>> PRODUCTION SUPPORT FOR "THE
WEEKLY SPECIAL" IS PROVIDED BY:
>> THE SEASON HAS CHANGED, BUT
HOW ARE YOU CHANGING THE SEASON?
MEET HOOSIERS ACROSS THE STATE
THAT EMBRACE THE POWER OF TIME.
>>> MEET A COLUMBUS SCULPTURE
THAT CAPTURES THE CHANGING
SEASONS IN CERAMIC MASTER
PIECES.
>>> BE INSPIRED BY ARNELL DARDEN
AS HE CHASES THE SUN IN HIS POEM
"TODAY" AND WE'LL EXPLORE BEAN
MONROE'S LEGEND.
AND WE'LL WELCOME JASON WILBUR
TO THE STUDIO.
EMBRACE THE CHANGING SEASON
ACROSS INDIANA ON TONIGHT'S
"WEEKLY SPECIAL."
♪♪
>>> WELCOME TO "THE WEEKLY
SPECIAL."
I'M DARRYL NEHER.
AT THIS TIME OF YEAR, HOOSIERS
ARE OFTEN REMINDED OF THE
PASSAGE OF TIME.
THE LEAVES CHANGE AND FALL TO
THE GROUND AND THE NEW YEAR
SEEMS AROUND THE CORNER.
BUT COLUMBUS ARTIST ROBERT
PULLEY, THE PASSAGE OF TIME
CIRCLING THROUGHOUT EACH YEAR
HAS BEEN THE INSPIRATION OF HIS
ART.
♪♪
>> I GREW UP IN WABASH, INDIANA.
THERE'S A PLACE I WOULD HIKE OUT
TO, ABOUT 5 MILES FROM MY HOME,
TO A PLACE WHERE THE WATER WAS
ERODING AND GOING INTO THESE
BASINS THAT WERE PERFECTLY
ROUND.
THIS IDEA THAT THE STONE EXTENDS
DOWN INTO THE EARTH, AND THE
WATER IS FALLING OVER, IT'S JUST
A MAGICAL COMBINATION.
♪♪
CLAY IS SO OPEN ENDED.
IT DOESN'T REALLY HAVE A FORM OF
ITS OWN, BUT IT WILL TAKE ANY
FORM YOU PUT IT IN.
I STARTED WORKING ON THE LARGE
SCALE, AT FIRST EVERYTHING WAS
IMPROVISED.
I LIKE THE PHYSICALITY OF IT.
THEY ALMOST HAVE A PROJECTION OF
ENERGY.
WHEN YOU COME UP TO THEM, YOU
FEEL THEM.
YOU FEEL THEM, LIKE, IN YOUR
GUTS.
IT IMPACTS ME.
SO IT'S THAT KIND OF ENERGY THAT
I'M AFTER.
AS FAR AS THE KIND OF THINGS
THAT I'M EXPLORING,, IT IS PLAN A
LINE OF ATTACK.
IT'S JUST FOLLOWING THE FLOW.
I CAME TO WORK ON FIVE OR SIX
PIECES AT A TIME IN THE STUDIO
AND I WILL SET OUT AND START
EVERYTHING.
ONCE IT'S STARTED, THEN ON A
DAILY BASIS, I TRY TO GET OUT
THERE AND PUT ANOTHER COIL ON.
AND THEN I PINCH IT UP.
WHICH WAY IS IT MOVING, THREE OR
FOUR INCHES FROM THE WAY IT WAS
BEFORE.
AND THEN WHEN I GET DON'T
THINKING, I SIT BACK AND LOOK AT
IT AND GIVE AN ANGLE.
I'M LOOKING FOR WHERE THIS LINE
IS GOING.
IS THIS SURFACE GOING TO BE A
SOFT, OPEN SURFACE?
OR DOES IT WANT TO BE AN ACTIVE
SURFACE?
AND WHEN IT'S ALMOST GONE, I
HAVE TOOLS I MADE OUT OF SHARPEN
RODS AND I PICK, PICK, PICK,
PICK.
SO ALL OF THESE MARKS ARE
INDIVIDUAL PICK MARKS.
IT ENDS UP BEING THE BIGGEST
TIME CONSUMER, MAYBE THREE OR
FOUR HOURS PICKING PICKS ON ONE
PIECE.
