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>> PRODUCTION SUPPORT FOR "THE

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WEEKLY SPECIAL" IS PROVIDED BY:

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>> THE SUN IS HOT AND THE BREEZE

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IS WARM!

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>> EXPLORE WONDERFUL SUMMER

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MEMORIES OF TODAY AND

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YESTERYEAR.

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TRAVEL TO THE DUNES FOR A UNIQUE

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SCULPTURE CONTEST AND SIT DOWN

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AT A CHURCH SUPPER AND A NEW

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MEMORY CHAIN.

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TRAVEL OFF THE BEATEN PAST FOR A

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NEW LITTLE INDIANA, AND WELCOME

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THE SERIAL SOUNDS OF HUNTER

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CHILD.

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THERE'S NO BETTER TIME TO

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EXPLORE INDIANA THAN THE SUMMER.

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>> SO STAY TUNED FOR THE HOOSIER

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DESTINATIONS YOU WILL ONLY FIND

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HERE ON "THE WEEKLY SPECIAL."

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♪♪

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♪♪

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>> HELLO, I'M DARRYL NEHER.

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>> AND I'M ERICA SAGON.

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I'M SURE ALL OF US HAVE FOND

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MEMORIES OF SUMMERS GONE BY.

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DO YOU HAVE FAVORITE CHILDHOOD

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MEMORIES.

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>> IT WAS ALWAYS BIKE RIDING AND

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PLAYING WHIFFLE BALL.

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>> I THINK THIS WILL BE A

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FAVORITE MEMORY FOR LOTS OF

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HOOSIER CHILDREN.

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>> GENTLY ROLLING WAVES AND

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BRIGHT WARM SUN, BUILDING SAND

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CASTLES WITH YOUR BEST FRIEND.

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THESE ARE THE MEMORIES OF SUMMER

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FOR HOOSIERS BOTH YOUNG AND OLD.

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A PERFECT DAY AT THE BEACH.

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BUT THIS ISN'T THE COAST, AND

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THAT'S NOT THE ATLANTIC.

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IT IS THE INDIANA DUNES STATE

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PARK.

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AND EACH YEAR, IT BECOMES HOME

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FOR LOTS OF FANTASTICAL

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CREATURES AS PART OF THE ANNUAL

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SAND SCULPTURE CONTEST.

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>> WE ARE LOOKING AT A GREAT

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RESOURCE, SAND AND LAKE

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MICHIGAN, AND THE EFFECT IN THE

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DUNE CREATION PROCESS.

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IT'S A FUN RECREATIONAL ACT ACTIVITY

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THAT WE CAN DO.

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IT'S MORE THAN JUST BEACH AND

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WATER.

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THEY CAN PLAY WITH THIS MEDIUM

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AND THEY WILL PROBABLY LEARN

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SOMETHING TOO AND MAYBE GIVE

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THEM A REASON TO COME BACK TO

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THE PARK FOR ANOTHER SPECIAL

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EVENT, COME BACK TO THE TRAILS

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AND DEFINITELY COMING BACK AND

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USING THE PARK AND REALIZING

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EVERYTHING THAT WE HAVE HERE.

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>> WITH 16 MILES OF HIKING

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TRAILS, THERE'S NO SHORTAGE OF

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THINGS TO DO.

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FOR PATRICIA CARATCHE, A LEADER

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OF A LOCAL GIRLS CLUB, THE EVENT

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IS A PERFECT OPPORTUNITY TO GET

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THE GIRLS OUT AND ACTIVE IN THE

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COMMUNITY.

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>> WE STUMBLED INTO THIS LAST

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YEAR.

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I HAD A COUPLE OF GIRLS FROM THE

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CLUB COME LAST YEAR AND IT WAS

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SO MUCH FUN.

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WITH THE CREATIVITY, AND THE

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ARTISTRY, AND SO JUST TO SEE THE

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COMMUNITY COME TOGETHER FOR THE

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DUNES AND JUST CELEBRATE THIS

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KIND OF AN EVENT, ESPECIALLY ON

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A PERFECT SUMMER DAY, WHAT

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BETTER THING TO DO?

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SO MANY KIDS SIT INSIDE ON A

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BEAUTIFUL DAY AND PLAY VIDEO

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GAMES AND INSTAGRAM AND CELL

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PHONES.

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IT'S NICE TO GET THEM AWAY FROM

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THE SCREEN AND OUT IN REALITY.

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THIS IS WHAT WE DID AS KIDS AND

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THIS IS WHAT YOU SHOULD DO IN

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THE SUMMER, COME TO THE BEACH.

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GET SANDY.

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GET DIRTY.

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GET STUFF IN YOUR FACE!

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>> I JUST LIKE HOW WE ALL KIND

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OF GET TOGETHER AND JUST BUILD A

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SAND CASTLE.

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SO WE CAME HERE ABOUT 7:30, AND

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THEN WE JUST PILED A BUNCH OF

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SAND AND THEN WE ADDED AT THE

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END AND WE STARTED SCULPTING A

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SQUID.

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>> THE BEST PART IS EVERYBODY IS

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GETTING EXCITED ABOUT GETTING

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TOGETHER OUT HERE.

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THEY LOOK FORWARD TO IT.

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IT'S A BLAST.

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THEY ALWAYS ENJOY IT, YOU KNOW.

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SO WE WILL DO IT FOR A LONG

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TIME, YOU KNOW?

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>> SO MANY FOLKS JUST PLAN FOR

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THIS DATE, AND YOU REALLY SEE

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SOME CREATIVITY FROM THE

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FAMILIES THAT COME OUT EVERY

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YEAR.

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EVEN THOUGH THIS IS AN AMATEUR

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EVENT, THE FAMILIAR QUALITY THAT

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WE ARE SEEING OUT THERE.

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>> EACH YEAR THE CONTEST

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FEATURES A SPECIAL THEME, GIVING

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PARTICIPANTS TIME TO BRAINSTORM

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THEIR SAND CREATIONS.

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THIS YEAR'S THEME, ALL WASHED

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UP.

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>> WE DECIDED TO COME UP NINE

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YEARS AGO AND DO IT, AND HAD A

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BLAST AND DECIDED TO COME UP

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EVERY YEAR SINCE THEN.

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SINCE SOME OF US LIVE IN

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BLOOMINGTON AND SOME LIVE IN

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PORTAGE, WE WERE EMAILING BACK

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AND FORTH AND THROWING IDEAS

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OUT.

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TYPICALLY WE DON'T DECIDE UNTIL

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WE COME TOGETHER.

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IT'S FUN TO SEE EVERYBODY COME

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OUT AND SEE THE SCULPTURES AND

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GET EXCITED LOOKING AT THE

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DIFFERENT ART FORMS THAT ARE OUT

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HERE.

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>> HERE'S THE SKETCH.

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THE OCTOPUS.

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I WANTED TO GET THE BIG HEAD

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WITH THE BULGING EYEBALLS.

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YOU CAN ONLY BULGE THEM SO FAR

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IN THE SAND.

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SO YOU DO THE SASKATCHEWAN SKETCH AS A

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LAYOUT, BUT IT KNOWS LIKE SAND.

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YOU KNOW, WHAT I MEAN, WHEREVER

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IT GOES.

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YOU CAN TAKE IT OUT IF IT

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DOESN'T WORK.

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THE FEEDBACK FROM THE PEOPLE IS

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ALWAYS GREAT, BECAUSE THEY DO --

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YOU KNOW, A LOT OF TIMES

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DEPENDING WHAT YOU ARE MAKING,

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THEY MAY SAY WHAT IS THAT AND

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IT'S TOTALLY DIFFERENT THAN WHAT

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YOU ARE BUILDING.

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TO THEM, THAT'S WHAT IT IS.

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HALF THE PEOPLE THINK IT'S A

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SQUID.

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I THINK IT'S AN OCTOPUS BUT I'M

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NOT SURE.

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>> WITH THE SOUND OF A WHISTLE,

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BUILDING COMES TO AN END AND

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JUDGES EMBARK ACROSS THE

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MENAGERIE AWARDING POINTS FOR

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THINGS SUCH AS CREATIVITY AND

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THEME.

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VISITORS ALSO PARTICIPATE,

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VOTING FOR THEIR FAVORITE AS THE

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PEOPLE'S CHOICE AWARD.

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SQUID OR OCTOPUS, IT DIDN'T

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MATTER, THE BIANCO FAMILY TOOK

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HOME BOTH TOP PRIZES.

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>> ANY TIME YOU DO ANYTHING

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TOGETHER, IT'S GOOD.

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AND ANY TIME YOU CREATE

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SOMETHING TOGETHER, IT'S BETTER.

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SO EVEN THOUGH IT'S TEMPORARY,

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IT WILL BE GONE BY THE END OF

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THE NIGHT, T.T.C. THE PROCESS

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AND THE INPUT FROM THE PEOPLE

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WALKING BY.

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IT'S NICE.

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THAT'S ALL WE ARE DOING IS

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MAKING MEMORIES.

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THE THING IS IT'S SIMPLE IN THE

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SENSE THAT YOU TAKE SAND, WATER

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AND IMAGINATION AND THEN LIKE I

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SAID, IT ALL GOES BACK TO WHERE

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IT WAS BY THE END OF THE NIGHT

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BUT THE MEMORIES ARE THERE.

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THAT'S A GOOD FEELING.

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>> THERE ARE PLENTY OF SPECIAL

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EVENTS LEFT IN THE SUMMER.

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VISIT IN.GOV FOR MORE

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INFORMATION.

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>>> AND DARRYL, BRAD SAID TO

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TELL EVERYONE THAT THE SAND IS

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ALWAYS THERE.

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SO COME START PRACTICING FOR

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NEXT YEAR AND I THINK THAT WE

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DEFINITELY NEED TO HAVE A

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"WEEKLY SPECIAL" TEAM THERE.

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>> WE MAY HAVE THE SAND AND WE

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MAY HAVE THE IMAGINATION, BUT

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THE CONSTITUTION IS THE EXECUTION IS OUR PROBLEM.

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>> WE ARE GETTING THERE.

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>> OUR MEMORY CHAIN SERIES IS

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ABOUT CELEBRATING MOMENTS.

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♪♪

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>> THE FIVE HUMAN SENSES HELPING

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00:07:04,866 --> 00:07:08,000
US TO KEEP KEENLY AWARE OF OUR

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SURROUNDINGS, AT LEAST THAT'S

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THE IDEA.

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EVEN THOUGH THERE'S BEEN A

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STEADY DETERIORATION IN THEIR

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ACUITY, FROM THE TIME WHEN OUR

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ANCESTORS COULD SMELL DANGER

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LONG BEFORE SEEING IT OR HEARING

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IT.

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BY THE EARLY 20th CENTURY,

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NATURE HAD BECOME SOMETHING TO

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BE PRESERVED OR CULTIVATED.

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PEOPLE BEGAN DRIVING GREAT

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DISTANCES, JUST TO EXPERIENCE

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IT.

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THE NATURAL WORLD HAD BECOME

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LESS GRANDER, MORE ORDERLY,

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OFTEN FOLKS WOULD PURCHASE A

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HANDFUL OF IT TO TAKE BACK HOME.

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ALONG WITH THE FIVE SENSES, OUR

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EXPERIENCE OF NATURE ITSELF

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BEGAN TO NARROW.

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FLOWERS, FRUITS, VEGETABLES,

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GOING FROM THE FIELD TO THE

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FLUORESCENT, FINALLY MANAGING TO

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SMELL LIKE NOTHING AT ALL.

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ALL OF THIS INVITES THE

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POSSIBILITY THAT OVER TIME, LIFE

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HAS BECOME A LITTLE LESS ALIVE,

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BUT JUST GRADUALLY ENOUGH THAT

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YOU WOULD NEVER REALLY NOTICE.

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♪♪

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>> ONE OF THE YOUNGEST

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INDIVIDUALS IN THIS GROUP WERE

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FAMILIAR WITH SENSATIONS LOST TO

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US NOW, THE SMELL OF BURNING

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AUTUMN LEAVES, THE SOUND OF A

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FULL THROATED STEAM WHISTLE.

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THEIR SENSE OF TASTE WAS LIKELY

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MORE EXPANSIVE AS WELL.

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IN EARLY 1920s, THE VIN

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BROTHERS OF TERRE HAUTE,

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INDIANA, OFFERED A POPULAR

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CONFECTION IN THEIR WHOLESALE

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00:08:57,466 --> 00:08:59,933
CATALOGUE, SAUERKRAUT FUDGE.

262
00:08:59,933 --> 00:09:00,566
SOLD OUT.

263
00:09:00,566 --> 00:09:02,500
HERE'S GRANDMA'S SECRET RECIPE

264
00:09:02,500 --> 00:09:04,166
FOR SAUERKRAUT CAKE.

265
00:09:04,166 --> 00:09:05,933
ONCE HELD THE CANDLES FOR

266
00:09:05,933 --> 00:09:10,366
SOMEBODY'S BIRTHDAY.

267
00:09:10,366 --> 00:09:10,633
WOO!

268
00:09:10,633 --> 00:09:13,233
ONE EVENING IN EARLY DECEMBER,

269
00:09:13,233 --> 00:09:17,066
IN THE BASEMENT OF MAPLE AVENUE

270
00:09:17,066 --> 00:09:19,000
METHODIST EPISCOPAL CHURCH, THE

271
00:09:19,000 --> 00:09:20,300
MEN'S SUNDAY SCHOOL CLASS

272
00:09:20,300 --> 00:09:23,166
SPONSORED A DINNER THAT INCLUDED

273
00:09:23,166 --> 00:09:24,766
SWEET POTATOES, CONSIDERED THE

274
00:09:24,766 --> 00:09:27,300
PERFECT SIDE DISH FOR, WELL,

275
00:09:27,300 --> 00:09:28,900
LET'S JUST SAY THIS TRADE NAME

276
00:09:28,900 --> 00:09:39,733
WAS CHOSEN FOR A REASON.

277
00:09:39,733 --> 00:09:40,266
THREE DOZEN POSSUM.

278
00:09:40,266 --> 00:09:41,000
NONE OF THEM ROAD KILL WERE

279
00:09:41,000 --> 00:09:42,033
PROVIDED FOR CHURCH SUPPER THAT

280
00:09:42,033 --> 00:09:42,333
NIGHT.

281
00:09:42,333 --> 00:09:44,433
THERE WAS HIGH HOPES FOR A BIG

282
00:09:44,433 --> 00:09:44,766
TURNOUT.

283
00:09:44,766 --> 00:09:46,066
WHO KNOWS.

284
00:09:46,066 --> 00:09:49,200
MAYBE A LONG LINE HAD FORMED BY

285
00:09:49,200 --> 00:09:52,066
THE TIME THE DOORS HAD OPENED.

286
00:09:52,066 --> 00:09:54,266
AFTER ALL, THE ENTREE WAS

287
00:09:54,266 --> 00:09:55,533
CONSIDERED A DINNER FIT FOR A

288
00:09:55,533 --> 00:09:58,500
KING OR AT LEAST A NEWLY ELECTED

289
00:09:58,500 --> 00:10:00,566
PRESIDENT.

290
00:10:00,566 --> 00:10:01,433
FRIED POSSUM!

291
00:10:01,433 --> 00:10:04,433
WITH ABAKED APPLES FOR DESSERT.

292
00:10:04,433 --> 00:10:07,900
THAT WINTER NIGHT, MAPLE AVENUE

293
00:10:07,900 --> 00:10:09,533
METHODIST EPISCOPAL CHURCH

294
00:10:09,533 --> 00:10:10,600
BASEMENT, THE FOOD THAT WAS

295
00:10:10,600 --> 00:10:12,333
SERVED WOULD COMPLETE ITS

296
00:10:12,333 --> 00:10:13,866
JOURNEY FROM TREE TO TABLE WITH

297
00:10:13,866 --> 00:10:15,200
ONLY AN OVEN STANDING IN

298
00:10:15,200 --> 00:10:18,200
BETWEEN.

299
00:10:18,200 --> 00:10:24,200
♪♪ POSSUM ♪♪

300
00:10:24,200 --> 00:10:25,333
♪♪ POSSUM ♪♪

301
00:10:25,333 --> 00:10:30,400
♪♪ CROSSING THE STREET ♪♪♪♪

302
00:10:30,400 --> 00:10:31,566
>> WELL, DARRYL THAT, WAS AN

303
00:10:31,566 --> 00:10:32,766
INTERESTING DINNER.

304
00:10:32,766 --> 00:10:33,633
>> WHAT YOU WOULD DO IF THAT WAS

305
00:10:33,633 --> 00:10:34,566
IN FRONT OF YOU?

306
00:10:34,566 --> 00:10:35,133
>> I DON'T KNOW.

307
00:10:35,133 --> 00:10:36,266
>> I DON'T WANT TO FIND OUT.

308
00:10:36,266 --> 00:10:38,000
IF YOU ARE LOOKING TO FIND SOME

309
00:10:38,000 --> 00:10:43,333
DELICIOUS TREATS OFF THE BEATEN

310
00:10:43,333 --> 00:10:48,266
PATH, JESSICA NUNEMAKER IS HERE

311
00:10:48,266 --> 00:10:49,033
WITH MORE.

