WEBVTT 00:04.533 --> 00:15.166 align:left position:10%,start line:89% size:80% >> PRODUCTION SUPPORT FOR "THE 00:05.333 --> 00:49.433 align:left position:10%,start line:89% size:80% WEEKLY SPECIAL" IS PROVIDED BY: 00:49.433 --> 00:50.533 align:left position:10%,start line:89% size:80% >> THE SEASON HAS CHANGED, BUT 00:50.533 --> 00:52.233 align:left position:10%,start line:89% size:80% HOW ARE YOU CHANGING THE SEASON? 00:52.233 --> 00:54.066 align:left position:10%,start line:89% size:80% MEET HOOSIERS ACROSS THE STATE 00:54.066 --> 00:57.433 align:left position:10%,start line:89% size:80% THAT EMBRACE THE POWER OF TIME. 00:57.433 --> 00:58.433 align:left position:10%,start line:89% size:80% >>> MEET A COLUMBUS SCULPTURE 00:58.433 --> 00:59.900 align:left position:10%,start line:89% size:80% THAT CAPTURES THE CHANGING 00:59.900 --> 01:03.333 align:left position:10%,start line:89% size:80% SEASONS IN CERAMIC MASTER 01:03.333 --> 01:03.666 align:left position:10%,start line:89% size:80% PIECES. 01:03.666 --> 01:05.933 align:left position:10%,start line:89% size:80% >>> BE INSPIRED BY ARNELL DARDEN 01:05.933 --> 01:09.500 align:left position:10%,start line:89% size:80% AS HE CHASES THE SUN IN HIS POEM 01:09.500 --> 01:13.400 align:left position:10%,start line:89% size:80% "TODAY" AND WE'LL EXPLORE BEAN 01:13.400 --> 01:14.666 align:left position:10%,start line:89% size:80% MONROE'S LEGEND. 01:14.666 --> 01:17.333 align:left position:10%,start line:89% size:80% AND WE'LL WELCOME JASON WILBUR 01:17.333 --> 01:20.066 align:left position:10%,start line:89% size:80% TO THE STUDIO. 01:20.066 --> 01:21.700 align:left position:10%,start line:89% size:80% EMBRACE THE CHANGING SEASON 01:21.700 --> 01:26.200 align:left position:10%,start line:89% size:80% ACROSS INDIANA ON TONIGHT'S 01:24.333 --> 01:26.866 align:left position:10%,start line:89% size:80% "WEEKLY SPECIAL." 01:26.866 --> 01:36.233 align:left position:10%,start line:89% size:80% ♪♪ 01:36.233 --> 01:37.733 align:left position:10%,start line:89% size:80% >>> WELCOME TO "THE WEEKLY 01:37.733 --> 01:38.100 align:left position:10%,start line:89% size:80% SPECIAL." 01:38.100 --> 01:38.766 align:left position:10%,start line:89% size:80% I'M DARRYL NEHER. 01:38.766 --> 01:40.966 align:left position:10%,start line:89% size:80% AT THIS TIME OF YEAR, HOOSIERS 01:40.966 --> 01:42.400 align:left position:10%,start line:89% size:80% ARE OFTEN REMINDED OF THE 01:42.400 --> 01:43.133 align:left position:10%,start line:89% size:80% PASSAGE OF TIME. 01:43.133 --> 01:44.366 align:left position:10%,start line:89% size:80% THE LEAVES CHANGE AND FALL TO 01:44.366 --> 01:46.233 align:left position:10%,start line:89% size:80% THE GROUND AND THE NEW YEAR 01:46.233 --> 01:47.733 align:left position:10%,start line:89% size:80% SEEMS AROUND THE CORNER. 01:47.733 --> 01:50.066 align:left position:10%,start line:89% size:80% BUT COLUMBUS ARTIST ROBERT 01:50.066 --> 01:51.566 align:left position:10%,start line:89% size:80% PULLEY, THE PASSAGE OF TIME 01:51.566 --> 01:52.500 align:left position:10%,start line:89% size:80% CIRCLING THROUGHOUT EACH YEAR 01:52.500 --> 01:54.333 align:left position:10%,start line:89% size:80% HAS BEEN THE INSPIRATION OF HIS 01:54.333 --> 01:55.433 align:left position:10%,start line:89% size:80% ART. 01:55.433 --> 01:57.033 align:left position:10%,start line:89% size:80% ♪♪ 01:57.033 --> 01:59.333 align:left position:10%,start line:89% size:80% >> I GREW UP IN WABASH, INDIANA. 01:59.333 --> 02:01.200 align:left position:10%,start line:89% size:80% THERE'S A PLACE I WOULD HIKE OUT 02:01.200 --> 02:03.266 align:left position:10%,start line:89% size:80% TO, ABOUT 5 MILES FROM MY HOME, 02:03.266 --> 02:07.933 align:left position:10%,start line:89% size:80% TO A PLACE WHERE THE WATER WAS 02:07.933 --> 02:09.633 align:left position:10%,start line:89% size:80% ERODING AND GOING INTO THESE 02:09.633 --> 02:10.833 align:left position:10%,start line:89% size:80% BASINS THAT WERE PERFECTLY 02:10.833 --> 02:11.133 align:left position:10%,start line:89% size:80% ROUND. 02:11.133 --> 02:12.800 align:left position:10%,start line:89% size:80% THIS IDEA THAT THE STONE EXTENDS 02:12.800 --> 02:16.666 align:left position:10%,start line:89% size:80% DOWN INTO THE EARTH, AND THE 02:16.666 --> 02:18.966 align:left position:10%,start line:89% size:80% WATER IS FALLING OVER, IT'S JUST 02:18.966 --> 02:24.100 align:left position:10%,start line:89% size:80% A MAGICAL COMBINATION. 02:24.100 --> 02:26.200 align:left position:10%,start line:89% size:80% ♪♪ 02:26.200 --> 02:27.933 align:left position:10%,start line:89% size:80% CLAY IS SO OPEN ENDED. 02:27.933 --> 02:29.366 align:left position:10%,start line:89% size:80% IT DOESN'T REALLY HAVE A FORM OF 02:29.366 --> 02:31.733 align:left position:10%,start line:89% size:80% ITS OWN, BUT IT WILL TAKE ANY 02:31.733 --> 02:33.033 align:left position:10%,start line:89% size:80% FORM YOU PUT IT IN. 02:33.033 --> 02:34.966 align:left position:10%,start line:89% size:80% I STARTED WORKING ON THE LARGE 02:34.966 --> 02:39.033 align:left position:10%,start line:89% size:80% SCALE, AT FIRST EVERYTHING WAS 02:39.033 --> 02:39.433 align:left position:10%,start line:89% size:80% IMPROVISED. 02:39.433 --> 02:41.233 align:left position:10%,start line:89% size:80% I LIKE THE PHYSICALITY OF IT. 02:41.233 --> 02:42.933 align:left position:10%,start line:89% size:80% THEY ALMOST HAVE A PROJECTION OF 02:42.933 --> 02:43.266 align:left position:10%,start line:89% size:80% ENERGY. 02:43.266 --> 02:45.266 align:left position:10%,start line:89% size:80% WHEN YOU COME UP TO THEM, YOU 02:45.266 --> 02:46.033 align:left position:10%,start line:89% size:80% FEEL THEM. 02:46.033 --> 02:49.333 align:left position:10%,start line:89% size:80% YOU FEEL THEM, LIKE, IN YOUR 02:49.333 --> 02:49.633 align:left position:10%,start line:89% size:80% GUTS. 02:49.633 --> 02:51.600 align:left position:10%,start line:89% size:80% IT IMPACTS ME. 02:51.600 --> 02:54.166 align:left position:10%,start line:89% size:80% SO IT'S THAT KIND OF ENERGY THAT 02:54.166 --> 02:55.366 align:left position:10%,start line:89% size:80% I'M AFTER. 02:55.366 --> 02:57.400 align:left position:10%,start line:89% size:80% AS FAR AS THE KIND OF THINGS 02:57.400 --> 03:04.233 align:left position:10%,start line:89% size:80% THAT I'M EXPLORING,, IT IS PLAN A 03:04.233 --> 03:05.533 align:left position:10%,start line:89% size:80% LINE OF ATTACK. 03:05.533 --> 03:11.200 align:left position:10%,start line:89% size:80% IT'S JUST FOLLOWING THE FLOW. 03:11.200 --> 03:13.200 align:left position:10%,start line:89% size:80% I CAME TO WORK ON FIVE OR SIX 03:13.200 --> 03:14.733 align:left position:10%,start line:89% size:80% PIECES AT A TIME IN THE STUDIO 03:14.733 --> 03:16.600 align:left position:10%,start line:89% size:80% AND I WILL SET OUT AND START 03:16.600 --> 03:17.000 align:left position:10%,start line:89% size:80% EVERYTHING. 03:17.000 --> 03:19.633 align:left position:10%,start line:89% size:80% ONCE IT'S STARTED, THEN ON A 03:19.633 --> 03:21.833 align:left position:10%,start line:89% size:80% DAILY BASIS, I TRY TO GET OUT 03:21.833 --> 03:23.400 align:left position:10%,start line:89% size:80% THERE AND PUT ANOTHER COIL ON. 03:23.400 --> 03:24.866 align:left position:10%,start line:89% size:80% AND THEN I PINCH IT UP. 03:24.866 --> 03:27.700 align:left position:10%,start line:89% size:80% WHICH WAY IS IT MOVING, THREE OR 03:27.700 --> 03:29.933 align:left position:10%,start line:89% size:80% FOUR INCHES FROM THE WAY IT WAS 03:29.933 --> 03:30.266 align:left position:10%,start line:89% size:80% BEFORE. 03:30.266 --> 03:32.633 align:left position:10%,start line:89% size:80% AND THEN WHEN I GET DON'T 03:32.633 --> 03:34.466 align:left position:10%,start line:89% size:80% THINKING, I SIT BACK AND LOOK AT 03:34.466 --> 03:35.900 align:left position:10%,start line:89% size:80% IT AND GIVE AN ANGLE. 03:35.900 --> 03:37.600 align:left position:10%,start line:89% size:80% I'M LOOKING FOR WHERE THIS LINE 03:37.600 --> 03:39.366 align:left position:10%,start line:89% size:80% IS GOING. 03:39.366 --> 03:41.700 align:left position:10%,start line:89% size:80% IS THIS SURFACE GOING TO BE A 03:41.700 --> 03:42.866 align:left position:10%,start line:89% size:80% SOFT, OPEN SURFACE? 03:42.866 --> 03:47.500 align:left position:10%,start line:89% size:80% OR DOES IT WANT TO BE AN ACTIVE 03:47.500 --> 03:47.833 align:left position:10%,start line:89% size:80% SURFACE? 03:47.833 --> 03:50.533 align:left position:10%,start line:89% size:80% AND WHEN IT'S ALMOST GONE, I 03:50.533 --> 03:52.800 align:left position:10%,start line:89% size:80% HAVE TOOLS I MADE OUT OF SHARPEN 03:52.800 --> 03:54.466 align:left position:10%,start line:89% size:80% RODS AND I PICK, PICK, PICK, 03:54.466 --> 03:54.766 align:left position:10%,start line:89% size:80% PICK. 03:54.766 --> 03:56.766 align:left position:10%,start line:89% size:80% SO ALL OF THESE MARKS ARE 03:56.766 --> 03:57.600 align:left position:10%,start line:89% size:80% INDIVIDUAL PICK MARKS. 03:57.600 --> 04:00.500 align:left position:10%,start line:89% size:80% IT ENDS UP BEING THE BIGGEST 04:00.500 --> 04:01.900 align:left position:10%,start line:89% size:80% TIME CONSUMER, MAYBE THREE OR 04:01.900 --> 04:06.800 align:left position:10%,start line:89% size:80% FOUR HOURS PICKING PICKS ON ONE 04:06.800 --> 04:07.100 align:left position:10%,start line:89% size:80% PIECE. 04:07.100 --> 04:08.866 align:left position:10%,start line:89% size:80% THE GLAZE IS DONE IN A SPRAYER. 04:08.866 --> 04:09.866 align:left position:10%,start line:89% size:80% I WORK REAL FAST. 04:09.866 --> 04:12.066 align:left position:10%,start line:89% size:80% I SIT BACK THERE AND JUST KIND 04:12.066 --> 04:18.033 align:left position:10%,start line:89% size:80% OF INTUITIVELY SPRAY THE GLAZE 04:18.033 --> 04:20.400 align:left position:10%,start line:89% size:80% AROUND AND ACCENTING AND 04:20.400 --> 04:28.766 align:left position:10%,start line:89% size:80% HARMONIZING THE FORM I MADE. 04:23.366 --> 04:29.333 align:left position:10%,start line:89% size:80% IT'S ALWAYS THE FORM. 04:29.333 --> 04:31.166 align:left position:10%,start line:89% size:80% ♪♪ 04:31.166 --> 04:35.866 align:left position:10%,start line:89% size:80% >> INNATURE MAKES SUCH WONDERFUL 04:35.866 --> 04:37.033 align:left position:10%,start line:89% size:80% THINGS, THE STONE. 04:37.033 --> 04:40.033 align:left position:10%,start line:89% size:80% THE FORMS OF STONES ARE NOT 04:40.033 --> 04:40.400 align:left position:10%,start line:89% size:80% ACCIDENTS. 04:40.400 --> 04:42.933 align:left position:10%,start line:89% size:80% THEY ARE THE RESULT OF PHYSICS 04:42.933 --> 04:45.466 align:left position:10%,start line:89% size:80% AT WORK IN THE LAYERING OF THE 04:45.466 --> 04:50.333 align:left position:10%,start line:89% size:80% STONE, THE WAY THEY DRY, THE WAY 04:50.333 --> 04:54.366 align:left position:10%,start line:89% size:80% THEY FIND WEAK SPOTS, FRACTURES 04:54.366 --> 04:58.133 align:left position:10%,start line:89% size:80% THINGS OUT, AND FIELD STONES ARE 04:58.133 --> 04:58.833 align:left position:10%,start line:89% size:80% TUMBLED FROM CANADA. 04:58.833 --> 05:02.333 align:left position:10%,start line:89% size:80% WHAT I'M DOING IN MY ART TO SOME 05:02.333 --> 05:03.500 align:left position:10%,start line:89% size:80% DEGREE, I'M TRYING TO EXPRESS 05:03.500 --> 05:05.800 align:left position:10%,start line:89% size:80% THIS COMING AND GOING, YOU KNOW, 05:05.800 --> 05:08.000 align:left position:10%,start line:89% size:80% THIS FRACTURING OFF, THE 05:08.000 --> 05:09.266 align:left position:10%,start line:89% size:80% STRENGTH OF LIFE, THE STRENGTH 05:09.266 --> 05:11.566 align:left position:10%,start line:89% size:80% OF LIFE, YOU KNOW, TRYING TO 05:11.566 --> 05:16.066 align:left position:10%,start line:89% size:80% FIND A MACE FOR PLACE FOR YOURSELF IN THE 05:16.066 --> 05:17.166 align:left position:10%,start line:89% size:80% WORLD. 05:17.166 --> 05:19.133 align:left position:10%,start line:89% size:80% ORGANIC ANIMALS OR PLANTS. 05:19.133 --> 05:21.766 align:left position:10%,start line:89% size:80% SOME OF THE FORMS I FIND 05:21.766 --> 05:22.500 align:left position:10%,start line:89% size:80% CROPPING UP ARE REFERENCES TO 05:22.500 --> 05:23.433 align:left position:10%,start line:89% size:80% THE HUMAN FIGURE. 05:23.433 --> 05:25.100 align:left position:10%,start line:89% size:80% IF YOU LOOK AROUND, YOU SEE 05:25.100 --> 05:27.300 align:left position:10%,start line:89% size:80% HIPS, SHOULDERS, BUT THERE'S 05:27.300 --> 05:28.800 align:left position:10%,start line:89% size:80% REALLY NOT ANY OF THOSE THINGS. 05:28.800 --> 05:30.566 align:left position:10%,start line:89% size:80% THEY ARE JUST FORMS THAT LOOK 05:30.566 --> 05:33.700 align:left position:10%,start line:89% size:80% ORGANIC AND REMIND YOU OF THE 05:33.700 --> 05:34.800 align:left position:10%,start line:89% size:80% BODY OR THESE TOOLS. 05:34.800 --> 05:38.333 align:left position:10%,start line:89% size:80% SO A LOT OF THE FORMS IS NOT ME 05:38.333 --> 05:39.033 align:left position:10%,start line:89% size:80% RECREATING FORMS. 05:39.033 --> 05:40.733 align:left position:10%,start line:89% size:80% IT'S ME RECOGNIZING SOMETHING IN 05:40.733 --> 05:42.433 align:left position:10%,start line:89% size:80% THE FORMS. 05:42.433 --> 05:46.800 align:left position:10%,start line:89% size:80% SO THAT SENSE OF LIFE, I THINK, 05:46.800 --> 05:49.200 align:left position:10%,start line:89% size:80% IS INTERESTING TO ME, AS WELL AS 05:49.200 --> 05:51.500 align:left position:10%,start line:89% size:80% THE SENSE OF DECAY AND EACH OF 05:51.500 --> 05:53.733 align:left position:10%,start line:89% size:80% THEM IS KIND OF -- IT'S AS MUCH 05:53.733 --> 05:57.266 align:left position:10%,start line:89% size:80% INFORMATION ABOUT THE WORLD AND 05:57.266 --> 05:59.133 align:left position:10%,start line:89% size:80% ONE PIECE THAT I CAN FIT INTO. 05:59.133 --> 06:01.733 align:left position:10%,start line:89% size:80% THAT'S WHAT I LOOK FOR IN ART 06:01.733 --> 06:02.066 align:left position:10%,start line:89% size:80% MYSELF. 06:02.066 --> 06:02.933 align:left position:10%,start line:89% size:80% OF COURSE, SOMETHING THAT'S 06:02.933 --> 06:04.966 align:left position:10%,start line:89% size:80% BRINGING ME A NEW MESSAGE THAT 06:04.966 --> 06:06.700 align:left position:10%,start line:89% size:80% IS INSPIRING ME IN SOME WAY, 06:06.700 --> 06:10.000 align:left position:10%,start line:89% size:80% THAT CHALLENGES ME OR JUST MAKES 06:10.000 --> 06:10.733 align:left position:10%,start line:89% size:80% ME FEEL GOOD. 06:10.733 --> 06:12.833 align:left position:10%,start line:89% size:80% SO MY HOPE IS THAT THERE ARE 06:12.833 --> 06:16.766 align:left position:10%,start line:89% size:80% PEOPLE WHO FIND THE WORK, AND IT 06:16.766 --> 06:18.100 align:left position:10%,start line:89% size:80% DOES THAT SORT OF THING FOR 06:18.100 --> 06:23.000 align:left position:10%,start line:89% size:80% THEM. 06:23.000 --> 06:24.866 align:left position:10%,start line:89% size:80% >> TO SEE MORE EXAMPLES OF 06:24.866 --> 06:25.966 align:left position:10%,start line:89% size:80% ROBERT'S INCREDIBLE WORK OR TO 06:25.966 --> 06:27.266 align:left position:10%,start line:89% size:80% PURCHASE A PIECE FOR YOURSELF, 06:27.266 --> 06:29.533 align:left position:10%,start line:89% size:80% VISIT HIS WEBSITE, 06:29.533 --> 06:32.066 align:left position:10%,start line:89% size:80% ROBERTPULLEY.COM. 06:32.066 --> 06:33.333 align:left position:10%,start line:89% size:80% ARTISTS ARE OFTEN INSPIRED BY 06:33.333 --> 06:36.600 align:left position:10%,start line:89% size:80% THE PASSAGE OF TIME, BUT SPOKEN 06:36.600 --> 06:39.466 align:left position:10%,start line:89% size:80% WORD ARTIST, ARNELL DARDEN IS 06:39.466 --> 06:41.333 align:left position:10%,start line:89% size:80% FOCUSED ON LIVING THE HERE AND 06:41.333 --> 06:47.500 align:left position:10%,start line:89% size:80% NOW. 06:47.500 --> 06:50.133 align:left position:10%,start line:89% size:80% >> TODAY. 06:50.133 --> 06:52.300 align:left position:10%,start line:89% size:80% TODAY WE'LL FOLLOW THE SUN UNTIL 06:52.300 --> 06:55.200 align:left position:10%,start line:89% size:80% IT BELLY FLOPS BEHIND THE 06:55.200 --> 06:56.666 align:left position:10%,start line:89% size:80% HORIZON AND THEN MEET IT ON THE 06:56.666 --> 06:57.200 align:left position:10%,start line:89% size:80% OTHER SIDE. 06:57.200 --> 06:59.933 align:left position:10%,start line:89% size:80% WE DON'T HAVE TO KNOW WHERE IT'S 06:59.933 --> 07:00.433 align:left position:10%,start line:89% size:80% GOING. 07:00.433 --> 07:01.733 align:left position:10%,start line:89% size:80% WE DON'T EVEN CARE. 07:01.733 --> 07:04.166 align:left position:10%,start line:89% size:80% WE JUST KNOW WE HAVE TO BE 07:04.166 --> 07:04.666 align:left position:10%,start line:89% size:80% THERE. 07:04.666 --> 07:06.833 align:left position:10%,start line:89% size:80% THEY TELL US THE SUN IS HOT. 07:06.833 --> 07:08.300 align:left position:10%,start line:89% size:80% YOU WILL BURN! 07:08.300 --> 07:12.100 align:left position:10%,start line:89% size:80% WE SAY, YOU GET WHAT YOU EARN. 07:12.100 --> 07:13.200 align:left position:10%,start line:89% size:80% AND SO WE CHASE. 07:13.200 --> 07:16.166 align:left position:10%,start line:89% size:80% WE DON'T CARE ABOUT THE SHARED, 07:16.166 --> 07:17.566 align:left position:10%,start line:89% size:80% BETTER THAN LOOKS ON THE FACES 07:17.566 --> 07:19.700 align:left position:10%,start line:89% size:80% OF NATIONS WE TREK THROUGH, 07:19.700 --> 07:20.500 align:left position:10%,start line:89% size:80% BECAUSE WE ARE RUNNING. 07:20.500 --> 07:23.000 align:left position:10%,start line:89% size:80% WE KNOW THAT WHEN WE CATCH THEM, 07:23.000 --> 07:24.866 align:left position:10%,start line:89% size:80% IT WILL ALL BE WORTH IT. 07:24.866 --> 07:26.366 align:left position:10%,start line:89% size:80% WE KNOW THEIR DISDAIN FOR US, 07:26.366 --> 07:27.533 align:left position:10%,start line:89% size:80% FOR SOMETHING DIFFERENT, FOR 07:27.533 --> 07:28.566 align:left position:10%,start line:89% size:80% PEACE, IS THE ONLY THING THEY 07:28.566 --> 07:30.700 align:left position:10%,start line:89% size:80% AGREE ON, BUT WE HAVE NOTICED 07:30.700 --> 07:31.066 align:left position:10%,start line:89% size:80% SOMETHING. 07:31.066 --> 07:33.033 align:left position:10%,start line:89% size:80% WE HAVE SEEN THAT HE IS THE ONLY 07:33.033 --> 07:35.000 align:left position:10%,start line:89% size:80% ONE THEY ALL LOOK UP TO. 07:35.000 --> 07:37.666 align:left position:10%,start line:89% size:80% SO MAYBE IF WE CAPTURE AND 07:37.666 --> 07:39.633 align:left position:10%,start line:89% size:80% DEVOUR HIM, THEY WILL SYMPTOM 07:39.633 --> 07:40.600 align:left position:10%,start line:89% size:80% LOOKING -- STOP LOOKING DOWN 07:40.600 --> 07:41.766 align:left position:10%,start line:89% size:80% THEIR NOSES AT US. 07:41.766 --> 07:44.000 align:left position:10%,start line:89% size:80% MAYBE IF WE CAGE HIM UP AND 07:44.000 --> 07:45.466 align:left position:10%,start line:89% size:80% CHARGE HONESTY AND THE TRUTH TO 07:45.466 --> 07:47.266 align:left position:10%,start line:89% size:80% SEE HIM, THEY WILL TELL US HOW 07:47.266 --> 07:48.766 align:left position:10%,start line:89% size:80% JEALOUS THEY REALLY ARE AT THOSE 07:48.766 --> 07:50.066 align:left position:10%,start line:89% size:80% BETTER THAN LOOKS RIGHT OFF OF 07:50.066 --> 07:52.700 align:left position:10%,start line:89% size:80% THEIR FACES. 07:52.700 --> 07:55.166 align:left position:10%,start line:89% size:80% MAYBE WE'LL CATCH THEM TODAY. 07:55.166 --> 07:59.133 align:left position:10%,start line:89% size:80% BUT MAYBE NOT. 07:59.133 --> 08:01.466 align:left position:10%,start line:89% size:80% EITHER WAY, WE ARE ARTISTS. 08:01.466 --> 08:03.733 align:left position:10%,start line:89% size:80% AND SOME OF US WILL CAPTURE HIM 08:03.733 --> 08:06.966 align:left position:10%,start line:89% size:80% WITH BRUSHES AND PALATES. 08:06.966 --> 08:09.700 align:left position:10%,start line:89% size:80% SOME OF THEM WITH PENCILS AND 08:09.700 --> 08:11.233 align:left position:10%,start line:89% size:80% MARKERS AS PERMANENT WITH 08:11.233 --> 08:11.566 align:left position:10%,start line:89% size:80% GRAVITY. 08:11.566 --> 08:14.066 align:left position:10%,start line:89% size:80% SOME OF THEM WITH WORDS THAT HE 08:14.066 --> 08:16.633 align:left position:10%,start line:89% size:80% DOESN'T ARE UNDERSTAND, THAT 08:16.633 --> 08:18.800 align:left position:10%,start line:89% size:80% MAKE HIM SHINE WITH GREEN ENVY. 08:18.800 --> 08:25.500 align:left position:10%,start line:89% size:80% SOME OF US WITH MOVEMENTS THAT 08:25.500 --> 08:26.266 align:left position:10%,start line:89% size:80% MIMIC PEGASUS. 08:26.266 --> 08:29.466 align:left position:10%,start line:89% size:80% SOME OF US WITH OUR VERY OPEN 08:29.466 --> 08:30.733 align:left position:10%,start line:89% size:80% BODIES SCULPTING NINE MONTH 08:30.733 --> 08:33.333 align:left position:10%,start line:89% size:80% MASTER PIECES, AND TRYING TO 08:33.333 --> 08:34.066 align:left position:10%,start line:89% size:80% CHISEL THEIR BEAUTY AWAY. 08:34.066 --> 08:35.733 align:left position:10%,start line:89% size:80% WE ARE ARTISTS. 08:35.733 --> 08:38.100 align:left position:10%,start line:89% size:80% AND WE'LL CHASE THE SUN UNTIL IT 08:38.100 --> 08:41.766 align:left position:10%,start line:89% size:80% SQUEEZES BEHIND THE TREES LIKE 08:41.766 --> 08:43.500 align:left position:10%,start line:89% size:80% POVERTY INTO THE AMERICAN DREAM. 08:43.500 --> 08:46.766 align:left position:10%,start line:89% size:80% WE WILL CHASE THEM UNTIL HE 08:46.766 --> 08:49.400 align:left position:10%,start line:89% size:80% FINALLY SURRENDERS HIS LIGHT. 08:49.400 --> 08:52.866 align:left position:10%,start line:89% size:80% WE WILL WRESTLE HIM DOWN AND 08:52.866 --> 08:55.633 align:left position:10%,start line:89% size:80% MAKE HIM ARE TELL US HIS 08:55.633 --> 08:56.700 align:left position:10%,start line:89% size:80% DEEPEST, BRIGHTEST SECRET. 08:56.700 --> 08:58.433 align:left position:10%,start line:89% size:80% AND MAYBE THEN, MAYBE THEN THE 08:58.433 --> 09:00.133 align:left position:10%,start line:89% size:80% WORLD WILL REALIZE THAT THE LIFE 09:00.133 --> 09:03.400 align:left position:10%,start line:89% size:80% THEY ONCE NEEDED TO LIVE MIGHT 09:03.400 --> 09:06.900 align:left position:10%,start line:89% size:80% JUST LIVE IN US. 09:06.900 --> 09:10.433 align:left position:10%,start line:89% size:80% KEEP CHASING. 09:10.433 --> 09:11.700 align:left position:10%,start line:89% size:80% >> IF YOU WOULD LIKE TO HEAR 09:11.700 --> 09:14.066 align:left position:10%,start line:89% size:80% MORE EXTRAORDINARY SPOKEN WORD 09:14.066 --> 09:15.933 align:left position:10%,start line:89% size:80% ARTISTS IN THE AREA, 09:15.933 --> 09:19.333 align:left position:10%,start line:89% size:80% BLOOMINGTON'S PLAYERS PUB HOSTS 09:19.333 --> 09:21.866 align:left position:10%,start line:89% size:80% A MONTHLY SPOKEN WORD SHOW. 09:21.866 --> 09:26.866 align:left position:10%,start line:89% size:80% GO TO PLAYERSPUB.COM. 09:26.866 --> 09:27.933 align:left position:10%,start line:89% size:80% >>> TONIGHT WE CONCLUDE OUR 09:27.933 --> 09:29.200 align:left position:10%,start line:89% size:80% SERIES WITH THE FATHER OF 09:29.200 --> 09:41.000 align:left position:10%,start line:89% size:80% BLUEGRASS HIMSELF, BILL MONROE. 09:31.766 --> 09:41.700 align:left position:10%,start line:89% size:80% ♪♪ 09:41.700 --> 09:50.700 align:left position:10%,start line:89% size:80% ♪♪ 09:50.700 --> 09:52.100 align:left position:10%,start line:89% size:80% >> BY THE 1950s, THE PEOPLE IN 09:52.100 --> 09:54.533 align:left position:10%,start line:89% size:80% THE SMALL TOWN OF BEAN BLOSSOM, 09:54.533 --> 09:55.900 align:left position:10%,start line:89% size:80% INDIANA, HAD GROWN THEIR PASSION 09:55.900 --> 09:58.766 align:left position:10%,start line:89% size:80% FOR LIVE COUNTRY MUSIC INTO THE 09:58.766 --> 10:00.966 align:left position:10%,start line:89% size:80% RENOWNED BROWN COUNTY JAMBOREE. 10:00.966 --> 10:03.033 align:left position:10%,start line:89% size:80% BUT AFTER A LITTLE MORE THAN A 10:03.033 --> 10:05.733 align:left position:10%,start line:89% size:80% DECADE, THE VENUE NEEDED A NEW 10:05.733 --> 10:08.800 align:left position:10%,start line:89% size:80% OWNER TO REINVIGORATE ITS SHOWS 10:08.800 --> 10:10.133 align:left position:10%,start line:89% size:80% AND GROW ITS LEGACY. 10:10.133 --> 10:11.333 align:left position:10%,start line:89% size:80% FORTUNATELY THE FATHER OF 10:11.333 --> 10:13.666 align:left position:10%,start line:89% size:80% BLUEGRASS HIMSELF, BILL MONROE, 10:13.666 --> 10:15.666 align:left position:10%,start line:89% size:80% HAD FALLEN IN LOVE WITH THE 10:15.666 --> 10:17.100 align:left position:10%,start line:89% size:80% JAMBOREE, AFTER HE PERFORMED 10:17.100 --> 10:20.966 align:left position:10%,start line:89% size:80% THERE IN THE EARLY 1950s. 10:20.966 --> 10:22.433 align:left position:10%,start line:89% size:80% HE BEGAN PLAYING THERE REGULARLY 10:22.433 --> 10:24.900 align:left position:10%,start line:89% size:80% AND SOON TAKEN OVER MANAGEMENT 10:24.900 --> 10:25.466 align:left position:10%,start line:89% size:80% OF THE VENUE. 10:25.466 --> 10:26.700 align:left position:10%,start line:89% size:80% EVEN THOUGH HE WAS BORN AND 10:26.700 --> 10:28.466 align:left position:10%,start line:89% size:80% RAISED IN KENTUCKY, HIS HOOSIER 10:28.466 --> 10:29.966 align:left position:10%,start line:89% size:80% ROOTS RAN DEEP. 10:29.966 --> 10:32.700 align:left position:10%,start line:89% size:80% IN 1929, AT THE AGE OF 18, BILL 10:32.700 --> 10:34.133 align:left position:10%,start line:89% size:80% MOVED TO INDIANA WITH HIS 10:34.133 --> 10:36.733 align:left position:10%,start line:89% size:80% BROTHERS CHARLIE AND BIRCH. 10:36.733 --> 10:39.200 align:left position:10%,start line:89% size:80% BILL JOINED CHARLIE WORKING AT 10:39.200 --> 10:41.200 align:left position:10%,start line:89% size:80% THE SINCLAIR OIL REFINERRING IN 10:41.200 --> 10:45.333 align:left position:10%,start line:89% size:80% WHITING, UNLOADING OIL BEARERS 10:45.333 --> 10:46.966 align:left position:10%,start line:89% size:80% FROM FREIGHT TRAINS AND DOING 10:46.966 --> 10:48.233 align:left position:10%,start line:89% size:80% GENERAL JANITORIAL WORK. 10:48.233 --> 10:51.200 align:left position:10%,start line:89% size:80% LIKE OTHER SOUTHERNERS THAT CAME 10:51.200 --> 10:52.500 align:left position:10%,start line:89% size:80% NORTH LOOKING FOR WORK DURING 10:52.500 --> 10:53.266 align:left position:10%,start line:89% size:80% THE DEPRESSION. 10:53.266 --> 10:55.600 align:left position:10%,start line:89% size:80% BILL MONROE AND HIS BROTHERS 10:55.600 --> 10:57.566 align:left position:10%,start line:89% size:80% BROUGHT THEIR CULTURAL AND 10:57.566 --> 10:59.166 align:left position:10%,start line:89% size:80% MUSICAL TRADITIONS WITH THEM. 10:59.166 --> 11:01.166 align:left position:10%,start line:89% size:80% AS THEY HAD BACK IN KENTUCKY, 11:01.166 --> 11:03.633 align:left position:10%,start line:89% size:80% THEY BEGAN PLAYING AT THE LOCAL 11:03.633 --> 11:05.033 align:left position:10%,start line:89% size:80% GATHERINGS, LIKE THE SQUARE 11:05.033 --> 11:06.566 align:left position:10%,start line:89% size:80% DANCES HELD IN AN OLD STORE 11:06.566 --> 11:07.966 align:left position:10%,start line:89% size:80% FRONT IN HAMMOND, INDIANA. 11:07.966 --> 11:09.500 align:left position:10%,start line:89% size:80% ALONG WITH THEIR FRIEND LARRY 11:09.500 --> 11:11.766 align:left position:10%,start line:89% size:80% MOORE, THEY FORMED THE GROUP 11:11.766 --> 11:13.300 align:left position:10%,start line:89% size:80% KNOWN AS THE MONROE BROTHERS. 11:13.300 --> 11:15.833 align:left position:10%,start line:89% size:80% A COUNTRY MUSIC SPRING GROUP 11:15.833 --> 11:17.966 align:left position:10%,start line:89% size:80% FEATURING BILL ON THE MANDOLIN. 11:17.966 --> 11:19.566 align:left position:10%,start line:89% size:80% THE MONROE BROTHERS WERE 11:19.566 --> 11:20.833 align:left position:10%,start line:89% size:80% DISCOVERED BY A COUNTRY MUSIC 11:20.833 --> 11:23.100 align:left position:10%,start line:89% size:80% PROGRAM DIRECTOR WHO HIRED THEM 11:23.100 --> 11:24.600 align:left position:10%,start line:89% size:80% AS A SQUARE DANCE TEAM AND THE 11:24.600 --> 11:26.900 align:left position:10%,start line:89% size:80% BOYS SET OFF, PERFORMING AT A 11:26.900 --> 11:28.600 align:left position:10%,start line:89% size:80% TRAVELING VARIETY SHOW SPONSORED 11:28.600 --> 11:29.966 align:left position:10%,start line:89% size:80% BY THE RADIO STATION. 11:29.966 --> 11:31.866 align:left position:10%,start line:89% size:80% SOON THE MONROE BROTHERS COULD 11:31.866 --> 11:35.166 align:left position:10%,start line:89% size:80% BE HEARD ON RADIO STATIONS 11:35.166 --> 11:37.366 align:left position:10%,start line:89% size:80% ACROSS NORTHERN INDIANA, 11:37.366 --> 11:39.633 align:left position:10%,start line:89% size:80% PERFORMING THEIR OWN 15 MINUTE 11:39.633 --> 11:41.100 align:left position:10%,start line:89% size:80% CEREAL PROGRAM ON A GARY 11:41.100 --> 11:41.433 align:left position:10%,start line:89% size:80% STATION. 11:41.433 --> 11:42.466 align:left position:10%,start line:89% size:80% THIS DREW THE ATTENTION OF THE 11:42.466 --> 11:44.333 align:left position:10%,start line:89% size:80% GRAND PALACE THEATER IN CHICAGO, 11:44.333 --> 11:47.266 align:left position:10%,start line:89% size:80% WHICH BOOKED THE MONROE BROTHERS 11:47.266 --> 11:47.933 align:left position:10%,start line:89% size:80% TO PERFORM. 11:47.933 --> 11:49.433 align:left position:10%,start line:89% size:80% THE NEXT BIG BREAK TOOK THEM 11:49.433 --> 11:53.866 align:left position:10%,start line:89% size:80% EVEN FURTHER AWAY FROM THE 11:53.866 --> 11:56.233 align:left position:10%,start line:89% size:80% HOOSIER STATE. 11:56.233 --> 11:57.533 align:left position:10%,start line:89% size:80% DURING THE TIME BILL WAS AWAY 11:57.533 --> 12:00.366 align:left position:10%,start line:89% size:80% FROM INDIANA, HIS CAREER 12:00.366 --> 12:04.433 align:left position:10%,start line:89% size:80% SKYROCKETS. 12:04.433 --> 12:08.633 align:left position:10%,start line:89% size:80% BY 1936, RCA VICTOR SIGNED THEM 12:08.633 --> 12:10.866 align:left position:10%,start line:89% size:80% FOR "WHAT WOULD YOU GIVE FOR 12:10.866 --> 12:12.966 align:left position:10%,start line:89% size:80% EXCHANGE FOR YOUR SOUL." 12:12.966 --> 12:15.200 align:left position:10%,start line:89% size:80% BILL QUICKLY FORMED OTHER 12:15.200 --> 12:18.033 align:left position:10%,start line:89% size:80% GROUPS, INCLUDING THE LEGENDARY 12:18.033 --> 12:19.533 align:left position:10%,start line:89% size:80% BLUEGRASS BOYS. 12:19.533 --> 12:21.333 align:left position:10%,start line:89% size:80% IN 1939, HE SUCCESSFULLY 12:21.333 --> 12:22.700 align:left position:10%,start line:89% size:80% AUDITIONS FOR THE GRAND OLE 12:22.700 --> 12:24.000 align:left position:10%,start line:89% size:80% OPRY, THE VENUE THAT WOULD HELP 12:24.000 --> 12:26.733 align:left position:10%,start line:89% size:80% TO MAKE HIM A STAR! 12:26.733 --> 12:30.466 align:left position:10%,start line:89% size:80% TO ACCOMPANY HIS UNIQUE MANDOLIN 12:30.466 --> 12:32.933 align:left position:10%,start line:89% size:80% MELODIES AND HIGH TENOR VOICE, 12:32.933 --> 12:37.400 align:left position:10%,start line:89% size:80% HE ADDED EARL SCRUGGS ON THE 12:37.400 --> 12:38.000 align:left position:10%,start line:89% size:80% BANJO AND LESTER FLAT. 12:38.000 --> 12:39.866 align:left position:10%,start line:89% size:80% WITH THE CLASSIC LINEUP, THE 12:39.866 --> 12:41.333 align:left position:10%,start line:89% size:80% BLUEGRASS BOYS WERE BORN. 12:41.333 --> 12:43.600 align:left position:10%,start line:89% size:80% OVER THE NEXT TWO YEARS THE BAND 12:43.600 --> 12:45.066 align:left position:10%,start line:89% size:80% RECORDED SEVERAL SUCCESSFUL 12:45.066 --> 12:47.600 align:left position:10%,start line:89% size:80% SONGS FOR COLUMBIA RECORDS, 12:47.600 --> 12:49.133 align:left position:10%,start line:89% size:80% INCLUDING "BLUE MOON OF 12:49.133 --> 12:50.533 align:left position:10%,start line:89% size:80% KENTUCKY" WHICH BECAME A HIT 12:50.533 --> 12:52.500 align:left position:10%,start line:89% size:80% AGAIN IN 1954, WHEN A YOUNG 12:52.500 --> 12:54.466 align:left position:10%,start line:89% size:80% UNKNOWN SINGER CALLED ELVIS 12:54.466 --> 12:55.966 align:left position:10%,start line:89% size:80% PRESLEY, COVERED THE SONG FOR 12:55.966 --> 13:01.233 align:left position:10%,start line:89% size:80% THE B SIDE OF HIS VERY FIRST 13:01.233 --> 13:01.566 align:left position:10%,start line:89% size:80% SINGLE. 13:01.566 --> 13:03.133 align:left position:10%,start line:89% size:80% SCRUGGS LEFT THE BAND IN THE 13:03.133 --> 13:06.300 align:left position:10%,start line:89% size:80% LATE 1940s BUT BILL MONROE'S 13:06.300 --> 13:07.400 align:left position:10%,start line:89% size:80% SUCCESS CONTINUES. 13:07.400 --> 13:08.200 align:left position:10%,start line:89% size:80% "THE NEW YORK TIMES" REFERRED TO 13:08.200 --> 13:09.833 align:left position:10%,start line:89% size:80% HIM AS THE UNIVERSALLY 13:09.833 --> 13:11.000 align:left position:10%,start line:89% size:80% RECOGNIZED FATHER OF BLUEGRASS 13:11.000 --> 13:13.500 align:left position:10%,start line:89% size:80% AND REPORTED THAT HE HELPED LAY 13:13.500 --> 13:16.000 align:left position:10%,start line:89% size:80% THE FOUNDATION OF COUNTRY MUSIC. 13:16.000 --> 13:17.766 align:left position:10%,start line:89% size:80% BY THE TIME MONROE RETURNED TO 13:17.766 --> 13:20.166 align:left position:10%,start line:89% size:80% THE HOOSIER STATE IN THE EARLY 13:20.166 --> 13:22.600 align:left position:10%,start line:89% size:80% 1950s, THE BROWN COUNTY 13:22.600 --> 13:24.766 align:left position:10%,start line:89% size:80% JAMBOREE HAD BECOME HUGELY 13:24.766 --> 13:25.100 align:left position:10%,start line:89% size:80% POPULAR. 13:25.100 --> 13:28.800 align:left position:10%,start line:89% size:80% BILL MONROE BEGAN PLAYING AT THE 13:28.800 --> 13:39.000 align:left position:10%,start line:89% size:80% BROWN COUNTY JAM JAM JAM JAMBOREE. 13:39.000 --> 13:41.000 align:left position:10%,start line:89% size:80% HE KEPT THE REGULAR SUNDAY 13:41.000 --> 13:43.000 align:left position:10%,start line:89% size:80% JAMBOREE SHOW THAT HAD BEEN 13:43.000 --> 13:44.566 align:left position:10%,start line:89% size:80% RUNNING MAY THROUGH NOVEMBER FOR 13:44.566 --> 13:46.100 align:left position:10%,start line:89% size:80% OVER A DECADE BUT HE NEEDED A 13:46.100 --> 13:48.566 align:left position:10%,start line:89% size:80% NEW ANGLE TO MAINTAIN ITS 13:48.566 --> 13:48.966 align:left position:10%,start line:89% size:80% POPULARITY. 13:48.966 --> 13:50.966 align:left position:10%,start line:89% size:80% AS ROCK AND ROLL TOOK OVER THE 13:50.966 --> 13:52.233 align:left position:10%,start line:89% size:80% AIRWAVES IN THE FIRST HALF OF 13:52.233 --> 13:54.400 align:left position:10%,start line:89% size:80% THE 1950s, LESS PEOPLE CAME TO 13:54.400 --> 13:56.066 align:left position:10%,start line:89% size:80% BEAN BLOSSOM SEEKING COUNTRY 13:56.066 --> 13:57.866 align:left position:10%,start line:89% size:80% MUSIC, HOWEVER, WITH THE REVIVAL 13:57.866 --> 14:00.933 align:left position:10%,start line:89% size:80% OF THE FOLK MOVEMENT IN THE LATE 14:00.933 --> 14:03.433 align:left position:10%,start line:89% size:80% 1950s AND EARLY '60s BILL 14:03.433 --> 14:05.300 align:left position:10%,start line:89% size:80% MONROE AND HIS UNIQUE STYLE OF 14:05.300 --> 14:06.866 align:left position:10%,start line:89% size:80% BLUEGRASS ATTRACTED NATIONAL 14:06.866 --> 14:08.633 align:left position:10%,start line:89% size:80% ATTENTION ONCE MORE. 14:08.633 --> 14:10.400 align:left position:10%,start line:89% size:80% THIS REINVIGORATED INTEREST IN 14:10.400 --> 14:11.700 align:left position:10%,start line:89% size:80% BEAN BLOSSOM AS WELL AND THE 14:11.700 --> 14:13.433 align:left position:10%,start line:89% size:80% TIME FELT RIGHT FOR MONROE'S 14:13.433 --> 14:15.366 align:left position:10%,start line:89% size:80% NEXT MOVE, A LARGE ANNUAL 14:15.366 --> 14:16.933 align:left position:10%,start line:89% size:80% BLUEGRASS FESTIVAL. 14:16.933 --> 14:22.200 align:left position:10%,start line:89% size:80% ON JUNE 24th AND 25th, 1967, 14:22.200 --> 14:23.633 align:left position:10%,start line:89% size:80% BILL MONROE HELD HIS FIRST 14:23.633 --> 14:26.566 align:left position:10%,start line:89% size:80% FESTIVAL WHICH HE CALLED THE BIG 14:26.566 --> 14:27.333 align:left position:10%,start line:89% size:80% BLUEGRASS CELEBRATION. 14:27.333 --> 14:29.333 align:left position:10%,start line:89% size:80% THE NEXT YEAR IT HAD TO BE 14:29.333 --> 14:31.300 align:left position:10%,start line:89% size:80% EXTENDED TO THREE DAYS TO 14:31.300 --> 14:33.200 align:left position:10%,start line:89% size:80% ACCOMMODATE THE LARGE CROWD OF 14:33.200 --> 14:34.700 align:left position:10%,start line:89% size:80% 10,000 MUSIC LOVERS. 14:34.700 --> 14:36.366 align:left position:10%,start line:89% size:80% IN 1969, THE EVENT WAS BILLED AS 14:36.366 --> 14:39.400 align:left position:10%,start line:89% size:80% BILL MONROE'S BLUEGRASS FESTIVAL 14:39.400 --> 14:41.300 align:left position:10%,start line:89% size:80% AND THE GROUNDS WERE REFERRED TO 14:41.300 --> 14:43.166 align:left position:10%,start line:89% size:80% AS THE BROWN COUNTY JAMBOREE 14:43.166 --> 14:43.466 align:left position:10%,start line:89% size:80% PARK. 14:43.466 --> 14:46.766 align:left position:10%,start line:89% size:80% BY THE 1970s, THE FESTIVAL HAD 14:46.766 --> 14:48.100 align:left position:10%,start line:89% size:80% EVOLVED INTO AN INTERNATIONAL 14:48.100 --> 14:50.266 align:left position:10%,start line:89% size:80% EVENT WITH MUSICIANS AND 14:50.266 --> 14:51.866 align:left position:10%,start line:89% size:80% ATTENDEES COMING COMING TO BEAN BLOSSOM 14:51.866 --> 14:53.166 align:left position:10%,start line:89% size:80% FROM ACROSS THE WORLD EVEN AS 14:53.166 --> 14:54.500 align:left position:10%,start line:89% size:80% FAR AWAY AS NEW ZEALAND AND 14:54.500 --> 14:56.200 align:left position:10%,start line:89% size:80% JAPAN. 14:56.200 --> 14:59.400 align:left position:10%,start line:89% size:80% BILL MONROE REMAINED ACTIVITY IN 14:59.400 --> 15:00.866 align:left position:10%,start line:89% size:80% FESTIVAL ACTIVITIES UNTIL HIS 15:00.866 --> 15:03.966 align:left position:10%,start line:89% size:80% DEATH IN 1996, BUT HIS LEGACY 15:03.966 --> 15:05.233 align:left position:10%,start line:89% size:80% CONTINUES AT BEAN BLOSSOM TODAY. 15:05.233 --> 15:07.533 align:left position:10%,start line:89% size:80% JUST LAST YEAR, THE PARK, NOW 15:07.533 --> 15:10.466 align:left position:10%,start line:89% size:80% KNOWN AS BILL MONROE'S MEMORIAL 15:10.466 --> 15:12.200 align:left position:10%,start line:89% size:80% PARK AND CAMPGROUND HELD THE 15:12.200 --> 15:18.566 align:left position:10%,start line:89% size:80% 50th ANNUAL BILL MONROE BEAN 15:18.566 --> 15:19.633 align:left position:10%,start line:89% size:80% BLOSSOM FESTIVAL. 15:19.633 --> 15:21.833 align:left position:10%,start line:89% size:80% HERE THEY PAUSE IN FRONT OF NEW 15:21.833 --> 15:23.066 align:left position:10%,start line:89% size:80% STATE HISTORICAL PARKER AND 15:23.066 --> 15:24.433 align:left position:10%,start line:89% size:80% REMEMBER THE HANDFUL OF BEAN 15:24.433 --> 15:26.833 align:left position:10%,start line:89% size:80% BLOSSOM RESIDENTS WHO STARTED IT 15:26.833 --> 15:29.766 align:left position:10%,start line:89% size:80% ALL, WITH ONE LONE MICROPHONE 15:29.766 --> 15:31.633 align:left position:10%,start line:89% size:80% AND AMPLIFIER IN THE PARKING LOT 15:31.633 --> 15:33.700 align:left position:10%,start line:89% size:80% OF AN OLD FILLING STATION AND A 15:33.700 --> 15:35.900 align:left position:10%,start line:89% size:80% DEEP LOVE FOR COUNTRY MUSIC. 15:35.900 --> 15:38.800 align:left position:10%,start line:89% size:80% ♪♪ 15:38.800 --> 15:39.866 align:left position:10%,start line:89% size:80% >> EVENTS ARE HAPPENING YEAR 15:39.866 --> 15:41.600 align:left position:10%,start line:89% size:80% ROUND AT THE BILL MONROE MUSIC 15:41.600 --> 15:42.233 align:left position:10%,start line:89% size:80% PARK. 15:42.233 --> 15:45.866 align:left position:10%,start line:89% size:80% LEARN MORE AT 15:45.866 --> 15:46.600 align:left position:10%,start line:89% size:80% BILLMONROEMUSICPARK.COM AND IF 15:46.600 --> 15:48.566 align:left position:10%,start line:89% size:80% YOU WOULD LIKE TO LEARN MORE 15:48.566 --> 15:50.666 align:left position:10%,start line:89% size:80% ABOUT MORE INCREDIBLE INDIANA 15:50.666 --> 15:51.866 align:left position:10%,start line:89% size:80% HISTORY CHECK OUT THE INDIANA 15:51.866 --> 15:52.566 align:left position:10%,start line:89% size:80% HISTORICAL BUREAU. 15:52.566 --> 15:56.000 align:left position:10%,start line:89% size:80% THEY HAVE BEEN MARKING INDIANA 15:56.000 --> 15:57.300 align:left position:10%,start line:89% size:80% HISTORY SINCE 1915. 15:57.300 --> 16:01.766 align:left position:10%,start line:89% size:80% LEARN MORE AT IN.GOV/HISTORY. 16:01.766 --> 16:02.800 align:left position:10%,start line:89% size:80% >>> OUR NEXT GUEST UNDERSTANDS 16:02.800 --> 16:04.633 align:left position:10%,start line:89% size:80% THE PASSION OF AMERICANA. 16:04.633 --> 16:08.200 align:left position:10%,start line:89% size:80% MEET JASON WILBUR. 16:08.200 --> 16:19.100 align:left position:10%,start line:89% size:80% ♪♪ 16:19.100 --> 16:21.566 align:left position:10%,start line:89% size:80% >> I REMEMBER I TOOK A GUITAR 16:21.566 --> 16:22.833 align:left position:10%,start line:89% size:80% CLASS IN SIXTH GRADE. 16:22.833 --> 16:23.833 align:left position:10%,start line:89% size:80% I THOUGHT IT WAS SOMETHING THAT 16:23.833 --> 16:27.100 align:left position:10%,start line:89% size:80% I WOULD DO FOR A LITTLE WHILE 16:27.100 --> 16:29.300 align:left position:10%,start line:89% size:80% AND THE YEARS WENT BY AND I'M 16:29.300 --> 16:30.266 align:left position:10%,start line:89% size:80% STILL DOING. 16:30.266 --> 16:34.633 align:left position:10%,start line:89% size:80% I HAVE BEEN PLAYING IN JOHN 16:34.633 --> 16:36.333 align:left position:10%,start line:89% size:80% PRINE BAND FOR ALMOST 22 YEARS. 16:36.333 --> 16:38.866 align:left position:10%,start line:89% size:80% I STARTED PLAYING IN FEBRUARY OF 16:38.866 --> 16:39.133 align:left position:10%,start line:89% size:80% '96. 16:39.133 --> 16:41.600 align:left position:10%,start line:89% size:80% IT WAS THE SECOND HALF OF A TOUR 16:41.600 --> 16:43.833 align:left position:10%,start line:89% size:80% FOR "LOST DOGS AND MIXED 16:43.833 --> 16:44.233 align:left position:10%,start line:89% size:80% BLESSINGS." 16:44.233 --> 16:45.400 align:left position:10%,start line:89% size:80% BECAUSE I WAS WRITING SONGS AND 16:45.400 --> 16:48.066 align:left position:10%,start line:89% size:80% I WANTED TO HAVE AN OUTLET FOR 16:48.066 --> 16:49.900 align:left position:10%,start line:89% size:80% THOSE AND I FEEL THE NEED TO LET 16:49.900 --> 16:51.533 align:left position:10%,start line:89% size:80% THOSE OUT AND DOCUMENT THEM AND 16:51.533 --> 16:52.900 align:left position:10%,start line:89% size:80% WORK ON THEM. 16:52.900 --> 16:53.466 align:left position:10%,start line:89% size:80% THAT'S WHAT I ENJOY. 16:53.466 --> 16:55.333 align:left position:10%,start line:89% size:80% IF YOU WRITE A BUNCH OF SONGS, 16:55.333 --> 16:56.733 align:left position:10%,start line:89% size:80% YOU MIGHT FIND A PERSON TO SING 16:56.733 --> 16:58.433 align:left position:10%,start line:89% size:80% ONE OR TWO OF THEM OCCASIONALLY, 16:58.433 --> 16:59.966 align:left position:10%,start line:89% size:80% BUT IF YOU WANT A LOT OF YOUR 16:59.966 --> 17:02.600 align:left position:10%,start line:89% size:80% SONGS TO GET OUT THERE, YOU HAVE 17:02.600 --> 17:03.733 align:left position:10%,start line:89% size:80% TO SING THEM YOURSELF. 17:03.733 --> 17:04.700 align:left position:10%,start line:89% size:80% AT LEAST I DID. 17:04.700 --> 17:06.533 align:left position:10%,start line:89% size:80% THAT'S WHAT I CHOSE TO DO. 17:06.533 --> 17:08.366 align:left position:10%,start line:89% size:80% THE IMPORTANT PROCESS IS A LOT 17:08.366 --> 17:09.366 align:left position:10%,start line:89% size:80% OF FUN. 17:09.366 --> 17:10.466 align:left position:10%,start line:89% size:80% IT'S VERY COLLABORATIVE AND IT'S 17:10.466 --> 17:12.300 align:left position:10%,start line:89% size:80% KIND OF A PROCESS OF DISCOVERY. 17:12.300 --> 17:14.200 align:left position:10%,start line:89% size:80% AND YOU TAKE A SONG AND YOU 17:14.200 --> 17:15.766 align:left position:10%,start line:89% size:80% MAYBE HAVE AN IDEA OF HOW IT'S 17:15.766 --> 17:16.333 align:left position:10%,start line:89% size:80% GOING TO GO. 17:16.333 --> 17:17.900 align:left position:10%,start line:89% size:80% I LIKE TO EXPLORE THINGS AS WE 17:17.900 --> 17:19.333 align:left position:10%,start line:89% size:80% ARE RECORDING AND JUST SEE WHAT 17:19.333 --> 17:20.400 align:left position:10%,start line:89% size:80% WORKS AND WHAT DOESN'T WORK. 17:20.400 --> 17:22.033 align:left position:10%,start line:89% size:80% AND IT'S JUST REALLY FUN TO SEE 17:22.033 --> 17:24.100 align:left position:10%,start line:89% size:80% WHERE THINGS LEAD AND BUILDING 17:24.100 --> 17:24.766 align:left position:10%,start line:89% size:80% ON THINGS. 17:24.766 --> 17:26.833 align:left position:10%,start line:89% size:80% A LOT OF TIMES THE THINGS YOU 17:26.833 --> 17:28.566 align:left position:10%,start line:89% size:80% THINK ARE GOING TO BE REALLY 17:28.566 --> 17:30.000 align:left position:10%,start line:89% size:80% GOOD JUST END UP BEING OKAY AND 17:30.000 --> 17:32.833 align:left position:10%,start line:89% size:80% THE THINGS YOU JUST THOUGHT WERE 17:32.833 --> 17:34.033 align:left position:10%,start line:89% size:80% OKAY END UP BEING GREAT. 17:34.033 --> 17:34.466 align:left position:10%,start line:89% size:80% IT'S FUN. 17:34.466 --> 17:35.566 align:left position:10%,start line:89% size:80% IT'S AN ADVENTURE. 17:35.566 --> 17:37.400 align:left position:10%,start line:89% size:80% IF YOU WANT TO BE A MUSICIAN, DO 17:37.400 --> 17:40.133 align:left position:10%,start line:89% size:80% IT BECAUSE YOU REALLY LOVE IT 17:40.133 --> 17:42.033 align:left position:10%,start line:89% size:80% AND CAN'T STAND NOT TO DO IT. 17:42.033 --> 17:43.566 align:left position:10%,start line:89% size:80% OTHERWISE, BAD TIMES ARE 17:43.566 --> 17:44.900 align:left position:10%,start line:89% size:80% PROBABLY GOING TO BE BAD ENOUGH 17:44.900 --> 17:46.800 align:left position:10%,start line:89% size:80% THAT YOU WILL STOP. 17:46.800 --> 17:47.900 align:left position:10%,start line:89% size:80% IT F THAT MAKES SENSE. 17:47.900 --> 17:49.866 align:left position:10%,start line:89% size:80% IF YOU REALLY LOVE IT, THEN IT'S 17:49.866 --> 17:52.400 align:left position:10%,start line:89% size:80% EASIER TO TAKE THE BAD TIMES. 17:52.400 --> 17:53.766 align:left position:10%,start line:89% size:80% SINGING, FOR ME, DIDN'T REALLY 17:53.766 --> 17:54.766 align:left position:10%,start line:89% size:80% COME NATURALLY. 17:54.766 --> 17:56.766 align:left position:10%,start line:89% size:80% I WORKED A LOT ON PRACTICING AND 17:56.766 --> 17:58.266 align:left position:10%,start line:89% size:80% TAKING LESSONS AND THINGS LIKE 17:58.266 --> 17:58.566 align:left position:10%,start line:89% size:80% THAT. 17:58.566 --> 18:00.433 align:left position:10%,start line:89% size:80% IT'S HARD TO WRITE GOOD SONGS. 18:00.433 --> 18:02.400 align:left position:10%,start line:89% size:80% YOU'VE GOT TO WRITE A LOT OF BAD 18:02.400 --> 18:03.700 align:left position:10%,start line:89% size:80% ONES, IT SEEMS LIKE TO GET TO 18:03.700 --> 18:06.333 align:left position:10%,start line:89% size:80% THE GOOD ONES BUT I THINK THE 18:06.333 --> 18:07.400 align:left position:10%,start line:89% size:80% HARDEST THING IS HANGING IN 18:07.400 --> 18:08.266 align:left position:10%,start line:89% size:80% THERE AND DOING IT. 18:08.266 --> 18:10.333 align:left position:10%,start line:89% size:80% A LOT OF TIMES THINGS DONE TURN 18:10.333 --> 18:12.033 align:left position:10%,start line:89% size:80% OUT THE WAY YOU EXPECT OR PEOPLE 18:12.033 --> 18:13.066 align:left position:10%,start line:89% size:80% DON'T LIKE SOMETHING THAT YOU 18:13.066 --> 18:15.566 align:left position:10%,start line:89% size:80% THINK IS REALLY GOOD, AND IF YOU 18:15.566 --> 18:16.833 align:left position:10%,start line:89% size:80% GET UPSET EVERY TIME, YOU ARE 18:16.833 --> 18:18.500 align:left position:10%,start line:89% size:80% GOING TO BE UPSET ALL THE TIME. 18:18.500 --> 18:22.033 align:left position:10%,start line:89% size:80% THE PART THAT REQUIRES MORE 18:22.033 --> 18:23.100 align:left position:10%,start line:89% size:80% PERSEVERANCE IS BEING WILLING TO 18:23.100 --> 18:24.666 align:left position:10%,start line:89% size:80% GO OUT THERE AND PUT IN THE 18:24.666 --> 18:27.133 align:left position:10%,start line:89% size:80% WORLD AND DO PERFORMANCES AND 18:27.133 --> 18:28.066 align:left position:10%,start line:89% size:80% MAKE RECORDINGS. 18:28.066 --> 18:30.000 align:left position:10%,start line:89% size:80% THAT'S WHEN YOU OPEN YOURSELF UP 18:30.000 --> 18:31.433 align:left position:10%,start line:89% size:80% FOR REJECTION, POTENTIAL 18:31.433 --> 18:32.400 align:left position:10%,start line:89% size:80% REJECTION, I WOULD SAY. 18:32.400 --> 18:33.666 align:left position:10%,start line:89% size:80% THAT'S A PAINFUL PART OF IT. 18:33.666 --> 18:35.400 align:left position:10%,start line:89% size:80% THE FACT THAT IT BRINGS ME SO 18:35.400 --> 18:37.633 align:left position:10%,start line:89% size:80% MUCH PLEASURE AND JOY, JUST TO 18:37.633 --> 18:39.166 align:left position:10%,start line:89% size:80% DO, IT EVEN IF NO ONE IS 18:39.166 --> 18:41.133 align:left position:10%,start line:89% size:80% LISTENING IS WHAT KIND OF KEEPS 18:41.133 --> 18:46.033 align:left position:10%,start line:89% size:80% ME DO PENTAGON IT, IING IT, I THINK. 18:46.033 --> 18:47.666 align:left position:10%,start line:89% size:80% PLAYING MUSIC IS AN 18:47.666 --> 18:48.133 align:left position:10%,start line:89% size:80% ACCOMPLISHMENT. 18:48.133 --> 18:49.966 align:left position:10%,start line:89% size:80% I HAVE BEEN FORTUNATE TO DO THAT 18:49.966 --> 18:50.800 align:left position:10%,start line:89% size:80% FOR A LONG TIME. 18:50.800 --> 18:52.000 align:left position:10%,start line:89% size:80% I MAKE MUSIC. 18:52.000 --> 18:53.900 align:left position:10%,start line:89% size:80% IT'S WHAT MAKES ME FEEL REALLY 18:53.900 --> 18:55.233 align:left position:10%,start line:89% size:80% ALIVE AND IT'S WHAT I THINK 18:55.233 --> 18:57.233 align:left position:10%,start line:89% size:80% ABOUT WHEN I GET UP IN THE 18:57.233 --> 18:57.566 align:left position:10%,start line:89% size:80% MORNING. 18:57.566 --> 18:59.333 align:left position:10%,start line:89% size:80% IF I'M ENJOYING IT AND HAVING A 18:59.333 --> 19:01.033 align:left position:10%,start line:89% size:80% GOOD TIME AND MAKING MUSIC THAT 19:01.033 --> 19:02.600 align:left position:10%,start line:89% size:80% IS REALLY GOOD AND PEOPLE ARE 19:02.600 --> 19:03.866 align:left position:10%,start line:89% size:80% ENJOYING, IT I FEEL THAT THAT'S 19:03.866 --> 19:05.700 align:left position:10%,start line:89% size:80% A SIGN THAT THAT'S WHAT I'M 19:05.700 --> 19:07.066 align:left position:10%,start line:89% size:80% SUPPOSED TO BE DOING OR AT LEAST 19:07.066 --> 19:08.333 align:left position:10%,start line:89% size:80% THAT'S WHAT I FEEL LIKE DOING. 19:08.333 --> 19:09.700 align:left position:10%,start line:89% size:80% I WILL KEEP DOING IT UNTIL 19:09.700 --> 19:15.600 align:left position:10%,start line:89% size:80% SOMEBODY STOPS ME, I GUESS. 19:12.333 --> 19:16.133 align:left position:10%,start line:89% size:80% >> AND NOW WELCOME JASON WILBUR. 19:16.133 --> 19:41.333 align:left position:10%,start line:89% size:80% ♪♪ 19:41.333 --> 19:43.033 align:left position:10%,start line:89% size:80% ♪♪ THE STORM IS POUNDING ♪♪ 19:43.033 --> 19:45.533 align:left position:10%,start line:89% size:80% ♪♪ I'M SURROUNDED IN MY MIND ♪♪ 19:45.533 --> 19:55.000 align:left position:10%,start line:89% size:80% ♪♪ THAT YOU NEVER DOUBTED ♪♪ 19:55.000 --> 19:58.933 align:left position:10%,start line:89% size:80% ♪♪ I HEARD YOU SHOUT IT FROM ON 19:58.933 --> 19:59.300 align:left position:10%,start line:89% size:80% HIGH ♪♪ 19:59.300 --> 20:10.666 align:left position:10%,start line:89% size:80% ♪♪ THE RAIN IS FALLING NOW ♪♪ 20:10.666 --> 20:15.333 align:left position:10%,start line:89% size:80% ♪♪ AND IT'S CALLING ♪♪ 20:15.333 --> 20:18.600 align:left position:10%,start line:89% size:80% ♪♪ YOU STATE YOUR SORROW ♪♪ 20:18.600 --> 20:19.600 align:left position:10%,start line:89% size:80% ♪♪ FORGET TOMORROW ♪♪ 20:19.600 --> 20:23.166 align:left position:10%,start line:89% size:80% ♪♪ OH, COME ON DOWN AND LOVE ME 20:23.166 --> 20:23.500 align:left position:10%,start line:89% size:80% NOW ♪♪ 20:23.500 --> 20:38.433 align:left position:10%,start line:89% size:80% ♪♪ UP THROUGH THE CEILING ♪♪ 20:38.433 --> 20:46.300 align:left position:10%,start line:89% size:80% ♪♪ ALL I AM FEELING IS ALONE ♪♪ 20:46.300 --> 20:49.800 align:left position:10%,start line:89% size:80% ♪♪ THE SILENCE IS REVEALING ALL 20:49.800 --> 20:54.666 align:left position:10%,start line:89% size:80% THE SECRETS WE HAVE SOWN ♪♪ 20:54.666 --> 21:12.000 align:left position:10%,start line:89% size:80% ♪♪ I'M CURRENTLY STROLLING ♪♪ 21:12.000 --> 21:15.900 align:left position:10%,start line:89% size:80% ♪♪ STATE YOUR SORROW ♪♪ 21:15.900 --> 21:16.600 align:left position:10%,start line:89% size:80% ♪♪ FORGET TOMORROW ♪♪ 21:16.600 --> 21:18.733 align:left position:10%,start line:89% size:80% ♪♪ OH, COME ON DOWN AND LOVE ME 21:18.733 --> 21:19.066 align:left position:10%,start line:89% size:80% NOW ♪♪ 21:19.066 --> 21:39.766 align:left position:10%,start line:89% size:80% ♪♪ 21:39.766 --> 22:02.100 align:left position:10%,start line:89% size:80% ♪♪ 22:02.100 --> 22:05.233 align:left position:10%,start line:89% size:80% ♪♪ SMOKE IS RISING ♪♪ 22:05.233 --> 22:11.433 align:left position:10%,start line:89% size:80% ♪♪ AND I AM FINDING A LITTLE 22:11.433 --> 22:15.333 align:left position:10%,start line:89% size:80% HOLE ♪♪ 22:15.333 --> 22:19.633 align:left position:10%,start line:89% size:80% ♪♪ I AM UNEASY IN OUR HOME ♪♪ 22:19.633 --> 22:33.233 align:left position:10%,start line:89% size:80% ♪♪ RAIN IS ON THE WAY ♪♪ 22:33.233 --> 22:40.233 align:left position:10%,start line:89% size:80% ♪♪ STATE YOUR SORROW ♪♪ 22:40.233 --> 22:40.900 align:left position:10%,start line:89% size:80% ♪♪ FORGET TOMORROW ♪♪ 22:40.900 --> 22:43.200 align:left position:10%,start line:89% size:80% ♪♪ COME ON DOWN AND LOVE ME NOW ♪♪ 22:43.200 --> 22:49.300 align:left position:10%,start line:89% size:80% ♪♪ STATE YOUR SORROW ♪♪ 22:49.300 --> 22:50.300 align:left position:10%,start line:89% size:80% ♪♪ FORGET TOMORROW ♪♪ 22:50.300 --> 22:54.133 align:left position:10%,start line:89% size:80% ♪♪ OH, COME ON DOWN AND LOVE ME 22:54.133 --> 22:54.466 align:left position:10%,start line:89% size:80% NOW ♪♪ 22:54.466 --> 23:02.900 align:left position:10%,start line:89% size:80% ♪♪ OH, COME ON DOWN AND LOVE ME 23:02.900 --> 23:03.266 align:left position:10%,start line:89% size:80% NOW ♪♪ 23:03.266 --> 23:34.866 align:left position:10%,start line:89% size:80% ♪♪ 23:34.866 --> 23:53.300 align:left position:10%,start line:89% size:80% ♪♪ 23:53.300 --> 23:54.933 align:left position:10%,start line:89% size:80% >> TO LEARN MORE ABOUT JASON'S 23:54.933 --> 23:56.966 align:left position:10%,start line:89% size:80% LATEST ALBUM, REACTION TIME OR 23:56.966 --> 23:58.900 align:left position:10%,start line:89% size:80% TO FIND UPCOMING PERFORMANCES, 23:58.900 --> 24:02.233 align:left position:10%,start line:89% size:80% VISIT HIS WEBSITE, 24:02.233 --> 24:02.733 align:left position:10%,start line:89% size:80% JASONWILBUR.COM. 24:02.733 --> 24:03.733 align:left position:10%,start line:89% size:80% THAT'S ALL WE HAVE FOR TONIGHT. 24:03.733 --> 24:05.333 align:left position:10%,start line:89% size:80% WE HOPE YOU FIND BEAUTIFUL WAYS 24:05.333 --> 24:07.000 align:left position:10%,start line:89% size:80% TO EMBRACE YOUR TIME IN CHANGING 24:07.000 --> 24:07.333 align:left position:10%,start line:89% size:80% SEASONS. 24:07.333 --> 24:12.133 align:left position:10%,start line:89% size:80% ONCE AGAIN, BEFORE WE GO, JASON 24:09.933 --> 24:12.933 align:left position:10%,start line:89% size:80% WILBUR. 24:12.933 --> 24:20.333 align:left position:10%,start line:89% size:80% ♪♪ 24:20.333 --> 24:23.433 align:left position:10%,start line:89% size:80% ♪♪ ALMOST TIME ♪♪ 24:23.433 --> 24:26.200 align:left position:10%,start line:89% size:80% ♪♪ I'VE BEEN WAITING UNTIL 24:26.200 --> 24:27.033 align:left position:10%,start line:89% size:80% MONDAY, TUESDAY AT LEAST ♪♪ 24:27.033 --> 24:30.533 align:left position:10%,start line:89% size:80% ♪♪ FOR SOME FUN ♪♪ 24:30.533 --> 24:32.866 align:left position:10%,start line:89% size:80% ♪♪ I THINK I SEE A LITTLE LIGHT 24:32.866 --> 24:35.666 align:left position:10%,start line:89% size:80% AT THE END OF THE WEEK ♪♪ 24:35.666 --> 24:39.300 align:left position:10%,start line:89% size:80% ♪♪ WHATEVER HAPPENED TO THE 24:39.300 --> 24:40.700 align:left position:10%,start line:89% size:80% ENDLESS SUMMER WITH ALL THE TIME 24:40.700 --> 24:41.866 align:left position:10%,start line:89% size:80% IN THE WORLD ♪♪ 24:41.866 --> 24:48.400 align:left position:10%,start line:89% size:80% ♪♪ WE CAN START UNWINDING ♪♪ 24:48.400 --> 24:50.133 align:left position:10%,start line:89% size:80% ♪♪ SATURDAY MORNING WE'RE FREE ♪♪ 24:50.133 --> 24:54.333 align:left position:10%,start line:89% size:80% ♪♪ SUNDAY WE'LL BE SORRY TO SEE 24:54.333 --> 24:54.733 align:left position:10%,start line:89% size:80% YOU GO ♪♪ 24:54.733 --> 24:56.433 align:left position:10%,start line:89% size:80% ♪♪ SHE'LL HAVE TO WAIT A WHOLE 24:56.433 --> 24:56.833 align:left position:10%,start line:89% size:80% WEEK ♪♪ 24:56.833 --> 24:59.866 align:left position:10%,start line:89% size:80% ♪♪ IT'S BEEN ALL RIGHT ♪♪ 24:59.866 --> 25:04.100 align:left position:10%,start line:89% size:80% ♪♪ OH, BUT I LOVE ANOTHER 25:04.100 --> 25:04.633 align:left position:10%,start line:89% size:80% SATURDAY NIGHT ♪♪ 25:04.633 --> 25:16.700 align:left position:10%,start line:89% size:80% ♪♪ WE WERE YOUNG ♪♪ 25:16.700 --> 25:20.266 align:left position:10%,start line:89% size:80% ♪♪ WE WERE STATED ON THE MEANING 25:20.266 --> 25:22.100 align:left position:10%,start line:89% size:80% OF LIFE AND LOVE ♪♪ 25:22.100 --> 25:24.633 align:left position:10%,start line:89% size:80% ♪♪ THE MOUNTAINS AND THE WAVES ON 25:24.633 --> 25:26.033 align:left position:10%,start line:89% size:80% THE ROLLING SEA ♪♪ 25:26.033 --> 25:30.433 align:left position:10%,start line:89% size:80% ♪♪ WHATEVER HAPPENED TO THE 25:30.433 --> 25:31.733 align:left position:10%,start line:89% size:80% ENDLESS SUMMER AND ALL THE TIME 25:31.733 --> 25:32.766 align:left position:10%,start line:89% size:80% IN THE WORLD ♪♪ 25:32.766 --> 25:38.133 align:left position:10%,start line:89% size:80% ♪♪ TRYING TO FINISH SO YOU CAN 25:38.133 --> 25:39.066 align:left position:10%,start line:89% size:80% START UNWINDING ♪♪ 25:39.066 --> 25:41.266 align:left position:10%,start line:89% size:80% ♪♪ SATURDAY MORNING WE ARE FREE ♪♪ 25:41.266 --> 25:45.000 align:left position:10%,start line:89% size:80% ♪♪ SUNDAY WE'LL BE SORRY TO SEE 25:45.000 --> 25:45.433 align:left position:10%,start line:89% size:80% YOU GO ♪♪ 25:45.433 --> 25:47.100 align:left position:10%,start line:89% size:80% ♪♪ SHE'LL HAVE TO WAIT A WHOLE 25:47.100 --> 25:47.466 align:left position:10%,start line:89% size:80% WEEK ♪♪ 25:47.466 --> 25:50.900 align:left position:10%,start line:89% size:80% ♪♪ IT'S BEEN ALL RIGHT ♪♪ 25:50.900 --> 26:00.266 align:left position:10%,start line:89% size:80% ♪♪ OH, BUT I WOULD LOVE ANOTHER 26:00.266 --> 26:01.500 align:left position:10%,start line:89% size:80% SATURDAY NIGHT ♪♪ 26:01.500 --> 26:03.400 align:left position:10%,start line:89% size:80% ♪♪ FAR AWAY IN A DREAM OUT 26:03.400 --> 26:04.133 align:left position:10%,start line:89% size:80% THERE ♪♪ 26:04.133 --> 26:09.333 align:left position:10%,start line:89% size:80% >> PRODUCTION SUPPORT FOR "THE 26:05.166 --> 26:36.700 align:left position:10%,start line:89% size:80% WEEKLY SPECIAL" IS PROVIDED BY: