1 00:00:18,000 --> 00:00:18,666 >> PRODUCTION SUPPORT FOR 2 00:00:18,666 --> 00:00:19,600 "THE WEEKLY SPECIAL" IS PROVIDED 3 00:00:19,600 --> 00:00:20,500 BY... 4 00:00:20,500 --> 00:00:21,566 IU SCHOOL OF PUBLIC HEALTH 5 00:00:21,566 --> 00:00:23,400 BLOOMINGTON, ADDRESSING PUBLIC 6 00:00:23,400 --> 00:00:24,766 HEALTH NEEDS BY PREVENTING 7 00:00:24,766 --> 00:00:26,033 DISEASE, PROMOTING HEALTH AND 8 00:00:26,033 --> 00:00:27,566 IMPROVING QUALITY OF LIFE ACROSS 9 00:00:27,566 --> 00:00:29,300 THE STATE AND AROUND THE WORLD 10 00:00:29,300 --> 00:00:30,866 THROUGH RESEARCH, TEACHING AND 11 00:00:30,866 --> 00:00:34,266 COMMUNITY ENGAGEMENT... 12 00:00:34,266 --> 00:00:36,300 SMITHVILLE FIBER, THE GIGACITY 13 00:00:36,300 --> 00:00:38,233 COMPANY, A PHILANTHROPIC 14 00:00:38,233 --> 00:00:40,400 COMMUNITY PARTNER SINCE 1922 15 00:00:40,400 --> 00:00:41,566 AND PROUD SUPPORTER OF NUMEROUS 16 00:00:41,566 --> 00:00:43,266 COMMUNITY ORGANIZATIONS. 17 00:00:43,266 --> 00:00:45,000 MORE INFORMATION AT 18 00:00:45,000 --> 00:00:47,666 SMITHVILLE.COM... 19 00:00:47,666 --> 00:00:49,600 THE AL COBINE RECOGNITION 20 00:00:49,600 --> 00:00:51,166 ENDOWMENT FUND, ESTABLISHED BY 21 00:00:51,166 --> 00:00:53,033 FRIENDS AND FAMILY OF AL COBINE 22 00:00:53,033 --> 00:00:55,300 TO SUPPORT JAZZ INITIATIVES ON 23 00:00:55,300 --> 00:01:00,166 WTIU AND WFIU... 24 00:00:58,166 --> 00:01:02,333 AND WTIU MEMBERS, THANK YOU. 25 00:01:02,333 --> 00:01:04,466 >> WE ARE OUT OF THE STUDIO AND 26 00:01:04,466 --> 00:01:07,033 ON THE ROAD AND WE'RE BEGINNING 27 00:01:07,033 --> 00:01:10,600 OUR TANK TRIP AT THE WORLD'S 28 00:01:10,600 --> 00:01:12,733 LARGEST -- AND WORLD'S LARGEST 29 00:01:12,733 --> 00:01:13,100 SPHERE. 30 00:01:13,100 --> 00:01:14,633 WHERE IN INDIANA COULD WE 31 00:01:14,633 --> 00:01:15,866 POSSIBLY BE? 32 00:01:15,866 --> 00:01:18,266 ONLY KOKOMO, THE CITY OF FIRSTS. 33 00:01:18,266 --> 00:01:21,566 JOIN US AT THE KOKOMO AUTOMOTIVE 34 00:01:21,566 --> 00:01:24,300 MUSEUM, THE SEEBER LING -- OKAY. 35 00:01:24,300 --> 00:01:25,066 DO THAT AGAIN. 36 00:01:25,066 --> 00:01:29,100 JOIN US AT THE KOKOMO AUTOMOTIVE 37 00:01:29,100 --> 00:01:32,866 MUSEUM, THE MANSION, THE KOKOMO 38 00:01:32,866 --> 00:01:34,433 GLASS FACTORY AND ARTWORKS AND 39 00:01:34,433 --> 00:01:35,300 THE ART ALLEY. 40 00:01:35,300 --> 00:01:37,066 ALL THIS AND MORE HERE IN KOKOMO 41 00:01:37,066 --> 00:01:41,633 RIGHT NOW ON "THE WEEKLY 42 00:01:38,366 --> 00:01:53,800 SPECIAL." 43 00:01:53,800 --> 00:01:55,700 >> WELCOME TO "THE WEEKLY 44 00:01:55,700 --> 00:01:56,066 SPECIAL." 45 00:01:56,066 --> 00:01:58,200 I'M ERICA SAGON. 46 00:01:58,200 --> 00:01:59,633 WE'RE HERE IN KOKOMO KNOWN AS 47 00:01:59,633 --> 00:02:01,366 THE CITY OF FIRSTS. 48 00:02:01,366 --> 00:02:03,200 IT GOT ITS NAME BECAUSE OF ALL 49 00:02:03,200 --> 00:02:04,733 THE INNOVATION THAT HAPPENED 50 00:02:04,733 --> 00:02:05,400 HERE OVER THE YEARS. 51 00:02:05,400 --> 00:02:06,700 WE ARE GOING TO START WITH A 52 00:02:06,700 --> 00:02:09,800 LOOK BACK AT ELWOOD HAYNES, A 53 00:02:09,800 --> 00:02:10,966 PIONEER IN THE AUTOMOTIVE 54 00:02:10,966 --> 00:02:11,366 INDUSTRY. 55 00:02:11,366 --> 00:02:13,233 >> A LOT OF PEOPLE DON'T REALIZE 56 00:02:13,233 --> 00:02:16,000 BUT INDIANA SITS ATOP WHAT WAS A 57 00:02:16,000 --> 00:02:17,266 MASSIVE NATURAL GAS DEPOSIT. 58 00:02:17,266 --> 00:02:19,700 IT WENT INTO EASTERN ILLINOIS 59 00:02:19,700 --> 00:02:20,666 AND WESTERN OHIO. 60 00:02:20,666 --> 00:02:22,800 SO THIS WAS A MASSIVE NATURAL 61 00:02:22,800 --> 00:02:24,966 RESOURCE. 62 00:02:24,966 --> 00:02:26,766 THE DISCOVERY OF THIS DEPOSIT 63 00:02:26,766 --> 00:02:28,600 MORE THAN 150 YEARS AGO GAVE 64 00:02:28,600 --> 00:02:30,933 RISE TO AN INDUSTRIAL KOKOMO. 65 00:02:30,933 --> 00:02:33,566 AND IT MEANT WORK AND 66 00:02:33,566 --> 00:02:35,200 OPPORTUNITY FOR INNOVATION WAS 67 00:02:35,200 --> 00:02:35,566 PLENTIFUL. 68 00:02:35,566 --> 00:02:38,166 IN 1891 A GENTLEMAN NAMED ELWOOD 69 00:02:38,166 --> 00:02:39,166 HAYNES CAME FROM PORTLAND, 70 00:02:39,166 --> 00:02:40,166 INDIANA THAT. 71 00:02:40,166 --> 00:02:42,200 HE WAS COLLEGE EDUCATED. 72 00:02:42,200 --> 00:02:44,033 HE HAD BEEN A METALLURGIST. 73 00:02:44,033 --> 00:02:45,266 HE ALSO DESIGNED AND BUILT ONE 74 00:02:45,266 --> 00:02:47,100 OF THE EARLIEST AUTOMOBILES MADE 75 00:02:47,100 --> 00:02:48,600 IN THE UNITED STATES. 76 00:02:48,600 --> 00:02:49,633 >> VERY SIMPLE. 77 00:02:49,633 --> 00:02:51,566 HE NEEDED A WAY TO GET TO THE 78 00:02:51,566 --> 00:02:52,966 GAS FIELDS. 79 00:02:52,966 --> 00:02:55,366 AND THE ONLY WAY TO DO THAT WAS 80 00:02:55,366 --> 00:02:57,300 THIS NEW THING, THE AUTOMOBILE, 81 00:02:57,300 --> 00:02:59,366 WHICH DIDN'T HAVE THE NAME 82 00:02:59,366 --> 00:02:59,766 AUTOMOBILE. 83 00:02:59,766 --> 00:03:00,800 IN OLD LITERATURE THEY REFERRED 84 00:03:00,800 --> 00:03:04,966 TO IT AS A MOTORCYCLE OR 85 00:03:04,966 --> 00:03:05,900 HORSELESS CARRIAGE. 86 00:03:05,900 --> 00:03:07,700 THE AUTOMOBILE WASN'T IN COMMON 87 00:03:07,700 --> 00:03:08,133 USAGE. 88 00:03:08,133 --> 00:03:09,833 >> THE NEED MAY HAVE BEEN SIMPLE 89 00:03:09,833 --> 00:03:12,566 BUT THE BUILD WAS ANYTHING BUT. 90 00:03:12,566 --> 00:03:14,333 HAYNES SOURCED A GASOLINE 91 00:03:14,333 --> 00:03:16,266 ENGINE, CUTTING EDGE TECHNOLOGY 92 00:03:16,266 --> 00:03:17,600 FOR THE TIME, FROM MICHIGAN, 93 00:03:17,600 --> 00:03:21,833 THEN SET OUT TO CONVINCE THE 94 00:03:21,833 --> 00:03:23,200 APPERSON BROTHERS TO HELP HIM 95 00:03:23,200 --> 00:03:25,400 BUILD HIS HORSELESS CARRIAGE. 96 00:03:25,400 --> 00:03:27,266 >> SAYING SOMETHING LIKE THAT IN 97 00:03:27,266 --> 00:03:29,066 A FACTORY WOULD BE LIKE SAYING I 98 00:03:29,066 --> 00:03:31,000 WANT TO BUILD A ROCKET THAT WILL 99 00:03:31,000 --> 00:03:32,433 GO TO MARS AND I WANT YOU TO 100 00:03:32,433 --> 00:03:33,300 BUILD IT FOR ME. 101 00:03:33,300 --> 00:03:34,733 PEOPLE ARE GOING TO LOOK AT YOU 102 00:03:34,733 --> 00:03:36,600 LIKE YOU'RE A LITTLE OFF. 103 00:03:36,600 --> 00:03:38,200 >> MR. HAYNES MUST HAVE BEEN A 104 00:03:38,200 --> 00:03:39,666 PRETTY GOOD SALESMAN, BECAUSE 105 00:03:39,666 --> 00:03:41,766 THE CAR, LATER KNOWN AS THE 106 00:03:41,766 --> 00:03:42,900 PIONEER, WAS BUILT. 107 00:03:42,900 --> 00:03:44,900 >> HE EVENTUALLY HAS A THOUSAND 108 00:03:44,900 --> 00:03:46,266 DOLLARS WRAPPED UP IN THIS 109 00:03:46,266 --> 00:03:46,566 THING. 110 00:03:46,566 --> 00:03:48,933 TO GIVE YOU AN IDEA, THE AVERAGE 111 00:03:48,933 --> 00:03:51,500 PERSON IN THE 1880s, '90s, 112 00:03:51,500 --> 00:03:53,300 THE ONCH WORKER WAS MAKING 300 113 00:03:53,300 --> 00:03:54,066 BUCKS A YEAR. 114 00:03:54,066 --> 00:03:55,533 SO THAT WAS A LOT OF MONEY. 115 00:03:55,533 --> 00:03:57,966 IT TOOK THE BETTER PART OF THE 116 00:03:57,966 --> 00:03:58,400 YEAR. 117 00:03:58,400 --> 00:04:02,966 THE TEST RUN, BRINGS IT BA K 118 00:04:02,966 --> 00:04:04,800 INTO TOWN AT 7 MILES AN HOUR. 119 00:04:04,800 --> 00:04:07,133 >> BY MODERN STANDARDS IT HAD A 120 00:04:07,133 --> 00:04:07,700 FEW ISSUES. 121 00:04:07,700 --> 00:04:09,433 >> IT DIDN'T HAVE BRAKING 122 00:04:09,433 --> 00:04:10,333 CAPACITY, VERY GOOD. 123 00:04:10,333 --> 00:04:11,433 IT HAD NO REVERSE. 124 00:04:11,433 --> 00:04:13,900 IT HAD NO MUFFLER. 125 00:04:13,900 --> 00:04:16,133 AND THE STEERING WAS A CRANK. 126 00:04:16,133 --> 00:04:17,700 YOU PUSHED IT THIS WAY, YOU 127 00:04:17,700 --> 00:04:19,466 PULLED IT THAT WAY TO STEER. 128 00:04:19,466 --> 00:04:22,133 IT DIDN'T WORK VERY WELL. 129 00:04:22,133 --> 00:04:25,000 >> IN 1894, IT WAS A MARVEL. 130 00:04:25,000 --> 00:04:27,700 HAYNES CONTINUED TO INNOVATE, 131 00:04:27,700 --> 00:04:29,200 IMPROVED HIS ORIGINAL DESIGN AND 132 00:04:29,200 --> 00:04:30,833 SOON BUILT A FACTORY IN KOKOMO. 133 00:04:30,833 --> 00:04:33,566 THE FACTORY, WITH PRECISION 134 00:04:33,566 --> 00:04:34,866 TOOLS AND ELECTRIC POWER, WAS 135 00:04:34,866 --> 00:04:36,266 ONE OF THE FIRST IN THE WORLD TO 136 00:04:36,266 --> 00:04:37,433 PRODUCE CARS AND WAS A 137 00:04:37,433 --> 00:04:38,366 REVELATION FOR ITS DAY. 138 00:04:38,366 --> 00:04:39,800 >> YOU LOOK AT THE PRODUCTION 139 00:04:39,800 --> 00:04:41,333 TIME, IT GOES FROM BEING LIKE A 140 00:04:41,333 --> 00:04:43,133 WHOLE YEAR DOWN TO SIX TO EIGHT 141 00:04:43,133 --> 00:04:45,366 MONTHS AND BY 1897 WE ARE 142 00:04:45,366 --> 00:04:46,400 INCORPORATING AND BUILDING 143 00:04:46,400 --> 00:04:48,533 SEVERAL CARS A YEAR. 144 00:04:48,533 --> 00:04:50,000 IT SHOWS THERE'S A MARKET FOR 145 00:04:50,000 --> 00:04:51,166 THEM FOR ONE THING. 146 00:04:51,166 --> 00:04:52,966 THEY WOULDN'T BUILD THEM IF THEY 147 00:04:52,966 --> 00:04:54,466 COULDN'T SELL THEM. 148 00:04:54,466 --> 00:04:56,700 THERE WERE 30 CARS BUILT IN 1899 149 00:04:56,700 --> 00:04:58,966 AND THEN IT GETS TO BE DWOD, 150 00:04:58,966 --> 00:04:59,933 300, 400 CARS. 151 00:04:59,933 --> 00:05:01,266 EYE SHOWS THERE IS A MARKET FORB 152 00:05:01,266 --> 00:05:01,566 THAT. 153 00:05:01,566 --> 00:05:03,266 >> THERE WAS ALSO VERY STIFF 154 00:05:03,266 --> 00:05:03,666 COMPETITION. 155 00:05:03,666 --> 00:05:05,700 BY 1912 ELWOOD HAYNES WAS 156 00:05:05,700 --> 00:05:07,233 LARGELY OUT OF THE CAR BUSINESS 157 00:05:07,233 --> 00:05:09,266 HAVING RETURNED TO HIS FIRST 158 00:05:09,266 --> 00:05:10,233 LOVE, METALLURGY. 159 00:05:10,233 --> 00:05:12,166 THE LAST HAYNES POOBL ROLLED OFF 160 00:05:12,166 --> 00:05:14,500 THE LINE IN 1925. 161 00:05:14,500 --> 00:05:16,200 THE SAME YEAR ITS NAMESAKE 162 00:05:16,200 --> 00:05:17,233 PASSED AWAY. 163 00:05:17,233 --> 00:05:19,033 BUT KOKOMO'S TIES TO THE 164 00:05:19,033 --> 00:05:20,000 AUTOMOBILE DIDN'T END WITH 165 00:05:20,000 --> 00:05:23,600 HAYNES AND THE APPERSON 166 00:05:23,600 --> 00:05:24,466 BROTHERS. 167 00:05:24,466 --> 00:05:25,866 DELCO'S RADIO DIVISION SET UP 168 00:05:25,866 --> 00:05:27,866 SHOP IN THE LATE 1930s AND TWO 169 00:05:27,866 --> 00:05:30,000 YEARS LATER CHRYSLER OPENED ITS 170 00:05:30,000 --> 00:05:31,700 FIRST TRANSMISSION PLANT. 171 00:05:31,700 --> 00:05:33,500 TODAY MORE THAN 10,000 HOOSIERS 172 00:05:33,500 --> 00:05:35,366 HAVE JOBS IN KOKOMO RELATED IN 173 00:05:35,366 --> 00:05:38,933 SOME WAY TO THE OONL INDUSTRY. 174 00:05:38,933 --> 00:05:39,333 AUTOMOBILE 175 00:05:39,333 --> 00:05:39,700 INDUSTRY. 176 00:05:39,700 --> 00:05:42,766 A TRIP TO THE KOKOMO AUTOMOTIVE 177 00:05:42,766 --> 00:05:45,733 MUSEUM ALLOWS VISITORS TO GET UP 178 00:05:45,733 --> 00:05:47,166 CLOSE AND PERSONAL. 179 00:05:47,166 --> 00:05:49,000 >> I REMEMBER THAT CAR. 180 00:05:49,000 --> 00:05:50,933 MY MOM HAD THIS. 181 00:05:50,933 --> 00:05:52,733 MY DAD HAD HAD THIS. 182 00:05:52,733 --> 00:05:53,833 THAT WAS MY FIRST CAR. 183 00:05:53,833 --> 00:05:55,466 I TOOK MY PROM DATE TO THE PROM 184 00:05:55,466 --> 00:05:56,666 IN THAT CAR. 185 00:05:56,666 --> 00:05:59,700 WHATEVER. 186 00:05:57,033 --> 00:06:07,033 IT'S THAT CONNECTION. 187 00:06:07,033 --> 00:06:10,133 AND WE OWE A LOT TO PIONEER AUTO 188 00:06:10,133 --> 00:06:11,666 FOR STARTING IT. 189 00:06:11,666 --> 00:06:13,500 THEY DONATED HUNDREDS MUCH 190 00:06:13,500 --> 00:06:14,766 THOUSANDS OF DOLLARS TO BUILD 191 00:06:14,766 --> 00:06:15,400 THIS THING. 192 00:06:15,400 --> 00:06:16,633 THEN THEY BROUGHT THEIR CARS IN 193 00:06:16,633 --> 00:06:20,966 AS A WAY TO FULFILL IT. 194 00:06:20,966 --> 00:06:22,333 >> THERE ARE NOT SURPRISINGLY A 195 00:06:22,333 --> 00:06:23,833 NUMBER OF HAYNES CARS. 196 00:06:23,833 --> 00:06:25,533 IT'S THE LARGEST COLLECTION IN 197 00:06:25,533 --> 00:06:27,900 THE WORLD AND INCLUDES A REPLICA 198 00:06:27,900 --> 00:06:30,000 OF THE HAYNES PIONEER, THE 199 00:06:30,000 --> 00:06:31,333 ORIGINAL SITS IN THE 200 00:06:31,333 --> 00:06:31,766 SMITHSONIAN. 201 00:06:31,766 --> 00:06:36,966 >> WE HAVE A JACKRABBIT THAT I 202 00:06:36,966 --> 00:06:38,633 CALL A 1910 CORVETTE. 203 00:06:38,633 --> 00:06:41,733 WE HAVE A 1923 HAYNES MODEL 75 204 00:06:41,733 --> 00:06:42,466 TOURING CAR. 205 00:06:42,466 --> 00:06:44,433 IT WAS OWNED BY ONE OF THE 206 00:06:44,433 --> 00:06:45,600 FOUNDERS OF THE MUSEUM. 207 00:06:45,600 --> 00:06:48,133 IT'S A TYPICAL 1920s TOURING 208 00:06:48,133 --> 00:06:50,666 CAR, LARGE, MAROON AND BLACK. 209 00:06:50,666 --> 00:06:53,400 IT HAS A PRESENCE. 210 00:06:53,400 --> 00:07:01,400 >> THERE ARE COLES, DUSENBERGS. 211 00:07:01,400 --> 00:07:04,200 IF YOU ARE A CAR HISTORIAN THERE 212 00:07:04,200 --> 00:07:05,366 IS SOMETHING HERE FOR YOU. 213 00:07:05,366 --> 00:07:07,466 THE GOAL OF THE MUSEUM IS TO 214 00:07:07,466 --> 00:07:08,733 CELEBRATE THE CITY OF FIRSTS 215 00:07:08,733 --> 00:07:10,600 FROM ELWOOD HAYNES TO TODAY. 216 00:07:10,600 --> 00:07:11,766 >> WITHOUT KOKOMO WE WOULDN'T 217 00:07:11,766 --> 00:07:12,566 HAVE THIS. 218 00:07:12,566 --> 00:07:13,966 WITHOUT KOKOMO WE WOULDN'T HAVE 219 00:07:13,966 --> 00:07:14,266 THAT. 220 00:07:14,266 --> 00:07:15,833 MY GOODNESS. 221 00:07:15,833 --> 00:07:18,433 SUDDENLY IT BECOMES, MAYBE 222 00:07:18,433 --> 00:07:19,600 THERE'S SOMETHING TO THAT PLACE. 223 00:07:19,600 --> 00:07:20,766 MAYBE THERE IS SOMETHING TO THAT 224 00:07:20,766 --> 00:07:21,400 PLACE. 225 00:07:21,400 --> 00:07:23,300 MAYBE IT'S JUST MORE THAN AN OLD 226 00:07:23,300 --> 00:07:24,033 INDUSTRY TOWN. 227 00:07:24,033 --> 00:07:26,333 WHATEVER CITY YOU LIVE IN OR 228 00:07:26,333 --> 00:07:27,766 WHATEVER CITY YOU'RE PASSING 229 00:07:27,766 --> 00:07:29,100 THROUGH, YOU GET TO KNOW THAT 230 00:07:29,100 --> 00:07:30,166 HISTORY AND YOU APPRECIATE WHAT 231 00:07:30,166 --> 00:07:35,100 IT WAS AND HOW IT AFFECTS YOU 232 00:07:33,033 --> 00:07:36,066 AND THINGS TODAY. 233 00:07:36,066 --> 00:07:37,066 >> DON'T MISS YOUR OPPORTUNITY 234 00:07:37,066 --> 00:07:40,133 TO SEE THESE BEAUTIFUL CARS UP 235 00:07:40,133 --> 00:07:40,433 CLOSE. 236 00:07:40,433 --> 00:07:41,366 GET HOURS AND DIRECT SHUNDZ TO 237 00:07:41,366 --> 00:07:47,266 THE KOKOMO AUTOMOTIVE MUSEUM AT 238 00:07:47,266 --> 00:07:47,933 KOKOMOAUTOMOTIVEMUSEUM.COM. 239 00:07:47,933 --> 00:07:49,200 >>> ELWOOD HAYNES WASN'T THE 240 00:07:49,200 --> 00:07:50,866 ONLY INDUSTRYIST TO PUT DOWN 241 00:07:50,866 --> 00:07:52,066 ROOTS IN KOKOMO. 242 00:07:52,066 --> 00:07:54,266 IN 1889 ANOTHER AMBITIOUS 243 00:07:54,266 --> 00:07:56,433 ENTREPRENEUR BUILT THIS MANSION 244 00:07:56,433 --> 00:08:00,233 AND NOW IT'S AN ICON HERE IN 245 00:08:00,233 --> 00:08:00,566 KOKOMO. 246 00:08:00,566 --> 00:08:02,366 IF YOU LOVE OLD HOUSES LIKE I 247 00:08:02,366 --> 00:08:05,700 DO, YOU'RE IN LUCK. 248 00:08:03,600 --> 00:08:09,633 LET'S HEAD INSIDE. 249 00:08:09,633 --> 00:08:11,700 WE'RE HERE WITH DAVE, EXECUTIVE 250 00:08:11,700 --> 00:08:13,633 DIRECTOR OF THE HOWARD COUNTY 251 00:08:13,633 --> 00:08:15,533 HISTORICAL SOCIETY, WHICH 252 00:08:15,533 --> 00:08:16,800 OVERSEAS THE MANSION. 253 00:08:16,800 --> 00:08:18,200 DAVE, THANK YOU SO MUCH FOR 254 00:08:18,200 --> 00:08:18,966 HAVING US HERE. 255 00:08:18,966 --> 00:08:20,200 >> WELCOME. 256 00:08:20,200 --> 00:08:21,366 WHAT A BEAUTIFUL HOUSE. 257 00:08:21,366 --> 00:08:22,366 >> ABSOLUTELY. 258 00:08:22,366 --> 00:08:24,233 I WANT FOR YOU TO GIVE US AN 259 00:08:24,233 --> 00:08:25,466 IDEA OF THE HISTORICAL 260 00:08:25,466 --> 00:08:26,766 SIGNIFICANCE OF THIS MANSION. 261 00:08:26,766 --> 00:08:28,166 WHY SIT HERE IN THE FIRST PLACE? 262 00:08:28,166 --> 00:08:30,566 >> IT REALLY GOES BACK TO THE 263 00:08:30,566 --> 00:08:32,800 INDIANA GAS BOOM OF THE 264 00:08:32,800 --> 00:08:34,766 MID-1800s WHEN THEY DISCOVERED 265 00:08:34,766 --> 00:08:37,133 NATURAL GAS, AND AT THAT TIME 266 00:08:37,133 --> 00:08:39,833 THIS WAS AN AGRICULTURAL 267 00:08:39,833 --> 00:08:41,466 COMMUNITY, AND THEY BROUGHT IN 268 00:08:41,466 --> 00:08:42,833 INDUSTRY BECAUSE OF THE NATURAL 269 00:08:42,833 --> 00:08:43,100 GAS. 270 00:08:43,100 --> 00:08:45,300 THEY WERE GETTING AWAY -- GIVING 271 00:08:45,300 --> 00:08:47,400 AWAY FREE GAS TO PEOPLE WHO 272 00:08:47,400 --> 00:08:48,533 WOULD BUILD FACTORIES. 273 00:08:48,533 --> 00:08:49,633 ONE OF THE VERY FIRST TO USE 274 00:08:49,633 --> 00:08:52,300 THAT ON A LARGE SCALE INDUSTRIAL 275 00:08:52,300 --> 00:08:53,300 MANUFACTURING BASIS THROUGHOUT 276 00:08:53,300 --> 00:09:01,800 INDIANA WAS A GUY NAMED MONROE 277 00:09:01,800 --> 00:09:02,233 SEIBERLINNG. 278 00:09:02,233 --> 00:09:04,033 HE HAD PLENTY OF MONEY SO HE 279 00:09:04,033 --> 00:09:05,466 BUILT THIS GORGEOUS HOUSES. 280 00:09:05,466 --> 00:09:06,933 >> THE HISTORICAL SOCIETY ALONG 281 00:09:06,933 --> 00:09:08,800 WITH THE COUNTY HAS BEEN 282 00:09:08,800 --> 00:09:09,900 RESTORING THIS MANSION SINCE 283 00:09:09,900 --> 00:09:11,000 ABOUT THE 1970s. 284 00:09:11,000 --> 00:09:13,933 GIVE US AN IDEA WHAT THE 285 00:09:13,933 --> 00:09:14,800 RESTORATION AND PRESERVATION OF 286 00:09:14,800 --> 00:09:18,566 THIS BEAUTIFUL HOUSE HAS BEEN 287 00:09:18,566 --> 00:09:19,300 LIKE. 288 00:09:19,300 --> 00:09:20,700 >> WE'VE HAD TO DO IT IN EAR IS 289 00:09:20,700 --> 00:09:22,233 A EASE OF STAGES THAT BEGAN 290 00:09:22,233 --> 00:09:25,333 AROUND 1971, '72 WITH SIMPLY 291 00:09:25,333 --> 00:09:26,033 STABILIZING THE STRUCTURE 292 00:09:26,033 --> 00:09:28,166 BECAUSE IT HAD BEEN SITTING 293 00:09:28,166 --> 00:09:30,766 EMPTY FOR A FEW YEARS, AND IT 294 00:09:30,766 --> 00:09:31,533 UNFORTUNATELY DETERIORATED QUITE 295 00:09:31,533 --> 00:09:32,500 A BIT. 296 00:09:32,500 --> 00:09:33,966 SO WE JUST HAD TO MAKE SURE THE 297 00:09:33,966 --> 00:09:36,333 ROOF WAS INTACT AND CLEAN UP 298 00:09:36,333 --> 00:09:37,633 SOME OF THE RESIDUE FROM THE 299 00:09:37,633 --> 00:09:39,433 BIRDS AND THE BROKEN WINDOWS AND 300 00:09:39,433 --> 00:09:40,266 THINGS LIKE THAT. 301 00:09:40,266 --> 00:09:41,966 THEN WE COULD BEGIN TO MOVE THE 302 00:09:41,966 --> 00:09:42,766 MUSEUM IN. 303 00:09:42,766 --> 00:09:44,000 THEN OVER THE COURSE OF THE NEXT 304 00:09:44,000 --> 00:09:46,200 FEW YEARS, WE HAD A MAJOR 305 00:09:46,200 --> 00:09:47,366 RENOVATION IN '88. 306 00:09:47,366 --> 00:09:50,766 WE HAD ONE ABOUT 2002. 307 00:09:50,766 --> 00:09:52,333 AND THEN THE MOST RECENTLY WE 308 00:09:52,333 --> 00:09:53,933 JUST DID SOME ROOF WORK. 309 00:09:53,933 --> 00:09:56,033 >> ONE REALLY NEAT POINT IN THE 310 00:09:56,033 --> 00:09:57,100 MANSION'S PAST IS THAT IT 311 00:09:57,100 --> 00:09:59,166 ACTUALLY USED TO HOUSE INDIANA 312 00:09:59,166 --> 00:09:59,833 UNIVERSITY KOKOMO. 313 00:09:59,833 --> 00:10:00,900 CAN YOU TELL US A LITTLE BIT 314 00:10:00,900 --> 00:10:01,433 ABOUT THAT? 315 00:10:01,433 --> 00:10:02,233 >> YOU BET. 316 00:10:02,233 --> 00:10:04,733 THE HOUSE WAS A RESIDENCE FOR 317 00:10:04,733 --> 00:10:06,200 THE FAMILY FOR A FEW YEARS 318 00:10:06,200 --> 00:10:07,566 BEFORE THEY MOVED ON. 319 00:10:07,566 --> 00:10:11,200 THEY BUILT THIS GORGEOUS HOUSE 320 00:10:11,200 --> 00:10:14,833 AND FINISHED IN 1891 AND IN '95 321 00:10:14,833 --> 00:10:15,400 THEY LEFT. 322 00:10:15,400 --> 00:10:17,533 THE GI BILL WAS EXPANDING 323 00:10:17,533 --> 00:10:19,166 COLLEGE ENROLLMENT ACROSS THE 324 00:10:19,166 --> 00:10:20,800 COUNTRY AND INDIANA UNIVERSITY 325 00:10:20,800 --> 00:10:22,633 WAS GROWING BY LEAPS AND BOUNDS 326 00:10:22,633 --> 00:10:24,100 AND ESTABLISHING BRANCH 327 00:10:24,100 --> 00:10:24,966 CAMPUSES. 