312
00:10:49,033 --> 00:10:51,533
♪♪

313
00:10:51,533 --> 00:10:56,233
♪♪

314
00:10:56,233 --> 00:10:58,500
>> IS IT AN OLD FERRIS WHEEL

315
00:10:58,500 --> 00:11:00,200
TURNED BRIDGE, THAT'S WHAT

316
00:11:00,200 --> 00:11:02,500
LOCALS THINK WHEN GEORGE W.G.

317
00:11:02,500 --> 00:11:04,233
FERRIS DREAMED UP HIS FERRIS

318
00:11:04,233 --> 00:11:05,566
WHEEL FOR THE CHICAGO'S WORLD

319
00:11:05,566 --> 00:11:07,766
FAIR, HIS 250-FOOT TALL

320
00:11:07,766 --> 00:11:09,500
STRUCTURE WAS GOING TO BE A SHOW

321
00:11:09,500 --> 00:11:11,233
STOPPER AND IT WAS!

322
00:11:11,233 --> 00:11:12,733
BUT ALL GOOD THINGS MUST COME TO

323
00:11:12,733 --> 00:11:13,733
AN END.

324
00:11:13,733 --> 00:11:15,900
SO TOO DID HIS FERRIS WHEEL,

325
00:11:15,900 --> 00:11:17,966
TORN DOWN, THE PIECES OF SCRAP

326
00:11:17,966 --> 00:11:19,833
WERE SAID TO BE PURCHASED BY

327
00:11:19,833 --> 00:11:22,033
THIS FARMER ISAAC DUNN AND HE

328
00:11:22,033 --> 00:11:23,233
USED THE STEEL FOR HIS BRIDGE

329
00:11:23,233 --> 00:11:24,766
NOW KNOWN AS DUNN'S BRIDGE.

330
00:11:24,766 --> 00:11:26,366
OTHERS SAY IT WAS PART OF A ROOF

331
00:11:26,366 --> 00:11:28,666
FROM THE INDIANA HOUSE AND NOT

332
00:11:28,666 --> 00:11:30,533
FROM THE FERRIS WHEEL.

333
00:11:30,533 --> 00:11:32,166
RESTORED IN 2003, DUNN'S BRIDGE

334
00:11:32,166 --> 00:11:34,433
IS A PART OF THE LOCAL LORE AND

335
00:11:34,433 --> 00:11:36,100
AN EYE CATCHER.

336
00:11:36,100 --> 00:11:37,633
IF YOU ARE LOOKING TO BE A PART

337
00:11:37,633 --> 00:11:39,233
OF THE LOCAL SCENE, AND LISTEN

338
00:11:39,233 --> 00:11:42,100
TO TOWN GOSSIP, MIXED IN WITH

339
00:11:42,100 --> 00:11:44,833
CROSS TABLE CHITCHAT, GEORGE'S

340
00:11:44,833 --> 00:11:46,133
COFFEE CUP IS IT.

341
00:11:46,133 --> 00:11:47,966
TRY THE RUBEN SANDWICH AND ENJOY

342
00:11:47,966 --> 00:11:51,800
THE POTATO SOUP.

343
00:11:51,800 --> 00:11:53,566
AND LOCALS RECOMMEND THE HERO

344
00:11:53,566 --> 00:11:54,566
MELT.

345
00:11:54,566 --> 00:11:56,833
LOOK AT THE TIN CEILING.

346
00:11:56,833 --> 00:11:57,200
BEAUTIFUL!

347
00:11:57,200 --> 00:12:00,000
SNACK TIME, SEASONALLY OPENED

348
00:12:00,000 --> 00:12:02,233
COOKIES AND CREAM SIT IN THIS

349
00:12:02,233 --> 00:12:02,900
TRAIN DEPOT.

350
00:12:02,900 --> 00:12:04,966
JUST TAKE A LOOK AT THE ICE

351
00:12:04,966 --> 00:12:05,266
CREAM.

352
00:12:05,266 --> 00:12:06,266
WOULD YOU BELIEVE EVERY BIT IS

353
00:12:06,266 --> 00:12:06,633
HOMEMADE.

354
00:12:06,633 --> 00:12:08,566
THE FLAVORS MAY CHANGE BUT IT'S

355
00:12:08,566 --> 00:12:09,333
ALWAYS DELICIOUS.

356
00:12:09,333 --> 00:12:11,300
I RECOMMEND THE CHOCOLATE CHIP

357
00:12:11,300 --> 00:12:12,700
COOKIE ICE CREAM SANDWICH.

358
00:12:12,700 --> 00:12:15,100
IT'S COLOSSAL BUT OH, SO GOOD.

359
00:12:15,100 --> 00:12:16,533
THE KIDS WILL LOVE THE BIG

360
00:12:16,533 --> 00:12:18,166
SANDBOX TO PLAY IN, WHEN THE

361
00:12:18,166 --> 00:12:19,166
WEATHER PERMITS.

362
00:12:19,166 --> 00:12:21,300
SPEAKING OF WEATHER PERMITS, ONE

363
00:12:21,300 --> 00:12:23,200
OF MY ALL-TIME FAVORITE

364
00:12:23,200 --> 00:12:24,366
FESTIVALS SO FAR IS ALSO ONE OF

365
00:12:24,366 --> 00:12:25,266
THE LESSER KNOWN.

366
00:12:25,266 --> 00:12:27,133
ALTHOUGH I DO ENJOY THE LACK OF

367
00:12:27,133 --> 00:12:29,800
LINES, I ENJOY SHARING MORE.

368
00:12:29,800 --> 00:12:32,666
I LOVE MY INDIANA HISTORY, AND

369
00:12:32,666 --> 00:12:37,033
THIS FESTIVAL IS FULL OF IT!

370
00:12:37,033 --> 00:12:39,700
THIS LONG AGO HUNTING LODGE AND

371
00:12:39,700 --> 00:12:40,833
UNIQUE PIECE OF HISTORY IS IN

372
00:12:40,833 --> 00:12:42,633
DANGER OF ABSOLUTE

373
00:12:42,633 --> 00:12:43,266
DETERIORATION.

374
00:12:43,266 --> 00:12:44,766
UNLIKE MOST FESTIVALS THAT COVER

375
00:12:44,766 --> 00:12:48,733
A PARTICULAR SPAN OF TIME, THE

376
00:12:48,733 --> 00:12:50,233
ELK KIKI FESTIVAL COVERS 350

377
00:12:50,233 --> 00:12:51,533
YEARS OF HOOSIER HISTORY.

378
00:12:51,533 --> 00:12:53,733
IT OFFERS AN INCREDIBLY DIVERSE

379
00:12:53,733 --> 00:12:56,000
RANGE OF ARTISANS, REENACTORS

380
00:12:56,000 --> 00:12:57,200
AND EVENTS.

381
00:12:57,200 --> 00:13:03,066
FROM NATIVE AMERICAN, TO FRENCH

382
00:13:03,066 --> 00:13:04,033
VOYAGERS TO THE CIVIL WAR, IT'S

383
00:13:04,033 --> 00:13:09,966
A WONDERFUL LOOK BACK IN TIME.

384
00:13:09,966 --> 00:13:12,033
>> CAST, INDIANA IS A BIT OF

385
00:13:12,033 --> 00:13:13,400
INDIANA HISTORY A LOT OF FUN.

386
00:13:13,400 --> 00:13:16,700
YOU CAN FIND MORE AT OUR

387
00:13:16,700 --> 00:13:18,200
WEBSITE, SMALL TOWNS, DEFENDANT

388
00:13:18,200 --> 00:13:23,566
INININDESTINATIONS, NOT DRIVE

389
00:13:23,566 --> 00:13:23,933
THROUGHS.

390
00:13:23,933 --> 00:13:24,866
>>> FROM STEPPING BACK IN TIME

391
00:13:24,866 --> 00:13:26,400
TO STEPPING INTO A NEW WORLD, WE

392
00:13:26,400 --> 00:13:30,033
ARE JOINED BY JESS WHO IS

393
00:13:30,033 --> 00:13:32,200
FOUNDER OF THE MIDDLE COAST FILM

394
00:13:32,200 --> 00:13:35,100
FESTIVAL, OFFERING AUGUST 13th

395
00:13:35,100 --> 00:13:35,800
AUGUST 13th TO 15th, THANK

396
00:13:35,800 --> 00:13:36,700
YOU SO MUCH FOR BEING HERE.

397
00:13:36,700 --> 00:13:37,566
>> THANK YOU FOR HAVING ME.

398
00:13:37,566 --> 00:13:38,966
>> GIVE US A PREVIEW OF THE

399
00:13:38,966 --> 00:13:39,333
FESTIVAL.

400
00:13:39,333 --> 00:13:40,600
HOW MANY MOVIES WILL WE SEE AND

401
00:13:40,600 --> 00:13:43,066
WHAT IS THE VARIETY LIKE.

402
00:13:43,066 --> 00:13:44,300
>> WE ARE PRETTY AMBITIOUS.

403
00:13:44,300 --> 00:13:46,266
WE WILL DO 64 FILMS OVER THREE

404
00:13:46,266 --> 00:13:49,233
DAYS IN FOUR VENUES IN DOWNTOWN

405
00:13:49,233 --> 00:13:49,800
BLOOMINGTON.

406
00:13:49,800 --> 00:13:50,566
>> WHOA!

407
00:13:50,566 --> 00:13:50,933
>> 64.

408
00:13:50,933 --> 00:13:52,500
>> GO BIG OR GO HOME.

409
00:13:52,500 --> 00:13:53,800
>> TELL US WHAT TYPE OF MOVIES

410
00:13:53,800 --> 00:13:54,666
WE WILL SEE?

411
00:13:54,666 --> 00:13:56,533
>> WE HAVE A SUPER WIDE RANGE,

412
00:13:56,533 --> 00:13:58,133
EVERYTHING FROM HORROR ALL THE

413
00:13:58,133 --> 00:14:00,633
WAY TO WEB SERIES, COMEDY,

414
00:14:00,633 --> 00:14:02,600
THRILLER, DRAMA, EVERYTHING IN

415
00:14:02,600 --> 00:14:02,933
BETWEEN.

416
00:14:02,933 --> 00:14:03,566
SOMETHING FOR EVERYBODY.

417
00:14:03,566 --> 00:14:05,333
>> AND SOME FILMS MADE BY

418
00:14:05,333 --> 00:14:05,700
HOOSIERS?

419
00:14:05,700 --> 00:14:06,100
>> YEP.

420
00:14:06,100 --> 00:14:07,733
WE HAVE A LOCAL SHOWCASE THAT

421
00:14:07,733 --> 00:14:09,666
FEATURES ABOUT 10 LOCAL FILMS OR

422
00:14:09,666 --> 00:14:11,333
MADE IN INDIANA FILMS.

423
00:14:11,333 --> 00:14:12,300
>> THAT'S GREAT.

424
00:14:12,300 --> 00:14:13,100
>> JESS, WHY DID YOU DECIDE TO

425
00:14:13,100 --> 00:14:15,033
START A FILM FESTIVAL IN

426
00:14:15,033 --> 00:14:15,933
BLOOMINGTON, INDIANA?

427
00:14:15,933 --> 00:14:17,300
>> WELL, MY HUSBAND AND I ARE

428
00:14:17,300 --> 00:14:18,966
BOTH FILMMAKERS AND WE JUST

429
00:14:18,966 --> 00:14:23,633
NOTICED THERE WAS A NICHE HERE

430
00:14:23,633 --> 00:14:24,866
THAT DIDN'T HAVE ANY SUPPORT.

431
00:14:24,866 --> 00:14:26,133
INSTEAD OF TRYING TO GO TO THE

432
00:14:26,133 --> 00:14:28,466
COASTS TO MAKE MONEY, IN AN ART

433
00:14:28,466 --> 00:14:30,933
INDUSTRY, WE DECIDED TO BRING IT

434
00:14:30,933 --> 00:14:32,300
HERE AND PROVIDE ACCESS TO THE

435
00:14:32,300 --> 00:14:33,566
COMMUNITY, GET THE COMMUNITY

436
00:14:33,566 --> 00:14:35,366
EXCITED ABOUT FILMMAKING BECAUSE

437
00:14:35,366 --> 00:14:39,366
IT IS SUCH AN INDUSTRY THAT IT

438
00:14:39,366 --> 00:14:41,333
SUPPORTS SO MANY PEOPLE, ALL THE

439
00:14:41,333 --> 00:14:44,033
WAY FROM CATERERS TO HOTELS, ALL

440
00:14:44,033 --> 00:14:44,900
OF IT.

441
00:14:44,900 --> 00:14:45,200
YEAH.

442
00:14:45,200 --> 00:14:46,933
>> DO WE HAVE SUCH OF THE FILM

443
00:14:46,933 --> 00:15:56,033
INDUSTRY IN INDIANA OR ARE WE ON

444
00:15:56,033 --> 00:15:56,366
OUR WAY?

445
00:15:56,366 --> 00:15:57,100
>> I WOULD SAY THERE ARE 30

446
00:15:57,100 --> 00:15:57,833
SERIOUS FILM MAKERS IN THE WHOLE

447
00:15:57,833 --> 00:15:58,466
STATE, WHICH IS PRETTY LOW

448
00:15:58,466 --> 00:15:59,166
COMPARED TO OTHER STATES, WHEN

449
00:15:59,166 --> 00:15:59,833
YOU CAN COUNT, YOU KNOW, ON

450
00:15:59,833 --> 00:16:00,300
THREE HANDS.

451
00:16:00,300 --> 00:16:00,966
>> WHEN I THINK OF FILM

452
00:16:00,966 --> 00:16:01,700
FESTIVALS, I THINK OF, YOU KNOW,

453
00:16:01,700 --> 00:16:02,433
LIKE AN INDUSTRY INSIDER EVENT,

454
00:16:02,433 --> 00:16:03,133
WITH LONG LINES AND EXPENSIVE

455
00:16:03,133 --> 00:16:03,800
TICKETS THAT ARE HARD TO GET

456
00:16:03,800 --> 00:16:04,100
INTO.

457
00:16:04,100 --> 00:16:04,833
HOW DOES YOURS DIFFER FROM THAT

458
00:16:04,833 --> 00:16:05,133
MODEL?

459
00:16:05,133 --> 00:16:05,900
>> WELL, WE ARE REALLY FOCUSED

460
00:16:05,900 --> 00:16:06,133
ON

461
00:16:06,133 --> 00:16:08,766
♪♪

462
00:16:08,766 --> 00:16:11,833
♪♪

463
00:16:11,833 --> 00:16:13,666
>> MARTY AND I KIND OF CONJURED

464
00:16:13,666 --> 00:16:15,166
UP THIS WAY TO POTENTIALLY

465
00:16:15,166 --> 00:16:19,300
PERFORM AS A TWO PIECE USING

466
00:16:19,300 --> 00:16:21,933
MORE OF ELECTRONIC TYPE STUFF

467
00:16:21,933 --> 00:16:23,800
AND SO HE JUST KEPT PLAYING AND

468
00:16:23,800 --> 00:16:26,400
WRITING SONGS AND THEN CAME OUT

469
00:16:26,400 --> 00:16:27,366
WITH HUNTER CHILD.

470
00:16:27,366 --> 00:16:29,466
WE FOCUSED MAINLY ON WHAT IT WAS

471
00:16:29,466 --> 00:16:31,100
THAT WE HAD AND WHAT WE COULD DO

472
00:16:31,100 --> 00:16:34,600
AND IT JUST NATURALLY HAPPENED

473
00:16:34,600 --> 00:16:36,666
AND THAT'S WHO WE WERE ANYWAY.

474
00:16:36,666 --> 00:16:38,533
IT'S SOMETHING THAT WE HAD DONE

475
00:16:38,533 --> 00:16:38,866
BEFORE.

476
00:16:38,866 --> 00:16:40,266
WE COULD DO IT EITHER WAY.

477
00:16:40,266 --> 00:16:41,466
THERE WOULD BE SOME DIFFERENCES

478
00:16:41,466 --> 00:16:43,300
IN SOUND BUT THAT WAS JUST PART

479
00:16:43,300 --> 00:16:44,966
OF THE -- THAT'S JUST WHAT

480
00:16:44,966 --> 00:16:45,333
HAPPENED.

481
00:16:45,333 --> 00:16:46,566
>> I'M TRYING TO START THE BAND,

482
00:16:46,566 --> 00:16:48,100
IT'S JUST A TWO PIECE.

483
00:16:48,100 --> 00:16:49,966
IT JUST MADE NATURAL SENSE FOR

484
00:16:49,966 --> 00:16:52,033
US TO USE A LOT OF ELECTRONICS

485
00:16:52,033 --> 00:16:54,900
AND KEYBOARDS AND DRUM MACHINES,

486
00:16:54,900 --> 00:16:57,400
TO BE ABLE TO MAKE A BIGGER

487
00:16:57,400 --> 00:17:00,766
SOUND AS JUST TWO PEOPLE.

