1 00:00:01,766 --> 00:00:03,866 HELLO. 2 00:00:03,868 --> 00:00:05,565 I'M DALIA COLON, AND THIS IS THE 3 00:00:05,567 --> 00:00:07,265 SEASON 5 PREMIER OF 4 00:00:07,267 --> 00:00:09,832 "WEDU ARTS PLUS." 5 00:00:09,834 --> 00:00:11,699 HERE AT THE DALI MUSEUM, EVEN 6 00:00:11,701 --> 00:00:13,732 THE STRUCTURE OF THE BUILDING 7 00:00:13,734 --> 00:00:15,166 PAYS HOMAGE TO THIS FAMOUS 8 00:00:15,168 --> 00:00:16,199 ARTIST'S VISION AND UNIQUE 9 00:00:16,201 --> 00:00:17,866 PERSPECTIVE. 10 00:00:17,868 --> 00:00:19,533 IN THIS SEGMENT, LEARN ABOUT 11 00:00:19,535 --> 00:00:21,366 SALVADOR DALI, EXPLORE THE 12 00:00:21,368 --> 00:00:23,199 MUSEUM THAT HOUSES THE 13 00:00:23,201 --> 00:00:24,866 SURREALIST PAINTER'S WORKS, 14 00:00:24,868 --> 00:00:25,999 AND FIND OUT HIS CONNECTION 15 00:00:26,001 --> 00:00:27,132 TO ST. PETERSBURG. 16 00:00:28,667 --> 00:00:33,533 ♪ 17 00:00:33,535 --> 00:00:36,099 THE SALVADOR DALI IS PROBABLY 18 00:00:36,101 --> 00:00:37,499 THE MOST FAMOUS OF THE 20th 19 00:00:37,501 --> 00:00:40,199 CENTURY ARTISTS. 20 00:00:40,201 --> 00:00:41,933 HE WAS SPANISH, AND HE WAS A 21 00:00:41,935 --> 00:00:44,232 SURREALIST. 22 00:00:44,234 --> 00:00:45,999 SPANISH, THOUGH, HE SPENT HALF 23 00:00:46,001 --> 00:00:47,732 OF HIS TIME IN THE UNITED STATES 24 00:00:47,734 --> 00:00:49,399 AND WAS HIGHLY INFLUENCED BY 25 00:00:49,401 --> 00:00:52,166 AMERICAN CULTURE. 26 00:00:52,168 --> 00:00:53,832 HE ALSO INFLUENCED OUR CULTURE, 27 00:00:53,834 --> 00:00:55,699 INFLUENCED AMERICAN POPULAR 28 00:00:55,701 --> 00:00:58,166 CULTURE AND ITS HIGH ART. 29 00:00:58,168 --> 00:01:01,966 THE SURREALISTS WERE THOSE 30 00:01:01,968 --> 00:01:03,199 ARTISTS THAT ESSENTIALLY USED 31 00:01:03,201 --> 00:01:04,099 WHAT WE WOULD UNDERSTAND AS 32 00:01:04,101 --> 00:01:05,799 COLLAGE. 33 00:01:05,801 --> 00:01:06,899 THEIR AESTHETIC WAS A COLLAGED 34 00:01:06,901 --> 00:01:08,999 AESTHETIC. 35 00:01:09,001 --> 00:01:10,899 THAT IS, YOU TAKE SOMETHING FROM 36 00:01:10,901 --> 00:01:12,899 ONE PLACE AND SOMETHING FROM 37 00:01:12,901 --> 00:01:14,766 ANOTHER PLACE THAT WERE NOT 38 00:01:14,768 --> 00:01:16,365 TOGETHER AND YOU PUT THEM 39 00:01:16,367 --> 00:01:17,532 TOGETHER AND YOU CREATE 40 00:01:17,534 --> 00:01:19,265 SOMETHING NEW. 41 00:01:19,267 --> 00:01:19,866 BUT DALI DID THAT IN A DIFFERENT 42 00:01:19,868 --> 00:01:22,100 WAY. 43 00:01:22,102 --> 00:01:24,699 HE COLLAGED HIS DREAMS, AND HE 44 00:01:24,701 --> 00:01:26,599 WOULD TAKE IMAGES FROM HIS 45 00:01:26,601 --> 00:01:30,298 DREAMS AND PUT THEM ON CANVASES. 46 00:01:30,300 --> 00:01:31,633 AS A MATTER OF FACT, HE CALLED 47 00:01:31,635 --> 00:01:34,298 HIS PAINTINGS DREAM PHOTOGRAPHS. 48 00:01:34,300 --> 00:01:36,633 THE IDEA OF SURREALISM IS THAT 49 00:01:36,635 --> 00:01:41,198 THE WORLD IS NOT REAL, THAT IT'S 50 00:01:41,200 --> 00:01:43,000 AN ILLUSION, AND THAT SOMETHING 51 00:01:43,002 --> 00:01:45,100 ELSE, WHAT GOES ON IN OUR MINDS 52 00:01:45,102 --> 00:01:47,766 AND IN OUR HEARTS IS MORE REAL, 53 00:01:47,768 --> 00:01:48,833 AND THEY TRY TO GET TO THIS 54 00:01:48,835 --> 00:01:50,365 GREATER REALITY. 55 00:01:51,600 --> 00:01:57,100 ♪ 56 00:01:57,102 --> 00:01:59,398 THE DALI MUSEUM IS VISITED BY 57 00:01:59,400 --> 00:02:01,066 PEOPLE FROM MORE THAN 30 58 00:02:01,068 --> 00:02:01,733 COUNTRIES EVERY YEAR AROUND THE 59 00:02:01,735 --> 00:02:03,298 WORLD. 60 00:02:03,300 --> 00:02:05,198 AS MANY AS 400,000 VISITORS TO 61 00:02:05,200 --> 00:02:06,866 THE DALI EACH YEAR, AND THAT HAS 62 00:02:06,868 --> 00:02:08,866 BEEN GROWING PRETTY STEADILY 63 00:02:08,868 --> 00:02:10,933 THROUGHOUT THE LAST FEW YEARS. 64 00:02:10,935 --> 00:02:12,666 AND SINCE BUILDING THIS NEW 65 00:02:12,668 --> 00:02:14,166 MAGNIFICENT BUILDING, WE'RE ABLE 66 00:02:14,168 --> 00:02:15,166 TO ACCOMMODATE MORE VISITORS, 67 00:02:15,168 --> 00:02:15,965 WHICH HAS BEEN GREAT. 68 00:02:19,333 --> 00:02:22,032 WE ARE SITTING IN A BUILDING 69 00:02:22,034 --> 00:02:24,299 THAT AOL ONLINE CALLED ONE OF 70 00:02:24,301 --> 00:02:25,365 THE 10 BUILDINGS YOU MUST SEE IN 71 00:02:25,367 --> 00:02:27,999 YOUR LIFETIME. 72 00:02:28,001 --> 00:02:29,732 AND IT'S BEAUTIFULLY REALIZED BY 73 00:02:29,734 --> 00:02:32,332 HOK ARCHITECTS AND THE DESIGNER 74 00:02:32,334 --> 00:02:34,399 YANN WEYMOUTH TO COMPLEMENT 75 00:02:34,401 --> 00:02:36,599 DALI'S VISION. 76 00:02:36,601 --> 00:02:38,566 IT'S A KIND OF COMBINATION OF 77 00:02:38,568 --> 00:02:40,699 CLASSICAL ARCHITECTURE, 78 00:02:40,701 --> 00:02:42,699 VERY CORRECT, WITH 79 00:02:42,701 --> 00:02:44,799 FANTASTICAL ELEMENTS. 80 00:02:44,801 --> 00:02:46,965 FOR INSTANCE, ABOVE US RIGHT NOW 81 00:02:46,967 --> 00:02:48,732 IS A GEODESIC DOME THAT HAS BEEN 82 00:02:48,734 --> 00:02:51,299 WARPED BY A COMPUTER SO THAT 83 00:02:51,301 --> 00:02:54,365 EVERY PANEL OF GLASS IS A 84 00:02:54,367 --> 00:02:54,965 DIFFERENT SIZE AND A DIFFERENT 85 00:02:54,967 --> 00:02:57,332 SHAPE. 86 00:02:57,334 --> 00:02:59,432 1,064 PANES OF GLASS, NO TWO THE 87 00:02:59,434 --> 00:03:02,332 SAME SIZE OR SHAPE. 88 00:03:02,334 --> 00:03:03,832 SO IT'S LIKE LOOKING OUT THROUGH 89 00:03:03,834 --> 00:03:05,632 A KALEIDOSCOPE SEEING THE WORLD 90 00:03:05,634 --> 00:03:08,599 FRAMED IN DIFFERENT WAYS. 91 00:03:08,601 --> 00:03:10,132 WHEN THEY COME, WE TRY TO ORIENT 92 00:03:10,134 --> 00:03:15,366 THEM A LITTLE BIT TO DALI. 93 00:03:15,368 --> 00:03:17,399 THE COLLECTION OF THE DALI 94 00:03:17,401 --> 00:03:19,366 MUSEUM IS BASED IN A PRIVATE 95 00:03:19,368 --> 00:03:21,965 COLLECTION, ORGANIZED AND 96 00:03:21,967 --> 00:03:24,399 GATHERED OVER FOUR DECADES BY A 97 00:03:24,401 --> 00:03:25,399 COUPLE, REYNOLDS AND ELEANOR 98 00:03:25,401 --> 00:03:27,399 MORSE. 99 00:03:27,401 --> 00:03:29,065 THE BACKSTORY IS, OF COURSE, 100 00:03:29,067 --> 00:03:30,965 THAT THE MORSES, WHO WERE 101 00:03:30,967 --> 00:03:32,733 FRIENDS OF DALI AND A HUGE 102 00:03:32,735 --> 00:03:34,232 COLLECTOR OF HIS, WERE LOOKING 103 00:03:34,234 --> 00:03:36,098 FOR A SPACE TO SHOW OFF THEIR 104 00:03:36,100 --> 00:03:38,266 COLLECTION AND CREATE A MUSEUM. 105 00:03:38,268 --> 00:03:40,432 AND ST. PETERSBURG WAS A 106 00:03:40,434 --> 00:03:42,399 CONTENDER AND LUCKY ENOUGH TO 107 00:03:42,401 --> 00:03:44,432 MAKE THE ARRANGEMENTS TO CREATE 108 00:03:44,434 --> 00:03:45,466 AND OPEN A MUSEUM HERE IN THE 109 00:03:45,468 --> 00:03:47,765 EARLY '80s. 110 00:03:47,767 --> 00:03:50,065 THE MORSES FELT THAT THIS 111 00:03:50,067 --> 00:03:52,299 CITY OF ST. PETERSBURG WAS A 112 00:03:52,301 --> 00:03:54,432 LITTLE BIT LIKE PORT LLIGAT 113 00:03:54,434 --> 00:03:55,432 WHERE DALI LIVED RIGHT ON THE 114 00:03:55,434 --> 00:03:57,633 SEA. 115 00:03:57,635 --> 00:03:59,998 WE HAVE A HUNDRED PAINTINGS, 116 00:04:00,000 --> 00:04:02,699 2,000 ADDITIONAL WORKS OF DALI, 117 00:04:02,701 --> 00:04:04,931 REALLY THE MOST REPRESENTATIVE 118 00:04:04,933 --> 00:04:06,031 COLLECTION OF DALI'S WORK IN THE 119 00:04:06,033 --> 00:04:07,931 WORLD. 120 00:04:07,933 --> 00:04:09,399 IT'S IMPOSSIBLE TO PUT ON AN 121 00:04:09,401 --> 00:04:11,365 EXHIBITION OF DALI IN THE WORLD 122 00:04:11,367 --> 00:04:13,065 WITHOUT BORROWING FROM OUR 123 00:04:13,067 --> 00:04:14,065 COLLECTION BECAUSE IT'S SO 124 00:04:14,067 --> 00:04:15,932 IMPORTANT. 125 00:04:15,934 --> 00:04:17,632 WE WORK TO PROVIDE DIFFERENT 126 00:04:17,634 --> 00:04:19,832 EXHIBITIONS OF DALI. 127 00:04:19,834 --> 00:04:22,199 SO EVERY TIME YOU COME, YOU'LL 128 00:04:22,201 --> 00:04:24,199 SEE DIFFERENT WORKS OF DALI, 129 00:04:24,201 --> 00:04:26,165 ALSO THE WORK ORGANIZED IN A 130 00:04:26,167 --> 00:04:27,465 DIFFERENT WAY SHOWING DIFFERENT 131 00:04:27,467 --> 00:04:29,799 THEMES OF DALI. 132 00:04:29,801 --> 00:04:31,865 NOW, OUR CURATORS ALSO 133 00:04:31,867 --> 00:04:33,498 COMPLEMENT THAT WITH OTHER 134 00:04:33,500 --> 00:04:35,199 ARTISTS, ARTISTS THAT PERHAPS 135 00:04:35,201 --> 00:04:37,998 KNEW DALI, ARTISTS THAT DALI 136 00:04:38,000 --> 00:04:40,465 ADMIRED, AND THAT TERRAIN IS 137 00:04:40,467 --> 00:04:42,065 VERY RICH AND WE'VE BEEN ABLE TO 138 00:04:42,067 --> 00:04:43,465 HAVE WONDERFUL SHOWS. 139 00:04:43,467 --> 00:04:45,265 WE'VE WELCOMED ANDY WARHOL. 140 00:04:45,267 --> 00:04:46,732 WE'VE HAD PABLO PICASSO. 141 00:04:46,734 --> 00:04:48,465 WE HAD M.C. ESCHER. 142 00:04:48,467 --> 00:04:50,165 CURRENTLY, WE ARE EXHIBITING 143 00:04:50,167 --> 00:04:51,432 AN EXHIBITION OF DISNEY AND 144 00:04:51,434 --> 00:04:53,132 DALI. 145 00:04:53,134 --> 00:04:54,498 THIS "DISNEY AND DALI: 146 00:04:54,500 --> 00:04:56,465 ARCHITECTS OF THE IMAGINATION" 147 00:04:56,467 --> 00:04:58,498 EXHIBITION IS REALLY ABOUT THEIR 148 00:04:58,500 --> 00:05:00,098 KIND OF UNLIKELY COLLABORATION 149 00:05:00,100 --> 00:05:01,965 AND BOTH BEING REALLY PIONEERS 150 00:05:01,967 --> 00:05:03,732 AND VISIONARIES IN THE WORLD OF 151 00:05:03,734 --> 00:05:07,498 IMAGINATION AND INNOVATION. 152 00:05:07,500 --> 00:05:08,832 I THINK DALI IS KNOWN FOR TWO 153 00:05:08,834 --> 00:05:11,199 THINGS PRIMARILY. 154 00:05:11,201 --> 00:05:13,532 ONE IS THE MUSTACHE ON HIS 155 00:05:13,534 --> 00:05:15,199 PERSON, AND THE OTHER IS HIS 156 00:05:15,201 --> 00:05:17,165 PAINTING OF MELTING CLOCKS. 157 00:05:17,167 --> 00:05:18,866 AND WE HAVE ONE OF HIS MOST 158 00:05:18,868 --> 00:05:20,332 IMPORTANT MELTING CLOCK 159 00:05:20,334 --> 00:05:21,499 PAINTINGS, WHICH IS CALLED 160 00:05:21,501 --> 00:05:22,799 "THE DISINTEGRATION OF THE 161 00:05:22,801 --> 00:05:25,199 PERSISTENCE OF MEMORY." 162 00:05:25,201 --> 00:05:27,999 IN IT THE CLOCKS ARE MELTING, 163 00:05:28,001 --> 00:05:30,532 BUT ADDITIONALLY, THE SEAFLOOR 164 00:05:30,534 --> 00:05:32,899 IS COMING UP AND EVERYTHING IS 165 00:05:32,901 --> 00:05:34,499 DIVIDED INTO ATOMS AND THE WORLD 166 00:05:34,501 --> 00:05:36,532 IS SEPARATED IN ITS PARTS. 167 00:05:36,534 --> 00:05:38,832 DALI'S WIFE SAID, "ONCE PEOPLE 168 00:05:38,834 --> 00:05:40,932 SEE THOSE MELTING CLOCKS, 169 00:05:40,934 --> 00:05:42,965 THEY WILL NEVER FORGET THEM." 170 00:05:42,967 --> 00:05:45,366 AND I THINK IT'S TRUE. 171 00:05:45,368 --> 00:05:47,132 ONE OF MY FAVORITE PAINTINGS AND 172 00:05:47,134 --> 00:05:48,999 ONE THAT PEOPLE COME FROM ALL 173 00:05:49,001 --> 00:05:50,032 AROUND THE WORLD TO SEE HAS A 174 00:05:50,034 --> 00:05:52,165 LONG TITLE. 175 00:05:52,167 --> 00:05:54,565 IT'S CALLED GALA -- HIS WIFE 176 00:05:54,567 --> 00:05:56,366 GALA, "GALA CONTEMPLATING THE 177 00:05:56,368 --> 00:05:58,199 MEDITERRANEAN SEA WHICH AT 178 00:05:58,201 --> 00:05:59,565 TWENTY METERS BECOMES THE 179 00:05:59,567 --> 00:06:02,132 PORTRAIT OF ABRAHAM LINCOLN." 180 00:06:02,134 --> 00:06:04,532 ON THE ONE HAND, WHEN YOU FIRST 181 00:06:04,534 --> 00:06:06,032 LOOK AT THE PAINTING, YOU SEE 182 00:06:06,034 --> 00:06:08,032 HIS WIFE LOOKING OUT INTO THE 183 00:06:08,034 --> 00:06:10,499 MEDITERRANEAN SEA. 184 00:06:10,501 --> 00:06:12,599 BUT WHEN YOU GET BACK FAR 185 00:06:12,601 --> 00:06:14,131 ENOUGH, AND HE SAID 20 METERS IN 186 00:06:14,133 --> 00:06:17,499 THE TITLE, YOU SEE GALA 187 00:06:17,501 --> 00:06:19,532 DISAPPEARS AND YOU SEE THAT THE 188 00:06:19,534 --> 00:06:22,332 ENTIRE PAINTING IS THE BUST OF 189 00:06:22,334 --> 00:06:24,632 ABRAHAM LINCOLN. 190 00:06:24,634 --> 00:06:27,165 WE ALSO HAVE ONE IN WHICH DALI 191 00:06:27,167 --> 00:06:30,499 HAS INSCRIBED HIS NAME AND HIS 192 00:06:30,501 --> 00:06:34,065 WIFE'S NAME INTO DNA. 193 00:06:34,067 --> 00:06:36,098 AND SO THE PAINTING IS CALLED 194 00:06:36,100 --> 00:06:37,599 "GALACIDALACIDESOXYRIBONUCLEIC- 195 00:06:37,601 --> 00:06:40,466 ACID." 196 00:06:40,468 --> 00:06:42,365 SO IT'S A PAINTING THAT HAS 197 00:06:42,367 --> 00:06:44,098 SCIENCE IN IT, LIFE AND DEATH, 198 00:06:44,100 --> 00:06:46,165 HEAVEN AND EARTH. 199 00:06:46,167 --> 00:06:48,599 IT'S A COMPLETE STORY OF OUR 200 00:06:48,601 --> 00:06:50,933 CONDITION AS PEOPLE, AND PEOPLE 201 00:06:50,935 --> 00:06:53,599 COME TO THE DALI REMEMBERING 202 00:06:53,601 --> 00:06:56,532 THESE WONDERFUL IMAGES OF DALI, 203 00:06:56,534 --> 00:06:58,566 HIS WONDERFUL IMAGINATION, THE 204 00:06:58,568 --> 00:07:00,599 WAY HE TREATS THE WORLD AS 205 00:07:00,601 --> 00:07:02,466 MALLEABLE AND SUBJECTIVE AND 206 00:07:02,468 --> 00:07:04,732 OPEN TO INTERPRETATION. 207 00:07:04,734 --> 00:07:06,065 THE DALI IS ABSOLUTELY A 208 00:07:06,067 --> 00:07:07,332 STAPLE OF THE ARTS COMMUNITY IN 209 00:07:07,334 --> 00:07:09,131 ST. PETERSBURG. 210 00:07:09,133 --> 00:07:10,499 AND WHEN YOU SEE PICTURES OF 211 00:07:10,501 --> 00:07:11,900 ST. PETERSBURG, THEY SHOW THE 212 00:07:11,902 --> 00:07:13,298 BEACHES AND THEY SHOW THE DALI. 213 00:07:13,300 --> 00:07:15,666 AND WE'RE THRILLED AND HONORED 214 00:07:15,668 --> 00:07:17,232 AND LUCKY TO HAVE THE DALI HERE 215 00:07:17,234 --> 00:07:18,365 IN THE COMMUNITY. 216 00:07:23,500 --> 00:07:24,165 FOR INFORMATION ABOUT THE 217 00:07:24,167 --> 00:07:24,933 MUSEUM, VISIT: