WEBVTT

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By the River is brought
to you in part by

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the University of South
Carolina Beaufort

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learning in action, discovered.

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Community Foundation of
the Low Country

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strengthening community

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Osher Lifelong Learning
Institute at USCB.

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The Pat Conroy Literary Center

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Artistic Flower Shop.

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Born in Las Vegas, Nevada
and educated at the

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University of South
Carolina in Journalism

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Marcus Amaker
comes from a family of poets

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who invest in their
communities.

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As Charleston's first
poet laureate, Gaillard

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Center's Artist in
Residence, and winner of

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the South Carolina
Humanities Fresh Voice,

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Marcus explored creative
freedom in his newest collection

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of poems, 'The Birth
of All Things.'

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I'm Holly Jackson, join us
as we bring you powerful

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stories from both new and
established Southern

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authors, as we sit By The
River.

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♪

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Hi, I'm Holly Jackson,
thank you so much for

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joining us here on By The
River. This is season

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here in our Beaufort
waterfront studio.

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We're so glad to have you
back. Let's get right into it.

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Marcus Amaker from
Charleston, thank you so

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much for coming and
driving over here to Beaufort

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to see us. Yeah. We're excited.
You have a lot going on

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because you have this new
book and also you have that

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sort of new baby. So tell
us a little bit about

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first of all this book
and how it stands out

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among the rest.
Yes, so this is my eighth

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book. And it started out
as an album actually.

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The title and the concept of
it came to me when I

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first heard my daughter's
heart beat. So, we went to

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the ultrasound and I
heard the heartbeat.

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And I sampled it and made some
music around it. And when

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I first heard the
heartbeat, all of these

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emotions, all these things
came up for me.

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Obviously joy,
and all types of

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realizations of what it
means to be a dad and

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what it could mean to be
a dad and

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raise somebody in this
whole society that we're in

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and that's sort of swirling
with chaos. But also

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there's a lot of anxiety
that came up too.

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So, the title came to me
during that when I was

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making music for The
Birth of All Things and

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then when I started to
write about it, I started

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to develop a concept that
I wanted to write a lot

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of "dad" poems just
all those emotions.

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But then I
started to really expand

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into
some other subjects that

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I've been writing about
whether, it be social

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justice,
but also some other

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things that I haven't
written about in a while.

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So, music and my favorite
musicians,

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some experimental poetry
style, things like that.

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So, it really The Birth of
All Things, really is

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about all things, putting
all of my styles into one book.

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But growing from
that heart beat

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you know
everything started there.

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Let's back way up to the
birth of Marcus Amaker,

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as a writer. When did that
all begin? As a writer

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that started when I was
probably like negative

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twenty years old. I
think it was just part

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of my - part of my
fiber. But I really

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started to write when I
was around ten years old.

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That was when I had an
awareness of music.

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Really, deeply listening
to music not just having

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it in the background.

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My parents still
have a lot of vinyl

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and a lot of music around

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their house. And I have that
as well. And I remember

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when I was ten years old
seeing Prince records

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for the first time and
just opening up the gate

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fold and seeing all of
the lyrics and smelling

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the right, the
vinyl and listening to

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the music. And I wanted to
do that. So I started to

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write songs and that was
around ten years old.

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Is this something that runs
in the family?

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Or are you the first?

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No, it definitely runs
in the family.

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I'm actually
related to Norman Amaker

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who was a big figure
for the Civil Rights

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Movement. And he wrote a
few books as well.

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It's funny I found that
out later on. So, it's just

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this unconscious
thread that is with us.

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And my dad writes too.
Well, I stumbled upon the

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The Big Butt. Yeah that was,
the first thing that I did.

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Was it? Yeah. The very first
thing I did.

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I saw the cassette and that's
the actual cassette

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you wrote on and everything

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Yeah. So, I remember doing the
same thing,

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sitting by with a
microphone and I probably

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sing Amazing Grace or something
over and over, but -

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It wasn't Big Butt" for you.
It wasn't "Big Butt"

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but I loved it. I loved it.

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And you put it in the top.
Yeah. At the beginning of this

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book, I list all of my works.

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So, yeah, I think to honor
that kid, you know, I

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have to keep talking
about that because there

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are so many
people now

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whatever
age there that are

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you know, creating music
and stuff. And there's

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more tools now to do that
stuff, than there was when I

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was younger, so. So, let's
talk about that one

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specifically. I mean I can
already tell. I'm sure

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everybody who hears it,
you know there's a gift

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whenever, you hear that
reading.

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Really, I mean of course
it's a funny subject

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but at what point did maybe

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mom or dad pick up on maybe
we've got

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something going here. We need
to, Wow! I think that they

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just kind of naturally knew and
they always encouraged it.

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I think back to how I was
making - and I still make a

06:35.666 --> 06:37.800 align:left position:25%,start line:86.67% size:75%
lot of music, but
definitely when I was

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younger, it was almost
every like week or

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something, I had a new
song. And you know and I'm

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ten, eleven years old and I
remember playing it for

06:46.466 --> 06:49.100 align:left position:0%,start line:86.67% size:100%
my parents. And they aren't
the best songs in the

06:49.200 --> 06:51.933 align:left position:12.5%,start line:86.67% size:87.5%
world but they are
always encouraging and

06:52.033 --> 06:54.233 align:left position:12.5%,start line:86.67% size:87.5%
and never really told
me, "maybe you should"

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"do something else or
whatever." I was always

06:57.133 --> 07:00.066 align:left position:25%,start line:86.67% size:75%
creating and they
bought a keyboard for me,

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that I still have and my
daughter's playing it.

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She's eight - I know
you love that.

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Yeah. It's really cool.

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She's eight months old,
just kind of bangs on it

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but it's cool, I was always

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encouraged to create and
there was always

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something in the house
that could create with.

07:16.033 --> 07:18.666 align:left position:25%,start line:86.67% size:75%
Oftentimes when I
speak with authors, they

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talk about this kind of
circle of friends, but then

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that author community that
they kind of lean on to

07:24.433 --> 07:26.966 align:left position:12.5%,start line:86.67% size:87.5%
be a critic of their
writing and that sort of thing.

07:27.066 --> 07:29.733 align:left position:12.5%,start line:86.67% size:87.5%
Do you have that as
a poet, as well?

07:29.833 --> 07:32.333 align:left position:12.5%,start line:86.67% size:87.5%
It comes in waves. When I
first moved to Charleston

07:32.433 --> 07:36.233 align:left position:37.5%,start line:86.67% size:62.5%
in 2003,
there was a really

07:36.333 --> 07:40.033 align:left position:25%,start line:86.67% size:75%
vibrant community
for open mic.

07:40.133 --> 07:43.900 align:left position:0%,start line:86.67% size:100%
So, it was almost every night
of the week. So, I hustled

07:44.000 --> 07:46.500 align:left position:12.5%,start line:86.67% size:87.5%
and I just went to all
these things. And a lot

07:46.600 --> 07:49.166 align:left position:12.5%,start line:86.67% size:87.5%
of times I would just sit
on the back and take

07:49.266 --> 07:53.066 align:left position:0%,start line:86.67% size:100%
notes and stuff like that.
So, there was a lot of

07:53.166 --> 07:56.100 align:left position:12.5%,start line:86.67% size:87.5%
learning from those
experiences. And I think

07:56.200 --> 08:00.066 align:left position:12.5%,start line:86.67% size:87.5%
unconsciously I was
getting my butt kicked by

08:00.166 --> 08:03.133 align:left position:12.5%,start line:86.67% size:87.5%
a lot of different poets.
And it really helped me

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you know become
a better poet. And then

08:06.300 --> 08:09.100 align:left position:12.5%,start line:86.67% size:87.5%
when I started getting on
the microphone and

08:09.200 --> 08:11.600 align:left position:0%,start line:86.67% size:100%
starting to connect with a lot
of them, then

08:11.700 --> 08:14.633 align:left position:12.5%,start line:86.67% size:87.5%
I really started to
make a personal

08:14.733 --> 08:18.266 align:left position:12.5%,start line:86.67% size:87.5%
connections and stuff. I
think it's easy now to be

08:18.366 --> 08:22.666 align:left position:0%,start line:86.67% size:100%
disconnected through social
media

08:22.766 --> 08:24.633 align:left position:25%,start line:86.67% size:75%
and all that,
especially now with

08:24.733 --> 08:27.866 align:left position:25%,start line:86.67% size:75%
the pandemic
going on. So, I really miss

08:27.966 --> 08:31.700 align:left position:12.5%,start line:86.67% size:87.5%
those, that sense of
community when you're

08:31.800 --> 08:35.266 align:left position:12.5%,start line:86.67% size:87.5%
with a bunch of poets,
you can sit and talk.

08:35.366 --> 08:38.933 align:left position:12.5%,start line:86.67% size:87.5%
We used to have bi weekly
open mics and writing

08:39.033 --> 08:41.500 align:left position:12.5%,start line:86.67% size:87.5%
sessions and things
like that. So, right now,

08:41.600 --> 08:44.866 align:left position:12.5%,start line:86.67% size:87.5%
I'm really missing that.
I'm in my own head a lot,

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which I'm fine with
but it would be nice to

08:48.300 --> 08:51.400 align:left position:12.5%,start line:86.67% size:87.5%
go out and get some
different experiences, but

08:51.500 --> 08:56.266 align:left position:12.5%,start line:86.67% size:87.5%
yeah I do have some
people that I can call on who

08:56.366 --> 08:59.600 align:left position:0%,start line:86.67% size:100%
are really, really amazing
writers and I learn

08:59.700 --> 09:03.133 align:left position:0%,start line:86.67% size:100%
from them a lot. In several
interviews that

09:03.233 --> 09:06.766 align:left position:25%,start line:86.67% size:75%
as I was kind of
researching you, I noticed

09:06.866 --> 09:09.633 align:left position:12.5%,start line:86.67% size:87.5%
that several times you
mentioned kind of the

09:09.733 --> 09:13.733 align:left position:12.5%,start line:86.67% size:87.5%
dislike of social media
and how it can,

09:13.833 --> 09:15.866 align:left position:12.5%,start line:86.67% size:87.5%
what it can do to us, the
cell phone and

09:15.966 --> 09:17.533 align:left position:12.5%,start line:86.67% size:87.5%
everything and people
walking around looking at

09:17.633 --> 09:20.400 align:left position:12.5%,start line:86.67% size:87.5%
their cell phones and all
that sort of thing.

09:20.500 --> 09:22.466 align:left position:12.5%,start line:86.67% size:87.5%
And I appreciate that.
However, during this

09:22.566 --> 09:24.566 align:left position:12.5%,start line:86.67% size:87.5%
pandemic, I imagine it's
been a real challenge for

09:24.666 --> 09:27.100 align:left position:12.5%,start line:86.67% size:87.5%
you because you had to go
to that -Yeah- the whole

09:27.200 --> 09:29.500 align:left position:12.5%,start line:86.67% size:87.5%
time. Tell me about the
challenge of that and maybe

09:29.600 --> 09:31.866 align:left position:12.5%,start line:86.67% size:87.5%
kind of what you've
learned through it all.

09:31.966 --> 09:35.666 align:left position:12.5%,start line:86.67% size:87.5%
Yeah, I definitely
have and have an

09:35.766 --> 09:38.400 align:left position:12.5%,start line:86.67% size:87.5%
addiction to social
media. That's why, I talk

09:38.500 --> 09:41.800 align:left position:25%,start line:86.67% size:75%
about it so much.
But I think that there's

09:41.900 --> 09:45.200 align:left position:25%,start line:86.67% size:75%
so much good that
can come from it. But also

09:45.300 --> 09:48.733 align:left position:12.5%,start line:86.67% size:87.5%
I just think it is a sort
of this endless loop that

09:48.833 --> 09:52.966 align:left position:12.5%,start line:86.67% size:87.5%
that we're in. I don't
know where the ending of

09:53.066 --> 09:56.900 align:left position:12.5%,start line:86.67% size:87.5%
it is. You know. It's
just going and going and going.

09:57.000 --> 09:59.266 align:left position:0%,start line:93.33% size:100%
So, I've had to really limit

09:59.366 --> 10:03.966 align:left position:12.5%,start line:93.33% size:87.5%
myself and my interaction

10:04.066 --> 10:06.933 align:left position:12.5%,start line:86.67% size:87.5%
with people through
that mean, because I

10:07.033 --> 10:10.266 align:left position:12.5%,start line:86.67% size:87.5%
see how it affects me. I
think it takes me away

10:10.366 --> 10:14.733 align:left position:0%,start line:93.33% size:100%
from sort of my higher self.

10:14.833 --> 10:18.800 align:left position:0%,start line:86.67% size:100%
So, when I'm in the middle of
writing something or

10:18.900 --> 10:21.966 align:left position:0%,start line:86.67% size:100%
listening to music, I want
to be. I want to have a

10:22.066 --> 10:26.200 align:left position:0%,start line:86.67% size:100%
clear mind. And that to me
it doesn't, that isn't

10:26.300 --> 10:30.100 align:left position:12.5%,start line:86.67% size:87.5%
isn't this for everyone.
But to me it

10:30.200 --> 10:34.366 align:left position:25%,start line:86.67% size:75%
clouds my mind.
You know, so

10:34.466 --> 10:37.666 align:left position:12.5%,start line:86.67% size:87.5%
it's important for me to
just be mindful of how

10:37.766 --> 10:40.566 align:left position:12.5%,start line:86.67% size:87.5%
much I'm using it.
Have you been writing

10:40.666 --> 10:46.666 align:left position:12.5%,start line:86.67% size:87.5%
about the pandemic much?
Well, I'm not sure much

10:46.766 --> 10:49.633 align:left position:12.5%,start line:86.67% size:87.5%
but I've written a few
poems about it.

10:49.733 --> 10:52.166 align:left position:12.5%,start line:86.67% size:87.5%
I journal about it. That
definitely, because I

10:52.266 --> 10:56.400 align:left position:12.5%,start line:86.67% size:87.5%
think that this time in
our history is really

10:56.500 --> 10:58.700 align:left position:12.5%,start line:86.67% size:87.5%
important, you know. This
is the type of stuff and

10:58.800 --> 11:00.400 align:left position:12.5%,start line:86.67% size:87.5%
they're going to be
talking about hundreds

11:00.500 --> 11:03.033 align:left position:12.5%,start line:86.67% size:87.5%
and hundreds of years
from now. So, I think

11:03.133 --> 11:06.400 align:left position:12.5%,start line:86.67% size:87.5%
it's important to have a
document of this time.

11:06.500 --> 11:10.733 align:left position:12.5%,start line:86.67% size:87.5%
Also to work through my
feelings through it. I think

11:10.833 --> 11:15.233 align:left position:12.5%,start line:86.67% size:87.5%
a lot of people are
feeling scared.

11:15.333 --> 11:17.733 align:left position:25%,start line:86.67% size:75%
A lot of people
are really sad during

11:17.833 --> 11:20.266 align:left position:12.5%,start line:86.67% size:87.5%
this time as well. So,
anytime those emotions

11:20.366 --> 11:23.200 align:left position:12.5%,start line:86.67% size:87.5%
come up for me, I write
about it

11:23.300 --> 11:26.800 align:left position:12.5%,start line:86.67% size:87.5%
in journal form. I'm
also going to create some

11:26.900 --> 11:29.600 align:left position:0%,start line:86.67% size:100%
more music around just the
feeling of

11:29.700 --> 11:31.933 align:left position:0%,start line:86.67% size:100%
what's going on right now.
There definitely are

11:32.033 --> 11:36.466 align:left position:12.5%,start line:86.67% size:87.5%
times when I've had like
panic attacks and stuff

11:36.566 --> 11:39.900 align:left position:12.5%,start line:86.67% size:87.5%
that happened recently.
They took my daughter out

11:40.000 --> 11:42.333 align:left position:12.5%,start line:86.67% size:87.5%
and they were just a
bunch of people around

11:42.433 --> 11:44.633 align:left position:0%,start line:86.67% size:100%
and nobody was distancing.
There weren't a lot of

11:44.733 --> 11:48.300 align:left position:12.5%,start line:86.67% size:87.5%
masks on. And it just,
it kind of scared me.

11:48.400 --> 11:52.100 align:left position:12.5%,start line:86.67% size:87.5%
So those things the way
that I've always handled

11:52.200 --> 11:55.033 align:left position:0%,start line:86.67% size:100%
my emotions is to write them
down. It doesn't

11:55.133 --> 11:58.000 align:left position:12.5%,start line:86.67% size:87.5%
necessarily always
transform into a poem,

11:58.100 --> 12:01.400 align:left position:12.5%,start line:86.67% size:87.5%
but it can just be a
journal entry.

12:01.500 --> 12:05.000 align:left position:0%,start line:86.67% size:100%
Yeah. Through your role in
Charleston, tell me about

12:05.100 --> 12:06.900 align:left position:12.5%,start line:86.67% size:87.5%
some of the different
events that you've been

12:07.000 --> 12:10.533 align:left position:0%,start line:86.67% size:100%
able to do, poetry readings
and what are maybe the

12:10.633 --> 12:13.366 align:left position:12.5%,start line:86.67% size:87.5%
ones that stand out as
the most meaningful to you.

12:13.466 --> 12:14.866 align:left position:12.5%,start line:93.33% size:87.5%
Yeah it's been a blessing

12:14.966 --> 12:18.833 align:left position:12.5%,start line:86.67% size:87.5%
being a Poet Laureate of
Charleston, the first one.

12:18.933 --> 12:23.233 align:left position:12.5%,start line:86.67% size:87.5%
I've been asked to write
poems about specific events.

12:23.333 --> 12:25.533 align:left position:12.5%,start line:93.33% size:87.5%
I've also been asked to

12:25.633 --> 12:29.100 align:left position:12.5%,start line:86.67% size:87.5%
be in schools, which I
have been doing a lot, but

12:29.200 --> 12:31.433 align:left position:12.5%,start line:86.67% size:87.5%
it carries a lot more
weight when I'm in the

12:31.533 --> 12:34.833 align:left position:0%,start line:86.67% size:100%
school now, in the classrooms.
It's like, "Oh my God! You're"

12:34.933 --> 12:37.100 align:left position:12.5%,start line:86.67% size:87.5%
"the Poet Laureate." At
first, they don't

12:37.200 --> 12:40.833 align:left position:0%,start line:86.67% size:100%
know what that means and I then
I tell them what it means.

12:40.933 --> 12:43.400 align:left position:0%,start line:93.33% size:100%
So those moments carry the most

12:43.500 --> 12:46.566 align:left position:25%,start line:86.67% size:75%
weight for me is
being in schools.

12:46.666 --> 12:49.400 align:left position:0%,start line:86.67% size:100%
I really love that. And that's
another thing that I miss

12:49.500 --> 12:54.633 align:left position:0%,start line:86.67% size:100%
about right now as well, being
in front of a classroom.

12:54.733 --> 12:57.400 align:left position:25%,start line:86.67% size:75%
But I've always
preached that poetry is

12:57.500 --> 13:00.966 align:left position:0%,start line:86.67% size:100%
so flexible. It can be put
in a lot of different

13:01.066 --> 13:02.966 align:left position:12.5%,start line:86.67% size:87.5%
scenarios and a lot of
different ways that

13:03.066 --> 13:07.166 align:left position:12.5%,start line:86.67% size:87.5%
people might not expect.
So, I've collaborated with

13:07.266 --> 13:10.566 align:left position:12.5%,start line:86.67% size:87.5%
with Wine and Food
Festival. I've collaborated

13:10.666 --> 13:13.833 align:left position:25%,start line:86.67% size:75%
with City of
Charleston to do

13:13.933 --> 13:16.333 align:left position:12.5%,start line:86.67% size:87.5%
my own festival, where
actually you

13:16.433 --> 13:19.100 align:left position:12.5%,start line:86.67% size:87.5%
know poetry is not just
readings, it's

13:19.200 --> 13:23.933 align:left position:12.5%,start line:86.67% size:87.5%
public art. It's put on
walls and windows and

13:24.033 --> 13:28.200 align:left position:0%,start line:86.67% size:100%
things like that. So, yeah
it's been a lot

13:28.300 --> 13:31.066 align:left position:0%,start line:86.67% size:100%
of fun, yeah. I really dig it
because you

13:31.166 --> 13:33.800 align:left position:12.5%,start line:86.67% size:87.5%
know like I said it's
just a very flexible art

13:33.900 --> 13:36.733 align:left position:0%,start line:86.67% size:100%
form so it can be used in a
lot of different ways.

13:36.833 --> 13:39.033 align:left position:12.5%,start line:86.67% size:87.5%
Whenever you're giving
these I guess assignments,

13:39.133 --> 13:42.233 align:left position:12.5%,start line:86.67% size:87.5%
after certain events, I
mean, these often are

13:42.333 --> 13:44.766 align:left position:37.5%,start line:86.67% size:62.5%
tragedies
and are very

13:44.866 --> 13:48.166 align:left position:12.5%,start line:86.67% size:87.5%
sensitive topics for this
area. How do you work with

13:48.266 --> 13:50.966 align:left position:0%,start line:86.67% size:100%
that? And do you ever have
people to say, "Oh! That's"

13:51.066 --> 13:53.466 align:left position:0%,start line:86.67% size:100%
"a little too much." Or how
would you handle that if

13:53.566 --> 13:55.933 align:left position:12.5%,start line:0% size:87.5%
they did? Tell me -
Yeah I haven't had

13:56.033 --> 13:59.700 align:left position:12.5%,start line:0% size:87.5%
anybody say that, yet
because one of the

13:59.800 --> 14:03.300 align:left position:25%,start line:0% size:75%
things that I
as a poet, I am an

14:03.400 --> 14:07.100 align:left position:12.5%,start line:0% size:87.5%
activist because what I'm
doing is

14:07.200 --> 14:09.600 align:left position:12.5%,start line:0% size:87.5%
recording you know what's
happening in the world

14:09.700 --> 14:13.066 align:left position:12.5%,start line:0% size:87.5%
around me. It's just like
being a folk singer.

14:13.166 --> 14:17.366 align:left position:12.5%,start line:86.67% size:87.5%
And I've chosen to write
non fiction you know?

14:17.466 --> 14:20.166 align:left position:12.5%,start line:86.67% size:87.5%
I'm always gonna write
about what's happening.

14:20.266 --> 14:24.100 align:left position:12.5%,start line:86.67% size:87.5%
And I think that people
are

14:24.200 --> 14:27.533 align:left position:12.5%,start line:86.67% size:87.5%
challenged when they read
some of my work because

14:27.633 --> 14:31.933 align:left position:12.5%,start line:86.67% size:87.5%
I'm not presenting it in
a way that they might

14:32.033 --> 14:34.466 align:left position:12.5%,start line:86.67% size:87.5%
expect. You know, I
don't really hit people

14:34.566 --> 14:37.633 align:left position:12.5%,start line:86.67% size:87.5%
on the head with the
topics. But I talk about

14:37.733 --> 14:39.900 align:left position:12.5%,start line:86.67% size:87.5%
things in a way. It's
almost like I talk

14:40.000 --> 14:44.033 align:left position:0%,start line:86.67% size:100%
about the in between. You know?
Like I wrote a poem about

14:44.133 --> 14:46.800 align:left position:12.5%,start line:93.33% size:87.5%
John C. Calhoun statute

14:46.900 --> 14:49.466 align:left position:12.5%,start line:86.67% size:87.5%
and one thing that's
interesting to me is when

14:49.566 --> 14:52.133 align:left position:12.5%,start line:86.67% size:87.5%
I'm asked to write about
that I'm not going to

14:52.233 --> 14:54.800 align:left position:12.5%,start line:86.67% size:87.5%
write about the structure
itself. I'm going to write about

14:54.900 --> 14:57.566 align:left position:12.5%,start line:86.67% size:87.5%
sort of the weight of how
it feels on the

14:57.666 --> 15:01.466 align:left position:12.5%,start line:86.67% size:87.5%
ground or the energy
around it, things like that.

15:01.566 --> 15:03.966 align:left position:12.5%,start line:86.67% size:87.5%
So, I think that a
lot of the times when

15:04.066 --> 15:06.366 align:left position:12.5%,start line:86.67% size:87.5%
I write about it, it's
presented in a way that

15:06.466 --> 15:10.366 align:left position:25%,start line:86.67% size:75%
people feel it
differently. Yeah, so,

15:10.466 --> 15:13.966 align:left position:25%,start line:86.67% size:75%
people have been
very, very open

15:14.066 --> 15:16.433 align:left position:12.5%,start line:93.33% size:87.5%
to the way that I write

15:16.533 --> 15:20.933 align:left position:12.5%,start line:86.67% size:87.5%
about things. It is
heavy for some people to

15:21.033 --> 15:25.066 align:left position:12.5%,start line:86.67% size:87.5%
read. But, it's a part of
our life, you know.

15:25.166 --> 15:27.700 align:left position:12.5%,start line:86.67% size:87.5%
I think one of the things
we have to stop saying

15:27.800 --> 15:30.866 align:left position:12.5%,start line:86.67% size:87.5%
is that these things are
difficult. I mean it's we

15:30.966 --> 15:33.600 align:left position:12.5%,start line:86.67% size:87.5%
have to talk about it
because it's part of our

15:33.700 --> 15:38.566 align:left position:0%,start line:86.67% size:100%
history. You know, so yeah
I find myself

15:38.666 --> 15:42.066 align:left position:25%,start line:86.67% size:75%
not even choosing
to write about a certain

15:42.166 --> 15:45.133 align:left position:12.5%,start line:86.67% size:87.5%
topic, I'm just writing
about what's happening

15:45.233 --> 15:48.433 align:left position:12.5%,start line:86.67% size:87.5%
in our society. And it
has been happening for a

15:48.533 --> 15:51.966 align:left position:0%,start line:86.67% size:100%
long time. These are fresh
scars. And I think about

15:52.066 --> 15:55.566 align:left position:25%,start line:86.67% size:75%
the fact that
Emancipation Proclamation

15:55.666 --> 15:57.666 align:left position:12.5%,start line:86.67% size:87.5%
was like a hundred and
fifty something years ago.

15:57.766 --> 15:59.900 align:left position:12.5%,start line:86.67% size:87.5%
I mean it really was not
that long ago.

16:00.000 --> 16:04.100 align:left position:12.5%,start line:86.67% size:87.5%
So, it's important
for me to just

16:04.200 --> 16:07.166 align:left position:12.5%,start line:86.67% size:87.5%
write about America. You
know? We have a lot of

16:07.266 --> 16:09.900 align:left position:12.5%,start line:86.67% size:87.5%
work to do in this
country.

16:10.000 --> 16:13.466 align:left position:0%,start line:86.67% size:100%
How has fatherhood changed
you as a writer?

16:13.566 --> 16:19.733 align:left position:0%,start line:86.67% size:100%
Yeah fatherhood is amazing.
One. It's also tiring.

16:19.833 --> 16:23.400 align:left position:0%,start line:93.33% size:100%
But it's a joyful experience.

16:23.500 --> 16:26.033 align:left position:0%,start line:93.33% size:100%
As a writer, it's made me be

16:26.133 --> 16:29.733 align:left position:37.5%,start line:86.67% size:62.5%
more
aware of the business

16:29.833 --> 16:33.233 align:left position:25%,start line:86.67% size:75%
side of writing
because I want what I'm

16:33.333 --> 16:37.533 align:left position:12.5%,start line:86.67% size:87.5%
doing now to benefit her,
years from now. So I,

16:37.633 --> 16:42.133 align:left position:12.5%,start line:86.67% size:87.5%
really tightened up the
business aspect of

16:42.233 --> 16:46.100 align:left position:12.5%,start line:86.67% size:87.5%
what I was doing. I write
in the same way.

16:46.200 --> 16:49.933 align:left position:12.5%,start line:86.67% size:87.5%
Like my process of that
is the same way.

16:50.033 --> 16:54.033 align:left position:0%,start line:86.67% size:100%
But I realized I needed to be
more aware of owning

16:54.133 --> 16:58.600 align:left position:12.5%,start line:86.67% size:87.5%
my work and being able to
benefit from my work,

16:58.700 --> 17:02.100 align:left position:0%,start line:86.67% size:100%
so, you know, three thousand
years from now,

17:02.200 --> 17:04.433 align:left position:0%,start line:86.67% size:100%
the business is set up in a
way that the

17:04.533 --> 17:07.966 align:left position:12.5%,start line:86.67% size:87.5%
family is going to be
benefit from

17:08.066 --> 17:12.133 align:left position:12.5%,start line:86.67% size:87.5%
what I'm doing now. I
think prior to Rae coming

17:12.233 --> 17:17.366 align:left position:25%,start line:86.67% size:75%
into my life,
I was more

17:17.466 --> 17:20.533 align:left position:12.5%,start line:86.67% size:87.5%
willing to just sort of
like let my

17:20.633 --> 17:23.166 align:left position:12.5%,start line:86.67% size:87.5%
like art out there and
just sort of test it

17:23.266 --> 17:25.033 align:left position:12.5%,start line:86.67% size:87.5%
out and everything.
But, no. I think it's

17:25.133 --> 17:27.966 align:left position:12.5%,start line:86.67% size:87.5%
important to let things
out there but also have

17:28.066 --> 17:32.000 align:left position:12.5%,start line:86.67% size:87.5%
like a string tied
to all of it, so that I'm

17:32.100 --> 17:35.566 align:left position:12.5%,start line:86.67% size:87.5%
actually gonna benefit
from it from a publishing

17:35.666 --> 17:38.800 align:left position:25%,start line:86.67% size:75%
standpoint,
and just you know the

17:38.900 --> 17:43.233 align:left position:12.5%,start line:86.67% size:87.5%
property of my work
is very important.

17:43.333 --> 17:46.600 align:left position:0%,start line:86.67% size:100%
So, yes so that was the thing
that I did. I started a

17:46.700 --> 17:49.766 align:left position:12.5%,start line:86.67% size:87.5%
business. Started a
publishing company and

17:49.866 --> 17:53.066 align:left position:12.5%,start line:86.67% size:87.5%
all that after she
came because, you

17:53.166 --> 17:56.200 align:left position:12.5%,start line:86.67% size:87.5%
know this can't just be a
vanity. This can't just be

17:56.300 --> 17:59.133 align:left position:25%,start line:86.67% size:75%
like a fun
project for me. Like this

17:59.233 --> 18:02.966 align:left position:25%,start line:86.67% size:75%
is actually my
business. So yeah.

18:03.066 --> 18:06.933 align:left position:0%,start line:86.67% size:100%
Let's talk about the cover of
the book and how you

18:07.033 --> 18:08.533 align:left position:0%,start line:86.67% size:100%
found this artist which story I
like,

18:08.633 --> 18:10.966 align:left position:0%,start line:93.33% size:100%
- Yeah. - and why you chose

18:11.066 --> 18:15.233 align:left position:12.5%,start line:86.67% size:87.5%
this person and the way
he looks. Yeah, so I ha an

18:15.333 --> 18:20.033 align:left position:25%,start line:86.67% size:75%
initial design to
the book. I design all my

18:20.133 --> 18:23.600 align:left position:25%,start line:86.67% size:75%
books. And I
do the visuals. That's just

18:23.700 --> 18:28.200 align:left position:12.5%,start line:86.67% size:87.5%
as important to me as
actually the text. So, I had

18:28.300 --> 18:31.133 align:left position:12.5%,start line:86.67% size:87.5%
a cover and then I
started writing more

18:31.233 --> 18:33.466 align:left position:12.5%,start line:86.67% size:87.5%
poems and the poems
didn't really seem to

18:33.566 --> 18:38.033 align:left position:12.5%,start line:86.67% size:87.5%
reflect the cover. So,
ironically I was on Instagram.

18:38.133 --> 18:41.733 align:left position:25%,start line:86.67% size:75%
And I found
this artist who does

18:41.833 --> 18:46.233 align:left position:12.5%,start line:86.67% size:87.5%
amazing strong black
characters. And I just

18:46.333 --> 18:48.933 align:left position:12.5%,start line:86.67% size:87.5%
reached out to him and I
said Hey I would love to

18:49.033 --> 18:52.100 align:left position:0%,start line:93.33% size:100%
use this on a book. And I said,

18:52.200 --> 18:55.200 align:left position:12.5%,start line:86.67% size:87.5%
obviously I'll pay for
the rights and all that.

18:55.300 --> 18:58.600 align:left position:12.5%,start line:86.67% size:87.5%
And he said yeah. So that
was when I was able too go

18:58.700 --> 19:01.800 align:left position:0%,start line:86.67% size:100%
through his feed and kind of
pick out which ones

19:01.900 --> 19:05.466 align:left position:12.5%,start line:86.67% size:87.5%
I wanted and I did some
mockups. In this one, I

19:05.566 --> 19:09.733 align:left position:12.5%,start line:86.67% size:87.5%
really liked it because
of the boom box that's in

19:09.833 --> 19:12.700 align:left position:37.5%,start line:86.67% size:62.5%
the back.
Because so much of this

19:12.800 --> 19:16.133 align:left position:12.5%,start line:86.67% size:87.5%
book is infused with
music. I write about music

19:16.233 --> 19:19.133 align:left position:37.5%,start line:86.67% size:62.5%
a lot.
So, it made, it sort of

19:19.233 --> 19:21.633 align:left position:12.5%,start line:86.67% size:87.5%
reminded me of me when I
was younger, carrying

19:21.733 --> 19:25.133 align:left position:12.5%,start line:86.67% size:87.5%
around like a tape deck
or whatever, always having

19:25.233 --> 19:28.900 align:left position:0%,start line:86.67% size:100%
new music around. So, yes.
There's a boom box

19:29.000 --> 19:31.333 align:left position:12.5%,start line:86.67% size:87.5%
in the back there. And
that was almost just as

19:31.433 --> 19:34.833 align:left position:12.5%,start line:86.67% size:87.5%
important as the face
itself.

19:34.933 --> 19:38.533 align:left position:37.5%,start line:86.67% size:62.5%
But also
I haven't seen a lot of

19:38.633 --> 19:43.033 align:left position:12.5%,start line:86.67% size:87.5%
really dark faces on
art.

19:43.133 --> 19:45.700 align:left position:12.5%,start line:86.67% size:87.5%
I think that the tendency
is to lighten things up

19:45.800 --> 19:48.333 align:left position:12.5%,start line:86.67% size:87.5%
and I think that it's
cool to be just

19:48.433 --> 19:51.433 align:left position:12.5%,start line:86.67% size:87.5%
completely dark and black
and know that is a

19:51.533 --> 19:54.700 align:left position:12.5%,start line:86.67% size:87.5%
positive thing. You know,
we've been taught that dark is

19:54.800 --> 19:57.533 align:left position:12.5%,start line:86.67% size:87.5%
bad. You know like the
light side and dark side

19:57.633 --> 20:01.766 align:left position:12.5%,start line:86.67% size:87.5%
things like that. So like
black cats are cursed cats.

20:01.866 --> 20:04.500 align:left position:25%,start line:86.67% size:75%
Things like that.
So, I was thinking

20:04.600 --> 20:08.066 align:left position:12.5%,start line:86.67% size:87.5%
about that a lot just
realizing that being

20:08.166 --> 20:12.133 align:left position:12.5%,start line:86.67% size:87.5%
dark can be a positive
thing. Yeah. Tell me about

20:12.233 --> 20:13.900 align:left position:12.5%,start line:86.67% size:87.5%
the timing of your book
coming out.

20:14.000 --> 20:16.966 align:left position:0%,start line:86.67% size:100%
Was it good or bad for you?
This was a time for you when

20:17.066 --> 20:20.366 align:left position:0%,start line:0% size:100%
everybody was locked down.
Right? Yeah it was actually

20:20.466 --> 20:24.300 align:left position:25%,start line:0% size:75%
amazing for me
And I didn't plan it that way.

20:24.400 --> 20:29.633 align:left position:0%,start line:0% size:100%
I come up with a timelines for a
lot of my work a lot.

20:29.733 --> 20:34.133 align:left position:0%,start line:0% size:100%
I already have a plan in mind.
And then I thought you know

20:34.233 --> 20:36.633 align:left position:0%,start line:86.67% size:100%
what I'm gonna stick to it and
just see what

20:36.733 --> 20:39.933 align:left position:0%,start line:86.67% size:100%
happens. And it's weird to
realize that I've been

20:40.033 --> 20:44.600 align:left position:0%,start line:86.67% size:100%
benefited from all the lock down
stuff.

20:44.700 --> 20:47.300 align:left position:25%,start line:86.67% size:75%
So, people are at
home more.

20:47.400 --> 20:50.100 align:left position:0%,start line:86.67% size:100%
And the sales have been great
and all that.

20:50.200 --> 20:53.233 align:left position:25%,start line:86.67% size:75%
So, I've just
decided I was like

20:53.333 --> 20:56.466 align:left position:12.5%,start line:86.67% size:87.5%
you know this is the time
for this book to come out.

20:56.566 --> 20:59.433 align:left position:25%,start line:86.67% size:75%
And if it comes
out with a thud then

20:59.533 --> 21:02.466 align:left position:25%,start line:86.67% size:75%
that's fine, but
the book and the poems

21:02.566 --> 21:06.533 align:left position:12.5%,start line:86.67% size:87.5%
were telling me that they
needed to come out now.

21:06.633 --> 21:09.033 align:left position:12.5%,start line:86.67% size:87.5%
So, yeah I decided
to pull the trigger

21:09.133 --> 21:13.066 align:left position:0%,start line:86.67% size:100%
on it and it ended up going
well. It was a good decision.

21:13.166 --> 21:16.066 align:left position:0%,start line:86.67% size:100%
Very nice. Yeah. I noticed
you also talk about

21:16.166 --> 21:19.933 align:left position:0%,start line:86.67% size:100%
buying local a lot. Why is all
this local so important to you?

21:20.033 --> 21:23.900 align:left position:25%,start line:86.67% size:75%
Yeah, well so,
yeah shout out to my wife.

21:24.000 --> 21:27.900 align:left position:12.5%,start line:86.67% size:87.5%
She is a marketing
director for a nonprofit

21:28.000 --> 21:30.500 align:left position:12.5%,start line:86.67% size:87.5%
that deals with you know
local businesses

21:30.600 --> 21:33.600 align:left position:25%,start line:86.67% size:75%
and making
sure that local community

21:33.700 --> 21:37.566 align:left position:12.5%,start line:86.67% size:87.5%
is uplifted. But I
just think that when you

21:37.666 --> 21:40.866 align:left position:12.5%,start line:86.67% size:87.5%
think about what makes a
culture, a culture, what

21:40.966 --> 21:43.900 align:left position:12.5%,start line:86.67% size:87.5%
makes a community, a
community or a city,

21:44.000 --> 21:46.700 align:left position:25%,start line:86.67% size:75%
a real city, it's
actually the in

21:46.800 --> 21:50.166 align:left position:0%,start line:86.67% size:100%
between the things. I hate to
even say this

21:50.266 --> 21:53.633 align:left position:12.5%,start line:86.67% size:87.5%
in between but these big
businesses are

21:53.733 --> 21:57.766 align:left position:0%,start line:86.67% size:100%
everywhere that you go. So, you
can go to any city in

21:57.866 --> 22:00.300 align:left position:12.5%,start line:86.67% size:87.5%
America and there's going
to be,

22:00.400 --> 22:04.100 align:left position:0%,start line:86.67% size:100%
you know, Wal-mart. There's
going to be a Burger King.

22:04.200 --> 22:06.666 align:left position:12.5%,start line:86.67% size:87.5%
But I think it's when you
really find out what the

22:06.766 --> 22:10.266 align:left position:12.5%,start line:86.67% size:87.5%
city is about is when you
go to all the local

22:10.366 --> 22:12.700 align:left position:12.5%,start line:86.67% size:87.5%
businesses that are there
and that's when you

22:12.800 --> 22:17.333 align:left position:12.5%,start line:86.67% size:87.5%
really get a sense of
what a city is, the soul

22:17.433 --> 22:20.700 align:left position:12.5%,start line:86.67% size:87.5%
of a city. Because
there are so many cities

22:20.800 --> 22:23.166 align:left position:0%,start line:93.33% size:100%
where everything looks the same

22:23.266 --> 22:25.833 align:left position:12.5%,start line:93.33% size:87.5%
So, I just think that

22:25.933 --> 22:30.166 align:left position:12.5%,start line:86.67% size:87.5%
it's important to know
what makes a city

22:30.266 --> 22:32.733 align:left position:0%,start line:86.67% size:100%
special. How would you say
that the soul of the city

22:32.833 --> 22:36.400 align:left position:12.5%,start line:86.67% size:87.5%
in Charleston especially
has taking you in?

22:36.500 --> 22:41.500 align:left position:0%,start line:86.67% size:100%
Well, Charleston, I love my
city. And I love it and I

22:41.600 --> 22:44.000 align:left position:12.5%,start line:86.67% size:87.5%
love the positive aspects
and I love the

22:44.100 --> 22:48.300 align:left position:0%,start line:86.67% size:100%
challenging aspects of it.
So, that's a

22:48.400 --> 22:50.966 align:left position:12.5%,start line:86.67% size:87.5%
layered question, just
because there are so many

22:51.066 --> 22:54.833 align:left position:0%,start line:86.67% size:100%
things about Charleston that
are really amazing.

22:54.933 --> 22:57.633 align:left position:12.5%,start line:86.67% size:87.5%
I think about the local
community in Charleston

22:57.733 --> 23:01.766 align:left position:0%,start line:86.67% size:100%
and artists in the way that
we support each other.

23:01.866 --> 23:04.566 align:left position:12.5%,start line:86.67% size:87.5%
But I also think about
just the deep, deep racism.

23:04.666 --> 23:10.266 align:left position:25%,start line:86.67% size:75%
Racism is deep in
Charleston and the city still

23:10.366 --> 23:13.866 align:left position:12.5%,start line:86.67% size:87.5%
hasn't been able to
really properly talk

23:13.966 --> 23:19.533 align:left position:12.5%,start line:86.67% size:87.5%
about that and adequately
cook correct it. You know?

23:19.633 --> 23:22.933 align:left position:25%,start line:86.67% size:75%
And the city
benefits off of

23:23.033 --> 23:26.633 align:left position:25%,start line:86.67% size:75%
those challenges.
I think it's -

23:26.733 --> 23:30.033 align:left position:12.5%,start line:86.67% size:87.5%
I think it's interesting.
And the fact that Calhoun

23:30.133 --> 23:32.600 align:left position:12.5%,start line:86.67% size:87.5%
just came down, which is
amazing.

23:32.700 --> 23:35.266 align:left position:0%,start line:86.67% size:100%
But people have been trying
to get it down for

23:35.366 --> 23:40.833 align:left position:12.5%,start line:86.67% size:87.5%
hundreds of years.
And we can't be a just

23:40.933 --> 23:44.833 align:left position:12.5%,start line:86.67% size:87.5%
cit. We can't be a just
America, if we keep

23:44.933 --> 23:47.433 align:left position:12.5%,start line:86.67% size:87.5%
elevating people who
didn't believe in

23:47.533 --> 23:50.333 align:left position:12.5%,start line:86.67% size:87.5%
people's freedom. You
know, we have to be

23:50.433 --> 23:53.666 align:left position:12.5%,start line:86.67% size:87.5%
patriotic. You know we
have to fight for freedom.

23:53.766 --> 23:56.433 align:left position:0%,start line:93.33% size:100%
So, I even saw the way that

23:56.533 --> 23:59.266 align:left position:12.5%,start line:86.67% size:87.5%
that came down. I'm glad
that it's down but it was

23:59.366 --> 24:03.900 align:left position:12.5%,start line:86.67% size:87.5%
still just. Man, it took
too long, you know.

24:04.000 --> 24:06.600 align:left position:12.5%,start line:86.67% size:87.5%
it took too long and it
shouldn't. Things like

24:06.700 --> 24:11.233 align:left position:12.5%,start line:86.67% size:87.5%
that should be easy.
Because we are supposed

24:11.333 --> 24:15.100 align:left position:12.5%,start line:86.67% size:87.5%
to be a nation of freedom
and a nation of like all

24:15.200 --> 24:19.600 align:left position:12.5%,start line:86.67% size:87.5%
men are created equal.
Anyway, Charleston, there are

24:19.700 --> 24:22.833 align:left position:25%,start line:86.67% size:75%
a lot of layers
to it. I really

24:22.933 --> 24:26.100 align:left position:12.5%,start line:86.67% size:87.5%
love, love the city
and when I when I write

24:26.200 --> 24:29.000 align:left position:12.5%,start line:86.67% size:87.5%
about it, it is from that
deep love like in

24:29.100 --> 24:31.366 align:left position:12.5%,start line:86.67% size:87.5%
sickness and in health.
Like I have a deep, deep

24:31.466 --> 24:34.166 align:left position:25%,start line:86.67% size:75%
relationship with
Charleston, so.

24:34.266 --> 24:36.233 align:left position:12.5%,start line:86.67% size:87.5%
We have been talking
about the birth of all

24:36.333 --> 24:38.766 align:left position:0%,start line:86.67% size:100%
things with Marcus Amaker.
Thank you for this

24:38.866 --> 24:40.833 align:left position:12.5%,start line:86.67% size:87.5%
conversation. Keep
going. I can't believe I

24:40.933 --> 24:44.600 align:left position:12.5%,start line:0% size:87.5%
heard the timer go off.
Wow! That was quick. Everyone we

24:44.700 --> 24:47.133 align:left position:12.5%,start line:0% size:87.5%
appreciate you joining us
for By the River.

24:47.233 --> 24:49.300 align:left position:0%,start line:0% size:100%
It's been a pleasure to have you
on board. We're

24:49.400 --> 24:51.700 align:left position:0%,start line:0% size:100%
gonna leave you now with a
glimpse of the poet's corner.

24:51.800 --> 24:52.866 align:left position:12.5%,start line:0% size:87.5%
We'll see you next time.

24:55.733 --> 24:57.266 align:left position:12.5%,start line:0% size:87.5%
I met America at a

24:57.366 --> 25:00.000 align:left position:12.5%,start line:0% size:87.5%
neighborhood bar he
offered me a shot of

25:00.100 --> 25:02.833 align:left position:12.5%,start line:0% size:87.5%
rum and I reminded him
that Captain Morgan was a

25:02.933 --> 25:05.700 align:left position:12.5%,start line:0% size:87.5%
slave owner, so the
bartender awkwardly

25:05.800 --> 25:09.200 align:left position:12.5%,start line:0% size:87.5%
slipped another liquid
lie down my throat.

25:09.300 --> 25:11.700 align:left position:0%,start line:0% size:100%
I ordered another drink and
was channeled by dark

25:11.800 --> 25:15.233 align:left position:12.5%,start line:0% size:87.5%
spirits the courage of
black ghosts who haunt

25:15.333 --> 25:18.633 align:left position:12.5%,start line:0% size:87.5%
American dreams. I told
him I loved him and I

25:18.733 --> 25:21.333 align:left position:12.5%,start line:0% size:87.5%
wanted him to sleep well.
But I know I've been in

25:21.433 --> 25:24.666 align:left position:12.5%,start line:0% size:87.5%
your nightmares, I said.
I want to be your friend

25:24.766 --> 25:28.066 align:left position:12.5%,start line:0% size:87.5%
but only if it's a deep
relationship, only if you

25:28.166 --> 25:30.800 align:left position:12.5%,start line:0% size:87.5%
show me that you are not
scared of your baggage.

25:30.900 --> 25:33.566 align:left position:12.5%,start line:0% size:87.5%
Bring your whole history
to the table.

25:33.666 --> 25:37.400 align:left position:0%,start line:0% size:100%
America cracked open another
beer as a tear ran down his

25:37.500 --> 25:41.866 align:left position:12.5%,start line:0% size:87.5%
face. He said, I was born
in a house not my own and

25:41.966 --> 25:44.700 align:left position:12.5%,start line:0% size:87.5%
my father's demanded that
their portraits hang on

25:44.800 --> 25:48.533 align:left position:12.5%,start line:0% size:87.5%
every wall. White paint
covers each brown brick.

25:48.633 --> 25:52.500 align:left position:12.5%,start line:0% size:87.5%
And our backyard is a
museum of unmarked graves.

25:52.600 --> 25:56.166 align:left position:12.5%,start line:0% size:87.5%
Despite this a garden
grows, I said. Every home

25:56.266 --> 25:59.033 align:left position:12.5%,start line:86.67% size:87.5%
can be torn down and
rebuilt again but I've

25:59.133 --> 26:02.166 align:left position:12.5%,start line:86.67% size:87.5%
been told I shouldn't
completely let you in,

26:02.266 --> 26:05.100 align:left position:0%,start line:86.67% size:100%
he said. Some people in my
family stand in the

26:05.200 --> 26:08.833 align:left position:12.5%,start line:86.67% size:87.5%
doorway blocking the
entrance. He left before I

26:08.933 --> 26:11.300 align:left position:12.5%,start line:86.67% size:87.5%
could tell him that my
people have a history of

26:11.400 --> 26:15.133 align:left position:12.5%,start line:86.67% size:87.5%
finding ways inside
broken spaces and making

26:15.233 --> 26:17.233 align:left position:25%,start line:93.33% size:75%
them whole again.

26:17.333 --> 26:19.700 align:left position:0%,start line:86.67% size:100%
By The River is brought to you
in part by

26:20.933 --> 26:22.800 align:left position:25%,start line:86.67% size:75%
The University of
South Carolina Beaufort,

26:22.900 --> 26:25.833 align:left position:0%,start line:93.33% size:100%
Learning in action, discovered,

26:25.933 --> 26:28.366 align:left position:0%,start line:86.67% size:100%
Community Foundation of the
Low Country,

26:28.466 --> 26:30.200 align:left position:12.5%,start line:93.33% size:87.5%
Strengthening community,

26:33.100 --> 26:36.033 align:left position:12.5%,start line:86.67% size:87.5%
Osher Lifelong Learning
Institute at USCB,

26:37.633 --> 26:39.533 align:left position:12.5%,start line:86.67% size:87.5%
The Pat Conroy Literary
Center,

26:41.933 --> 26:42.833 align:left position:12.5%,start line:93.33% size:87.5%
Artistic Flower Shop.