488
00:17:00,766 --> 00:17:03,566
♪♪

489
00:17:03,566 --> 00:17:06,866
♪♪

490
00:17:06,866 --> 00:17:15,233
>> HUNTER CHILD HAS MORE R & B

491
00:17:15,233 --> 00:17:17,800
INFLUENCES AND

492
00:17:17,800 --> 00:17:18,633
ELECTROINFLUENCES.

493
00:17:18,633 --> 00:17:23,066
>> SADE, AND DEPECHE MODE.

494
00:17:23,066 --> 00:17:24,433
>> AS FAR AS COMMERCIAL TYPE

495
00:17:24,433 --> 00:17:24,966
INFLUENCES.

496
00:17:24,966 --> 00:17:26,366
>> THE ACCESSIBILITY OF THE

497
00:17:26,366 --> 00:17:27,666
MUSIC MAKING IS GREAT.

498
00:17:27,666 --> 00:17:30,733
I MEAN, IT'S HELPED US TO MAKE

499
00:17:30,733 --> 00:17:33,266
MUSIC SOMEWHAT ECONOMICALLY.

500
00:17:33,266 --> 00:17:34,466
>> ANYBODY CAN GET -- START

501
00:17:34,466 --> 00:17:36,533
DOING SOMETHING CREATIVE

502
00:17:36,533 --> 00:17:37,233
MUSICALLY, REGARDLESS OF HOW

503
00:17:37,233 --> 00:17:38,633
MUCH THEY HAVE TO USE OR OUCH

504
00:17:38,633 --> 00:17:40,033
THEY HAVE TO LEARN OR, YOU KNOW,

505
00:17:40,033 --> 00:17:41,333
EVERYBODY WILL DO IT DIFFERENT.

506
00:17:41,333 --> 00:17:44,166
EVERYBODY WILL FIND THEIR OWN

507
00:17:44,166 --> 00:17:46,666
PATHWAYS TO HAVE THEIR OWN

508
00:17:46,666 --> 00:17:48,200
METHOD OF HOW THEY GO ABOUT IT.

509
00:17:48,200 --> 00:17:50,600
IT'S STILL A VERY UNIQUE THING.

510
00:17:50,600 --> 00:17:52,000
>> LUKE USUALLY STARTS THE

511
00:17:52,000 --> 00:17:53,100
SONGS, STARTS THE GROUND WORK

512
00:17:53,100 --> 00:17:53,966
FOR A SONG.

513
00:17:53,966 --> 00:17:56,133
SO REALLY, IT STARTS WITH, LIKE,

514
00:17:56,133 --> 00:17:58,533
A BEAT AND A CORD PROGRESSION

515
00:17:58,533 --> 00:17:59,733
THAT FEELS RIGHT.

516
00:17:59,733 --> 00:18:01,800
AND YOU START HEARING, I

517
00:18:01,800 --> 00:18:03,666
THINK -- I THINK WE BOTH START

518
00:18:03,666 --> 00:18:05,300
HEARING OVERTONES AND MELODIES

519
00:18:05,300 --> 00:18:07,366
IN THAT, THAT AREN'T THERE YET.

520
00:18:07,366 --> 00:18:07,933
>> YES.

521
00:18:07,933 --> 00:18:09,100
>> AND YOU CAN SENSE THEIR

522
00:18:09,100 --> 00:18:11,200
WANTING TO COME OUT.

523
00:18:11,200 --> 00:18:12,566
>> THERE'S NO ONE METHOD EVERY

524
00:18:12,566 --> 00:18:14,100
TIME, BUT THERE'S DEFINITELY --

525
00:18:14,100 --> 00:18:15,666
THERE HAS TO BE, LIKE, THAT

526
00:18:15,666 --> 00:18:17,700
INITIAL, LIKE, THE MUSIC OF THE

527
00:18:17,700 --> 00:18:19,666
PROGRESSON OR SOMETHING IN THE

528
00:18:19,666 --> 00:18:21,400
RHYTHM, LIKE, MAKES YOU WANT

529
00:18:21,400 --> 00:18:22,933
TO -- MAKES YOU WANT TO MOVE,

530
00:18:22,933 --> 00:18:25,766
MAKES YOU WANT TO -- IT'S

531
00:18:25,766 --> 00:18:27,266
ACTIVEATING SOMETHING.

532
00:18:27,266 --> 00:18:29,366
I'M HYPERMELODIC.

533
00:18:29,366 --> 00:18:30,666
SO I DON'T NEED A LOT OF MUSIC

534
00:18:30,666 --> 00:18:34,900
TO WRITE A LOT OF MELODY.

535
00:18:34,900 --> 00:18:36,100
I ALMOST LIKE THAT CHALLENGE.

536
00:18:36,100 --> 00:18:39,566
I WANT TO KEEP THESE THREE

537
00:18:39,566 --> 00:18:40,266
CHORDS HERE AND THREE CHORDS

538
00:18:40,266 --> 00:18:41,900
HERE AND I WANT TO LET MY MIND

539
00:18:41,900 --> 00:18:42,466
GO NUTS.

540
00:18:42,466 --> 00:18:45,433
>> I THINK THE SIMPLICITY OF

541
00:18:45,433 --> 00:18:46,366
SYNTHESIZER CAN ADD CREATION

542
00:18:46,366 --> 00:18:47,566
FROM THE START FROM A NOVICE.

543
00:18:47,566 --> 00:18:49,766
I THINK BEING ABLE TO PLAY A

544
00:18:49,766 --> 00:18:51,066
SYNTHESIZER AND MAKE A REALLY

545
00:18:51,066 --> 00:18:52,866
HUGE SOUND WITH ONE FINGER, IT

546
00:18:52,866 --> 00:18:53,300
SOUNDS GREAT.

547
00:18:53,300 --> 00:19:03,166
>> I LEARNED MUSIC THROUGH PIANO

548
00:19:03,166 --> 00:19:03,866
AND I THINK THAT'S WHAT I LIKE

549
00:19:03,866 --> 00:19:04,533
ABOUT THE KEYBOARD, IS THE

550
00:19:04,533 --> 00:19:04,933
SYNTHESIZER.

551
00:19:04,933 --> 00:19:05,666
IT'S THE EXTENSION OF THE PIANO

552
00:19:05,666 --> 00:19:06,333
IN A SENSE BUT IT'S ALSO AN

553
00:19:06,333 --> 00:19:07,000
EXPANSION IN ATMOSPHERE AND

554
00:19:07,000 --> 00:19:07,700
NOWADAYS, YOU CAN GET A LOT OF

555
00:19:07,700 --> 00:19:08,433
THE SAME SOUNDS FROM A GUITAR

556
00:19:08,433 --> 00:19:11,233
AND A SYNTHESIZER BOTH.

557
00:19:11,233 --> 00:19:20,300
THERE'S NO LIMIT.

558
00:19:15,400 --> 00:19:25,766
♪♪

559
00:19:22,266 --> 00:19:26,266
>> AND NOW, HUNTER CHILD.

560
00:19:26,266 --> 00:19:30,100
♪♪

561
00:19:30,100 --> 00:19:35,533
♪♪ WHENEVER YOU WANT ME ♪♪

562
00:19:35,533 --> 00:19:40,466
♪♪ HOW DOES THIS FEEL IN YOU ♪♪

563
00:19:40,466 --> 00:19:40,900
♪♪ YOU ♪♪

564
00:19:40,900 --> 00:19:54,866
♪♪ WHENEVER YOU WANT ME ♪♪

565
00:19:54,866 --> 00:19:57,933
♪♪ ANTICIPATES IN YOU ♪♪

566
00:19:57,933 --> 00:19:58,366
♪♪ YOU ♪♪

567
00:19:58,366 --> 00:20:04,366
♪♪

568
00:20:04,366 --> 00:20:18,333
♪♪

569
00:20:18,333 --> 00:20:30,333
♪♪

570
00:20:30,333 --> 00:20:51,166
♪♪

571
00:20:51,166 --> 00:21:03,333
♪♪

572
00:21:03,333 --> 00:21:23,300
♪♪

573
00:21:23,300 --> 00:21:31,166
♪♪

574
00:21:31,166 --> 00:21:43,066
♪♪

575
00:21:43,066 --> 00:21:55,266
♪♪

576
00:21:55,266 --> 00:22:06,900
♪♪

577
00:22:06,900 --> 00:22:29,833
♪♪

578
00:22:29,833 --> 00:22:39,200
♪♪

579
00:22:39,200 --> 00:22:54,366
♪♪

580
00:22:54,366 --> 00:23:19,666
♪♪

581
00:23:19,666 --> 00:23:34,600
♪♪

582
00:23:34,600 --> 00:23:45,500
♪♪

583
00:23:45,500 --> 00:23:57,600
♪♪

584
00:23:57,600 --> 00:24:05,533
♪♪

585
00:24:05,533 --> 00:24:20,866
♪♪

586
00:24:20,866 --> 00:24:24,900
♪♪

587
00:24:24,900 --> 00:24:26,466
[ APPLAUSE ]

588
00:24:26,466 --> 00:24:28,533
>> THANK YOU VERY MUCH, GUYS.

589
00:24:28,533 --> 00:24:29,466
>> THAT WAS FANTASTIC.

590
00:24:29,466 --> 00:24:30,700
>> TO FIND OUT ABOUT THEIR

591
00:24:30,700 --> 00:24:32,666
UPCOMING PERFORMANCES AND THEIR

592
00:24:32,666 --> 00:24:33,733
LATEST RELEASES VISIT THEM ON

593
00:24:33,733 --> 00:24:35,600
THEIR FACEBOOK PAGE.

594
00:24:35,600 --> 00:24:37,466
NOW ERICA, I'M GLAD WE HAVE SOME

595
00:24:37,466 --> 00:24:41,500
TIME LEFT THIS SUMMER TO CATCH

596
00:24:41,500 --> 00:24:43,566
SOME GREAT LIVE MUSIC AND FIND

597
00:24:43,566 --> 00:24:45,466
SOME TIME ON THE BEACH.

598
00:24:45,466 --> 00:24:47,066
>> WE HAVE TO WORK ON OUR SAND

599
00:24:47,066 --> 00:24:47,933
CASTLE FOR NEXT SUMMER.

600
00:24:47,933 --> 00:24:49,466
THAT'S ALL THE TIME WE HAVE FOR

601
00:24:49,466 --> 00:24:51,100
TONIGHT'S SHOW BUT ONE MORE TIME

602
00:24:51,100 --> 00:24:55,300
BEFORE WE GO, HUNTER CHILD.

603
00:24:52,700 --> 00:24:56,333
GOOD NIGHT!

604
00:24:56,333 --> 00:25:01,100
♪♪

605
00:25:01,100 --> 00:25:10,700
♪♪

606
00:25:10,700 --> 00:25:30,733
♪♪

607
00:25:30,733 --> 00:25:45,800
♪♪

608
00:25:45,800 --> 00:26:01,166
♪♪

609
00:26:01,166 --> 00:26:13,066
♪♪

610
00:26:13,066 --> 00:26:22,833
♪♪

611
00:26:22,833 --> 00:26:24,466
>> PRODUCTION SUPPORT FOR "THE

612
00:26:23,633 --> 00:26:27,533
WEEKLY SPECIAL" IS PROVIDED BY:

613
00:26:27,533 --> 00:26:31,600
CLOSED CAPTION PRODUCTIONS 
ccproductions.com 
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