1 00:01:04,000 --> 00:01:05,000 >> FIVE YEARS, GENTLEMEN. 2 00:01:05,000 --> 00:01:08,000 IT'S BEEN FIVE YEARS SINCE 3 00:01:08,000 --> 00:01:08,000 MPLS.TV BEGAN. 4 00:01:08,000 --> 00:01:10,000 AND IN THAT TIME, YOU'VE 5 00:01:10,000 --> 00:01:11,000 CREATED A PLATFORM FOR 6 00:01:11,000 --> 00:01:13,000 COLLABORATION AND CREATIVITY 7 00:01:13,000 --> 00:01:14,000 ALL ACROSS MINNEAPOLIS. 8 00:01:14,000 --> 00:01:16,000 AND BEYOND. 9 00:01:16,000 --> 00:01:19,000 YOU'VE HELPED PRODUCE OVER 300 10 00:01:19,000 --> 00:01:19,000 VIDEOS. 11 00:01:19,000 --> 00:01:21,000 HOURS OF FOOTAGE SEEN ALL 12 00:01:21,000 --> 00:01:23,000 ACROSS THE WORLD. 13 00:01:23,000 --> 00:01:24,000 YOU'VE CREATED A ONE-OF-A-KIND 14 00:01:24,000 --> 00:01:27,000 COOKING SHOW WITH A HIP-HOP 15 00:01:27,000 --> 00:01:28,000 SPIN, AN AWARD-WINNING SERIES 16 00:01:28,000 --> 00:01:30,000 OF REAL PEOPLE TELLING TRUE 17 00:01:30,000 --> 00:01:31,000 STORIES ON THE STREETS OF 18 00:01:31,000 --> 00:01:32,000 MINNEAPOLIS. 19 00:01:32,000 --> 00:01:34,000 AND OUT AND ABOUT FASHION 20 00:01:34,000 --> 00:01:38,000 CRITIQUE SERIES WITH A 21 00:01:38,000 --> 00:01:38,000 SHARP-TONGUE HOSTESS AND OVER 22 00:01:38,000 --> 00:01:41,000 60 EPISODES OF LIVE MUSICAL 23 00:01:41,000 --> 00:01:42,000 PERFORMANCES THAT WAS 24 00:01:42,000 --> 00:01:43,000 EVENTUALLY SYNDICATED BY 25 00:01:43,000 --> 00:01:44,000 PITCHFORK TV. 26 00:01:44,000 --> 00:01:45,000 JUST TO NAME A FEW. 27 00:01:45,000 --> 00:01:46,000 >> OH, STOP IT. 28 00:01:46,000 --> 00:01:48,000 >> YOU'RE MAKING ME BLUSH. 29 00:01:48,000 --> 00:01:49,000 >> BUT, HONESTLY, WE COULDN'T 30 00:01:49,000 --> 00:01:51,000 HAVE DONE THIS ALONE. 31 00:01:51,000 --> 00:01:53,000 REAL TALK, HUNDREDS OF 32 00:01:53,000 --> 00:01:53,000 COLLABORATORS HAVE CONTRIBUTED 33 00:01:53,000 --> 00:01:56,000 THEIR TIME, ENERGY AND PASSION 34 00:01:56,000 --> 00:01:58,000 TO MAKE MPLS.TV POSSIBLE. 35 00:01:58,000 --> 00:01:59,000 >> THE DO IT TOGETHER WAY. 36 00:01:59,000 --> 00:02:00,000 >> WELL, GENTLEMEN, YOU'RE 37 00:02:00,000 --> 00:02:02,000 ABOUT TO TASTE THE FRUITS OF 38 00:02:02,000 --> 00:02:03,000 YOUR LABOR. 39 00:02:03,000 --> 00:02:05,000 I'M PREPARED TO OFFER YOU THE 40 00:02:05,000 --> 00:02:07,000 KEY TO TPT STUDIO. 41 00:02:07,000 --> 00:02:09,000 >> NOW, HOLD ON A SECOND 42 00:02:09,000 --> 00:02:11,000 THERE, Mr. PRODUCER. 43 00:02:11,000 --> 00:02:12,000 THOSE 300 VIDEOS YOU'RE 44 00:02:12,000 --> 00:02:13,000 TALKING ABOUT, YOU KNOW, THOSE 45 00:02:13,000 --> 00:02:15,000 WERE MOSTLY ASSEMBLED ON A 46 00:02:15,000 --> 00:02:16,000 SHOESTRING BUDGET. 47 00:02:16,000 --> 00:02:18,000 >> OR NO STRING BUDGET. 48 00:02:18,000 --> 00:02:20,000 >> AND THIS IS ACTUAL 49 00:02:20,000 --> 00:02:20,000 TELEVISION. 50 00:02:20,000 --> 00:02:22,000 WE'RE NOT GOING TO AGREE TO 51 00:02:22,000 --> 00:02:24,000 ANYTHING UNTIL WE SEE SOME 52 00:02:24,000 --> 00:02:24,000 FIGURES. 53 00:02:24,000 --> 00:02:26,000 >> ACTUALLY, KEVIN, THIS IS 54 00:02:26,000 --> 00:02:28,000 PUBLIC TELEVISION. 55 00:02:28,000 --> 00:02:30,000 AND OUR MOST RECENT MEMBER 56 00:02:30,000 --> 00:02:31,000 DRIVE REALLY PAID OFF. 57 00:02:31,000 --> 00:02:33,000 I'M PREPARED TO OFFER YOU A 58 00:02:33,000 --> 00:02:34,000 FIGURE THAT I THINK MIGHT 59 00:02:34,000 --> 00:02:41,000 CHANGE YOUR MIND. 60 00:02:41,000 --> 00:02:42,000 >> YEAH. 61 00:02:42,000 --> 00:02:43,000 WE'RE RICH! 62 00:02:43,000 --> 00:02:44,000 WE'RE RICH! 63 00:02:44,000 --> 00:02:46,000 >> IN YOUR FACE, PRODUCERS. 64 00:02:46,000 --> 00:02:51,000 IN YOUR FACE. 65 00:02:51,000 --> 00:03:00,000 >> KEVIN -- BACK UP WITH THE 66 00:03:00,000 --> 00:03:01,000 RESURRECTION, MPLS.TV, HERE WE 67 00:03:01,000 --> 00:03:02,000 GO. 68 00:03:02,000 --> 00:03:03,000 GOT THE KEYS TO THE STUDIO 69 00:03:03,000 --> 00:03:04,000 WE'LL MAKE SOMETHING OF IT 70 00:03:04,000 --> 00:03:06,000 AND FOR THE FIRST TIME WE'LL 71 00:03:06,000 --> 00:03:08,000 BE MAKING WITH A BUDGET 72 00:03:08,000 --> 00:03:09,000 CAN'T BELIEVE IT'S TRUE NOT 73 00:03:09,000 --> 00:03:12,000 IN OUR WILDEST WOULD WE BRING 74 00:03:12,000 --> 00:03:14,000 OUR FAVORITE STORY TO YOUR TV 75 00:03:14,000 --> 00:03:14,000 SCREEN 76 00:03:14,000 --> 00:03:16,000 SHREDDED IN ALLEGORY 77 00:03:16,000 --> 00:03:17,000 MINNEAPOLIS ROADS GOT THEIR 78 00:03:17,000 --> 00:03:19,000 OWN STREET STORY 79 00:03:19,000 --> 00:03:21,000 A CHEF NAMED EUNICE WITH 80 00:03:21,000 --> 00:03:24,000 RECIPES TO MAKE PLUS A D.J. 81 00:03:24,000 --> 00:03:26,000 FASHION US AT THAT WITH A 82 00:03:26,000 --> 00:03:27,000 PENSION FOR SWEARING 83 00:03:27,000 --> 00:03:29,000 SHE'S GOT ONE QUESTION WHAT 84 00:03:29,000 --> 00:03:30,000 THE BLEEP ARE YOU WEARING 85 00:03:30,000 --> 00:03:33,000 TURNED A SEE OF LAKES INTO 86 00:03:33,000 --> 00:03:34,000 A -- CITY OF LAKES INTO A CITY 87 00:03:34,000 --> 00:03:35,000 OF MUSIC 88 00:03:35,000 --> 00:03:36,000 FIVE YEARS OUT FEELING OLDER 89 00:03:36,000 --> 00:03:39,000 AND WISER BUT NEVER WILL WE BE 90 00:03:39,000 --> 00:03:43,000 THE MONEY-HUNGRY GEYSER 91 00:03:43,000 --> 00:03:44,000 BLOWS OUR MIND SOMETIMES 92 00:03:44,000 --> 00:03:46,000 TOO HARD TO GRAPPLE 93 00:03:46,000 --> 00:03:48,000 ON THE SAME NETWORK THAT HAD 94 00:03:48,000 --> 00:03:49,000 NEWTON APPLE 95 00:03:49,000 --> 00:03:51,000 TPT HAS BESTOWED IN US THE 96 00:03:51,000 --> 00:03:53,000 TRUST 97 00:03:53,000 --> 00:03:54,000 NOW YOUR REMOTE CONTROL WILL 98 00:03:54,000 --> 00:03:55,000 BELONG TO US 99 00:03:55,000 --> 00:03:57,000 WANTED TO HAVE AN EMMY SO WE 100 00:03:57,000 --> 00:03:58,000 BOUGHT OURSELVES A EMMY 101 00:03:58,000 --> 00:04:00,000 TO QUOTE A MINNESOTAN, THE 102 00:04:00,000 --> 00:04:02,000 AWARD WAS SPENDY 103 00:04:02,000 --> 00:04:05,000 I IRON OUR BILLS SO THEY 104 00:04:05,000 --> 00:04:06,000 DIDN'T GET BENDY 105 00:04:06,000 --> 00:04:08,000 THIS IS TV TAKEOVER THAT'S 106 00:04:08,000 --> 00:04:08,000 THE MAIN THING 107 00:04:08,000 --> 00:04:10,000 BUT FIRST I WANT TO 108 00:04:10,000 --> 00:04:11,000 EXPERIENCE THE JOY OF PAINTING 109 00:04:11,000 --> 00:04:13,000 DIDN'T LIKE IT, SO HE GAVE 110 00:04:13,000 --> 00:04:14,000 IT A TOSS 111 00:04:14,000 --> 00:04:16,000 CHALKED IT UP AS A LOSS 112 00:04:16,000 --> 00:04:18,000 WE'RE ALSO ASKED WHAT IS 113 00:04:18,000 --> 00:04:19,000 MPLS.TV, IT'S MINNEAPOLIS 114 00:04:19,000 --> 00:04:20,000 TELEVISION, CITY 115 00:04:20,000 --> 00:04:21,000 GOT LOVE FOR St. PAUL 116 00:04:21,000 --> 00:04:23,000 DON'T THINK WE'RE A HATER 117 00:04:23,000 --> 00:04:24,000 JUST WANT TO KNOW, OH, WON'T 118 00:04:24,000 --> 00:04:26,000 YOU BE MY NEIGHBOR 119 00:04:26,000 --> 00:04:28,000 HUSTLEIN' DOWN THE HALLWAY 120 00:04:28,000 --> 00:04:29,000 IN I MAD DASH 121 00:04:29,000 --> 00:04:31,000 PUBLIC-FUNDED CASH 122 00:04:31,000 --> 00:04:32,000 GOING UP THE STAIRCASE AND I 123 00:04:32,000 --> 00:04:33,000 SAY HEY 124 00:04:33,000 --> 00:04:34,000 HEY 125 00:04:34,000 --> 00:04:36,000 WHAT A WONDERFUL KIND OF DAY 126 00:04:36,000 --> 00:04:38,000 DO NOT ATTEMPT TO ADJUST 127 00:04:38,000 --> 00:04:38,000 YOUR SET 128 00:04:38,000 --> 00:04:40,000 JUST SIT BACK, RELAX, IT'S 129 00:04:40,000 --> 00:04:41,000 AS GOOD AS IT GETS 130 00:04:41,000 --> 00:04:44,000 GOT A HUGE BUDGET AND AN 131 00:04:44,000 --> 00:04:45,000 UNENDING LEDGER 132 00:04:45,000 --> 00:04:46,000 ENOUGH TO BOOST TPT'S WATER 133 00:04:46,000 --> 00:04:47,000 PRESSURE 134 00:04:47,000 --> 00:04:49,000 JOB THIS FAR IT'S A MEANS TO 135 00:04:49,000 --> 00:04:50,000 AN END 136 00:04:50,000 --> 00:04:51,000 GOT BY WITH A LOT OF HELP 137 00:04:51,000 --> 00:04:52,000 FROM OUR FRIENDS 138 00:04:52,000 --> 00:04:54,000 GOT ON PBS, DON'T THINK 139 00:04:54,000 --> 00:04:55,000 NOTHING OF US 140 00:04:55,000 --> 00:04:57,000 DIDN'T EVEN HAVE TO STICK 141 00:04:57,000 --> 00:04:59,000 OUR HAND UP A MUPPET 142 00:04:59,000 --> 00:05:01,000 SECRET YEN OUT LOUD FROM THE 143 00:05:01,000 --> 00:05:03,000 TOP OF THE BALCONY 144 00:05:03,000 --> 00:05:04,000 TV TAKEOVER IS GOING TO MAKE 145 00:05:04,000 --> 00:05:05,000 IT RAIN 146 00:05:05,000 --> 00:05:07,000 AND IF YOU CHANGE THE 147 00:05:07,000 --> 00:05:08,000 CHANNEL, YOU MUST BE INSANE 148 00:05:08,000 --> 00:05:10,000 >> I THINK THESE TWO MIGHT BE 149 00:05:10,000 --> 00:05:10,000 INSANE. 150 00:05:10,000 --> 00:05:11,000 I WANT YOU TO KEEP AN EYE ON 151 00:05:11,000 --> 00:05:12,000 THEM. 152 00:05:12,000 --> 00:05:12,000 >> THAT WILL BE EASY ENOUGH. 153 00:05:12,000 --> 00:05:17,000 I HAVE TWO EYES. 154 00:05:17,000 --> 00:05:17,000 YEAH. 155 00:05:17,000 --> 00:05:18,000 >> THAT'S FINE. 156 00:05:18,000 --> 00:05:29,000 GOOD. 157 00:05:29,000 --> 00:05:35,000 CHEERS 158 00:05:35,000 --> 00:05:40,000 Cheers and applause 159 00:05:40,000 --> 00:05:40,000 >> ADIA: HEY, TWIN CITIES! 160 00:05:40,000 --> 00:05:41,000 WELCOME TO ANOTHER EPISODE OF 161 00:05:41,000 --> 00:05:42,000 TV TAKEOVER! 162 00:05:42,000 --> 00:05:45,000 HOW IS EVERYONE DOING TONIGHT? 163 00:05:45,000 --> 00:05:47,000 CHEERS 164 00:05:47,000 --> 00:05:49,000 >> SOUNDS LOVELY. 165 00:05:49,000 --> 00:05:50,000 I'M ADIA MORRIS AND I'M JOINED 166 00:05:50,000 --> 00:05:51,000 LIVE IN THE STUDIO BY ALL OF 167 00:05:51,000 --> 00:05:53,000 THESE FOLKS TO PARTICIPATE IN 168 00:05:53,000 --> 00:05:54,000 A CRAZY NEW KIND OF PUBLIC 169 00:05:54,000 --> 00:05:55,000 TELEVISION EXPERIENCE CALLED 170 00:05:55,000 --> 00:05:58,000 TV TAKEOVER! 171 00:05:58,000 --> 00:05:59,000 WE'VE ASKED FIVE OF THE TWIN 172 00:05:59,000 --> 00:06:01,000 CITIES MOST DARING AND 173 00:06:01,000 --> 00:06:03,000 INVENTIVE CREATIVE FOLKS TO 174 00:06:03,000 --> 00:06:04,000 TAKE OVER OUR AIR, AND FOR THE 175 00:06:04,000 --> 00:06:05,000 NEXT HOUR, ONE OF THEM IS 176 00:06:05,000 --> 00:06:06,000 ABOUT TO DO JUST THAT. 177 00:06:06,000 --> 00:06:08,000 TV TAKEOVER IS SORT OF LIKE 178 00:06:08,000 --> 00:06:10,000 A TV PARTY. 179 00:06:10,000 --> 00:06:11,000 IT'S A FIVE-PART BROADCAST 180 00:06:11,000 --> 00:06:13,000 EVENT THAT YOU CAN ATTEND IN 181 00:06:13,000 --> 00:06:14,000 PERSON, STREAM ONLINE AT 182 00:06:14,000 --> 00:06:15,000 TVTAKEOVER.NET, OR WATCH ON 183 00:06:15,000 --> 00:06:20,000 TV. 184 00:06:20,000 --> 00:06:25,000 TODAY'S PARTNER IS MPLS.TV! 185 00:06:25,000 --> 00:06:25,000 CHEERS! 186 00:06:25,000 --> 00:06:28,000 Cheers and applause 187 00:06:28,000 --> 00:06:30,000 WE'RE GOING TO BE WATCHING A 188 00:06:30,000 --> 00:06:31,000 BUNCH OF THE VIDEOS MPLS.TV 189 00:06:31,000 --> 00:06:32,000 HAS CREATED OVER THE PAST FIVE 190 00:06:32,000 --> 00:06:34,000 YEARS AND SOME NEW ONES, TOO. 191 00:06:34,000 --> 00:06:35,000 WE ALSO HAVE D.J. FOOLPROOF 192 00:06:35,000 --> 00:06:37,000 HANGING OUT WITH US TONIGHT 193 00:06:37,000 --> 00:06:38,000 SPINNING ALL THE MUSIC YOU'LL 194 00:06:38,000 --> 00:06:41,000 HEAR WHEN WE'RE IN THE STUDIO. 195 00:06:41,000 --> 00:06:44,000 Applause 196 00:06:44,000 --> 00:06:46,000 BE SURE TO FOLLOW ALONG WITH 197 00:06:46,000 --> 00:06:47,000 US ON TWITTER USING THE 198 00:06:47,000 --> 00:06:48,000 HASHTAG TVTAKEOVER, AND YOU 199 00:06:48,000 --> 00:06:49,000 COULD SEE YOUR TWEETS POPPING 200 00:06:49,000 --> 00:06:50,000 UP ON-SCREEN THROUGHOUT THE 201 00:06:50,000 --> 00:06:52,000 BROADCAST! 202 00:06:52,000 --> 00:06:54,000 SO, WITHOUT FURTHER ADO, THE 203 00:06:54,000 --> 00:06:56,000 CO-FOUNDERS OF MPLS.TV: KEVIN 204 00:06:56,000 --> 00:07:00,000 AND CLOUD! 205 00:07:00,000 --> 00:07:02,000 Cheers and applause 206 00:07:02,000 --> 00:07:05,000 >> YEAH! 207 00:07:05,000 --> 00:07:06,000 MAKIN' IT RAIN. 208 00:07:06,000 --> 00:07:08,000 OH, WOW. 209 00:07:08,000 --> 00:07:09,000 HI, GUYS. 210 00:07:09,000 --> 00:07:11,000 DO I GET TO KEEP THESE? 211 00:07:11,000 --> 00:07:12,000 >> YEAH, IT'S JUST A 1, YOU 212 00:07:12,000 --> 00:07:13,000 CAN KEEP THAT. 213 00:07:13,000 --> 00:07:13,000 THAT'S FINE. 214 00:07:13,000 --> 00:07:14,000 >> OKAY. 215 00:07:14,000 --> 00:07:16,000 WELL, SO, YEAH, PLEASE 216 00:07:16,000 --> 00:07:16,000 INTRODUCE YOURSELVES. 217 00:07:16,000 --> 00:07:19,000 >> I'M KEVIN ALBERTSON. 218 00:07:19,000 --> 00:07:20,000 >> I'M CHRIS CLOUD. 219 00:07:20,000 --> 00:07:21,000 >> WELCOME. 220 00:07:21,000 --> 00:07:21,000 GO AHEAD. 221 00:07:21,000 --> 00:07:24,000 >> WE ARE THE CO-FOUNDERS OF 222 00:07:24,000 --> 00:07:25,000 MPLS.TV, WHICH STANDS FOR 223 00:07:25,000 --> 00:07:26,000 MINNEAPOLIS TELEVISION, IF YOU 224 00:07:26,000 --> 00:07:27,000 HAVEN'T FIGURED THAT OUT. 225 00:07:27,000 --> 00:07:28,000 >> Adia: I WAS GOING TO MAKE 226 00:07:28,000 --> 00:07:30,000 UP AN ACRONYM. 227 00:07:30,000 --> 00:07:31,000 SO, WHY DID YOU GUYS CREATE 228 00:07:31,000 --> 00:07:31,000 THIS? 229 00:07:31,000 --> 00:07:33,000 I MEAN, WHY MINNEAPOLIS 230 00:07:33,000 --> 00:07:33,000 TELEVISION? 231 00:07:33,000 --> 00:07:34,000 >> THAT'S A GOOD QUESTION. 232 00:07:34,000 --> 00:07:35,000 >> WE WERE LOOKING FOR AN 233 00:07:35,000 --> 00:07:36,000 OUTLET FOR OUR CREATIVITY AND 234 00:07:36,000 --> 00:07:38,000 WE REALIZED THAT THE CITY OF 235 00:07:38,000 --> 00:07:39,000 MINNEAPOLIS DIDN'T HAVE A 236 00:07:39,000 --> 00:07:41,000 PLATFORM FOR IDEAS THAT WERE 237 00:07:41,000 --> 00:07:43,000 KIND OF WACKY AND GOOFY, 238 00:07:43,000 --> 00:07:45,000 PEOPLE NEEDED A PLACE TO PUT 239 00:07:45,000 --> 00:07:47,000 THEIR STUFF, AND WE DECIDED TO 240 00:07:47,000 --> 00:07:48,000 MAKE IT. 241 00:07:48,000 --> 00:07:49,000 >> Adia: YEAH, YEAH, LIKE 242 00:07:49,000 --> 00:07:50,000 THAT. 243 00:07:50,000 --> 00:07:51,000 >> ALSO HAPPENED BECAUSE I GOT 244 00:07:51,000 --> 00:07:52,000 FIRED FROM MY JOB. 245 00:07:52,000 --> 00:07:54,000 SO I FIGURED, OH, LET'S START 246 00:07:54,000 --> 00:07:55,000 A TV PROJECT, WHY NOT. 247 00:07:55,000 --> 00:07:57,000 >> THE DAY HE GOT FIRED, YEAH, 248 00:07:57,000 --> 00:07:58,000 LET'S START A TV SHOW. 249 00:07:58,000 --> 00:07:59,000 >> AND WE DID. 250 00:07:59,000 --> 00:08:01,000 >> JUNE 9th, 2009. 251 00:08:01,000 --> 00:08:02,000 >> FIVE-YEAR ANNIVERSARY THIS 252 00:08:02,000 --> 00:08:03,000 WEEK, ACTUALLY. 253 00:08:03,000 --> 00:08:05,000 >> Adia: FIVE YEARS THIS 254 00:08:05,000 --> 00:08:05,000 WEEK. 255 00:08:05,000 --> 00:08:07,000 >> THANK YOU. 256 00:08:07,000 --> 00:08:07,000 CHEERS 257 00:08:07,000 --> 00:08:08,000 >> Adia: UNEMPLOYMENT, 258 00:08:08,000 --> 00:08:09,000 ALWAYS GOOD FOR CREATIVE 259 00:08:09,000 --> 00:08:09,000 IDEAS. 260 00:08:09,000 --> 00:08:10,000 >> TRUE. 261 00:08:10,000 --> 00:08:12,000 >> Adia: SO WHAT'S IT LIKE 262 00:08:12,000 --> 00:08:13,000 TO COLLABORATE WITH SO MANY 263 00:08:13,000 --> 00:08:13,000 DIFFERENT PEOPLE? 264 00:08:13,000 --> 00:08:15,000 >> A LITTLE HOT IN HERE. 265 00:08:15,000 --> 00:08:16,000 IS IT HOT IN HERE? 266 00:08:16,000 --> 00:08:17,000 IS IT ME? 267 00:08:17,000 --> 00:08:18,000 >> I THINK IT'S YOU, DUDE. 268 00:08:18,000 --> 00:08:19,000 >> IT'S WONDERFUL. 269 00:08:19,000 --> 00:08:20,000 WE'VE WORKED WITH SO MANY 270 00:08:20,000 --> 00:08:22,000 PEOPLE, PROBABLY OVER 150, 200 271 00:08:22,000 --> 00:08:23,000 PEOPLE OVER THE COURSE OF THE 272 00:08:23,000 --> 00:08:24,000 FIVE YEARS, AT LEAST. 273 00:08:24,000 --> 00:08:25,000 >> OH, YEAH. 274 00:08:25,000 --> 00:08:27,000 >> AND IT'S JUST GREAT TO 275 00:08:27,000 --> 00:08:30,000 COME -- PEOPLE COME TO US WITH 276 00:08:30,000 --> 00:08:34,000 IDEAS, BE ABLE TO TRANS THEM 277 00:08:34,000 --> 00:08:36,000 INTO VIDEO -- TRANSFORM THEM 278 00:08:36,000 --> 00:08:36,000 INTO VIDEO CONTENT. 279 00:08:36,000 --> 00:08:38,000 IT'S A GREAT THING. 280 00:08:38,000 --> 00:08:40,000 >> KIND OF CONNECT IDEAS AND 281 00:08:40,000 --> 00:08:41,000 PEOPLE, SEE THINGS COME TO 282 00:08:41,000 --> 00:08:42,000 LIFE, GIVE PEOPLE A CREATIVE 283 00:08:42,000 --> 00:08:44,000 VOICE THAT THEY MIGHT NOT FIND 284 00:08:44,000 --> 00:08:45,000 ELSEWHERE. 285 00:08:45,000 --> 00:08:45,000 >> Adia: IN THREE WORDS, 286 00:08:45,000 --> 00:08:47,000 WHAT'S THE THING YOU'RE MOST 287 00:08:47,000 --> 00:08:47,000 PROUD OF? 288 00:08:47,000 --> 00:08:48,000 >> OH, WOW. 289 00:08:48,000 --> 00:08:49,000 THAT'S A GOOD QUESTION. 290 00:08:49,000 --> 00:08:51,000 >> THAT IS A REALLY GOOD 291 00:08:51,000 --> 00:08:51,000 QUESTION. 292 00:08:51,000 --> 00:08:53,000 >> I'M REALLY PROUD OF A GUY 293 00:08:53,000 --> 00:08:54,000 NAMED DAN, HE CAN'T BE HERE 294 00:08:54,000 --> 00:08:55,000 TONIGHT BECAUSE HE'S OUT THERE 295 00:08:55,000 --> 00:08:56,000 KILLIN' IT IN THE WORLD. 296 00:08:56,000 --> 00:08:56,000 >> SURE. 297 00:08:56,000 --> 00:08:58,000 >> AND HE STARTED WORKING 298 00:08:58,000 --> 00:09:00,000 CLOUD RATING AND NOW HE'S A 299 00:09:00,000 --> 00:09:01,000 VIDEO DIRECTOR ALL OVER THE 300 00:09:01,000 --> 00:09:02,000 WORLD. 301 00:09:02,000 --> 00:09:04,000 >> PRODUCER OF CITY OF MUSIC. 302 00:09:04,000 --> 00:09:06,000 >> Adia: SHOUT-OUT TO DAN. 303 00:09:06,000 --> 00:09:07,000 >> YOU'RE IN THE WORLD 304 00:09:07,000 --> 00:09:09,000 SOMEWHERE, I THINK YOU'RE IN 305 00:09:09,000 --> 00:09:11,000 WISCONSIN. 306 00:09:11,000 --> 00:09:12,000 Laughter 307 00:09:12,000 --> 00:09:14,000 HE'S AT JUSTIN VERNON'S CABIN, 308 00:09:14,000 --> 00:09:15,000 THOUGH. 309 00:09:15,000 --> 00:09:18,000 >> Adia: JUSTIN VETERANON'S 310 00:09:18,000 --> 00:09:21,000 CABIN -- VERNON'S CABIN. 311 00:09:21,000 --> 00:09:22,000 >> ADIA: LET'S TAKE A LOOK 312 00:09:22,000 --> 00:09:22,000 RIGHT NOW AT TWO VIDEOS FROM 313 00:09:22,000 --> 00:09:23,000 MPLS.TV. 314 00:09:23,000 --> 00:09:24,000 THE FIRST IS FROM THE SERIES 315 00:09:24,000 --> 00:09:24,000 STREET STORIES WHERE 316 00:09:24,000 --> 00:09:25,000 EVERYDAY PEOPLE FROM 317 00:09:25,000 --> 00:09:25,000 MINNEAPOLIS SHARE THEIR 318 00:09:25,000 --> 00:09:26,000 INTERESTING AND UNEXPECTED 319 00:09:26,000 --> 00:09:28,000 STORIES ON LOCATION. 320 00:09:28,000 --> 00:09:28,000 THEN, WE'LL LEARN A LITTLE 321 00:09:28,000 --> 00:09:29,000 SOMETHING ABOUT OUR FAIR CITY 322 00:09:29,000 --> 00:09:31,000 WITH A VIDEO FROM THE SERIES 323 00:09:31,000 --> 00:09:31,000 PERFECTLY GOOD FACTS WHICH 324 00:09:31,000 --> 00:09:32,000 FEATURES THE WALKER ART 325 00:09:32,000 --> 00:09:37,000 CENTER'S SCULPTURE GARDEN. 326 00:09:37,000 --> 00:09:38,000 >> I'M JESSICA. 327 00:09:38,000 --> 00:09:40,000 >> AND I'M MEGAN. 328 00:09:40,000 --> 00:09:41,000 >> AND THIS IS OUR STREET 329 00:09:41,000 --> 00:09:56,000 STORY. 330 00:09:56,000 --> 00:09:58,000 >> MEGAN AND I HAVE BEEN BEST 331 00:09:58,000 --> 00:10:00,000 FRIENDS SINCE WE WERE 5 YEARS 332 00:10:00,000 --> 00:10:00,000 OLD. 333 00:10:00,000 --> 00:10:01,000 WE MET IN KINDERGARTEN. 334 00:10:01,000 --> 00:10:03,000 WENT TO GRADE SCHOOL, HIGH 335 00:10:03,000 --> 00:10:05,000 SCHOOL, COLLEGE. 336 00:10:05,000 --> 00:10:05,000 TOGETHER. 337 00:10:05,000 --> 00:10:06,000 >> YEAH, WE WERE HAVING A 338 00:10:06,000 --> 00:10:07,000 SLEEPOVER AT MY PARENTS', YOU 339 00:10:07,000 --> 00:10:10,000 KNOW, 15 YEARS OLD, AND WE 340 00:10:10,000 --> 00:10:13,000 WERE UPSET WITH -- WE WERE 341 00:10:13,000 --> 00:10:14,000 OBSESSED WITH SERIAL KILLERS. 342 00:10:14,000 --> 00:10:16,000 >> WE WERE A LITTLE MORBID. 343 00:10:16,000 --> 00:10:17,000 >> WE WOULD READ THE BOOKS, 344 00:10:17,000 --> 00:10:18,000 WATCH THE MOVIES, STAY UP ALL 345 00:10:18,000 --> 00:10:19,000 NIGHT. 346 00:10:19,000 --> 00:10:20,000 >> EVER LITTLE NOISE, EVER 347 00:10:20,000 --> 00:10:22,000 CREEK, WE'D BE LIKE, WHAT IS 348 00:10:22,000 --> 00:10:23,000 THAT? 349 00:10:23,000 --> 00:10:24,000 >> ESPECIALLY AT MEGAN'S 350 00:10:24,000 --> 00:10:25,000 PARENTS' HOUSE, IT'S ALL 351 00:10:25,000 --> 00:10:27,000 WINDOWS IN THE FRONT. 352 00:10:27,000 --> 00:10:28,000 >> ON THE THIRD FLOOR. 353 00:10:28,000 --> 00:10:30,000 WE WENT TO BED PROBABLY AROUND 354 00:10:30,000 --> 00:10:32,000 MIDNIGHT OR SOMETHING. 355 00:10:32,000 --> 00:10:33,000 AND AROUND, WHAT WAS IT, LIKE, 356 00:10:33,000 --> 00:10:36,000 2:00, I WAKE UP TO THE SOUND 357 00:10:36,000 --> 00:10:39,000 OF MY MOM JUST, LIKE, THIS 358 00:10:39,000 --> 00:10:40,000 BLOOD-CURDLING SCREAM. 359 00:10:40,000 --> 00:10:41,000 OH, GOD, NO! 360 00:10:41,000 --> 00:10:42,000 AND I'M JUST LIKE, WHAT? 361 00:10:42,000 --> 00:10:44,000 AND MY MOM'S ALREADY KIND OF 362 00:10:44,000 --> 00:10:47,000 LIKE A SHRILL KIND OF -- 363 00:10:47,000 --> 00:10:49,000 SO IT JUST -- IT SOUNDED 364 00:10:49,000 --> 00:10:49,000 TERRIFYING. 365 00:10:49,000 --> 00:10:52,000 >> SO I WAKE UP TO THIS. 366 00:10:52,000 --> 00:10:52,000 >> YEAH. 367 00:10:52,000 --> 00:10:54,000 >> RIGHT ABOUT 2:00 IN THE 368 00:10:54,000 --> 00:10:54,000 MORNING. 369 00:10:54,000 --> 00:10:55,000 >> I MEAN, I'M FREAKED OUT 370 00:10:55,000 --> 00:10:58,000 ALREADY, JUST, YOU KNOW, GIVEN 371 00:10:58,000 --> 00:11:00,000 OUR READING HABITS AND TWO 372 00:11:00,000 --> 00:11:02,000 SECONDS LATER, WE HEAR MY 373 00:11:02,000 --> 00:11:03,000 LITTLE BROTHER SCREAM. 374 00:11:03,000 --> 00:11:04,000 AND THE FIRST THOUGHT THAT 375 00:11:04,000 --> 00:11:08,000 POPPED INTO MY HEAD IS, YOU 376 00:11:08,000 --> 00:11:09,000 KNOW, HANNIBAL ELECTOR. 377 00:11:09,000 --> 00:11:11,000 >> MEGAN IS, WHAT SHOULD WE 378 00:11:11,000 --> 00:11:11,000 DO? 379 00:11:11,000 --> 00:11:12,000 THERE'S OBVIOUSLY SOMETHING 380 00:11:12,000 --> 00:11:13,000 REALLY HORRIBLE IS GOING ON IN 381 00:11:13,000 --> 00:11:13,000 THE HOUSE. 382 00:11:13,000 --> 00:11:16,000 >> I AM JUST PARALYZED, LIKE, 383 00:11:16,000 --> 00:11:17,000 TOTALLY FROZEN RIGHT NOW. 384 00:11:17,000 --> 00:11:19,000 >> EVERY STORY WE'VE EVER READ 385 00:11:19,000 --> 00:11:20,000 IS RUNNING THROUGH MY MIND 386 00:11:20,000 --> 00:11:23,000 OVER, YOU KNOW -- 387 00:11:23,000 --> 00:11:24,000 >> WE KIND OF ROSE TO THE 388 00:11:24,000 --> 00:11:26,000 OCCASION, DON'T WORRY, MEGAN. 389 00:11:26,000 --> 00:11:27,000 >> I'LL PEEK OUT THE DOOR. 390 00:11:27,000 --> 00:11:28,000 >> YES. 391 00:11:28,000 --> 00:11:30,000 >> THIS MAN RUNS BY WITH A 392 00:11:30,000 --> 00:11:32,000 LONG SHOTGUN, LIKE, TWO FEET 393 00:11:32,000 --> 00:11:34,000 AWAY FROM OUR DOOR. 394 00:11:34,000 --> 00:11:36,000 >> MY HEART DROPPED. 395 00:11:36,000 --> 00:11:37,000 >> JUST THOSE WORDS, SHE SAID, 396 00:11:37,000 --> 00:11:39,000 THERE'S A MAN WITH A SHOTGUN, 397 00:11:39,000 --> 00:11:40,000 ALL OF MY WORST FEARS ARE 398 00:11:40,000 --> 00:11:41,000 COMING. 399 00:11:41,000 --> 00:11:42,000 >> WE'RE GOING TO BE IN A BOOK 400 00:11:42,000 --> 00:11:42,000 ONE DAY. 401 00:11:42,000 --> 00:11:44,000 >> YEAH, THAT'S KIND OF WHAT I 402 00:11:44,000 --> 00:11:44,000 THOUGHT. YEAH. 403 00:11:44,000 --> 00:11:47,000 I CALLED 9-1-1, AND I GOT THE 404 00:11:47,000 --> 00:11:48,000 OPERATOR AND I THINK THE FIRST 405 00:11:48,000 --> 00:11:49,000 THING I SAID WAS, I'M NOT SURE 406 00:11:49,000 --> 00:11:52,000 IF I SHOULD BE CALLING, BUT I 407 00:11:52,000 --> 00:11:53,000 THINK SOMEONE'S MURDERING MY 408 00:11:53,000 --> 00:11:53,000 FAMILY. 409 00:11:53,000 --> 00:11:57,000 SHE TOLD ME, JUST REMAIN CALM 410 00:11:57,000 --> 00:11:58,000 AND SHE WOULD STAY ON THE LINE 411 00:11:58,000 --> 00:11:59,000 WITH ME UNTIL THE POLICE GOT 412 00:11:59,000 --> 00:12:00,000 THERE. 413 00:12:00,000 --> 00:12:01,000 SHE SAID NOT TO BE WORRIED, IF 414 00:12:01,000 --> 00:12:02,000 I CITY FIGURES OUTSIDE THE 415 00:12:02,000 --> 00:12:03,000 WINDOW, BECAUSE THAT WAS JUST 416 00:12:03,000 --> 00:12:05,000 THE POLICE SURROUNDING THE 417 00:12:05,000 --> 00:12:06,000 HOUSE. 418 00:12:06,000 --> 00:12:07,000 FOR REAL? 419 00:12:07,000 --> 00:12:07,000 >> YEAH. 420 00:12:07,000 --> 00:12:09,000 >> THE POLICE CAME WITHIN -- 421 00:12:09,000 --> 00:12:10,000 UNDER A MINUTE, I THINK. 422 00:12:10,000 --> 00:12:10,000 >> YEAH. 423 00:12:10,000 --> 00:12:12,000 >> IT WAS FAST. 424 00:12:12,000 --> 00:12:13,000 >> AS SOON AS SHE, YOU KNOW, 425 00:12:13,000 --> 00:12:15,000 WAS TALKING TO THE LADY ON THE 426 00:12:15,000 --> 00:12:16,000 PHONE, ALL OF A SUDDEN, YOU 427 00:12:16,000 --> 00:12:18,000 HEAR THE BUSHES RUSTLING GOING 428 00:12:18,000 --> 00:12:19,000 AROUND HER HOUSE. 429 00:12:19,000 --> 00:12:21,000 >> IT WAS JUST LIKE THE 430 00:12:21,000 --> 00:12:21,000 S.W.A.T. TEAM WAS THERE. 431 00:12:21,000 --> 00:12:23,000 >> THE OPERATOR SAID THAT THE 432 00:12:23,000 --> 00:12:25,000 COP WOULD BE RINGING THE 433 00:12:25,000 --> 00:12:25,000 DOORBELL. 434 00:12:25,000 --> 00:12:27,000 >> THE DOORBELL RINGS, AND WE 435 00:12:27,000 --> 00:12:29,000 HEAR SOMEBODY ANSWER IT. 436 00:12:29,000 --> 00:12:30,000 AND ALL OF A SUDDEN I HEAR MY 437 00:12:30,000 --> 00:12:32,000 DAD'S VOICE, AND HE GOES, ARE 438 00:12:32,000 --> 00:12:35,000 YOU HERE FOR THE BAT? 439 00:12:35,000 --> 00:12:36,000 >> I THINK THERE WAS A BAT IN 440 00:12:36,000 --> 00:12:38,000 MY MOM'S -- IN -- 441 00:12:38,000 --> 00:12:39,000 >> SHE WOKE UP TO A BAT FLYING 442 00:12:39,000 --> 00:12:41,000 AROUND HER ROOM. 443 00:12:41,000 --> 00:12:42,000 >> I THINK SHE ACTUALLY SAID 444 00:12:42,000 --> 00:12:44,000 THE BAT GOT IN HER HAIR. 445 00:12:44,000 --> 00:12:45,000 THEY'RE ALL JUST IN A FRENZY 446 00:12:45,000 --> 00:12:46,000 TRYING TO KILL THIS BAT. 447 00:12:46,000 --> 00:12:48,000 >> AT ONE POINT, THE BAT GOT 448 00:12:48,000 --> 00:12:49,000 OUT INTO THE LIVING ROOM AREA 449 00:12:49,000 --> 00:12:50,000 WHERE MY DAD -- 450 00:12:50,000 --> 00:12:52,000 >> HER DAD CHASED IT DOWN WITH 451 00:12:52,000 --> 00:12:53,000 A LONG BROOM. 452 00:12:53,000 --> 00:12:57,000 >> YEAH. 453 00:12:57,000 --> 00:12:58,000 >> I FELT RELIEVED. 454 00:12:58,000 --> 00:12:59,000 >> I FELT GUILTY BECAUSE I 455 00:12:59,000 --> 00:13:00,000 THOUGHT WE WERE GOING TO GET 456 00:13:00,000 --> 00:13:00,000 IN TROUBLE. 457 00:13:00,000 --> 00:13:02,000 >> I REMEMBER TELLING THE 458 00:13:02,000 --> 00:13:03,000 OPERATOR THAT IT WAS A BAT. 459 00:13:03,000 --> 00:13:04,000 SHE'S LIKE, OH, GOOD. 460 00:13:04,000 --> 00:13:05,000 >> THEN THE COPS, ACTUALLY, 461 00:13:05,000 --> 00:13:06,000 WHEN THEY CAME, HELPED KILL 462 00:13:06,000 --> 00:13:08,000 THE BAT. 463 00:13:08,000 --> 00:13:10,000 >> THEY KILLED IT? 464 00:13:10,000 --> 00:13:11,000 >> REMOVED IT, I THINK. 465 00:13:11,000 --> 00:13:13,000 >> THEY NEVER INTERVIEWED US 466 00:13:13,000 --> 00:13:13,000 OR ANYTHING. 467 00:13:13,000 --> 00:13:14,000 YOU KNOW, TOOK A STATEMENT. 468 00:13:14,000 --> 00:13:16,000 >> AND TO THIS DAY, GERALD 469 00:13:16,000 --> 00:13:18,000 STILL THINKS THAT -- 470 00:13:18,000 --> 00:13:19,000 >> YOU CAN CALL THE COPS ON A 471 00:13:19,000 --> 00:13:20,000 BAT AND THEY'LL COME. 472 00:13:20,000 --> 00:13:22,000 >> STREET STORIES, HUH? 473 00:13:22,000 --> 00:13:23,000 WELL, THAT WASN'T 474 00:13:23,000 --> 00:13:31,000 DISAPPOINTING. 475 00:13:31,000 --> 00:13:33,000 >> NOW, AS YOU'RE PROBABLY 476 00:13:33,000 --> 00:13:35,000 ALREADY AWARE, A FULL 2/3 OF 477 00:13:35,000 --> 00:13:36,000 THE NATION'S CHERRIES ARE 478 00:13:36,000 --> 00:13:37,000 PRODUCED RIGHT HERE IN 479 00:13:37,000 --> 00:13:38,000 MINNEAPOLIS PROPER. 480 00:13:38,000 --> 00:13:40,000 AND AS YOU PROBABLY ALSO KNOW, 481 00:13:40,000 --> 00:13:43,000 THE STATUE BEHIND ME, ENTITLED 482 00:13:43,000 --> 00:13:45,000 THE SODA JERK VIRGINITY 483 00:13:45,000 --> 00:13:46,000 COMMEMORATES THAT FACT, BUT 484 00:13:46,000 --> 00:13:47,000 HAVE YOU EVER STOPPED TO 485 00:13:47,000 --> 00:13:50,000 WONDER WHERE DID IT COME FROM 486 00:13:50,000 --> 00:13:52,000 AND WHAT -- BLEEP -- IS IT 487 00:13:52,000 --> 00:13:53,000 FOR? 488 00:13:53,000 --> 00:13:55,000 MINNEAPOLIS, St. PAUL 489 00:13:55,000 --> 00:13:57,000 WHERE BLEEP DOES IT COME 490 00:13:57,000 --> 00:13:58,000 FROM 491 00:13:58,000 --> 00:13:59,000 WHAT THE BLEEP ARE THEY 492 00:13:59,000 --> 00:14:00,000 FOR 493 00:14:00,000 --> 00:14:01,000 MINNEAPOLIS AND St. PAUL, 494 00:14:01,000 --> 00:14:03,000 WE KNOW WHAT YOU THINK BUT 495 00:14:03,000 --> 00:14:06,000 WE'D LOVE TO KNOW MORE 496 00:14:06,000 --> 00:14:08,000 >> IN THE 1980s, THIS NATION 497 00:14:08,000 --> 00:14:10,000 FACED A CRISIS. 498 00:14:10,000 --> 00:14:11,000 AMERICA'S STRATEGIC ART 499 00:14:11,000 --> 00:14:13,000 RESERVES ONCE THE ENVY OF THE 500 00:14:13,000 --> 00:14:15,000 WORLD HAD BEEN DEPLETED TO 501 00:14:15,000 --> 00:14:16,000 HISTORIC LOWS. 502 00:14:16,000 --> 00:14:18,000 IN POINT OF FACT, ONLY A 503 00:14:18,000 --> 00:14:20,000 HANDFUL OF PAINTINGS REMAINED. 504 00:14:20,000 --> 00:14:22,000 IT WAS THEN THAT A ASTROLOGIER 505 00:14:22,000 --> 00:14:24,000 NANCY REAGAN STEPPED IN WITH 506 00:14:24,000 --> 00:14:25,000 FIND THE ART CAMPAIGN, 507 00:14:25,000 --> 00:14:28,000 EMPLOYING THOUSANDS OF 508 00:14:28,000 --> 00:14:29,000 INNER-CITY YOUTH TO TAKE TO 509 00:14:29,000 --> 00:14:30,000 THE STREET IN SEARCH OF ART 510 00:14:30,000 --> 00:14:32,000 MUSEUMS AND FIND THEM THEY 511 00:14:32,000 --> 00:14:32,000 DID. 512 00:14:32,000 --> 00:14:35,000 THE FIRST EVIDENCE OF THE 513 00:14:35,000 --> 00:14:36,000 WALKER SCULPTURE GARDEN WAS 514 00:14:36,000 --> 00:14:40,000 SPOTTED IN 1987 AND EXCAVATION 515 00:14:40,000 --> 00:14:43,000 FOLLOWED THE FOLLOWING YEAR. 516 00:14:43,000 --> 00:14:46,000 WASTE IT TO BE CLEARED AWAY TO 517 00:14:46,000 --> 00:14:48,000 DISPLAY THE RICH ART DEPOSITS. 518 00:14:48,000 --> 00:14:49,000 OVER 40 PIECES OF BLEEP , 519 00:14:49,000 --> 00:14:50,000 OF COURSE, SEVERAL HAVE BEEN 520 00:14:50,000 --> 00:14:51,000 ADDED TO THE COLLECTION BY 521 00:14:51,000 --> 00:14:52,000 SKILLED ARTISTS OVER THE 522 00:14:52,000 --> 00:14:53,000 YEARS, BUT THE VAST MAJORITY 523 00:14:53,000 --> 00:14:55,000 ARE THE RESULT OF NATURALLY 524 00:14:55,000 --> 00:14:56,000 OCCURRING PHENOMONA. 525 00:14:56,000 --> 00:14:59,000 SHAPED OVER EONS BY EXTREMES 526 00:14:59,000 --> 00:15:01,000 OF HOT AND COLD, ERODED BY 527 00:15:01,000 --> 00:15:03,000 WIND AND RAIN TO RESEMBLE 528 00:15:03,000 --> 00:15:05,000 RABBITS, TRENCH COATS, 529 00:15:05,000 --> 00:15:06,000 ARBORETUM. 530 00:15:06,000 --> 00:15:06,000 BUT THE SCULPTURE GARDEN IS 531 00:15:06,000 --> 00:15:10,000 NOT WITHOUT ITS DETRACTORS AND 532 00:15:10,000 --> 00:15:13,000 SOME WOULD PREFER TO SEE IT 533 00:15:13,000 --> 00:15:14,000 BULLDOZED FOR CHRISTIAN 534 00:15:14,000 --> 00:15:16,000 READING ROOMS AND OUTLET 535 00:15:16,000 --> 00:15:16,000 MALLS. 536 00:15:16,000 --> 00:15:18,000 >> SCULPTURE IS NOT BAD. 537 00:15:18,000 --> 00:15:19,000 SCULPTURE IS PLEASING FOR 538 00:15:19,000 --> 00:15:21,000 CHILDREN. 539 00:15:21,000 --> 00:15:23,000 >> AND, SO, THE CONTROVERSY 540 00:15:23,000 --> 00:15:24,000 WAGES ON. 541 00:15:24,000 --> 00:15:25,000 IS THE SCULPTURE GARDEN A 542 00:15:25,000 --> 00:15:29,000 BEACON OF CULTURE OR IS IT A 543 00:15:29,000 --> 00:15:30,000 CESSPOOL SEEKING RELEVANCE IN 544 00:15:30,000 --> 00:15:32,000 A POST POST MODERN? 545 00:15:32,000 --> 00:15:33,000 ONE WONDERS WHAT ART COLLECTOR 546 00:15:33,000 --> 00:15:35,000 AND TEXAS RANGER T.B. WALKER 547 00:15:35,000 --> 00:15:37,000 WOULD HAVE THOUGHT OF ALL OF 548 00:15:37,000 --> 00:15:37,000 THIS. 549 00:15:37,000 --> 00:15:40,000 WHO DOESN'T WANT? 550 00:15:40,000 --> 00:15:42,000 >> IF YOU'D LIKE TO KNOW MORE 551 00:15:42,000 --> 00:15:43,000 ABOUT THE SCULPTURE GARDEN, 552 00:15:43,000 --> 00:15:45,000 ASK YOUR MOM OR MAKE UP YOUR 553 00:15:45,000 --> 00:15:47,000 OWN DUMB -- BLEEP -- LIKE 554 00:15:47,000 --> 00:15:57,000 WE DID. 555 00:15:57,000 --> 00:16:08,000 Cheers and applause 556 00:16:08,000 --> 00:16:09,000 >> Adia: WE HAVE ANOTHER 557 00:16:09,000 --> 00:16:10,000 VIDEO FOR YOU. 558 00:16:10,000 --> 00:16:15,000 THIS ONE FEATURES RAPPER PAUL 559 00:16:15,000 --> 00:16:24,000 PAULS. 560 00:16:24,000 --> 00:16:25,000 IT'S KIND OF LIKE THAT 561 00:16:25,000 --> 00:16:27,000 SAME ONE SAME 562 00:16:27,000 --> 00:16:28,000 LIKE THAT 563 00:16:28,000 --> 00:16:31,000 THAT ONE POINT 564 00:16:31,000 --> 00:16:33,000 BUT I TOLD YOU 565 00:16:33,000 --> 00:16:38,000 ON A BIG SHIP 566 00:16:38,000 --> 00:16:43,000 WHAT'S WUR YOUR WHITE ASS 567 00:16:43,000 --> 00:16:53,000 I THOUGHT YOU MIGHT ASK 568 00:16:53,000 --> 00:16:55,000 MY FRIENDS SAY 569 00:16:55,000 --> 00:16:56,000 I'M NOT A FLUENT SPEAKER 570 00:16:56,000 --> 00:16:58,000 LIKE MY FRIENDS SAY 571 00:16:58,000 --> 00:16:59,000 HE'S TAKING ADVANTAGE OF 572 00:16:59,000 --> 00:17:00,000 LANGUAGE 573 00:17:00,000 --> 00:17:01,000 PAYDAY 574 00:17:01,000 --> 00:17:04,000 HELP THEM VACATE 575 00:17:04,000 --> 00:17:07,000 GOOD TIME WITH MY GANG GANG 576 00:17:07,000 --> 00:17:09,000 WELCOME HIM TO WANT TO GANG 577 00:17:09,000 --> 00:17:10,000 BANG 578 00:17:10,000 --> 00:17:12,000 I WASN'T TRYING TO DISGUISE 579 00:17:12,000 --> 00:17:15,000 MY IMAGE 580 00:17:15,000 --> 00:17:16,000 ANISHINABE 581 00:17:16,000 --> 00:17:19,000 BECAUSE I GOT PEOPLE HITTIN' 582 00:17:19,000 --> 00:17:20,000 ME UP SAYING THEY WANT TO KNOW 583 00:17:20,000 --> 00:17:21,000 IT 584 00:17:21,000 --> 00:17:25,000 WHEN I SAT DOWN AND WROTE IT 585 00:17:25,000 --> 00:17:26,000 ASPECTS OF MY LIFE THAT WERE 586 00:17:26,000 --> 00:17:28,000 HOPELESS 587 00:17:28,000 --> 00:17:30,000 THE LANGUAGE WAS SPOKEN 588 00:17:30,000 --> 00:17:32,000 BUT IT WAS WRITTEN IN 589 00:17:32,000 --> 00:17:33,000 ENGLISH 590 00:17:33,000 --> 00:17:36,000 TRANSLATED AND HAD TO SPEAK 591 00:17:36,000 --> 00:17:37,000 THE TRUTH READ IT 592 00:17:37,000 --> 00:17:38,000 SHE MADE SOME CORRECTIONS 593 00:17:38,000 --> 00:17:41,000 AND I MADE THE CONNECTION 594 00:17:41,000 --> 00:17:42,000 IT WAS A BLESSING 595 00:17:42,000 --> 00:17:43,000 IT WAS MEANT TO BE 596 00:17:43,000 --> 00:17:45,000 IT WAS SUPPOSED TO HAPPEN 597 00:17:45,000 --> 00:17:46,000 IT WAS MEANT TO BE 598 00:17:46,000 --> 00:17:48,000 IT WAS SUPPOSED TO HAPPEN 599 00:17:48,000 --> 00:17:49,000 IT WAS MEANT TO BE 600 00:17:49,000 --> 00:17:51,000 IT WAS SUPPOSED TO HAPPEN 601 00:17:51,000 --> 00:17:53,000 IT WAS MEANT TO BE 602 00:17:53,000 --> 00:17:57,000 I MET HER IN ELEMENTARY 603 00:17:57,000 --> 00:17:58,000 WOULDN'T SEE HER AGAIN TO MY 604 00:17:58,000 --> 00:18:00,000 HIGH SCHOOL, FRESHMAN YEAR 605 00:18:00,000 --> 00:18:02,000 SHE DISAPPEARED AGAIN UNTIL 606 00:18:02,000 --> 00:18:03,000 MY JUNIOR YEAR IN COLLEGE 607 00:18:03,000 --> 00:18:06,000 UNTIL MY SENIOR YEAR THEN I 608 00:18:06,000 --> 00:18:06,000 DROPPED 609 00:18:06,000 --> 00:18:08,000 I COULDN'T FORCE HER TO BE 610 00:18:08,000 --> 00:18:09,000 MY PASSION 611 00:18:09,000 --> 00:18:10,000 THAT'S WHEN I ACCEPTED THE 612 00:18:10,000 --> 00:18:12,000 TRUTH AND KEPT ON RAPPIN' 613 00:18:12,000 --> 00:18:14,000 SHE TREAT ME BETTER 614 00:18:14,000 --> 00:18:16,000 BUT THAT WAS TO BE EXPECTED, 615 00:18:16,000 --> 00:18:17,000 ACCORDING TO MY MENTOR 616 00:18:17,000 --> 00:18:19,000 THE LANGUAGE WILL DO FOR YOU 617 00:18:19,000 --> 00:18:20,000 NOT IN THEM EXACT WORDS BUT 618 00:18:20,000 --> 00:18:21,000 YOU STILL GET THE CLUE 619 00:18:21,000 --> 00:18:23,000 I'M FROM THE BRICKS, SHE'S 620 00:18:23,000 --> 00:18:25,000 FROM THE STICKS 621 00:18:25,000 --> 00:18:26,000 SHE'S NOT ONE AND TWO 622 00:18:26,000 --> 00:18:28,000 I GUESS I WOULD YOU FOOLED 623 00:18:28,000 --> 00:18:30,000 APRIL'S FOOLS 624 00:18:30,000 --> 00:18:32,000 IT WASN'T MY INTENTION 625 00:18:32,000 --> 00:18:33,000 YOU ALL JUST BLEW IT UP AND 626 00:18:33,000 --> 00:18:47,000 TOOK THINGS OUT OF PERSPECTIVE 627 00:18:47,000 --> 00:18:50,000 >> I'M JOINED NOW IN THE 628 00:18:50,000 --> 00:18:51,000 STUDIO BY JENNIFER MENKEN FROM 629 00:18:51,000 --> 00:18:52,000 THE BELL MUSEUM OF NATURAL 630 00:18:52,000 --> 00:18:53,000 HISTORY AND SHE'S ABOUT TO 631 00:18:53,000 --> 00:18:54,000 INTRODUCE TO US A SPECIAL 632 00:18:54,000 --> 00:18:58,000 FRIEND. 633 00:18:58,000 --> 00:18:59,000 KEVIN, I HAVE ONE QUESTION. 634 00:18:59,000 --> 00:19:00,000 WHY IS THERE A SNAKE ON THE 635 00:19:00,000 --> 00:19:01,000 SHOW TODAY? 636 00:19:01,000 --> 00:19:03,000 >> WHAT'S A TALK SHOW WITHOUT 637 00:19:03,000 --> 00:19:04,000 AN ANIMAL DEMO, I MEAN, COME 638 00:19:04,000 --> 00:19:05,000 ON. 639 00:19:05,000 --> 00:19:07,000 >> EVERY TALK SHOW NEEDS ITS 640 00:19:07,000 --> 00:19:08,000 JACK HANNAH. 641 00:19:08,000 --> 00:19:11,000 >> I AM NO JIMMY FALLON. 642 00:19:11,000 --> 00:19:12,000 SO LET'S GET STARTED. 643 00:19:12,000 --> 00:19:13,000 WHAT KIND OF SNAKE IS THIS? 644 00:19:13,000 --> 00:19:14,000 >> THIS IS A BULL SNAKE. 645 00:19:14,000 --> 00:19:15,000 THIS IS THE LARGEST SNAKE WE 646 00:19:15,000 --> 00:19:17,000 GET IN THE WILD IN MINNESOTA. 647 00:19:17,000 --> 00:19:18,000 THEY CAN GET TO BE EIGHT FEET 648 00:19:18,000 --> 00:19:19,000 LONG. 649 00:19:19,000 --> 00:19:20,000 THIS IS ONLY ABOUT FIVE. 650 00:19:20,000 --> 00:19:21,000 GOT A LITTLE WAYS TO GO. 651 00:19:21,000 --> 00:19:23,000 >> HOW OLD IS THIS SNAKE? 652 00:19:23,000 --> 00:19:24,000 >> IT'S BEEN AT THE MUSEUM FOR 653 00:19:24,000 --> 00:19:25,000 ABOUT 13 YEARS. 654 00:19:25,000 --> 00:19:26,000 >> OH, MY GOSH. 655 00:19:26,000 --> 00:19:27,000 HOW LONG DO THEY NORMALLY 656 00:19:27,000 --> 00:19:28,000 LIVE? 657 00:19:28,000 --> 00:19:31,000 >> THEY CAN LIVE 20, 25 YEARS. 658 00:19:31,000 --> 00:19:32,000 THEY CAN LIVE LONGER THAN 659 00:19:32,000 --> 00:19:32,000 THAT. 660 00:19:32,000 --> 00:19:33,000 >> THAT'S VERY COOL. 661 00:19:33,000 --> 00:19:35,000 YOU GUYS, HOW DO YOU FEEL 662 00:19:35,000 --> 00:19:36,000 ABOUT SNAKES? 663 00:19:36,000 --> 00:19:37,000 >> I FEEL FINE ABOUT SNAKES. 664 00:19:37,000 --> 00:19:40,000 IT'S A BULL SNAKE? 665 00:19:40,000 --> 00:19:41,000 >> I'M ACTUALLY A TAURUS, SO 666 00:19:41,000 --> 00:19:43,000 WE HAVE KINSHIP WITH THAT 667 00:19:43,000 --> 00:19:44,000 FELLOW. 668 00:19:44,000 --> 00:19:45,000 >> Adia: GOOD. 669 00:19:45,000 --> 00:19:46,000 WELL, SO WHAT KIND OF THINGS 670 00:19:46,000 --> 00:19:47,000 DOES THIS SNAKE EAT? 671 00:19:47,000 --> 00:19:48,000 IT'S NOT PEOPLE, I'M ASSUMING. 672 00:19:48,000 --> 00:19:50,000 >> NO, NO. 673 00:19:50,000 --> 00:19:51,000 THIS IS DEFINITELY A RODENT 674 00:19:51,000 --> 00:19:51,000 EATER. 675 00:19:51,000 --> 00:19:53,000 IT LIKES TO EAT GOPHERS AND 676 00:19:53,000 --> 00:19:55,000 MICE AND SMALL RABBITS. 677 00:19:55,000 --> 00:19:57,000 REALLY REALLY TINY CHILDREN. 678 00:19:57,000 --> 00:19:58,000 NO, NOT. 679 00:19:58,000 --> 00:20:00,000 >> WHAT ABOUT TACOS? 680 00:20:00,000 --> 00:20:01,000 >> TACOS? 681 00:20:01,000 --> 00:20:02,000 >> MAYBE TACO TUESDAY, YOU 682 00:20:02,000 --> 00:20:03,000 KNOW. 683 00:20:03,000 --> 00:20:04,000 >> HAS IT EVER BEEN ON A 684 00:20:04,000 --> 00:20:04,000 PLANE? 685 00:20:04,000 --> 00:20:07,000 >> HAS IT EVER BEEN ON A 686 00:20:07,000 --> 00:20:08,000 PLANE? 687 00:20:08,000 --> 00:20:09,000 THIS SNAKE HAS NOT BEEN ON A 688 00:20:09,000 --> 00:20:09,000 PLANE. 689 00:20:09,000 --> 00:20:12,000 IT'S BEEN A BOAT, IT'S BEEN ON 690 00:20:12,000 --> 00:20:13,000 A RIVERBOAT BUT NOT A PLANE. 691 00:20:13,000 --> 00:20:15,000 >> Adia: I WONDER, HOW MANY 692 00:20:15,000 --> 00:20:16,000 PEOPLE COME IN AND SEE THE 693 00:20:16,000 --> 00:20:17,000 SNAKE AND THEY'RE, LIKE, I 694 00:20:17,000 --> 00:20:19,000 WANT NOTHING TO DO WITH THIS, 695 00:20:19,000 --> 00:20:20,000 DO THEY FREAK OUT? 696 00:20:20,000 --> 00:20:21,000 >> WE DO PRETTY WELL. 697 00:20:21,000 --> 00:20:23,000 WE TRY REALLY HARD TO CONVINCE 698 00:20:23,000 --> 00:20:25,000 PEOPLE THAT THE SNAKES ARE 699 00:20:25,000 --> 00:20:26,000 DECENT ANIMALS. 700 00:20:26,000 --> 00:20:27,000 AND THEY'RE IMPORTANT. 701 00:20:27,000 --> 00:20:28,000 WE DO OCCASIONALLY HAVE PEOPLE 702 00:20:28,000 --> 00:20:30,000 WHO FREAK OUT AND BACK AWAY 703 00:20:30,000 --> 00:20:33,000 SLOWLY FROM THE TOUCH AND SEE 704 00:20:33,000 --> 00:20:34,000 ROOM AT THE MUSEUM. 705 00:20:34,000 --> 00:20:35,000 >> Adia: WHAT'S THE SNAKE'S 706 00:20:35,000 --> 00:20:35,000 NAME? 707 00:20:35,000 --> 00:20:36,000 >> WE DON'T NAME OUR SNAKES. 708 00:20:36,000 --> 00:20:37,000 >> Adia: YOU DON'T? 709 00:20:37,000 --> 00:20:38,000 >> BUT YOU CAN CALL IT 710 00:20:38,000 --> 00:20:39,000 WHATEVER YOU WANT. 711 00:20:39,000 --> 00:20:41,000 BUT WE CALL IT A BULL SNAKE. 712 00:20:41,000 --> 00:20:43,000 >> Adia: AND WHEN CAN PEOPLE 713 00:20:43,000 --> 00:20:44,000 SEE THIS PARTICULAR SNAKE? 714 00:20:44,000 --> 00:20:45,000 >> THIS SNAKE LIVES IN THE 715 00:20:45,000 --> 00:20:48,000 TOUCH AND SEE ROOM AT THE BELL 716 00:20:48,000 --> 00:20:49,000 MUSEUM, ANY TIME THE BELL 717 00:20:49,000 --> 00:20:51,000 MUSEUM IS OPEN, YOU'RE WELCOME 718 00:20:51,000 --> 00:20:53,000 TO COME AND VISIT. 719 00:20:53,000 --> 00:20:56,000 >> Adia: ANOTHER POPULAR 720 00:20:56,000 --> 00:20:58,000 MPLS.TV SERIES IS SHAKE AND 721 00:20:58,000 --> 00:21:00,000 BAKE. 722 00:21:00,000 --> 00:21:01,000 COMBINES THE EXQUISTIE COOKING 723 00:21:01,000 --> 00:21:02,000 STYLE OF EUNICE PITTS AND 724 00:21:02,000 --> 00:21:02,000 BEATS PLAYED BY LOCAL D.J.S. 725 00:21:02,000 --> 00:21:03,000 THEN WE'LL DEBUT AN 726 00:21:03,000 --> 00:21:04,000 ON-LOCATION SKETCH-COMEDY 727 00:21:04,000 --> 00:21:05,000 SERIES FEATURING LEGENDARY 728 00:21:05,000 --> 00:21:06,000 MINNEAPOLIS COMEDIC DUO 729 00:21:06,000 --> 00:21:07,000 FERRARI MCSPEEDY CRUISING 730 00:21:07,000 --> 00:21:18,000 EAT STREET. 731 00:21:18,000 --> 00:21:21,000 LISTEN UP, Y'ALL 732 00:21:21,000 --> 00:21:23,000 'CUZ THIS IT 733 00:21:23,000 --> 00:21:27,000 THE BEAT THAT I'M BANGIN' IS 734 00:21:27,000 --> 00:21:28,000 >> SHAKE AND BAKE. 735 00:21:28,000 --> 00:21:30,000 >> HI, WELCOME, EVERYONE, TO 736 00:21:30,000 --> 00:21:32,000 TODAY'S EPISODE OF SHAKE AND 737 00:21:32,000 --> 00:21:32,000 BAKE. 738 00:21:32,000 --> 00:21:34,000 WE'RE DEMONSTRATING BARBECUE 739 00:21:34,000 --> 00:21:34,000 PULLED PORK. 740 00:21:34,000 --> 00:21:37,000 AND THIS IS ANDY, ALSO KNOWN 741 00:21:37,000 --> 00:21:42,000 AS ASTRONAUTILUS AND PLAIN OLD 742 00:21:42,000 --> 00:21:45,000 JOE AND JIMMY TWO TIMES OF GET 743 00:21:45,000 --> 00:21:47,000 PRICEY. 744 00:21:47,000 --> 00:21:48,000 WHAT WE HAVE HERE TODAY IS A 745 00:21:48,000 --> 00:21:50,000 PORK SHOULDER. 746 00:21:50,000 --> 00:21:50,000 YEAH. 747 00:21:50,000 --> 00:21:52,000 THERE YOU GO. 748 00:21:52,000 --> 00:21:55,000 PREHEAT YOUR OVEN TO 300. 749 00:21:55,000 --> 00:21:56,000 AND THEN WE'LL START WITH THE 750 00:21:56,000 --> 00:21:56,000 RUB. 751 00:21:56,000 --> 00:21:58,000 YOU WANT TO MAKE THE RUB, 752 00:21:58,000 --> 00:21:58,000 ANDY? 753 00:21:58,000 --> 00:21:59,000 >> YEAH, LET'S MAKE A RUB. 754 00:21:59,000 --> 00:22:01,000 >> SO, WHEN YOU PREHEAT THE 755 00:22:01,000 --> 00:22:03,000 OVEN, START YOUR PAN, LET'S DO 756 00:22:03,000 --> 00:22:04,000 MEDIUM HIGH HEAT. 757 00:22:04,000 --> 00:22:06,000 YOU WANT THAT REALLY NICE AND 758 00:22:06,000 --> 00:22:06,000 WARM. 759 00:22:06,000 --> 00:22:07,000 FOR THE RUB, WE ARE GOING TO 760 00:22:07,000 --> 00:22:10,000 START WITH A QUARTER TEASPOON 761 00:22:10,000 --> 00:22:16,000 OF GROUND CORIANDER. 762 00:22:16,000 --> 00:22:19,000 AND CART MINUTE POWDER. 763 00:22:19,000 --> 00:22:22,000 AND HALF A TEASPOON OF CHILI 764 00:22:22,000 --> 00:22:24,000 POWDER OR AND CUMIN. 765 00:22:24,000 --> 00:22:31,000 TWO TEASPOONS OF SALT. 766 00:22:31,000 --> 00:22:35,000 CAR DID HE MONDAY. 767 00:22:35,000 --> 00:22:36,000 CARDEMON. 768 00:22:36,000 --> 00:22:37,000 START ADDING IT ON THERE. 769 00:22:37,000 --> 00:22:39,000 I'M SURE YOU HAVE EVERYTHING 770 00:22:39,000 --> 00:22:41,000 COVERED. 771 00:22:41,000 --> 00:22:42,000 DO YOU WANT TO DEMONSTRATE? 772 00:22:42,000 --> 00:22:44,000 >> YEAH, ABSOLUTELY. 773 00:22:44,000 --> 00:22:47,000 OKAY. 774 00:22:47,000 --> 00:22:48,000 AND RUB YOU RIGHT WAY 775 00:22:48,000 --> 00:22:49,000 STROKE 776 00:22:49,000 --> 00:22:52,000 I FOUND A TENDERNESS 777 00:22:52,000 --> 00:22:54,000 AND I 778 00:22:54,000 --> 00:22:55,000 >> NEXT WE'RE GOING TO TEST 779 00:22:55,000 --> 00:22:57,000 OUR PAN AND SEE IF IT'S 780 00:22:57,000 --> 00:22:57,000 SUFFICIENTRY HOT. 781 00:22:57,000 --> 00:23:01,000 ALL RIGHT. 782 00:23:01,000 --> 00:23:03,000 SO THE BACON FAT THAT'S USED, 783 00:23:03,000 --> 00:23:04,000 I DON'T KNOW, A TABLESPOON OR 784 00:23:04,000 --> 00:23:05,000 SO. 785 00:23:05,000 --> 00:23:06,000 AND THEN YOU WANT TO BROWN THE 786 00:23:06,000 --> 00:23:07,000 MEAT. 787 00:23:07,000 --> 00:23:10,000 HERE WE GO. 788 00:23:10,000 --> 00:23:11,000 I THINK PROBABLY ABOUT SIX TO 789 00:23:11,000 --> 00:23:15,000 EIGHT MINUTES ON EACH SIDE. 790 00:23:15,000 --> 00:23:19,000 FLIP IT, FLIP, FLIPPIN' THE 791 00:23:19,000 --> 00:23:20,000 SCRIPT 792 00:23:20,000 --> 00:23:22,000 PAGE ONE, YOU GOT THE REAL 793 00:23:22,000 --> 00:23:23,000 McCOYS IN THE HOUSE 794 00:23:23,000 --> 00:23:25,000 >> AFTER IT'S BROWNED ON ALL 795 00:23:25,000 --> 00:23:26,000 FOUR SIDES, YOU'VE FLIPPED IT 796 00:23:26,000 --> 00:23:28,000 FOUR SIDE, THEN YOU CAN TURN 797 00:23:28,000 --> 00:23:30,000 OFF THE HEAT, PUT THE LID ON 798 00:23:30,000 --> 00:23:31,000 AND BAKE AT 300 FOR ABOUT 799 00:23:31,000 --> 00:23:36,000 THREE HOURS. 800 00:23:36,000 --> 00:23:38,000 THERE IT IS 801 00:23:38,000 --> 00:23:40,000 >> FOR THE PULLED PORK 802 00:23:40,000 --> 00:23:41,000 SANDWICHES, YOU WILL 803 00:23:41,000 --> 00:23:46,000 DEFINITELY WANT COLESLAW. 804 00:23:46,000 --> 00:23:50,000 SHRED YOUR CABBAGE. 805 00:23:50,000 --> 00:23:52,000 AND THEN YOU WILL NEED TWO 806 00:23:52,000 --> 00:23:54,000 SHREDDED CARROTS FOR THE 807 00:23:54,000 --> 00:23:59,000 RECIPE. 808 00:23:59,000 --> 00:24:02,000 LET'S SEE. 809 00:24:02,000 --> 00:24:05,000 TWO TABLESPOONS OF SOUR CREAM. 810 00:24:05,000 --> 00:24:08,000 THREE-FOURTHS OF A COUPLE OF 811 00:24:08,000 --> 00:24:08,000 MAYONNAISE. 812 00:24:08,000 --> 00:24:11,000 TWO TABLESPOONS OF GRATED 813 00:24:11,000 --> 00:24:13,000 ONION, TWO TEASPOONS OF CELERY 814 00:24:13,000 --> 00:24:14,000 SALT. 815 00:24:14,000 --> 00:24:16,000 ONE TABLESPOON OF MUSTARD. 816 00:24:16,000 --> 00:24:20,000 TWO TABLESPOONS OF SUGAR. 817 00:24:20,000 --> 00:24:22,000 AND THEN START MIXING. 818 00:24:22,000 --> 00:24:24,000 BUT I THINK I'M GOING TO USE 819 00:24:24,000 --> 00:24:30,000 MY MIXER. 820 00:24:30,000 --> 00:24:32,000 >> CAN'T HAVE COLESLAW WITHOUT 821 00:24:32,000 --> 00:24:33,000 VINEGAR. 822 00:24:33,000 --> 00:24:35,000 THAT'S DONE MIXING. 823 00:24:35,000 --> 00:24:36,000 THIS IS WHAT IT LOOKS LIKE. 824 00:24:36,000 --> 00:24:38,000 THEN JUST PUT IT IN A PRETTY 825 00:24:38,000 --> 00:24:40,000 BOWL. 826 00:24:40,000 --> 00:24:42,000 AND PUT IT ON TOP OF THE 827 00:24:42,000 --> 00:24:43,000 PULLED PORK SANDWICHES. 828 00:24:43,000 --> 00:24:45,000 IT WILL BE DELICIOUS. 829 00:24:45,000 --> 00:24:48,000 OKAY ARKANSAS THAT'S BEEN 830 00:24:48,000 --> 00:24:49,000 IN -- AFTER THAT'S BEEN IN 831 00:24:49,000 --> 00:24:50,000 THERE FOR ABOUT THREE HOURS, 832 00:24:50,000 --> 00:24:51,000 WE'LL PULL THE PULLED PORK OUT 833 00:24:51,000 --> 00:24:57,000 OF THE OVEN. 834 00:24:57,000 --> 00:25:02,000 ALL RIGHT. 835 00:25:02,000 --> 00:25:03,000 OH, THIS WILL FALL APART JUST 836 00:25:03,000 --> 00:25:06,000 LIKE THAT. 837 00:25:06,000 --> 00:25:07,000 GOING TO TRY A LITTLE TASTE. 838 00:25:07,000 --> 00:25:09,000 >> I ALREADY DONE DID THAT 839 00:25:09,000 --> 00:25:17,000 WHEN YOU WEREN'T LOOKIN'. 840 00:25:17,000 --> 00:25:19,000 >> THANKS FOR WATCHING TODAY'S 841 00:25:19,000 --> 00:25:22,000 EPISODE OF SHAKE AND BAKE. 842 00:25:22,000 --> 00:25:24,000 SHAKE AND BAKE WAS CREATED 843 00:25:24,000 --> 00:25:30,000 WITH LOCAL SUPPORT FROM E.M.I. 844 00:25:30,000 --> 00:25:31,000 >> MORE? 845 00:25:31,000 --> 00:25:32,000 >> PERFECT. 846 00:25:32,000 --> 00:25:37,000 JUST LIKE THAT. 847 00:25:37,000 --> 00:25:38,000 >> THERE YOU HAVE IT. 848 00:25:38,000 --> 00:25:40,000 THAT'S A BARBECUE PULLED PORK 849 00:25:40,000 --> 00:25:42,000 SANDWICH. 850 00:25:42,000 --> 00:25:43,000 THANKS, ANDY. 851 00:25:43,000 --> 00:25:46,000 THANK YOU, BILL, THANK YOU, 852 00:25:46,000 --> 00:25:46,000 JIMMY TWO TIME. 853 00:25:46,000 --> 00:25:48,000 HOPE YOU ENJOYED TODAY'S 854 00:25:48,000 --> 00:25:49,000 EPISODE. 855 00:25:49,000 --> 00:25:56,000 >> I WILL. 856 00:25:56,000 --> 00:25:58,000 >> UMM, PULLED PORK, GETTING 857 00:25:58,000 --> 00:26:00,000 PIGGY WITH IT. 858 00:26:00,000 --> 00:26:01,000 >> LOTS OF PEOPLE SEEM TO 859 00:26:01,000 --> 00:26:03,000 THINK MINNEAPOLIS IS LOW IN 860 00:26:03,000 --> 00:26:03,000 CRIME. 861 00:26:03,000 --> 00:26:04,000 YEAH, BUT WE JUST GOT A REPORT 862 00:26:04,000 --> 00:26:06,000 THAT SOMEBODY LOST THEIR PURSE 863 00:26:06,000 --> 00:26:08,000 AROUND HERE. 864 00:26:08,000 --> 00:26:09,000 >> NOT STOLEN, MIND YOU, 865 00:26:09,000 --> 00:26:10,000 FORGOT IT OUTSIDE. 866 00:26:10,000 --> 00:26:11,000 >> THIS IS ACTUALLY ONE OF THE 867 00:26:11,000 --> 00:26:12,000 SAFEST NEIGHBORHOODS IN THE 868 00:26:12,000 --> 00:26:12,000 CITY. 869 00:26:12,000 --> 00:26:14,000 >> THAT DOESN'T MAKE WHAT WE 870 00:26:14,000 --> 00:26:15,000 DO ANY LESS IMPORTANT. 871 00:26:15,000 --> 00:26:22,000 >> NOT BY A LONG SHOT. 872 00:26:22,000 --> 00:26:24,000 ON EACH STREET 873 00:26:24,000 --> 00:26:31,000 NEIGHBORHOOD WATCH 874 00:26:31,000 --> 00:26:42,000 TWO FAKE COPS 875 00:26:42,000 --> 00:26:45,000 EAT STREET BEAT 876 00:26:45,000 --> 00:26:49,000 >> ANOTHER DAY ANOTHER FINE 877 00:26:49,000 --> 00:26:50,000 ME. 878 00:26:50,000 --> 00:26:51,000 >> HEY, HEY. 879 00:26:51,000 --> 00:26:54,000 HEY, BUDDY, YOU SEE ANY CRIME 880 00:26:54,000 --> 00:26:54,000 TODAY? >> NO. 881 00:26:54,000 --> 00:26:55,000 >> OKAY. 882 00:26:55,000 --> 00:26:59,000 HEY, KEEP YOUR NOSE CLEAN. 883 00:26:59,000 --> 00:27:02,000 IF YOU HAVE A HELMET, WEAR IT. 884 00:27:02,000 --> 00:27:06,000 >> WHAT IS THAT? 885 00:27:06,000 --> 00:27:11,000 >> SANDWICH STREET 886 00:27:11,000 --> 00:27:12,000 PORK BON MEAT 887 00:27:12,000 --> 00:27:19,000 EAT STREET BEAT 888 00:27:19,000 --> 00:27:20,000 >> HEY. 889 00:27:20,000 --> 00:27:22,000 YOU SEE ANY CRIME TODAY? 890 00:27:22,000 --> 00:27:23,000 >> SEE A PROFESSIONAL. 891 00:27:23,000 --> 00:27:26,000 >> EYES ON THE PRIZE. 892 00:27:26,000 --> 00:27:29,000 TWO TACOS 893 00:27:29,000 --> 00:27:33,000 WITH TWO BROS 894 00:27:33,000 --> 00:27:36,000 EAT STREET BEAT 895 00:27:36,000 --> 00:27:38,000 >> WE GOT A LOT TO GET THROUGH 896 00:27:38,000 --> 00:27:40,000 TODAY. 897 00:27:40,000 --> 00:28:08,000 >> LET'S DO THIS. 898 00:28:08,000 --> 00:28:15,000 ON EAT STREET 899 00:28:15,000 --> 00:28:18,000 DONUTS GONE 900 00:28:18,000 --> 00:28:23,000 EAT STREET BEAT 901 00:28:23,000 --> 00:28:25,000 >> IT'S NOT FOOD. 902 00:28:25,000 --> 00:28:27,000 >> DON'T TELL US WHAT TO DO. 903 00:28:27,000 --> 00:28:29,000 >> YEAH. 904 00:28:29,000 --> 00:28:31,000 WE'RE BOTH THE BAD COP. 905 00:28:31,000 --> 00:28:34,000 THAT'S NOT FOOD 906 00:28:34,000 --> 00:28:40,000 WHAT'S WRONG, DUDE 907 00:28:40,000 --> 00:28:44,000 >> HEY, LOOK. 908 00:28:44,000 --> 00:28:45,000 >> FORGET IT. 909 00:28:45,000 --> 00:28:48,000 IT'S MINNEAPOLIS. 910 00:28:48,000 --> 00:28:54,000 EAT STREET BEAT 911 00:28:54,000 --> 00:28:55,000 BELCHES 912 00:28:55,000 --> 00:28:57,000 >> REMIND ME NOT TO LOSE MY 913 00:28:57,000 --> 00:29:19,000 WALLET ON EAT STREET. 914 00:29:19,000 --> 00:29:20,000 >> Adia: ALL RIGHT. 915 00:29:20,000 --> 00:29:21,000 LET'S KEEP THAT APPLAUSE GOING 916 00:29:21,000 --> 00:29:24,000 FOR COMEDIAN ELIZABETH ESS! 917 00:29:24,000 --> 00:29:26,000 APPLAUSE, APPLAUSE. 918 00:29:26,000 --> 00:29:26,000 Applause 919 00:29:26,000 --> 00:29:28,000 >> HELLO, EVERYBODY. 920 00:29:28,000 --> 00:29:29,000 THANK YOU SO MUCH. 921 00:29:29,000 --> 00:29:30,000 I'M SO EXCITED. 922 00:29:30,000 --> 00:29:32,000 A FRIEND OF MINE MESSAGED ME 923 00:29:32,000 --> 00:29:33,000 ON Facebook TODAY. 924 00:29:33,000 --> 00:29:35,000 HE SAID, YOU KNOW, THE OTHER 925 00:29:35,000 --> 00:29:36,000 NIGHT AT THAT PARTY WHEN WE 926 00:29:36,000 --> 00:29:37,000 WERE SITTING ON THE COUCH 927 00:29:37,000 --> 00:29:38,000 TOGETHER, I THOUGHT ABOUT 928 00:29:38,000 --> 00:29:39,000 KISSING YOU. 929 00:29:39,000 --> 00:29:40,000 I DIDN'T. 930 00:29:40,000 --> 00:29:41,000 IT'S NOT A BIG DEAL. 931 00:29:41,000 --> 00:29:42,000 I JUST THOUGHT YOU SHOULD 932 00:29:42,000 --> 00:29:43,000 KNOW. 933 00:29:43,000 --> 00:29:45,000 THAT'S KIND OF A COMPLIMENT. 934 00:29:45,000 --> 00:29:49,000 HE'S SAYING THAT I, ELIZABETH, 935 00:29:49,000 --> 00:29:50,000 AM RESISTIBLE. 936 00:29:50,000 --> 00:29:52,000 Laughter 937 00:29:52,000 --> 00:29:53,000 I'M RESISTIBLE. 938 00:29:53,000 --> 00:29:54,000 I WAS RESISTED. 939 00:29:54,000 --> 00:29:57,000 AND IT'S NOT A BIG DEAL. 940 00:29:57,000 --> 00:29:58,000 Laughter 941 00:29:58,000 --> 00:30:00,000 IT NEVER IS. 942 00:30:00,000 --> 00:30:02,000 I WENT TO A PSYCHIC RECENTLY 943 00:30:02,000 --> 00:30:03,000 BECAUSE I WANT TO GET MY LIFE 944 00:30:03,000 --> 00:30:05,000 TOGETHER. 945 00:30:05,000 --> 00:30:06,000 Laughter 946 00:30:06,000 --> 00:30:08,000 SHE READ MY TARRO. 947 00:30:08,000 --> 00:30:10,000 SHE TOLD ME THREE THINGS, 948 00:30:10,000 --> 00:30:11,000 FIRST, I SHOULD KEEP DOING 949 00:30:11,000 --> 00:30:12,000 COMEDY, SECOND, MY NEXT 950 00:30:12,000 --> 00:30:13,000 BOYFRIEND'S GOING TO BE A 951 00:30:13,000 --> 00:30:15,000 GIVER. 952 00:30:15,000 --> 00:30:16,000 AND, THIRD, I SHOULD JUST 953 00:30:16,000 --> 00:30:17,000 IGNORE THAT DEATH CARD, IT 954 00:30:17,000 --> 00:30:19,000 PROBABLY MEANS NOTHING. 955 00:30:19,000 --> 00:30:20,000 Laughter 956 00:30:20,000 --> 00:30:22,000 SHE'S A BETTER PSYCHIC THAN 957 00:30:22,000 --> 00:30:22,000 SHE REALIZES. 958 00:30:22,000 --> 00:30:24,000 I DO LIVE IN NORTH 959 00:30:24,000 --> 00:30:26,000 MINNEAPOLIS. 960 00:30:26,000 --> 00:30:26,000 Laughter 961 00:30:26,000 --> 00:30:27,000 IT'S A LOT OF FUN. 962 00:30:27,000 --> 00:30:28,000 I LOVE WHERE I LIVE. 963 00:30:28,000 --> 00:30:30,000 I HAVE A GOOD ROOMMATE. 964 00:30:30,000 --> 00:30:31,000 SHE'S A HITSTER. 965 00:30:31,000 --> 00:30:35,000 I'M NOT, THOUGH, I JUST HAVE 966 00:30:35,000 --> 00:30:36,000 ASTIGMATISM AND BAD TASTE IN 967 00:30:36,000 --> 00:30:37,000 EVERYTHING. 968 00:30:37,000 --> 00:30:38,000 Laughter 969 00:30:38,000 --> 00:30:40,000 THERE'S BARELY A DIFFERENCE. 970 00:30:40,000 --> 00:30:42,000 FOR INSTANCE, SHE DECORATES 971 00:30:42,000 --> 00:30:43,000 WITH A LOT OF VINTAGE STUFF. 972 00:30:43,000 --> 00:30:46,000 AND IT'S NOT GOOD STUFF LIKE 973 00:30:46,000 --> 00:30:48,000 IF YOU TOOK IT ON ANTIQUE ROAD 974 00:30:48,000 --> 00:30:49,000 SHOW THEY WOULD SAY, WELL, AT 975 00:30:49,000 --> 00:30:50,000 LEAST YOU LIKE IT. 976 00:30:50,000 --> 00:30:51,000 Laughter 977 00:30:51,000 --> 00:30:52,000 I DON'T REALLY DECORATE AT 978 00:30:52,000 --> 00:30:52,000 ALL. 979 00:30:52,000 --> 00:30:54,000 ALL I HAVE IN MY ROOM IS AN 980 00:30:54,000 --> 00:30:56,000 AIR MATTRESS AND A DRUM SET. 981 00:30:56,000 --> 00:30:58,000 I LIKE IT AND GUYS LIKE IT, 982 00:30:58,000 --> 00:30:59,000 TOO, BECAUSE THE DRUM SET SAYS 983 00:30:59,000 --> 00:31:01,000 THAT I ROCK AND THE AIR AIR 984 00:31:01,000 --> 00:31:02,000 MATTRESS SAYS THAT I WILL 985 00:31:02,000 --> 00:31:03,000 SETTLE FOR LESS. 986 00:31:03,000 --> 00:31:04,000 Laughter 987 00:31:04,000 --> 00:31:07,000 THAT IS A TRUE STORY. 988 00:31:07,000 --> 00:31:09,000 MY MOM HATES THAT JOKE. 989 00:31:09,000 --> 00:31:10,000 SHE'S, LIKE, TELL THEM YOU 990 00:31:10,000 --> 00:31:11,000 HAVE A BED. 991 00:31:11,000 --> 00:31:12,000 I DO. 992 00:31:12,000 --> 00:31:15,000 IT'S ON LAYAWAY. 993 00:31:15,000 --> 00:31:17,000 AND SEVEN MONTHS AT BAD -- IN 994 00:31:17,000 --> 00:31:20,000 SEVEN MONTHS, THAT BAD BOY'S 995 00:31:20,000 --> 00:31:20,000 MINE. 996 00:31:20,000 --> 00:31:21,000 CAN'T WAIT TO GET IT AND DIE 997 00:31:21,000 --> 00:31:22,000 ALONE IN IT. 998 00:31:22,000 --> 00:31:23,000 I WON'T DIE ALONE. 999 00:31:23,000 --> 00:31:24,000 IT'S FINE. 1000 00:31:24,000 --> 00:31:25,000 I DO ONLINE DATING. 1001 00:31:25,000 --> 00:31:28,000 IT IS NOT GOING WELL. 1002 00:31:28,000 --> 00:31:32,000 I'VE HEARD THAT IF YOU POST -- 1003 00:31:32,000 --> 00:31:33,000 YOU HAVE BETTER CHANCES IF YOU 1004 00:31:33,000 --> 00:31:34,000 POST A FULL-BODY PHOTO OF 1005 00:31:34,000 --> 00:31:35,000 YOURSELF. 1006 00:31:35,000 --> 00:31:36,000 AND I WANT BETTER CHANCES BUT, 1007 00:31:36,000 --> 00:31:38,000 AT THE SAME TIME, IF A GUY 1008 00:31:38,000 --> 00:31:39,000 THINKS I'M FAT, I KIND OF WANT 1009 00:31:39,000 --> 00:31:41,000 HIM TO WASTE A TRIP TO FIND 1010 00:31:41,000 --> 00:31:41,000 OUT. 1011 00:31:41,000 --> 00:31:43,000 NO, PUT ON YOUR PANTS, GET IN 1012 00:31:43,000 --> 00:31:46,000 YOUR CAR, MEET ME AT THE 1013 00:31:46,000 --> 00:31:47,000 APPLEBEE'S WHERE I WILL BE 1014 00:31:47,000 --> 00:31:47,000 ANYWAY. 1015 00:31:47,000 --> 00:31:50,000 I'LL TALK ABOUT NICKIE MINUTE 1016 00:31:50,000 --> 00:31:51,000 ACKNOWLEDGE FOR 20 MINUTES 1017 00:31:51,000 --> 00:31:52,000 BECAUSE I HAVE A GREAT 1018 00:31:52,000 --> 00:31:53,000 PERSONALITY. 