THE GLAZE IS DONE IN A SPRAYER.
I WORK REAL FAST.
I SIT BACK THERE AND JUST KIND
OF INTUITIVELY SPRAY THE GLAZE
AROUND AND ACCENTING AND
HARMONIZING THE FORM I MADE.
IT'S ALWAYS THE FORM.
♪♪
>> INNATURE MAKES SUCH WONDERFUL
THINGS, THE STONE.
THE FORMS OF STONES ARE NOT
ACCIDENTS.
THEY ARE THE RESULT OF PHYSICS
AT WORK IN THE LAYERING OF THE
STONE, THE WAY THEY DRY, THE WAY
THEY FIND WEAK SPOTS, FRACTURES
THINGS OUT, AND FIELD STONES ARE
TUMBLED FROM CANADA.
WHAT I'M DOING IN MY ART TO SOME
DEGREE, I'M TRYING TO EXPRESS
THIS COMING AND GOING, YOU KNOW,
THIS FRACTURING OFF, THE
STRENGTH OF LIFE, THE STRENGTH
OF LIFE, YOU KNOW, TRYING TO
FIND A MACE FOR PLACE FOR YOURSELF IN THE
WORLD.
ORGANIC ANIMALS OR PLANTS.
SOME OF THE FORMS I FIND
CROPPING UP ARE REFERENCES TO
THE HUMAN FIGURE.
IF YOU LOOK AROUND, YOU SEE
HIPS, SHOULDERS, BUT THERE'S
REALLY NOT ANY OF THOSE THINGS.
THEY ARE JUST FORMS THAT LOOK
ORGANIC AND REMIND YOU OF THE
BODY OR THESE TOOLS.
SO A LOT OF THE FORMS IS NOT ME
RECREATING FORMS.
IT'S ME RECOGNIZING SOMETHING IN
THE FORMS.
SO THAT SENSE OF LIFE, I THINK,
IS INTERESTING TO ME, AS WELL AS
THE SENSE OF DECAY AND EACH OF
THEM IS KIND OF -- IT'S AS MUCH
INFORMATION ABOUT THE WORLD AND
ONE PIECE THAT I CAN FIT INTO.
THAT'S WHAT I LOOK FOR IN ART
MYSELF.
OF COURSE, SOMETHING THAT'S
BRINGING ME A NEW MESSAGE THAT
IS INSPIRING ME IN SOME WAY,
THAT CHALLENGES ME OR JUST MAKES
ME FEEL GOOD.
SO MY HOPE IS THAT THERE ARE
PEOPLE WHO FIND THE WORK, AND IT
DOES THAT SORT OF THING FOR
THEM.
>> TO SEE MORE EXAMPLES OF
ROBERT'S INCREDIBLE WORK OR TO
PURCHASE A PIECE FOR YOURSELF,
VISIT HIS WEBSITE,
ROBERTPULLEY.COM.
ARTISTS ARE OFTEN INSPIRED BY
THE PASSAGE OF TIME, BUT SPOKEN
WORD ARTIST, ARNELL DARDEN IS
FOCUSED ON LIVING THE HERE AND
NOW.
>> TODAY.
TODAY WE'LL FOLLOW THE SUN UNTIL
IT BELLY FLOPS BEHIND THE
HORIZON AND THEN MEET IT ON THE
OTHER SIDE.
WE DON'T HAVE TO KNOW WHERE IT'S
GOING.
WE DON'T EVEN CARE.
WE JUST KNOW WE HAVE TO BE
THERE.
THEY TELL US THE SUN IS HOT.
YOU WILL BURN!
WE SAY, YOU GET WHAT YOU EARN.
AND SO WE CHASE.
WE DON'T CARE ABOUT THE SHARED,
BETTER THAN LOOKS ON THE FACES
OF NATIONS WE TREK THROUGH,
BECAUSE WE ARE RUNNING.
WE KNOW THAT WHEN WE CATCH THEM,
IT WILL ALL BE WORTH IT.
WE KNOW THEIR DISDAIN FOR US,
FOR SOMETHING DIFFERENT, FOR
PEACE, IS THE ONLY THING THEY
AGREE ON, BUT WE HAVE NOTICED
SOMETHING.
WE HAVE SEEN THAT HE IS THE ONLY
ONE THEY ALL LOOK UP TO.
SO MAYBE IF WE CAPTURE AND
DEVOUR HIM, THEY WILL SYMPTOM
LOOKING -- STOP LOOKING DOWN
THEIR NOSES AT US.
MAYBE IF WE CAGE HIM UP AND
CHARGE HONESTY AND THE TRUTH TO
SEE HIM, THEY WILL TELL US HOW
JEALOUS THEY REALLY ARE AT THOSE
BETTER THAN LOOKS RIGHT OFF OF
THEIR FACES.
MAYBE WE'LL CATCH THEM TODAY.
BUT MAYBE NOT.
EITHER WAY, WE ARE ARTISTS.
AND SOME OF US WILL CAPTURE HIM
WITH BRUSHES AND PALATES.
SOME OF THEM WITH PENCILS AND
MARKERS AS PERMANENT WITH
GRAVITY.
SOME OF THEM WITH WORDS THAT HE
DOESN'T ARE UNDERSTAND, THAT
MAKE HIM SHINE WITH GREEN ENVY.
SOME OF US WITH MOVEMENTS THAT
MIMIC PEGASUS.
SOME OF US WITH OUR VERY OPEN
BODIES SCULPTING NINE MONTH
MASTER PIECES, AND TRYING TO
CHISEL THEIR BEAUTY AWAY.
WE ARE ARTISTS.
AND WE'LL CHASE THE SUN UNTIL IT
SQUEEZES BEHIND THE TREES LIKE
POVERTY INTO THE AMERICAN DREAM.
WE WILL CHASE THEM UNTIL HE
FINALLY SURRENDERS HIS LIGHT.
WE WILL WRESTLE HIM DOWN AND
MAKE HIM ARE TELL US HIS
DEEPEST, BRIGHTEST SECRET.
AND MAYBE THEN, MAYBE THEN THE
WORLD WILL REALIZE THAT THE LIFE
THEY ONCE NEEDED TO LIVE MIGHT
JUST LIVE IN US.
KEEP CHASING.
>> IF YOU WOULD LIKE TO HEAR
MORE EXTRAORDINARY SPOKEN WORD
ARTISTS IN THE AREA,
BLOOMINGTON'S PLAYERS PUB HOSTS
A MONTHLY SPOKEN WORD SHOW.
GO TO PLAYERSPUB.COM.
>>> TONIGHT WE CONCLUDE OUR
SERIES WITH THE FATHER OF
BLUEGRASS HIMSELF, BILL MONROE.
♪♪
♪♪
>> BY THE 1950s, THE PEOPLE IN
THE SMALL TOWN OF BEAN BLOSSOM,
INDIANA, HAD GROWN THEIR PASSION
FOR LIVE COUNTRY MUSIC INTO THE
RENOWNED BROWN COUNTY JAMBOREE.
BUT AFTER A LITTLE MORE THAN A
DECADE, THE VENUE NEEDED A NEW
OWNER TO REINVIGORATE ITS SHOWS
AND GROW ITS LEGACY.
FORTUNATELY THE FATHER OF
BLUEGRASS HIMSELF, BILL MONROE,
HAD FALLEN IN LOVE WITH THE
JAMBOREE, AFTER HE PERFORMED
THERE IN THE EARLY 1950s.
HE BEGAN PLAYING THERE REGULARLY
AND SOON TAKEN OVER MANAGEMENT
OF THE VENUE.
EVEN THOUGH HE WAS BORN AND
RAISED IN KENTUCKY, HIS HOOSIER
ROOTS RAN DEEP.
IN 1929, AT THE AGE OF 18, BILL
MOVED TO INDIANA WITH HIS
BROTHERS CHARLIE AND BIRCH.
BILL JOINED CHARLIE WORKING AT
THE SINCLAIR OIL REFINERRING IN
WHITING, UNLOADING OIL BEARERS
FROM FREIGHT TRAINS AND DOING
GENERAL JANITORIAL WORK.
LIKE OTHER SOUTHERNERS THAT CAME
NORTH LOOKING FOR WORK DURING
THE DEPRESSION.
BILL MONROE AND HIS BROTHERS
BROUGHT THEIR CULTURAL AND
MUSICAL TRADITIONS WITH THEM.
AS THEY HAD BACK IN KENTUCKY,
THEY BEGAN PLAYING AT THE LOCAL
GATHERINGS, LIKE THE SQUARE
DANCES HELD IN AN OLD STORE
FRONT IN HAMMOND, INDIANA.
ALONG WITH THEIR FRIEND LARRY
MOORE, THEY FORMED THE GROUP
KNOWN AS THE MONROE BROTHERS.
A COUNTRY MUSIC SPRING GROUP
FEATURING BILL ON THE MANDOLIN.
THE MONROE BROTHERS WERE
DISCOVERED BY A COUNTRY MUSIC
PROGRAM DIRECTOR WHO HIRED THEM
AS A SQUARE DANCE TEAM AND THE
BOYS SET OFF, PERFORMING AT A
TRAVELING VARIETY SHOW SPONSORED
BY THE RADIO STATION.
SOON THE MONROE BROTHERS COULD
BE HEARD ON RADIO STATIONS
ACROSS NORTHERN INDIANA,
PERFORMING THEIR OWN 15 MINUTE
CEREAL PROGRAM ON A GARY
STATION.
THIS DREW THE ATTENTION OF THE
GRAND PALACE THEATER IN CHICAGO,
WHICH BOOKED THE MONROE BROTHERS
TO PERFORM.
THE NEXT BIG BREAK TOOK THEM
EVEN FURTHER AWAY FROM THE
HOOSIER STATE.
DURING THE TIME BILL WAS AWAY
FROM INDIANA, HIS CAREER
SKYROCKETS.
BY 1936, RCA VICTOR SIGNED THEM
FOR "WHAT WOULD YOU GIVE FOR
EXCHANGE FOR YOUR SOUL."
BILL QUICKLY FORMED OTHER
GROUPS, INCLUDING THE LEGENDARY
BLUEGRASS BOYS.
IN 1939, HE SUCCESSFULLY
AUDITIONS FOR THE GRAND OLE
OPRY, THE VENUE THAT WOULD HELP
TO MAKE HIM A STAR!
TO ACCOMPANY HIS UNIQUE MANDOLIN
MELODIES AND HIGH TENOR VOICE,
HE ADDED EARL SCRUGGS ON THE
BANJO AND LESTER FLAT.
WITH THE CLASSIC LINEUP, THE
BLUEGRASS BOYS WERE BORN.
OVER THE NEXT TWO YEARS THE BAND
RECORDED SEVERAL SUCCESSFUL
SONGS FOR COLUMBIA RECORDS,
INCLUDING "BLUE MOON OF
KENTUCKY" WHICH BECAME A HIT
AGAIN IN 1954, WHEN A YOUNG
UNKNOWN SINGER CALLED ELVIS
PRESLEY, COVERED THE SONG FOR
THE B SIDE OF HIS VERY FIRST
SINGLE.
SCRUGGS LEFT THE BAND IN THE
LATE 1940s BUT BILL MONROE'S
SUCCESS CONTINUES.
"THE NEW YORK TIMES" REFERRED TO
HIM AS THE UNIVERSALLY
RECOGNIZED FATHER OF BLUEGRASS
AND REPORTED THAT HE HELPED LAY
THE FOUNDATION OF COUNTRY MUSIC.
BY THE TIME MONROE RETURNED TO
THE HOOSIER STATE IN THE EARLY
1950s, THE BROWN COUNTY
JAMBOREE HAD BECOME HUGELY
POPULAR.
BILL MONROE BEGAN PLAYING AT THE
BROWN COUNTY JAM JAM JAM JAMBOREE.
HE KEPT THE REGULAR SUNDAY
JAMBOREE SHOW THAT HAD BEEN
RUNNING MAY THROUGH NOVEMBER FOR
OVER A DECADE BUT HE NEEDED A
NEW ANGLE TO MAINTAIN ITS
POPULARITY.
AS ROCK AND ROLL TOOK OVER THE
AIRWAVES IN THE FIRST HALF OF
THE 1950s, LESS PEOPLE CAME TO
BEAN BLOSSOM SEEKING COUNTRY
MUSIC, HOWEVER, WITH THE REVIVAL
OF THE FOLK MOVEMENT IN THE LATE
1950s AND EARLY '60s BILL
MONROE AND HIS UNIQUE STYLE OF
BLUEGRASS ATTRACTED NATIONAL
ATTENTION ONCE MORE.
THIS REINVIGORATED INTEREST IN
BEAN BLOSSOM AS WELL AND THE
TIME FELT RIGHT FOR MONROE'S
NEXT MOVE, A LARGE ANNUAL
BLUEGRASS FESTIVAL.
ON JUNE 24th AND 25th, 1967,
BILL MONROE HELD HIS FIRST
FESTIVAL WHICH HE CALLED THE BIG
BLUEGRASS CELEBRATION.
THE NEXT YEAR IT HAD TO BE
EXTENDED TO THREE DAYS TO
ACCOMMODATE THE LARGE CROWD OF
10,000 MUSIC LOVERS.
IN 1969, THE EVENT WAS BILLED AS
BILL MONROE'S BLUEGRASS FESTIVAL
AND THE GROUNDS WERE REFERRED TO
AS THE BROWN COUNTY JAMBOREE
PARK.
BY THE 1970s, THE FESTIVAL HAD
EVOLVED INTO AN INTERNATIONAL
EVENT WITH MUSICIANS AND
ATTENDEES COMING COMING TO BEAN BLOSSOM
FROM ACROSS THE WORLD EVEN AS
FAR AWAY AS NEW ZEALAND AND
JAPAN.
BILL MONROE REMAINED ACTIVITY IN
FESTIVAL ACTIVITIES UNTIL HIS
DEATH IN 1996, BUT HIS LEGACY
CONTINUES AT BEAN BLOSSOM TODAY.
JUST LAST YEAR, THE PARK, NOW
KNOWN AS BILL MONROE'S MEMORIAL
PARK AND CAMPGROUND HELD THE
50th ANNUAL BILL MONROE BEAN
BLOSSOM FESTIVAL.
HERE THEY PAUSE IN FRONT OF NEW
STATE HISTORICAL PARKER AND
REMEMBER THE HANDFUL OF BEAN
BLOSSOM RESIDENTS WHO STARTED IT
ALL, WITH ONE LONE MICROPHONE
AND AMPLIFIER IN THE PARKING LOT
OF AN OLD FILLING STATION AND A
DEEP LOVE FOR COUNTRY MUSIC.
♪♪
>> EVENTS ARE HAPPENING YEAR
ROUND AT THE BILL MONROE MUSIC
PARK.
LEARN MORE AT
BILLMONROEMUSICPARK.COM AND IF
YOU WOULD LIKE TO LEARN MORE
ABOUT MORE INCREDIBLE INDIANA
HISTORY CHECK OUT THE INDIANA
HISTORICAL BUREAU.
THEY HAVE BEEN MARKING INDIANA
HISTORY SINCE 1915.
LEARN MORE AT IN.GOV/HISTORY.
>>> OUR NEXT GUEST UNDERSTANDS
THE PASSION OF AMERICANA.
MEET JASON WILBUR.
♪♪
>> I REMEMBER I TOOK A GUITAR
CLASS IN SIXTH GRADE.
I THOUGHT IT WAS SOMETHING THAT
I WOULD DO FOR A LITTLE WHILE
AND THE YEARS WENT BY AND I'M
STILL DOING.
I HAVE BEEN PLAYING IN JOHN
PRINE BAND FOR ALMOST 22 YEARS.
I STARTED PLAYING IN FEBRUARY OF
'96.
IT WAS THE SECOND HALF OF A TOUR
FOR "LOST DOGS AND MIXED
BLESSINGS."
BECAUSE I WAS WRITING SONGS AND
I WANTED TO HAVE AN OUTLET FOR
THOSE AND I FEEL THE NEED TO LET
THOSE OUT AND DOCUMENT THEM AND
WORK ON THEM.
THAT'S WHAT I ENJOY.
IF YOU WRITE A BUNCH OF SONGS,
YOU MIGHT FIND A PERSON TO SING
ONE OR TWO OF THEM OCCASIONALLY,
BUT IF YOU WANT A LOT OF YOUR
SONGS TO GET OUT THERE, YOU HAVE
TO SING THEM YOURSELF.
AT LEAST I DID.
THAT'S WHAT I CHOSE TO DO.
THE IMPORTANT PROCESS IS A LOT
OF FUN.
IT'S VERY COLLABORATIVE AND IT'S
KIND OF A PROCESS OF DISCOVERY.
AND YOU TAKE A SONG AND YOU
MAYBE HAVE AN IDEA OF HOW IT'S
GOING TO GO.
I LIKE TO EXPLORE THINGS AS WE
ARE RECORDING AND JUST SEE WHAT
WORKS AND WHAT DOESN'T WORK.
AND IT'S JUST REALLY FUN TO SEE
WHERE THINGS LEAD AND BUILDING
ON THINGS.
A LOT OF TIMES THE THINGS YOU
THINK ARE GOING TO BE REALLY
GOOD JUST END UP BEING OKAY AND
THE THINGS YOU JUST THOUGHT WERE
OKAY END UP BEING GREAT.
IT'S FUN.
IT'S AN ADVENTURE.
IF YOU WANT TO BE A MUSICIAN, DO
IT BECAUSE YOU REALLY LOVE IT
AND CAN'T STAND NOT TO DO IT.
OTHERWISE, BAD TIMES ARE
PROBABLY GOING TO BE BAD ENOUGH
THAT YOU WILL STOP.
IT F THAT MAKES SENSE.
IF YOU REALLY LOVE IT, THEN IT'S
EASIER TO TAKE THE BAD TIMES.
SINGING, FOR ME, DIDN'T REALLY
COME NATURALLY.
I WORKED A LOT ON PRACTICING AND
TAKING LESSONS AND THINGS LIKE
THAT.
IT'S HARD TO WRITE GOOD SONGS.
YOU'VE GOT TO WRITE A LOT OF BAD
ONES, IT SEEMS LIKE TO GET TO
THE GOOD ONES BUT I THINK THE
HARDEST THING IS HANGING IN
THERE AND DOING IT.
A LOT OF TIMES THINGS DONE TURN
OUT THE WAY YOU EXPECT OR PEOPLE
DON'T LIKE SOMETHING THAT YOU
THINK IS REALLY GOOD, AND IF YOU
GET UPSET EVERY TIME, YOU ARE
GOING TO BE UPSET ALL THE TIME.
THE PART THAT REQUIRES MORE
PERSEVERANCE IS BEING WILLING TO
GO OUT THERE AND PUT IN THE
WORLD AND DO PERFORMANCES AND
MAKE RECORDINGS.
THAT'S WHEN YOU OPEN YOURSELF UP
FOR REJECTION, POTENTIAL
REJECTION, I WOULD SAY.
THAT'S A PAINFUL PART OF IT.
THE FACT THAT IT BRINGS ME SO
MUCH PLEASURE AND JOY, JUST TO
DO, IT EVEN IF NO ONE IS
LISTENING IS WHAT KIND OF KEEPS
ME DO PENTAGON IT, IING IT, I THINK.
PLAYING MUSIC IS AN
ACCOMPLISHMENT.
I HAVE BEEN FORTUNATE TO DO THAT
FOR A LONG TIME.
I MAKE MUSIC.
IT'S WHAT MAKES ME FEEL REALLY
ALIVE AND IT'S WHAT I THINK
ABOUT WHEN I GET UP IN THE
MORNING.
IF I'M ENJOYING IT AND HAVING A
GOOD TIME AND MAKING MUSIC THAT
IS REALLY GOOD AND PEOPLE ARE
ENJOYING, IT I FEEL THAT THAT'S
A SIGN THAT THAT'S WHAT I'M
SUPPOSED TO BE DOING OR AT LEAST
THAT'S WHAT I FEEL LIKE DOING.
I WILL KEEP DOING IT UNTIL
SOMEBODY STOPS ME, I GUESS.
>> AND NOW WELCOME JASON WILBUR.
♪♪
♪♪ THE STORM IS POUNDING ♪♪
♪♪ I'M SURROUNDED IN MY MIND ♪♪
♪♪ THAT YOU NEVER DOUBTED ♪♪
♪♪ I HEARD YOU SHOUT IT FROM ON
HIGH ♪♪
♪♪ THE RAIN IS FALLING NOW ♪♪
♪♪ AND IT'S CALLING ♪♪
♪♪ YOU STATE YOUR SORROW ♪♪
♪♪ FORGET TOMORROW ♪♪
♪♪ OH, COME ON DOWN AND LOVE ME
NOW ♪♪
♪♪ UP THROUGH THE CEILING ♪♪
♪♪ ALL I AM FEELING IS ALONE ♪♪
♪♪ THE SILENCE IS REVEALING ALL
THE SECRETS WE HAVE SOWN ♪♪
♪♪ I'M CURRENTLY STROLLING ♪♪
♪♪ STATE YOUR SORROW ♪♪
♪♪ FORGET TOMORROW ♪♪
♪♪ OH, COME ON DOWN AND LOVE ME
NOW ♪♪
♪♪
♪♪
♪♪ SMOKE IS RISING ♪♪
♪♪ AND I AM FINDING A LITTLE
HOLE ♪♪
♪♪ I AM UNEASY IN OUR HOME ♪♪
♪♪ RAIN IS ON THE WAY ♪♪
♪♪ STATE YOUR SORROW ♪♪
♪♪ FORGET TOMORROW ♪♪
♪♪ COME ON DOWN AND LOVE ME NOW ♪♪
♪♪ STATE YOUR SORROW ♪♪
♪♪ FORGET TOMORROW ♪♪
♪♪ OH, COME ON DOWN AND LOVE ME
NOW ♪♪
♪♪ OH, COME ON DOWN AND LOVE ME
NOW ♪♪
♪♪
♪♪
>> TO LEARN MORE ABOUT JASON'S
LATEST ALBUM, REACTION TIME OR
TO FIND UPCOMING PERFORMANCES,
VISIT HIS WEBSITE,
JASONWILBUR.COM.
THAT'S ALL WE HAVE FOR TONIGHT.
WE HOPE YOU FIND BEAUTIFUL WAYS
TO EMBRACE YOUR TIME IN CHANGING
SEASONS.
ONCE AGAIN, BEFORE WE GO, JASON
WILBUR.
♪♪
♪♪ ALMOST TIME ♪♪
♪♪ I'VE BEEN WAITING UNTIL
MONDAY, TUESDAY AT LEAST ♪♪
♪♪ FOR SOME FUN ♪♪
♪♪ I THINK I SEE A LITTLE LIGHT
AT THE END OF THE WEEK ♪♪
♪♪ WHATEVER HAPPENED TO THE
ENDLESS SUMMER WITH ALL THE TIME
IN THE WORLD ♪♪
♪♪ WE CAN START UNWINDING ♪♪
♪♪ SATURDAY MORNING WE'RE FREE ♪♪
♪♪ SUNDAY WE'LL BE SORRY TO SEE
YOU GO ♪♪
♪♪ SHE'LL HAVE TO WAIT A WHOLE
WEEK ♪♪
♪♪ IT'S BEEN ALL RIGHT ♪♪
♪♪ OH, BUT I LOVE ANOTHER
SATURDAY NIGHT ♪♪
♪♪ WE WERE YOUNG ♪♪
♪♪ WE WERE STATED ON THE MEANING
OF LIFE AND LOVE ♪♪
♪♪ THE MOUNTAINS AND THE WAVES ON
THE ROLLING SEA ♪♪
♪♪ WHATEVER HAPPENED TO THE
ENDLESS SUMMER AND ALL THE TIME
IN THE WORLD ♪♪
♪♪ TRYING TO FINISH SO YOU CAN
START UNWINDING ♪♪
♪♪ SATURDAY MORNING WE ARE FREE ♪♪
♪♪ SUNDAY WE'LL BE SORRY TO SEE
YOU GO ♪♪
♪♪ SHE'LL HAVE TO WAIT A WHOLE
WEEK ♪♪
♪♪ IT'S BEEN ALL RIGHT ♪♪
♪♪ OH, BUT I WOULD LOVE ANOTHER
SATURDAY NIGHT ♪♪
♪♪ FAR AWAY IN A DREAM OUT
THERE ♪♪
>> PRODUCTION SUPPORT FOR "THE
WEEKLY SPECIAL" IS PROVIDED BY: