- Today we are pleased to
introduce, Lynne Diebel,
as part of the Wisconsin
Historical Museum's
History Sandwiched In
lecture series.
The opinions expressed today,
are those of the presenters,
and are not necessarily
those of the Wisconsin
Historical Society,
or the museum's employees.
Lynne Diebel grew up
in southern Minnesota,
and has lived in Stoughton,
Wisconsin since 1974,
with her husband, Bob,
and their four children.
Her many books, are
centered on the landscapes,
and natural world of
Wisconsin and Minnesota.
Lynne has been canoeing
lakes since childhood,
and as an adult she learned
to canoe whitewater
rivers with Bob.
Together, they've peddled almost
3,000 miles on the
rivers of Minnesota,
while researching
their two guide books.
Here today to discuss her book,
"Crossing the Driftless"
please join me in
welcoming Lynne Diebel.
(audience applause)
- Well, hi everybody,
and thanks so much
for being here.
I'm honored to be
part of this program,
it's a really cool program.
As Katie mentioned,
I did grow up in
southeastern Minnesota,
and...
then living most of my
adult life near Madison,
I always spent a lot
of time traveling,
back to visit my very
large extended family,
who stayed in
southeastern Minnesota.
Which means that, we
traveled occasionally
by train or bus, but
nearly always by car.
285 miles, four point
five hours to Faribault.
(audience laughs)
220 miles, three point
three hours to Rochester.
And then there was
that one bike trip.
(laughs)
The land that lies between
these two homes of mine,
is known as The Driftless Area.
And...
This gives you a visual
of what The Driftless,
is composed of.
Now, some people say
that the Driftless
is partly in,
southeastern Minnesota,
but officially, according
to Carrie Jennings,
who's the, Wisconsin,
or Minnesota
glacial geologist, that
area was glaciated.
So we're gonna
confine The Driftless
to southwestern Wisconsin,
a teeny bit of
northwestern Illinois.
But you can,
You'll note, you can
see that you are here,
and all the lakes
that extend above
the, you are here,
and then look at
the Driftless Area,
the rugged land there.
No lakes. Just rivers.
So...
That's a geological reality
that, comes from the fact
that, all of this land,
was an ancient
Paleozoic Plateau.
That's how it was formed.
Layers of limestone
and sandstone
that were once a vast sea bed,
covering much of
the Upper Midwest.
And since that time,
the rivers have,
in the Driftless Area, only,
dissected the landscape,
creating those deep valleys,
and those coulée's
that are so beautiful
in that land.
They've had
millennia to do that,
in the glaciated
area, by contrast,
you find lakes,
marshes, drumlands,
eskers and post glacial rivers.
So, we have the contrast
between those landscapes.
Now I'll show you
where we traveled,
and why we traveled.
How many times has an adventure
been launched by a map?
It was in small history
center in Minnesota,
that we first thought
of traveling back
to our Wisconsin home by canoe.
The center stands near
Traverse des Sioux,
a shallow river crossing
on the lower Minnesota river.
And it was a Frenchman
who drew the map
that so intrigued us
on that hot summer day
that we visited the center.
From 1836 to 1840,
commissioned by
the newly created
U.S. Army Corps of
Topographical Engineers,
astronomer and cartographer,
Joseph N. Nicollet,
traveled the rivers
and prairies by canoe,
and ox cart to survey the land
that would become
Minnesota territory.
Wisconsin territory was surveyed
in the early 1830's, and thus,
Nicollet used that data as well
to create this map,
which the war department
published in 1843.
This map became somewhat
of a real estate map,
for settlers who were looking
to move into the
Minnesota territory.
Because he had not
only done the map,
but he did notes on
fertility of soil,
on existence of arable land.
There's a ton of praire
in southwestern Minnesota.
So he observed all of that.
And...
He...
This map, there's a digital
copy I got from here
at the Historical Society.
It was seeing this map
that made us decide
to paddle from
Faribault, Minnesota,
where my family has a
house on Cedar Lake,
and the house is a settler cabin
that my great grandparents
bought in 1883,
back to our Stoughton,
Wisconsin home.
There are no roads
on Nicollet's map,
as you can see, just rivers.
And the Madison
Lakes are perched
on the very eastern
edge of the map.
You can see these
little dots along
the very eastern edge,
at the, you are here.
Some portages required
for the trip, of course,
but, people had been traveling
paddle-ported style
for millennia,
and this had long intrigued us.
Bob and I like paddling rivers.
We wanted to, know what paddling
upstream would be like.
(Lynne and audience laugh)
It's one thing to go downstream,
quite another to go up.
So he's looking at the
map, and he's saying,
"Well, look if we
went down the canon,
and then we went
down the Mississipi,
the Wyalusing, then we
went up the Wisconsin
to Arena, and then up
cross the Black Earth Creek
to Cross Plains, portage over
into the Madison Lakes,
we could get home."
We live in Stoughton,
which is right on
the Yahara River.
So, I said, so what
are you suggesting?
(Lynne and audience laugh)
And he said,
"We can do this! Come on!
This is an adventure".
And we had always gone
for adventures.
The trip in the end,
totaled 359 miles,
that took us 12 days,
and it didn't come out
exactly as we had planned,
but, trips on rivers rarely do.
So those are the
guidebooks that we did
for Paddling Minnesota,
there's a series also
for Paddling Wisconsin
done by a fellow named,
Mike Svob, published
by Trails Books.
So here's our route,
on the Nicollet map.
You can see the...
...wide part that's Lake Pepin,
that was an exciting
part of the trip.
And here's one of
the first of the maps
that Bob drew, for the book.
And these are very precise,
he's an engineer, by profession.
But he also is kind of playful,
so he's got all
these interesting
little details on the maps.
And each, little
drawing tells a story
about that particular episode.
So Faribault to Stoughton.
And this is the first,
day of the trip,
we went down the canon,
just about the Mississippi.
To back track just
a bit to Cedar Lake,
where we had planned to start,
we didn't end up starting
exactly at Cedar Lake;
we started in the
town of Faribault
about five miles away.
This is my grandmother in 1898,
and that's an Ojibwa
canoe, a birch bark canoe.
And here's the same canoe,
in 2012, Bob renovated it
with the help of fellow
up in Woodruff, Ferdie Goode,
who's an expert at these things,
and how to dig the spruce roots
out of the marshes.
This is the canoe we took.
We did not paddle my
grandmother's canoe.
(Lynne and audience laugh)
This is a Wenonah
Jensen hull, Kevlar,
light weight, not very
much freeboard though,
so, that's why Lake
Pepin got exciting.
And, that's all of our stuff,
please note the portage wheels,
they're important.
(audience member laughs)
Here's a cropped
version of the map,
this is following the canon,
this is Nicollet's research.
He also called it
the Lahontan River.
The word canon comes from
bastardization of the French,
which was, riviere de cano,
and that's, or o cano.
It's river of canoes,
because there a lot of
canoes on the river.
And, it got changed to
canon and lots of people
think that it has
to do with warfare,
but it doesn't.
On our way down the canon,
the portage wheels are
in the front there.
If you look at the
bluff along the canon,
you see a cross section
of the Paleozoic Plateau.
At the bottom, St.
Peter Sandstone,
and then a thin layer
of Glendwood's Shale,
topped off with Platteville
Limestone at this point.
There are other
layers in other areas,
but this is what was left there.
During settlement times,
a southern Minnesota
wheat boom led to numerous
water powered mills
to grind the grain.
Local historians say that
at least 17 gristmill's
operated on the canon
in the 19th century.
It's not that long a river.
Leaving behind ruins
like the Archibald Mill
at Dundas, which is a really
cool looking old building.
Nothing's being done to it.
Here's a little cross
section of history.
At the sight of Scotts Mill,
does anybody recognize
what that's the shape of?
- That Goddess,
I can't remember...
- Shiva.
- [Lynne] Shiva! Thank you!
Thank you, yea.
Nearby are the remains
of a dry laid, of
bridge abutments.
But, In the 1970's,
a St. Olaf College,
art student carved
this carving of Shiva
on the bluff face,
merging several layers
of prehistory and history,
the Paleozoic era stone,
that was his material,
Glacial era erosion,
19th century industry,
and ancient eastern
religious iconography.
So, it's also a great
sight for young people
to try to deface.
Early 20th century bridges,
add another layer of history,
I'm very fond of these bridges,
these truss bridges, because,
my childhood was spent
driving over those.
The waters of the canon river,
flowing over a dam at the site
in Northfield
Minnesota once powered
the 1856 Ames Mill.
This current structure,
which is almost 100 years old,
now serves no practical purpose,
except to block the
passage of fish.
Today the Multi Mill company,
which has owned Ames
Mill since 1927,
produces cereals like
Chocolate Malt-O-Meal,
and Coco Roos, in the
vintage mill building,
the original, vintage
mill building,
but not with water power.
Post Holdings recently
bought the company
for 1.15 billion.
So, it may change.
They may tear it down.
Now this is a
hyro-dam on the canon,
a 60 foot high, hydro-dam,
that was quite a portage,
'cause you go straight down.
It impounds a lake
called, Lake Byllesby.
And this is the beginning
of the portage wheel story.
At the downstream
end of Byllesby,
we float quietly for a
moment to watch laughing,
shouting teenagers
jump from a bluff
into the water far below.
And then we land a portage.
Once again the canoe
makes the overland
journey on it's wheels,
which wobble ominously
across the parking lot,
and stubbornly refused to roll
when reached the grass.
A few years ago,
Bob tried to sell
these portage wheels
on Craigslist,
(audience laughs)
He was asking 15 dollars.
A young man drove 25
miles to look at them,
and offered 10 dollars.
(audience laughs)
Bob was adamant about his price.
The young man
wouldn't budge either,
and he drove away
without buying.
Which is why we
don't have a better
set of portage wheels today.
(Lynne and audience laugh)
So, moving on to Lake Pepin!
And you'll have
to read the book,
if you want to know the
story that's associated
with this particular drawing.
This is a bird's eye-view,
well sorta bird's eye,
it's from, Great River
Bluff State Park,
of the Mississippi.
And it gives you a sense of how
the Mississippi has
changed since the 1930's
when it was, they
attempted to corral it
with the lock and dam system.
So, what you see
in the foreground
is the, channel,
the main channel,
that's officially called
the 9-Foot Channel,
but is also dredged to
twelve feet in some areas.
And behind that, the backwaters,
and that gives you a sense
of what the river
looked like before
it was impounded and
before it was dredged.
It was a very complex system
and it got really confusing
for early explorers.
This one's another story.
You can see in the
foreground we have a truck.
That one we won't
go into either.
(Lynne and audience laugh)
So we had, this was in 2009,
that we did the trip.
And, we had a cellphone,
it wasn't a smart phone,
we didn't have internet access,
and we decided that
on the Mississippi,
that we had traveled
so many times by road,
it would be fun to stay
at some of the little
places along the way,
that were right in
the river towns.
But we were able to
reach our son, Greg,
who was dubbed our
river concierge,
and he would check, we'd say,
"Ah, we're gonna get
to Alma tonight",
and he'd call back and say,
well the Alma Hotel,
can put you up,
and I made a
reservation for you.
And so, we went to Alma.
And, this is the second chapter
of the portage wheel story.
Half way down mainstreet
to our night's lodging,
and soon after we
dropped the canoe rig
over a steep curb cut,
our portage wheels
being wobbling
in a dramatically new fashion,
not a good thing.
At the Alma Hotel,
we park the canoe
on the sidewalk.
Still wearing his lifejacket,
Bob walks up to the bar,
where five patrons
in various stages
of Sunday afternoon inebriation
are seated on barstools.
"Our son called about us
getting a room tonight",
Bob says to the barkeep,
"You don't need a
lifejacket in here,"
offers one of the patrons.
(Lynn and audience laugh)
"I don't know about that,
our canoe's right
outside on the sidewalk."
"Oh!"
Everyone including the barkeep,
hurries out the door
to see the canoe.
(audience laughing)
"You ought to get a motor,"
suggests one thoughtfully...
(Lynne and audience laugh)
...adding that he works
on a dredging rig.
We chat for a bit
about the hazards
of canoeing the big river.
"So, about the room?"
Bob asks the barkeep.
"You should probably
see it first."
Up the stairs from the bar,
we see why she said that,
as the place is being renovated.
There's no light in
the upstairs hall,
paint is peeling from the walls,
and there's one shared bathroom.
But the room and bed are
clean and comfortable.
We say yes and follow her
downstairs to the bar.
"How much do we owe you
for the room?" I ask.
"Oh, it's very expensive,
about 297 dollars,"
interjects the dredger.
" 22 dollars and and 16 cents;
that includes the tax,"
the barkeep concludes
with a grin.
"It's just a sleeping room."
When we lock the canoe
to the dumpster
behind the hotel,
Bob inspects the
recalcitrant portage wheels.
One metal support
has buckled so much
that another bounce down a curb
will render the wheels useless
and the other
support is twisted.
"So what'll we do
about the portage
from Black Earth Creek?" I ask.
"We'll figure that
out when we get there.
Let's get dinner."
(audience laughing)
On our evening
walking tour of Alma,
we have a tasty meal
at Kate and Gracie's restaurant,
which is no longer there, sadly.
A session at the laundromat,
and a trip to the
pier downstream
to scout tomorrow's exit route.
As an afterthought,
we carry the wheels to
a municipal trash can
and drop them in.
(audience laughs)
He should have taken
the 10 dollars.
(Lynn and audience laugh)
Ah, yes!
Alright, so, this
is a dredging rig.
And this is what they
used to scoop out,
and then they have
an adjoining barge
that they pile the sand,
and then they move it to other
places on the river.
And they pile it in huge mounds
in various places.
They build islands with it,
they do all sorts of stuff,
because the sand is
always moving downstream,
and refilling the channel.
So this is where our dredger
was bound to be working.
Just on that note, on the river
there's a continual
tension between nature
and man's works.
The river's power,
reminds us that the things
we build in it's floodplain,
the towns, the levees,
the farms, etcetera,
are there only as long
as the river permits.
Congress built the
lock and dam system
for commercial
navigation in the 1930's,
not for flood control,
but the Army Corp of
Enginners River Commission,
has been messing with
the Mississippi's flow
and floodplains for much longer,
building levees and wing dams.
In 1883, Mark Twain wrote,
"One who knows the Mississippi,
will promptly aver, not
aloud but to himself,
that if thousand
River Commissions,
with all the mines of
the world at their back,
cannot tame that lawless stream,
cannot curb it, or confine it,
cannot say to it, go
here, or go there,
and make it obey;
cannot save a shore
which it has sentenced;
cannot bar its path
with an obstruction
which it will not tear down,
dance over, and laugh at."
That was from, Life
on the Mississippi.
Fortunately there were those,
who understood this truth.
And in 1924, under
heavy pressure,
from the newly formed,
Izaak Walton League,
Congress had established
the upper Mississippi,
National Wildlife
and Fish refuge.
And that's 261 miles of river,
between the foot of Lake Pepin
and Rock Island, Illinois.
No new levees there from now on.
The flood of 1965, however,
crusted at about 20 feet,
mocking most existing
levees anyway.
Our fourth day,
was a four dam day,
Alma, Whitman, Winona
and Trempealeau.
We portaged two of them,
locked through two.
We passed the confluences
of the Zumbro,
and the White
Water, those are two
lovely paddling
streams in Minnesota,
and the quirky boat houses
on Winona's, Latsch Island.
We...
(Lynn and audience laugh)
Bob likes to take
a nap in the canoe.
And he'll have me paddle
so that he can kind
of stretch out.
That's him napping.
So we ended the
next day, at Genoa,
taking us past the mouth
of the Trempealeau,
the Black, the La Cross,
the Root and Coon Creek,
as well as visiting
glorious flocks of Pelicans,
to spend the night at Genoa,
in another riverside in.
We were getting
spoiled at this point.
And at Genoa, this was
the sweetest thing,
the innkeeper, whose name was,
Ann Zebolio Meerhead,
was standing on the
side of the river,
on the riprapped river bank,
where, just below
where the train tracks
go along the river there.
She was waving a
dishtowel, to signal,
where we should go
under the tracks.
We could see her
from really far away,
she's standing there
waving the dishtowel,
and saying, "Ok, you
go through there."
And then she and
her husband met us
at the landing
that was underneath
the railroad tracks,
and helped us carry
our stuff to the motel.
And that was one of the pluses
of having a river concierge.
(audience laughing)
Next day we passed the
Bad Axe, the Upper Iowa,
and the elegant
Black Hawk Bridge
at Lansing, Iowa.
And camped on an
island, number--
We're going through
the barge traffic,
which I don't recommend
hanging out with.
Camped on island number 166,
just upstream of Prairie
Dasheen, Wisconsin.
Just to back up for a moment.
That is a lock.
And you can see
that they will lock
through any one canoe,
if the one canoe is the only one
that wants to get in.
One canoe gets to lock through.
It's big enough to
hold an enormous barge.
And so we're sitting
there, you know,
you just hold on to the rope,
you don't tie up
because you drop,
(laughs) as you're going down.
And so you just let the rope
slide through your hands.
So there's all the barge traffic
and there was plenty of it.
Here we are, at
island number 166.
And on the seventh day,
and that sounds a
little biblical,
(Lynne and audience laugh)
it wasn't.
After floating past
Praire Dasheen,
we turned left and
head up to Wisconsin.
Now, has anyone here heard
of the Wyalusing River?
Yes.
- Yea, we camp at
Wyalusing State Park.
- Wyalusing State Park.
Well there's a made
up Wyalusing River,
it's actually a historic river.
What direction does the
Wisconsin River flow?
- Southwest.
- Southwest. Right.
Has it always?
This is a trick question.
(audience chattering
and laughing)
That's the right answer is no!
(Lynne and audience laugh)
Go back almost a million years
before the most
recent glaciaciĂłn,
which ended about
12,000 years ago.
The evidence lies along
Wisconsin highway 16,
near Bridgeport.
And you can see
Bridgeport on this map.
Where the highway rides
the high bedrock bench
called the Bridgeport Terrace.
And this is once place
where there is glaciaciĂłn
in the Driftless Area.
Evidence of it.
According to Wisconsin
geologist, Eric Seacarson,
the eastward tilt of
that Bridgeport Terrace,
plus the narrowing
of the river valley,
as it nears it's confluence
with the Mississippi,
and the shape of the valley wall
at the confluence, suggests
that as recently as
800,000 year ago,
the Wisconsin flowed
east, probably all the way
to the Gulf of Saint Lawrence.
And, there's a lot of
geological research
being done on that right now.
Finding the markers,
the geological markers
of Wisconsin's path east.
Paddling upstream around
the sinuous sandbars
of the lower Wisconsin
took some learning.
And, this our route on
the next day between
that sandbar near the Kickapoo,
the mouth of the Kickapoo
in Coumbe island.
This is one of the techniques
we used for going upstream.
(Lynne and audience laugh)
And it was actually
a nice thing,
because, you
probably also notice
that I wear the same
thing, in every picture,
and that is true,
I wore the same
clothes for 12 days.
But going upstream
is quite possible,
we were able to go
about two miles an hour,
upstream, against
about a two to three
mile an hour current.
And, yea we got
tired of sitting,
because we'd be
paddling 12 hours a day.
And so, we periodically
towed the thing,
in the shallow.
The water was kinda
low that year.
This is the bridge
near Lone Rock.
And, that, it's a steel
through truss bridge.
And that means that,
the trusses form a box
through which the
traffic drives.
It's another one of those shapes
that I find so appealing,
and I think it echoes the shapes
of the hill of The Driftless.
And all of those bridges
have that lovely
curved arch on top.
This is the route between
Coumbe Island and Lone Rock.
Notice the drawing because
you'll see that again.
(audience member laughs)
Okay not everyone
floats in canoes
down on the Wisconsin.
(Lynne and audience laugh)
It was the fourth
of July weekend,
and we noted that all the way
down the Mississippi,
we hadn't seen a
single other canoe.
Everybody we met
and talked with,
and that was a lot of people,
they were all on dry land.
But in the four days it took us
to reach the Arena
landing, we met hundreds
of people floating
down the Wisconsin
on the July fourth weekend.
And most told us,
we were going the wrong way.
(audience laughing)
Be a lot easier people!
(Lynne and audience laugh)
So here's where that
sketch came from.
(Lynne and audience laugh)
They weren't given any advice,
they were just
having a great time.
They had actually built
that raft in the morning.
(Lynne and audience laugh)
So we paddled in
place for awhile
chatting with them
and they were just,
they were great kids.
They were really funny.
I know, the couch
is a great touch.
(audience laughing)
So, day four on the Wisconsin
took us to just down
stream of Arena.
And...
That was...
Passing the highway 23 bridge
over to Spring Green.
and, this is Frank
Lloyd Wright territory,
as many of you, I'm sure know.
Wrightson Taliesin
is in the hills
just south of the river here,
and it's architectural
style deeply rooted
in the landscape
of The Driftless,
echoes the shapes and
forms of these bluff faces,
their outcroppings, and
the low rounded hills
that rise above them.
An organic expression
of this land
where the architect grew up.
The materials and shapes derived
from the landscape,
and at times from
the riverscape,
Wright built with
Cambrian sandstones,
and dolomites quarried
from the hills
of the Driftless and he
mixed Wisconsin River
sand into his plaster.
Which is a nice connection.
This photograph was
taken from Bobs,
it used to be called
Bob's Riverside,
now it's just Riverside Landing,
which is a, they have
really great burgers,
so we stopped for a burger there
and went up on the deck
and I love this view
of the Wisconsin.
It is my favorite river.
Another view of the Wisconsin,
it's taken from Ferry
Bluff and Cactus Bluff,
so that you can see
off in the distance,
the highest point
in the Driftless,
which is Blue Mound.
Can you see it on
the horizon?
Ok.
This is a...
A point that's about
six miles upstream
of where we took out at Arena.
So, which brings us
to the final chapter
of the portage wheel story.
And, at this point
we had reached
the Arena landing, but
we were trying to find,
there are about three
different outlets
for Blue Mound Creek,
which Black Earth feeds.
And we were trying to find
the mouth of that creek.
It wasn't easy
the water was low.
Today it isn't easy
to find the mouth
of that cold creek again.
The chameleon shape of
the Wisconsin sandbar
may be the reason,
as the sandbar
is always, always changing.
So instead of searching
for the confluence,
we look for a proper
place to camp,
choosing a spot
on a high sandbar,
facing the back channel
with scattered thickets
of willow on vast
expanses of open sand,
so hot in the afternoon
sun that it is hard
to walk barefoot.
That we cannot see the
main channel from here
makes our camp feel
secluded, somehow wilder
than our wide-open
tenting grounds
of the last few days.
On the wet mud flats
that abut the sandbar
on the shore side,
trails of sandhill crane tracks,
each footprint shaped
like the letter T,
form intricate patterns
of line and curves,
and loops, frequently punctuated
by dried droppings.
As it turns out, we
are indeed camped
at the confluence, or
perhaps more accurately,
at one of several points
where Blue Mounds Creek
drains into the Wisconsin.
By studying the
shoreline, Bob concludes,
that one branch of
Blue Mounds Creek
flows into Wisconsin,
under a tangle
of undergrowth
that is just across
the back channel from our camp.
To confirm this,
we paddle across
the narrow channel, and
step out of the canoe
into the water.
It is clear and icy.
We have discovered
Blue Mounds Creek.
Back in camp, we bathed
in the Wisconsin,
lying full length on our backs
on the sandy bottom
of the shallows.
My hair floats on the
surface, Medusa-like,
I had longer hair then,
as I slowly cool off and relax.
Later we dine on oranges,
bananas, gouda cheese
and Wasabrod and
toast our arrival
at the confluence
with cups of ice water
from the bottom of the cooler
and the last of the Oreos.
(audience laughing)
Bob suggests that when we
get back to the Madison
in two days, that we
spend the night at
at the Edgewater Hotel
on Lake Mendota.(laughs)
(audience laughs)
"We can paddle right up to
the dock," he says.(laughs)
I agree, delighted with
his somewhat outrageous
idea of staying at a posh
hotel on a canoe trip.
Two sandhill cranes cross
the mouth of the creek
pausing to look our way,
a few quick running
steps and their launched.
They depart over the trees,
bodies glowing softly golden
in the evening light,
long wings silhouetted
against the sky,
and that distinctive
wingbeat tempo, slow on
the downstroke, quick up,
then another long, slow
roll and quick snap,
and then they're gone.
Sun drops behind the
bluffs and the world
slowly cools.
I listen to the distant
cranes call to each other
intermittently
through the evening,
not thinking of
anything in particular.
Then out of the blue,
I recall our long -ago
abandoned portage
wheels and feel
a mild sense of dread.
(audience laughing)
It was justified.
(Lynne and audience laugh)
We made it only two miles
up Blue Mounds Creek
before turning around
and back tracking
to the Wisconsin.
The water was too low.
Too many deadfalls
cross the narrow stream.
Too many sick blankets,
they were this thick,
of filamentous algae
blocked our passage.
We became crabby paddlers.
The portage wheels were
back in that trash can
in Alma, or we
could have portaged
the three miles from
the Arena landing
to where the Black Earth
is relatively open.
But with no wheels
we sure weren't
going to be able to do
the ten mile portage
from Cross Plains to
Middleton as we had planned.
Luckily, we were
voyagers with cellphones.
Our son Matt, this
is a different son,
drove to the Arena landing,
and gave his crabby
parents a ride
to Lake Mendota in Middleton.
(audience laughing)
It was a role reversal.
(audience laughing)
This is Black Earth Creek,
beloved of trout fisherman.
It runs through
agricultural land
and thus has it's
share of obstacles
for the paddler.
Fenced in cattle
crossing, low bridges,
and deadfalls abound.
But the good news
is, it's the only dam
that impounded the
creek for 150 years,
to create Lake Marion
was recently removed.
And a mile of stream bed,
banks, and floodplain
restored to their
former contours.
Floodplain restoration
is going on all over
the Driftless.
Mile by mile, stream
banks are being reshaped
into their natural contours.
On the east branch
of the Pecatonica,
timber cooly, Sees
Branch, the north fork
of the bed acts warm and cooly,
with thousands of stream
miles in the Driftless,
it's slow but important work,
the best hope for
Driftless streams.
Just to show you in contrast,
if you look at this one,
see how the floodplain
goes level with the water.
And here we have the banks,
sediment from agricultural
fields upstream
is deposited as steep,
highly erodible banks
in the canon river bottoms,
eliminating the floodplain.
And so, instead of spreading
into the floodplain,
when the water rises,
the water rips off
more and more soil
and carries it down
to the Gulf of Mexico.
Home again!
Alright, leaving
Black Earth Creek,
we left the Driftless.
The lakes of Madison
strung together
by the Yahara
River lie just over
the Johnstown moraine
into the glaciated landscape,
the land that isn't
the Driftless.
Almost home.
Ok, glacial lake, Yahara.
When the last glacier moved in,
it covered the land
that is now Madison
in the Yahara River valley
with ice more than
1,000 feet deep.
Imagine that. We'd be under it.
As the ice melted off the land
where the lakes of
Madison now lie,
glacial lake, Yahara
took its place,
draining first of the
southwest and west
through the Sugar River
and Black Earth Creek.
Glacial lake Yahara
shrank until it filled
only a basin bounded
by the moraine
that now divides
the Yahara River
and Black Earth water
sheds to the west,
and by the retreating
glacier to the northeast.
The lake then found a
new outlet to the south,
through the glacial
debris covering
what is now the River Valley.
As the water moved downstream,
and the lake level dropped,
a chain of smaller river
linked lakes appeared,
the Yahara lakes.
So this is a place
that has been formed
in large part by
the glacier, I mean,
it was the Paleozoic Plateau,
but that's long gone.
Our last day on the water,
deeply familiar lakes and river,
we landed the canoe
at Stoughton's
Division Street Park,
and walked up the
hill to our home.
(chattering)
I have just one last
paragraph to read.
And...
This is kind of a
retrospective on it.
"Sifting through the
many mental images
"I gathered over
the past 12 days,
"I'm surprised by some
that linger vividly
"in my mind's eye.
"The long, low line of
a lock and dam ahead,
"slowly coming into focus
as we close the distance.
"The flash of a goldfinch
in a riverside willow thicket.
"The bleakness of a bermed,
and rock-clad river bank.
"The startling beauty of
a white steeple rising
"from the greenrey of a
Mississippi River town.
"The intimidating stoney
hulk of burned bluff,
"Frontenac and Wyalusing,
"Our first glimpse
of each secretive
"wooded confluence,
the wild overwhelming
"tumult that is a train roaring
down the River Valley.
"There are about
ten of them a day.
"The ominous power
of a barge tow.
"I recall with lasting fineness
the riffles of the canon,
"the flight of the Pelicans,
"the grand movie that is
the Mississippi River
"Valley Bluffs, and the golden
soft sand of the Wisconsin.
"In the end I realized that I
felt, rather than observed.
"The sudden absence
of the Driftless
"following our departure
from that compellingly
"rugged landscape,
"a passage we had so many
times over the years,
"but which I had never
experienced with such clarity,
"and such a powerful
sense of connection."
And, thank you very
much for being here.
(audience applause)