WEBVTT 00:03.533 --> 00:04.200 align:left position:10%,start line:89% size:80% >> PRODUCTION SUPPORT FOR 00:04.200 --> 00:05.066 align:left position:10%,start line:89% size:80% "THE WEEKLY SPECIAL" IS PROVIDED 00:05.066 --> 00:06.400 align:left position:10%,start line:89% size:80% BY... 00:06.400 --> 00:08.000 align:left position:10%,start line:89% size:80% IU SCHOOL OF PUBLIC HEALTH 00:08.000 --> 00:09.400 align:left position:10%,start line:89% size:80% BLOOMINGTON, ADDRESSING PUBLIC 00:09.400 --> 00:11.266 align:left position:10%,start line:89% size:80% HEALTH NEEDS BY PREVENTING 00:11.266 --> 00:12.933 align:left position:10%,start line:89% size:80% DISEASE, PROMOTING HEALTH AND 00:12.933 --> 00:14.233 align:left position:10%,start line:89% size:80% IMPROVING QUALITY OF LIFE ACROSS 00:14.233 --> 00:16.133 align:left position:10%,start line:89% size:80% THE STATE AND AROUND THE WORLD 00:16.133 --> 00:17.566 align:left position:10%,start line:89% size:80% THROUGH RESEARCH, TEACHING AND 00:17.566 --> 00:20.800 align:left position:10%,start line:89% size:80% COMMUNITY ENGAGEMENT... 00:20.800 --> 00:22.833 align:left position:10%,start line:89% size:80% SMITHVILLE FIBER, THE GIGACITY 00:22.833 --> 00:24.733 align:left position:10%,start line:89% size:80% COMPANY, A PHILANTHROPIC 00:24.733 --> 00:26.866 align:left position:10%,start line:89% size:80% COMMUNITY PARTNER SINCE 1922 00:26.866 --> 00:28.300 align:left position:10%,start line:89% size:80% AND PROUD SUPPORTER OF NUMEROUS 00:28.300 --> 00:29.600 align:left position:10%,start line:89% size:80% COMMUNITY ORGANIZATIONS. 00:29.600 --> 00:31.566 align:left position:10%,start line:89% size:80% MORE INFORMATION AT 00:31.566 --> 00:33.700 align:left position:10%,start line:89% size:80% SMITHVILLE.COM... 00:33.700 --> 00:36.233 align:left position:10%,start line:89% size:80% THE AL COBINE RECOGNITION 00:36.233 --> 00:37.833 align:left position:10%,start line:89% size:80% ENDOWMENT FUND, ESTABLISHED BY 00:37.833 --> 00:39.566 align:left position:10%,start line:89% size:80% FRIENDS AND FAMILY OF AL COBINE 00:39.566 --> 00:40.900 align:left position:10%,start line:89% size:80% TO SUPPORT JAZZ INITIATIVES ON 00:40.900 --> 00:45.000 align:left position:10%,start line:89% size:80% WTIU AND WFIU... 00:43.266 --> 00:49.000 align:left position:10%,start line:89% size:80% AND WTIU MEMBERS, THANK YOU. 00:49.000 --> 00:51.933 align:left position:10%,start line:89% size:80% >> TONIGHT DISCOVER HOW INDIANA 00:51.933 --> 00:53.833 align:left position:10%,start line:89% size:80% TRAIL BLAZERS HAVE SHAPED OUR 00:53.833 --> 00:54.833 align:left position:10%,start line:89% size:80% STATE'S CULTURAL LEGACY. 00:54.833 --> 00:56.833 align:left position:10%,start line:89% size:80% MEET OF UP WITH BASEBALL'S MOST 00:56.833 --> 00:58.833 align:left position:10%,start line:89% size:80% ACCOMPLISHED PLAYERS, FELLOW 00:58.833 --> 01:00.366 align:left position:10%,start line:89% size:80% HOOSIER OSCAR CHARLESTON. 01:00.366 --> 01:02.166 align:left position:10%,start line:89% size:80% JOURNEY DOWN INDIANA AVENUE OF 01:02.166 --> 01:02.433 align:left position:10%,start line:89% size:80% OLD. 01:02.433 --> 01:04.866 align:left position:10%,start line:89% size:80% THE STREET OF DREAMS FOR MANY 01:04.866 --> 01:07.700 align:left position:10%,start line:89% size:80% AFRICAN AMERICAN JAZZ MUSICIANS. 01:07.700 --> 01:09.933 align:left position:10%,start line:89% size:80% WANDER AMID OLD GROWTH WOODS 01:09.933 --> 01:11.500 align:left position:10%,start line:89% size:80% WITHIN TURKEY RUN STATE PARK. 01:11.500 --> 01:12.900 align:left position:10%,start line:89% size:80% AND DISCOVER THE MAN WHO SAVED 01:12.900 --> 01:14.033 align:left position:10%,start line:89% size:80% THE LAND. 01:14.033 --> 01:16.700 align:left position:10%,start line:89% size:80% AND WELCOME TO INDIANAPOLIS 01:16.700 --> 01:18.266 align:left position:10%,start line:89% size:80% ALTERNATIVE POP BAND THERE ARE 01:18.266 --> 01:20.366 align:left position:10%,start line:89% size:80% GHOSTS AS THEY PERFORM IN THE 01:20.366 --> 01:20.766 align:left position:10%,start line:89% size:80% STUDIO. 01:20.766 --> 01:23.533 align:left position:10%,start line:89% size:80% LEARN HOW HISTORICAL HOOSIERS 01:23.533 --> 01:25.066 align:left position:10%,start line:89% size:80% IMPACT OUR LIVES TODAY. 01:25.066 --> 01:28.500 align:left position:10%,start line:89% size:80% IT'S ALL COMING UP RIGHT NOW ON 01:27.033 --> 01:34.233 align:left position:10%,start line:89% size:80% "THE "WEEKLY SPECIAL." 01:29.933 --> 01:42.000 align:left position:10%,start line:89% size:80% ♪♪♪♪ 01:42.000 --> 01:44.133 align:left position:10%,start line:89% size:80% >> WELCOME TO THE "WEEKLY 01:44.133 --> 01:44.500 align:left position:10%,start line:89% size:80% SPECIAL." 01:44.500 --> 01:46.166 align:left position:10%,start line:89% size:80% I'M ERICA SAGON. 01:46.166 --> 01:47.633 align:left position:10%,start line:89% size:80% EVERYWHERE YOU LOOK IN THE 01:47.633 --> 01:49.600 align:left position:10%,start line:89% size:80% COMMUNITY YOU ARE BOUND TO FIND 01:49.600 --> 01:50.866 align:left position:10%,start line:89% size:80% LASTING IMPRINTS OF THE HOOSIERS 01:50.866 --> 01:51.933 align:left position:10%,start line:89% size:80% THAT CAME BEFORE YOU. 01:51.933 --> 01:53.900 align:left position:10%,start line:89% size:80% THEIR ACTIONS RESONATE THROUGH 01:53.900 --> 01:55.933 align:left position:10%,start line:89% size:80% MUSIC, ARCHITECTURE, EVEN 01:55.933 --> 01:56.333 align:left position:10%,start line:89% size:80% SPORTS. 01:56.333 --> 01:58.166 align:left position:10%,start line:89% size:80% NEARLY A CENTURY AGO BASEBALL 01:58.166 --> 02:00.633 align:left position:10%,start line:89% size:80% WAS AMERICA'S MOST POPULAR 02:00.633 --> 02:01.733 align:left position:10%,start line:89% size:80% PASTIME AND IN THE SPORT THERE 02:01.733 --> 02:04.233 align:left position:10%,start line:89% size:80% WAS A FELLOW HOOSIER WHO NOT 02:04.233 --> 02:05.833 align:left position:10%,start line:89% size:80% ONLY BLAZED NEW TRAILS FOR 02:05.833 --> 02:08.733 align:left position:10%,start line:89% size:80% AFRICAN AMERICANS BUT ALSO 02:08.733 --> 02:12.033 align:left position:10%,start line:89% size:80% ELECTRIFIED CROWDS WITH HIS 02:10.200 --> 02:16.866 align:left position:10%,start line:89% size:80% AMAZING PLAY. 02:16.866 --> 02:17.100 align:left position:10%,start line:89% size:80% [ 02:17.100 --> 02:19.700 align:left position:10%,start line:89% size:80% ♪♪ TAKE ME OUT TO THE BALL GAME ♪♪ 02:19.700 --> 02:21.033 align:left position:10%,start line:89% size:80% >> WHEN YOU LOOK AT CHARLESTON 02:21.033 --> 02:23.433 align:left position:10%,start line:89% size:80% YOU SEE THAT HE WAS THE GREATEST 02:23.433 --> 02:26.233 align:left position:10%,start line:89% size:80% OF THE NEGRO LEAGUE PLAYERS. 02:26.233 --> 02:27.466 align:left position:10%,start line:89% size:80% THERE ARE SOME PLAYERS WHO ARE 02:27.466 --> 02:29.200 align:left position:10%,start line:89% size:80% KNOWN FOR BEING GREAT AT ONE 02:29.200 --> 02:35.000 align:left position:10%,start line:89% size:80% THING BUT CHARLESTON WAS GREAT 02:30.733 --> 02:42.466 align:left position:10%,start line:89% size:80% TO EVERYTHING. 02:42.466 --> 02:45.100 align:left position:10%,start line:89% size:80% >> FROM AN EARLY AGE, OSCAR 02:45.100 --> 02:46.566 align:left position:10%,start line:89% size:80% CHARLESTON SOUGHT ADVENTURE. 02:46.566 --> 02:49.533 align:left position:10%,start line:89% size:80% BORN IN 1896, HE LIED ABOUT HIS 02:49.533 --> 02:51.533 align:left position:10%,start line:89% size:80% AGE WHEN HE WAS 15 AND 02:51.533 --> 02:52.666 align:left position:10%,start line:89% size:80% VOLUNTEERED TO FIGHT WITH THE 02:52.666 --> 02:54.833 align:left position:10%,start line:89% size:80% U.S. MILITARY IN THE PHILIPPINES 02:54.833 --> 02:56.866 align:left position:10%,start line:89% size:80% WHERE HE FIRST PLAYED ORGANIZED 02:56.866 --> 02:59.600 align:left position:10%,start line:89% size:80% BASEBALL WITH HIS MILITARY UNIT. 02:59.600 --> 03:01.166 align:left position:10%,start line:89% size:80% HE RETURNED TO INDIANAPOLIS 03:01.166 --> 03:04.366 align:left position:10%,start line:89% size:80% THREE YEARS LATER AND JOINED THE 03:04.366 --> 03:05.900 align:left position:10%,start line:89% size:80% INDIANAPOLIS ABCs, AN ALL 03:05.900 --> 03:08.466 align:left position:10%,start line:89% size:80% BLACK TOURING SCHOOL SPONSORED 03:08.466 --> 03:10.233 align:left position:10%,start line:89% size:80% BY THE AMERICAN BREWING COMPANY. 03:10.233 --> 03:13.266 align:left position:10%,start line:89% size:80% >> THE INDIANAPOLIS ABCs WERE 03:13.266 --> 03:15.733 align:left position:10%,start line:89% size:80% THE CITY'S FIRST FULLY 03:15.733 --> 03:17.566 align:left position:10%,start line:89% size:80% PROFESSIONAL BLACK BASEBALL 03:17.566 --> 03:17.966 align:left position:10%,start line:89% size:80% CLUB. 03:17.966 --> 03:21.233 align:left position:10%,start line:89% size:80% IN 1914, THE ABCs HIRED A 03:21.233 --> 03:23.033 align:left position:10%,start line:89% size:80% MANAGER WHO TAKE THE TEAM TO A 03:23.033 --> 03:28.366 align:left position:10%,start line:89% size:80% NEW LEVEL AND THAT NEW MANAGER 03:25.533 --> 03:31.400 align:left position:10%,start line:89% size:80% WAS C.I. HAYWORTH. 03:31.400 --> 03:31.733 align:left position:10%,start line:89% size:80% ♪♪♪♪ 03:31.733 --> 03:35.466 align:left position:10%,start line:89% size:80% >> THE SON OF A METHODIST 03:35.466 --> 03:37.500 align:left position:10%,start line:89% size:80% MINISTER, TAYLOR WAS A STRICT 03:37.500 --> 03:38.800 align:left position:10%,start line:89% size:80% DISCIPLINARIAN WHO DEMANDED 03:38.800 --> 03:39.833 align:left position:10%,start line:89% size:80% GREAT RESPECT FROM CHARLESTON 03:39.833 --> 03:41.833 align:left position:10%,start line:89% size:80% AND THE REST OF HIS TEAMMATES. 03:41.833 --> 03:43.700 align:left position:10%,start line:89% size:80% >> IT WASN'T A TEAM OF ROUGH AND 03:43.700 --> 03:46.200 align:left position:10%,start line:89% size:80% TUMBLE BALL PLAYERS. 03:46.200 --> 03:49.366 align:left position:10%,start line:89% size:80% C.I. TAYLOR HIMSELF WAS COLLEGE 03:49.366 --> 03:52.966 align:left position:10%,start line:89% size:80% EDUCATED, HAD DONE A STINT WITH 03:52.966 --> 03:54.800 align:left position:10%,start line:89% size:80% THE 10th CAVALRY AND WAS 03:54.800 --> 03:56.633 align:left position:10%,start line:89% size:80% REGIMENTED AND DID NOT ALLOW HIS 03:56.633 --> 04:00.000 align:left position:10%,start line:89% size:80% PLAYERS TO DRINK, SMOKE, CUSS, 04:00.000 --> 04:02.533 align:left position:10%,start line:89% size:80% GAMBLE, MISTREAT WOMEN. 04:02.533 --> 04:03.933 align:left position:10%,start line:89% size:80% THEY WERE PROPER GENTLEMEN AND 04:03.933 --> 04:07.200 align:left position:10%,start line:89% size:80% WERE EXPECTED TO BEHAVE. 04:07.200 --> 04:10.633 align:left position:10%,start line:89% size:80% >> THEY CALLED HIM THE HOOSIER 04:10.633 --> 04:11.033 align:left position:10%,start line:89% size:80% COMET. 04:11.033 --> 04:12.966 align:left position:10%,start line:89% size:80% CHARLESTON WAS A SUPERSTAR AMONG 04:12.966 --> 04:14.266 align:left position:10%,start line:89% size:80% THE TEAM OF MANY STARS. 04:14.266 --> 04:15.666 align:left position:10%,start line:89% size:80% WITHIN TWO SEASONS HE LED THE 04:15.666 --> 04:17.566 align:left position:10%,start line:89% size:80% TEAM IN BATTING, PITCHING, 04:17.566 --> 04:18.966 align:left position:10%,start line:89% size:80% FIELDING AND BASE STEALING. 04:18.966 --> 04:20.966 align:left position:10%,start line:89% size:80% ON THE FIELD HE RARELY 04:20.966 --> 04:21.500 align:left position:10%,start line:89% size:80% STRUGGLED. 04:21.500 --> 04:23.233 align:left position:10%,start line:89% size:80% BUT OFF THE FIELD THE TEAM OFTEN 04:23.233 --> 04:25.300 align:left position:10%,start line:89% size:80% FOUND IT DIFFICULT TO TRAVEL 04:25.300 --> 04:27.433 align:left position:10%,start line:89% size:80% THROUGH MANY AREAS OF THE U.S. 04:27.433 --> 04:29.333 align:left position:10%,start line:89% size:80% WHERE JIM CROAT TO DO SO 04:29.333 --> 04:30.333 align:left position:10%,start line:89% size:80% PREVENTED AFRICAN AMERICANS FROM 04:30.333 --> 04:32.000 align:left position:10%,start line:89% size:80% EATING IN LOCAL RESTAURANTS OR 04:32.000 --> 04:35.566 align:left position:10%,start line:89% size:80% STAYING IN LOCAL HOTELS. 04:35.566 --> 04:37.733 align:left position:10%,start line:89% size:80% >> YOU MIGHT FIND PEOPLE WILLING 04:37.733 --> 04:40.433 align:left position:10%,start line:89% size:80% TO TAKE IN THE PLAYERS OR MORE 04:40.433 --> 04:41.700 align:left position:10%,start line:89% size:80% OFTEN THAN NOT THEY WOULD BE 04:41.700 --> 04:43.100 align:left position:10%,start line:89% size:80% BARN STORMING AND THEY WOULD 04:43.100 --> 04:45.133 align:left position:10%,start line:89% size:80% SLEEP IN THE CAR AND CATCH NAPS 04:45.133 --> 04:48.300 align:left position:10%,start line:89% size:80% OR SLEEP ON THE TRAIN. 04:48.300 --> 04:50.300 align:left position:10%,start line:89% size:80% OR SACK OUT IN THE DUGOUT FOR A 04:50.300 --> 04:53.900 align:left position:10%,start line:89% size:80% COUPLE HOURS BEFORE THEY TOOK 04:51.900 --> 04:57.933 align:left position:10%,start line:89% size:80% THE FIELD. 04:54.400 --> 04:58.666 align:left position:10%,start line:89% size:80% ♪♪♪♪ 04:58.666 --> 05:01.366 align:left position:10%,start line:89% size:80% >> BY 1920, THROUGH TAYLOR'S 05:01.366 --> 05:02.966 align:left position:10%,start line:89% size:80% LEADERSHIP AND OSCAR 05:02.966 --> 05:04.100 align:left position:10%,start line:89% size:80% CHARLESTON'S ABILITY TO DRAW 05:04.100 --> 05:06.266 align:left position:10%,start line:89% size:80% LARGE CROWDS, THE ABCs WORKED 05:06.266 --> 05:07.800 align:left position:10%,start line:89% size:80% WITH OTHER BLACK BARN STORMING 05:07.800 --> 05:09.666 align:left position:10%,start line:89% size:80% TEAMS TO ORGANIZE A NEW 05:09.666 --> 05:11.333 align:left position:10%,start line:89% size:80% PROFESSIONAL CIRCUIT, THE NEGRO 05:11.333 --> 05:12.900 align:left position:10%,start line:89% size:80% NATIONAL LEAGUE. 05:12.900 --> 05:14.766 align:left position:10%,start line:89% size:80% SEPARATE BUT ATHLETICALLY EQUAL 05:14.766 --> 05:17.600 align:left position:10%,start line:89% size:80% TO THE ALL-WHITE MAJOR LEAGUE. 05:17.600 --> 05:20.733 align:left position:10%,start line:89% size:80% >> IN 1921 HE WAS THE HIGHEST 05:20.733 --> 05:23.200 align:left position:10%,start line:89% size:80% PAID PLAYER IN BLACK BASEBALL. 05:23.200 --> 05:24.833 align:left position:10%,start line:89% size:80% HE WAS HITTING THE MOST HOME 05:24.833 --> 05:25.133 align:left position:10%,start line:89% size:80% RUNS. 05:25.133 --> 05:29.333 align:left position:10%,start line:89% size:80% HE WAS HITTING AS MANY HOME RUNS 05:29.333 --> 05:31.033 align:left position:10%,start line:89% size:80% AS BABE RUTH WAS DOING IN MAJOR 05:31.033 --> 05:34.233 align:left position:10%,start line:89% size:80% LEAGUE BASEBALL. 05:34.233 --> 05:37.633 align:left position:10%,start line:89% size:80% HE WAS CHALKING UP STATS THAT 05:37.633 --> 05:43.266 align:left position:10%,start line:89% size:80% WERE PHENOM PHENOMENAL. 05:43.266 --> 05:46.400 align:left position:10%,start line:89% size:80% WOMEN WOULD ACTUALLY BRING PIES 05:46.400 --> 05:48.033 align:left position:10%,start line:89% size:80% TO HIM. 05:48.033 --> 05:51.566 align:left position:10%,start line:89% size:80% >> INSPIRED BY HIS OLD COACH, 05:51.566 --> 05:53.500 align:left position:10%,start line:89% size:80% OSCAR CHARLESTON BECAME A 05:53.500 --> 05:54.933 align:left position:10%,start line:89% size:80% MANAGER IN THE NEGRO LEAGUE FOR 05:54.933 --> 05:57.400 align:left position:10%,start line:89% size:80% MORE THAN THREE DECADES COACHING 05:57.400 --> 05:58.666 align:left position:10%,start line:89% size:80% AND PLAYING WITH OTHER STARS 05:58.666 --> 06:05.700 align:left position:10%,start line:89% size:80% LIKE SATCHEL PAGE AND JOSH 06:00.766 --> 06:06.066 align:left position:10%,start line:89% size:80% GIBSON. 06:06.066 --> 06:07.966 align:left position:10%,start line:89% size:80% IN THE 1940s, CHARLESTON 06:07.966 --> 06:09.766 align:left position:10%,start line:89% size:80% WORKED ALONGSIDE BROOKLYN 06:09.766 --> 06:11.666 align:left position:10%,start line:89% size:80% DODGERS TEAM OWNER BRANCH RICKY 06:11.666 --> 06:13.933 align:left position:10%,start line:89% size:80% TO CREATE AN ALL BLACK LEAGUE 06:13.933 --> 06:15.133 align:left position:10%,start line:89% size:80% THAT WOULD SERVE TO FUNNEL 06:15.133 --> 06:16.266 align:left position:10%,start line:89% size:80% PLAYERS INTO MAJOR LEAGUE 06:16.266 --> 06:18.366 align:left position:10%,start line:89% size:80% BASEBALL AND HELP TO INTEGRATE 06:18.366 --> 06:19.666 align:left position:10%,start line:89% size:80% THE NATION'S PASTIME. 06:19.666 --> 06:21.800 align:left position:10%,start line:89% size:80% IN LESS THAN TWO YEARS, RICKY 06:21.800 --> 06:23.500 align:left position:10%,start line:89% size:80% WOULD SIGNED JACKIE ROBINSON TO 06:23.500 --> 06:25.533 align:left position:10%,start line:89% size:80% PLAY FOR THE DODGERS, CHANGING 06:25.533 --> 06:29.200 align:left position:10%,start line:89% size:80% BASEBALL AND SPORTS FOREVER. 06:29.200 --> 06:31.500 align:left position:10%,start line:89% size:80% TODAY BASEBALL STATISTICIANS 06:31.500 --> 06:33.633 align:left position:10%,start line:89% size:80% RANK CHARLESTON AS THE FOURTH 06:33.633 --> 06:35.200 align:left position:10%,start line:89% size:80% GREATEST PLAYER IN BASEBALL 06:35.200 --> 06:37.433 align:left position:10%,start line:89% size:80% HISTORY BEHIND ONLY BABE RUTH, 06:37.433 --> 06:41.366 align:left position:10%,start line:89% size:80% HONUS WAGNER AND WILLIE MAYES. 06:41.366 --> 06:45.933 align:left position:10%,start line:89% size:80% >> MANAGERS WHO KNEW CHARLESTON, 06:45.933 --> 06:49.800 align:left position:10%,start line:89% size:80% HAD SEEN HIM PLAY, RECOGNIZED 06:49.800 --> 06:51.800 align:left position:10%,start line:89% size:80% CHARLESTON AS A TALENT WHO IF 06:51.800 --> 06:53.533 align:left position:10%,start line:89% size:80% SOMEBODY COULD CROSS THE LINE, 06:53.533 --> 06:55.033 align:left position:10%,start line:89% size:80% CHARLESTON CERTAINLY WOULD BE 06:55.033 --> 06:55.400 align:left position:10%,start line:89% size:80% IT. 06:55.400 --> 07:04.400 align:left position:10%,start line:89% size:80% SO THERE'S THAT KIND OF RESPECT 06:58.866 --> 07:09.366 align:left position:10%,start line:89% size:80% HE HAD AND THAT PERCEPTION. 07:09.366 --> 07:10.800 align:left position:10%,start line:89% size:80% >> THE INDIANA HISTORICAL 07:10.800 --> 07:12.466 align:left position:10%,start line:89% size:80% SOCIETY HAS PUBLISHED AND ACIAL 07:12.466 --> 07:15.233 align:left position:10%,start line:89% size:80% ON OSCAR CHARLESTON AND 07:15.233 --> 07:15.900 align:left position:10%,start line:89% size:80% INDIANAPOLIS ABCs. 07:15.900 --> 07:19.500 align:left position:10%,start line:89% size:80% YOU CAN READ MORE AT 07:19.500 --> 07:20.033 align:left position:10%,start line:89% size:80% INDIANAHISTORY.ORG. 07:20.033 --> 07:22.333 align:left position:10%,start line:89% size:80% >>> AS OSCAR CHARLESTON LIT UP 07:22.333 --> 07:23.866 align:left position:10%,start line:89% size:80% THE BASEBALL DIAMOND, AFRICAN 07:23.866 --> 07:25.233 align:left position:10%,start line:89% size:80% AMERICAN ARTISTS WERE LIGHTING 07:25.233 --> 07:27.233 align:left position:10%,start line:89% size:80% UP THE STAGE ALONG THE HISTORIC 07:27.233 --> 07:28.766 align:left position:10%,start line:89% size:80% INDIANA AVENUE, A JAZZ HAVEN 07:28.766 --> 07:31.633 align:left position:10%,start line:89% size:80% THAT IMPACTED THE SCENE FAR 07:31.633 --> 07:32.566 align:left position:10%,start line:89% size:80% BEYOND INDIANAPOLIS. 07:32.566 --> 07:34.500 align:left position:10%,start line:89% size:80% BUT EVEN AS THE CIVIL RIGHTS 07:34.500 --> 07:36.200 align:left position:10%,start line:89% size:80% MOVEMENT GAINED MOMENTUM, 07:36.200 --> 07:41.033 align:left position:10%,start line:89% size:80% INDIANA AVENUE FACED INCREASING 07:38.066 --> 07:50.200 align:left position:10%,start line:89% size:80% CHALLENGES. 07:42.466 --> 07:54.566 align:left position:10%,start line:89% size:80% ♪♪♪♪ 07:52.066 --> 07:55.366 align:left position:10%,start line:89% size:80% ♪♪♪♪ 07:55.366 --> 07:58.633 align:left position:10%,start line:89% size:80% >> ON SEFNTth, 1959, WEST 07:58.633 --> 07:59.933 align:left position:10%,start line:89% size:80% MONTGOMERY SHOWED UP AT THE 07:59.933 --> 08:02.700 align:left position:10%,start line:89% size:80% MISSILE ROOM, AN AFTER HOURS 08:02.700 --> 08:04.233 align:left position:10%,start line:89% size:80% CLUB IN INDIANAPOLIS FOR A LIGHT 08:04.233 --> 08:05.466 align:left position:10%,start line:89% size:80% NIGHT SET. 08:05.466 --> 08:08.300 align:left position:10%,start line:89% size:80% SITTING IN THE AUDIENCE WAS 08:08.300 --> 08:12.833 align:left position:10%,start line:89% size:80% ATTARLY, A RENOWNED SAXOPHONIST. 08:12.833 --> 08:15.100 align:left position:10%,start line:89% size:80% IN TOWN WAS THE ALL-STAR JAZZ 08:15.100 --> 08:17.266 align:left position:10%,start line:89% size:80% TOUR THAT PERFORMED EARLIER NET 08:17.266 --> 08:17.600 align:left position:10%,start line:89% size:80% EVENING. 08:17.600 --> 08:20.466 align:left position:10%,start line:89% size:80% AS MONTGOMERY'S MUSIC COOKED AND 08:20.466 --> 08:23.466 align:left position:10%,start line:89% size:80% GROOVED, ATTARLY CLOSED HIS 08:23.466 --> 08:25.433 align:left position:10%,start line:89% size:80% EYES, BROKE INTO A HUGE SMILE 08:25.433 --> 08:27.233 align:left position:10%,start line:89% size:80% AND GAVE A THUMBS UP. 08:27.233 --> 08:28.633 align:left position:10%,start line:89% size:80% HE LEFT, CALLED HIS RECORD 08:28.633 --> 08:29.833 align:left position:10%,start line:89% size:80% COMPANY AND SOON AFTERWARDS 08:29.833 --> 08:31.500 align:left position:10%,start line:89% size:80% MONTGOMERY WAS EN ROUTE TO 08:31.500 --> 08:33.133 align:left position:10%,start line:89% size:80% NEW YORK MAKING THE FIRST OF A 08:33.133 --> 08:39.100 align:left position:10%,start line:89% size:80% DOZEN LPS FOR THE RIVERSIDE 08:36.433 --> 08:43.433 align:left position:10%,start line:89% size:80% LABEL. 08:43.433 --> 08:44.833 align:left position:10%,start line:89% size:80% MONTGOMERY WAS FOLLOWING IN THE 08:44.833 --> 08:46.500 align:left position:10%,start line:89% size:80% FOOTSTEPS OF J.J. JOHNSON, 08:46.500 --> 08:48.700 align:left position:10%,start line:89% size:80% FREDDIE HUBBARD, SLIDE HAMPTON, 08:48.700 --> 08:51.100 align:left position:10%,start line:89% size:80% WHO ALL LEFT THEIR INDIANAPOLIS 08:51.100 --> 08:53.666 align:left position:10%,start line:89% size:80% HOMETOWN TO ACHIEVE FAME AROUND 08:53.666 --> 08:54.366 align:left position:10%,start line:89% size:80% THE WORLD. 08:54.366 --> 08:57.133 align:left position:10%,start line:89% size:80% BY MAINTAINING HIS RESIDENCE AND 08:57.133 --> 08:58.566 align:left position:10%,start line:89% size:80% FAMILY IN INDIANAPOLIS, 08:58.566 --> 09:00.600 align:left position:10%,start line:89% size:80% MONTGOMERY KEPT ONE FOOT BACK IN 09:00.600 --> 09:02.533 align:left position:10%,start line:89% size:80% INDIANA BUT BY THE 1960s, HE 09:02.533 --> 09:04.066 align:left position:10%,start line:89% size:80% WAS NO LONGER A STEADY PRESENCE 09:04.066 --> 09:05.833 align:left position:10%,start line:89% size:80% ON THE INDIANA CLUB SCENE. 09:05.833 --> 09:08.000 align:left position:10%,start line:89% size:80% HIS DECREASED VISIBILITY WAS ONE 09:08.000 --> 09:10.766 align:left position:10%,start line:89% size:80% OF MANY SIGNS INDIANA AVENUE WAS 09:10.766 --> 09:12.500 align:left position:10%,start line:89% size:80% ENTERING AN ERA OF SLOW AND 09:12.500 --> 09:13.533 align:left position:10%,start line:89% size:80% PAINFUL EROSION. 09:13.533 --> 09:15.266 align:left position:10%,start line:89% size:80% INDIANA AVENUE HAD OVER 300 09:15.266 --> 09:17.800 align:left position:10%,start line:89% size:80% BUSINESSES IN THE 1930s, A 09:17.800 --> 09:19.633 align:left position:10%,start line:89% size:80% BLACK COMMUNITY BOULEVARD LINED 09:19.633 --> 09:21.933 align:left position:10%,start line:89% size:80% WITH PUBS, RESTAURANTS AND MUSIC 09:21.933 --> 09:22.266 align:left position:10%,start line:89% size:80% VENUES. 09:22.266 --> 09:23.733 align:left position:10%,start line:89% size:80% THE FACTORS THAT SEALED THE FATE 09:23.733 --> 09:25.833 align:left position:10%,start line:89% size:80% WAS THREE FOLD, DECLINE OF 09:25.833 --> 09:27.466 align:left position:10%,start line:89% size:80% ECONOMIC ACTIVITY OF ALL SITES, 09:27.466 --> 09:29.200 align:left position:10%,start line:89% size:80% HIGHWAY CONSTRUCTION AND URBAN 09:29.200 --> 09:31.466 align:left position:10%,start line:89% size:80% RENEWAL AND DESEGREGATION. 09:31.466 --> 09:32.833 align:left position:10%,start line:89% size:80% GAMBLING AND ILLEGAL LIQUOR 09:32.833 --> 09:34.533 align:left position:10%,start line:89% size:80% FRONTS WERE THE FIRST MAJOR 09:34.533 --> 09:37.533 align:left position:10%,start line:89% size:80% DOMINOES TO FALL HINDERED BY NEW 09:37.533 --> 09:38.833 align:left position:10%,start line:89% size:80% RESTRICTIONS AND SELECTIVE 09:38.833 --> 09:40.766 align:left position:10%,start line:89% size:80% POLICING THAT HAD BEEN A 09:40.766 --> 09:41.133 align:left position:10%,start line:89% size:80% CHALLENGE. 09:41.133 --> 09:42.233 align:left position:10%,start line:89% size:80% THE BLACK MIDDLE CLASS ALSO 09:42.233 --> 09:43.733 align:left position:10%,start line:89% size:80% BEGAN TO SEEK OUT OTHER VENUES 09:43.733 --> 09:46.066 align:left position:10%,start line:89% size:80% AS MUSICAL AND ENTERTAINMENT 09:46.066 --> 09:47.333 align:left position:10%,start line:89% size:80% TASTES CHANGED OR LIKE MANY 09:47.333 --> 09:49.866 align:left position:10%,start line:89% size:80% OTHER AMERICANS, MORE OFTEN, TO 09:49.866 --> 09:50.966 align:left position:10%,start line:89% size:80% WATCH TELEVISION. 09:50.966 --> 09:52.766 align:left position:10%,start line:89% size:80% INCREASING CRIME DETERRED MANY 09:52.766 --> 09:54.533 align:left position:10%,start line:89% size:80% AVENUE GOERS AS WELL. 09:54.533 --> 09:57.800 align:left position:10%,start line:89% size:80% THE PLACES GROUPS GATHERED FOR 09:57.800 --> 09:58.800 align:left position:10%,start line:89% size:80% DECADES DWINDLED. 09:58.800 --> 10:00.866 align:left position:10%,start line:89% size:80% JAZZ GAVE WAY TO ROCK AND SOUL 10:00.866 --> 10:01.966 align:left position:10%,start line:89% size:80% IN POPULARITY. 10:01.966 --> 10:04.000 align:left position:10%,start line:89% size:80% THOUGH THE AVENUE HIGHLIGHTED 10:04.000 --> 10:05.933 align:left position:10%,start line:89% size:80% SOME PERFORMERS, BOTH LOCAL AND 10:05.933 --> 10:08.800 align:left position:10%,start line:89% size:80% OUT OF TOWN, INCLUDING A YOUNG 10:08.800 --> 10:10.433 align:left position:10%,start line:89% size:80% JIMI HENDRIX, IT NO LONGER 10:10.433 --> 10:12.233 align:left position:10%,start line:89% size:80% FUNCTIONED AS THE MAIN STEM OF 10:12.233 --> 10:18.766 align:left position:10%,start line:89% size:80% CULTURAL ACTIVITY IN 10:14.766 --> 10:19.766 align:left position:10%,start line:89% size:80% INDIANAPOLIS' BLACK COMMUNITY. 10:19.766 --> 10:21.100 align:left position:10%,start line:89% size:80% THE EXPANSION OF THE HIGHWAY 10:21.100 --> 10:23.933 align:left position:10%,start line:89% size:80% SYSTEM THAT RINGED 10:23.933 --> 10:25.400 align:left position:10%,start line:89% size:80% INDIANAPOLIS -- THE HIGHWAY 65 10:25.400 --> 10:27.533 align:left position:10%,start line:89% size:80% AND 70 EASED COMMUTER'S TRAVEL 10:27.533 --> 10:28.933 align:left position:10%,start line:89% size:80% THROUGH AND AROUND THE CITY. 10:28.933 --> 10:30.733 align:left position:10%,start line:89% size:80% THE EXPANSION CREATED 10:30.733 --> 10:31.866 align:left position:10%,start line:89% size:80% CATASTROPHIC PROBLEMS FOR THE 10:31.866 --> 10:34.166 align:left position:10%,start line:89% size:80% GREATER INDIANA AVENUE AREA AS 10:34.166 --> 10:35.300 align:left position:10%,start line:89% size:80% CHURCHES THAT ANCHORED THE 10:35.300 --> 10:36.700 align:left position:10%,start line:89% size:80% COMMUNITY TO THE AVENUE WERE 10:36.700 --> 10:39.466 align:left position:10%,start line:89% size:80% RELOCATED AND ENTIRE 10:39.466 --> 10:40.833 align:left position:10%,start line:89% size:80% NEIGHBORHOODS WERE REPLACED TO 10:40.833 --> 10:46.400 align:left position:10%,start line:89% size:80% MAKE ROOM FOR THE INTERSTATE. 10:46.400 --> 10:48.866 align:left position:10%,start line:89% size:80% ALONG WITH CONSTRUCTION CAME 10:48.866 --> 10:51.266 align:left position:10%,start line:89% size:80% URBAN RENEWAL AND DESEGREGATION. 10:51.266 --> 10:52.000 align:left position:10%,start line:89% size:80% PREVIOUSLY AFRICAN AMERICANS 10:52.000 --> 10:54.800 align:left position:10%,start line:89% size:80% HADN'T BEEN ABLE TO SIT IN WHITE 10:54.800 --> 10:56.133 align:left position:10%,start line:89% size:80% RESTAURANTS, PATRONIZE THE 10:56.133 --> 10:57.666 align:left position:10%,start line:89% size:80% RIVERSIDE AMUSEMENT PARK OR 10:57.666 --> 10:58.933 align:left position:10%,start line:89% size:80% FREQUENT DOWNTOWN DEPARTMENT 10:58.933 --> 10:59.300 align:left position:10%,start line:89% size:80% STORES. 10:59.300 --> 11:01.566 align:left position:10%,start line:89% size:80% AS LEGAL SEGREGATION BEGAN TO 11:01.566 --> 11:03.433 align:left position:10%,start line:89% size:80% EASE IN THE 1950s AND '60s, 11:03.433 --> 11:04.666 align:left position:10%,start line:89% size:80% THEY STARTED TO SPEND THEIR 11:04.666 --> 11:09.966 align:left position:10%,start line:89% size:80% DOLLARS IN THE WIDER ECONOMIC 11:09.966 --> 11:14.600 align:left position:10%,start line:89% size:80% SPHERE. 11:14.600 --> 11:16.433 align:left position:10%,start line:89% size:80% THE GARDENS HOUSING DEVELOPMENT, 11:16.433 --> 11:18.333 align:left position:10%,start line:89% size:80% AN EARLY CROWN JEWEL OF FEDERAL 11:18.333 --> 11:20.500 align:left position:10%,start line:89% size:80% HOUSING PROJECTS, AND ONCE A 11:20.500 --> 11:21.733 align:left position:10%,start line:89% size:80% BASTION FOR AFRICAN AMERICANS 11:21.733 --> 11:23.666 align:left position:10%,start line:89% size:80% LOOKING FOR A BETTER RESIDENTIAL 11:23.666 --> 11:26.700 align:left position:10%,start line:89% size:80% QUALITY OF LIFE WAS EVENTUALLY 11:26.700 --> 11:39.200 align:left position:10%,start line:89% size:80% CLOSED AND MANY BUILDINGS 11:28.433 --> 11:46.500 align:left position:10%,start line:89% size:80% LEVELED IN THE 1980s. 11:42.500 --> 11:47.000 align:left position:10%,start line:89% size:80% ♪♪♪♪ 11:47.000 --> 11:49.300 align:left position:10%,start line:89% size:80% TODAY THE ONLY STRUCTURES OF 11:49.300 --> 11:51.166 align:left position:10%,start line:89% size:80% INDIANA AVENUE'S GOLDEN AGE THAT 11:51.166 --> 11:54.666 align:left position:10%,start line:89% size:80% STILL STAND ARE THE MADAM WALKER 11:54.666 --> 11:56.466 align:left position:10%,start line:89% size:80% THEATER AND 8 OF THE ORIGINAL 24 11:56.466 --> 11:56.866 align:left position:10%,start line:89% size:80% UNITS. 11:56.866 --> 11:59.133 align:left position:10%,start line:89% size:80% THE AVENUE HAD BEEN CREATED BY 11:59.133 --> 12:01.966 align:left position:10%,start line:89% size:80% FREED SLAVES AS A HOME FOR THE 12:01.966 --> 12:02.700 align:left position:10%,start line:89% size:80% EMERGING AFRICAN AMERICAN 12:02.700 --> 12:04.300 align:left position:10%,start line:89% size:80% CULTURE OF THE 20th CENTURY. 12:04.300 --> 12:05.400 align:left position:10%,start line:89% size:80% MUSIC RIPPLED THROUGH THE 12:05.400 --> 12:06.600 align:left position:10%,start line:89% size:80% STREETS, HERITAGE HAD FORMED IN 12:06.600 --> 12:08.000 align:left position:10%,start line:89% size:80% THE BUILDINGS AND VENUES THAT 12:08.000 --> 12:09.666 align:left position:10%,start line:89% size:80% LINED THE BLACK BOULEVARD. 12:09.666 --> 12:12.133 align:left position:10%,start line:89% size:80% A LANDMARK HOUSING PROJECT HAD 12:12.133 --> 12:13.166 align:left position:10%,start line:89% size:80% GIVEN RESIDENTS THE OPPORTUNITY 12:13.166 --> 12:15.700 align:left position:10%,start line:89% size:80% FOR A SAFER AND BETTER LIFE. 12:15.700 --> 12:17.033 align:left position:10%,start line:89% size:80% FROM THE BAND ROOM TO THE 12:17.033 --> 12:18.700 align:left position:10%,start line:89% size:80% STANDING ROOM CROWDS OF THE 12:18.700 --> 12:20.100 align:left position:10%,start line:89% size:80% MADAM WALKER THEATER, JAZZ HAD 12:20.100 --> 12:21.400 align:left position:10%,start line:89% size:80% BEEN THE LIFEBLOOD OF A SMALL 12:21.400 --> 12:23.500 align:left position:10%,start line:89% size:80% COMMUNITY AND THE AVENUE THAT 12:23.500 --> 12:25.000 align:left position:10%,start line:89% size:80% HELPED FOSTER ITS BIRTH. 12:25.000 --> 12:27.366 align:left position:10%,start line:89% size:80% WEST MONTGOMERY, THE INK SPOTS, 12:27.366 --> 12:29.733 align:left position:10%,start line:89% size:80% LEROY CAR AND THE HAMPTON 12:29.733 --> 12:31.300 align:left position:10%,start line:89% size:80% FAMILY, FREDDIE HUBBARD, J.J. 12:31.300 --> 12:32.733 align:left position:10%,start line:89% size:80% JOHNSON AND OTHERS HAD MADE 12:32.733 --> 12:34.066 align:left position:10%,start line:89% size:80% LOCATIONS SUCH AS THE COTTON 12:34.066 --> 12:36.666 align:left position:10%,start line:89% size:80% CLUB AND SUNSET TERRACE, 12:36.666 --> 12:38.466 align:left position:10%,start line:89% size:80% GEORGE'S AND THE MISSILE ROOM 12:38.466 --> 12:39.466 align:left position:10%,start line:89% size:80% ARTISTIC LANDMARKS THAT EXIST 12:39.466 --> 12:40.700 align:left position:10%,start line:89% size:80% NOW ONLY IN THE HISTORICAL 12:40.700 --> 12:42.966 align:left position:10%,start line:89% size:80% RECORD AND A FEW REMAINING 12:42.966 --> 12:43.333 align:left position:10%,start line:89% size:80% MEMORIES. 12:43.333 --> 12:44.633 align:left position:10%,start line:89% size:80% FOR HALF A CENTURY INDIANA 12:44.633 --> 12:46.233 align:left position:10%,start line:89% size:80% AVENUE HAD PROVIDE ADD THRIVING 12:46.233 --> 12:48.666 align:left position:10%,start line:89% size:80% POINT OF CONVERGENCE FOR CULTURE 12:48.666 --> 12:50.066 align:left position:10%,start line:89% size:80% AND COMMERCE, ENTERTAINMENT AND 12:50.066 --> 12:51.766 align:left position:10%,start line:89% size:80% ART AND LIFE AND LOVE. 12:51.766 --> 12:54.233 align:left position:10%,start line:89% size:80% MUSIC FUELED THE SCENE, BUT THE 12:54.233 --> 12:56.000 align:left position:10%,start line:89% size:80% PEOPLE WERE THE AVENUE, THE YOU 12:56.000 --> 12:57.700 align:left position:10%,start line:89% size:80% ONES THAT ABSORBED THE SOUNDS 12:57.700 --> 12:59.800 align:left position:10%,start line:89% size:80% ADD ENCOURAGED THE -- THE STREET 12:59.800 --> 13:01.000 align:left position:10%,start line:89% size:80% BURNED BRIGHT WITH THE FIRE OF 13:01.000 --> 13:10.700 align:left position:10%,start line:89% size:80% JAZZ AS IT ETCHED ITS PLACE IN 13:03.333 --> 13:13.833 align:left position:10%,start line:89% size:80% THE LEGACY OF AMERICA. 13:13.833 --> 13:17.866 align:left position:10%,start line:89% size:80% >> TO LEARN MORE ABOUT JAZZ'S IN 13:17.866 --> 13:19.366 align:left position:10%,start line:89% size:80% INCREDIBLE HISTORY IN INDIANA, 13:19.366 --> 13:22.733 align:left position:10%,start line:89% size:80% GO TO THE WFIU NIGHT LIGHTS 13:22.733 --> 13:25.933 align:left position:10%,start line:89% size:80% PROGRAM PAGE. 13:25.933 --> 13:27.466 align:left position:10%,start line:89% size:80% >>> INDIANA TRAIL BLAZERED 13:27.466 --> 13:29.200 align:left position:10%,start line:89% size:80% IMPACT ON THE STATE'S CULTURAL 13:29.200 --> 13:30.966 align:left position:10%,start line:89% size:80% HERITAGE IS CLEAR, FROM MUSIC TO 13:30.966 --> 13:32.600 align:left position:10%,start line:89% size:80% SPORTS, BUT THEY'VE ALSO 13:32.600 --> 13:34.466 align:left position:10%,start line:89% size:80% IMPACTED OUR NATURAL HISS 13:34.466 --> 13:36.400 align:left position:10%,start line:89% size:80% HISTORY AND ONE SUCH HOOSIER 13:36.400 --> 13:37.566 align:left position:10%,start line:89% size:80% RECOGNIZED THE NEED TO PRESERVE 13:37.566 --> 13:39.200 align:left position:10%,start line:89% size:80% THAT HISTORY FAR BEFORE 13:39.200 --> 13:43.600 align:left position:10%,start line:89% size:80% CONSERVATION BECAME PART OF OUR 13:40.800 --> 13:44.300 align:left position:10%,start line:89% size:80% ENVIRONMENTAL NARRATIVE. 13:44.300 --> 13:48.866 align:left position:10%,start line:89% size:80% >> TURKEY RUN IS A VERY UNIQUE 13:48.866 --> 13:52.200 align:left position:10%,start line:89% size:80% STATE PARK IN NORTHERN INDIANA. 13:52.200 --> 13:55.533 align:left position:10%,start line:89% size:80% THESE COOL SHADY GLENS, OL' 13:55.533 --> 13:57.400 align:left position:10%,start line:89% size:80% GROWTH TREES, EASTERN HEMLOCK 13:57.400 --> 13:58.866 align:left position:10%,start line:89% size:80% TREES OVERLOOKING BEAUTIFUL 13:58.866 --> 14:00.700 align:left position:10%,start line:89% size:80% CREEKS AND VALLEYS AND IT LOOKS 14:00.700 --> 14:02.633 align:left position:10%,start line:89% size:80% THIS WAY BECAUSE OF SOMETHING 14:02.633 --> 14:05.033 align:left position:10%,start line:89% size:80% THAT HAPPENED A MERE 12,000 14:05.033 --> 14:05.900 align:left position:10%,start line:89% size:80% YEARS AGO. 14:05.900 --> 14:07.800 align:left position:10%,start line:89% size:80% THAT WAS THE END OF THE TIME OF 14:07.800 --> 14:09.700 align:left position:10%,start line:89% size:80% THE LAST GLACIER IN THIS PART OF 14:09.700 --> 14:10.700 align:left position:10%,start line:89% size:80% THE STATE. 14:10.700 --> 14:17.333 align:left position:10%,start line:89% size:80% AND WHEN THAT GLAISH GLACIER MELTED, 14:17.333 --> 14:20.333 align:left position:10%,start line:89% size:80% THAT STUFF RECORD OUT OF THE 14:20.333 --> 14:21.600 align:left position:10%,start line:89% size:80% GLACIER AND TORRENTS RAN THROUGH 14:21.600 --> 14:23.966 align:left position:10%,start line:89% size:80% THE CRACKS AND CREVICES AND 14:23.966 --> 14:25.933 align:left position:10%,start line:89% size:80% CARVED OUT THE FAMILIAR TRAIL 14:25.933 --> 14:27.966 align:left position:10%,start line:89% size:80% SYSTEM WE KNOW TODAY. 14:27.966 --> 14:32.766 align:left position:10%,start line:89% size:80% A MAN NAMED SALMON SALMON CAME BACK IN 14:32.766 --> 14:35.533 align:left position:10%,start line:89% size:80% 1821 CAME THROUGH AS A SCOUT FOR 14:35.533 --> 14:38.433 align:left position:10%,start line:89% size:80% WILLIAM HENRY HARRISON TRYING TO 14:38.433 --> 14:39.833 align:left position:10%,start line:89% size:80% FIND SAFE PASSAGE FOR THE 14:39.833 --> 14:40.166 align:left position:10%,start line:89% size:80% TROOPS. 14:40.166 --> 14:41.533 align:left position:10%,start line:89% size:80% WHEN HE RESIGNED HIS COMMISSION 14:41.533 --> 14:43.666 align:left position:10%,start line:89% size:80% FROM THE ARMY HE WAS PAID WITH A 14:43.666 --> 14:45.300 align:left position:10%,start line:89% size:80% LAND GRANT, AS MANY OFFICERS 14:45.300 --> 14:47.833 align:left position:10%,start line:89% size:80% WERE IN THOSE DAYS, AND IN 1823 14:47.833 --> 14:49.633 align:left position:10%,start line:89% size:80% CAME HERE AND BOUGHT THE FIRST 14:49.633 --> 14:51.733 align:left position:10%,start line:89% size:80% 288 ACRES OF WHAT LATER BECAME 14:51.733 --> 14:53.333 align:left position:10%,start line:89% size:80% TURKEY RUN STATE PARK. 14:53.333 --> 14:54.666 align:left position:10%,start line:89% size:80% WE'RE VERY LUCKY BECAUSE THIS 14:54.666 --> 14:57.233 align:left position:10%,start line:89% size:80% MAN WAS REALLY AN EARLY 14:57.233 --> 14:57.700 align:left position:10%,start line:89% size:80% CONSERVATIONIST. 14:57.700 --> 14:58.633 align:left position:10%,start line:89% size:80% IT'S BECAUSE OF HIM THAT WE 14:58.633 --> 15:00.533 align:left position:10%,start line:89% size:80% STILL HAVE OLD GROWTH TREES AND 15:00.533 --> 15:03.066 align:left position:10%,start line:89% size:80% IT'S BECAUSE OF HIM THIS IS A 15:03.066 --> 15:03.366 align:left position:10%,start line:89% size:80% PARK. 15:03.366 --> 15:05.433 align:left position:10%,start line:89% size:80% WHEN HE DIED, THE TIMBER BUYERS 15:05.433 --> 15:08.000 align:left position:10%,start line:89% size:80% OF ARIZONA WERE COMING IN FORCE. 15:08.000 --> 15:09.366 align:left position:10%,start line:89% size:80% THEY WANTED TO BUY TURKEY RUN 15:09.366 --> 15:11.033 align:left position:10%,start line:89% size:80% AND CUT DOWN ALL THE TREES. 15:11.033 --> 15:13.566 align:left position:10%,start line:89% size:80% A COMMITTEE HEADED BY RICHARD 15:13.566 --> 15:15.633 align:left position:10%,start line:89% size:80% LIEBER, A COMMISSION ACTUALLY, 15:15.633 --> 15:17.433 align:left position:10%,start line:89% size:80% WAS LOOKING INTO ESTABLISHING A 15:17.433 --> 15:19.266 align:left position:10%,start line:89% size:80% SYSTEM OF STATE PARTS IN 15:19.266 --> 15:19.666 align:left position:10%,start line:89% size:80% INDIANA. 15:19.666 --> 15:21.133 align:left position:10%,start line:89% size:80% RICHARD LIEBER CAME HERE TO SEE 15:21.133 --> 15:23.066 align:left position:10%,start line:89% size:80% TURKEY RUN AND FELL IN LOVE WITH 15:23.066 --> 15:24.166 align:left position:10%,start line:89% size:80% THE PLACE, HAD TO HAVE IT. 15:24.166 --> 15:25.733 align:left position:10%,start line:89% size:80% SO HE INITIATED A CAMPAIGN TO 15:25.733 --> 15:27.566 align:left position:10%,start line:89% size:80% RAISE THE FUNDS TO GET THE 15:27.566 --> 15:28.966 align:left position:10%,start line:89% size:80% PEOPLE THE PEOPLE OF INDIANA 15:28.966 --> 15:31.933 align:left position:10%,start line:89% size:80% EXCITED ABOUT SAVING TURKEY RUN. 15:31.933 --> 15:33.000 align:left position:10%,start line:89% size:80% THESE STATE PARKS WERE 15:33.000 --> 15:34.933 align:left position:10%,start line:89% size:80% ESTABLISHED NOT JUST TO CONSERVE 15:34.933 --> 15:38.033 align:left position:10%,start line:89% size:80% LAND BUT TO PROVIDE A PLACE FOR 15:38.033 --> 15:40.833 align:left position:10%,start line:89% size:80% PEOPLE TO COME TO GET AWAY FROM 15:40.833 --> 15:43.733 align:left position:10%,start line:89% size:80% ALL THE STRUGGLES AND STRESSES 15:43.733 --> 15:45.733 align:left position:10%,start line:89% size:80% IN THEIR LIVES AND TO JUST SOAK 15:45.733 --> 15:48.600 align:left position:10%,start line:89% size:80% UP NATURE, RELAX, AND PULL SOME 15:48.600 --> 15:49.900 align:left position:10%,start line:89% size:80% PEACE INTO THEMSELVES. 15:49.900 --> 15:51.400 align:left position:10%,start line:89% size:80% WE HAVE A LOT OF SPECIAL EVENTS 15:51.400 --> 15:53.066 align:left position:10%,start line:89% size:80% COMING UP AT TURKEY RUN. 15:53.066 --> 15:54.733 align:left position:10%,start line:89% size:80% THE FIRST WEEKEND IN MAY IS OUR 15:54.733 --> 15:56.100 align:left position:10%,start line:89% size:80% WELCOME BACK WEEKEND ON ALL OF 15:56.100 --> 15:56.966 align:left position:10%,start line:89% size:80% OUR STATE PROPERTIES. 15:56.966 --> 15:59.033 align:left position:10%,start line:89% size:80% YOU CAN PARTICIPATE IN HIKES AND 15:59.033 --> 16:01.333 align:left position:10%,start line:89% size:80% WORKSHOPS AND ALL KINDS OF MAKE 16:01.333 --> 16:02.700 align:left position:10%,start line:89% size:80% AND TAKE ACTIVITIES TO KIND OF 16:02.700 --> 16:04.666 align:left position:10%,start line:89% size:80% GET YOU BACK OUT INTO NATURE AND 16:04.666 --> 16:05.633 align:left position:10%,start line:89% size:80% READY FOR THE SUMMER. 16:05.633 --> 16:07.466 align:left position:10%,start line:89% size:80% AND SO I WOULD ENCOURAGE ANYONE 16:07.466 --> 16:09.733 align:left position:10%,start line:89% size:80% WHO CAN TO COME OUT AND VISIT AN 16:09.733 --> 16:10.766 align:left position:10%,start line:89% size:80% INDIANA STATE PARK THIS YEAR. 16:10.766 --> 16:12.366 align:left position:10%,start line:89% size:80% IT DOESN'T HAVE TO BE TURKEY 16:12.366 --> 16:12.633 align:left position:10%,start line:89% size:80% RUN. 16:12.633 --> 16:14.133 align:left position:10%,start line:89% size:80% THEY ARE ALL SPECIAL IN THEIR 16:14.133 --> 16:17.500 align:left position:10%,start line:89% size:80% OWN UNIQUE WAYS, AND IT IS A 16:17.500 --> 16:24.866 align:left position:10%,start line:89% size:80% RENEWAL PLACE, SOMEPLACE THAT 16:18.566 --> 16:26.800 align:left position:10%,start line:89% size:80% YOU CAN COME AND FEEL BETTER. 16:26.800 --> 16:28.433 align:left position:10%,start line:89% size:80% >> WANT TO VISIT? 16:28.433 --> 16:30.300 align:left position:10%,start line:89% size:80% THE INDIANA DEPARTMENT OF 16:30.300 --> 16:32.066 align:left position:10%,start line:89% size:80% NATURAL RESOURCES IS SPONSORING 16:32.066 --> 16:34.633 align:left position:10%,start line:89% size:80% SUMMER STAYCATION SPECIALS FOR 16:34.633 --> 16:35.333 align:left position:10%,start line:89% size:80% MULTIPLE STATE PARKS. 16:35.333 --> 16:36.566 align:left position:10%,start line:89% size:80% LEARN MORE ABOUT HOW TO EXPLORE 16:36.566 --> 16:38.933 align:left position:10%,start line:89% size:80% AND HOW TO STAY AT TURKEY RUN BY 16:38.933 --> 16:43.633 align:left position:10%,start line:89% size:80% VISITING THEIR WEBSITE 16:43.633 --> 16:44.033 align:left position:10%,start line:89% size:80% IN.GOV/DNR. 16:44.033 --> 16:46.766 align:left position:10%,start line:89% size:80% >>> FOR YEARS OUR NEXT MUSICAL 16:46.766 --> 16:47.900 align:left position:10%,start line:89% size:80% GUESTS HAVE BUILT THEIR 16:47.900 --> 16:50.533 align:left position:10%,start line:89% size:80% FRIENDSHIPS INTO A SUCCESSFUL 16:50.533 --> 16:53.833 align:left position:10%,start line:89% size:80% BAND, MELDING '80S AND '90s 16:53.833 --> 16:56.033 align:left position:10%,start line:89% size:80% ROCK WITH MODERN POP. 16:56.033 --> 17:01.666 align:left position:10%,start line:89% size:80% MEET "THERE ARE GHOSTS." 16:58.566 --> 17:08.966 align:left position:10%,start line:89% size:80% ♪♪♪♪ 17:08.966 --> 17:10.633 align:left position:10%,start line:89% size:80% >> THERE ARE GHOSTS FORMED IN 17:10.633 --> 17:12.200 align:left position:10%,start line:89% size:80% TWO PHASES. 17:12.200 --> 17:15.466 align:left position:10%,start line:89% size:80% SO FIRST IT WAS ANDREW AND MIKE 17:15.466 --> 17:17.666 align:left position:10%,start line:89% size:80% PLAYING WITH TONY, GUITAR 17:17.666 --> 17:19.833 align:left position:10%,start line:89% size:80% PLAYER, ALSO MY HUSBAND. 17:19.833 --> 17:21.433 align:left position:10%,start line:89% size:80% AND I WASN'T PART OF IT IN THE 17:21.433 --> 17:22.766 align:left position:10%,start line:89% size:80% BEGINNING AND NEITHER WAS JOHN, 17:22.766 --> 17:24.533 align:left position:10%,start line:89% size:80% OUR OTHER GUITAR PLAYER. 17:24.533 --> 17:27.233 align:left position:10%,start line:89% size:80% AND SO I KEPT HEARING THE SONGS 17:27.233 --> 17:29.600 align:left position:10%,start line:89% size:80% AND I WAS SINGING ALL THE SONGS 17:29.600 --> 17:31.000 align:left position:10%,start line:89% size:80% AND I STARTED TO REALLY LIKE A 17:31.000 --> 17:32.666 align:left position:10%,start line:89% size:80% LOT OF THE MUSIC THAT THEY WERE 17:32.666 --> 17:35.033 align:left position:10%,start line:89% size:80% DOING, AND THEN I JUST ONE DAY 17:35.033 --> 17:37.000 align:left position:10%,start line:89% size:80% WAS LIKE, SO, CAN I JOIN THE 17:37.000 --> 17:40.600 align:left position:10%,start line:89% size:80% BAND AND BE THE SINGER? 17:40.600 --> 17:43.166 align:left position:10%,start line:89% size:80% WHEN IT ALL CAME TOGETHER, IT 17:43.166 --> 17:44.300 align:left position:10%,start line:89% size:80% JUST CLICKED. 17:44.300 --> 17:46.133 align:left position:10%,start line:89% size:80% OUR GOALS WERE TOTALLY ALIGNED 17:46.133 --> 17:48.833 align:left position:10%,start line:89% size:80% IN THAT WE WENT TO JUST MAKE 17:48.833 --> 17:50.700 align:left position:10%,start line:89% size:80% GREAT MUSIC, FUN MUSIC, WHATEVER 17:50.700 --> 17:52.366 align:left position:10%,start line:89% size:80% WE WANT, SPEND TIME TOGETHER, 17:52.366 --> 17:54.400 align:left position:10%,start line:89% size:80% PLAY SHOWS, AND JUST HAVE IT BE 17:54.400 --> 17:56.200 align:left position:10%,start line:89% size:80% SOMETHING THAT FEEDS US 17:56.200 --> 17:57.300 align:left position:10%,start line:89% size:80% CREATIVELY AND THE FACT THAT 17:57.300 --> 17:58.700 align:left position:10%,start line:89% size:80% WE'VE ALL KNOWN EACH OTHER IN 17:58.700 --> 18:00.533 align:left position:10%,start line:89% size:80% SOME FORM OR ANOTHER FOR OVER 20 18:00.533 --> 18:03.400 align:left position:10%,start line:89% size:80% YEARS IS A HUGE BENEFIT. 18:03.400 --> 18:04.866 align:left position:10%,start line:89% size:80% WE'RE FIVE BEST FRIENDS WHO 18:04.866 --> 18:06.400 align:left position:10%,start line:89% size:80% HAPPEN TO PLAY IN A BAND 18:06.400 --> 18:06.766 align:left position:10%,start line:89% size:80% TOGETHER. 18:06.766 --> 18:11.233 align:left position:10%,start line:89% size:80% SO THAT MAKES FOR A REALLY GOOD, 18:11.233 --> 18:12.233 align:left position:10%,start line:89% size:80% CREATIVE, PRODUCTIVE 18:12.233 --> 18:12.666 align:left position:10%,start line:89% size:80% ENVIRONMENT. 18:12.666 --> 18:13.933 align:left position:10%,start line:89% size:80% WE'RE SERIOUS ABOUT WHAT WE DO, 18:13.933 --> 18:15.633 align:left position:10%,start line:89% size:80% BUT WE WANT TO HAVE A LOT OF FUN 18:15.633 --> 18:18.366 align:left position:10%,start line:89% size:80% DOING IT, AND SO WE ERR ON THE 18:18.366 --> 18:19.733 align:left position:10%,start line:89% size:80% SIDE OF FUN WHEN IT COMES DOWN 18:19.733 --> 18:21.166 align:left position:10%,start line:89% size:80% TO IT. 18:21.166 --> 18:24.633 align:left position:10%,start line:89% size:80% DESCRIBING YOUR SOUND TO SOMEONE 18:24.633 --> 18:26.100 align:left position:10%,start line:89% size:80% IS ALWAYS DIFFICULT. 18:26.100 --> 18:27.800 align:left position:10%,start line:89% size:80% THE WAY THAT I WOULD DESCRIBE IT 18:27.800 --> 18:30.133 align:left position:10%,start line:89% size:80% WOULD BE ALTERNATIVE COLLEGE 18:30.133 --> 18:33.200 align:left position:10%,start line:89% size:80% ROCK MUSIC OF THE LATE '80s 18:33.200 --> 18:34.733 align:left position:10%,start line:89% size:80% INTO EARLY '90s. 18:34.733 --> 18:37.166 align:left position:10%,start line:89% size:80% WHEN I'M PERFORMING, I AM TRYING 18:37.166 --> 18:38.800 align:left position:10%,start line:89% size:80% REALLY HARD TO STAY AS PRESENT 18:38.800 --> 18:40.066 align:left position:10%,start line:89% size:80% IN THE MOMENT AS I CAN BECAUSE I 18:40.066 --> 18:43.200 align:left position:10%,start line:89% size:80% HAVE A TENDENCY TO GET SUCKED 18:43.200 --> 18:44.833 align:left position:10%,start line:89% size:80% INTO MY OWN HEAD, AND THAT'S NOT 18:44.833 --> 18:46.966 align:left position:10%,start line:89% size:80% WHERE YOU WANT TO BE, YOU KNOW, 18:46.966 --> 18:48.133 align:left position:10%,start line:89% size:80% WHEN YOU ARE PERFORMING. 18:48.133 --> 18:49.733 align:left position:10%,start line:89% size:80% THE WHOLE POINT IS TO GET IT OUT 18:49.733 --> 18:50.833 align:left position:10%,start line:89% size:80% OF HERE AND OUT THERE. 18:50.833 --> 18:52.966 align:left position:10%,start line:89% size:80% WHAT I REALLY TRY TO FOCUS ON IS 18:52.966 --> 18:54.100 align:left position:10%,start line:89% size:80% JUST CREATING THAT CONNECTION 18:54.100 --> 18:55.933 align:left position:10%,start line:89% size:80% WITH AN AUDIENCE TO REALLY HAVE 18:55.933 --> 18:58.233 align:left position:10%,start line:89% size:80% PEOPLE FEEL THE EMOTION OF A 18:58.233 --> 19:00.600 align:left position:10%,start line:89% size:80% PARTICULAR SONG OR FEEL JUST THE 19:00.600 --> 19:02.966 align:left position:10%,start line:89% size:80% ENERGY AND THE LOVE THAT WE HAVE 19:02.966 --> 19:05.033 align:left position:10%,start line:89% size:80% TOGETHER AS A BAND AND AS 19:05.033 --> 19:07.066 align:left position:10%,start line:89% size:80% FRIENDS AND BRING THEM INTO 19:07.066 --> 19:07.366 align:left position:10%,start line:89% size:80% THAT. 19:07.366 --> 19:08.566 align:left position:10%,start line:89% size:80% WHAT YOU HOPE AT THE END OF THE 19:08.566 --> 19:11.533 align:left position:10%,start line:89% size:80% DAY IS SOMEONE LIKED YOUR MUSIC, 19:11.533 --> 19:12.700 align:left position:10%,start line:89% size:80% ENJOYED COMING OUT AND SEEING 19:12.700 --> 19:14.733 align:left position:10%,start line:89% size:80% YOU PLAY, AND THAT THEY'LL WANT 19:14.733 --> 19:16.000 align:left position:10%,start line:89% size:80% TO LISTEN TO YOU AGAIN. 19:16.000 --> 19:17.566 align:left position:10%,start line:89% size:80% MY PERSONAL DEFINITION OF 19:17.566 --> 19:20.300 align:left position:10%,start line:89% size:80% SUCCESS AS A MUSICIAN IS TO KEEP 19:20.300 --> 19:20.966 align:left position:10%,start line:89% size:80% DOING IT. 19:20.966 --> 19:24.100 align:left position:10%,start line:89% size:80% IT IS A VALUABLE FORM OF 19:24.100 --> 19:24.500 align:left position:10%,start line:89% size:80% EXPRESSION. 19:24.500 --> 19:26.933 align:left position:10%,start line:89% size:80% IT IS A GREAT CREATIVE RELEASE. 19:26.933 --> 19:29.633 align:left position:10%,start line:89% size:80% IT'S A GREAT STRESS RELEASE, 19:29.633 --> 19:32.266 align:left position:10%,start line:89% size:80% JUST A PLATFORM, THE CHANCE TO 19:32.266 --> 19:33.566 align:left position:10%,start line:89% size:80% GET OUT AND DO SOMETHING 19:33.566 --> 19:36.066 align:left position:10%,start line:89% size:80% DIFFERENT THAN WHAT YOUR 19:36.066 --> 19:37.000 align:left position:10%,start line:89% size:80% DAY-TO-DAY EXISTENCE IS. 19:37.000 --> 19:39.600 align:left position:10%,start line:89% size:80% IT'S A LOT MORE INTERNAL IN 19:39.600 --> 19:42.333 align:left position:10%,start line:89% size:80% TERMS OF WHAT I FIND MOTIVATES 19:42.333 --> 19:45.400 align:left position:10%,start line:89% size:80% ME EACH DAY IS BEING ABLE TO 19:45.400 --> 19:47.533 align:left position:10%,start line:89% size:80% EXPRESS MYSELF, TO WRITE ABOUT 19:47.533 --> 19:49.133 align:left position:10%,start line:89% size:80% DIFFERENT THINGS, TO SEE HOW I 19:49.133 --> 19:51.600 align:left position:10%,start line:89% size:80% CAN USE MY VOICE TO EXPRESS 19:51.600 --> 19:53.766 align:left position:10%,start line:89% size:80% DIFFERENT EMOTIONS AS WELL AS 19:53.766 --> 19:55.800 align:left position:10%,start line:89% size:80% BEING SURE THAT I'M SPENDING 19:55.800 --> 19:57.666 align:left position:10%,start line:89% size:80% TIME WITH PEOPLE THAT I REALLY 19:57.666 --> 19:59.900 align:left position:10%,start line:89% size:80% LOVE AND WE JUST GET A CHANCE TO 19:59.900 --> 20:03.200 align:left position:10%,start line:89% size:80% MAKE GREAT MUSIC AT THE SAME 20:01.533 --> 20:03.766 align:left position:10%,start line:89% size:80% TIME. 20:03.766 --> 20:08.633 align:left position:10%,start line:89% size:80% >> AND NOW, WELCOME "THERE ARE 20:06.600 --> 20:21.533 align:left position:10%,start line:89% size:80% GHOSTS." 20:10.200 --> 20:44.266 align:left position:10%,start line:89% size:80% ♪♪♪♪ 20:44.266 --> 21:01.433 align:left position:10%,start line:89% size:80% ♪♪♪♪ 20:46.400 --> 24:14.233 align:left position:10%,start line:89% size:80% [SINGING] 24:14.233 --> 24:16.133 align:left position:10%,start line:89% size:80% >> THE BAND WILL BE PERFORMING 24:16.133 --> 24:18.433 align:left position:10%,start line:89% size:80% THIS WEEKEND AS WELL AS OTHER 24:18.433 --> 24:19.300 align:left position:10%,start line:89% size:80% UPCOMING PERFORMANCES THROUGHOUT 24:19.300 --> 24:19.900 align:left position:10%,start line:89% size:80% THE SUMMER. 24:19.900 --> 24:27.533 align:left position:10%,start line:89% size:80% LEARN MORE AT THEIR WEBSITE 24:27.533 --> 24:28.233 align:left position:10%,start line:89% size:80% THEREAREGHOSTSUSBANDCAMP.COM. 24:28.233 --> 24:29.000 align:left position:10%,start line:89% size:80% THAT'S ALL WE HAVE FOR TONIGHT. 24:29.000 --> 24:30.466 align:left position:10%,start line:89% size:80% WE HOPE YOU GET OUT THERE AND 24:30.466 --> 24:31.933 align:left position:10%,start line:89% size:80% DISCOVER NEW COMMUNITIES AND 24:31.933 --> 24:33.166 align:left position:10%,start line:89% size:80% MAYBE SOME NEW FRIENDS. 24:33.166 --> 24:34.933 align:left position:10%,start line:89% size:80% ONCE AGAIN BEFORE WE GO "THERE 24:34.933 --> 24:38.400 align:left position:10%,start line:89% size:80% ARE GHOSTS." 24:36.533 --> 25:50.066 align:left position:10%,start line:89% size:80% GOOD NIGHT. 25:35.066 --> 26:05.066 align:left position:10%,start line:89% size:80% ♪♪♪♪ 26:05.066 --> 26:06.066 align:left position:10%,start line:89% size:80% >> PRODUCTION SUPPORT FOR 26:06.066 --> 26:07.033 align:left position:10%,start line:89% size:80% "THE WEEKLY SPECIAL" IS PROVIDED 26:07.033 --> 26:07.966 align:left position:10%,start line:89% size:80% BY... 26:07.966 --> 26:09.200 align:left position:10%,start line:89% size:80% IU SCHOOL OF PUBLIC HEALTH 26:09.200 --> 26:10.100 align:left position:10%,start line:89% size:80% BLOOMINGTON, ADDRESSING PUBLIC 26:10.100 --> 26:11.833 align:left position:10%,start line:89% size:80% HEALTH NEEDS BY PREVENTING 26:11.833 --> 26:13.333 align:left position:10%,start line:89% size:80% DISEASE, PROMOTING HEALTH AND 26:13.333 --> 26:14.866 align:left position:10%,start line:89% size:80% IMPROVING QUALITY OF LIFE ACROSS 26:14.866 --> 26:16.800 align:left position:10%,start line:89% size:80% THE STATE AND AROUND THE WORLD 26:16.800 --> 26:18.066 align:left position:10%,start line:89% size:80% THROUGH RESEARCH, TEACHING AND 26:18.066 --> 26:21.433 align:left position:10%,start line:89% size:80% COMMUNITY ENGAGEMENT... 26:21.433 --> 26:24.400 align:left position:10%,start line:89% size:80% SMITHVILLE FIBER, THE GIGACITY 26:24.400 --> 26:27.266 align:left position:10%,start line:89% size:80% COMPANY, FIBER INTERNET, HD, AND 26:27.266 --> 26:28.366 align:left position:10%,start line:89% size:80% DIGITAL IPTV IN SOUTHERN 26:28.366 --> 26:29.500 align:left position:10%,start line:89% size:80% INDIANA. 26:29.500 --> 26:30.566 align:left position:10%,start line:89% size:80% MORE INFORMATION AT 26:30.566 --> 26:34.033 align:left position:10%,start line:89% size:80% SMITHVILLE.COM... 26:34.033 --> 26:36.733 align:left position:10%,start line:89% size:80% THE AL COBINE RECOGNITION 26:36.733 --> 26:38.366 align:left position:10%,start line:89% size:80% ENDOWMENT FUND, ESTABLISHED BY 26:38.366 --> 26:40.100 align:left position:10%,start line:89% size:80% FRIENDS AND FAMILY OF AL COBINE 26:40.100 --> 26:42.400 align:left position:10%,start line:89% size:80% TO SUPPORT JAZZ INITIATIVES ON 26:42.400 --> 26:45.000 align:left position:10%,start line:89% size:80% WTIU AND WFIU... 26:45.000 --> 26:45.666 align:left position:10%,start line:89% size:80% AND WTIU MEMBERS, THANK YOU.