WEBVTT 00:01.766 --> 00:03.866 HELLO. 00:03.868 --> 00:05.565 I'M DALIA COLON, AND THIS IS THE 00:05.567 --> 00:07.265 SEASON 5 PREMIER OF 00:07.267 --> 00:09.832 "WEDU ARTS PLUS." 00:09.834 --> 00:11.699 HERE AT THE DALI MUSEUM, EVEN 00:11.701 --> 00:13.732 THE STRUCTURE OF THE BUILDING 00:13.734 --> 00:15.166 PAYS HOMAGE TO THIS FAMOUS 00:15.168 --> 00:16.199 ARTIST'S VISION AND UNIQUE 00:16.201 --> 00:17.866 PERSPECTIVE. 00:17.868 --> 00:19.533 IN THIS SEGMENT, LEARN ABOUT 00:19.535 --> 00:21.366 SALVADOR DALI, EXPLORE THE 00:21.368 --> 00:23.199 MUSEUM THAT HOUSES THE 00:23.201 --> 00:24.866 SURREALIST PAINTER'S WORKS, 00:24.868 --> 00:25.999 AND FIND OUT HIS CONNECTION 00:26.001 --> 00:27.132 TO ST. PETERSBURG. 00:28.667 --> 00:33.533 ♪ 00:33.535 --> 00:36.099 THE SALVADOR DALI IS PROBABLY 00:36.101 --> 00:37.499 THE MOST FAMOUS OF THE 20th 00:37.501 --> 00:40.199 CENTURY ARTISTS. 00:40.201 --> 00:41.933 HE WAS SPANISH, AND HE WAS A 00:41.935 --> 00:44.232 SURREALIST. 00:44.234 --> 00:45.999 SPANISH, THOUGH, HE SPENT HALF 00:46.001 --> 00:47.732 OF HIS TIME IN THE UNITED STATES 00:47.734 --> 00:49.399 AND WAS HIGHLY INFLUENCED BY 00:49.401 --> 00:52.166 AMERICAN CULTURE. 00:52.168 --> 00:53.832 HE ALSO INFLUENCED OUR CULTURE, 00:53.834 --> 00:55.699 INFLUENCED AMERICAN POPULAR 00:55.701 --> 00:58.166 CULTURE AND ITS HIGH ART. 00:58.168 --> 01:01.966 THE SURREALISTS WERE THOSE 01:01.968 --> 01:03.199 ARTISTS THAT ESSENTIALLY USED 01:03.201 --> 01:04.099 WHAT WE WOULD UNDERSTAND AS 01:04.101 --> 01:05.799 COLLAGE. 01:05.801 --> 01:06.899 THEIR AESTHETIC WAS A COLLAGED 01:06.901 --> 01:08.999 AESTHETIC. 01:09.001 --> 01:10.899 THAT IS, YOU TAKE SOMETHING FROM 01:10.901 --> 01:12.899 ONE PLACE AND SOMETHING FROM 01:12.901 --> 01:14.766 ANOTHER PLACE THAT WERE NOT 01:14.768 --> 01:16.365 TOGETHER AND YOU PUT THEM 01:16.367 --> 01:17.532 TOGETHER AND YOU CREATE 01:17.534 --> 01:19.265 SOMETHING NEW. 01:19.267 --> 01:19.866 BUT DALI DID THAT IN A DIFFERENT 01:19.868 --> 01:22.100 WAY. 01:22.102 --> 01:24.699 HE COLLAGED HIS DREAMS, AND HE 01:24.701 --> 01:26.599 WOULD TAKE IMAGES FROM HIS 01:26.601 --> 01:30.298 DREAMS AND PUT THEM ON CANVASES. 01:30.300 --> 01:31.633 AS A MATTER OF FACT, HE CALLED 01:31.635 --> 01:34.298 HIS PAINTINGS DREAM PHOTOGRAPHS. 01:34.300 --> 01:36.633 THE IDEA OF SURREALISM IS THAT 01:36.635 --> 01:41.198 THE WORLD IS NOT REAL, THAT IT'S 01:41.200 --> 01:43.000 AN ILLUSION, AND THAT SOMETHING 01:43.002 --> 01:45.100 ELSE, WHAT GOES ON IN OUR MINDS 01:45.102 --> 01:47.766 AND IN OUR HEARTS IS MORE REAL, 01:47.768 --> 01:48.833 AND THEY TRY TO GET TO THIS 01:48.835 --> 01:50.365 GREATER REALITY. 01:51.600 --> 01:57.100 ♪ 01:57.102 --> 01:59.398 THE DALI MUSEUM IS VISITED BY 01:59.400 --> 02:01.066 PEOPLE FROM MORE THAN 30 02:01.068 --> 02:01.733 COUNTRIES EVERY YEAR AROUND THE 02:01.735 --> 02:03.298 WORLD. 02:03.300 --> 02:05.198 AS MANY AS 400,000 VISITORS TO 02:05.200 --> 02:06.866 THE DALI EACH YEAR, AND THAT HAS 02:06.868 --> 02:08.866 BEEN GROWING PRETTY STEADILY 02:08.868 --> 02:10.933 THROUGHOUT THE LAST FEW YEARS. 02:10.935 --> 02:12.666 AND SINCE BUILDING THIS NEW 02:12.668 --> 02:14.166 MAGNIFICENT BUILDING, WE'RE ABLE 02:14.168 --> 02:15.166 TO ACCOMMODATE MORE VISITORS, 02:15.168 --> 02:15.965 WHICH HAS BEEN GREAT. 02:19.333 --> 02:22.032 WE ARE SITTING IN A BUILDING 02:22.034 --> 02:24.299 THAT AOL ONLINE CALLED ONE OF 02:24.301 --> 02:25.365 THE 10 BUILDINGS YOU MUST SEE IN 02:25.367 --> 02:27.999 YOUR LIFETIME. 02:28.001 --> 02:29.732 AND IT'S BEAUTIFULLY REALIZED BY 02:29.734 --> 02:32.332 HOK ARCHITECTS AND THE DESIGNER 02:32.334 --> 02:34.399 YANN WEYMOUTH TO COMPLEMENT 02:34.401 --> 02:36.599 DALI'S VISION. 02:36.601 --> 02:38.566 IT'S A KIND OF COMBINATION OF 02:38.568 --> 02:40.699 CLASSICAL ARCHITECTURE, 02:40.701 --> 02:42.699 VERY CORRECT, WITH 02:42.701 --> 02:44.799 FANTASTICAL ELEMENTS. 02:44.801 --> 02:46.965 FOR INSTANCE, ABOVE US RIGHT NOW 02:46.967 --> 02:48.732 IS A GEODESIC DOME THAT HAS BEEN 02:48.734 --> 02:51.299 WARPED BY A COMPUTER SO THAT 02:51.301 --> 02:54.365 EVERY PANEL OF GLASS IS A 02:54.367 --> 02:54.965 DIFFERENT SIZE AND A DIFFERENT 02:54.967 --> 02:57.332 SHAPE. 02:57.334 --> 02:59.432 1,064 PANES OF GLASS, NO TWO THE 02:59.434 --> 03:02.332 SAME SIZE OR SHAPE. 03:02.334 --> 03:03.832 SO IT'S LIKE LOOKING OUT THROUGH 03:03.834 --> 03:05.632 A KALEIDOSCOPE SEEING THE WORLD 03:05.634 --> 03:08.599 FRAMED IN DIFFERENT WAYS. 03:08.601 --> 03:10.132 WHEN THEY COME, WE TRY TO ORIENT 03:10.134 --> 03:15.366 THEM A LITTLE BIT TO DALI. 03:15.368 --> 03:17.399 THE COLLECTION OF THE DALI 03:17.401 --> 03:19.366 MUSEUM IS BASED IN A PRIVATE 03:19.368 --> 03:21.965 COLLECTION, ORGANIZED AND 03:21.967 --> 03:24.399 GATHERED OVER FOUR DECADES BY A 03:24.401 --> 03:25.399 COUPLE, REYNOLDS AND ELEANOR 03:25.401 --> 03:27.399 MORSE. 03:27.401 --> 03:29.065 THE BACKSTORY IS, OF COURSE, 03:29.067 --> 03:30.965 THAT THE MORSES, WHO WERE 03:30.967 --> 03:32.733 FRIENDS OF DALI AND A HUGE 03:32.735 --> 03:34.232 COLLECTOR OF HIS, WERE LOOKING 03:34.234 --> 03:36.098 FOR A SPACE TO SHOW OFF THEIR 03:36.100 --> 03:38.266 COLLECTION AND CREATE A MUSEUM. 03:38.268 --> 03:40.432 AND ST. PETERSBURG WAS A 03:40.434 --> 03:42.399 CONTENDER AND LUCKY ENOUGH TO 03:42.401 --> 03:44.432 MAKE THE ARRANGEMENTS TO CREATE 03:44.434 --> 03:45.466 AND OPEN A MUSEUM HERE IN THE 03:45.468 --> 03:47.765 EARLY '80s. 03:47.767 --> 03:50.065 THE MORSES FELT THAT THIS 03:50.067 --> 03:52.299 CITY OF ST. PETERSBURG WAS A 03:52.301 --> 03:54.432 LITTLE BIT LIKE PORT LLIGAT 03:54.434 --> 03:55.432 WHERE DALI LIVED RIGHT ON THE 03:55.434 --> 03:57.633 SEA. 03:57.635 --> 03:59.998 WE HAVE A HUNDRED PAINTINGS, 04:00.000 --> 04:02.699 2,000 ADDITIONAL WORKS OF DALI, 04:02.701 --> 04:04.931 REALLY THE MOST REPRESENTATIVE 04:04.933 --> 04:06.031 COLLECTION OF DALI'S WORK IN THE 04:06.033 --> 04:07.931 WORLD. 04:07.933 --> 04:09.399 IT'S IMPOSSIBLE TO PUT ON AN 04:09.401 --> 04:11.365 EXHIBITION OF DALI IN THE WORLD 04:11.367 --> 04:13.065 WITHOUT BORROWING FROM OUR 04:13.067 --> 04:14.065 COLLECTION BECAUSE IT'S SO 04:14.067 --> 04:15.932 IMPORTANT. 04:15.934 --> 04:17.632 WE WORK TO PROVIDE DIFFERENT 04:17.634 --> 04:19.832 EXHIBITIONS OF DALI. 04:19.834 --> 04:22.199 SO EVERY TIME YOU COME, YOU'LL 04:22.201 --> 04:24.199 SEE DIFFERENT WORKS OF DALI, 04:24.201 --> 04:26.165 ALSO THE WORK ORGANIZED IN A 04:26.167 --> 04:27.465 DIFFERENT WAY SHOWING DIFFERENT 04:27.467 --> 04:29.799 THEMES OF DALI. 04:29.801 --> 04:31.865 NOW, OUR CURATORS ALSO 04:31.867 --> 04:33.498 COMPLEMENT THAT WITH OTHER 04:33.500 --> 04:35.199 ARTISTS, ARTISTS THAT PERHAPS 04:35.201 --> 04:37.998 KNEW DALI, ARTISTS THAT DALI 04:38.000 --> 04:40.465 ADMIRED, AND THAT TERRAIN IS 04:40.467 --> 04:42.065 VERY RICH AND WE'VE BEEN ABLE TO 04:42.067 --> 04:43.465 HAVE WONDERFUL SHOWS. 04:43.467 --> 04:45.265 WE'VE WELCOMED ANDY WARHOL. 04:45.267 --> 04:46.732 WE'VE HAD PABLO PICASSO. 04:46.734 --> 04:48.465 WE HAD M.C. ESCHER. 04:48.467 --> 04:50.165 CURRENTLY, WE ARE EXHIBITING 04:50.167 --> 04:51.432 AN EXHIBITION OF DISNEY AND 04:51.434 --> 04:53.132 DALI. 04:53.134 --> 04:54.498 THIS "DISNEY AND DALI: 04:54.500 --> 04:56.465 ARCHITECTS OF THE IMAGINATION" 04:56.467 --> 04:58.498 EXHIBITION IS REALLY ABOUT THEIR 04:58.500 --> 05:00.098 KIND OF UNLIKELY COLLABORATION 05:00.100 --> 05:01.965 AND BOTH BEING REALLY PIONEERS 05:01.967 --> 05:03.732 AND VISIONARIES IN THE WORLD OF 05:03.734 --> 05:07.498 IMAGINATION AND INNOVATION. 05:07.500 --> 05:08.832 I THINK DALI IS KNOWN FOR TWO 05:08.834 --> 05:11.199 THINGS PRIMARILY. 05:11.201 --> 05:13.532 ONE IS THE MUSTACHE ON HIS 05:13.534 --> 05:15.199 PERSON, AND THE OTHER IS HIS 05:15.201 --> 05:17.165 PAINTING OF MELTING CLOCKS. 05:17.167 --> 05:18.866 AND WE HAVE ONE OF HIS MOST 05:18.868 --> 05:20.332 IMPORTANT MELTING CLOCK 05:20.334 --> 05:21.499 PAINTINGS, WHICH IS CALLED 05:21.501 --> 05:22.799 "THE DISINTEGRATION OF THE 05:22.801 --> 05:25.199 PERSISTENCE OF MEMORY." 05:25.201 --> 05:27.999 IN IT THE CLOCKS ARE MELTING, 05:28.001 --> 05:30.532 BUT ADDITIONALLY, THE SEAFLOOR 05:30.534 --> 05:32.899 IS COMING UP AND EVERYTHING IS 05:32.901 --> 05:34.499 DIVIDED INTO ATOMS AND THE WORLD 05:34.501 --> 05:36.532 IS SEPARATED IN ITS PARTS. 05:36.534 --> 05:38.832 DALI'S WIFE SAID, "ONCE PEOPLE 05:38.834 --> 05:40.932 SEE THOSE MELTING CLOCKS, 05:40.934 --> 05:42.965 THEY WILL NEVER FORGET THEM." 05:42.967 --> 05:45.366 AND I THINK IT'S TRUE. 05:45.368 --> 05:47.132 ONE OF MY FAVORITE PAINTINGS AND 05:47.134 --> 05:48.999 ONE THAT PEOPLE COME FROM ALL 05:49.001 --> 05:50.032 AROUND THE WORLD TO SEE HAS A 05:50.034 --> 05:52.165 LONG TITLE. 05:52.167 --> 05:54.565 IT'S CALLED GALA -- HIS WIFE 05:54.567 --> 05:56.366 GALA, "GALA CONTEMPLATING THE 05:56.368 --> 05:58.199 MEDITERRANEAN SEA WHICH AT 05:58.201 --> 05:59.565 TWENTY METERS BECOMES THE 05:59.567 --> 06:02.132 PORTRAIT OF ABRAHAM LINCOLN." 06:02.134 --> 06:04.532 ON THE ONE HAND, WHEN YOU FIRST 06:04.534 --> 06:06.032 LOOK AT THE PAINTING, YOU SEE 06:06.034 --> 06:08.032 HIS WIFE LOOKING OUT INTO THE 06:08.034 --> 06:10.499 MEDITERRANEAN SEA. 06:10.501 --> 06:12.599 BUT WHEN YOU GET BACK FAR 06:12.601 --> 06:14.131 ENOUGH, AND HE SAID 20 METERS IN 06:14.133 --> 06:17.499 THE TITLE, YOU SEE GALA 06:17.501 --> 06:19.532 DISAPPEARS AND YOU SEE THAT THE 06:19.534 --> 06:22.332 ENTIRE PAINTING IS THE BUST OF 06:22.334 --> 06:24.632 ABRAHAM LINCOLN. 06:24.634 --> 06:27.165 WE ALSO HAVE ONE IN WHICH DALI 06:27.167 --> 06:30.499 HAS INSCRIBED HIS NAME AND HIS 06:30.501 --> 06:34.065 WIFE'S NAME INTO DNA. 06:34.067 --> 06:36.098 AND SO THE PAINTING IS CALLED 06:36.100 --> 06:37.599 "GALACIDALACIDESOXYRIBONUCLEIC- 06:37.601 --> 06:40.466 ACID." 06:40.468 --> 06:42.365 SO IT'S A PAINTING THAT HAS 06:42.367 --> 06:44.098 SCIENCE IN IT, LIFE AND DEATH, 06:44.100 --> 06:46.165 HEAVEN AND EARTH. 06:46.167 --> 06:48.599 IT'S A COMPLETE STORY OF OUR 06:48.601 --> 06:50.933 CONDITION AS PEOPLE, AND PEOPLE 06:50.935 --> 06:53.599 COME TO THE DALI REMEMBERING 06:53.601 --> 06:56.532 THESE WONDERFUL IMAGES OF DALI, 06:56.534 --> 06:58.566 HIS WONDERFUL IMAGINATION, THE 06:58.568 --> 07:00.599 WAY HE TREATS THE WORLD AS 07:00.601 --> 07:02.466 MALLEABLE AND SUBJECTIVE AND 07:02.468 --> 07:04.732 OPEN TO INTERPRETATION. 07:04.734 --> 07:06.065 THE DALI IS ABSOLUTELY A 07:06.067 --> 07:07.332 STAPLE OF THE ARTS COMMUNITY IN 07:07.334 --> 07:09.131 ST. PETERSBURG. 07:09.133 --> 07:10.499 AND WHEN YOU SEE PICTURES OF 07:10.501 --> 07:11.900 ST. PETERSBURG, THEY SHOW THE 07:11.902 --> 07:13.298 BEACHES AND THEY SHOW THE DALI. 07:13.300 --> 07:15.666 AND WE'RE THRILLED AND HONORED 07:15.668 --> 07:17.232 AND LUCKY TO HAVE THE DALI HERE 07:17.234 --> 07:18.365 IN THE COMMUNITY. 07:23.500 --> 07:24.165 FOR INFORMATION ABOUT THE 07:24.167 --> 07:24.933 MUSEUM, VISIT: