1 00:00:00,800 --> 00:00:02,135 - The late Griffith Davis 2 00:00:02,135 --> 00:00:04,471 was a renowned photographer, journalist, 3 00:00:04,471 --> 00:00:07,040 and US foreign service officer. 4 00:00:07,040 --> 00:00:10,110 Among his friends were giants of the civil rights movement, 5 00:00:10,110 --> 00:00:13,079 and with his lens, he captured many of their public 6 00:00:13,079 --> 00:00:14,781 and private moments. 7 00:00:14,781 --> 00:00:16,950 Griff passed away in 1993, 8 00:00:16,950 --> 00:00:19,285 but his legacy lives on through his daughter, 9 00:00:19,285 --> 00:00:21,921 St. Petersburg resident Dorothy Davis. 10 00:00:23,223 --> 00:00:25,592 (bouncy piano music) 11 00:00:25,592 --> 00:00:30,263 - My dad, Griff Davis, was born in Atlanta, Georgia 12 00:00:30,263 --> 00:00:33,633 during segregation, or Jim Crow era. 13 00:00:33,633 --> 00:00:38,505 He was born in 1923 and he passed away in 1993. 14 00:00:40,273 --> 00:00:45,178 He started photography in high school in Atlanta 15 00:00:45,178 --> 00:00:46,913 and that's where he met the professor 16 00:00:46,913 --> 00:00:49,682 or the teacher who taught him about photography 17 00:00:49,682 --> 00:00:54,654 and then he became, like, the student campus photographer, 18 00:00:54,654 --> 00:00:57,857 and that's kind of how he started. 19 00:00:57,857 --> 00:01:01,361 (bouncy piano music continues) 20 00:01:01,361 --> 00:01:02,695 (mellow music) 21 00:01:02,695 --> 00:01:06,766 He was a Buffalo Soldier in World War II in Italy 22 00:01:06,766 --> 00:01:09,869 with the 92nd Infantry of the US Army 23 00:01:09,869 --> 00:01:14,641 and he was the photographer for the infantry. 24 00:01:14,641 --> 00:01:18,044 He always said that's what spared his life, essentially, 25 00:01:18,044 --> 00:01:19,946 that he was the photographer. 26 00:01:19,946 --> 00:01:21,548 In any case, when he came back 27 00:01:22,549 --> 00:01:25,718 to finish his studies at Morehouse, 28 00:01:25,718 --> 00:01:28,421 he took a class with Langston Hughes, 29 00:01:28,421 --> 00:01:30,723 who was the visiting professor 30 00:01:30,723 --> 00:01:34,461 at what's now known as Clark Atlanta University, 31 00:01:34,461 --> 00:01:37,564 and they struck up a friendship. 32 00:01:37,564 --> 00:01:41,801 And then when my dad graduated, he needed a job. 33 00:01:41,801 --> 00:01:45,205 And Langston Hughes was working with "Ebony." 34 00:01:45,205 --> 00:01:48,274 He was doing stories for "Ebony" at the time. 35 00:01:48,274 --> 00:01:52,445 And one day, he was at a World's Fair 36 00:01:52,445 --> 00:01:55,682 where John Johnson, the owner and publisher of "Ebony," 37 00:01:55,682 --> 00:01:58,918 was asking him, "Do you know anyone I can hire 38 00:01:58,918 --> 00:02:02,222 because I'm looking for a roving editor for 'Ebony'?" 39 00:02:02,222 --> 00:02:04,524 He said, "Oh, yeah, I got the right person for you," 40 00:02:04,524 --> 00:02:06,259 and then my dad was hired 41 00:02:06,259 --> 00:02:09,529 and became the first roving editor for "Ebony." 42 00:02:09,529 --> 00:02:10,897 - "Ebony" magazine 43 00:02:10,897 --> 00:02:14,033 was a monthly periodical that was published 44 00:02:14,033 --> 00:02:17,103 about African American life and lifestyle. 45 00:02:17,103 --> 00:02:20,940 For so many African American families, 46 00:02:20,940 --> 00:02:23,910 it was a reference point for everything that was great 47 00:02:23,910 --> 00:02:26,346 about being in the Black community. 48 00:02:26,346 --> 00:02:29,249 - He covered all kinds of stories, 49 00:02:29,249 --> 00:02:32,318 like Nat King Cole's honeymoon. 50 00:02:32,318 --> 00:02:34,020 I think it was 1948. 51 00:02:34,020 --> 00:02:36,990 (mellow jazzy music) 52 00:02:36,990 --> 00:02:40,226 (soulful piano music) 53 00:02:41,027 --> 00:02:44,164 Probably the most famous photo, 54 00:02:44,164 --> 00:02:47,133 although nobody knows about it, (laughs) 55 00:02:47,133 --> 00:02:49,836 is the one of the first meeting 56 00:02:49,836 --> 00:02:53,740 between then-Vice President Richard Nixon 57 00:02:53,740 --> 00:02:57,877 and Martin Luther King Jr. and their respective wives, 58 00:02:57,877 --> 00:03:01,147 Coretta Scott King and Patricia Nixon, 59 00:03:01,147 --> 00:03:05,418 in Ghana during Independence Day celebrations 60 00:03:05,418 --> 00:03:07,787 in March 1957. 61 00:03:08,821 --> 00:03:11,090 That photograph was featured 62 00:03:11,090 --> 00:03:15,528 in "Tampa Bay Times" January 2020 63 00:03:15,528 --> 00:03:17,430 when I opened an exhibition 64 00:03:17,430 --> 00:03:20,333 at the Florida Museum of Photographic Arts, 65 00:03:20,333 --> 00:03:22,101 and it was the first time 66 00:03:22,101 --> 00:03:25,605 that it had been publicly published. 67 00:03:25,605 --> 00:03:29,042 The reason is that, at the time, Martin Luther King 68 00:03:29,042 --> 00:03:33,446 and Coretta had just finished the bus boycott 69 00:03:33,446 --> 00:03:38,518 and so the US government did not really want that photograph 70 00:03:39,953 --> 00:03:41,354 to be publicized. 71 00:03:41,354 --> 00:03:43,690 And it just so happened that dad grew up 72 00:03:43,690 --> 00:03:46,159 with Martin Luther King in Atlanta. 73 00:03:46,159 --> 00:03:48,928 They were, you know, Atlanta boys, right? 74 00:03:48,928 --> 00:03:52,498 And they went to college together at Morehouse. 75 00:03:52,498 --> 00:03:56,836 So it was a real personal and professional moment. 76 00:03:59,505 --> 00:04:02,875 - The uniqueness of this photographer 77 00:04:02,875 --> 00:04:07,947 was that he had this connection in two very different lives. 78 00:04:09,849 --> 00:04:13,586 And one was his connection with politicians, 79 00:04:13,586 --> 00:04:18,658 politicians here in the United States, but also in Africa. 80 00:04:19,959 --> 00:04:23,696 He was very close with the government in Ghana, in Tunisia, 81 00:04:24,764 --> 00:04:27,000 and he was very well respected there. 82 00:04:27,000 --> 00:04:32,071 And parallel with this, he had a very close relationship 83 00:04:33,139 --> 00:04:37,443 with poets and writers and actors 84 00:04:37,443 --> 00:04:41,347 who represented the top of intelligence 85 00:04:41,347 --> 00:04:43,583 in Afro-American culture. 86 00:04:43,583 --> 00:04:47,520 Typically, people who have these artistic connections 87 00:04:47,520 --> 00:04:49,989 are not very much connected with politicians. 88 00:04:49,989 --> 00:04:53,459 And so this opened his horizon 89 00:04:53,459 --> 00:04:57,297 to photography journalism that is unparalleled 90 00:04:57,297 --> 00:04:59,632 by any different journalist. 91 00:05:01,401 --> 00:05:04,404 - As someone growing up with a photographer father, 92 00:05:04,404 --> 00:05:05,872 it was a pain in the neck 93 00:05:05,872 --> 00:05:09,042 because every five seconds is another photograph, right? 94 00:05:09,042 --> 00:05:12,445 So I now understand he was using me 95 00:05:12,445 --> 00:05:16,115 and then my brother as subjects to figure out the lighting 96 00:05:16,115 --> 00:05:17,350 and the this and the that. 97 00:05:17,350 --> 00:05:21,354 So he did take me to different settings 98 00:05:21,354 --> 00:05:25,158 and I did meet a whole lot of different celebrities, 99 00:05:25,158 --> 00:05:28,227 I guess you would call them, or historical figures. 100 00:05:28,227 --> 00:05:30,596 But I didn't know that they were historical figures. 101 00:05:30,596 --> 00:05:33,866 I just thought, "Oh, that's dad's and mom's friend." 102 00:05:33,866 --> 00:05:35,535 That's it. 103 00:05:35,535 --> 00:05:38,271 - There's a photograph of Sidney Poitier 104 00:05:38,271 --> 00:05:42,241 with Griffith Davis standing next to him. 105 00:05:42,241 --> 00:05:46,579 And what's so magical about it is that it is the presence 106 00:05:46,579 --> 00:05:50,650 of two men of African descent standing proudly 107 00:05:50,650 --> 00:05:53,286 and powerfully in their craft. 108 00:05:53,286 --> 00:05:56,823 So you get an idea of the influence of Griffith Davis 109 00:05:56,823 --> 00:06:00,960 because, at that point, Sidney Poitier had an acting career 110 00:06:00,960 --> 00:06:03,329 and was being recognized as a great actor. 111 00:06:03,329 --> 00:06:04,864 - The winner is Sidney Poitier- 112 00:06:04,864 --> 00:06:08,067 - And there he is side by side with Griffith Davis. 113 00:06:10,203 --> 00:06:12,605 It was a great moment to capture. 114 00:06:12,605 --> 00:06:14,941 - [Zora] His work was very pioneering. 115 00:06:14,941 --> 00:06:17,377 I think that now is the perfect time 116 00:06:17,377 --> 00:06:20,113 to bring it back to our attention. 117 00:06:20,113 --> 00:06:23,249 - We need to be informed about our history, 118 00:06:23,249 --> 00:06:26,319 and sometimes that information is uncomfortable, 119 00:06:26,319 --> 00:06:28,254 but it's also important. 120 00:06:28,254 --> 00:06:30,523 So in the case of Griffith Davis, 121 00:06:30,523 --> 00:06:33,760 what's so wonderful is that he fills in the blanks. 122 00:06:33,760 --> 00:06:37,096 - He is bringing light to our existence 123 00:06:37,096 --> 00:06:39,866 in a multi-dimensional way, 124 00:06:39,866 --> 00:06:44,270 and I think he's, like, painting us back into the picture. 125 00:06:44,270 --> 00:06:47,640 (soulful piano music) 126 00:06:47,640 --> 00:06:48,875 (bright music) 127 00:06:48,875 --> 00:06:51,778 - [Host] To learn more, visit griffdavis.com.