1019 00:31:53,000 --> 00:31:54,000 YEAH, I SHOULD GET SERIOUS 1020 00:31:54,000 --> 00:31:56,000 ABOUT DATING BECAUSE I HEARD 1021 00:31:56,000 --> 00:31:56,000 THE STATISTIC THAT OVER THE 1022 00:31:56,000 --> 00:31:58,000 COURSE OF A LIFETIME, IT COSTS 1023 00:31:58,000 --> 00:31:59,000 A MILLION DOLLARS MORE TO BE A 1024 00:31:59,000 --> 00:32:01,000 SINGLE WOMAN. 1025 00:32:01,000 --> 00:32:02,000 I DIDN'T EVEN KNOW CATS ATE 1026 00:32:02,000 --> 00:32:06,000 THAT MUCH. 1027 00:32:06,000 --> 00:32:11,000 Laughter 1028 00:32:11,000 --> 00:32:12,000 Applause 1029 00:32:12,000 --> 00:32:14,000 LIKE MAYBE IF YOU HAVE 12 OF 1030 00:32:14,000 --> 00:32:14,000 THEM. 1031 00:32:14,000 --> 00:32:17,000 WHICH, YOU KNOW, GOD WILLING. 1032 00:32:17,000 --> 00:32:18,000 Laughter 1033 00:32:18,000 --> 00:32:20,000 IT'S HARD FOR ME TO GET BACK 1034 00:32:20,000 --> 00:32:22,000 INTO DATING, THOUGH, BECAUSE I 1035 00:32:22,000 --> 00:32:24,000 SPENT A YEAR CELIBATE. 1036 00:32:24,000 --> 00:32:26,000 THANK YOU FOR THE MOMENT OF 1037 00:32:26,000 --> 00:32:26,000 SILENCE. 1038 00:32:26,000 --> 00:32:27,000 Laughter 1039 00:32:27,000 --> 00:32:28,000 I LOVE RESPECT. 1040 00:32:28,000 --> 00:32:29,000 THIS IS GOOD. 1041 00:32:29,000 --> 00:32:31,000 AND I WASN'T DOING IT FOR 1042 00:32:31,000 --> 00:32:32,000 RELIGIOUS REASONS. 1043 00:32:32,000 --> 00:32:33,000 I'M AN ATHEIST, I DON'T 1044 00:32:33,000 --> 00:32:36,000 BELIEVE IN KANYE WEST. 1045 00:32:36,000 --> 00:32:36,000 Laughter 1046 00:32:36,000 --> 00:32:37,000 I WAS DOING IT BECAUSE I 1047 00:32:37,000 --> 00:32:39,000 WANTED TO FIGURE OUT WHAT I 1048 00:32:39,000 --> 00:32:40,000 WANTED IN MY NEXT 1049 00:32:40,000 --> 00:32:41,000 RELATIONSHIP. 1050 00:32:41,000 --> 00:32:42,000 FOR INSTANCE, MY LAST 1051 00:32:42,000 --> 00:32:44,000 BOYFRIEND WAS A BIGGER GUY. 1052 00:32:44,000 --> 00:32:46,000 AND NOT BIG IN AN ENJOYABLE 1053 00:32:46,000 --> 00:32:46,000 WAY. 1054 00:32:46,000 --> 00:32:49,000 HE WAS BIG LIKE A WATER BED. 1055 00:32:49,000 --> 00:32:51,000 AND WATER BEDS CAN BE A LOT OF 1056 00:32:51,000 --> 00:32:53,000 FUN BUT THIS ONE SWEAT A LOT 1057 00:32:53,000 --> 00:32:55,000 AND IT OWED ME MONEY. 1058 00:32:55,000 --> 00:32:56,000 BUT THE COOL THING ABOUT A 1059 00:32:56,000 --> 00:32:58,000 WATER BED IS, YOU STAB IT ONCE 1060 00:32:58,000 --> 00:33:00,000 AND YOU'RE DONE. 1061 00:33:00,000 --> 00:33:02,000 Laughter 1062 00:33:02,000 --> 00:33:04,000 NO WITNESSES. 1063 00:33:04,000 --> 00:33:04,000 OKAY. 1064 00:33:04,000 --> 00:33:06,000 THANK YOU SO MUCH. 1065 00:33:06,000 --> 00:33:10,000 Cheers and applause 1066 00:33:10,000 --> 00:33:12,000 >> Adia: LET'S HEAR IT FOR 1067 00:33:12,000 --> 00:33:13,000 ELIZABETH ESS. 1068 00:33:13,000 --> 00:33:15,000 THANK YOU, ELIZABETH, THAT WAS 1069 00:33:15,000 --> 00:33:15,000 AWESOME. THANK YOU. 1070 00:33:15,000 --> 00:33:17,000 I LOVE THE TATTOO. 1071 00:33:17,000 --> 00:33:17,000 YES. 1072 00:33:17,000 --> 00:33:19,000 GREAT. 1073 00:33:19,000 --> 00:33:21,000 DON'T THINK ABOUT IT TOO HARD, 1074 00:33:21,000 --> 00:33:22,000 THOUGH. 1075 00:33:22,000 --> 00:33:25,000 NOW FOR SOME MUSIC FROM THE 1076 00:33:25,000 --> 00:33:27,000 BAND FIELD TRIP, FORMERLY 1077 00:33:27,000 --> 00:33:29,000 KNOWN AS THE LUCY MICHELLE AND 1078 00:33:29,000 --> 00:33:33,000 THE VELVET LAPELS. 1079 00:33:33,000 --> 00:33:33,000 THEN, WE'LL HEAD TO THE BRYANT 1080 00:33:33,000 --> 00:33:34,000 LAKE BOWL TO MEET THE MAN 1081 00:33:34,000 --> 00:33:35,000 WHO'S BEEN RUNNING THINGS 1082 00:33:35,000 --> 00:33:35,000 BEHIND THE SCENES FOR MORE 1083 00:33:35,000 --> 00:33:45,000 THAN 30 YEARS. 1084 00:33:45,000 --> 00:33:50,000 LAZY BONES 1085 00:33:50,000 --> 00:33:52,000 WILL STAY SOBER 1086 00:33:52,000 --> 00:33:59,000 UNDERNEATH THE MISTLETOE 1087 00:33:59,000 --> 00:34:02,000 WITHOUT KNOWING AT ALL 1088 00:34:02,000 --> 00:34:04,000 GIVE ME WHAT I NEED I'LL 1089 00:34:04,000 --> 00:34:23,000 GIVE YOU SUN AND WATER 1090 00:34:23,000 --> 00:34:25,000 HOW DO WE KNOW ANYTHING AT 1091 00:34:25,000 --> 00:34:29,000 ALL 1092 00:34:29,000 --> 00:34:40,000 EVERYTHING IS 1093 00:34:40,000 --> 00:34:41,000 AT ANY MOMENT 1094 00:34:41,000 --> 00:34:49,000 AT ANY MOMENT 1095 00:34:49,000 --> 00:34:54,000 VERY SLOWLY 1096 00:34:54,000 --> 00:34:58,000 THE CARPET IS A MAGNET 1097 00:34:58,000 --> 00:35:01,000 AND WE ARE IN ITS FIELD 1098 00:35:01,000 --> 00:35:05,000 SEE THE SUN 1099 00:35:05,000 --> 00:35:08,000 IT'S NOT LIKE THAT UP HERE 1100 00:35:08,000 --> 00:35:27,000 ENJOY IT WHILE YOU 1101 00:35:27,000 --> 00:35:30,000 HOW DO WE KNOW 1102 00:35:30,000 --> 00:35:35,000 ANYTHING AT ALL 1103 00:35:35,000 --> 00:35:41,000 EVERYTHING IS SO GREAT 1104 00:35:41,000 --> 00:35:44,000 AT ANY MOMENT 1105 00:35:44,000 --> 00:35:48,000 AT ANY MOMENT 1106 00:35:48,000 --> 00:35:51,000 AT ANY MOMENT 1107 00:35:51,000 --> 00:35:54,000 AT ANY MOMENT 1108 00:35:54,000 --> 00:35:58,000 AT ANY MOMENT 1109 00:35:58,000 --> 00:36:00,000 AT ANY MOMENT 1110 00:36:00,000 --> 00:36:04,000 AT ANY MOMENT 1111 00:36:04,000 --> 00:36:07,000 AT ANY MOMENT 1112 00:36:07,000 --> 00:36:10,000 AT ANY MOMENT 1113 00:36:10,000 --> 00:36:14,000 AT ANY MOMENT 1114 00:36:14,000 --> 00:36:16,000 AT ANY MOMENT 1115 00:36:16,000 --> 00:36:20,000 AT ANY MOMENT 1116 00:36:20,000 --> 00:36:48,000 AT ANY MOMENT 1117 00:36:48,000 --> 00:36:50,000 >> MY NAME IS ROGER RINGMARK 1118 00:36:50,000 --> 00:36:58,000 AND I'M THE ALLEY MAN HERE. 1119 00:36:58,000 --> 00:37:01,000 >> I BECAME A -- IT BECAME A 1120 00:37:01,000 --> 00:37:03,000 BOWLING ALLEY IN EITHER 1936 1121 00:37:03,000 --> 00:37:05,000 OR 1937. 1122 00:37:05,000 --> 00:37:07,000 BEFORE IT WAS A BOWLING ALLEY 1123 00:37:07,000 --> 00:37:13,000 IT WAS A -- WHEN THEY FIRST 1124 00:37:13,000 --> 00:37:15,000 STARTED BOWLING, THEY HAD 1125 00:37:15,000 --> 00:37:16,000 HUMAN PIN SETTERS. 1126 00:37:16,000 --> 00:37:17,000 THEY HAD LANES THAT THEY'D 1127 00:37:17,000 --> 00:37:19,000 STAND IN WHILE THE PEOPLE WERE 1128 00:37:19,000 --> 00:37:21,000 BOWLING AND THEY'D GO OUT AND 1129 00:37:21,000 --> 00:37:23,000 THEY'D SET UP THE PINS. 1130 00:37:23,000 --> 00:37:24,000 I THINK IT WAS LIKE IN '69 1131 00:37:24,000 --> 00:37:28,000 THAT THEY PUT IN THE AUTOMATIC 1132 00:37:28,000 --> 00:37:28,000 MACHINES. 1133 00:37:28,000 --> 00:37:30,000 BILL WAS THE OWNER AT THE 1134 00:37:30,000 --> 00:37:30,000 TIME. 1135 00:37:30,000 --> 00:37:32,000 AND HE'S ONE OF THE CLASSIC 1136 00:37:32,000 --> 00:37:34,000 BOWLERS. 1137 00:37:34,000 --> 00:37:35,000 I BELIEVE HE'S IN BOTH 1138 00:37:35,000 --> 00:37:36,000 MINNEAPOLIS AND St. PAUL 1139 00:37:36,000 --> 00:37:37,000 HALL OF FAME. 1140 00:37:37,000 --> 00:37:38,000 HE USED TO SIT IN THE WINDOW 1141 00:37:38,000 --> 00:37:40,000 OF THAT BOOTH UP THERE. 1142 00:37:40,000 --> 00:37:42,000 HE'D PLAY GIN AND WHILE HE'S 1143 00:37:42,000 --> 00:37:43,000 PLAYING GIN, I'D TAKE CARE OF 1144 00:37:43,000 --> 00:37:44,000 THE COUNTER FOR HIM. 1145 00:37:44,000 --> 00:37:46,000 I'VE BEEN HERE PROBABLY 1146 00:37:46,000 --> 00:37:47,000 SOMEWHERE AROUND 30 YEARS OR 1147 00:37:47,000 --> 00:37:47,000 MORE. 1148 00:37:47,000 --> 00:37:52,000 AND I'M 76 NOW. 1149 00:37:52,000 --> 00:37:54,000 WHEN HE TOOK OVER, THERE 1150 00:37:54,000 --> 00:37:55,000 WASN'T ANYBODY ELSE THAT COULD 1151 00:37:55,000 --> 00:37:57,000 WORK ON IT. 1152 00:37:57,000 --> 00:38:00,000 MONDAYS I CLEANED THE GUTTERS 1153 00:38:00,000 --> 00:38:02,000 AND TOWELED THE HEADERS THE 1154 00:38:02,000 --> 00:38:02,000 FIRST 16 FEET. 1155 00:38:02,000 --> 00:38:04,000 AND THEN I HAVE A SQUEEZE 1156 00:38:04,000 --> 00:38:07,000 BOTTLE THAT I OIL THE LANES 1157 00:38:07,000 --> 00:38:07,000 WITH. 1158 00:38:07,000 --> 00:38:09,000 AND I LET IT SET FOR A WHILE. 1159 00:38:09,000 --> 00:38:11,000 AND I'LL HAVE A CUP OF COFFEE 1160 00:38:11,000 --> 00:38:13,000 AND THEN START TOWELING THE 1161 00:38:13,000 --> 00:38:15,000 LANES. 1162 00:38:15,000 --> 00:38:18,000 WE DID HAVE ONE GUY THAT WENT 1163 00:38:18,000 --> 00:38:21,000 RUNNING DOWN THE LANES AND 1164 00:38:21,000 --> 00:38:22,000 BELLY FLIPPED THROUGH THE PIN 1165 00:38:22,000 --> 00:38:29,000 DECK. 1166 00:38:29,000 --> 00:38:31,000 I LOVE THE GAME OF BOWLING. 1167 00:38:31,000 --> 00:38:34,000 WHEN I FIRST STARTED BOWLING, 1168 00:38:34,000 --> 00:38:36,000 I PROBABLY BOWLED SIX LEAGUES 1169 00:38:36,000 --> 00:38:37,000 A WEEK. 1170 00:38:37,000 --> 00:38:39,000 PLUS ALL THE TOURNAMENTS I 1171 00:38:39,000 --> 00:38:40,000 BOWLED SOMEWHERE AROUND A 1172 00:38:40,000 --> 00:38:41,000 DOZEN TOURNAMENTS A YEAR. 1173 00:38:41,000 --> 00:38:43,000 I'D BOWL IN NIAGARA FALLS AND 1174 00:38:43,000 --> 00:38:45,000 I'D BOWL IN TEXAS AND I'D BOWL 1175 00:38:45,000 --> 00:38:52,000 IN RENO. 1176 00:38:52,000 --> 00:38:53,000 I'VE BEEN BOWLING AS LONG AS I 1177 00:38:53,000 --> 00:38:57,000 KNOW. 1178 00:38:57,000 --> 00:39:00,000 ANY TIME ANYTHING HAPPENS WITH 1179 00:39:00,000 --> 00:39:01,000 MACHINES, A GHOST MUST HAVE 1180 00:39:01,000 --> 00:39:02,000 DID IT. 1181 00:39:02,000 --> 00:39:04,000 AND I GUESS HE ROAMS AROUND 1182 00:39:04,000 --> 00:39:06,000 BEHIND THE ALLEYS, I GET 1183 00:39:06,000 --> 00:39:07,000 PEOPLE WHO HAVE SEEN HIM 1184 00:39:07,000 --> 00:39:20,000 DOWNSTAIRS. 1185 00:39:20,000 --> 00:39:34,000 Cheers and applause 1186 00:39:34,000 --> 00:39:34,000 >> ADIA: EVER FEEL LIKE YOUR 1187 00:39:34,000 --> 00:39:35,000 DANCE MOVES COULD USE SOME 1188 00:39:35,000 --> 00:39:37,000 MORE GROOVE? 1189 00:39:37,000 --> 00:39:38,000 I'M HERE WITH LOCAL DANCE 1190 00:39:38,000 --> 00:39:39,000 AFFICIANDO AND FORMER HOST OF 1191 00:39:39,000 --> 00:39:41,000 PUBLIC ACCESS TV SHOW FREAKY 1192 00:39:41,000 --> 00:39:44,000 DEAKY BOBBY KAHN. 1193 00:39:44,000 --> 00:39:46,000 IS HERE TO TEACH US A THING OR 1194 00:39:46,000 --> 00:39:46,000 TWO. 1195 00:39:46,000 --> 00:39:47,000 BOBBY, TAKE IT AWAY. 1196 00:39:47,000 --> 00:39:49,000 >> HELLO THERE, KIRN. 1197 00:39:49,000 --> 00:39:51,000 I'M HERE TO SHOW YOU HOW TO 1198 00:39:51,000 --> 00:39:52,000 GET DOWN TODAY. 1199 00:39:52,000 --> 00:39:53,000 CHEERS 1200 00:39:53,000 --> 00:39:54,000 BUT, FIRST, I WANT TO TELL YOU 1201 00:39:54,000 --> 00:39:55,000 A LITTLE BIT ABOUT MYSELF. 1202 00:39:55,000 --> 00:39:57,000 I USED TO BE AFRAID TO DANCE 1203 00:39:57,000 --> 00:39:59,000 AND NOW IT IS MY FAVORITE 1204 00:39:59,000 --> 00:39:59,000 THING. 1205 00:39:59,000 --> 00:40:00,000 AND WHAT I LEARNED ALONG THAT 1206 00:40:00,000 --> 00:40:02,000 WAY IS THAT IT'S MOSTLY A 1207 00:40:02,000 --> 00:40:03,000 MENTAL THING THAT YOU NEED TO 1208 00:40:03,000 --> 00:40:04,000 GET OVER TO BECOME A GOOD 1209 00:40:04,000 --> 00:40:05,000 DANCER. 1210 00:40:05,000 --> 00:40:06,000 IT HAS NOTHING TO DO WITH HOW 1211 00:40:06,000 --> 00:40:09,000 GOOD YOU CAN DANCE. 1212 00:40:09,000 --> 00:40:10,000 AND ONE THING I LEARNED IS IT 1213 00:40:10,000 --> 00:40:12,000 HELPS TO FEEL COOL. 1214 00:40:12,000 --> 00:40:13,000 SO YOU KIND OF GOT TO WALK 1215 00:40:13,000 --> 00:40:14,000 AROUND, WAG YOUR HEAD A LITTLE 1216 00:40:14,000 --> 00:40:18,000 BIT LIKE THIS. 1217 00:40:18,000 --> 00:40:21,000 CAN I SEE SOME WAGGING IN THE 1218 00:40:21,000 --> 00:40:22,000 STUDIO AUDIENCE HERE? 1219 00:40:22,000 --> 00:40:24,000 WE GOT A LITTLE WORK TO DO. 1220 00:40:24,000 --> 00:40:27,000 IT ALSO HELPS TO FEEL COOL IF 1221 00:40:27,000 --> 00:40:28,000 YOU LOOK COOL. 1222 00:40:28,000 --> 00:40:30,000 SO YOU GOT TO ACCESSORZIE A 1223 00:40:30,000 --> 00:40:31,000 LITTLE BIT AND I GOT LOVELY 1224 00:40:31,000 --> 00:40:33,000 MISS JENNIFER OVER HERE TO 1225 00:40:33,000 --> 00:40:34,000 HELP ME. 1226 00:40:34,000 --> 00:40:37,000 I GOT MY SPECIAL SUNGLASSES. 1227 00:40:37,000 --> 00:40:39,000 I LOOK A LOT COOLER. 1228 00:40:39,000 --> 00:40:41,000 OH, WAIT, I FORGOT SOMETHING 1229 00:40:41,000 --> 00:40:41,000 HERE. 1230 00:40:41,000 --> 00:40:44,000 WE GOT A LITTLE MORE. 1231 00:40:44,000 --> 00:40:51,000 CHEERS 1232 00:40:51,000 --> 00:40:54,000 A LITTLE BETTER, RIGHT? 1233 00:40:54,000 --> 00:40:56,000 ALL RIGHT. 1234 00:40:56,000 --> 00:40:58,000 NOW, THIS IS WHERE Y'ALL COME 1235 00:40:58,000 --> 00:40:58,000 IN. 1236 00:40:58,000 --> 00:41:00,000 WHAT MY DANCE CLASS IS, IS YOU 1237 00:41:00,000 --> 00:41:01,000 GET TO BE THE STAR OF THE SHOW 1238 00:41:01,000 --> 00:41:02,000 AND I'M GOING TO SHOW YOU WHAT 1239 00:41:02,000 --> 00:41:03,000 IT'S LIKE. 1240 00:41:03,000 --> 00:41:04,000 SO WE'RE GOING TO COME OVER 1241 00:41:04,000 --> 00:41:06,000 HERE. 1242 00:41:06,000 --> 00:41:08,000 ALL RIGHT. 1243 00:41:08,000 --> 00:41:09,000 SO, I'M GOING TO START IT OFF, 1244 00:41:09,000 --> 00:41:11,000 BUT WHAT I NEED IS ANYONE 1245 00:41:11,000 --> 00:41:12,000 WHO'S BRAVE ENOUGH TO COME IN 1246 00:41:12,000 --> 00:41:13,000 AFTER ME. 1247 00:41:13,000 --> 00:41:15,000 I'LL SHOW YOU HOW TO DO IT. 1248 00:41:15,000 --> 00:41:16,000 A FEW THINGS YOU WANT TO KNOW 1249 00:41:16,000 --> 00:41:18,000 ABOUT DANCING IN A CIRCLE. 1250 00:41:18,000 --> 00:41:19,000 YOU WANT TO TAKE UP AS MUCH 1251 00:41:19,000 --> 00:41:20,000 SPACE AS YOU CAN. 1252 00:41:20,000 --> 00:41:22,000 SO YOU WALK AROUND. 1253 00:41:22,000 --> 00:41:23,000 WALK AROUND, WAGGING YOUR 1254 00:41:23,000 --> 00:41:24,000 HEAD, WAGGING YOUR HEAD. 1255 00:41:24,000 --> 00:41:27,000 THE WHOLE TIME, WAGGING YOUR 1256 00:41:27,000 --> 00:41:28,000 HEAD. 1257 00:41:28,000 --> 00:41:29,000 YOU PICK SOMEONE OUTSIDE, NO, 1258 00:41:29,000 --> 00:41:31,000 NO, NO, NO, NO. 1259 00:41:31,000 --> 00:41:32,000 ANOTHER THING YOU GOT TO 1260 00:41:32,000 --> 00:41:33,000 REMEMBER WHEN YOU'RE IN THE 1261 00:41:33,000 --> 00:41:35,000 CIRCLE IS TO STAY SASSY AND 1262 00:41:35,000 --> 00:41:37,000 CRISP EVERY DAY. 1263 00:41:37,000 --> 00:41:38,000 SO REPEAT AFTER ME, WHEN I'M 1264 00:41:38,000 --> 00:41:40,000 IN THE CIRCLE, I WILL STAY 1265 00:41:40,000 --> 00:41:42,000 SAFE. 1266 00:41:42,000 --> 00:41:43,000 ALL RIGHT. 1267 00:41:43,000 --> 00:41:44,000 WE'LL START WORKING ON THAT 1268 00:41:44,000 --> 00:41:45,000 ONE. 1269 00:41:45,000 --> 00:41:45,000 OKAY. 1270 00:41:45,000 --> 00:41:48,000 CAN WE GET THE MUSIC A LITTLE 1271 00:41:48,000 --> 00:41:48,000 LOUDER? ALL RIGHT. 1272 00:41:48,000 --> 00:41:49,000 HERE'S WHAT YOU DO. 1273 00:41:49,000 --> 00:41:55,000 WATCH ME. 1274 00:41:55,000 --> 00:42:00,000 CHEERS 1275 00:42:00,000 --> 00:42:00,000 ALL RIGHT. 1276 00:42:00,000 --> 00:42:07,000 WHO'S UP? 1277 00:42:07,000 --> 00:42:08,000 >> ADIA: NEXT UP, WE'RE 1278 00:42:08,000 --> 00:42:09,000 HEADING TO THE MINNEAPOLIS 1279 00:42:09,000 --> 00:42:10,000 COMIC CON TO CATCH SOME OF THE 1280 00:42:10,000 --> 00:42:11,000 BEST AND WORST COSTUMES 1281 00:42:11,000 --> 00:42:11,000 FEATURING FOUL-MOUTHED FASHION 1282 00:42:11,000 --> 00:42:17,000 CRITIC ULA. 1283 00:42:17,000 --> 00:42:17,000 >> HI. 1284 00:42:17,000 --> 00:42:19,000 THIS IS ULA WITH MPLS.TV. 1285 00:42:19,000 --> 00:42:21,000 WE ARE AT THE FIRST 1286 00:42:21,000 --> 00:42:23,000 MINNEAPOLIS COMIC CON. 1287 00:42:23,000 --> 00:42:31,000 AND WE WANT TO KNOW WHAT ARE 1288 00:42:31,000 --> 00:42:45,000 YOU WEARING? 1289 00:42:45,000 --> 00:42:46,000 >> YOU'RE NOT AFRAID OF ME, 1290 00:42:46,000 --> 00:42:47,000 ARE YOU? 1291 00:42:47,000 --> 00:42:48,000 >> WHAT ARE YOU WEARING? 1292 00:42:48,000 --> 00:42:49,000 >> WHAT AM I WEARING? 1293 00:42:49,000 --> 00:42:52,000 I'M WEARING THE BEST OUTFIT. 1294 00:42:52,000 --> 00:42:54,000 FREDDIE. 1295 00:42:54,000 --> 00:42:54,000 >> WHAT ARE YOU WEARING? 1296 00:42:54,000 --> 00:42:58,000 >> HEY, I'M RUFEAL FROM THE 1297 00:42:58,000 --> 00:42:58,000 MOVIE HOOK. 1298 00:42:58,000 --> 00:43:02,000 >> HOW DID IT FEEL WHEN 1299 00:43:02,000 --> 00:43:03,000 ZOOMTREE STOLE BOOMERANG FROM 1300 00:43:03,000 --> 00:43:03,000 YOU? 1301 00:43:03,000 --> 00:43:05,000 >> IT KIND OF HIT ME A LITTLE 1302 00:43:05,000 --> 00:43:06,000 BIT INSIDE BUT IT'S ALL RIGHT. 1303 00:43:06,000 --> 00:43:07,000 >> WHAT ARE YOU WEARING? 1304 00:43:07,000 --> 00:43:09,000 >> I'M CAPTAIN AMERICA. 1305 00:43:09,000 --> 00:43:10,000 CLASSIC. 1306 00:43:10,000 --> 00:43:12,000 >> WHY IS IRON MAN THE MOST 1307 00:43:12,000 --> 00:43:13,000 POPULAR AVENGER? 1308 00:43:13,000 --> 00:43:15,000 >> WHO SAID THAT? 1309 00:43:15,000 --> 00:43:16,000 >> I DID. 1310 00:43:16,000 --> 00:43:18,000 >> YOU'RE WRONG. 1311 00:43:18,000 --> 00:43:20,000 >> WHY IN >> BECAUSE I AM. 1312 00:43:20,000 --> 00:43:37,000 I'M THE MOST POPULAR, AMERICA. 1313 00:43:37,000 --> 00:43:39,000 >> WHAT ARE YOU WEARING? 1314 00:43:39,000 --> 00:43:39,000 >> PARDON ME? 1315 00:43:39,000 --> 00:43:41,000 >> WHAT ARE YOU WEARING? 1316 00:43:41,000 --> 00:43:43,000 >> I'M WEARING A SHIRT AND 1317 00:43:43,000 --> 00:43:46,000 PANTS, UNDERWEAR AND BOOTS. 1318 00:43:46,000 --> 00:43:50,000 >> WHAT ARE YOU WEARING? 1319 00:43:50,000 --> 00:43:53,000 >> THIS IS VIEIRA WANG, IT'S 1320 00:43:53,000 --> 00:43:55,000 NOT -- VERA WANG, IT'S NOT 1321 00:43:55,000 --> 00:43:57,000 ACTUALLY MADE BY HER, IT'S 1322 00:43:57,000 --> 00:43:59,000 ACTUALLY I SKINNED HER ALIVE 1323 00:43:59,000 --> 00:44:05,000 AND I'M WEARING HER FLESH. 1324 00:44:05,000 --> 00:44:08,000 >> WHO WOULD WIN IN A FIGHT? 1325 00:44:08,000 --> 00:44:11,000 AN KIN SKYWALKER OR DARTH 1326 00:44:11,000 --> 00:44:11,000 VADER? 1327 00:44:11,000 --> 00:44:14,000 >> ATHAT WOULD BE KIND OF A 1328 00:44:14,000 --> 00:44:16,000 WEIRD FIGHT BECAUSE AN KIN 1329 00:44:16,000 --> 00:44:18,000 SYWALKER IS DARTH VADER SO I 1330 00:44:18,000 --> 00:44:19,000 GUESS HE COULD KILL HIMSELF, 1331 00:44:19,000 --> 00:44:19,000 RIGHT? 1332 00:44:19,000 --> 00:44:20,000 >> THAT'S RIGHT. 1333 00:44:20,000 --> 00:44:21,000 THAT'S A GOOD WAY TO GO. 1334 00:44:21,000 --> 00:44:23,000 WHAT'S IT LIKE TO BURN IN A 1335 00:44:23,000 --> 00:44:23,000 FIRE? 1336 00:44:23,000 --> 00:44:25,000 >> BURNS LIKE HELL, IT SUCKS, 1337 00:44:25,000 --> 00:44:26,000 IT'S HOT. 1338 00:44:26,000 --> 00:44:27,000 VERY VERY HOT. 1339 00:44:27,000 --> 00:44:30,000 IF IT WASN'T FOR THE DREAM 1340 00:44:30,000 --> 00:44:31,000 TEAM, I WOULDN'T BE STANDING 1341 00:44:31,000 --> 00:44:33,000 HERE, HUH. 1342 00:44:33,000 --> 00:44:35,000 >> WHAT ARE YOU WEARING? 1343 00:44:35,000 --> 00:44:37,000 >> IT'S GHOSTBUSTERS, MAN, 1344 00:44:37,000 --> 00:44:38,000 WHERE HAVE YOU BEEN? 1345 00:44:38,000 --> 00:44:39,000 POLAND OR SOMETHING. 1346 00:44:39,000 --> 00:44:41,000 >> WHY ARE YOU A BRITISH 1347 00:44:41,000 --> 00:44:42,000 GHOSTBUSTER? 1348 00:44:42,000 --> 00:44:43,000 >> THERE'S CHAPTERS ALL AROUND 1349 00:44:43,000 --> 00:44:44,000 THE WORLD, YOU'VE GOT TO GET 1350 00:44:44,000 --> 00:44:45,000 OUT AND EXPLORE A LITTLE BIT. 1351 00:44:45,000 --> 00:44:46,000 >> WHAT'S IN YOUR BACKPACK? 1352 00:44:46,000 --> 00:44:48,000 >> THIS IS A NUCLEAR 1353 00:44:48,000 --> 00:44:49,000 ACCELERATOR, IT'S LICENSED, 1354 00:44:49,000 --> 00:44:51,000 JUST IN CASE ANYBODY WAS 1355 00:44:51,000 --> 00:44:52,000 WORRIED, I'VE GOT A PERMIT TO 1356 00:44:52,000 --> 00:44:53,000 CARRY. 1357 00:44:53,000 --> 00:44:54,000 ONCE YOU'VE GOT IT CHARGED, 1358 00:44:54,000 --> 00:44:56,000 YOU CAN THROW SOME PROTON 1359 00:44:56,000 --> 00:45:00,000 STREAMS AROUND. 1360 00:45:00,000 --> 00:45:01,000 >> WHAT ARE YOU WEARING? 1361 00:45:01,000 --> 00:45:04,000 >> I'M A MADE-UP CHARACTER. 1362 00:45:04,000 --> 00:45:08,000 I DON'T WANT TO SOUND BAD BUT 1363 00:45:08,000 --> 00:45:09,000 IT'S NOT -- I JUST MADE UP MY 1364 00:45:09,000 --> 00:45:12,000 OWN THING. 1365 00:45:12,000 --> 00:45:14,000 >> IS THAT RACIST? 1366 00:45:14,000 --> 00:45:14,000 >> I DON'T KNOW. 1367 00:45:14,000 --> 00:45:15,000 >> IS IT? 1368 00:45:15,000 --> 00:45:17,000 >> COMIC BOOKS ARE A LITTLE 1369 00:45:17,000 --> 00:45:18,000 BIT. 1370 00:45:18,000 --> 00:45:20,000 >> THERE'S LIKE NO BLACK 1371 00:45:20,000 --> 00:45:20,000 CHARACTERS. 1372 00:45:20,000 --> 00:45:21,000 ARE YOU ALWAYS A VAMPIRE? 1373 00:45:21,000 --> 00:45:22,000 >> WANT TO FIND OUT? 1374 00:45:22,000 --> 00:45:23,000 >> NO. 1375 00:45:23,000 --> 00:45:24,000 >> THEN DON'T ASK. 1376 00:45:24,000 --> 00:45:27,000 >> ARE YOU AFRAID OF BUFFY? 1377 00:45:27,000 --> 00:45:29,000 >> I'M NOT WORRIED ABOUT BUFFY 1378 00:45:29,000 --> 00:45:32,000 AT ALL. 1379 00:45:32,000 --> 00:45:33,000 >> WHAT ARE YOU WEARING? 1380 00:45:33,000 --> 00:45:35,000 >> I AM POISON IVY, EXCUSE 1381 00:45:35,000 --> 00:45:36,000 YOU. 1382 00:45:36,000 --> 00:45:37,000 >> DOES IT BURN? 1383 00:45:37,000 --> 00:45:39,000 >> YOU WANT TO FIND OUT. 1384 00:45:39,000 --> 00:45:41,000 >> DO YOU HAVE ANY GREEN? 1385 00:45:41,000 --> 00:45:43,000 >> THAT'S A SECRET. 1386 00:45:43,000 --> 00:45:44,000 >> DID YOU EVER HAVE A 1387 00:45:44,000 --> 00:45:46,000 ALLERGIC REACTION TO THE GREEN 1388 00:45:46,000 --> 00:45:46,000 PAINT? 1389 00:45:46,000 --> 00:45:48,000 >> NO, BUT MY TOENAILS WAS 1390 00:45:48,000 --> 00:45:50,000 GREEN FOR SIX MONTHS. 1391 00:45:50,000 --> 00:45:53,000 HAD TO -- HAD TO OUTGROW. 1392 00:45:53,000 --> 00:45:54,000 THE TOENAILS ARE GREEN, OH, MY 1393 00:45:54,000 --> 00:45:55,000 GOD, YOU'RE THE HULK. 1394 00:45:55,000 --> 00:45:57,000 THAT WAS THE END OF THAT. 1395 00:45:57,000 --> 00:45:58,000 >> HOW LONG HAS IT BEEN SINCE 1396 00:45:58,000 --> 00:46:00,000 YOU TALKED TO JAFAR? 1397 00:46:00,000 --> 00:46:02,000 >> IT'S BEEN A WHILE NOW 1398 00:46:02,000 --> 00:46:04,000 BECAUSE CALLING EGYPT IS LONG 1399 00:46:04,000 --> 00:46:05,000 DISTANCE. 1400 00:46:05,000 --> 00:46:06,000 AND I JUST CAN'T DO IT 1401 00:46:06,000 --> 00:46:07,000 ANYMORE. 1402 00:46:07,000 --> 00:46:09,000 >> HOW LONG HAS IT TAKEN YOU 1403 00:46:09,000 --> 00:46:11,000 TO, LIKE, ASSEMBLE THIS 1404 00:46:11,000 --> 00:46:11,000 OUTFIT? 1405 00:46:11,000 --> 00:46:13,000 >> FOR ME, IT'S BEEN 5 YEARS 1406 00:46:13,000 --> 00:46:16,000 FOR THE SHOES -- 25 YEARS FOR 1407 00:46:16,000 --> 00:46:18,000 THE SHOES BECAUSE IT'S TAKEN 1408 00:46:18,000 --> 00:46:21,000 THAT LONG BEFORE NIKE RELEASED 1409 00:46:21,000 --> 00:46:23,000 THEM. 1410 00:46:23,000 --> 00:46:25,000 >> JOSH, ARE YOU TELLING ME 1411 00:46:25,000 --> 00:46:27,000 YOU BUILT A TIME MACHINE? 1412 00:46:27,000 --> 00:46:29,000 >> YOU THE WAY I SEE IT, IF 1413 00:46:29,000 --> 00:46:32,000 YOU'RE GOING TO BUILD A TIME 1414 00:46:32,000 --> 00:46:33,000 MACHINE FROM A CAR, WHY NOT DO 1415 00:46:33,000 --> 00:46:36,000 IT IN STYLE? 1416 00:46:36,000 --> 00:46:39,000 >> THE VEST I'M WEARING IS A 1417 00:46:39,000 --> 00:46:41,000 BELL JACKET, ALL ROCK 1418 00:46:41,000 --> 00:46:43,000 CONCERTS. 1419 00:46:43,000 --> 00:46:45,000 ALMOST LIKE $2,000. 1420 00:46:45,000 --> 00:46:46,000 YEAH. 1421 00:46:46,000 --> 00:46:46,000 >> FOR THIS VEST? 1422 00:46:46,000 --> 00:46:50,000 >> FOR THE VEST. 1423 00:46:50,000 --> 00:46:54,000 >> HOW MANY $20 KATANOS HAVE 1424 00:46:54,000 --> 00:46:55,000 YOU SOLD TODAY? 1425 00:46:55,000 --> 00:46:56,000 >> OH, MY GOD. 1426 00:46:56,000 --> 00:46:57,000 HOW MANY HAVE WE SOLD TODAY? 1427 00:46:57,000 --> 00:46:58,000 >> THOUSANDS. 1428 00:46:58,000 --> 00:47:00,000 >> THOUSANDS, MINIMUM. 1429 00:47:00,000 --> 00:47:01,000 >> SO, ARE YOU GUYS VISITING 1430 00:47:01,000 --> 00:47:03,000 FROM THE DUCK DYNASTY? 1431 00:47:03,000 --> 00:47:03,000 >> YES. 1432 00:47:03,000 --> 00:47:06,000 >> WHY DO YOU LOOK LIKE THEM? 1433 00:47:06,000 --> 00:47:07,000 >> WE'RE METAL. 1434 00:47:07,000 --> 00:47:08,000 THEY LOOK LIKE US. 1435 00:47:08,000 --> 00:47:10,000 >> I LIKE METAL. 1436 00:47:10,000 --> 00:47:11,000 >> YOU LIKE METAL? 1437 00:47:11,000 --> 00:47:12,000 >> I LOVE METAL. 1438 00:47:12,000 --> 00:47:13,000 >> AWESOME. 1439 00:47:13,000 --> 00:47:16,000 >> NOW WE GOT A NEW FRIEND. 1440 00:47:16,000 --> 00:47:18,000 >> PBS. 1441 00:47:18,000 --> 00:47:19,000 >> PBS. 1442 00:47:19,000 --> 00:47:22,000 >> YEAH. 1443 00:47:22,000 --> 00:47:26,000 >> WONDER IF ULA WOULD MAKE 1444 00:47:26,000 --> 00:47:27,000 SARCASTIC REMARKS ABOUT WHAT 1445 00:47:27,000 --> 00:47:40,000 I'M WEARING. 1446 00:47:40,000 --> 00:47:53,000 Cheers and applause 1447 00:47:53,000 --> 00:47:54,000 >> ADIA: AND NOW IT'S TIME FOR 1448 00:47:54,000 --> 00:47:54,000 THE FIRST-EVER COMMERCIAL 1449 00:47:54,000 --> 00:47:55,000 BREAK IN PUBLIC TELEVISION 1450 00:47:55,000 --> 00:47:56,000 HISTORY. 1451 00:47:56,000 --> 00:48:00,000 ENJOY! 1452 00:48:00,000 --> 00:48:01,000 >> DOES HELP YOU START YOUR 1453 00:48:01,000 --> 00:48:02,000 DAY WITH ZEST? 1454 00:48:02,000 --> 00:48:04,000 BUT YOU END UP FRUSTRATED AND 1455 00:48:04,000 --> 00:48:06,000 TIRED, ANGRY AFTER ONLY A FEW 1456 00:48:06,000 --> 00:48:07,000 SETBACKS AND SPILLS. 1457 00:48:07,000 --> 00:48:08,000 ARE YOU TIRED OF NOT BEING 1458 00:48:08,000 --> 00:48:10,000 ABLE TO MAKE A QUICK FIX WHEN 1459 00:48:10,000 --> 00:48:12,000 YOU OR YOUR BIKE ARE BREAKING 1460 00:48:12,000 --> 00:48:14,000 DOWN? 1461 00:48:14,000 --> 00:48:16,000 DOES YOUR LIFE FEEL LIKE A 1462 00:48:16,000 --> 00:48:19,000 TOTAL MESS? 1463 00:48:19,000 --> 00:48:19,000 >> MAN! 1464 00:48:19,000 --> 00:48:21,000 >> THERE'S A WAY TO STOP IT 1465 00:48:21,000 --> 00:48:22,000 FROM GOING DOWN THE DRAIN. 1466 00:48:22,000 --> 00:48:24,000 STOP CURSING AND START SINGING 1467 00:48:24,000 --> 00:48:26,000 THE PRAISES OF WHAT? 1468 00:48:26,000 --> 00:48:28,000 OF BIKER BUDDY. 1469 00:48:28,000 --> 00:48:29,000 WITH BIKER BUDDY YOU CAN HAVE 1470 00:48:29,000 --> 00:48:31,000 A SOLUTION TO ALL YOUR 1471 00:48:31,000 --> 00:48:32,000 PROBLEMS. 1472 00:48:32,000 --> 00:48:35,000 BE AROUND I ACKNOWLEDGE -- A 1473 00:48:35,000 --> 00:48:36,000 KNOWLEDGEABLE MECHANIC WHO'S 1474 00:48:36,000 --> 00:48:39,000 ALWAYS THERE TO STRAIGHTEN YOU 1475 00:48:39,000 --> 00:48:41,000 OUT AND KEEP YOU PUMPED UP. 1476 00:48:41,000 --> 00:48:43,000 FEEL ENERGIZED ABOUT BIKING. 1477 00:48:43,000 --> 00:48:45,000 TAKE A RIDE ON THE WILD SIDE. 1478 00:48:45,000 --> 00:48:47,000 NEVER BEFORE WAS IT SO EASY TO 1479 00:48:47,000 --> 00:48:48,000 FEEL AT EASE. 1480 00:48:48,000 --> 00:48:51,000 BIKER BUDDY MAKES GREENING UP 1481 00:48:51,000 --> 00:48:55,000 A BREEZE. 1482 00:48:55,000 --> 00:48:59,000 CALL 1-800--BIKE-BUD RIGHT NOW 1483 00:48:59,000 --> 00:49:03,000 FOR YOUR OWN BIKER BUDDY. 1484 00:49:03,000 --> 00:49:05,000 BIKER BUDDY INCLUDES MESSENGER 1485 00:49:05,000 --> 00:49:07,000 HAPPEN, SUNGLASSES, MUSTACHE, 1486 00:49:07,000 --> 00:49:09,000 PATENTED RIDING GLOVES, SHORT 1487 00:49:09,000 --> 00:49:11,000 SHORTS, CASUAL SPORTS-RELATED 1488 00:49:11,000 --> 00:49:13,000 BIKING SHOES, SOCKS OPTIONAL 1489 00:49:13,000 --> 00:49:14,000 AND BIKING BUDDY CAN BE VARIED 1490 00:49:14,000 --> 00:49:16,000 TO FIT YOUR PREFERENCES. 1491 00:49:16,000 --> 00:49:20,000 COMES IN TINY, RED, GREEN. 1492 00:49:20,000 --> 00:49:22,000 ACT NOW AND YOU CAN HAVE YOUR 1493 00:49:22,000 --> 00:49:23,000 BIKER BUDDY AT YOUR SIDE 1494 00:49:23,000 --> 00:49:24,000 AROUND THE CLOCK FOR ONLY 12 1495 00:49:24,000 --> 00:49:27,000 EASY PAYMENTS OF $699.99. 1496 00:49:27,000 --> 00:49:27,000 THAT'S RIGHT. 1497 00:49:27,000 --> 00:49:29,000 FOR ONLY A SMIDGEON UNDER THE 1498 00:49:29,000 --> 00:49:31,000 U.S. POVERTY LINE, BIKER BUDDY 1499 00:49:31,000 --> 00:49:32,000 CAN LIVE WITH YOU. 1500 00:49:32,000 --> 00:49:34,000 >> HEY, AND I KNOW IT HELPED 1501 00:49:34,000 --> 00:49:35,000 ME. 1502 00:49:35,000 --> 00:49:38,000 CALL BIKER BUDDY NOW. 1503 00:49:38,000 --> 00:49:42,000 CALL 1-800-BIKE-BUD RIGHT NOW 1504 00:49:42,000 --> 00:49:44,000 FOR YOUR OWN BIKER BUDDY. 1505 00:49:44,000 --> 00:49:48,000 CHEERS 1506 00:49:48,000 --> 00:49:49,000 >> ADIA: LADIES AND GENTLEMEN, 1507 00:49:49,000 --> 00:49:57,000 PLEASE WELCOME TICKLE TORTURE! 1508 00:49:57,000 --> 00:50:01,000 CAN YOU TURN THE BEAT WAY UP 1509 00:50:01,000 --> 00:50:03,000 I CAN'T HEAR IT 1510 00:50:03,000 --> 00:50:07,000 I CAN'T HELP MYSELF 1511 00:50:07,000 --> 00:50:10,000 WANT TO BETRAY YOU NOW 1512 00:50:10,000 --> 00:50:13,000 I CAN'T HELP MYSELF 1513 00:50:13,000 --> 00:50:17,000 WANT TO BETRAY YOU 1514 00:50:17,000 --> 00:50:24,000 I CAN'T HELP MYSELF 1515 00:50:24,000 --> 00:50:31,000 THIS IS MY BEST BEHAVIOR 1516 00:50:31,000 --> 00:50:33,000 I'M READY FOR LOVE 1517 00:50:33,000 --> 00:50:35,000 MY GOD, I'M READY FOR LOVE 1518 00:50:35,000 --> 00:50:37,000 MY GOD, MY GOD 1519 00:50:37,000 --> 00:50:39,000 MY GOD, I'M READY FOR LOVE 1520 00:50:39,000 --> 00:50:42,000 MY GOD, I'M READY FOR LOVE 1521 00:50:42,000 --> 00:50:58,000 OH, YEAH 1522 00:50:58,000 --> 00:51:01,000 I THINK I'M READY 1523 00:51:01,000 --> 00:51:03,000 I THINK I'M READY 1524 00:51:03,000 --> 00:51:04,000 READY FOR LOVE 1525 00:51:04,000 --> 00:51:07,000 I THINK I'M READY 1526 00:51:07,000 --> 00:51:09,000 I THINK I'M READY READY FOR 1527 00:51:09,000 --> 00:51:11,000 LOVE 1528 00:51:11,000 --> 00:51:13,000 I CAN'T HELP MYSELF 1529 00:51:13,000 --> 00:51:17,000 IF I WANTED A STRANGER 1530 00:51:17,000 --> 00:51:20,000 I CAN'T HELP MYSELF 1531 00:51:20,000 --> 00:51:24,000 IF I WANTED A STRANGER 1532 00:51:24,000 --> 00:51:27,000 I CAN'T HELP MYSELF 1533 00:51:27,000 --> 00:51:30,000 IF I WANTED TO SHOW YOU NOW 1534 00:51:30,000 --> 00:51:38,000 THIS IS MY BEST BEHAVIOR 1535 00:51:38,000 --> 00:51:39,000 MY GOD, I'M READY FOR LOVE 1536 00:51:39,000 --> 00:51:42,000 MY GOD, I'M READY FOR LOVE 1537 00:51:42,000 --> 00:51:44,000 MY GOD, I'M READY FOR LOVE 1538 00:51:44,000 --> 00:51:47,000 MY GOD, I'M READY FOR LOVE 1539 00:51:47,000 --> 00:51:49,000 MY GOD, I'M READY FOR LOVE 1540 00:51:49,000 --> 00:51:52,000 MY GOD, I'M READY FOR LOVE 1541 00:51:52,000 --> 00:51:54,000 MY GOD, I'M READY FOR LOVE 1542 00:51:54,000 --> 00:51:56,000 MY GOD, MY GOD, I'M READY 1543 00:51:56,000 --> 00:51:58,000 FOR LOVE 1544 00:51:58,000 --> 00:52:03,000 MY GOD, I'M READY FOR LOVE 1545 00:52:03,000 --> 00:52:05,000 OH, YEAH 1546 00:52:05,000 --> 00:52:07,000 I THINK I AM READY 1547 00:52:07,000 --> 00:52:09,000 I THINK I'M READY FOR LOVE 1548 00:52:09,000 --> 00:52:12,000 I THINK I'M READY 1549 00:52:12,000 --> 00:52:15,000 I THINK I'M READY READY FOR 1550 00:52:15,000 --> 00:52:16,000 LOVE 1551 00:52:16,000 --> 00:52:19,000 I THINK I'M READY 1552 00:52:19,000 --> 00:52:21,000 I THINK I'M READY READY FOR 1553 00:52:21,000 --> 00:52:22,000 LOVE 1554 00:52:22,000 --> 00:52:26,000 I THINK I'M READY 1555 00:52:26,000 --> 00:52:28,000 I THINK I'M READY READY FOR 1556 00:52:28,000 --> 00:52:35,000 LOVE 1557 00:52:35,000 --> 00:52:37,000 CHEERS 1558 00:52:37,000 --> 00:52:39,000 >> WE'RE NOT IN TROUBLE, ARE 1559 00:52:39,000 --> 00:52:39,000 WE? 1560 00:52:39,000 --> 00:52:40,000 >> BECAUSE IF WE ARE IN 1561 00:52:40,000 --> 00:52:41,000 TROUBLE, HE MADE ME DO IT. 1562 00:52:41,000 --> 00:52:43,000 >> NO, BOYS, YOU'RE NOT IN 1563 00:52:43,000 --> 00:52:43,000 TROUBLE. 1564 00:52:43,000 --> 00:52:44,000 ON THE CONTRARY, I DON'T THINK 1565 00:52:44,000 --> 00:52:45,000 YOUR TAKEOVER COULD HAVE GONE 1566 00:52:45,000 --> 00:52:46,000 ANY BETTER. 1567 00:52:46,000 --> 00:52:46,000 >> REALLY? 1568 00:52:46,000 --> 00:52:49,000 >> WELL, IN THAT CASE, I MADE 1569 00:52:49,000 --> 00:52:50,000 HIM DO IT. 1570 00:52:50,000 --> 00:52:51,000 >> EITHER WAY, YOU BOTH CAME 1571 00:52:51,000 --> 00:52:53,000 UP WITH SOME GREAT SEGMENTS 1572 00:52:53,000 --> 00:52:54,000 AND LIVE EVENTS AND I COULDN'T 1573 00:52:54,000 --> 00:52:56,000 BE PROUDER OF BOTH OF YOU 1574 00:52:56,000 --> 00:52:56,000 BOYS. 1575 00:52:56,000 --> 00:52:57,000 >> REAL TALK? 1576 00:52:57,000 --> 00:52:58,000 >> YES, CLOUD. 1577 00:52:58,000 --> 00:52:59,000 REAL TAKE. 1578 00:52:59,000 --> 00:53:00,000 IN FACT -- REAL TALK. 1579 00:53:00,000 --> 00:53:01,000 IN FACT, TO SHOW YOU HOW PROUD 1580 00:53:01,000 --> 00:53:04,000 I AM, I GOT YOU BOTH A VERY 1581 00:53:04,000 --> 00:53:05,000 SPECIAL SURPRISE. 1582 00:53:05,000 --> 00:53:06,000 >> YOU DID? 1583 00:53:06,000 --> 00:53:06,000 WHAT IS IT? 1584 00:53:06,000 --> 00:53:07,000 >> CALM DOWN. 1585 00:53:07,000 --> 00:53:08,000 I DON'T WANT TO RUIN IT. 1586 00:53:08,000 --> 00:53:09,000 WHY DON'T THE BOTH OF YOU 1587 00:53:09,000 --> 00:53:10,000 BOUNCE OUT OF HERE. 1588 00:53:10,000 --> 00:53:14,000 IT'S IN THE STUDIO. 1589 00:53:14,000 --> 00:53:16,000 OH, AND BOYS, HAVE FUN, BUT BE 1590 00:53:16,000 --> 00:53:23,000 CAREFUL. 1591 00:53:23,000 --> 00:53:24,000 >> ADIA: THAT'S IT FOR TV 1592 00:53:24,000 --> 00:53:25,000 TAKEOVER THIS WEEK. 1593 00:53:25,000 --> 00:53:26,000 A BIG THANK YOU TO THE AWESOME 1594 00:53:26,000 --> 00:53:28,000 MPLS.TV! 1595 00:53:28,000 --> 00:53:30,000 CHEERS 1596 00:53:30,000 --> 00:53:31,000 BE SURE TO JOIN US NEXT WEEK 1597 00:53:31,000 --> 00:53:32,000 WHEN WE WELCOME WORKS PROGRESS 1598 00:53:32,000 --> 00:53:33,000 STUDIO! 1599 00:53:33,000 --> 00:53:34,000 YOU CAN STILL GET TICKETS TO 1600 00:53:34,000 --> 00:53:35,000 THE EVENT FOR JUST 10 BUCKS ON 1601 00:53:35,000 --> 00:53:37,000 TVTAKEOVER.NET. 1602 00:53:37,000 --> 00:53:38,000 AND DON'T WALK AWAY FROM YOUR 1603 00:53:38,000 --> 00:53:39,000 TV JUST YET. 1604 00:53:39,000 --> 00:53:42,000 STAY TUNED FOR A BRAND-NEW 1605 00:53:42,000 --> 00:53:43,000 EPISODE OF THE LOWERTOWN 1606 00:53:43,000 --> 00:53:44,000 LINE FEATURING HALEY BONAR, 1607 00:53:44,000 --> 00:53:45,000 COMING UP RIGHT AFTER THIS. 1608 00:53:45,000 --> 00:55:55,000 GOOD NIGHT! 1609 00:55:55,000 --> 00:55:58,000 YOU RUN ALONG 1610 00:55:58,000 --> 00:56:01,000 HEY, USED TO BE A GRAYING 1611 00:56:01,000 --> 00:56:04,000 TOWER ALONE ON THE SEA 1612 00:56:04,000 --> 00:56:07,000 YOU BECAME THE LIGHT ON THE 1613 00:56:07,000 --> 00:56:11,000 DARK SIDE OF ME 1614 00:56:11,000 --> 00:56:16,000 LOVE REMAINED 1615 00:56:16,000 --> 00:56:18,000 BUT DID YOU KNOW 1616 00:56:18,000 --> 00:56:20,000 THEN WHEN -- THAT WHEN IT 1617 00:56:20,000 --> 00:56:22,000 SNOWED MY EYES BECOME 1618 00:56:22,000 --> 00:56:31,000 >> TV TAKEOVER IS SUPPORTED 1619 00:56:31,000 --> 00:56:32,000 IN PART BY AN AWARD FROM THE 1620 00:56:32,000 --> 00:56:34,000 NATIONAL ENDOWMENT FOR THE 1621 00:56:34,000 --> 00:56:34,000 ARTS, BROADWORKS, THE KNIGHT 1622 00:56:34,000 --> 00:56:40,000 FOUNDATION. 1623 00:56:40,000 --> 00:56:42,000 THE BLYTHE BRENDEN FUND OF THE 1624 00:56:42,000 --> 00:56:43,000 TED AND Dr. ROBERTA MANN 1625 00:56:43,000 --> 00:56:44,000 FOUNDATION. 1626 00:56:44,000 --> 00:56:45,000 PROUDLY SUPPORTING THE ARTS IN 1627 00:56:45,000 --> 00:57:45,000 MINNESOTA.