AT

09:58.766 --> 09:59.266 align:left position:0%,start line:93.33% size:100%
IT, YOU THINK, "WOW, ISN'T THAT

09:59.266 --> 10:04.400 align:left position:0%,start line:93.33% size:100%
POWERFUL."

10:04.400 --> 10:06.333 align:left position:0%,start line:93.33% size:100%
>> Announcer: BY THE 1960s

10:06.333 --> 10:08.066 align:left position:0%,start line:93.33% size:100%
HOWEVER, READERS WOULD BEGIN TO

10:08.066 --> 10:09.033 align:left position:0%,start line:93.33% size:100%
SEE MORE OF WHAT BECAME NED'S

10:09.033 --> 10:11.300 align:left position:0%,start line:93.33% size:100%
STRENGTH AND SIGNATURE.

10:11.300 --> 10:13.866 align:left position:0%,start line:93.33% size:100%
REALISTIC WILDLIFE PORTRAITURE.

10:13.866 --> 10:15.500 align:left position:0%,start line:93.33% size:100%
A SELF-PROCLAIMED WRITER DOWNER,

10:15.500 --> 10:17.033 align:left position:0%,start line:93.33% size:100%
HE WENT STRAIGHT TO THE SOURCE,

10:17.033 --> 10:18.400 align:left position:0%,start line:93.33% size:100%
SPENDING EVERY CHANCE HE GOT

10:18.400 --> 10:19.533 align:left position:0%,start line:93.33% size:100%
OUTSIDE, OFTEN ALONE, ALMOST

10:19.533 --> 10:22.933 align:left position:0%,start line:93.33% size:100%
EVERY DAY.

10:22.933 --> 10:24.433 align:left position:0%,start line:93.33% size:100%
>> ONE OF MY FAVORITE QUOTES OF

10:24.433 --> 10:26.166 align:left position:0%,start line:93.33% size:100%
NED SMITH'S AND ONE THAT I USE

10:26.166 --> 10:28.800 align:left position:0%,start line:93.33% size:100%
FREQUENTLY WITH SCHOOL CHILDREN

10:28.800 --> 10:30.633 align:left position:0%,start line:93.33% size:100%
GOES LIKE THIS, "SEEING IS MORE

10:30.633 --> 10:31.633 align:left position:0%,start line:93.33% size:100%
THAT MERELY LOOKING, IT INVOLVES

10:31.633 --> 10:33.866 align:left position:0%,start line:93.33% size:100%
NOTICING THINGS."

10:33.866 --> 10:34.966 align:left position:0%,start line:93.33% size:100%
ONE PERSON MIGHT LOOK AT THE

10:34.966 --> 10:37.600 align:left position:0%,start line:93.33% size:100%
ENTIRE FOREST.

10:37.600 --> 10:39.033 align:left position:0%,start line:93.33% size:100%
NED WOULD LOOK AT IT ALMOST LIKE

10:39.033 --> 10:40.433 align:left position:0%,start line:93.33% size:100%
A JIGSAW PUZZLE AND BREAK IT

10:40.433 --> 10:42.200 align:left position:0%,start line:93.33% size:100%
DOWN INTO LITTLE PIECES.

10:42.200 --> 10:43.966 align:left position:0%,start line:93.33% size:100%
AND THEN EACH LITTLE PIECE WOULD

10:43.966 --> 10:46.166 align:left position:0%,start line:93.33% size:100%
HAVE A CURIOSITY OR SOMETHING TO

10:46.166 --> 10:48.266 align:left position:0%,start line:93.33% size:100%
BE SOLVED.

10:48.266 --> 10:50.333 align:left position:0%,start line:93.33% size:100%
MAYBE HE WOULD FIND A FEATHER OR

10:50.333 --> 10:52.000 align:left position:0%,start line:93.33% size:100%
A GROUP OF FEATHERS AND TRY TO

10:52.000 --> 10:52.500 align:left position:0%,start line:93.33% size:100%
DETERMINE WHAT HAPPENED IN THAT

10:52.500 --> 10:54.033 align:left position:0%,start line:93.33% size:100%
LOCATION.

10:54.033 --> 10:54.633 align:left position:0%,start line:93.33% size:100%
WHY WERE THERE A GROUP OF

10:54.633 --> 10:56.066 align:left position:0%,start line:93.33% size:100%
FEATHERS HERE?

10:56.066 --> 10:56.966 align:left position:0%,start line:93.33% size:100%
AND WHAT STORY MIGHT THOSE

10:56.966 --> 10:59.633 align:left position:0%,start line:93.33% size:100%
FEATHERS TELL?

10:59.633 --> 11:01.133 align:left position:0%,start line:93.33% size:100%
HE DID HAVE THIS KEEN, KEEN

11:01.133 --> 11:02.433 align:left position:0%,start line:93.33% size:100%
SENSE OF OBSERVATION AND THIS

11:02.433 --> 11:04.800 align:left position:0%,start line:93.33% size:100%
INSATIABLE CURIOSITY.

11:04.800 --> 11:06.166 align:left position:0%,start line:93.33% size:100%
>> COMPARED TO MOST OF US, HE

11:06.166 --> 11:09.533 align:left position:0%,start line:93.33% size:100%
SPENT VASTLY MORE TIME OUTSIDE.

11:09.533 --> 11:10.733 align:left position:0%,start line:93.33% size:100%
AND YEAH, I THINK OBSESSIVE

11:10.733 --> 11:11.566 align:left position:0%,start line:93.33% size:100%
WOULD PROBABLY BE A FAIR

11:11.566 --> 11:14.100 align:left position:0%,start line:93.33% size:100%
DESCRIPTION.

11:14.100 --> 11:14.900 align:left position:0%,start line:93.33% size:100%
HE WAS TAKING THESE VOLUMINOUS

11:14.900 --> 11:15.766 align:left position:0%,start line:93.33% size:100%
NOTES.

11:15.766 --> 11:16.800 align:left position:0%,start line:93.33% size:100%
OF COURSE HE WAS ALSO DOING

11:16.800 --> 11:17.966 align:left position:0%,start line:93.33% size:100%
THOUSANDS AND THOUSANDS AND

11:17.966 --> 11:18.900 align:left position:0%,start line:93.33% size:100%
THOUSANDS AND THOUSANDS OF FIELD

11:18.900 --> 11:20.966 align:left position:0%,start line:93.33% size:100%
SKETCHES.

11:20.966 --> 11:23.700 align:left position:0%,start line:93.33% size:100%
FROM FAIRLY ELABORATE WATER

11:23.700 --> 11:24.933 align:left position:0%,start line:93.33% size:100%
COLOR PAINTINGS DOWN TO -- HE

11:24.933 --> 11:26.066 align:left position:0%,start line:93.33% size:100%
WOULD CARRY A SMALL POCKET

11:26.066 --> 11:26.366 align:left position:0%,start line:93.33% size:100%
NOTEBOOK AND A BALLPOINT PEN

11:26.366 --> 11:27.833 align:left position:0%,start line:93.33% size:100%
AROUND WITH HIM.

11:27.833 --> 11:29.000 align:left position:0%,start line:93.33% size:100%
>> IT WASN'T JUST SKETCHES THAT

11:29.000 --> 11:31.333 align:left position:0%,start line:93.33% size:100%
HE DID IN THE FIELD BUT THESE

11:31.333 --> 11:33.233 align:left position:0%,start line:93.33% size:100%
VERY, VERY EXTENSIVE NOTES TAKEN

11:33.233 --> 11:34.066 align:left position:0%,start line:93.33% size:100%
ABOUT THE CERTAIN COLOR OF A

11:34.066 --> 11:35.900 align:left position:0%,start line:93.33% size:100%
GRAY FOX.

11:35.900 --> 11:38.600 align:left position:0%,start line:93.33% size:100%
AND HOW THE HAIR OF THE GRAY FOX

11:38.600 --> 11:39.500 align:left position:0%,start line:93.33% size:100%
MIGHT LOOK BLACK ON THE TIP AND

11:39.500 --> 11:41.200 align:left position:0%,start line:93.33% size:100%
LIGHTER UNDERNEATH.

11:41.200 --> 11:41.933 align:left position:0%,start line:93.33% size:100%
THOSE ARE THE KINDS OF THINGS

11:41.933 --> 11:44.433 align:left position:0%,start line:93.33% size:100%
THAT MADE IT VERY AUTHENTIC.

11:44.433 --> 11:45.466 align:left position:0%,start line:93.33% size:100%
>> HE JUST WAS ABLE TO CAPTURE

11:45.466 --> 11:47.500 align:left position:0%,start line:93.33% size:100%
THE LIFE OF THE ANIMAL.

11:47.500 --> 11:49.033 align:left position:0%,start line:93.33% size:100%
HE WOULD GIVE THEM MOISTURE IN

11:49.033 --> 11:49.600 align:left position:0%,start line:93.33% size:100%
THEIR EYES AND AROUND THEIR NOSE

11:49.600 --> 11:51.733 align:left position:0%,start line:93.33% size:100%
AND MOUTH.

11:51.733 --> 11:52.366 align:left position:0%,start line:93.33% size:100%
AND SO, ALL OF A SUDDEN, THAT

11:52.366 --> 11:53.600 align:left position:0%,start line:93.33% size:100%
ANIMAL SEEMED VERY ALIVE.

11:53.600 --> 11:54.666 align:left position:0%,start line:93.33% size:100%
AND HE WOULD GIVE THEM MUSCLE

11:54.666 --> 11:56.500 align:left position:0%,start line:93.33% size:100%
DEFINITION AND TEXTURE TO THEIR

11:56.500 --> 11:58.533 align:left position:0%,start line:93.33% size:100%
FUR AND FEATHERS.

11:58.533 --> 12:00.900 align:left position:0%,start line:93.33% size:100%
>> YOU CAN LOOK AT A PAINTING OF

12:00.900 --> 12:03.066 align:left position:0%,start line:93.33% size:100%
HIS OF A WILD TURKEY IN A

12:03.066 --> 12:05.066 align:left position:0%,start line:93.33% size:100%
BEECH FOREST AND LOOK AT THE

12:05.066 --> 12:07.100 align:left position:0%,start line:93.33% size:100%
ROCKS HE'S PAINTED AND KNOW THAT

12:07.100 --> 12:09.133 align:left position:0%,start line:93.33% size:100%
THAT'S THE APPALACHIAN PLATEAU

12:09.133 --> 12:10.700 align:left position:0%,start line:93.33% size:100%
IN NORTHERN PENNSYLVANIA JUST

12:10.700 --> 12:12.266 align:left position:0%,start line:93.33% size:100%
BECAUSE THAT'S THE KIND OF ROCK

12:12.266 --> 12:13.966 align:left position:0%,start line:93.33% size:100%
STRATA THAT THEY HAVE UP THERE.

12:13.966 --> 12:15.066 align:left position:0%,start line:93.33% size:100%
AND THAT'S THE KIND OF BEECH AND

12:15.066 --> 12:15.700 align:left position:0%,start line:93.33% size:100%
OAK FOREST THAT YOU'RE GOING TO

12:15.700 --> 12:17.033 align:left position:0%,start line:93.33% size:100%
FIND IN THAT PLACE.

12:17.033 --> 12:18.766 align:left position:0%,start line:93.33% size:100%
EVERY ELEMENT WAS REAL.

12:18.766 --> 12:20.566 align:left position:0%,start line:93.33% size:100%
EVERY ELEMENT WAS AUTHENTIC.

12:20.566 --> 12:22.666 align:left position:0%,start line:93.33% size:100%
EVERY ELEMENT BELONGED THERE.

12:22.666 --> 12:24.833 align:left position:0%,start line:93.33% size:100%
THIS IS SOMEBODY THAT KNEW THE

12:24.833 --> 12:31.566 align:left position:0%,start line:93.33% size:100%
LANDSCAPES THAT HE WAS PAINTING.

12:31.566 --> 12:33.066 align:left position:0%,start line:93.33% size:100%
>> Announcer: IN 1966, NED BEGAN

12:33.066 --> 12:34.900 align:left position:0%,start line:93.33% size:100%
WRITING AND ILLUSTRATING A

12:34.900 --> 12:36.333 align:left position:0%,start line:93.33% size:100%
MONTHLY COLUMN IN "PA GAME NEWS"

12:36.333 --> 12:39.000 align:left position:0%,start line:93.33% size:100%
CALLED "GONE FOR THE DAY."

12:39.000 --> 12:40.500 align:left position:0%,start line:93.33% size:100%
ADAPTED FROM YEARS OF DIARY

12:40.500 --> 12:41.666 align:left position:0%,start line:93.33% size:100%
ENTRIES, IT HIGHLIGHTED THE

12:41.666 --> 12:42.100 align:left position:0%,start line:93.33% size:100%
FORESTS AND MEADOWS OF

12:42.100 --> 12:44.400 align:left position:0%,start line:93.33% size:100%
PENNSYLVANIA.

12:44.400 --> 12:46.300 align:left position:0%,start line:93.33% size:100%
NED HOPED THAT IT WOULD MOTIVATE

12:46.300 --> 12:47.700 align:left position:0%,start line:93.33% size:100%
READERS EVERYWHERE TO PULL ON A

12:47.700 --> 12:50.333 align:left position:0%,start line:93.33% size:100%
PAIR OF OLD SHOES AND GO SEE FOR

12:50.333 --> 12:51.233 align:left position:0%,start line:93.33% size:100%
THEMSELVES THE THINGS THAT MAKE

12:51.233 --> 12:52.066 align:left position:0%,start line:93.33% size:100%
A NATURALIST LIFE SO ENDLESSLY

12:52.066 --> 12:54.400 align:left position:0%,start line:93.33% size:100%
FASCINATING.

12:54.400 --> 12:55.300 align:left position:0%,start line:93.33% size:100%
THE COLUMNS WERE LATER COLLECTED

12:55.300 --> 12:57.200 align:left position:0%,start line:93.33% size:100%
AND PUBLISHED AS A BOOK IN

12:57.200 --> 12:58.233 align:left position:0%,start line:93.33% size:100%
1971 AND IT IS STILL IN PRINT

12:58.233 --> 13:01.700 align:left position:0%,start line:93.33% size:100%
TODAY.

13:01.700 --> 13:04.066 align:left position:0%,start line:93.33% size:100%
>> HE JUST HAD THIS CASUAL

13:04.066 --> 13:06.366 align:left position:0%,start line:93.33% size:100%
APPROACH THAT WAS SO LOADED WITH

13:06.366 --> 13:08.600 align:left position:0%,start line:93.33% size:100%
DETAIL AND SO NATURAL YOU JUST

13:08.600 --> 13:10.066 align:left position:0%,start line:93.33% size:100%
FELT LIKE HE WAS YOUR BEST

13:10.066 --> 13:10.566 align:left position:0%,start line:93.33% size:100%
FRIEND AND YOU WERE SITTING DOWN

13:10.566 --> 13:11.566 align:left position:0%,start line:93.33% size:100%
AND HAVING A CONVERSATION WITH

13:11.566 --> 13:12.833 align:left position:0%,start line:93.33% size:100%
HIM.

13:12.833 --> 13:13.500 align:left position:0%,start line:93.33% size:100%
AND WHEN HE HAD SOMETHING TO

13:13.500 --> 13:13.733 align:left position:0%,start line:93.33% size:100%
SAY, YOU WANTED TO LISTEN TO

13:13.733 --> 13:18.133 align:left position:0%,start line:93.33% size:100%
EVERY WORD.

13:18.133 --> 13:21.066 align:left position:0%,start line:93.33% size:100%
>> Announcer: NOVEMBER 17th,

13:21.066 --> 13:22.866 align:left position:0%,start line:93.33% size:100%
MORE THAN 200 WHISTLING SWANS

13:22.866 --> 13:24.033 align:left position:0%,start line:93.33% size:100%
LANDED ON THE RIVER IN TOURIST

13:24.033 --> 13:25.900 align:left position:0%,start line:93.33% size:100%
PARK LAST NIGHT.

13:25.900 --> 13:26.833 align:left position:0%,start line:93.33% size:100%
AND TODAY THEY ENJOYED A

13:26.833 --> 13:29.500 align:left position:0%,start line:93.33% size:100%
LEISURELY LAYOVER.

13:29.500 --> 13:31.133 align:left position:0%,start line:93.33% size:100%
THROUGH THE TELESCOPE I WATCHED

13:31.133 --> 13:33.000 align:left position:0%,start line:93.33% size:100%
ONE OF THE NEWER BIRDS TAKING A

13:33.000 --> 13:35.833 align:left position:0%,start line:93.33% size:100%
BATH IN SIX INCHES OF WATER.

13:35.833 --> 13:37.966 align:left position:0%,start line:93.33% size:100%
PLANTING HIS FEET FIRMLY IN THE

13:37.966 --> 13:40.333 align:left position:0%,start line:93.33% size:100%
SMOOTH CURRENT, HE STOOD ON THE

13:40.333 --> 13:41.333 align:left position:0%,start line:93.33% size:100%
SLOPE OF A SUBMERGED LEDGE ROCK

13:41.333 --> 13:44.166 align:left position:0%,start line:93.33% size:100%
FACING UPSTREAM.

13:44.166 --> 13:46.633 align:left position:0%,start line:93.33% size:100%
THEN TIPPING FORWARD, HE THRUST

13:46.633 --> 13:48.033 align:left position:0%,start line:93.33% size:100%
HIS HEAD AND LONG NECK BENEATH

13:48.033 --> 13:49.966 align:left position:0%,start line:93.33% size:100%
THE WATER AND AS THE CURRENT

13:49.966 --> 13:51.633 align:left position:0%,start line:93.33% size:100%
RUSHED OVER HIS SHOULDERS, HE

13:51.633 --> 13:53.466 align:left position:0%,start line:93.33% size:100%
SUDDENLY STOOD ERECT.

13:53.466 --> 13:55.333 align:left position:0%,start line:93.33% size:100%
THAT WATER RAN DOWN HIS BACK AND

13:55.333 --> 13:57.833 align:left position:0%,start line:93.33% size:100%
WITH A FEW BEATS OF HIS POWERFUL

13:57.833 --> 13:59.900 align:left position:0%,start line:93.33% size:100%
PINIONS HE SET IT FLYING IN A

13:59.900 --> 14:03.000 align:left position:0%,start line:93.33% size:100%
CLOUD OF SPARKLING SPRAY.

14:03.000 --> 14:04.900 align:left position:0%,start line:93.33% size:100%
>> HE'S NOT WRITING ABOUT

14:04.900 --> 14:06.266 align:left position:0%,start line:93.33% size:100%
GRIZZLY BEAR FIGHTS OR WATCHING

14:06.266 --> 14:08.400 align:left position:0%,start line:93.33% size:100%
A MOUNTAIN LION ATTACK A

14:08.400 --> 14:10.933 align:left position:0%,start line:93.33% size:100%
MULE DEER OR SOMETHING.

14:10.933 --> 14:13.333 align:left position:0%,start line:93.33% size:100%
IT'S THESE SMALL DRAMAS THAT ANY

14:13.333 --> 14:15.600 align:left position:0%,start line:93.33% size:100%
NATURALIST, ANY OUTDOORSMAN IS

14:15.600 --> 14:17.400 align:left position:0%,start line:93.33% size:100%
GOING TO SEE IF THEY SPEND TIME

14:17.400 --> 14:17.933 align:left position:0%,start line:93.33% size:100%
OUTSIDE WITH THEIR EYES AND

14:17.933 --> 14:19.033 align:left position:0%,start line:93.33% size:100%
THEIR EARS OPEN.

14:19.033 --> 14:20.566 align:left position:0%,start line:93.33% size:100%
HE WAS COUNTING ON NATURE'S

14:20.566 --> 14:22.166 align:left position:0%,start line:93.33% size:100%
ENDLESS ABILITY TO BE

14:22.166 --> 14:23.866 align:left position:0%,start line:93.33% size:100%
INTERESTING AND FASCINATING AND

14:23.866 --> 14:26.966 align:left position:0%,start line:93.33% size:100%
INTRIGUING.

14:26.966 --> 14:28.733 align:left position:0%,start line:93.33% size:100%
>> HE PROBABLY DID MORE TO UNITE

14:28.733 --> 14:31.866 align:left position:0%,start line:93.33% size:100%
OUR READERSHIP THAN ANY ONE

14:31.866 --> 14:32.666 align:left position:0%,start line:93.33% size:100%
AUTHOR EVER DID BECAUSE THE

14:32.666 --> 14:34.100 align:left position:0%,start line:93.33% size:100%
HUNTERS STARTED READING NED'S

14:34.100 --> 14:35.566 align:left position:0%,start line:93.33% size:100%
STUFF AND THE PEOPLE WHO WERE

14:35.566 --> 14:36.433 align:left position:0%,start line:93.33% size:100%
JUST INTERESTED IN NATURE WERE

14:36.433 --> 14:38.233 align:left position:0%,start line:93.33% size:100%
READING ALL OF IT TOO.

14:38.233 --> 14:39.900 align:left position:0%,start line:93.33% size:100%
SO, OUR READERSHIP REALLY

14:39.900 --> 14:41.300 align:left position:0%,start line:93.33% size:100%
ABSORBED EVERYTHING HE HAD TO

14:41.300 --> 14:45.600 align:left position:0%,start line:93.33% size:100%
SAY.

14:45.600 --> 14:47.366 align:left position:0%,start line:93.33% size:100%
>> MAY 26th, ANYONE WHO HAS SEEN

14:47.366 --> 14:48.666 align:left position:0%,start line:93.33% size:100%
THE MOUNTAIN LAUREL IN BLOOM

14:48.666 --> 14:50.166 align:left position:0%,start line:93.33% size:100%
WILL AGREE THAT IT WAS AN

14:50.166 --> 14:51.400 align:left position:0%,start line:93.33% size:100%
EXCELLENT CHOICE AS

14:51.400 --> 14:53.933 align:left position:0%,start line:93.33% size:100%
PENNSYLVANIA'S STATE FLOWER.

14:53.933 --> 14:56.533 align:left position:0%,start line:93.33% size:100%
A CLOSE LOOK AT A LAUREL FLOWER

14:56.533 --> 14:57.000 align:left position:0%,start line:93.33% size:100%
WILL REVEAL TEN STAMENS BENT

14:57.000 --> 14:59.700 align:left position:0%,start line:93.33% size:100%
BACKWARD.

14:59.700 --> 15:01.833 align:left position:0%,start line:93.33% size:100%
EACH WITH ITS TIP, THE POLLEN

15:01.833 --> 15:03.400 align:left position:0%,start line:93.33% size:100%
BEARING ANTHER, TUCKED INTO A

15:03.400 --> 15:05.700 align:left position:0%,start line:93.33% size:100%
LITTLE POCKET IN THE COROLLA.

15:05.700 --> 15:07.900 align:left position:0%,start line:93.33% size:100%
THE FIRST TOUCH OF A VISITING

15:07.900 --> 15:09.966 align:left position:0%,start line:93.33% size:100%
BEE WILL DISLODGE THE ANTHER,

15:09.966 --> 15:11.833 align:left position:0%,start line:93.33% size:100%
CAUSING IT TO LASH FORWARD AND

15:11.833 --> 15:12.933 align:left position:0%,start line:93.33% size:100%
SLAP THE INSECT WITH A STICKY

15:12.933 --> 15:14.833 align:left position:0%,start line:93.33% size:100%
BIT OF POLLEN.

15:14.833 --> 15:15.933 align:left position:0%,start line:93.33% size:100%
MAKING HIM AN UNWITTING

15:15.933 --> 15:19.233 align:left position:0%,start line:93.33% size:100%
CROSS-POLLENIZING AGENT.

15:19.233 --> 15:21.333 align:left position:0%,start line:93.33% size:100%
>> COLLEGE PROFESSOR SOME YEARS

15:21.333 --> 15:22.733 align:left position:0%,start line:93.33% size:100%
AGO OBSERVED THAT A WALK IN THE

15:22.733 --> 15:24.300 align:left position:0%,start line:93.33% size:100%
WOODS WITH NED SMITH WAS A

15:24.300 --> 15:25.133 align:left position:0%,start line:93.33% size:100%
LITTLE BIT LIKE A PRACTICAL

15:25.133 --> 15:27.000 align:left position:0%,start line:93.33% size:100%
COURSE IN FIELD AT COLLEGE.

15:27.000 --> 15:27.400 align:left position:0%,start line:93.33% size:100%
AND THAT WAS THE CASE WITH HIS

15:27.400 --> 15:31.433 align:left position:0%,start line:93.33% size:100%
WRITING AS WELL.

15:31.433 --> 15:34.866 align:left position:0%,start line:93.33% size:100%
HE WAS SUCH AN OVERWHELMINGLY

15:34.866 --> 15:37.000 align:left position:0%,start line:93.33% size:100%
CURIOUS NATURALIST AND HAD

15:37.000 --> 15:38.333 align:left position:0%,start line:93.33% size:100%
DEVELOPED A REAL EXPERTISE IN SO

15:38.333 --> 15:40.200 align:left position:0%,start line:93.33% size:100%
MANY DIFFERENT AREAS.

15:40.200 --> 15:41.633 align:left position:0%,start line:93.33% size:100%
ENTOMOLOGY, MYCOLOGY,

15:41.633 --> 15:42.133 align:left position:0%,start line:93.33% size:100%
ORNITHOLOGY YOU KNOW, THE LIST

15:42.133 --> 15:43.766 align:left position:0%,start line:93.33% size:100%
GOES ON AND ON.

15:43.766 --> 15:46.200 align:left position:0%,start line:93.33% size:100%
AND HE WAS ABLE TO SHARE THAT

15:46.200 --> 15:48.166 align:left position:0%,start line:93.33% size:100%
INFORMATION VISUALLY AND IN

15:48.166 --> 15:49.533 align:left position:0%,start line:93.33% size:100%
WRITING IN A WAY THAT WAS

15:49.533 --> 15:50.933 align:left position:0%,start line:93.33% size:100%
ACCESSIBLE TO EVERYBODY.

15:50.933 --> 15:52.300 align:left position:0%,start line:93.33% size:100%
>> HE SHOWED HOW THE OUTDOORS

15:52.300 --> 15:55.466 align:left position:0%,start line:93.33% size:100%
MESHED TOGETHER FOR HUNTERS AND

15:55.466 --> 15:57.966 align:left position:0%,start line:93.33% size:100%
PEOPLE WHO DIDN'T HUNT.

15:57.966 --> 16:01.133 align:left position:0%,start line:93.33% size:100%
IF NOTHING ELSE, NED REALLY

16:01.133 --> 16:03.233 align:left position:0%,start line:93.33% size:100%
EMPHASIZED JUST HOW IMPORTANT

16:03.233 --> 16:04.933 align:left position:0%,start line:93.33% size:100%
THE OUTDOORS WAS TO EVERYBODY.

16:04.933 --> 16:06.600 align:left position:0%,start line:93.33% size:100%
>> I THINK CONSERVATION REALLY

16:06.600 --> 16:08.033 align:left position:0%,start line:93.33% size:100%
WAS AT THE CORE TO GET PEOPLE

16:08.033 --> 16:09.066 align:left position:0%,start line:93.33% size:100%
INTERESTED IN THE NATURAL WORLD

16:09.066 --> 16:11.266 align:left position:0%,start line:93.33% size:100%
AND INTRODUCE THEM TO IT.

16:11.266 --> 16:13.500 align:left position:0%,start line:93.33% size:100%
AND THAT'S ALWAYS THE FIRST STEP

16:13.500 --> 16:15.300 align:left position:0%,start line:93.33% size:100%
TO EVENTUALLY GROWING TO LOVE

16:15.300 --> 16:16.033 align:left position:0%,start line:93.33% size:100%
SOMETHING AND THEN CARING ENOUGH

16:16.033 --> 16:17.800 align:left position:0%,start line:93.33% size:100%
TO TAKE ACTION.

16:17.800 --> 16:19.366 align:left position:0%,start line:93.33% size:100%
HE WAS GROWING UP DURING THE

16:19.366 --> 16:21.233 align:left position:0%,start line:93.33% size:100%
DEPRESSION, THE DUST BOWL.

16:21.233 --> 16:23.500 align:left position:0%,start line:93.33% size:100%
YOU KNOW, WE LITERALLY SAW THE

16:23.500 --> 16:25.733 align:left position:0%,start line:93.33% size:100%
LAND BEING SWEPT AWAY BY WIND.

16:25.733 --> 16:27.500 align:left position:0%,start line:93.33% size:100%
PRETTY BLEAK YEARS FOR

16:27.500 --> 16:28.433 align:left position:0%,start line:93.33% size:100%
CONSERVATION.

16:28.433 --> 16:29.700 align:left position:0%,start line:93.33% size:100%
GAME POPULATIONS WERE AT THEIR

16:29.700 --> 16:31.766 align:left position:0%,start line:93.33% size:100%
ABSOLUTE LOW WEB.

16:31.766 --> 16:33.366 align:left position:0%,start line:93.33% size:100%
BALD EAGLES, PEREGRINE FALCONS,

16:33.366 --> 16:34.533 align:left position:0%,start line:93.33% size:100%
AND OSPREYS DISAPPEARED BECAUSE

16:34.533 --> 16:35.900 align:left position:0%,start line:93.33% size:100%
OF CHEMICAL POISONING.

16:35.900 --> 16:37.800 align:left position:0%,start line:93.33% size:100%
AND IN THE 1960s YOU HAD

16:37.800 --> 16:39.033 align:left position:0%,start line:93.33% size:100%
RACHEL CARSON PUBLISHING

16:39.033 --> 16:41.266 align:left position:0%,start line:93.33% size:100%
"SILENT SPRING" AND THESE WERE

16:41.266 --> 16:43.433 align:left position:0%,start line:93.33% size:100%
THINGS THAT NED WORRIED ABOUT

16:43.433 --> 16:45.433 align:left position:0%,start line:93.33% size:100%
AND CARED ABOUT AND WROTE ABOUT.

16:45.433 --> 16:48.400 align:left position:0%,start line:93.33% size:100%
HE WAS NOT PREACHY ABOUT IT.

16:48.400 --> 16:51.266 align:left position:0%,start line:93.33% size:100%
HE SAW HIS ABILITY TO MAKE

16:51.266 --> 16:54.266 align:left position:0%,start line:93.33% size:100%
PEOPLE SEE AND CARE ABOUT

16:54.266 --> 16:56.500 align:left position:0%,start line:93.33% size:100%
WILDLIFE AND THE OUTDOORS AS

16:56.500 --> 16:59.200 align:left position:0%,start line:93.33% size:100%
PERHAPS THE MOST EFFECTIVE WAY

16:59.200 --> 17:00.600 align:left position:0%,start line:93.33% size:100%
TO BRING THEM TO A SENSE OF

17:00.600 --> 17:02.333 align:left position:0%,start line:93.33% size:100%
RESPONSIBILITY AND STEWARDSHIP.

17:02.333 --> 17:02.966 align:left position:0%,start line:93.33% size:100%
>> "GONE FOR THE DAY" REALLY

17:02.966 --> 17:04.266 align:left position:0%,start line:93.33% size:100%
TRANSCENDS TIME.

17:04.266 --> 17:07.966 align:left position:0%,start line:93.33% size:100%
I READ IT ONCE A YEAR.

17:07.966 --> 17:08.633 align:left position:0%,start line:93.33% size:100%
I'VE READ IT IN THE EARLY YEARS,

17:08.633 --> 17:11.166 align:left position:0%,start line:93.33% size:100%
MANY -- MANY TIMES.

17:11.166 --> 17:11.933 align:left position:0%,start line:93.33% size:100%
YOU CAN ALSO USE IT AS A

17:11.933 --> 17:13.666 align:left position:0%,start line:93.33% size:100%
REFERENCE TOOL.

17:13.666 --> 17:14.600 align:left position:0%,start line:93.33% size:100%
THE WHITE TAILED DEER OF TODAY

17:14.600 --> 17:16.266 align:left position:0%,start line:93.33% size:100%
IS THE SAME AS THE

17:16.266 --> 17:17.433 align:left position:0%,start line:93.33% size:100%
WHITE TAILED DEER THAT NED DREW

17:17.433 --> 17:18.666 align:left position:0%,start line:93.33% size:100%
AND KNEW IN THE WOODS.

17:18.666 --> 17:20.433 align:left position:0%,start line:93.33% size:100%
MANY YEARS LATER, WE CAN

17:20.433 --> 17:22.700 align:left position:0%,start line:93.33% size:100%
UNDERSTAND IT IN THE SAME WAY.

17:22.700 --> 17:23.366 align:left position:0%,start line:93.33% size:100%
SO I THINK THAT'S WHY IT GIVES

17:23.366 --> 17:24.400 align:left position:0%,start line:93.33% size:100%
IT A TIMELESS QUALITY.

17:24.400 --> 17:25.966 align:left position:0%,start line:93.33% size:100%
>> ALMOST 50 YEARS AFTER THAT

17:25.966 --> 17:27.633 align:left position:0%,start line:93.33% size:100%
BOOK WAS FIRST PUBLISHED, IT'S

17:27.633 --> 17:28.633 align:left position:0%,start line:93.33% size:100%
STILL IN PRINT AND IT'S STILL

17:28.633 --> 17:29.800 align:left position:0%,start line:93.33% size:100%
INSPIRING PEOPLE.

17:29.800 --> 17:33.100 align:left position:0%,start line:93.33% size:100%
THAT'S A PRETTY COOL THING.

17:33.100 --> 17:34.033 align:left position:0%,start line:93.33% size:100%
>> Announcer: IN ADDITION TO HIS

17:34.033 --> 17:35.633 align:left position:0%,start line:93.33% size:100%
WORK WITH THE PENNSYLVANIA

17:35.633 --> 17:37.000 align:left position:0%,start line:93.33% size:100%
GAME COMMISSION, NED WROTE

17:37.000 --> 17:38.900 align:left position:0%,start line:93.33% size:100%
ARTICLES AND CREATED ARTWORK FOR

17:38.900 --> 17:39.666 align:left position:0%,start line:93.33% size:100%
"SPORTS OF FIELD",

17:39.666 --> 17:40.933 align:left position:0%,start line:93.33% size:100%
"NATIONAL WILDLIFE",

17:40.933 --> 17:42.733 align:left position:0%,start line:93.33% size:100%
"PENNSYLVANIA ANGLER",

17:42.733 --> 17:44.000 align:left position:0%,start line:93.33% size:100%
"SOUTH CAROLINA WILDLIFE",

17:44.000 --> 17:44.600 align:left position:0%,start line:93.33% size:100%
"NATIONAL GEOGRAPHIC" AND MANY

17:44.600 --> 17:46.500 align:left position:0%,start line:93.33% size:100%
OTHERS.

17:46.500 --> 17:49.233 align:left position:0%,start line:93.33% size:100%
HE ALSO ILLUSTRATED 14 BOOKS

17:49.233 --> 17:50.333 align:left position:0%,start line:93.33% size:100%
INCLUDING "PETERSON'S SERIES:

17:50.333 --> 17:51.200 align:left position:0%,start line:93.33% size:100%
FIELD GUIDE TO BIRD'S NESTS" BY

17:51.200 --> 17:53.300 align:left position:0%,start line:93.33% size:100%
HAL HARRISON.

17:53.300 --> 17:54.900 align:left position:0%,start line:93.33% size:100%
IN THE 1970s, NED SMITH VENTURED

17:54.900 --> 17:56.233 align:left position:0%,start line:93.33% size:100%
INTO THE GROWING WORLD OF FINE

17:56.233 --> 17:58.633 align:left position:0%,start line:93.33% size:100%
ART PRINTS.

17:58.633 --> 18:00.700 align:left position:0%,start line:93.33% size:100%
>> NED'S WORK AS IT PROGRESSED

18:00.700 --> 18:01.900 align:left position:0%,start line:93.33% size:100%
IN HIS LATER YEARS, BECAME MUCH

18:01.900 --> 18:06.333 align:left position:0%,start line:93.33% size:100%
MORE INTRIGUING.

18:06.333 --> 18:07.366 align:left position:0%,start line:93.33% size:100%
HE KIND OF GOT AWAY FROM THE

18:07.366 --> 18:08.200 align:left position:0%,start line:93.33% size:100%
EDITORIAL REQUESTS OF YOU KNOW,

18:08.200 --> 18:09.766 align:left position:0%,start line:93.33% size:100%
"DRAW A DEER" OR "DRAW A FROG"

18:09.766 --> 18:11.433 align:left position:0%,start line:93.33% size:100%
OR WHATEVER IT HAD TO BE.

18:11.433 --> 18:14.133 align:left position:0%,start line:93.33% size:100%
HE WENT ON TO BECOME A PAINTER.

18:14.133 --> 18:14.733 align:left position:0%,start line:93.33% size:100%
HE STARTED TO GO IN THAT

18:14.733 --> 18:16.633 align:left position:0%,start line:93.33% size:100%
DIRECTION.

18:16.633 --> 18:18.500 align:left position:0%,start line:93.33% size:100%
HE UNDERSTOOD THE ELEMENTS OF

18:18.500 --> 18:19.466 align:left position:0%,start line:93.33% size:100%
COMPOSITION, WHICH IS A VERY

18:19.466 --> 18:21.800 align:left position:0%,start line:93.33% size:100%
HARD THING TO DO.

18:21.800 --> 18:22.866 align:left position:0%,start line:93.33% size:100%
IT WASN'T JUST AN ANIMAL IN THE

18:22.866 --> 18:24.700 align:left position:0%,start line:93.33% size:100%
MIDDLE OF A PAGE LOOKING AT YOU.

18:24.700 --> 18:26.066 align:left position:0%,start line:93.33% size:100%
HE BEGAN TO DO SPORTING TYPE

18:26.066 --> 18:27.500 align:left position:0%,start line:93.33% size:100%
PRINTS, YOU KNOW?

18:27.500 --> 18:29.500 align:left position:0%,start line:93.33% size:100%
THINGS THAT HUNTERS WOULD BUY,

18:29.500 --> 18:30.900 align:left position:0%,start line:93.33% size:100%
BUT THEN HE SAW THAT HERE IS WAS

18:30.900 --> 18:32.433 align:left position:0%,start line:93.33% size:100%
AN AVENUE WHERE I CAN START

18:32.433 --> 18:34.766 align:left position:0%,start line:93.33% size:100%
MAKING SOME PERSONAL STATEMENTS

18:34.766 --> 18:36.233 align:left position:0%,start line:93.33% size:100%
ABOUT WHAT I -- NOT ONLY WHAT I

18:36.233 --> 18:36.933 align:left position:0%,start line:93.33% size:100%
SEE, BUT MORE IMPORTANTLY, WHAT

18:36.933 --> 18:38.533 align:left position:0%,start line:93.33% size:100%
I FEEL.

18:38.533 --> 18:40.800 align:left position:0%,start line:93.33% size:100%
>> SO FOR EXAMPLE, IF WE'RE

18:40.800 --> 18:42.266 align:left position:0%,start line:93.33% size:100%
PAINTING LIKE ONE CALLED,

18:42.266 --> 18:44.333 align:left position:0%,start line:93.33% size:100%
"WAITING FOR DUSK", WHICH IS TWO

18:44.333 --> 18:46.666 align:left position:0%,start line:93.33% size:100%
RED FOXES IN A LATE WINTER SCENE

18:46.666 --> 18:48.300 align:left position:0%,start line:93.33% size:100%
IN THE SNOW.

18:48.300 --> 18:50.266 align:left position:0%,start line:93.33% size:100%
THE VIXEN, THE FEMALE, IS

18:50.266 --> 18:51.633 align:left position:0%,start line:93.33% size:100%
GROOMING HERSELF AND THE MALE

18:51.633 --> 18:52.566 align:left position:0%,start line:93.33% size:100%
FOX IS KIND OF WATCHING THE

18:52.566 --> 18:54.366 align:left position:0%,start line:93.33% size:100%
TERRAIN.

18:54.366 --> 18:54.700 align:left position:0%,start line:93.33% size:100%
>> IT HAS A SENSE OF RESTFULNESS

18:54.700 --> 18:56.300 align:left position:0%,start line:93.33% size:100%
TO IT.

18:56.300 --> 18:58.666 align:left position:0%,start line:93.33% size:100%
THERE'S A SENSE OF PEACE TO IT.

18:58.666 --> 19:00.366 align:left position:0%,start line:93.33% size:100%
THERE'S NOT A LOT OF TENSION.

19:00.366 --> 19:00.600 align:left position:0%,start line:93.33% size:100%
WILDLIFE CAN BE VERY, VERY

19:00.600 --> 19:02.533 align:left position:0%,start line:93.33% size:100%
PATIENT.

19:02.533 --> 19:04.666 align:left position:0%,start line:93.33% size:100%
THERE'S A SENSE OF MOMENT, IT IS

19:04.666 --> 19:05.800 align:left position:0%,start line:93.33% size:100%
VERY CLEARLY THE

19:05.800 --> 19:06.733 align:left position:0%,start line:93.33% size:100%
RIDGE-AND-VALLEY SYSTEM OF

19:06.733 --> 19:08.933 align:left position:0%,start line:93.33% size:100%
CENTRAL PENNSYLVANIA.

19:08.933 --> 19:10.700 align:left position:0%,start line:93.33% size:100%
IT IS LATE WINTER.

19:10.700 --> 19:12.166 align:left position:0%,start line:93.33% size:100%
AND YOU KNOW THAT BECAUSE THE

19:12.166 --> 19:13.100 align:left position:0%,start line:93.33% size:100%
MAPLES, EVEN THOUGH THERE IS

19:13.100 --> 19:14.033 align:left position:0%,start line:93.33% size:100%
SNOW ON THE GROUND, THE MAPLES

19:14.033 --> 19:15.100 align:left position:0%,start line:93.33% size:100%
ARE STARTING TO TURN RED.

19:15.100 --> 19:15.766 align:left position:0%,start line:93.33% size:100%
WHICH, THE RED MAPLES DO LATE IN

19:15.766 --> 19:17.233 align:left position:0%,start line:93.33% size:100%
THE WINTER.

19:17.233 --> 19:18.700 align:left position:0%,start line:93.33% size:100%
>> WE CAN KIND OF SEE THESE

19:18.700 --> 19:19.066 align:left position:0%,start line:93.33% size:100%
CHICKEN COOPS DOWN HERE ON THIS

19:19.066 --> 19:20.433 align:left position:0%,start line:93.33% size:100%
FARM.

19:20.433 --> 19:22.166 align:left position:0%,start line:93.33% size:100%
ARE THEY GOING TO GO DOWN AND

19:22.166 --> 19:23.700 align:left position:0%,start line:93.33% size:100%
POKE AROUND IN THESE CHICKEN

19:23.700 --> 19:24.100 align:left position:0%,start line:93.33% size:100%
COOPS OR ARE THEY JUST GOING TO

19:24.100 --> 19:25.666 align:left position:0%,start line:93.33% size:100%
MOVE ON?

19:25.666 --> 19:26.500 align:left position:0%,start line:93.33% size:100%
ARE THEY GOING TO GO DOWN AND

19:26.500 --> 19:28.266 align:left position:0%,start line:93.33% size:100%
HUNT MICE ALONG THE HEDGE ROWS?

19:28.266 --> 19:29.466 align:left position:0%,start line:93.33% size:100%
>> THAT'S THE TIME WHEN THE

19:29.466 --> 19:29.866 align:left position:0%,start line:93.33% size:100%
FOXES ARE PAIRING UP AND

19:29.866 --> 19:31.833 align:left position:0%,start line:93.33% size:100%
COURTING.

19:31.833 --> 19:33.366 align:left position:0%,start line:93.33% size:100%
YOU'RE CATCHING THIS WINDOW INTO

19:33.366 --> 19:34.966 align:left position:0%,start line:93.33% size:100%
THE NATURAL HISTORY AND LIFE

19:34.966 --> 19:36.666 align:left position:0%,start line:93.33% size:100%
HISTORY OF THIS ANIMAL, IN A

19:36.666 --> 19:39.433 align:left position:0%,start line:93.33% size:100%
PLACE THAT IS RECOGNIZABLE.

19:39.433 --> 19:41.433 align:left position:0%,start line:93.33% size:100%
>> A PAUSE IN TIME, AN OLD

19:41.433 --> 19:42.900 align:left position:0%,start line:93.33% size:100%
FEELING IN THE PENNSYLVANIA

19:42.900 --> 19:44.233 align:left position:0%,start line:93.33% size:100%
LANDSCAPE, THE BAREBONES OF

19:44.233 --> 19:46.600 align:left position:0%,start line:93.33% size:100%
THESE MOUNTAINS BACK HERE.

19:46.600 --> 19:48.833 align:left position:0%,start line:93.33% size:100%
AND THOSE ARE ALL WONDERFUL

19:48.833 --> 19:51.266 align:left position:0%,start line:93.33% size:100%
ENDURING QUALITIES OF THIS GREAT

19:51.266 --> 19:53.500 align:left position:0%,start line:93.33% size:100%
STATE THAT WE LIVE IN.

19:53.500 --> 19:55.133 align:left position:0%,start line:93.33% size:100%
THIS IS WHAT THIS PAINTING DOES.

19:55.133 --> 19:56.133 align:left position:0%,start line:93.33% size:100%
IT'S MUCH MORE THAN JUST TWO

19:56.133 --> 19:58.800 align:left position:0%,start line:93.33% size:100%
FOXES ON A HILLSIDE.

19:58.800 --> 20:01.000 align:left position:0%,start line:93.33% size:100%
I THINK THAT NED UNDERSTOOD THAT

20:01.000 --> 20:02.933 align:left position:0%,start line:93.33% size:100%
HE COULD MAKE A GRAND CONNECTION

20:02.933 --> 20:04.466 align:left position:0%,start line:93.33% size:100%
WITH PEOPLE IF HE COULD PAINT

20:04.466 --> 20:05.300 align:left position:0%,start line:93.33% size:100%
WHAT HE FELT ABOUT THE NATURAL

20:05.300 --> 20:08.000 align:left position:0%,start line:93.33% size:100%
WORLD.

20:08.000 --> 20:09.966 align:left position:0%,start line:93.33% size:100%
AND PEOPLE RESPONDED TO THAT.

20:09.966 --> 20:11.266 align:left position:0%,start line:93.33% size:100%
>> WHEN YOU CONNECT ON THAT

20:11.266 --> 20:13.866 align:left position:0%,start line:93.33% size:100%
LEVEL, IT'S A WONDROUS THING.

20:13.866 --> 20:16.300 align:left position:0%,start line:93.33% size:100%
>> Announcer: NOT ONLY DID NED'S

20:16.300 --> 20:17.566 align:left position:0%,start line:93.33% size:100%
ARTWORK EDUCATE AND INSPIRE, IT

20:17.566 --> 20:18.600 align:left position:0%,start line:93.33% size:100%
ALSO HELPED RAISE MONEY TO

20:18.600 --> 20:19.500 align:left position:0%,start line:93.33% size:100%
CONSERVE AND PROTECT THE

20:19.500 --> 20:21.700 align:left position:0%,start line:93.33% size:100%
WILDLIFE HE LOVED.

20:21.700 --> 20:23.100 align:left position:0%,start line:93.33% size:100%
SMITH CREATED SEVERAL SPECIAL

20:23.100 --> 20:24.066 align:left position:0%,start line:93.33% size:100%
EDITION PRINTS FOR THE

20:24.066 --> 20:25.500 align:left position:0%,start line:93.33% size:100%
GAME COMMISSION'S

20:25.500 --> 20:25.800 align:left position:0%,start line:93.33% size:100%
"WORKING TOGETHER FOR WILDLIFE"

20:25.800 --> 20:27.333 align:left position:0%,start line:93.33% size:100%
PROJECT.

20:27.333 --> 20:28.733 align:left position:0%,start line:93.33% size:100%
WITH THE PROCEEDS BENEFITTING

20:28.733 --> 20:30.266 align:left position:0%,start line:93.33% size:100%
THE PRESERVATION AND MAINTENANCE

20:30.266 --> 20:30.733 align:left position:0%,start line:93.33% size:100%
OF PENNSYLVANIA'S NON-GAME

20:30.733 --> 20:33.000 align:left position:0%,start line:93.33% size:100%
SPECIES.

20:33.000 --> 20:34.233 align:left position:0%,start line:93.33% size:100%
DUTCH-COUNTRY BLUEBIRDS WAS

20:34.233 --> 20:36.433 align:left position:0%,start line:93.33% size:100%
AMONG THE MOST POPULAR PRINTS.

20:36.433 --> 20:37.900 align:left position:0%,start line:93.33% size:100%
>> A PAIR OF BLUEBIRDS IN FRONT

20:37.900 --> 20:38.966 align:left position:0%,start line:93.33% size:100%
OF AN OLD PENNSYLVANIAN GERMAN

20:38.966 --> 20:40.633 align:left position:0%,start line:93.33% size:100%
BARN.

20:40.633 --> 20:41.866 align:left position:0%,start line:93.33% size:100%
I THINK THAT PROBABLY MORE THAN

20:41.866 --> 20:43.333 align:left position:0%,start line:93.33% size:100%
ANY OTHER SINGLE IMAGE OF HIS IS

20:43.333 --> 20:46.800 align:left position:0%,start line:93.33% size:100%
BEST KNOWN AND MOST-BELOVED.

20:46.800 --> 20:47.966 align:left position:0%,start line:93.33% size:100%
SO THE MONEY THAT CAME FROM THAT

20:47.966 --> 20:50.033 align:left position:0%,start line:93.33% size:100%
PROGRAM WENT BACK INTO

20:50.033 --> 20:51.666 align:left position:0%,start line:93.33% size:100%
REINTRODUCTION CAMPAIGNS FOR

20:51.666 --> 20:53.633 align:left position:0%,start line:93.33% size:100%
OSPREY AND BALD EAGLE AND

20:53.633 --> 20:54.100 align:left position:0%,start line:93.33% size:100%
RIVER OTTERS AND A HOST OF OTHER

20:54.100 --> 20:55.633 align:left position:0%,start line:93.33% size:100%
SPECIES.

20:55.633 --> 20:56.866 align:left position:0%,start line:93.33% size:100%
>> Announcer: IN 1983, SMITH

20:56.866 --> 20:57.866 align:left position:0%,start line:93.33% size:100%
CREATED PENNSYLVANIA'S STATE

20:57.866 --> 21:00.000 align:left position:0%,start line:93.33% size:100%
DUCK STAMP.

21:00.000 --> 21:01.666 align:left position:0%,start line:93.33% size:100%
THE SALE OF WHICH HELPED

21:01.666 --> 21:04.700 align:left position:0%,start line:93.33% size:100%
PRESERVE LAND FOR WATERFOWL.

21:04.700 --> 21:07.266 align:left position:0%,start line:93.33% size:100%
THE WATERFOWL STAMP HELPED US

21:07.266 --> 21:08.066 align:left position:0%,start line:93.33% size:100%
BUY GAMELANDS THAT WE PROBABLY

21:08.066 --> 21:08.566 align:left position:0%,start line:93.33% size:100%
WOULD NOT HAVE BEEN ABLE TO BUY

21:08.566 --> 21:11.500 align:left position:0%,start line:93.33% size:100%
OTHERWISE.

21:11.500 --> 21:13.100 align:left position:0%,start line:93.33% size:100%
AND SURE, ANY ARTIST COULD HAVE

21:13.100 --> 21:15.766 align:left position:0%,start line:93.33% size:100%
BEEN THAT FIRST ARTIST, BUT THE

21:15.766 --> 21:17.766 align:left position:0%,start line:93.33% size:100%
FACT THAT IT WAS NED SMITH

21:17.766 --> 21:19.900 align:left position:0%,start line:93.33% size:100%
ATTRACTED ATTENTION IMMEADIATELY

21:19.900 --> 21:21.100 align:left position:0%,start line:93.33% size:100%
BECAUSE HE WAS PENNSYLVANIA'S

21:21.100 --> 21:22.100 align:left position:0%,start line:93.33% size:100%
MOST PROMINENT ARTIST AT THAT

21:22.100 --> 21:24.166 align:left position:0%,start line:93.33% size:100%
TIME.

21:24.166 --> 21:26.633 align:left position:0%,start line:93.33% size:100%
SO TO HAVE HIM FEATURED ON THE

21:26.633 --> 21:27.600 align:left position:0%,start line:93.33% size:100%
FIRST STAMP MADE ALL THE

21:27.600 --> 21:28.233 align:left position:0%,start line:93.33% size:100%
DIFFERENCE IN THE WORLD FOR THAT

21:28.233 --> 21:31.833 align:left position:0%,start line:93.33% size:100%
PROGRAM.

21:31.833 --> 21:33.566 align:left position:0%,start line:93.33% size:100%
NED HELPED US EXPAND THE THINGS

21:33.566 --> 21:35.433 align:left position:0%,start line:93.33% size:100%
THAT WE DO AS A WILDLIFE AGENCY.

21:35.433 --> 21:36.966 align:left position:0%,start line:93.33% size:100%
WE WOULDN'T BE ABLE TO

21:36.966 --> 21:38.666 align:left position:0%,start line:93.33% size:100%
ACCOMPLISH AS MUCH FOR WILDLIFE

21:38.666 --> 21:39.700 align:left position:0%,start line:93.33% size:100%
AS WE DO WITHOUT NED'S INFLUENCE

21:39.700 --> 21:41.233 align:left position:0%,start line:93.33% size:100%
IN THE 60s AND THE 70s AND

21:41.233 --> 21:43.800 align:left position:0%,start line:93.33% size:100%
THE 80s.

21:43.800 --> 21:45.033 align:left position:0%,start line:93.33% size:100%
HE WAS SUCH AN IMPORTANT PART OF

21:45.033 --> 21:47.500 align:left position:0%,start line:93.33% size:100%
WHAT THE GAME COMMISSION IS.

21:47.500 --> 21:52.000 align:left position:0%,start line:93.33% size:100%
♪

21:52.000 --> 21:53.866 align:left position:0%,start line:93.33% size:100%
>> Announcer: ON APRIL 22, 1985,

21:53.866 --> 21:55.766 align:left position:0%,start line:93.33% size:100%
NED SMITH WAS WORKING AT HOME IN

21:55.766 --> 21:57.066 align:left position:0%,start line:93.33% size:100%
HIS BACKYARD GARDEN WHEN HE

21:57.066 --> 21:59.066 align:left position:0%,start line:93.33% size:100%
UNEXPECTEDLY DIED OF A HEART

21:59.066 --> 22:02.433 align:left position:0%,start line:93.33% size:100%
ATTACK AT THE AGE OF 65.

22:02.433 --> 22:03.400 align:left position:0%,start line:93.33% size:100%
>> IT REALLY TOOK THE WIND OUT

22:03.400 --> 22:05.333 align:left position:0%,start line:93.33% size:100%
OF YOUR SAILS.

22:05.333 --> 22:07.100 align:left position:0%,start line:93.33% size:100%
IT WAS, JUST KIND OF LIKE, WHEN

22:07.100 --> 22:08.800 align:left position:0%,start line:93.33% size:100%
YOU DIDN'T SEE ANYMORE

22:08.800 --> 22:09.500 align:left position:0%,start line:93.33% size:100%
NORMAN ROCKWELL PAINTINGS ON A

22:09.500 --> 22:10.833 align:left position:0%,start line:93.33% size:100%
MAGAZINE COVER.

22:10.833 --> 22:12.200 align:left position:0%,start line:93.33% size:100%
IT BECOMES PART OF THE FABRIC OF

22:12.200 --> 22:15.766 align:left position:0%,start line:93.33% size:100%
EVERYDAY.

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IT WAS DIFFICULT.

22:17.966 --> 22:19.566 align:left position:0%,start line:93.33% size:100%
>> HE HAD TWO PIECES ON HIS

22:19.566 --> 22:20.600 align:left position:0%,start line:93.33% size:100%
EASEL WHEN HE DIED.

22:20.600 --> 22:21.933 align:left position:0%,start line:93.33% size:100%
ONE IS CALLED

22:21.933 --> 22:23.766 align:left position:0%,start line:93.33% size:100%
"UNFINISHED BUSINESS" AND IT'S A

22:23.766 --> 22:25.033 align:left position:0%,start line:93.33% size:100%
HERD OF ELK.

22:25.033 --> 22:26.600 align:left position:0%,start line:93.33% size:100%
AND IT'S A VERY BEAUTIFUL PIECE

22:26.600 --> 22:28.000 align:left position:0%,start line:93.33% size:100%
DONE IN THE CANADIAN ROCKIES.

22:28.000 --> 22:30.733 align:left position:0%,start line:93.33% size:100%
AND THEN THERE WAS ANOTHER ONE

22:30.733 --> 22:31.500 align:left position:0%,start line:93.33% size:100%
AND IT HAD SOME RAMS ON A

22:31.500 --> 22:32.566 align:left position:0%,start line:93.33% size:100%
MOUNTAIN LEDGE.

22:32.566 --> 22:34.000 align:left position:0%,start line:93.33% size:100%
AND I LOVE SHOWING THAT ONE TO

22:34.000 --> 22:34.900 align:left position:0%,start line:93.33% size:100%
CHILDREN.

22:34.900 --> 22:37.033 align:left position:0%,start line:93.33% size:100%
WHEN CHILDREN SEE NED SMITH'S

22:37.033 --> 22:39.033 align:left position:0%,start line:93.33% size:100%
ARTWORK, THEY AUTOMATICALLY

22:39.033 --> 22:40.433 align:left position:0%,start line:93.33% size:100%
ASSUME THAT THEY COULD NEVER DO

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SOMETHING AS MAGNIFICENT AS

22:41.466 --> 22:43.566 align:left position:0%,start line:93.33% size:100%
NED SMITH'S ARTWORK.

22:43.566 --> 22:44.800 align:left position:0%,start line:93.33% size:100%
HE HAD ACTUALLY PAINTED OVER

22:44.800 --> 22:45.700 align:left position:0%,start line:93.33% size:100%
SOME OF HIS ARTWORK AND WAS

22:45.700 --> 22:46.966 align:left position:0%,start line:93.33% size:100%
REDOING IT.

22:46.966 --> 22:48.600 align:left position:0%,start line:93.33% size:100%
HE MOVED THE POSITION OF ONE OF

22:48.600 --> 22:50.866 align:left position:0%,start line:93.33% size:100%
THE LEGS AND ONE OF THE FACES OF

22:50.866 --> 22:51.533 align:left position:0%,start line:93.33% size:100%
THE BIG HORNED SHEEP IS NOT

22:51.533 --> 22:53.066 align:left position:0%,start line:93.33% size:100%
COMPLETED.

22:53.066 --> 22:53.733 align:left position:0%,start line:93.33% size:100%
SO IT LOOKS A LITTLE BIT

22:53.733 --> 22:55.800 align:left position:0%,start line:93.33% size:100%
GHOSTLY.

22:55.800 --> 22:56.333 align:left position:0%,start line:93.33% size:100%
AND SO YOU CAN SEE HIS PENCIL

22:56.333 --> 22:58.400 align:left position:0%,start line:93.33% size:100%
MARKS.

22:58.400 --> 22:59.600 align:left position:0%,start line:93.33% size:100%
AND FOR THE CHILDREN, IT SPEAKS

22:59.600 --> 23:01.833 align:left position:0%,start line:93.33% size:100%
SO MUCH ABOUT THE PROCESS.

23:01.833 --> 23:03.033 align:left position:0%,start line:93.33% size:100%
AND WHEN THEY SEE THAT, IT JUST

23:03.033 --> 23:05.400 align:left position:0%,start line:93.33% size:100%
CLICKS WITH THEM AND THEY THINK,

23:05.400 --> 23:06.266 align:left position:0%,start line:93.33% size:100%
"OKAY, MAYBE IF I WORK HARD

23:06.266 --> 23:08.700 align:left position:0%,start line:93.33% size:100%
ENOUGH, I CAN DO THIS TOO."

23:08.700 --> 23:09.333 align:left position:0%,start line:93.33% size:100%
SO HE STILL HAD LOTS OF ARTWORK

23:09.333 --> 23:10.633 align:left position:0%,start line:93.33% size:100%
LEFT IN HIM.

23:10.633 --> 23:11.200 align:left position:0%,start line:93.33% size:100%
UNFORTUNATELY, IT WASN'T MEANT

23:11.200 --> 23:13.700 align:left position:0%,start line:93.33% size:100%
TO BE.

23:13.700 --> 23:15.433 align:left position:0%,start line:93.33% size:100%
>> WHEN NED PASSED ON, IT WAS

23:15.433 --> 23:17.066 align:left position:0%,start line:93.33% size:100%
MUCH TOO EARLY.

23:17.066 --> 23:17.866 align:left position:0%,start line:93.33% size:100%
HE WAS PAINTING MORE

23:17.866 --> 23:19.866 align:left position:0%,start line:93.33% size:100%
EXPRESSIVELY.

23:19.866 --> 23:22.300 align:left position:0%,start line:93.33% size:100%
SO HERE WAS A GUY THAT WAS ON

23:22.300 --> 23:24.600 align:left position:0%,start line:93.33% size:100%
THE CUSP OF REALLY DOING HIS

23:24.600 --> 23:26.733 align:left position:0%,start line:93.33% size:100%
VERY BEST WORK WHEN HE PASSED.

23:26.733 --> 23:28.033 align:left position:0%,start line:93.33% size:100%
FOR ME, PERSONALLY, A VERY SAD

23:28.033 --> 23:28.866 align:left position:0%,start line:93.33% size:100%
THING BECAUSE I ALWAYS WANTED TO

23:28.866 --> 23:32.000 align:left position:0%,start line:93.33% size:100%
SEE WHAT HE WAS DOING NEXT.

23:32.000 --> 23:35.000 align:left position:0%,start line:93.33% size:100%
♪

23:35.000 --> 23:36.233 align:left position:0%,start line:93.33% size:100%
>> Announcer: NED SMITH'S LEGACY

23:36.233 --> 23:37.266 align:left position:0%,start line:93.33% size:100%
LIVES ON TODAY AT THE

23:37.266 --> 23:38.900 align:left position:0%,start line:93.33% size:100%
NED SMITH'S CENTER FOR NATURE

23:38.900 --> 23:41.100 align:left position:0%,start line:93.33% size:100%
AND ART IN MILLERSBURG.

23:41.100 --> 23:43.233 align:left position:0%,start line:93.33% size:100%
FOUNDED IN 1993, THE CENTER

23:43.233 --> 23:44.566 align:left position:0%,start line:93.33% size:100%
BRIDGES THE WORLDS OF NATURAL

23:44.566 --> 23:46.533 align:left position:0%,start line:93.33% size:100%
SCIENCE AND CREATIVITY.

23:46.533 --> 23:48.333 align:left position:0%,start line:93.33% size:100%
MORE THAN 500 ACRES AND MILES OF

23:48.333 --> 23:49.100 align:left position:0%,start line:93.33% size:100%
HIKING TRAILS TEEM WITH ABUNDANT

23:49.100 --> 23:50.900 align:left position:0%,start line:93.33% size:100%
WILDLIFE.

23:50.900 --> 23:52.800 align:left position:0%,start line:93.33% size:100%
IT'S GALLERIES FEATURE CHANGING

23:52.800 --> 23:54.466 align:left position:0%,start line:93.33% size:100%
EXHIBITS AND A PERMANENT DISPLAY

23:54.466 --> 23:57.233 align:left position:0%,start line:93.33% size:100%
OF SMITH'S ORIGINAL ARTWORK.

23:57.233 --> 23:58.900 align:left position:0%,start line:93.33% size:100%
>> THE CENTER'S MISSION IS TO

23:58.900 --> 23:59.766 align:left position:0%,start line:93.33% size:100%
USE ART TO GET PEOPLE EXCITED

23:59.766 --> 24:03.666 align:left position:0%,start line:93.33% size:100%
ABOUT NATURE, AND NATURE TO

24:03.666 --> 24:06.500 align:left position:0%,start line:93.33% size:100%
AND THAT'S KIND OF WHAT NED DID

24:06.500 --> 24:07.833 align:left position:0%,start line:93.33% size:100%
INTENTIONALLY AND AT A

24:07.833 --> 24:10.133 align:left position:0%,start line:93.33% size:100%
SUBCONSCIOUS LEVEL IN HIS WORK.

24:10.133 --> 24:11.900 align:left position:0%,start line:93.33% size:100%
>> THE CHILDREN IN THE CLASSROOM

24:11.900 --> 24:12.600 align:left position:0%,start line:93.33% size:100%
ARE THE NEXT GENERATION OF

24:12.600 --> 24:15.333 align:left position:0%,start line:93.33% size:100%
CONSERVATIONISTS.

24:15.333 --> 24:16.433 align:left position:0%,start line:93.33% size:100%
AND SO FOR US, WE JUST WANT TO

24:16.433 --> 24:18.533 align:left position:0%,start line:93.33% size:100%
GET THE KIDS CONNECTED TO THE

24:18.533 --> 24:19.900 align:left position:0%,start line:93.33% size:100%
OUTDOORS AND CONNECTED IN THE

24:19.900 --> 24:21.166 align:left position:0%,start line:93.33% size:100%
REAL SENSE OF THE WORD SO THAT

24:21.166 --> 24:22.833 align:left position:0%,start line:93.33% size:100%
THEY FEEL THEMSELVES CONNECTED.

24:22.833 --> 24:24.800 align:left position:0%,start line:93.33% size:100%
AND WE WANT TO SPARK THAT

24:24.800 --> 24:26.933 align:left position:0%,start line:93.33% size:100%
CONNECTION THROUGH OUR EDUCATION

24:26.933 --> 24:29.766 align:left position:0%,start line:93.33% size:100%
PROGRAMS AND WHEN I TALK TO THE

24:29.766 --> 24:30.866 align:left position:0%,start line:93.33% size:100%
CHILDREN ABOUT NED SMITH AND HIS

24:30.866 --> 24:32.366 align:left position:0%,start line:93.33% size:100%
KEEN POWERS OF OBSERVATION,

24:32.366 --> 24:32.933 align:left position:0%,start line:93.33% size:100%
OFTENTIMES I'LL SAY IT WHEN I'M

24:32.933 --> 24:35.133 align:left position:0%,start line:93.33% size:100%
WALKING THE WOODS.

24:35.133 --> 24:37.600 align:left position:0%,start line:93.33% size:100%
I SEE THE MOUNTAIN, BUT I NOTICE

24:37.600 --> 24:38.933 align:left position:0%,start line:93.33% size:100%
THE TREES AND I SEE THE TREES,

24:38.933 --> 24:40.966 align:left position:0%,start line:93.33% size:100%
BUT I NOTICE THE BARK.

24:40.966 --> 24:42.066 align:left position:0%,start line:93.33% size:100%
AND I SEE THE BARK BUT I NOTICE

24:42.066 --> 24:43.966 align:left position:0%,start line:93.33% size:100%
THE NOOKS AND CRANNIES.

24:43.966 --> 24:45.000 align:left position:0%,start line:93.33% size:100%
AND THEN I SEE THE NOOKS AND

24:45.000 --> 24:46.233 align:left position:0%,start line:93.33% size:100%
CRANNIES BUT I NOTICE THE LITTLE

24:46.233 --> 24:47.066 align:left position:0%,start line:93.33% size:100%
SPIDER THAT'S LIVING IN THOSE

24:47.066 --> 24:48.800 align:left position:0%,start line:93.33% size:100%
NOOKS AND CRANNIES.

24:48.800 --> 24:50.833 align:left position:0%,start line:93.33% size:100%
AND SO ALL OF A SUDDEN, FOR THE

24:50.833 --> 24:51.866 align:left position:0%,start line:93.33% size:100%
CHILDREN, THE ENTIRE FOREST

24:51.866 --> 24:53.733 align:left position:0%,start line:93.33% size:100%
BECOMES ALIVE FOR THEM.

24:53.733 --> 24:58.366 align:left position:0%,start line:93.33% size:100%
>> NED'S WORK IS SO TIMELESS.

24:58.366 --> 25:00.000 align:left position:0%,start line:93.33% size:100%
HE'S ALWAYS BEEN A MASSIVE FORCE

25:00.000 --> 25:01.633 align:left position:0%,start line:93.33% size:100%
IN CONSERVATION BECAUSE OF HIS

25:01.633 --> 25:03.500 align:left position:0%,start line:93.33% size:100%
WRITINGS, BECAUSE OF HIS

25:03.500 --> 25:05.433 align:left position:0%,start line:93.33% size:100%
TIMELESS PAINTINGS.

25:05.433 --> 25:06.633 align:left position:0%,start line:93.33% size:100%
>> NO ONE ELSE WHO HAS EVER HAD

25:06.633 --> 25:09.366 align:left position:0%,start line:93.33% size:100%
THE ABILITY TO CAPTURE THE

25:09.366 --> 25:11.933 align:left position:0%,start line:93.33% size:100%
VITALITY AND THE INDIVIDUALITY

25:11.933 --> 25:14.400 align:left position:0%,start line:93.33% size:100%
AND THE CHARACTER OF WILD

25:14.400 --> 25:17.066 align:left position:0%,start line:93.33% size:100%
ANIMALS IN ART THE WAY HE DID.

25:17.066 --> 25:20.300 align:left position:0%,start line:93.33% size:100%
>> INDIVIDUALS THAT LOOKED AT

25:20.300 --> 25:22.533 align:left position:0%,start line:93.33% size:100%
NED'S WORK, REALLY UNDERSTOOD

25:22.533 --> 25:23.600 align:left position:0%,start line:93.33% size:100%
THAT THIS WAS A GUY WHO BOUND A

25:23.600 --> 25:25.966 align:left position:0%,start line:93.33% size:100%
LOT OF THINGS TOGETHER.

25:25.966 --> 25:28.000 align:left position:0%,start line:93.33% size:100%
IT WAS LIKE LOVE MADE VISIBLE.

25:28.000 --> 25:29.700 align:left position:0%,start line:93.33% size:100%
THAT BEAUTIFUL THING THAT THEY

25:29.700 --> 25:32.166 align:left position:0%,start line:93.33% size:100%
SAW OUT THEIR WINDOW OR THAT

25:32.166 --> 25:32.666 align:left position:0%,start line:93.33% size:100%
THEY SAW DEEP IN THE WOODS WITH

25:32.666 --> 25:34.033 align:left position:0%,start line:93.33% size:100%
THEIR FAMILY.

25:34.033 --> 25:34.533 align:left position:0%,start line:93.33% size:100%
>> NED SMITH WAS A FANTASTIC

25:34.533 --> 25:37.666 align:left position:0%,start line:93.33% size:100%
ARTIST.

25:37.666 --> 25:40.366 align:left position:0%,start line:93.33% size:100%
HE ALSO WAS A CONSERVATIONIST.

25:40.366 --> 25:43.966 align:left position:0%,start line:93.33% size:100%
THROUGH HIS TEACHINGS OF

25:43.966 --> 25:45.933 align:left position:0%,start line:93.33% size:100%
LEARNING TO ENJOY AND OBSERVE

25:45.933 --> 25:47.733 align:left position:0%,start line:93.33% size:100%
THE OUTDOORS PEOPLE WHO LEARN TO

25:47.733 --> 25:49.033 align:left position:0%,start line:93.33% size:100%
ENJOY HIS ARTWORK AND HIS

25:49.033 --> 25:50.700 align:left position:0%,start line:93.33% size:100%
WRITINGS JUST ALSO BECOME IN

25:50.700 --> 25:51.666 align:left position:0%,start line:93.33% size:100%
THEIR OWN SMALL WAY A

25:51.666 --> 25:54.300 align:left position:0%,start line:93.33% size:100%
CONSERVATIONIST OF THEIR OWN.

25:54.300 --> 25:58.400 align:left position:0%,start line:93.33% size:100%
♪

25:58.400 --> 26:00.166 align:left position:0%,start line:93.33% size:100%
>> Announcer: MAJOR FUNDING FOR

26:00.166 --> 26:02.566 align:left position:0%,start line:93.33% size:100%
"NED SMITH, GONE FOR THE DAY" IS

26:02.566 --> 26:03.800 align:left position:0%,start line:93.33% size:100%
PROVIDED BY THE PENNSYLVANIA

26:03.800 --> 26:05.666 align:left position:0%,start line:93.33% size:100%
DEPARTMENT OF CONSERVATION AND

26:05.666 --> 26:07.533 align:left position:0%,start line:93.33% size:100%
NATURAL RESOURCES, THE HEINZ

26:07.533 --> 26:09.333 align:left position:0%,start line:93.33% size:100%
ENDOWMENTS, THE WILLIAM PENN

26:09.333 --> 26:11.366 align:left position:0%,start line:93.33% size:100%
FOUNDATION, THE PENNSYLVANIA

26:11.366 --> 26:13.066 align:left position:0%,start line:93.33% size:100%
PARKS AND FOREST FOUNDATION, THE

26:13.066 --> 26:14.733 align:left position:0%,start line:93.33% size:100%
PENNSYLVANIA CONSERVATION

26:14.733 --> 26:15.733 align:left position:0%,start line:93.33% size:100%
HERITAGE COMMITTEE, AND BY

26:15.733 --> 26:16.433 align:left position:0%,start line:93.33% size:100%
VIEWERS LIKE YOU.

26:16.433 --> 26:17.900 align:left position:0%,start line:93.33% size:100%
THANK YOU.

26:17.900 --> 26:20.000 align:left position:0%,start line:93.33% size:100%
♪

26:20.000 --> 26:24.600 align:left position:0%,start line:93.33% size:100%
♪

26:24.600 --> 26:30.566 align:left position:0%,start line:93.33% size:100%
♪

26:30.566 --> 26:34.433 align:left position:0%,start line:93.33% size:100%
♪

26:34.433 --> 26:41.900 align:left position:0%,start line:93.33% size:100%
♪

26:41.900 --> 26:42.133 align:left position:0%,start line:93.33% size:100%
♪