328 00:10:24,966 --> 00:10:26,600 KOKOMO'S ENROLLMENT EXPLODED, 329 00:10:26,600 --> 00:10:28,266 THEY NEEDED MORE ROOM AND THE 330 00:10:28,266 --> 00:10:29,333 HOUSE WAS AVAILABLE. 331 00:10:29,333 --> 00:10:30,433 SO THEY BOUGHT IT FROM THE 332 00:10:30,433 --> 00:10:31,633 ESTATE OF THE PREVIOUS OWNER AND 333 00:10:31,633 --> 00:10:32,833 THEY TURNED THIS INTO A 334 00:10:32,833 --> 00:10:33,233 UNIVERSITY. 335 00:10:33,233 --> 00:10:35,300 >> WOW, WHAT AN OPPORTUNITY FOR 336 00:10:35,300 --> 00:10:35,666 STUDENTS. 337 00:10:35,666 --> 00:10:37,200 I CAN'T IMAGINE HAVING CLASS IN 338 00:10:37,200 --> 00:10:38,900 SOME OF THESE GORGEOUS ROOMS. 339 00:10:38,900 --> 00:10:39,900 >> YEAH. 340 00:10:39,900 --> 00:10:41,766 AND THEY HAD CLASSES, THEY HAD 341 00:10:41,766 --> 00:10:43,266 DANCES, THEY HAD SOCK HOPS. 342 00:10:43,266 --> 00:10:44,900 THE STUDENT UNION WAS IN THE 343 00:10:44,900 --> 00:10:45,866 BASEMENT OF ALL PLACES. 344 00:10:45,866 --> 00:10:46,833 IT WAS KIND OF NEAT. 345 00:10:46,833 --> 00:10:49,166 >> AFTER BUILDING THIS BEAUTIFUL 346 00:10:49,166 --> 00:10:50,333 HOUSE, THEY DID NOT STAY HERE 347 00:10:50,333 --> 00:10:50,866 VERY LONG. 348 00:10:50,866 --> 00:10:53,533 WHY NOT? 349 00:10:53,533 --> 00:10:55,233 >> HE WAS AN INDUSTRIAL 350 00:10:55,233 --> 00:10:55,666 ENTREPRENEUR. 351 00:10:55,666 --> 00:10:58,466 HE WAS A GUY WHO BUILT THINGS. 352 00:10:58,466 --> 00:11:01,133 HE CAME FROM THAT BACKGROUND IN 353 00:11:01,133 --> 00:11:02,666 OHIO IN THE AKRON AREA. 354 00:11:02,666 --> 00:11:03,966 HE CAME OVER HERE SPECIFICALLY 355 00:11:03,966 --> 00:11:05,066 TO TAKE ADVANTAGE OF THE GAS 356 00:11:05,066 --> 00:11:07,333 BOOM AND BUILD THE FACTORIES. 357 00:11:07,333 --> 00:11:08,833 SO HIS GLASS COMPANY IN KOKOMO 358 00:11:08,833 --> 00:11:11,100 WAS TAKEN OVER BY A BIG 359 00:11:11,100 --> 00:11:12,266 SYNDICATE FROM OUT EAST AND HE 360 00:11:12,266 --> 00:11:14,366 MOVED ON TO ILLINOIS TO BUILD 361 00:11:14,366 --> 00:11:16,866 SEVERAL MORE FACTORIES IN THE 362 00:11:16,866 --> 00:11:18,066 PEORIA AND OTTAWA. 363 00:11:18,066 --> 00:11:20,266 >> THE MANSION IS KIND OF A MIX 364 00:11:20,266 --> 00:11:22,300 OF EXHIBITS AND SORT OF 365 00:11:22,300 --> 00:11:23,033 PRESERVATION, AND IT'S OPEN TO 366 00:11:23,033 --> 00:11:24,700 THE PUBLIC, OF COURSE. 367 00:11:24,700 --> 00:11:25,900 WHEN PEOPLE COME HERE, WHAT 368 00:11:25,900 --> 00:11:27,066 SHOULD THEY NOT MISS? 369 00:11:27,066 --> 00:11:30,000 >> THE WOODWORK IS STUNNING, AND 370 00:11:30,000 --> 00:11:32,433 I LOVE WATCHING PEOPLE'S MOUTHS 371 00:11:32,433 --> 00:11:34,033 DROP WHEN THEY WALK IN FRONT 372 00:11:34,033 --> 00:11:34,333 DOOR. 373 00:11:34,333 --> 00:11:36,366 THE WOODWORK, THE STAINED GLASS 374 00:11:36,366 --> 00:11:38,300 WINDOWS ARE ABSOLUTELY GORGEOUS. 375 00:11:38,300 --> 00:11:40,433 THE NATURAL GAS BROUGHT A LOT OF 376 00:11:40,433 --> 00:11:43,666 GLASS MANUFACTURING TO CENTRAL 377 00:11:43,666 --> 00:11:45,300 INDIANA, NOT JUST HERE, BUT IN 378 00:11:45,300 --> 00:11:47,366 MADISON COUNTY, ELWOOD, 379 00:11:47,366 --> 00:11:51,966 ANDERSON, CLEAR UP TO HARTFORD 380 00:11:51,966 --> 00:11:52,266 CITY. 381 00:11:52,266 --> 00:11:54,533 ONE THAT CAME IN WAS KOKOMO 382 00:11:54,533 --> 00:11:56,000 GLASS AND THEY MANUFACTURE ART 383 00:11:56,000 --> 00:11:57,566 GLASS, WHICH IS COLORED GLASS 384 00:11:57,566 --> 00:11:58,766 FOR STAINED GLASS WINDOWS. 385 00:11:58,766 --> 00:12:00,000 IN FACT, THEY MANUFACTURED QUITE 386 00:12:00,000 --> 00:12:03,000 A BIT OF GLASS FOR TIFFANY AND 387 00:12:03,000 --> 00:12:03,333 COMPANY. 388 00:12:03,333 --> 00:12:06,433 SO THEY WERE HERE WHEN HE CAME 389 00:12:06,433 --> 00:12:09,466 MAKING GLASS, AND THEY MADE THE 390 00:12:09,466 --> 00:12:10,900 GLASS AND THE WINDOWS FOR THIS 391 00:12:10,900 --> 00:12:11,633 BEAUTIFUL MANSION. 392 00:12:11,633 --> 00:12:14,600 WE HAVE A FEW WINDOWS THAT ARE 393 00:12:14,600 --> 00:12:15,300 REPRODUCTIONS BUT WE HAVE A 394 00:12:15,300 --> 00:12:17,200 NUMBER OF ORIGINAL STAINED GLASS 395 00:12:17,200 --> 00:12:19,066 WINDOWS WITH THAT ORIGINAL UP A 396 00:12:19,066 --> 00:12:20,900 LESSANT GLASS IN IT. 397 00:12:20,900 --> 00:12:23,133 >> WHAT IS EXACTLY IN THE 398 00:12:23,133 --> 00:12:23,966 ARCHITECTURAL STYLE OF THIS 399 00:12:23,966 --> 00:12:24,266 HOME? 400 00:12:24,266 --> 00:12:31,000 >> THE OFFICIAL NAME IS 401 00:12:31,000 --> 00:12:32,266 NEOJOCOBIAN REVIVAL. 402 00:12:32,266 --> 00:12:37,200 IT'S PRIMARILY ROMANESQUE, WHICH 403 00:12:37,200 --> 00:12:38,466 IS CHARACTERIZED BY THE HEAVY 404 00:12:38,466 --> 00:12:40,233 STONE BLOCKS THAT ARE AROUND THE 405 00:12:40,233 --> 00:12:40,533 HOUSE. 406 00:12:40,533 --> 00:12:44,033 IT GIVES IT A REALLY SOLID-BUILT 407 00:12:44,033 --> 00:12:45,333 FEATURE, FEELING WHEN YOU LOOK 408 00:12:45,333 --> 00:12:46,066 AT THE HOUSE. 409 00:12:46,066 --> 00:12:49,833 IT'S A BIG STONE BRICK 410 00:12:49,833 --> 00:12:50,433 ROMANESQUE. 411 00:12:50,433 --> 00:12:52,333 >> IN ADDITION TO BEING A LOVELY 412 00:12:52,333 --> 00:12:53,600 HOME, THIS IS ALSO A COUNTY 413 00:12:53,600 --> 00:12:54,366 MUSEUM WITH EXHIBITS. 414 00:12:54,366 --> 00:12:55,366 TELL US ABOUT SOME OF THE 415 00:12:55,366 --> 00:12:56,366 EXHIBITS YOU'LL FIND HERE. 416 00:12:56,366 --> 00:12:58,566 >> WELL, WE TRY TO GO THROUGH 417 00:12:58,566 --> 00:13:02,000 AND EXPLAIN THE FOUNDING OF THE 418 00:13:02,000 --> 00:13:03,400 COUNTY AND REALLY FOCUS ON THE 419 00:13:03,400 --> 00:13:06,700 GAS BOOM HISTORY BECAUSE THAT'S 420 00:13:06,700 --> 00:13:08,033 WHAT MADE KOKOMO WHAT IT IS 421 00:13:08,033 --> 00:13:08,366 TODAY. 422 00:13:08,366 --> 00:13:09,900 SO WE HAVE -- INSIDE THE HOUSE 423 00:13:09,900 --> 00:13:11,533 WE HAVE A MIX OF EXHIBITS AND 424 00:13:11,533 --> 00:13:12,633 PERIOD ROOMS TO LET PEOPLE GET 425 00:13:12,633 --> 00:13:14,066 AN IDEA OF WHAT IT WAS LIKE TO 426 00:13:14,066 --> 00:13:17,000 LIVE HERE AND THEN TO ALSO 427 00:13:17,000 --> 00:13:17,900 UNDERSTAND HOW THE COMMUNITY 428 00:13:17,900 --> 00:13:19,400 CAME TO BE, HOW THE COUNTY CAME 429 00:13:19,400 --> 00:13:20,966 TO BE WHAT IT IS TODAY. 430 00:13:20,966 --> 00:13:22,400 >> AS YOU MENTIONED BEFORE, AT 431 00:13:22,400 --> 00:13:24,733 ONE POINT THE HOUSE WAS IN SUCH 432 00:13:24,733 --> 00:13:26,100 DISREPAIR THAT SOME MIGHT HAVE 433 00:13:26,100 --> 00:13:27,900 WONDERED WHY NOT JUST TEAR IT 434 00:13:27,900 --> 00:13:28,833 DOWN. 435 00:13:28,833 --> 00:13:29,833 WHY SAVE IT. 436 00:13:29,833 --> 00:13:31,500 WHY IS THIS HOUSE IMPORTANT TO 437 00:13:31,500 --> 00:13:33,700 KOKOMO AND MAYBE IMPORTANT TO 438 00:13:33,700 --> 00:13:34,033 INDIANA? 439 00:13:34,033 --> 00:13:35,600 >> OBVIOUSLY IT'S AN 440 00:13:35,600 --> 00:13:36,533 ARCHITECTURAL BEAUTY. 441 00:13:36,533 --> 00:13:38,400 IT'S ONE OF THOSE ICONIC 442 00:13:38,400 --> 00:13:41,066 BUILDINGS THAT HAS COME TO STAND 443 00:13:41,066 --> 00:13:44,133 FOR NOT ONLY THE COMMUNITY BUT 444 00:13:44,133 --> 00:13:45,233 THIS WHOLE COUNTY. 445 00:13:45,233 --> 00:13:47,333 BUT BEYOND THAT IT HAS 446 00:13:47,333 --> 00:13:49,233 TREMENDOUS SYMBOLIC VALUE 447 00:13:49,233 --> 00:13:51,533 BECAUSE IT REPRESENTS THE HUGE 448 00:13:51,533 --> 00:13:53,700 CHANGE THAT MADE KOKOMO THE 449 00:13:53,700 --> 00:13:55,400 INDUSTRIAL TOWN THAT IT IS. 450 00:13:55,400 --> 00:13:58,900 THIS BUILDING IS AT THE CORE OF 451 00:13:58,900 --> 00:14:00,700 WHY THIS TOWN IS WHAT IT IS. 452 00:14:00,700 --> 00:14:02,100 >> WE'RE CERTAINLY FORTUNATE TO 453 00:14:02,100 --> 00:14:05,766 HAVE THIS WONDERFUL HOME HERE AS 454 00:14:05,766 --> 00:14:07,433 A PEEK INTO INDIANA'S PAST. 455 00:14:07,433 --> 00:14:09,300 THANK YOU, DAY, FOR GIVING US A 456 00:14:09,300 --> 00:14:10,766 TOUR OF THE HOME AND ITS 457 00:14:10,766 --> 00:14:11,100 HISTORY. 458 00:14:11,100 --> 00:14:12,500 IF YOU WOULD LIKE MORE 459 00:14:12,500 --> 00:14:13,800 INFORMATION ON THE MANSION OR 460 00:14:13,800 --> 00:14:16,733 THE HOWARD COUNTY MUSEUM, VISIT 461 00:14:16,733 --> 00:14:20,200 THEIR WEBSITE 462 00:14:20,200 --> 00:14:20,800 HOWARDCOUNTYMUSEUM.ORG. 463 00:14:20,800 --> 00:14:23,833 AS DAVE MENTIONED THE MANSION IS 464 00:14:23,833 --> 00:14:25,500 FULL OF GLASS FROM THE KOKOMO 465 00:14:25,500 --> 00:14:28,133 OPEN LESSANT GLASS FACTORY, A 466 00:14:28,133 --> 00:14:29,633 BUSINESS OVER 100 YEARS OLD AND 467 00:14:29,633 --> 00:14:31,066 WE'RE GOING TO TAKE YOU THERE 468 00:14:31,066 --> 00:14:32,866 NOW TO LEARN MORE ABOUT THE 469 00:14:32,866 --> 00:14:36,066 FASCINATING HISTORY. 470 00:14:36,066 --> 00:14:38,200 >> WHEN KOKOMO SPECULATORS 471 00:14:38,200 --> 00:14:40,766 DISCOVERED NATURAL GAS IN 1886, 472 00:14:40,766 --> 00:14:42,233 NEWS TRAVELED QUICKLY FROM 473 00:14:42,233 --> 00:14:44,766 KOKOMO ALL THE WAY TO NEW 474 00:14:44,766 --> 00:14:45,833 ROCHELLE, NEW YORK, WHERE 475 00:14:45,833 --> 00:14:48,900 CHARLES EDWARD HENRY, A 476 00:14:48,900 --> 00:14:50,833 SUCCESSFUL GLASS CHEMIST, SAW AN 477 00:14:50,833 --> 00:14:52,133 OPPORTUNITY, ONE THAT WOULD 478 00:14:52,133 --> 00:14:54,300 BEGIN A 130-YEAR LEGACY KNOWN 479 00:14:54,300 --> 00:14:57,066 TODAY AS THE KOKOMO OPAL HE 480 00:14:57,066 --> 00:14:58,600 ISANT GLASS FACTORY. 481 00:14:58,600 --> 00:15:02,533 >> HE HR HAD CONNECTIONS IN THE 482 00:15:02,533 --> 00:15:04,400 INDUSTRY, INCLUDING LEWIS 483 00:15:04,400 --> 00:15:04,866 TIFFANY. 484 00:15:04,866 --> 00:15:06,866 TIFFANY WAS LOOKING FOR UNIQUE 485 00:15:06,866 --> 00:15:08,733 GLASSES, THINGS WITH TEXTURE, 486 00:15:08,733 --> 00:15:10,700 LITTLE FLAWS IN THEM THAT ADDED 487 00:15:10,700 --> 00:15:12,033 CHARACTER AND GAVE THE GLASS A 488 00:15:12,033 --> 00:15:14,366 CERTAIN LOOK. 489 00:15:14,366 --> 00:15:16,000 HENRY WAS WILLING TO PROVIDE 490 00:15:16,000 --> 00:15:16,300 THAT. 491 00:15:16,300 --> 00:15:17,500 WHEN HE HEARD ABOUT THE INDIANA 492 00:15:17,500 --> 00:15:19,566 GAS BOOM HE DECIDED TO COME OVER 493 00:15:19,566 --> 00:15:21,366 TO INDIANA BECAUSE WHAT BETTER 494 00:15:21,366 --> 00:15:23,400 PLACE TO HAVE A GLASS FACTORY IF 495 00:15:23,400 --> 00:15:25,833 YOU CAN HAVE FREE NATURAL GAS. 496 00:15:25,833 --> 00:15:27,566 AND THE CITY OF KOKOMO ACTUALLY 497 00:15:27,566 --> 00:15:30,000 GAVE HIM THIS PROPERTY. 498 00:15:30,000 --> 00:15:33,666 SO THEN HE ERECTED THE ORIGINAL 499 00:15:33,666 --> 00:15:35,733 FURNACE ROOM AND STARTED 500 00:15:35,733 --> 00:15:37,066 MANUFACTURING GLASS. 501 00:15:37,066 --> 00:15:41,000 >> ON NOVEMBER 16th, 1888, 502 00:15:41,000 --> 00:15:43,800 HENRY SHIPPED HIS FIRST HAUL OF 503 00:15:43,800 --> 00:15:47,266 GLASS, OVER 600 POUNDS OF 504 00:15:47,266 --> 00:15:48,433 BRILLIANT BLUE AND WHITE SHEETS 505 00:15:48,433 --> 00:15:50,033 TO TIFFANY. 506 00:15:50,033 --> 00:15:51,433 SHORTLY THEREAFTER HEN TREE 507 00:15:51,433 --> 00:15:53,600 SHIPPED GLASS TO DISPLAY AT THE 508 00:15:53,600 --> 00:15:55,266 PARIS EXHIBITION, THE WORLD'S 509 00:15:55,266 --> 00:15:58,533 FAIR WHERE HE WON A GOLD MEDAL. 510 00:15:58,533 --> 00:16:00,166 NEW ORDERS POURED IN FROM ACROSS 511 00:16:00,166 --> 00:16:00,733 EUROPE. 512 00:16:00,733 --> 00:16:02,466 >> WE'RE FAMOUS FOR OUR COLORS, 513 00:16:02,466 --> 00:16:04,300 THE VIBE RUNS OF THE COLORS, THE 514 00:16:04,300 --> 00:16:05,333 RICHNESS, INTENSITY OF THE 515 00:16:05,333 --> 00:16:05,666 COLORS. 516 00:16:05,666 --> 00:16:09,700 I THINK MAYBE PRIOR TO HENRY THE 517 00:16:09,700 --> 00:16:12,233 LOOK FOR STAINED GLASS, PEOPLE 518 00:16:12,233 --> 00:16:14,766 WANTED TO SEE IT CLEAR AND FLAT 519 00:16:14,766 --> 00:16:15,300 AND FLAWLESS. 520 00:16:15,300 --> 00:16:18,233 YOU KNOW, PRODUCING A TEXTURED 521 00:16:18,233 --> 00:16:20,100 STAINED GLASS WAS SOMETHING THAT 522 00:16:20,100 --> 00:16:23,333 WAS NEW AND DIFFERENT. 523 00:16:23,333 --> 00:16:24,900 >> SPEA SITE THE SURGE OF 524 00:16:24,900 --> 00:16:26,533 SUCCESS, HAD HE BEEN RE'S POOR 525 00:16:26,533 --> 00:16:27,533 FINANCIAL MANAGEMENT LED TO 526 00:16:27,533 --> 00:16:28,733 BANKRUPTCY WITHIN THE YEAR. 527 00:16:28,733 --> 00:16:30,633 BUT THE KOKOMO COMMUNITY BANNED 528 00:16:30,633 --> 00:16:32,600 TOGETHER TO SAVE THE FACTORY. 529 00:16:32,600 --> 00:16:35,166 THREE LOCAL BUSINESSMEN 530 00:16:35,166 --> 00:16:36,366 PURCHASED THE GLASSWORKS AND 531 00:16:36,366 --> 00:16:38,766 OVER THE NEXT CENTURY THE 532 00:16:38,766 --> 00:16:40,966 FAMILIES BUILT A GLASS EMPIRE. 533 00:16:40,966 --> 00:16:42,166 KOKOMO'S GLASS CAN BE SEEN 534 00:16:42,166 --> 00:16:43,633 ACROSS THE WORLD FROM 535 00:16:43,633 --> 00:16:45,300 ARCHITECTURAL WONDERS LIKE THE 536 00:16:45,300 --> 00:16:47,033 CHICAGO CULTURAL CENTER AND 537 00:16:47,033 --> 00:16:48,400 FRANK LLOYD WRIGHT'S DANA HOUSE 538 00:16:48,400 --> 00:16:50,066 TO STUNNING PLACES OF WORSHIP 539 00:16:50,066 --> 00:16:52,300 LIKE THE AIR FORCE ACADEMY'S 540 00:16:52,300 --> 00:16:54,066 CADET CHAPEL, AND EVEN THE 541 00:16:54,066 --> 00:16:54,400 VATICAN. 542 00:16:54,400 --> 00:16:56,466 IN FACT, THERE ARE ESTIMATES 543 00:16:56,466 --> 00:16:59,366 THAT 75% OF THE WORLD'S CHURCHES 544 00:16:59,366 --> 00:17:02,700 CONTAIN KOKOMO'S GLASS. 545 00:17:02,700 --> 00:17:04,666 TODAY IT IS THE OLD US STAINED 546 00:17:04,666 --> 00:17:06,466 GLASS MANUFACTURER IN THE 547 00:17:06,466 --> 00:17:06,900 COUNTRY. 548 00:17:06,900 --> 00:17:08,800 >> SO WE MAKE OUR PRODUCT JUST 549 00:17:08,800 --> 00:17:11,833 LIKE WE DID BACK IN 1888. 550 00:17:11,833 --> 00:17:13,633 THE PROCESS HAS NOT CHANGED. 551 00:17:13,633 --> 00:17:15,966 WE'RE USING THE SAME RECIPES WE 552 00:17:15,966 --> 00:17:16,933 DID IN HIS DAY. 553 00:17:16,933 --> 00:17:18,466 WE MELT THE GLASS THE SAME WAY 554 00:17:18,466 --> 00:17:20,933 WE DID, WE HAND A LITTLE IT, 555 00:17:20,933 --> 00:17:23,666 HAND MIX IT AND ROLL IT AND IT'S 556 00:17:23,666 --> 00:17:25,566 ALL ESSENTIALLY EXACTLY THE 557 00:17:25,566 --> 00:17:25,866 SAME. 558 00:17:25,866 --> 00:17:27,133 THE THING THAT'S UNIQUE ABOUT 559 00:17:27,133 --> 00:17:29,066 THAT IS NO TWO SHEETS OF GLASS 560 00:17:29,066 --> 00:17:30,666 ARE GOING TO BE IDENTICAL. 561 00:17:30,666 --> 00:17:32,300 EACH ONE IS GOING TO BE A UNIQUE 562 00:17:32,300 --> 00:17:33,200 PIECE OF ART. 563 00:17:33,200 --> 00:17:34,866 >> AND BECAUSE OF THIS APPROACH, 564 00:17:34,866 --> 00:17:37,600 THE KOKOMO GLASS FACTORY WAS 565 00:17:37,600 --> 00:17:40,466 ABLE TO OFFER 22,000 DIFFERENT 566 00:17:40,466 --> 00:17:42,800 COMBINATIONS OF COLOR AND 567 00:17:42,800 --> 00:17:43,133 TEXTURE. 568 00:17:43,133 --> 00:17:48,233 THE FURNACE'S 12 CRUCIBLES CAN 569 00:17:48,233 --> 00:17:51,966 EACH HOLD A MOLTEN GLASS, UP TO 570 00:17:51,966 --> 00:17:53,033 600 POUNDS AT A TIME. 571 00:17:53,033 --> 00:17:54,833 IT TAKES HALF A DAY TO MELT BUT 572 00:17:54,833 --> 00:17:56,833 WHEN THE GLASS IS READY TO BE 573 00:17:56,833 --> 00:18:00,100 POURED, THE CREW LEAPS INTO 574 00:18:00,100 --> 00:18:03,100 ACTION. 575 00:18:03,100 --> 00:18:05,166 >> THAT IS AN ART FORM MORE THAN 576 00:18:05,166 --> 00:18:06,166 A SCIENCE. 577 00:18:06,166 --> 00:18:08,033 IT TAKES A LOT OF YEARS AND A 578 00:18:08,033 --> 00:18:11,033 GOOD EYE TO KNOW WHEN YOU'VE GOT 579 00:18:11,033 --> 00:18:12,066 THE APPROPRIATE MIX. 580 00:18:12,066 --> 00:18:15,133 YOU DON'T WANT TO OVERMIX IT 581 00:18:15,133 --> 00:18:16,733 BECAUSE IT WILL BECOME MUDDY AND 582 00:18:16,733 --> 00:18:18,500 YOU DON'T WANT TO UNDERMIX IT 583 00:18:18,500 --> 00:18:20,966 BECAUSE THEN YOU'LL HAVE THE 584 00:18:20,966 --> 00:18:22,933 COLORS SEGREGATED WHERE YOU WANT 585 00:18:22,933 --> 00:18:23,900 THEM COMBINED TOGETHER IN JUST 586 00:18:23,900 --> 00:18:25,533 THE RIGHT AMOUNT. 587 00:18:25,533 --> 00:18:27,633 >> WHEN THE MIX IS READY, 588 00:18:27,633 --> 00:18:29,100 SPECIALIZED ROLLERS FLATTEN IT 589 00:18:29,100 --> 00:18:30,833 INTO A SHEET AND THE SHEET IS 590 00:18:30,833 --> 00:18:32,700 PUSHED INTO AN ANNEALING 591 00:18:32,700 --> 00:18:33,166 FURNACE. 592 00:18:33,166 --> 00:18:35,233 THERE THE GLASS IS GRADUALLY 593 00:18:35,233 --> 00:18:37,500 COOLED TO PREVENT CRACKS. 594 00:18:37,500 --> 00:18:40,666 ONCE THE SHEET REACHES THE TRIM 595 00:18:40,666 --> 00:18:42,266 ROOM IT IS READY TO BE KUPT INTO 596 00:18:42,266 --> 00:18:43,400 THE NECESSARY SIZES. 597 00:18:43,400 --> 00:18:45,600 ALL TOLD, THE FACTORY PRODUCES 598 00:18:45,600 --> 00:18:47,766 BETWEEN 1500 AND 2500 SQUARE 599 00:18:47,766 --> 00:18:50,466 FEET OF UNIQUE GLASS EACH DAY. 600 00:18:50,466 --> 00:18:53,666 >> WE STARTED OUT STRICTLY AS A 601 00:18:53,666 --> 00:18:55,533 MANUFACTURER OF STAINED GLASS 602 00:18:55,533 --> 00:18:57,866 SHEETS AND SLOWLY WENT -- 603 00:18:57,866 --> 00:18:59,200 SELLING THAT TO GLASS ARTISTS 604 00:18:59,200 --> 00:19:00,100 AROUND THE WORLD. 605 00:19:00,100 --> 00:19:02,666 OVER THE YEARS WE'VE EXPANDED. 606 00:19:02,666 --> 00:19:04,600 BACK IN THE '90s WE ADDED THE 607 00:19:04,600 --> 00:19:06,166 HOT GLASS STUDIO WHERE WE HAVE 608 00:19:06,166 --> 00:19:09,066 GLASS BLOWERS ON STAFF, AND THEY 609 00:19:09,066 --> 00:19:11,000 PRODUCE REALLY AN UNLIMITED 610 00:19:11,000 --> 00:19:15,200 NUMBER OF PRODUCTS THERE. 611 00:19:15,200 --> 00:19:16,933 RONDELS ARE A COMMON PRODUCT FOR 612 00:19:16,933 --> 00:19:17,200 US. 613 00:19:17,200 --> 00:19:19,733 WE PROBABLY PRODUCE MORE THAN OF 614 00:19:19,733 --> 00:19:20,400 THOSE THAN ANYTHING. 615 00:19:20,400 --> 00:19:23,266 WE ALSO DO VASES, BOWLS, PAPER 616 00:19:23,266 --> 00:19:23,600 WEIGHTS. 617 00:19:23,600 --> 00:19:24,666 YOU NAME IT. 618 00:19:24,666 --> 00:19:26,400 IF IT'S MADE OUT OF COLORED 619 00:19:26,400 --> 00:19:28,500 GLASS, WE'RE PROBABLY DOING IT 620 00:19:28,500 --> 00:19:33,233 SOMEWHERE IN THIS OF FACTORY. 621 00:19:33,233 --> 00:19:35,133 >> THEY OFFER ART CLASSES AND 622 00:19:35,133 --> 00:19:37,466 OPEN UP THE FACTORY FLOOR EACH 623 00:19:37,466 --> 00:19:38,866 WEEKDAY MORNING WHERE VISITORS 624 00:19:38,866 --> 00:19:40,800 CAN STEP BACK IN TIME AND WATCH 625 00:19:40,800 --> 00:19:42,400 THE CENTURY-OLD PROCESS TAKE 626 00:19:42,400 --> 00:19:43,900 PLACE, ALL IN THE SAME FACILITY 627 00:19:43,900 --> 00:19:47,366 THAT CHARLES HENRY ONCE BUILT. 628 00:19:47,366 --> 00:19:49,833 >> YOU CAN'T HELP BUT FEEL THAT 629 00:19:49,833 --> 00:19:51,700 CONNECTION TO THE PAST, THE 630 00:19:51,700 --> 00:19:53,433 IMPORTANCE OF THIS PLACE TO THE 631 00:19:53,433 --> 00:19:55,100 COMMUNITY AND THE PEOPLE HERE. 632 00:19:55,100 --> 00:19:57,633 YOU KNOW, WE HAVE EMPLOYEES HERE 633 00:19:57,633 --> 00:20:01,733 WHO ARE MULTI-GENERATIONAL IN 634 00:20:01,733 --> 00:20:02,666 THEIR SENIORITY. 635 00:20:02,666 --> 00:20:03,833 WE HAVE PEOPLE WHO WILL COME IN 636 00:20:03,833 --> 00:20:05,733 AND TELL US THEIR GRANDFATHER 637 00:20:05,733 --> 00:20:06,800 WORKED HERE. 638 00:20:06,800 --> 00:20:10,200 IT'S REALLY NEAT WHEN WE HAVE 639 00:20:10,200 --> 00:20:12,033 THOSE PAST STORIES COME ABOUT. 640 00:20:12,033 --> 00:20:14,733 WE'RE PART OF THE INDUSTRIAL 641 00:20:14,733 --> 00:20:17,600 HERITAGE OF NOT JUST KOKOMO BUT 642 00:20:17,600 --> 00:20:19,200 INDIANA AND THE UNITED STATES. 643 00:20:19,200 --> 00:20:20,600 WE'RE ONE OF JUST A SMALL 644 00:20:20,600 --> 00:20:22,833 HANDFUL OF MANUFACTURERS 645 00:20:22,833 --> 00:20:24,733 PRODUCING GLASS THIS WAY. 646 00:20:24,733 --> 00:20:27,200 THE GLASS ART COMMUNITY 647 00:20:27,200 --> 00:20:28,866 WORLDWIDE RELIES ON US TO 648 00:20:28,866 --> 00:20:30,366 CONTINUE IN BUSINESS AND BE ABLE 649 00:20:30,366 --> 00:20:32,066 TO SUPPLY THEIR NEEDS. 650 00:20:32,066 --> 00:20:33,500 SO THERE'S A LOT OF THINGS, A 651 00:20:33,500 --> 00:20:36,100 LOT OF NEW THINGS TO TRY HERE. 652 00:20:36,100 --> 00:20:38,800 WE'RE CONSTANT DLOIFLING AND 653 00:20:38,800 --> 00:20:40,466 IMPROVING -- DEVELOPING AND 654 00:20:40,466 --> 00:20:41,933 IMPROVING WHAT WE DO AND ADDING 655 00:20:41,933 --> 00:20:42,800 NEW PRODUCTS. 656 00:20:42,800 --> 00:20:44,800 IT'S NEVER ENDING, THE POTENTIAL 657 00:20:44,800 --> 00:20:47,300 OF THINGS YOU CAN DO WITH GLASS, 658 00:20:47,300 --> 00:20:52,333 AND IT'S VERY REWARDING THAT 659 00:20:52,066 --> 00:20:52,700 WAY. 660 00:20:52,700 --> 00:20:54,900 >> YOU CAN TAKE A TOUR OF THE 661 00:20:54,900 --> 00:20:57,600 KOKOMO GLASS FACTORY AND SEE UP 662 00:20:57,600 --> 00:20:59,033 CLOSE HOW THEY'VE MADE THEIR 663 00:20:59,033 --> 00:21:00,866 QUALITY GLASS FOR OVER 100 664 00:21:00,866 --> 00:21:01,200 YEARS. 665 00:21:01,200 --> 00:21:04,733 LEARN MORE AT KOG.COM. 666 00:21:04,733 --> 00:21:06,333 >>> WHEN IT COMES TO ARTISTRY 667 00:21:06,333 --> 00:21:08,133 THE GLASS COMPANY HAS BEEN 668 00:21:08,133 --> 00:21:09,833 HAPPENING MAKE A NAME FOR KOKOMO 669 00:21:09,833 --> 00:21:11,333 FOR DECADES. 670 00:21:11,333 --> 00:21:13,266 UP NEXT WE'LL TAKE A LOOK AT THE 671 00:21:13,266 --> 00:21:14,933 KOKOMO ART ASSOCIATION, WHICH IS 672 00:21:14,933 --> 00:21:16,933 ENSURING KOKOMO IS A PLACE FOR 673 00:21:16,933 --> 00:21:18,166 ARTISTS FOR YEARS TO COME WITH 674 00:21:18,166 --> 00:21:24,466 PUBLIC WORKS LIKE THE KOKOMO 675 00:21:24,466 --> 00:21:25,733 MANTIS. 676 00:21:25,733 --> 00:21:28,033 >> COKE MOST ARTIST ASSOCIATION 677 00:21:28,033 --> 00:21:29,966 WAS BOARND IN 1926. 678 00:21:29,966 --> 00:21:33,066 SO WE HAVE BEEN HERE 92 YEARS 679 00:21:33,066 --> 00:21:33,400 NOW. 680 00:21:33,400 --> 00:21:36,000 WE'RE, I THINK, THE OLDEST 681 00:21:36,000 --> 00:21:38,066 OPERATING ART ASSOCIATION IN 682 00:21:38,066 --> 00:21:38,500 KOKOMO. 683 00:21:38,500 --> 00:21:42,200 THE MISSION WAS TO BRING ART TO 684 00:21:42,200 --> 00:21:43,333 THE COMMUNITY AND COMMUNITY TO 685 00:21:43,333 --> 00:21:43,766 ART. 686 00:21:43,766 --> 00:21:48,200 >> IN 1988 THE ORGANIZATION 687 00:21:48,200 --> 00:21:50,966 OPENED THE KOKOMO ART CENTER TO 688 00:21:50,966 --> 00:21:53,700 HOUSE AND SHARE THE 689 00:21:53,700 --> 00:21:54,766 ASSOCIATION'S EXTENSIVE ART 690 00:21:54,766 --> 00:21:55,166 COLLECTION. 691 00:21:55,166 --> 00:21:56,633 STILL, THE ORGANIZATION WANTED 692 00:21:56,633 --> 00:21:57,733 TO DO MORE TO SUPPORT ITS 693 00:21:57,733 --> 00:21:58,100 COMMUNITY. 694 00:21:58,100 --> 00:21:59,966 SO THEY STARTED TO LOOK FOR A 695 00:21:59,966 --> 00:22:01,800 SECOND HOME WHERE LOCAL ARTIST 696 00:22:01,800 --> 00:22:05,466 KOZ SHOWCASE AND SELL THEIR 697 00:22:05,466 --> 00:22:05,800 WORK. 698 00:22:05,800 --> 00:22:08,700 >> WE DECIDED WE LIKED THE 699 00:22:08,700 --> 00:22:10,100 VISION THE MAYOR HAD FOR THE 700 00:22:10,100 --> 00:22:12,100 CITY MAKING DOWNTOWN AN ARTS 701 00:22:12,100 --> 00:22:13,200 DISTRICT AND WE THOUGHT THIS WAS 702 00:22:13,200 --> 00:22:14,733 THE PLACE WE SHOULD BE, AND WHEN 703 00:22:14,733 --> 00:22:17,000 WE WALKED IN THE DOOR OF THIS 704 00:22:17,000 --> 00:22:20,233 BUILDING AND SAW THE BUILDING WE 705 00:22:20,233 --> 00:22:21,400 THOUGHT, THIS IS IT. 706 00:22:21,400 --> 00:22:23,700 >> AND IN 2012, THANKS TO A 707 00:22:23,700 --> 00:22:25,166 GRACIOUS BENEFACTOR, THE KOKOMO 708 00:22:25,166 --> 00:22:26,500 ARTS ASSOCIATION WAS ABLE TO 709 00:22:26,500 --> 00:22:28,033 PURCHASE THE BUILDING. 710 00:22:28,033 --> 00:22:30,533 TODAY THE ARTWORK'S GALLERY 711 00:22:30,533 --> 00:22:32,300 FEATURES STUDIO SPACES FOR 712 00:22:32,300 --> 00:22:35,933 CLASSES AND DISPLAYS FOR LOCAL 713 00:22:35,933 --> 00:22:37,566 ARTISTS, CULTIVATING A CREATIVE 714 00:22:37,566 --> 00:22:38,966 ENVIRONMENT FOR ALL AGES AND 715 00:22:38,966 --> 00:22:39,366 ABILITY. 716 00:22:39,366 --> 00:22:40,666 >> WHEN YOU FIRST COME IN AS THE 717 00:22:40,666 --> 00:22:42,533 NEW ARTIST, YOU COME IN, AND 718 00:22:42,533 --> 00:22:44,600 BEING AROUND OTHER ARTISTIC 719 00:22:44,600 --> 00:22:46,466 PEOPLE, YOU LEARN AND YOU ABSORB 720 00:22:46,466 --> 00:22:48,666 AND YOU BECOME A BETTER ARTIST. 721 00:22:48,666 --> 00:22:50,033 I'VE BECOME A BETTER 722 00:22:50,033 --> 00:22:51,566 PHOTOGRAPHER JUST BY BEING IN 723 00:22:51,566 --> 00:22:53,133 THE ARTWORKS GALLERY. 724 00:22:53,133 --> 00:22:54,800 EVERY MONTH HERE WE HAVE A 725 00:22:54,800 --> 00:22:56,733 FEATURE OR A GUEST ARTIST, AND 726 00:22:56,733 --> 00:22:58,733 WE TRY TO BRING IN ARTISTS FROM 727 00:22:58,733 --> 00:23:00,466 THE COMMUNITY BUT ALSO FROM 728 00:23:00,466 --> 00:23:01,633 OUTSIDE THE COMMUNITY. 729 00:23:01,633 --> 00:23:05,000 WE'VE HAD ARTISTS FROM CHICAGO, 730 00:23:05,000 --> 00:23:06,800 CINCINNATI, AND WE TRY TO BRING 731 00:23:06,800 --> 00:23:09,933 IN THINGS THAT PEOPLE HERE IN 732 00:23:09,933 --> 00:23:11,066 KOKOMO WOULD NOT NORMALLY SEE. 733 00:23:11,066 --> 00:23:13,233 >> AND IF SOME RESIDENTS WEREN'T 734 00:23:13,233 --> 00:23:14,933 GOING TO VISIT THE GALLERY, THEN 735 00:23:14,933 --> 00:23:16,500 THE KOKOMO ARTS ASSOCIATION 736 00:23:16,500 --> 00:23:18,366 WOULD BRING THE GALLERY TO THEM, 737 00:23:18,366 --> 00:23:20,433 WITH THE HELP OF THE CITY AND 738 00:23:20,433 --> 00:23:21,033 LOCAL VOLUNTEERS. 739 00:23:21,033 --> 00:23:23,600 THE ORGANIZATION CONVERTED THE 740 00:23:23,600 --> 00:23:25,100 PEDESTRIAN WALKWAY OUTSIDE THEIR 741 00:23:25,100 --> 00:23:28,933 BUILDING INTO A 24/7 OUTDOOR 742 00:23:28,933 --> 00:23:30,566 EXHIBIT ACTUALLY NAMED ARTIST 743 00:23:30,566 --> 00:23:30,900 ALLEY. 744 00:23:30,900 --> 00:23:32,900 IT'S THE ASSOCIATION'S HOPE THAT 745 00:23:32,900 --> 00:23:34,666 THE GALLERY WILL TRANSFORM FAR 746 00:23:34,666 --> 00:23:36,433 MORE THAN BRICK WALLS. 747 00:23:36,433 --> 00:23:38,533 >> THE HEART OF A CITY IS THE 748 00:23:38,533 --> 00:23:40,800 DOWNTOWN, AND TO HAVE A VIBRANT 749 00:23:40,800 --> 00:23:43,266 CITY YOU HAVE TO HAVE A VIBRANT 750 00:23:43,266 --> 00:23:44,066 DOWNTOWN. 751 00:23:44,066 --> 00:23:45,833 IT'S AMAZING TO WALK THROUGH THE 752 00:23:45,833 --> 00:23:48,633 ALLEY AND SEE OTHER PEOPLE WALK, 753 00:23:48,633 --> 00:23:49,900 AND THEY ARE LOOKING AT THE ART 754 00:23:49,900 --> 00:23:52,833 AND READING THE DEGYP SHUN OF 755 00:23:52,833 --> 00:23:55,033 THE ART -- DESCRIPTION OF THE 756 00:23:55,033 --> 00:23:56,533 ART AND ENJOYING WHAT WE HAVE 757 00:23:56,533 --> 00:23:57,266 OUT HERE. 758 00:23:57,266 --> 00:23:57,900 IT'S WONDERFUL. 759 00:23:57,900 --> 00:23:59,766 THERE AGAIN, WE'RE REACHING 760 00:23:59,766 --> 00:24:00,600 PEOPLE. 761 00:24:00,600 --> 00:24:02,333 WE'RE BRINGING ART TO THE 762 00:24:02,333 --> 00:24:02,700 COMMUNITY. 763 00:24:02,700 --> 00:24:03,166 YOU CAN SEE IT. 764 00:24:03,166 --> 00:24:04,600 YOU CAN SEE THE PEOPLE AND HOW 765 00:24:04,600 --> 00:24:06,000 THEY ENJOY AND IT MAKES THEM 766 00:24:06,000 --> 00:24:06,966 HAPPY. 767 00:24:06,966 --> 00:24:09,300 >> AND SEEING THAT JOY INSPIRED 768 00:24:09,300 --> 00:24:10,700 THE ASSOCIATION TO BRING EVEN 769 00:24:10,700 --> 00:24:12,466 MORE ART INTO THE COMMUNITY. 770 00:24:12,466 --> 00:24:14,466 PARTNERING WITH OTHER KOKOMO 771 00:24:14,466 --> 00:24:16,100 ORGANIZATIONS AND LOCAL ARTISTS 772 00:24:16,100 --> 00:24:19,433 TO CREATE INCREDIBLE MURALS, 773 00:24:19,433 --> 00:24:21,233 DOTTING THE TOWN'S WALKING 774 00:24:21,233 --> 00:24:22,233 TRAILINGS AND BUSINESSES. 775 00:24:22,233 --> 00:24:26,066 >> WHEN WE DO THESE MURLZ, 776 00:24:26,066 --> 00:24:27,500 PEOPLE STOP AND THEY LOVE IT AND 777 00:24:27,500 --> 00:24:28,833 THEY TELL YOU WHAT THEY THINK OF 778 00:24:28,833 --> 00:24:30,500 THE MURAL, THEY WANT TO KNOW IF 779 00:24:30,500 --> 00:24:31,933 YOU'RE GOING TO DO MORE, AND THE 780 00:24:31,933 --> 00:24:34,200 PEOPLE ARE JUST EXCITED TO SEE 781 00:24:34,200 --> 00:24:36,133 THESE PIECES OF ARTWORK GO UP. 782 00:24:36,133 --> 00:24:37,966 I THINK IT BRIGHTENS THE 783 00:24:37,966 --> 00:24:38,333 COMMUNITY. 784 00:24:38,333 --> 00:24:40,666 I THINK IT GIVES PEOPLE WHEN 785 00:24:40,666 --> 00:24:42,100 THEY SAY IT, I THINK IT GIVES 786 00:24:42,100 --> 00:24:43,566 THEM A LITTLE BIT OF HEAP EANESS 787 00:24:43,566 --> 00:24:48,633 FORHAPPINESSFOR THE DAY. 788 00:24:48,633 --> 00:24:51,600 I HOPE IT BRINGS PRIDE TO PEOPLE 789 00:24:51,600 --> 00:24:54,566 THAT THEIR COMMUNITY IS TRYING 790 00:24:54,566 --> 00:24:58,566 TO BEAUTIFY THE PLACES THAT THEY 791 00:24:58,566 --> 00:25:01,000 WALK AND FIT AND SEE EVERY DAY. 792 00:25:01,000 --> 00:25:02,200 I HOPE PEOPLE HAVE PRIDE IN 793 00:25:02,200 --> 00:25:02,500 THAT. 794 00:25:02,500 --> 00:25:03,366 I KNOW I DO. 795 00:25:03,366 --> 00:25:06,233 BUT I HOPE IT'S AN ENJOYMENT AND 796 00:25:06,233 --> 00:25:07,900 BRINGS A LITTLE SENSE OF WHAT 797 00:25:07,900 --> 00:25:11,266 ART IS AND WHAT IT DOES FOR YOUR 798 00:25:11,266 --> 00:25:11,566 LIFE. 799 00:25:11,566 --> 00:25:14,100 I WANTED TO HAVE A LEGACY OF ART 800 00:25:14,100 --> 00:25:17,300 IN THE COMMUNITY, AND I HOPE WE 801 00:25:17,300 --> 00:25:18,833 CONTINUE TO. 802 00:25:18,833 --> 00:25:20,500 >> THERE ARE MANY WONDERFUL 803 00:25:20,500 --> 00:25:21,866 ARTISTS IN THE CITY AND THE 804 00:25:21,866 --> 00:25:25,000 KOKOMO ART ASSOCIATION IS 805 00:25:25,000 --> 00:25:26,100 DEDICATED TO BRINGING THEM TO 806 00:25:26,100 --> 00:25:26,833 THE COMMUNITY. 807 00:25:26,833 --> 00:25:28,700 FIND OUT HOW YOU CAN SEE THEIR 808 00:25:28,700 --> 00:25:33,966 WORK AT KAAA.ORG. 809 00:25:33,966 --> 00:25:35,233 THERE ARE SO MANY THINGS TO SEE 810 00:25:35,233 --> 00:25:36,866 IN KOKOMO WITH NEW ATTRACTIONS 811 00:25:36,866 --> 00:25:38,000 EVERY YEAR. 812 00:25:38,000 --> 00:25:39,733 DISCOVER THE CITY OF FIRSTS. 813 00:25:39,733 --> 00:25:43,433 LEARN MORE AT VISITKOKOMO.ORG. 814 00:25:43,433 --> 00:25:45,200 >>> THAT'S ALL THE TIME WE HAVE 815 00:25:45,200 --> 00:25:45,533 TONIGHT. 816 00:25:45,533 --> 00:25:47,133 WE HOPE YOU HAVE ENJOYED THE 817 00:25:47,133 --> 00:25:48,933 JOURNEY INTO KOKOMO WITH US AND 818 00:25:48,933 --> 00:25:50,133 DISCOVERING ALL THE INNOVATIONS 819 00:25:50,133 --> 00:25:51,500 AND IDEAS THAT GOT THEIR START 820 00:25:51,500 --> 00:25:54,933 RIGHT HERE. 821 00:25:52,200 --> 00:26:18,266 GOOD NIGHT! 822 00:26:18,266 --> 00:26:19,333 >> PRODUCTION SUPPORT FOR 823 00:26:19,333 --> 00:26:20,500 "THE WEEKLY SPECIAL" IS PROVIDED 824 00:26:20,500 --> 00:26:21,733 BY... 825 00:26:21,733 --> 00:26:23,666 IU SCHOOL OF PUBLIC HEALTH 826 00:26:23,666 --> 00:26:25,266 BLOOMINGTON, ADDRESSING PUBLIC 827 00:26:25,266 --> 00:26:26,666 HEALTH NEEDS BY PREVENTING 828 00:26:26,666 --> 00:26:28,700 DISEASE, PROMOTING HEALTH AND 829 00:26:28,700 --> 00:26:30,200 IMPROVING QUALITY OF LIFE ACROSS 830 00:26:30,200 --> 00:26:31,600 THE STATE AND AROUND THE WORLD 831 00:26:31,600 --> 00:26:33,000 THROUGH RESEARCH, TEACHING AND 832 00:26:33,000 --> 00:26:37,300 COMMUNITY ENGAGEMENT... 833 00:26:37,300 --> 00:26:39,133 SMITHVILLE FIBER, THE GIGACITY 834 00:26:39,133 --> 00:26:41,433 COMPANY, FIBER INTERNET, HD, AND 835 00:26:41,433 --> 00:26:43,166 DIGITAL IPTV IN SOUTHERN 836 00:26:43,166 --> 00:26:45,000 INDIANA. 837 00:26:45,000 --> 00:26:46,700 MORE INFORMATION AT 838 00:26:46,700 --> 00:26:50,100 SMITHVILLE.COM... 839 00:26:50,100 --> 00:26:52,200 THE AL COBINE RECOGNITION 840 00:26:52,200 --> 00:26:53,900 ENDOWMENT FUND, ESTABLISHED BY 841 00:26:53,900 --> 00:26:55,533 FRIENDS AND FAMILY OF AL COBINE 842 00:26:55,533 --> 00:26:57,500 TO SUPPORT JAZZ INITIATIVES ON 843 00:26:57,500 --> 00:27:01,900 WTIU AND WFIU... 844 00:26:59,266 --> 00:27:04,100 AND WTIU MEMBERS, THANK YOU.