1 00:00:12,033 --> 00:00:22,066 ♪♪ 2 00:00:31,000 --> 00:00:41,333 [ Cheers and applause ] 3 00:00:57,266 --> 00:01:00,766 >> HEY, EVERYONE! 4 00:00:59,200 --> 00:01:02,566 WELCOME TO "TV TAKEOVER," 5 00:01:00,766 --> 00:01:04,100 BROUGHT TO YOU BY REWIRE AND 6 00:01:02,566 --> 00:01:05,766 TWIN CITIES PBS, LIVE FROM OUR 7 00:01:04,100 --> 00:01:07,866 BRAND-NEW STREET SPACE. 8 00:01:05,766 --> 00:01:09,900 I'M YOUR HOST, ADIA MORRIS. 9 00:01:07,866 --> 00:01:13,366 TAKING OVER YOUR TV TONIGHT IS 10 00:01:09,900 --> 00:01:17,600 THE AMAZING CIRCUS JUVENTAS. 11 00:01:13,366 --> 00:01:19,366 [ Cheers and applause ] 12 00:01:17,600 --> 00:01:20,766 THEY'RE THE COUNTRY'S LARGEST 13 00:01:19,366 --> 00:01:21,900 YOUTH PERFORMING CIRCUS ARTS 14 00:01:20,766 --> 00:01:23,800 SCHOOL, AND TONIGHT THEY'LL BE 15 00:01:21,900 --> 00:01:25,966 EXPLORING THE ART OF 16 00:01:23,800 --> 00:01:26,666 HAPPINESS, USING PERFORMANCES, 17 00:01:25,966 --> 00:01:28,100 VIDEO, AND STORIES FROM UNDER 18 00:01:26,666 --> 00:01:29,500 THE BIG TOP. 19 00:01:28,100 --> 00:01:31,166 TONIGHT'S SHOW IS EXTRA 20 00:01:29,500 --> 00:01:33,066 SPECIAL FOR TWO REASONS. 21 00:01:31,166 --> 00:01:34,533 FIRST, BECAUSE IT FALLS ON 22 00:01:33,066 --> 00:01:36,200 WORLD CIRCUS DAY, AND SECOND, 23 00:01:34,533 --> 00:01:38,166 BECAUSE ALL OF THE MUSIC 24 00:01:36,200 --> 00:01:40,633 YOU'LL HEAR TONIGHT IS THANKS 25 00:01:38,166 --> 00:01:46,966 TO THE AMAZING CLOUD CULT! 26 00:01:40,633 --> 00:01:50,033 [ Cheers and applause ] 27 00:01:46,966 --> 00:01:51,066 YOU, YOU AT HOME 28 00:01:50,033 --> 00:01:52,133 CAN BE PART OF ACTION BY USING 29 00:01:51,066 --> 00:01:57,466 THE HASHTAG #TVTAKEOVER ON 30 00:01:52,133 --> 00:01:58,500 TWITTER, AND YOU COULD SEE 31 00:01:57,466 --> 00:02:01,066 YOUR TWEETS AND PHOTOS SHOW UP 32 00:01:58,500 --> 00:02:03,433 ON SCREEN THROUGHOUT THE SHOW. 33 00:02:01,066 --> 00:02:09,366 AND IF YOU'D LIKE TO RECEIVE A 34 00:02:03,433 --> 00:02:16,066 SPECIAL MESSAGE, JUST TEXT 35 00:02:09,366 --> 00:02:16,733 KOIRK TO 7863 -- 36 00:02:16,066 --> 00:02:20,400 LET'S KICK THINGS OFF ON THE 37 00:02:16,733 --> 00:02:23,033 STATIC TRAPEZE! 38 00:02:20,400 --> 00:02:23,033 [ Cheers and applause ] 39 00:02:30,200 --> 00:02:40,233 ♪♪ 40 00:03:44,033 --> 00:03:54,066 ♪♪ 41 00:05:06,166 --> 00:05:16,200 ♪♪ 42 00:05:18,466 --> 00:05:28,200 [ Cheers and applause ] 43 00:05:22,666 --> 00:05:29,133 >> WORLD -- 44 00:05:28,200 --> 00:05:29,933 WORLD CIRCUS DAY WAS FOUNDED 45 00:05:29,133 --> 00:05:30,766 BY THE WORLD CIRCUS 46 00:05:29,933 --> 00:05:31,566 FEDERATION, AND PART OF THEIR 47 00:05:30,766 --> 00:05:32,133 MISSION IS PROMOTING THE ART 48 00:05:31,566 --> 00:05:35,033 OF HAPPINESS. 49 00:05:32,133 --> 00:05:35,933 THAT'S WHY WE'RE EXPLORING IT 50 00:05:35,033 --> 00:05:36,800 HERE TONIGHT. 51 00:05:35,933 --> 00:05:39,533 CIRCUS MAKES ME HAPPY BECAUSE 52 00:05:36,800 --> 00:05:42,433 WATCHING ALL OF THESE ACTS IS 53 00:05:39,533 --> 00:05:44,633 REALLY AMAZING, IWANT TO TAKE 54 00:05:42,433 --> 00:05:45,533 CLASSES NOW. 55 00:05:44,633 --> 00:05:46,200 BUT LET'S HEAR FROM THE 56 00:05:45,533 --> 00:05:46,966 STUDENTS AT CIRCUS JUVENTAS 57 00:05:46,200 --> 00:05:47,766 WHY CIRCUS BRINGS THEM JOY. 58 00:05:46,966 --> 00:05:48,433 WE'LL ALSO LEARN A LITTLE BIT 59 00:05:47,766 --> 00:05:49,333 MORE ABOUT THE EVOLUTION OF 60 00:05:48,433 --> 00:05:50,133 CIRCUS THROUGH SOME FUN FACTS 61 00:05:49,333 --> 00:05:58,033 GIVEN TO US BY THE FOUNDERS OF 62 00:05:50,133 --> 00:06:00,300 CIRCUS JUVENTAS. 63 00:05:58,033 --> 00:06:03,700 >> CIRCUS MAKES ME HAPPY 64 00:06:00,300 --> 00:06:05,800 BECAUSE IT MAKES ME FEEL 65 00:06:03,700 --> 00:06:08,000 UNIQUE. 66 00:06:05,800 --> 00:06:09,600 >> CIRCUS MAKES ME HAPPY 67 00:06:08,000 --> 00:06:10,433 BECAUSE I GET TO MOVE MY BODY 68 00:06:09,600 --> 00:06:12,700 IN DIFFERENT WAYS. 69 00:06:10,433 --> 00:06:14,066 >> I GET TO DO ALL OF THESE 70 00:06:12,700 --> 00:06:15,400 AMAZING AERIAL AND BALANCE 71 00:06:14,066 --> 00:06:17,800 ACTS THAT CHALLENGE ME 72 00:06:15,400 --> 00:06:18,300 PHYSICALLY, MENTALLY, AND 73 00:06:17,800 --> 00:06:20,100 EMOTIONALLY. 74 00:06:18,300 --> 00:06:21,666 >> NOT ONLY DO I GET THE 75 00:06:20,100 --> 00:06:25,300 OPPORTUNITY TO DO REALLY 76 00:06:21,666 --> 00:06:27,800 UNIQUE THINGS, WHERE I'M 77 00:06:25,300 --> 00:06:30,800 LITERALLY LIKE FLYING ON A 78 00:06:27,800 --> 00:06:32,800 TRAPEZE WHICH IS A VERY 79 00:06:30,800 --> 00:06:34,700 EXHILARATING EXPERIENCE, BUT 80 00:06:32,800 --> 00:06:36,366 IT'S JUST SUCH A GREAT 81 00:06:34,700 --> 00:06:37,966 COMMUNITY AND I LOVE THE FACT 82 00:06:36,366 --> 00:06:39,666 THAT WE ALL SUPPORT EACH 83 00:06:37,966 --> 00:06:42,500 OTHER. 84 00:06:39,666 --> 00:06:45,166 LITERALLY, WE HOLD EACH OTHER 85 00:06:42,500 --> 00:06:48,966 UP AND IT'S GREAT. 86 00:06:45,166 --> 00:06:50,766 >> CIRCUMSTANCE CIRCUS MAKES 87 00:06:48,966 --> 00:06:52,166 ME HAPPY BECAUSE I GET TO BE 88 00:06:50,766 --> 00:06:54,000 HIGH OFF THE GROUND AND I GET 89 00:06:52,166 --> 00:06:54,566 TO DO THINGS I USUALLY DON'T 90 00:06:54,000 --> 00:06:56,466 GET TO DO. 91 00:06:54,566 --> 00:06:58,266 >> CIRCUS MAKES ME HAPPY 92 00:06:56,466 --> 00:06:59,866 BECAUSE YOU GET TO HANG OUT 93 00:06:58,266 --> 00:07:00,266 WITH YOUR FRIENDS AND DO FUN 94 00:06:59,866 --> 00:07:02,300 STUFF. 95 00:07:00,266 --> 00:07:03,700 >> IT'S A REALLY COOL 96 00:07:02,300 --> 00:07:04,600 EXPERIENCE, THAT I'M 97 00:07:03,700 --> 00:07:06,633 DEFINITELY GOING TO TAKE WITH 98 00:07:04,600 --> 00:07:08,433 ME IN LIFE AND IT'S HELP ME 99 00:07:06,633 --> 00:07:10,833 BECOME WHO I AM TODAY. 100 00:07:08,433 --> 00:07:12,466 >> WHILE WE'RE DOING ALL THIS 101 00:07:10,833 --> 00:07:14,200 UNIQUE AND AMAZING STUFF, 102 00:07:12,466 --> 00:07:15,500 WHICH I STILL CAN'T BELIEVE I 103 00:07:14,200 --> 00:07:17,900 GET THE CHANCE TO DO SOME OF 104 00:07:15,500 --> 00:07:20,766 THIS STUFF, I'VE MET SOME OF 105 00:07:17,900 --> 00:07:23,066 MY BEST FRIENDS HERE, IT'S 106 00:07:20,766 --> 00:07:24,866 JUST AMAZING HOW MUCH THE 107 00:07:23,066 --> 00:07:27,066 COMMUNITY SUPPORTS EVERYONE. 108 00:07:24,866 --> 00:07:28,833 >> CIRCUS MAKES ME HAPPY 109 00:07:27,066 --> 00:07:30,100 BECAUSE IT JUST DOES. 110 00:07:28,833 --> 00:07:32,500 >> I LOVE IT. 111 00:07:30,100 --> 00:07:33,366 I LOVE WORKING WITH CIRCUS. 112 00:07:32,500 --> 00:07:34,366 AND PERFORMING. 113 00:07:33,366 --> 00:07:36,566 IT'S REALLY COOL. 114 00:07:34,366 --> 00:07:39,166 >> CIRCUS MAKES ME HAPPY 115 00:07:36,566 --> 00:07:41,066 BECAUSE WHEN I PEW I GET TO 116 00:07:39,166 --> 00:07:43,566 SEE EVERYONE'S FACES LIGHT UP. 117 00:07:41,066 --> 00:07:45,066 >> CIRCUS MAKES ME HAPPY 118 00:07:43,566 --> 00:07:45,466 BECAUSE I LITERALLY GET TO 119 00:07:45,066 --> 00:07:47,866 HANG OUT. 120 00:07:45,466 --> 00:07:52,233 >> CIRCUS MAKES ME HAPPY 121 00:07:47,866 --> 00:07:52,233 BECAUSE CIRCUS IS LIFE. 122 00:07:54,666 --> 00:07:59,766 >> HI, I'M DAN BUTLER. 123 00:07:57,000 --> 00:08:00,933 I'M THE EXECUTIVE DIRECTOR AND 124 00:07:59,766 --> 00:08:05,100 COFOUNDER HERE AT CIRCUS 125 00:08:00,933 --> 00:08:06,733 JUVENTAS AND I'M ELIZABETH. 126 00:08:05,100 --> 00:08:09,533 >> SOMETHING THAT WE'RE VERY 127 00:08:06,733 --> 00:08:11,466 PROUD OF HERE IS OUR SCHOOL'S 128 00:08:09,533 --> 00:08:12,466 PERFORMANCES WHICH EXEMPLIFY 129 00:08:11,466 --> 00:08:12,900 THE EVOLUTION OF THE AMERICAN 130 00:08:12,466 --> 00:08:14,600 CIRCUS. 131 00:08:12,900 --> 00:08:16,133 WE RESPECT AND TEACH 132 00:08:14,600 --> 00:08:18,866 TRADITIONAL ROOTS OF THE ART 133 00:08:16,133 --> 00:08:20,500 FORM HERE, BUT WE ALSO ENSOY 134 00:08:18,866 --> 00:08:23,100 JOY PUSHING THE BOUNDARIES. 135 00:08:20,500 --> 00:08:23,666 IN THIS WAY WE ARE A BLEND OF 136 00:08:23,100 --> 00:08:26,300 OLD AND NEW. 137 00:08:23,666 --> 00:08:28,866 >> MOST PEOPLE OUTSIDE OF THE 138 00:08:26,300 --> 00:08:29,866 CIRCUS WORLD ARE UNAWARE OF 139 00:08:28,866 --> 00:08:32,166 THE MANY DIFFERENCES. 140 00:08:29,866 --> 00:08:32,966 WE THOUGHT WE WOULD GIVE YOU 141 00:08:32,166 --> 00:08:36,100 SOME EXAMPLES. 142 00:08:32,966 --> 00:08:38,866 >> TRADITIONAL CIRCUS 143 00:08:36,100 --> 00:08:42,433 PERFORMANCE HAD ITS HEYDAY IN 144 00:08:38,866 --> 00:08:45,100 THE MID19TH AND 20TH CENTURY. 145 00:08:42,433 --> 00:08:46,500 INTRODUCED A RANGE OF ANIMAL, 146 00:08:45,100 --> 00:08:48,966 ACROBATIC, AERIAL, BALANCE, 147 00:08:46,500 --> 00:08:53,266 OBJECT MANIPULATION AND EVEN 148 00:08:48,966 --> 00:08:55,233 STUNT ACTS THAT PERFORMED 149 00:08:53,266 --> 00:08:55,966 DISCREET CORE GRAPHED 150 00:08:55,233 --> 00:08:58,400 ROUTINES. 151 00:08:55,966 --> 00:09:00,833 >> AS A PERFORMING ART 152 00:08:58,400 --> 00:09:03,966 DEVELOPED IN THE LAST HALF OF 153 00:09:00,833 --> 00:09:05,333 THE 20TH CENTURY. 154 00:09:03,966 --> 00:09:06,600 THEATER AND STYLIZED MOVEMENT 155 00:09:05,333 --> 00:09:10,333 OR DANCE. 156 00:09:06,600 --> 00:09:11,133 IT IS OFTEN PERFORMED AS A 157 00:09:10,333 --> 00:09:14,000 MULTILAYERED COHESIVE PIECE OF 158 00:09:11,133 --> 00:09:14,000 WORK. 159 00:09:14,766 --> 00:09:24,800 ♪♪ 160 00:09:28,500 --> 00:09:35,066 [ Cheers and applause ] 161 00:09:33,433 --> 00:09:35,800 >> THE ART OF HAND BALANCING 162 00:09:35,066 --> 00:09:37,466 HAS BEEN A PART OF CIRCUS ACTS 163 00:09:35,800 --> 00:09:39,100 FOR AGES. 164 00:09:37,466 --> 00:09:41,100 IT FEATURES PERFORMERS 165 00:09:39,100 --> 00:09:48,833 SHOWCASING AMAZING FEATS OF 166 00:09:41,100 --> 00:09:52,766 STRENGTH AND BALANCE COMBINED 167 00:09:48,833 --> 00:09:52,766 TO DEFY GRAVITY. 168 00:09:56,533 --> 00:10:06,566 ♪♪ 169 00:10:11,266 --> 00:10:16,133 [ Cheers and applause ] 170 00:10:17,066 --> 00:10:27,100 ♪♪ 171 00:10:46,233 --> 00:10:49,300 [ Cheers and applause ] 172 00:10:54,800 --> 00:10:56,966 >> ♪ AND WHEN THE ANGELS 173 00:10:55,333 --> 00:10:57,833 COME ♪ 174 00:10:56,966 --> 00:11:00,066 ♪ THEY'LL CUT YOU 175 00:10:57,833 --> 00:11:00,900 DOWN THE MIDDLE ♪ 176 00:11:00,066 --> 00:11:03,566 ♪ TO SEE IF YOU'RE 177 00:11:00,900 --> 00:11:04,333 STILL THERE ♪ 178 00:11:03,566 --> 00:11:07,633 ♪ TO SEE IF YOU'RE 179 00:11:04,333 --> 00:11:10,533 STILL THERE ♪ 180 00:11:07,633 --> 00:11:11,566 ♪ AND UNDERNEATH YOUR RIBS ♪ 181 00:11:10,533 --> 00:11:14,500 ♪ THEY'LL FIND A HEART-SHAPED 182 00:11:11,566 --> 00:11:17,833 LOCKET ♪ 183 00:11:14,500 --> 00:11:20,400 ♪ AN OLD PHOTOGRAPH ♪ 184 00:11:17,833 --> 00:11:21,433 ♪ OF YOU IN DADDY'S ARMS ♪ 185 00:11:20,400 --> 00:11:23,600 ♪ AND THEN THEY'LL SEW YOU 186 00:11:21,433 --> 00:11:24,500 CLOSED ♪ 187 00:11:23,600 --> 00:11:28,033 ♪ AND GIVE YOU BACK TO THE 188 00:11:24,500 --> 00:11:30,866 WATER ♪ 189 00:11:28,033 --> 00:11:34,700 ♪ FROM WHERE WE'RE ALL BORN ♪ 190 00:11:30,866 --> 00:11:38,066 ♪ FROM WHERE WE'RE ALL BORN ♪ 191 00:11:34,700 --> 00:11:41,533 ♪ AND YOU'LL FEED THE GHOSTS ♪ 192 00:11:38,066 --> 00:11:44,766 ♪ AND YOU'LL FEED THE LIVING ♪ 193 00:11:41,533 --> 00:11:47,900 ♪ YOU'LL BE A STRANGER ♪ 194 00:11:44,766 --> 00:11:51,366 ♪ AND YOU'LL BE A FRIEND ♪ 195 00:11:47,900 --> 00:11:54,900 ♪ YOU'LL BE THE LEPER ♪ 196 00:11:51,366 --> 00:11:58,066 ♪ AND YOU'LL BE THE HEALER ♪ 197 00:11:54,900 --> 00:12:01,033 ♪ YOU'LL BE THE HERO ♪ 198 00:11:58,066 --> 00:12:02,266 ♪ AND THE TRAGEDY ♪ 199 00:12:01,033 --> 00:12:05,033 ♪ AND WHEN THEY SEW YOU 200 00:12:02,266 --> 00:12:05,900 CLOSED ♪ 201 00:12:05,033 --> 00:12:08,533 ♪ THEY'LL GIVE YOU BACK TO THE 202 00:12:05,900 --> 00:12:13,000 WATER ♪ 203 00:12:08,533 --> 00:12:14,433 ♪ FROM WHERE WE'RE ALL BORN ♪ 204 00:12:13,000 --> 00:12:15,400 ♪ FROM WHERE WE'RE ALL BORN ♪ 205 00:12:14,433 --> 00:12:18,866 ♪ AND WHEN THEY BURN YOUR 206 00:12:15,400 --> 00:12:19,533 BODY ♪ 207 00:12:18,866 --> 00:12:22,066 ♪ ALL THAT'S LEFT IS SAND 208 00:12:19,533 --> 00:12:25,233 CRYSTALS ♪ 209 00:12:22,066 --> 00:12:27,566 ♪ TWO TINY HANDFULS ♪ 210 00:12:25,233 --> 00:12:29,033 ♪ ALL THE REST IS WATER, 211 00:12:27,566 --> 00:12:32,366 WATER, WATER, WATER ♪ 212 00:12:29,033 --> 00:12:35,166 ♪ ALL YOU NEED TO KNOW ♪ 213 00:12:32,366 --> 00:12:39,666 ♪ IS YOU WERE BORN OF WATER ♪ 214 00:12:35,166 --> 00:12:41,500 ♪ YOU ARE MADE OF WATER ♪ 215 00:12:39,666 --> 00:12:42,766 ♪ YOU ARE LIVING WATER, WATER, 216 00:12:41,500 --> 00:12:45,566 WATER, WATER ♪ 217 00:12:42,766 --> 00:12:48,666 ♪ ALL YOU NEED TO KNOW ♪ 218 00:12:45,566 --> 00:12:52,966 ♪ IS YOU WERE BORN OF WATER ♪ 219 00:12:48,666 --> 00:12:53,733 ♪ YOU ARE MADE OF WATER ♪ 220 00:12:52,966 --> 00:12:57,433 ♪ YOU ARE LIVING WATER, WATER, 221 00:12:53,733 --> 00:12:59,333 WATER, WATER ♪ 222 00:12:57,433 --> 00:13:02,733 ♪ ALL YOU NEED TO KNOW ♪ 223 00:12:59,333 --> 00:13:07,500 ♪ IS YOU WERE BORN OF WATER ♪ 224 00:13:02,733 --> 00:13:12,766 ♪ YOU ARE MADE OF WATER ♪ 225 00:13:07,500 --> 00:13:16,133 [ Cheers and applause ] 226 00:13:12,766 --> 00:13:17,033 >> OH, SORRY! 227 00:13:16,133 --> 00:13:18,300 WOW! 228 00:13:17,033 --> 00:13:18,900 [ Laughter ] 229 00:13:18,300 --> 00:13:19,300 WOW! 230 00:13:18,900 --> 00:13:20,666 WOW! 231 00:13:19,300 --> 00:13:22,500 THAT WAS INCREDIBLE. 232 00:13:20,666 --> 00:13:25,400 I WAS -- MY HEART WAS POUNDING 233 00:13:22,500 --> 00:13:26,266 THE ENTIRE TIME. 234 00:13:25,400 --> 00:13:27,166 WE ASKED THREE STUDENTS AT 235 00:13:26,266 --> 00:13:28,233 CIRCUS JUVENTAS TO GIVE US A 236 00:13:27,166 --> 00:13:29,733 PEEK INSIDE THEIR DAILY LIVES. 237 00:13:28,233 --> 00:13:31,433 THEY USED THEIR PHONES TO 238 00:13:29,733 --> 00:13:33,566 CAPTURE VIDEO OF HOW THEY 239 00:13:31,433 --> 00:13:34,533 BALANCE, SOMETIMES LITERALLY, 240 00:13:33,566 --> 00:13:36,300 THE DEMANDS OF SCHOOL, HOME, 241 00:13:34,533 --> 00:13:37,133 AND CIRCUS LIFE. 242 00:13:36,300 --> 00:13:40,866 LET'S TAKE A LOOK AT MADDY'S 243 00:13:37,133 --> 00:13:42,500 STORY NOW. 244 00:13:40,866 --> 00:13:43,600 >> OKAY. 245 00:13:42,500 --> 00:13:45,666 WE'RE GETTING ON THE LIGHT 246 00:13:43,600 --> 00:13:49,633 RAIL. 247 00:13:45,666 --> 00:13:51,533 HERE WE GO. 248 00:13:49,633 --> 00:13:54,133 SO WE'RE COMING TO CIRCUS NOW. 249 00:13:51,533 --> 00:13:55,400 I JUST CAME FROM REHEARSALS AT 250 00:13:54,133 --> 00:13:56,833 MY HIGH SCHOOL. 251 00:13:55,400 --> 00:13:58,866 I'M IN THE WINTER PLAY. 252 00:13:56,833 --> 00:14:01,000 WE HAVE A FULL DAY TODAY. 253 00:13:58,866 --> 00:14:01,633 SO IT'LL BE EXCITING. 254 00:14:01,000 --> 00:14:03,200 HERE WE GO. 255 00:14:01,633 --> 00:14:03,500 ON TIME. 256 00:14:03,200 --> 00:14:10,033 YEAH. 257 00:14:03,500 --> 00:14:10,800 COOL. 258 00:14:10,033 --> 00:14:16,533 HERE CIRCUS. 259 00:14:10,800 --> 00:14:18,866 WHOO! 260 00:14:16,533 --> 00:14:20,866 [ VARIOUS CONVERSATIONS ] 261 00:14:18,866 --> 00:14:32,833 >> OKAY, AND THAT IS GOOD. 262 00:14:20,866 --> 00:14:36,166 THAT IS A GOOD BACK LEVER. 263 00:14:32,833 --> 00:14:37,066 >> I'M WORKING ON MY MATH 264 00:14:36,166 --> 00:14:38,366 HOMEWORK RIGHT NOW. 265 00:14:37,066 --> 00:14:39,966 ONE OF THE GREAT THINGS THAT 266 00:14:38,366 --> 00:14:43,066 CIRCUS HAS TAUGHT ME IS HOW TO 267 00:14:39,966 --> 00:14:44,800 MANAGE MY TIME. 268 00:14:43,066 --> 00:14:45,366 BECAUSE IT'S LIKE HAVING A 269 00:14:44,800 --> 00:14:47,666 JOB. 270 00:14:45,366 --> 00:14:49,566 IT'S AN AFTER-SCHOOL ACTIVITY. 271 00:14:47,666 --> 00:14:52,166 USUALLY I'M AT CIRCUS FROM 272 00:14:49,566 --> 00:14:54,000 3:00 TO 9:15 AT NIGHT, SO I'VE 273 00:14:52,166 --> 00:14:55,466 LEARNED TO MANAGE MY TIME 274 00:14:54,000 --> 00:14:57,466 EXTREMELY WELL. 275 00:14:55,466 --> 00:14:59,766 EFFICIENT STUDYING HABITS. 276 00:14:57,466 --> 00:15:01,966 AND EFFECTIVE WAYS TO GET MY 277 00:14:59,766 --> 00:15:03,433 HOMEWORK DONE. 278 00:15:01,966 --> 00:15:06,166 >> AH! 279 00:15:03,433 --> 00:15:06,866 THIS IS MY ARMPIT AFTER 280 00:15:06,166 --> 00:15:09,700 TRAPEZE. 281 00:15:06,866 --> 00:15:11,566 A LOT OF TIMES AT CIRCUS, 282 00:15:09,700 --> 00:15:13,666 AFTER REALLY HARD CORE TRICKS, 283 00:15:11,566 --> 00:15:15,133 WE GET BURNS AND SCRAPES AND 284 00:15:13,666 --> 00:15:16,900 BRUISES, SO IT'S NOT THAT 285 00:15:15,133 --> 00:15:17,166 UNUSUAL, BUT THIS IS A NICE 286 00:15:16,900 --> 00:15:27,900 ONE. 287 00:15:17,166 --> 00:15:27,900 >> YEAH, IT IS A NICE ONE. 288 00:15:34,833 --> 00:15:38,900 >> ONE OF THE THINGS THAT 289 00:15:36,100 --> 00:15:40,600 CIRCUS HAS REALLY HELPED ME 290 00:15:38,900 --> 00:15:42,400 REALIZE AND I'M VERY 291 00:15:40,600 --> 00:15:42,800 PASSIONATE ABOUT IS 292 00:15:42,400 --> 00:15:44,500 PERFORMING. 293 00:15:42,800 --> 00:15:46,433 I ACTUALLY USED TO BE SCARED 294 00:15:44,500 --> 00:15:47,600 OF GOING ON STAGE, AND NOW I 295 00:15:46,433 --> 00:15:49,900 LOVE IT. 296 00:15:47,600 --> 00:15:54,800 IT'S LIKE A DRUG, PERFORMING. 297 00:15:49,900 --> 00:15:57,166 IT'S SO AMAZING. 298 00:15:54,800 --> 00:15:57,166 >> SMILE! 299 00:16:03,233 --> 00:16:13,566 [ Cheers and applause ] 300 00:16:24,800 --> 00:16:27,033 >> WE'VE SEEN A COUPLE OF 301 00:16:25,733 --> 00:16:28,133 CIRCUS ACTS NOW, AND TO THE 302 00:16:27,033 --> 00:16:29,833 UNTRAINED EYE, IT COULD LOOK 303 00:16:28,133 --> 00:16:32,700 FAIRLY DANGEROUS. 304 00:16:29,833 --> 00:16:33,666 BUT THOSE ON THE INSIDE KNOW 305 00:16:32,700 --> 00:16:34,733 THAT SAFETY IS THE NUMBER ONE 306 00:16:33,666 --> 00:16:35,633 PRIORITY, WHETHER YOU'RE 307 00:16:34,733 --> 00:16:39,200 FLYING THROUGH THE AIR OR 308 00:16:35,633 --> 00:16:42,433 SPINNING AT TOP SPEEDS. 309 00:16:39,200 --> 00:16:43,600 >> A LOT OF OUR STUDENTS, WHEN 310 00:16:42,433 --> 00:16:45,000 THEY FINE CIRCUS JUVENTAS, 311 00:16:43,600 --> 00:16:48,700 THEY TALK ABOUT IT LIKE 312 00:16:45,000 --> 00:16:52,633 THEY'RE COMING HOME. 313 00:16:48,700 --> 00:16:54,633 I AM REA NANON FITS RAD YATS 314 00:16:52,633 --> 00:16:55,333 AND I'M THE ARTISTIC 315 00:16:54,633 --> 00:16:55,733 INTRODUCTION COORDINATOR THE 316 00:16:55,333 --> 00:16:58,700 COINING. 317 00:16:55,733 --> 00:17:01,133 IT'S SUCH AN IMPORTANT SPACE 318 00:16:58,700 --> 00:17:02,166 FOR THEM TO BE ABLE INHABITED 319 00:17:01,133 --> 00:17:03,433 AND THEY'RE REALLY UNIQUE 320 00:17:02,166 --> 00:17:06,566 PEOPLE AND INDIVIDUALS. 321 00:17:03,433 --> 00:17:08,366 I THINK KIDS LOVE TO FIND A 322 00:17:06,566 --> 00:17:09,933 UNIQUE PLACE IN THE SPOTLIGHT. 323 00:17:08,366 --> 00:17:11,733 THAT'S KIND OF PERFORMANCE 324 00:17:09,933 --> 00:17:13,300 ASPECT THAT WE GIVE THEM. 325 00:17:11,733 --> 00:17:16,200 KIDS LOVE TO MAKE THEIR BODIES 326 00:17:13,300 --> 00:17:19,033 DO THINGS THAT ARE UNUSUAL. 327 00:17:16,200 --> 00:17:19,633 THEY LOVE TO STRETCH THEIR 328 00:17:19,033 --> 00:17:21,800 BOUNDARIES. 329 00:17:19,633 --> 00:17:23,333 AND I THINK POSITIVE RISK 330 00:17:21,800 --> 00:17:25,666 TAKING IS A REALLY IMPORTANT 331 00:17:23,333 --> 00:17:27,733 ASPECT OF WHAT WE DO HERE. 332 00:17:25,666 --> 00:17:29,833 I THINK A MISPERCEPTION IS 333 00:17:27,733 --> 00:17:31,566 THAT IT CAN BE VERY DANGEROUS. 334 00:17:29,833 --> 00:17:35,933 AND THE VERY EARLIEST STAGES 335 00:17:31,566 --> 00:17:38,233 OF ANY ACT, REALLY, THEIR 336 00:17:35,933 --> 00:17:41,333 SAFETY IS NUMBER ONE, SO 337 00:17:38,233 --> 00:17:42,666 BEFORE THEY EVEN TAUGHT TO 338 00:17:41,333 --> 00:17:44,433 TRAIN OR PERFORM IN IT, 339 00:17:42,666 --> 00:17:45,066 THEY'RE TAUGHT THE BASICS SO 340 00:17:44,433 --> 00:17:47,733 NOTHING BAD CAN HAPPEN. 341 00:17:45,066 --> 00:17:48,066 ALL RIGHT. 342 00:17:47,733 --> 00:17:48,466 AWESOME. 343 00:17:48,066 --> 00:17:54,266 ALL RIGHT. 344 00:17:48,466 --> 00:17:56,533 READY TO GO. 345 00:17:54,266 --> 00:17:58,600 >> THEY START OUT AS TODDLERS. 346 00:17:56,533 --> 00:17:59,800 AND THEY JUST KIND OF TRY A 347 00:17:58,600 --> 00:18:01,166 LITTLE BIT OF EVERYTHING. 348 00:17:59,800 --> 00:18:02,300 BUT IT'S OBVIOUSLY THE VERY 349 00:18:01,166 --> 00:18:03,666 BEGINNING LEVELS. 350 00:18:02,300 --> 00:18:05,533 THEN THEY MIGHT DECIDE THAT 351 00:18:03,666 --> 00:18:06,366 THEY WANT TO GO INTO AERIAL 352 00:18:05,533 --> 00:18:08,833 ACTS. 353 00:18:06,366 --> 00:18:10,666 SO THEY START OUT ON THE SIDE 354 00:18:08,833 --> 00:18:12,766 BY SIDE TRAPEZE WHICH NEVER 355 00:18:10,666 --> 00:18:14,066 GETS MORE THAN FIVE OR SIX, 356 00:18:12,766 --> 00:18:16,066 SEVEN FEET OFF THE GROUND. 357 00:18:14,066 --> 00:18:19,066 SO I KIND OF THINK ABOUT IT IN 358 00:18:16,066 --> 00:18:20,133 TERMS OF SPEED AND HEIGHT AND 359 00:18:19,066 --> 00:18:21,833 TRICK DIFFICULTY. 360 00:18:20,133 --> 00:18:23,666 THOSE THINGS ALL INCREASE AS 361 00:18:21,833 --> 00:18:25,666 TIME GOES ON, AS THEY GO UP 362 00:18:23,666 --> 00:18:32,633 THROUGH THE LEVELS OF ANY 363 00:18:25,666 --> 00:18:32,633 GIVEN ACT. 364 00:18:38,233 --> 00:18:41,000 >> YOU'RE HANGING. 365 00:18:39,533 --> 00:18:43,033 YOU ARE FLIPPING. 366 00:18:41,000 --> 00:18:46,000 YOU'RE DOING MORE ACROBATIC 367 00:18:43,033 --> 00:18:49,833 TRICKS. 368 00:18:46,000 --> 00:18:52,133 YOU MIGHT WEAR A SAFETY SAFETY 369 00:18:49,833 --> 00:18:53,100 BET, BUT YOU'RE INCREDIBLY 370 00:18:52,133 --> 00:18:54,433 HIGH UP. 371 00:18:53,100 --> 00:18:56,233 AND THEN YOU'VE GOT THE 372 00:18:54,433 --> 00:18:57,233 SWINGING TRAPEZE THAT'S 373 00:18:56,233 --> 00:18:57,633 LITERALLY SWINGING BATH AND 374 00:18:57,233 --> 00:18:59,900 FORTH. 375 00:18:57,633 --> 00:19:01,500 THE TRICKS ARE MONUMENTAL. 376 00:18:59,900 --> 00:19:02,866 THE FLYING TRAPEZE IS KIND OF 377 00:19:01,500 --> 00:19:04,100 KNOWN AS ONE OF THE MOST 378 00:19:02,866 --> 00:19:05,866 CHALLENGING AERIAL ACTS AND 379 00:19:04,100 --> 00:19:07,566 THAT'S WHERE THE DANGER REALLY 380 00:19:05,866 --> 00:19:09,166 COULD COME IN, BUT YOU'VE 381 00:19:07,566 --> 00:19:10,366 TAKEN ALL OF THOSE ACTS, 382 00:19:09,166 --> 00:19:12,100 YOU'VE GONE THROUGH ALL OF 383 00:19:10,366 --> 00:19:13,533 THAT TRAINING BEFORE YOU'VE 384 00:19:12,100 --> 00:19:14,933 GOT TO THAT POINT SO YOU'RE 385 00:19:13,533 --> 00:19:17,666 VERY SAFE AND VERY CONFIDENT 386 00:19:14,933 --> 00:19:20,166 BY THE TIME YOU GET THERE. 387 00:19:17,666 --> 00:19:23,666 THE CONFIDENCE THAT COMES FROM 388 00:19:20,166 --> 00:19:25,633 KNOWING THAT THEY CAN DO IT, 389 00:19:23,666 --> 00:19:26,966 KNOWING THAT IF THEY FALL, 390 00:19:25,633 --> 00:19:28,633 RETHEY DIDN'T QUITE GET A 391 00:19:26,966 --> 00:19:29,966 TRICK, THEY'RE GOING TO GET 392 00:19:28,633 --> 00:19:30,866 RIGHT BACK UP WITH A SMILE ON 393 00:19:29,966 --> 00:19:33,766 THEIR FACE AND CONTINUE WITH 394 00:19:30,866 --> 00:19:34,533 THE ROUTINE AND THEIR 395 00:19:33,766 --> 00:19:35,233 TEAMMATES ARE GOING TO CHEER 396 00:19:34,533 --> 00:19:37,266 THEM ON. 397 00:19:35,233 --> 00:19:39,233 IT'S REALLY INEXPIRING. 398 00:19:37,266 --> 00:19:39,233 INSPIRING. 399 00:19:43,900 --> 00:19:52,700 [ Cheers and applause ] 400 00:19:54,600 --> 00:19:57,733 >> I'M HERE WITH RACHEL 401 00:19:56,266 --> 00:20:00,333 BUTLER, A COACH AND FORMER 402 00:19:57,733 --> 00:20:05,033 STUDENT AT CIRCUS JUVENTAS. 403 00:20:00,333 --> 00:20:05,700 SHE'S GOING TO TEACH ME A 404 00:20:05,033 --> 00:20:06,800 TRICK ON THE TRAPEZE THAT I 405 00:20:05,700 --> 00:20:08,033 HOPE IS GOOD FOR BEGINNERS. 406 00:20:06,800 --> 00:20:09,366 >> IT'S GOING TO BE GREAT. 407 00:20:08,033 --> 00:20:10,000 IT'S GOING TO BE AWESOME. 408 00:20:09,366 --> 00:20:11,300 [ Cheers and applause ] 409 00:20:10,000 --> 00:20:13,033 >> OKAY, SO WHAT YOU'RE GOING 410 00:20:11,300 --> 00:20:14,000 TO DO IS PUT YOUR HANDS ON 411 00:20:13,033 --> 00:20:15,533 EITHER SIDE OF THE BAR. 412 00:20:14,000 --> 00:20:17,066 WRAP YOUR THUMBS AROUND. 413 00:20:15,533 --> 00:20:17,633 YOU'RE GOING TO SQUAT ALL THE 414 00:20:17,066 --> 00:20:18,833 WAY DOWN. 415 00:20:17,633 --> 00:20:20,800 YOUR ARMS ARE STRAIGHT. 416 00:20:18,833 --> 00:20:22,633 NOW YOU'RE GOING TO KICK ONE 417 00:20:20,800 --> 00:20:24,366 LEG UP AT A TIME AND YOU'RE 418 00:20:22,633 --> 00:20:24,800 GOING TO HOOK YOUR KNEES ON 419 00:20:24,366 --> 00:20:26,000 THE BAR. 420 00:20:24,800 --> 00:20:26,600 I AM GOING TO HELP YOU. 421 00:20:26,000 --> 00:20:26,966 GOOD. 422 00:20:26,600 --> 00:20:28,300 OKAY. 423 00:20:26,966 --> 00:20:29,733 STEP ONE. 424 00:20:28,300 --> 00:20:31,700 ALL RIGHT, FROM HERE, YOU'RE 425 00:20:29,733 --> 00:20:33,233 GOING TO REACH UP AND GRAB THE 426 00:20:31,700 --> 00:20:33,866 ROPE AND PULL YOURSELF ALL THE 427 00:20:33,233 --> 00:20:34,866 WAY UP. 428 00:20:33,866 --> 00:20:36,800 PERFECT. 429 00:20:34,866 --> 00:20:38,300 OKAY. 430 00:20:36,800 --> 00:20:38,600 NOW YOU GOT TO DO THE CIRCUS 431 00:20:38,300 --> 00:20:39,666 STYLE. 432 00:20:38,600 --> 00:20:41,466 OKAY? 433 00:20:39,666 --> 00:20:43,066 SO YOU'RE GOING TO STRAIGHTEN 434 00:20:41,466 --> 00:20:44,100 ONE LEG AND YOU'RE GOING TO 435 00:20:43,066 --> 00:20:45,500 BEND ONE LEG. 436 00:20:44,100 --> 00:20:47,866 AND YOU'RE GOING TO EXTEND 437 00:20:45,500 --> 00:20:49,933 YOUR ARM IN STYLE AND SMILE. 438 00:20:47,866 --> 00:20:51,966 YEAH! 439 00:20:49,933 --> 00:20:54,066 CHASE PERFECT. 440 00:20:51,966 --> 00:20:54,700 OKAY, NOW WE'RE GOING TO DO A 441 00:20:54,066 --> 00:20:56,100 TRICK. 442 00:20:54,700 --> 00:20:57,366 YOU'RE GOING TO TURN YOUR BODY 443 00:20:56,100 --> 00:21:00,700 AND YOU'RE GOING TO EXTEND 444 00:20:57,366 --> 00:21:02,666 BOTH LEGS IN THAT DIRECT DIRECT. 445 00:21:00,700 --> 00:21:03,833 NOW YOU'RE GOING TO PUT BOTH 446 00:21:02,666 --> 00:21:04,900 HANDS ONTO THIS ROPE RIGHT 447 00:21:03,833 --> 00:21:06,533 HERE AND YOU'RE GOING TO LEAN 448 00:21:04,900 --> 00:21:07,433 ALL THE WAY BACK UNTIL YOUR 449 00:21:06,533 --> 00:21:10,433 ARMS ARE STRAIGHT. 450 00:21:07,433 --> 00:21:11,466 YEAH! 451 00:21:10,433 --> 00:21:12,500 NICE! 452 00:21:11,466 --> 00:21:13,633 ALL RIGHT. 453 00:21:12,500 --> 00:21:14,133 NOW YOU'RE GOING TO SIT BACK 454 00:21:13,633 --> 00:21:15,300 UP. 455 00:21:14,133 --> 00:21:16,533 GOOD. 456 00:21:15,300 --> 00:21:18,000 WE'RE GOING TO SLIDE BACK DOWN 457 00:21:16,533 --> 00:21:19,400 TO YOUR KNEES. 458 00:21:18,000 --> 00:21:20,333 YOU'RE GOING TO PUT YOUR HANDS 459 00:21:19,400 --> 00:21:20,966 BACK ONTO THE BAR. 460 00:21:20,333 --> 00:21:22,300 YEP. 461 00:21:20,966 --> 00:21:25,400 AND YOU'RE GOING TO BRING YOUR 462 00:21:22,300 --> 00:21:26,033 LEGS DOWN. 463 00:21:25,400 --> 00:21:26,900 YEAH! 464 00:21:26,033 --> 00:21:32,400 [ Cheers and applause ] 465 00:21:26,900 --> 00:21:33,933 >> NICE! 466 00:21:32,400 --> 00:21:34,200 >> OOH! 467 00:21:33,933 --> 00:21:35,000 WOW! 468 00:21:34,200 --> 00:21:39,700 THANK YOU. 469 00:21:35,000 --> 00:21:40,333 THANK YOU SO MUCH. 470 00:21:39,700 --> 00:21:41,000 WELL, 471 00:21:40,333 --> 00:21:41,933 LIFE IN THE AIR CERTAINLY 472 00:21:41,000 --> 00:21:42,833 LOOKS DIFFERENT FROM LIFE ON 473 00:21:41,933 --> 00:21:43,733 THE GROUND. 474 00:21:42,833 --> 00:21:44,700 CIRCUS JUVENTAS DECIDED TO 475 00:21:43,733 --> 00:21:45,600 STRAP A CAMERA ONTO SOME OF 476 00:21:44,700 --> 00:21:46,300 THEIR PERFORMERS TO GIVE US AN 477 00:21:45,600 --> 00:21:49,166 IDEA OF WHAT IT'S LIKE TO SOAR 478 00:21:46,300 --> 00:21:52,766 ABOVE THE CROWD. 479 00:21:49,166 --> 00:21:56,866 >> HERE IT IS. 480 00:21:52,766 --> 00:21:59,433 >> OH, YOU'RE ON? 481 00:21:56,866 --> 00:21:59,433 OKAY, THEN! 482 00:21:59,866 --> 00:22:09,966 ♪♪ 483 00:22:43,833 --> 00:22:51,200 ♪♪ 484 00:22:48,933 --> 00:22:56,566 >> THIS PART IS VERY -- IT'S 485 00:22:51,200 --> 00:23:00,433 KIND OF SCARY. 486 00:22:56,566 --> 00:23:00,433 BUT JUST HAVE FUN! 487 00:23:01,133 --> 00:23:11,166 ♪♪ 488 00:23:40,866 --> 00:23:50,266 ♪♪ 489 00:23:42,833 --> 00:23:50,266 >> WELCOME TO TPT TAKEOVER! 490 00:23:55,333 --> 00:24:05,733 [ Cheers and applause ] 491 00:24:14,633 --> 00:24:21,433 >> REMEMBER TEXT CIRCUS TO 492 00:24:20,166 --> 00:24:21,866 863-866-4773 FOR A SPECIAL 493 00:24:21,433 --> 00:24:23,366 MESSAGE. 494 00:24:21,866 --> 00:24:26,666 I CAN'T SAY IT. 495 00:24:23,366 --> 00:24:34,300 LATER ON IN THE SHOW. 496 00:24:26,666 --> 00:24:35,300 THAT'S 863-866-4773. 497 00:24:34,300 --> 00:24:36,166 WE'VE GOT ANOTHER LOOK INSIDE 498 00:24:35,300 --> 00:24:37,266 THE LIFE OF A CIRCUS JUVENTAS 499 00:24:36,166 --> 00:24:38,333 STUDENT FOR YOU. 500 00:24:37,266 --> 00:24:39,466 THIS TIME IT'S NICK, A 501 00:24:38,333 --> 00:24:40,300 HIGH-LEVEL PERFORMER WHO'S 502 00:24:39,466 --> 00:24:41,000 BEEN WITH THE SCHOOL SINCE HE 503 00:24:40,300 --> 00:24:41,900 WAS VERY YOUNG. 504 00:24:41,000 --> 00:24:42,600 WE ALSO HAVE ANOTHER CIRCUS 505 00:24:41,900 --> 00:24:48,300 FUN FACT FROM CO-FOUNDERS DAN 506 00:24:42,600 --> 00:24:48,300 AND BETTY. 507 00:24:49,766 --> 00:24:59,800 ♪♪ 508 00:25:05,333 --> 00:25:09,200 >> I USUALLY BALANCE CIRCUS 509 00:25:07,100 --> 00:25:11,266 WITH SCHOOL AND OTHER 510 00:25:09,200 --> 00:25:12,466 ACTIVITIES BY, UM, GETTING MY 511 00:25:11,266 --> 00:25:12,933 HOMEWORK DONE IN BREAKS AT 512 00:25:12,466 --> 00:25:16,200 CIRCUS. 513 00:25:12,933 --> 00:25:18,966 I TRY TO GET ALL MY STUFF DONE 514 00:25:16,200 --> 00:25:20,566 AS SOON AS I GET HOME JUST SO 515 00:25:18,966 --> 00:25:21,533 THAT I'M NOT STAYING UP SUPER 516 00:25:20,566 --> 00:25:23,966 LATE. 517 00:25:21,533 --> 00:25:25,633 I USUALLY DO DIVING BEFORE 518 00:25:23,966 --> 00:25:27,966 CIRCUS, SO THAT I'M NOT GOING 519 00:25:25,633 --> 00:25:29,866 BACK AND FORTH BETWEEN THEM. 520 00:25:27,966 --> 00:25:34,433 OR I'M HOPEFULLY NOT MISSING 521 00:25:29,866 --> 00:25:34,433 TOO MUCH OF EITHER. 522 00:25:35,266 --> 00:25:42,400 ♪♪ 523 00:25:39,266 --> 00:25:43,400 >> CIRCUS REALLY BRINGS OUT A 524 00:25:42,400 --> 00:25:44,766 WHOLE ANOTHER SIDE OF ME. 525 00:25:43,400 --> 00:25:45,400 I THINK I'M VERY COMFORTABLE 526 00:25:44,766 --> 00:25:46,833 THERE. 527 00:25:45,400 --> 00:25:48,733 I'M VERY OPEN. 528 00:25:46,833 --> 00:25:49,833 I TEND TO GET VERY CREATIVE 529 00:25:48,733 --> 00:25:52,900 THERE, ESPECIALLY IN THE 530 00:25:49,833 --> 00:25:55,233 PROCESS OF MAKING A NEW SHOW, 531 00:25:52,900 --> 00:25:57,500 JUST WITH CHOREOGRAPHY AND 532 00:25:55,233 --> 00:25:58,933 CHARACTER WORK AND DIFFERENT 533 00:25:57,500 --> 00:26:01,900 TRICKS WE CAN TRY. 534 00:25:58,933 --> 00:26:03,133 I THINK IT BRINGS CREATIVITY, 535 00:26:01,900 --> 00:26:04,600 IT'S MY OUTLET. 536 00:26:03,133 --> 00:26:06,100 IT'S MY SAFE PLACE. 537 00:26:04,600 --> 00:26:07,666 IT'S JUST WHERE I FEEL 538 00:26:06,100 --> 00:26:10,700 COMFORTABLE. 539 00:26:07,666 --> 00:26:12,866 >> AN EXAMPLE OF A TRADITIONAL 540 00:26:10,700 --> 00:26:14,500 CIRCUS ARTIST WAS LILLIAN 541 00:26:12,866 --> 00:26:17,400 LEADS ALE WHO WAS DISCOVERED 542 00:26:14,500 --> 00:26:19,866 AS A TEENAGE PERFORMER BY A 543 00:26:17,400 --> 00:26:22,100 REPRESENTATIVE OF RING LING 544 00:26:19,866 --> 00:26:23,966 BROTHERS IN 1912. 545 00:26:22,100 --> 00:26:26,366 SHE WOULD DANGLE BY A ROPE 546 00:26:23,966 --> 00:26:27,900 WITH ONE HAND AND PROPEL 547 00:26:26,366 --> 00:26:28,833 HERSELF SKY WARD WITH 548 00:26:27,900 --> 00:26:30,966 TREMENDOUS STRENGTH AS THE 549 00:26:28,833 --> 00:26:33,433 RING MASTER AND MANY TIMES THE 550 00:26:30,966 --> 00:26:33,933 AUDIENCE WOULD COUNT TO OVER 551 00:26:33,433 --> 00:26:36,800 100 REVOLUTIONS. 552 00:26:33,933 --> 00:26:39,366 >> ALL: THREE, FOUR, FIVE, 553 00:26:36,800 --> 00:26:40,266 >> AN EXAMPLE OF A 554 00:26:39,366 --> 00:26:41,666 CONTEMPORARY CIRCUS PERFORMER 555 00:26:40,266 --> 00:26:43,600 IS DANIEL SEER. 556 00:26:41,666 --> 00:26:46,000 HE'S A GRADUATE OF THE INSTALL 557 00:26:43,600 --> 00:26:49,033 CIRCUS SCHOOL IN MONTREAL. 558 00:26:46,000 --> 00:26:53,066 DANIEL IS AN INVENTOR OF THE 559 00:26:49,033 --> 00:26:54,833 SEER WHEEL, A LARGE RING LIKE 560 00:26:53,066 --> 00:26:56,033 APPARATUS THAT -- HE'S A 561 00:26:54,833 --> 00:26:58,833 HIGHLY SOUGHT AFTER INSTRUCTOR 562 00:26:56,033 --> 00:26:59,766 OF THE SEER WHEEL AND EVEN 563 00:26:58,833 --> 00:27:05,500 DEVELOPED CIRCUMSTANCE DESO 564 00:26:59,766 --> 00:27:06,166 WILL A'S ROUTINE FOR COTOE. 565 00:27:05,500 --> 00:27:11,500 CORTEO. 566 00:27:06,166 --> 00:27:12,433 [ Cheers and applause ] 567 00:27:11,500 --> 00:27:13,100 >> WHO HASN'T DREAMED OF 568 00:27:12,433 --> 00:27:14,366 KNOWING HOW TO JUGGLE? 569 00:27:13,100 --> 00:27:16,333 I'M JOINED BY ZACC FRICKE, 570 00:27:14,366 --> 00:27:17,233 LEAD SINGER IN THE LIMMS, 571 00:27:16,333 --> 00:27:18,600 THAT'S RIGHT? 572 00:27:17,233 --> 00:27:19,333 YEAH. 573 00:27:18,600 --> 00:27:20,000 UNICYCLE COACH AT CIRCUS 574 00:27:19,333 --> 00:27:20,700 JUVENTAS, AND JUGGLER, AND 575 00:27:20,000 --> 00:27:22,566 HE'S GOING TO TEACH US ALL THE 576 00:27:20,700 --> 00:27:24,066 ART OF JUGGLING. 577 00:27:22,566 --> 00:27:26,200 >> YEAH! 578 00:27:24,066 --> 00:27:26,900 SO AT CIRCUS, WE LIKE TO START 579 00:27:26,200 --> 00:27:28,400 REALLY SIMPLE. 580 00:27:26,900 --> 00:27:28,833 SO WE ALWAYS START WITH ONE 581 00:27:28,400 --> 00:27:30,800 OBJECT. 582 00:27:28,833 --> 00:27:34,166 WE START WITH SCARFS, BECAUSE 583 00:27:30,800 --> 00:27:36,400 THEY'RE EASY TO FLOW AND 584 00:27:34,166 --> 00:27:36,866 EASY -- THROW AND EASY TO 585 00:27:36,400 --> 00:27:39,633 CATCH. 586 00:27:36,866 --> 00:27:41,000 OPEN UP YOUR SCARF LIKE THIS 587 00:27:39,633 --> 00:27:41,900 AND THEN PINCH IT IN THE 588 00:27:41,000 --> 00:27:43,266 MIDDLE LIKE THAT. 589 00:27:41,900 --> 00:27:44,066 YOU PROBABLY WANT TO STAND UP 590 00:27:43,266 --> 00:27:46,166 TO TRY THIS. 591 00:27:44,066 --> 00:27:46,966 IT'S EASIER TO THROW AND CATCH 592 00:27:46,166 --> 00:27:47,500 WHILE YOU'RE STANDING. 593 00:27:46,966 --> 00:27:50,466 THERE YOU GO. 594 00:27:47,500 --> 00:27:52,266 ALL RIGHT, NOW WITH JUST ONE, 595 00:27:50,466 --> 00:27:52,600 JUST THROW IT UP AND PINCH IT 596 00:27:52,266 --> 00:27:55,533 BACK. 597 00:27:52,600 --> 00:27:56,333 THROW IT UP AND PINCH IT BACK. 598 00:27:55,533 --> 00:27:58,666 THERE YOU GO. 599 00:27:56,333 --> 00:28:00,366 NOW TRY TO THROW IT AND PINCH 600 00:27:58,666 --> 00:28:01,133 IT WITH THE OTHER HAND. 601 00:28:00,366 --> 00:28:01,933 BACK AND FORTH. 602 00:28:01,133 --> 00:28:04,333 SIDE TO SIDE. 603 00:28:01,933 --> 00:28:05,900 ALL RIGHT. 604 00:28:04,333 --> 00:28:07,133 YOU GUYS FEEL LIKE YOU'RE 605 00:28:05,900 --> 00:28:08,800 GETTING IT? 606 00:28:07,133 --> 00:28:09,233 IT'S PRETTY BASIC. 607 00:28:08,800 --> 00:28:11,766 PRETTY SIMPLE. 608 00:28:09,233 --> 00:28:13,333 ALL RIGHT, NOW YOU'RE GOING TO 609 00:28:11,766 --> 00:28:14,866 PICK UP YOUR OTHER SCARF. 610 00:28:13,333 --> 00:28:16,600 SO YOU'RE GOING TO HAVE ONE IN 611 00:28:14,866 --> 00:28:18,433 EACH HAND, ALL RIGHT? 612 00:28:16,600 --> 00:28:20,400 YOU GUYS GOT IT? 613 00:28:18,433 --> 00:28:21,200 YOU GUYS HAVE TWO DIFFERENT 614 00:28:20,400 --> 00:28:24,500 COLORS, THAT'S GOING TO BE 615 00:28:21,200 --> 00:28:27,600 IMPORTANT SOON, BUT FOR NOW, 616 00:28:24,500 --> 00:28:28,466 LET'S JUST GO THIS ONE UP, AND 617 00:28:27,600 --> 00:28:30,466 THEN THIS ONE. 618 00:28:28,466 --> 00:28:30,900 THIS ONE, THIS ONE. 619 00:28:30,466 --> 00:28:31,466 RIGHT. 620 00:28:30,900 --> 00:28:33,400 LEFT. 621 00:28:31,466 --> 00:28:34,166 ALL RIGHT, YOU GUYS FEEL LIKE 622 00:28:33,400 --> 00:28:34,866 YOU'RE GETTING THAT? 623 00:28:34,166 --> 00:28:36,933 ALL RIGHT. 624 00:28:34,866 --> 00:28:38,300 SO WE'RE GOING TO MOVE IT UP. 625 00:28:36,933 --> 00:28:41,700 SO NOW YOU'RE GOING TO GO 626 00:28:38,300 --> 00:28:44,533 CHRIS CROSS, CATCH CATCH. 627 00:28:41,700 --> 00:28:46,800 OH, YOU GOT TO MAKE SURE YOU 628 00:28:44,533 --> 00:28:48,866 GO ONE, TWO, CATCH CATCH. 629 00:28:46,800 --> 00:28:50,233 YOU GUYS GETTING IT? 630 00:28:48,866 --> 00:28:50,733 ONE, TWO, CATCH, CATCH. 631 00:28:50,233 --> 00:28:52,333 ALL RIGHT. 632 00:28:50,733 --> 00:28:53,133 YOU GUYS FEEL LIKE YOU'RE 633 00:28:52,333 --> 00:28:55,000 GETTING THAT. 634 00:28:53,133 --> 00:28:59,133 SO NOW I WANT YOU TO PAY 635 00:28:55,000 --> 00:29:00,433 ATTENTION TO THESE COLORS. 636 00:28:59,133 --> 00:29:01,633 YOU'RE GOING TO THROW THE SAME 637 00:29:00,433 --> 00:29:05,400 COLOR EVERY TIME FIRST. 638 00:29:01,633 --> 00:29:07,600 YELLOW, GREEN, CATCH, CATCH. 639 00:29:05,400 --> 00:29:08,100 YELLOW, GREEN, CATCH, CATCH. 640 00:29:07,600 --> 00:29:09,833 AH! 641 00:29:08,100 --> 00:29:11,800 SO YOU'LL FIND THAT BECAUSE 642 00:29:09,833 --> 00:29:13,000 THE WAY YOU LEARNED HOW TO 643 00:29:11,800 --> 00:29:13,566 THROW, THIS IS TYPICALLY WHAT 644 00:29:13,000 --> 00:29:16,100 HAPPENS. 645 00:29:13,566 --> 00:29:17,266 THIS IS A MISTAKE RIGHT HERE. 646 00:29:16,100 --> 00:29:18,800 YOU'LL PASS UNDERNEATH. 647 00:29:17,266 --> 00:29:19,566 SO YOU WANT TO BE CAREFUL OF 648 00:29:18,800 --> 00:29:21,100 THAT. 649 00:29:19,566 --> 00:29:21,800 YOU WANT TO THROW, THROW, 650 00:29:21,100 --> 00:29:22,800 CATCH, CATCH. 651 00:29:21,800 --> 00:29:23,900 YEAH, THAT'S GOOD. 652 00:29:22,800 --> 00:29:25,800 THAT'S GOOD. 653 00:29:23,900 --> 00:29:27,566 ALL RIGHT, GUYS, THAT'S GOOD. 654 00:29:25,800 --> 00:29:29,366 NOW AFTER YOU DO THAT FOR A 655 00:29:27,566 --> 00:29:30,200 WHILE, THEN YOU TRY TO PICK UP 656 00:29:29,366 --> 00:29:32,300 THREE OBJECTS. 657 00:29:30,200 --> 00:29:33,600 LIKE THIS. 658 00:29:32,300 --> 00:29:36,200 AND USUALLY WE'LL MOVE TO 659 00:29:33,600 --> 00:29:38,300 BALLS AND WE'LL JUGGLE BALLS 660 00:29:36,200 --> 00:29:41,500 AND WE'RE GOING TO DO -- 661 00:29:38,300 --> 00:29:42,566 >> EXCELLENT, THANK YOU SO 662 00:29:41,500 --> 00:29:45,500 MUCH, ZACC. 663 00:29:42,566 --> 00:29:47,166 GIVE THEM A ROUND APPLAUSE. 664 00:29:45,500 --> 00:29:49,233 NOW LET'S SEE HOW IT'S REALLY 665 00:29:47,166 --> 00:29:54,833 DONE WITH A PERFORMANCE FROM 666 00:29:49,233 --> 00:29:54,833 CIRCUS JUVENTAS. 667 00:29:55,633 --> 00:30:05,666 ♪♪ 668 00:30:17,933 --> 00:30:20,333 [ Cheers and applause ] 669 00:30:21,133 --> 00:30:31,166 ♪♪ 670 00:30:54,066 --> 00:30:56,566 [ Cheers and applause ] 671 00:30:57,400 --> 00:31:07,500 ♪♪ 672 00:31:57,633 --> 00:32:01,800 >> WOW! 673 00:31:59,533 --> 00:32:02,066 OH, I CAN STILL FEEL IT. 674 00:32:01,800 --> 00:32:04,900 WOW! 675 00:32:02,066 --> 00:32:05,566 CIRCUS 676 00:32:04,900 --> 00:32:06,266 CIRCUS JUVENTAS IS KNOWN FOR 677 00:32:05,566 --> 00:32:07,033 ITS SPECTACULAR SHOWS. 678 00:32:06,266 --> 00:32:08,066 PART OF WHAT MAKES THEM 679 00:32:07,033 --> 00:32:09,466 AMAZING IS NOT ONLY THE YOUNG 680 00:32:08,066 --> 00:32:10,200 AGE OF THE PERFORMERS BUT ALSO 681 00:32:09,466 --> 00:32:12,600 THE ELABORATE SETS, LIGHTING, 682 00:32:10,200 --> 00:32:14,066 AND COSTUMES. 683 00:32:12,600 --> 00:32:15,733 ONE PERSON RESPONSIBLE FOR 684 00:32:14,066 --> 00:32:17,400 BRINGING THE COSTUMES AND THE 685 00:32:15,733 --> 00:32:20,400 CHARACTERS THAT WEAR THEM TO 686 00:32:17,400 --> 00:32:22,666 LIFE IS KATHY STASZAK. 687 00:32:20,400 --> 00:32:23,733 >> DO YOU THINK IF YOU WENT TO 688 00:32:22,666 --> 00:32:25,066 DESIGNING NORMAL COSTUMES THAT 689 00:32:23,733 --> 00:32:25,466 IT WOULD BE BORING IN 690 00:32:25,066 --> 00:32:26,900 COMPARISON? 691 00:32:25,466 --> 00:32:33,800 >> YES. 692 00:32:26,900 --> 00:32:39,300 [ Laughter ] 693 00:32:33,800 --> 00:32:44,266 [ SEWING MACHINE WHIRRING ] 694 00:32:39,300 --> 00:32:46,166 >> MY NAME'S KATHY IS A ZACK 695 00:32:44,266 --> 00:32:46,966 AND I MAKE COSTUMES FOR CIRCUS 696 00:32:46,166 --> 00:32:50,900 JUVENTAS. 697 00:32:46,966 --> 00:32:52,300 I GOT LURED INTO IT. 698 00:32:50,900 --> 00:32:54,233 SOMEBODY HAD SEEN MY LEGGINGS 699 00:32:52,300 --> 00:32:56,000 AT THE RENAISSANCE FAIR, AND 700 00:32:54,233 --> 00:32:56,333 THEY WENT, OH, WE NEED SOME OF 701 00:32:56,000 --> 00:32:58,433 THOSE. 702 00:32:56,333 --> 00:32:59,533 AND THEN 11 YEARS LATER, I'M 703 00:32:58,433 --> 00:33:04,100 DOING LIKE ALL DIFFERENT 704 00:32:59,533 --> 00:33:06,600 THINGS. 705 00:33:04,100 --> 00:33:07,066 THESE ARE REALLY CUTE LITTLE 706 00:33:06,600 --> 00:33:08,766 COSTUMES. 707 00:33:07,066 --> 00:33:09,133 NOW I DESIGN ABOUT 50 708 00:33:08,766 --> 00:33:11,633 COSTUMES. 709 00:33:09,133 --> 00:33:13,366 I LOVE THE CREATIVE PROCESS. 710 00:33:11,633 --> 00:33:15,900 IT'S LIKE SOMETHING CLICKS ON. 711 00:33:13,366 --> 00:33:16,300 I SEE THE CHARACTERS START TO 712 00:33:15,900 --> 00:33:18,366 EMERGE. 713 00:33:16,300 --> 00:33:18,700 I THINK I'VE ALWAYS LOVED 714 00:33:18,366 --> 00:33:20,566 THEATER. 715 00:33:18,700 --> 00:33:21,500 I MEAN, IT'S FASCINATING. 716 00:33:20,566 --> 00:33:22,400 I TRIED ACTING. 717 00:33:21,500 --> 00:33:24,400 IT WAS HORRIBLE. 718 00:33:22,400 --> 00:33:26,300 I STARTED TO DO SOME 719 00:33:24,400 --> 00:33:28,300 COSTUMING, AND I LIKED IT. 720 00:33:26,300 --> 00:33:29,966 AND ALSO YOU GET TO HEAR ALL 721 00:33:28,300 --> 00:33:32,400 THE BACKSTAGE STUFF GOING ON. 722 00:33:29,966 --> 00:33:33,166 I LOVE WORKING WITH THESE 723 00:33:32,400 --> 00:33:34,666 KIDS. 724 00:33:33,166 --> 00:33:37,066 THEY'RE INCREDIBLY GIFTED. 725 00:33:34,666 --> 00:33:38,133 WE'VE WATCHED THEM BECOME 726 00:33:37,066 --> 00:33:39,233 SELF-ASSURED INDIVIDUALS, AND 727 00:33:38,133 --> 00:33:41,066 THAT'S SOMETHING THAT I THINK 728 00:33:39,233 --> 00:33:42,933 IS AMAZING TO WATCH. 729 00:33:41,066 --> 00:33:44,366 KIDS THAT START OUT AND 730 00:33:42,933 --> 00:33:45,833 THEY'RE MAYBE KIND OF AWKWARD 731 00:33:44,366 --> 00:33:48,133 ABOUT THEIR BODIES OR 732 00:33:45,833 --> 00:33:50,266 WHATEVER, AND AFTER FOUR 733 00:33:48,133 --> 00:33:58,233 YEARS, THEY'RE AN INCREDIBLY 734 00:33:50,266 --> 00:34:00,333 DIFFERENT. 735 00:33:58,233 --> 00:34:02,300 >> YOU GO REALLY FAST. 736 00:34:00,333 --> 00:34:06,000 [ Laughter ] 737 00:34:02,300 --> 00:34:09,266 I REALLY LOVE DOING IT. 738 00:34:06,000 --> 00:34:09,700 IT'S FUN AND IT'S ALSO 739 00:34:09,266 --> 00:34:11,333 NERVE-RACKING. 740 00:34:09,700 --> 00:34:12,833 IT'S LIKE, YOU KNOW, WE KEEP 741 00:34:11,333 --> 00:34:17,966 COMING BACK EVERY YEAR, SO I 742 00:34:12,833 --> 00:34:17,966 MUST LIKE IT. 743 00:34:21,100 --> 00:34:24,266 >> CLOWNS ARE SOME OF THE MOST 744 00:34:23,100 --> 00:34:25,933 CLASSICAL CHARACTERS FOUND IN 745 00:34:24,266 --> 00:34:28,100 THE TRADITIONAL CIRCUS. 746 00:34:25,933 --> 00:34:30,766 THE BEHIGHT FACE CLOWN WITH 747 00:34:28,100 --> 00:34:34,666 THE RED NOSE AND THE BIG SHOES 748 00:34:30,766 --> 00:34:36,900 ARE THE MOST RECOGNIZABLE 749 00:34:34,666 --> 00:34:37,200 TYPES, ALL THE WAY BACK TO THE 750 00:34:36,900 --> 00:34:40,600 1700S. 751 00:34:37,200 --> 00:34:43,400 >> CLOWNS IN CONTEMPORARY 752 00:34:40,600 --> 00:34:43,966 CIRCUS ARE MORE LIKELY TO BE 753 00:34:43,400 --> 00:34:45,166 EMOTIONAL. 754 00:34:43,966 --> 00:34:46,900 THEY'RE ALSO MORE LIKELY TO 755 00:34:45,166 --> 00:34:49,000 TRAIN IN OTHER CIRCUS ACTS 756 00:34:46,900 --> 00:34:53,900 ARGUABLY MAKING THEM MORE 757 00:34:49,000 --> 00:34:59,366 VERSE TILE PERFORMERS. 758 00:34:53,900 --> 00:34:59,366 [ Cheers and applause ] 759 00:35:07,366 --> 00:35:09,866 >> COSTUMES HAVE THE POWER TO 760 00:35:08,200 --> 00:35:11,900 TRANSPORT US TO THE 761 00:35:09,866 --> 00:35:13,466 MYTHOLOGICAL LAIR OF POSEIDON, 762 00:35:11,900 --> 00:35:16,066 ANCIENT CHINA, OR THE IMAGINED 763 00:35:13,466 --> 00:35:17,500 REALMS OF OZ OR NEVERLAND. 764 00:35:16,066 --> 00:35:23,466 GET READY, BECAUSE WE HAVE A 765 00:35:17,500 --> 00:35:24,366 SHORT FASHION SHOW TO EXHIBIT 766 00:35:23,466 --> 00:35:25,200 THE CONTRIBUTIONS OF CIRCUS 767 00:35:24,366 --> 00:35:26,266 JUVENTAS' TALENTED TEAM OF 768 00:35:25,200 --> 00:35:27,500 COSTUME DESIGNERS OVER THE 769 00:35:26,266 --> 00:35:28,833 YEARS. 770 00:35:27,500 --> 00:35:30,500 WE BEGIN WITH COSTUMES FROM 771 00:35:28,833 --> 00:35:31,400 "ATLANTICUS," WHICH UNCOVERED 772 00:35:30,500 --> 00:35:33,200 THE ANCIENT UNDERWATER REALM 773 00:35:31,400 --> 00:35:34,266 OF POSEIDON. 774 00:35:33,200 --> 00:35:35,566 DESIGNERS ENJOYED THE 775 00:35:34,266 --> 00:35:36,933 CHALLENGE OF BRINGING DEEP SEA 776 00:35:35,566 --> 00:35:39,133 CREATURES TO THE CIRCUS'S 777 00:35:36,933 --> 00:35:41,033 LAND-LOCKED STAGE. 778 00:35:39,133 --> 00:35:43,300 THE OCTOPUS COSTUME YOU SEE 779 00:35:41,033 --> 00:35:44,600 HERE IS HAND-PAINTED AND 780 00:35:43,300 --> 00:35:46,666 INCLUDES INDIVIDUALLY ATTACHED 781 00:35:44,600 --> 00:35:48,233 SUCTION CUPS ON ITS TENTACLES. 782 00:35:46,666 --> 00:35:50,066 THE CLAM BODY SUIT YOU SEE IS 783 00:35:48,233 --> 00:35:52,233 HELD TOGETHER WITH DOZENS OF 784 00:35:50,066 --> 00:35:53,600 APPLIQUED SEA CREATURE SHAPES. 785 00:35:52,233 --> 00:35:54,866 IT IS A FABULOUS EXAMPLE OF A 786 00:35:53,600 --> 00:35:56,500 CIRCUS COSTUME BECAUSE IT 787 00:35:54,866 --> 00:35:57,733 VISUALLY ILLUSTRATES A 788 00:35:56,500 --> 00:35:58,833 CHARACTER WHILE STILL ALLOWING 789 00:35:57,733 --> 00:36:03,533 FOR LOTS OF MOVEMENT WITH ITS 790 00:35:58,833 --> 00:36:04,833 CONSTRUCTION. 791 00:36:03,533 --> 00:36:06,600 POSSIBLY CIRCUS JUVENTAS'S 792 00:36:04,833 --> 00:36:08,300 CREEPIEST SHOW TO DATE, 793 00:36:06,600 --> 00:36:10,200 "RAVENS MANOR," WAS FULL OF 794 00:36:08,300 --> 00:36:11,566 HAUNTED PERSONALITIES. 795 00:36:10,200 --> 00:36:13,100 THE DEAD DOLL COSTUME 796 00:36:11,566 --> 00:36:17,133 DISPLAYED HERE WAS AMPLIFIED 797 00:36:13,100 --> 00:36:18,200 IN THE SHOW WITH RINGLET WIGS, 798 00:36:17,133 --> 00:36:20,266 EXAGGERATED ROSY CHEEKS, AND 799 00:36:18,200 --> 00:36:21,333 PERFORMERS THAT DIDN'T BLINK. 800 00:36:20,266 --> 00:36:22,733 HER COMPANION, THE MANSION'S 801 00:36:21,333 --> 00:36:24,533 HEAD HOUSEKEEPER, SPORTED THIS 802 00:36:22,733 --> 00:36:25,666 WONDERFULLY TERRIFYING COAT, 803 00:36:24,533 --> 00:36:26,533 COMPLETE WITH A COLLAR MADE OF 804 00:36:25,666 --> 00:36:31,866 IRIDESCENT ROOSTER TAIL 805 00:36:26,533 --> 00:36:32,933 FEATHERS. 806 00:36:31,866 --> 00:36:34,700 IN 2010, CIRCUS JUVENTAS 807 00:36:32,933 --> 00:36:36,633 EXPLORED ITS TRADITIONAL ROOTS 808 00:36:34,700 --> 00:36:37,900 WITH A TRAIN-TRAVELING CIRCUS 809 00:36:36,633 --> 00:36:39,900 SHOW SET IN THE 1920s CALLED 810 00:36:37,900 --> 00:36:41,966 "SAWDUST." 811 00:36:39,900 --> 00:36:43,300 WE HAVE HERE AN EXAMPLE OF ONE 812 00:36:41,966 --> 00:36:44,233 OF THE MANY CLASSIC CIRCUS 813 00:36:43,300 --> 00:36:46,666 DESIGNS THAT BROUGHT THE SHOW 814 00:36:44,233 --> 00:36:48,166 TO LIFE. 815 00:36:46,666 --> 00:36:49,766 ILEANA, QUEEN OF THE AIR, WAS 816 00:36:48,166 --> 00:36:51,366 THE STAR TRAPEZE ARTIST ON THE 817 00:36:49,766 --> 00:36:52,433 TOUR, AND IT WAS IMPORTANT 818 00:36:51,366 --> 00:36:53,566 THAT HER COSTUME LET THE 819 00:36:52,433 --> 00:36:54,900 AUDIENCE KNOW HER STATUS FROM 820 00:36:53,566 --> 00:36:55,933 THE MOMENT SHE STEPPED ON 821 00:36:54,900 --> 00:36:57,066 STAGE. 822 00:36:55,933 --> 00:36:58,133 YOU MIGHT NOTICE THAT SOME OF 823 00:36:57,066 --> 00:36:59,200 THE SEQUINS ARE MISSING AROUND 824 00:36:58,133 --> 00:37:00,700 THE WAIST. 825 00:36:59,200 --> 00:37:01,733 IT'S POSSIBLE THAT SOME OF 826 00:37:00,700 --> 00:37:03,533 THEM ARE STILL EMBEDDED IN THE 827 00:37:01,733 --> 00:37:04,733 NECK OF THE ORIGINAL 828 00:37:03,533 --> 00:37:06,966 PERFORMER'S PARTNER, AS SHE 829 00:37:04,733 --> 00:37:07,833 FREQUENTLY SPUN AROUND HIS 830 00:37:06,966 --> 00:37:11,833 HEAD IN ONE OF THEIR MOST 831 00:37:07,833 --> 00:37:13,033 BREATHTAKING TRICKS. 832 00:37:11,833 --> 00:37:14,533 CIRCUS JUVENTAS LIKES TO 833 00:37:13,033 --> 00:37:16,066 "CIRQUIFY" THEIR COSTUMES, 834 00:37:14,533 --> 00:37:17,633 WHICH IS A TERM THEIR 835 00:37:16,066 --> 00:37:19,233 DESIGNERS HAVE COINED AND 836 00:37:17,633 --> 00:37:20,733 REFERS TO CREATING GARMENTS 837 00:37:19,233 --> 00:37:22,500 THAT INCLUDE BOTH THE UNIQUE 838 00:37:20,733 --> 00:37:24,166 FUNCTIONALITY NECESSARY FOR 839 00:37:22,500 --> 00:37:25,200 PERFORMING CIRCUS ACTS AND A 840 00:37:24,166 --> 00:37:26,133 WHIMSICAL OR ABSTRACT TAKE ON 841 00:37:25,200 --> 00:37:29,333 THE THEMATIC CONTENT OF THE 842 00:37:26,133 --> 00:37:30,200 SHOW. 843 00:37:29,333 --> 00:37:31,333 THEY DID JUST THAT WITH FRANK 844 00:37:30,200 --> 00:37:33,233 BAUM'S "WIZARD OF OZ" JUST A 845 00:37:31,333 --> 00:37:34,100 FEW YEARS BACK. 846 00:37:33,233 --> 00:37:36,266 FOR THAT SHOW, THEIR LONG-TIME 847 00:37:34,100 --> 00:37:37,333 LONG-DISTANCE DESIGNER FROM 848 00:37:36,266 --> 00:37:40,100 NEW ORLEANS CAME UP WITH ONE 849 00:37:37,333 --> 00:37:42,200 OF THE SHOW'S MOST INCREDIBLE 850 00:37:40,100 --> 00:37:45,133 COSTUMES: THE FLYING MONKEY. 851 00:37:42,200 --> 00:37:46,266 DUE TO THEIR SPECIFIC MOVEMENT 852 00:37:45,133 --> 00:37:47,466 REQUIREMENTS, ALTERING THE 853 00:37:46,266 --> 00:37:49,333 SILHOUETTE OF A CIRCUS 854 00:37:47,466 --> 00:37:51,966 PERFORMER IS A CHALLENGE, BUT 855 00:37:49,333 --> 00:37:53,433 SHE PULLED IT OFF BEAUTIFULLY. 856 00:37:51,966 --> 00:37:54,733 AND JUST LAST SUMMER, THE 857 00:37:53,433 --> 00:37:56,866 ANCIENT "ARABIAN NIGHTS" TALES 858 00:37:54,733 --> 00:37:59,200 CAME TO LIFE UNDER THE BIG TOP 859 00:37:56,866 --> 00:38:00,433 WHEN ALIA BABA AND HER THIEVES 860 00:37:59,200 --> 00:38:02,133 JOINED FORCES WITH ALADDIN AND 861 00:38:00,433 --> 00:38:04,533 THE GENIE TO CAPTURE HIS LAMP 862 00:38:02,133 --> 00:38:06,033 AND AWARD HIM HIS FREEDOM. 863 00:38:04,533 --> 00:38:06,933 ON DISPLAY ARE EXAMPLES OF A 864 00:38:06,033 --> 00:38:08,033 SULTAN, A MEMBER OF THE 865 00:38:06,933 --> 00:38:09,166 ROYALTY, AND THE IQBAL, A 866 00:38:08,033 --> 00:38:15,966 MEMBER OF THE RABBLE-ROUSING 867 00:38:09,166 --> 00:38:17,066 STREET RATS. 868 00:38:15,966 --> 00:38:18,400 THANK YOU, PERFORMERS, FOR 869 00:38:17,066 --> 00:38:24,500 PULLING DOUBLE DUTY AS MODELS 870 00:38:18,400 --> 00:38:26,033 FOR OUR FASHION SHOW! 871 00:38:24,500 --> 00:38:27,366 I THINK THE ACROBATS AND 872 00:38:26,033 --> 00:38:29,200 AERIALISTS IN FRONT OF YOU 873 00:38:27,366 --> 00:38:30,666 WILL AGREE THAT THE COSTUMES 874 00:38:29,200 --> 00:38:34,800 ARE PART OF WHAT MAKES CIRCUS 875 00:38:30,666 --> 00:38:36,000 THE ART OF HAPPINESS. 876 00:38:34,800 --> 00:38:37,566 CREATING COSTUMES FOR A SHOW 877 00:38:36,000 --> 00:38:39,733 IS A COLLABORATIVE PROCESS. 878 00:38:37,566 --> 00:38:41,266 SO IS MAKING A TV SHOW! 879 00:38:39,733 --> 00:38:42,333 CIRCUS JUVENTAS DECIDED TO 880 00:38:41,266 --> 00:38:44,233 WORK WITH LAST WEEK'S "TV 881 00:38:42,333 --> 00:38:45,900 TAKEOVER" PARTNER, INDEPENDENT 882 00:38:44,233 --> 00:38:47,533 FILMMAKER PROJECT MINNESOTA, 883 00:38:45,900 --> 00:38:48,400 TO CREATE A VIDEO ILLUSTRATING 884 00:38:47,533 --> 00:38:51,333 THE IMPORTANCE OF THEATER IN 885 00:38:48,400 --> 00:38:52,033 CONTEMPORARY CIRCUS 886 00:38:51,333 --> 00:38:53,233 ENJOY THIS PIECE EDITED BY A 887 00:38:52,033 --> 00:38:54,866 FORMER CIRCUS JUVENTAS 888 00:38:53,233 --> 00:38:59,933 PERFORMER AND A PART OF IFP 889 00:38:54,866 --> 00:38:59,933 MINNESOTA'S STUDENT PROGRAM. 890 00:39:01,833 --> 00:39:11,866 ♪♪ 891 00:39:51,700 --> 00:39:59,333 ♪♪ 892 00:39:52,733 --> 00:40:00,633 >> ♪ LAY IT ALL DOWN IN A CALM 893 00:39:59,333 --> 00:40:04,633 SAFE SPACE ♪ 894 00:40:00,633 --> 00:40:07,866 ♪ AND IF THE DREAM DOESN'T 895 00:40:04,633 --> 00:40:17,433 COME, JUST WAIT ♪ 896 00:40:07,866 --> 00:40:17,933 ♪ LAY IT ALL DOWN IN A CALM, 897 00:40:17,433 --> 00:40:24,700 SAFE SPACE ♪ 898 00:40:17,933 --> 00:40:30,466 ♪ AND IF THE DREAM DOESN'T 899 00:40:24,700 --> 00:40:38,400 COME, YOU JUST WAIT ♪ 900 00:40:30,466 --> 00:40:38,400 ♪ YOU JUST WAIT ♪ 901 00:40:38,966 --> 00:40:49,000 ♪♪ 902 00:40:51,366 --> 00:40:55,533 >> WE WERE MADE TO WALK 903 00:40:53,466 --> 00:40:57,000 THROUGH FIRE IN OUR DANCE 904 00:40:55,533 --> 00:40:58,833 SHOES ♪ 905 00:40:57,000 --> 00:41:00,366 ♪ WE WERE MADE TO SAIL UPON 906 00:40:58,833 --> 00:41:01,666 THE MEETERS ♪ 907 00:41:00,366 --> 00:41:04,466 ♪ WE WERE MADE TO LOVE THE 908 00:41:01,666 --> 00:41:16,066 HECK OUT OF OUR BONES ♪ 909 00:41:04,466 --> 00:41:19,133 ♪ GOD GAVE US WORDS, THEY WERE 910 00:41:16,066 --> 00:41:19,566 I LOVE YOU, PLEASE, AND THANK 911 00:41:19,133 --> 00:41:21,766 YOU ♪ 912 00:41:19,566 --> 00:41:33,833 ♪ GOD GAVE US THIRST AND IT'S 913 00:41:21,766 --> 00:41:33,833 A HUNGER FOR THE UNIVERSE ♪ 914 00:41:34,600 --> 00:41:44,333 ♪♪ 915 00:41:39,000 --> 00:41:47,100 ♪ OH, NO, NO, NO ♪ 916 00:41:44,333 --> 00:41:49,933 ♪ I'LL NEVER LET YOU GO ♪ 917 00:41:47,100 --> 00:41:50,733 ♪ SOMETIMES THIS LIFE'S A 918 00:41:49,933 --> 00:41:54,300 LONELY ROAD ♪ 919 00:41:50,733 --> 00:41:55,633 ♪ BUT YOU GOT TO FIND IT IT 920 00:41:54,300 --> 00:42:01,266 YOUR OWN ♪ 921 00:41:55,633 --> 00:42:03,266 ♪ SO BUILD A HAPPY SHIP, 922 00:42:01,266 --> 00:42:03,633 BECAUSE THIS LIVING IS A 923 00:42:03,266 --> 00:42:05,166 TRIP ♪ 924 00:42:03,633 --> 00:42:06,800 ♪ YOU GOT TO SING THE KIND OF 925 00:42:05,166 --> 00:42:09,600 SONG THAT YOU LIKE SINGING ♪ 926 00:42:06,800 --> 00:42:20,433 ♪ TO THE GREAT UNKNOWN ♪ 927 00:42:09,600 --> 00:42:20,433 ♪ TO THE GREAT UNKNOWN ♪ 928 00:42:21,200 --> 00:42:31,233 ♪♪ 929 00:42:32,066 --> 00:42:37,266 >> EVERY MORNING, I WAKE UP AT 930 00:42:34,966 --> 00:42:39,166 2:00 AND -- AT 7:00 AND I GET 931 00:42:37,266 --> 00:42:41,733 OUT OF BED, AND THEN ME AND MY 932 00:42:39,166 --> 00:42:43,933 FAMILY LOOK AT THE NEWS. 933 00:42:41,733 --> 00:42:47,300 EVERY DAY. 934 00:42:43,933 --> 00:42:49,033 [ Inaudible ] 935 00:42:47,300 --> 00:42:50,833 RIGHT AFTER ALL MY PRACTICE, I 936 00:42:49,033 --> 00:42:54,766 HAVE SCHOOL WORK TO DO. 937 00:42:50,833 --> 00:42:58,533 MY FAVE THING ABOUT CIRCUS -- 938 00:42:54,766 --> 00:43:00,866 [ Inaudible ] 939 00:42:58,533 --> 00:43:02,266 ALONG WITH CIRCUS, I HAVE SOME 940 00:43:00,866 --> 00:43:05,166 OTHER ACTIVITIES, THOSE 941 00:43:02,266 --> 00:43:08,433 ACTIVITIES ARE PLAYING PIANO 942 00:43:05,166 --> 00:43:14,800 AND PLAYING -- AND I ALSO SING 943 00:43:08,433 --> 00:43:15,600 IN A CHOIR AND I DO BALLROOM 944 00:43:14,800 --> 00:43:21,366 DANCING. 945 00:43:15,600 --> 00:43:23,200 [ Inaudible ] 946 00:43:21,366 --> 00:43:27,833 I LOVE PLAYING THE TRICKS ON 947 00:43:23,200 --> 00:43:27,833 THE EQUIPMENT AT CIRCUS. 948 00:43:28,833 --> 00:43:32,533 ♪♪ 949 00:43:31,266 --> 00:43:33,866 >> IT'S A BIG EVENT? 950 00:43:32,533 --> 00:43:36,533 >> UH-HUH. 951 00:43:33,866 --> 00:43:36,533 [ Laughter ] 952 00:43:37,366 --> 00:43:38,833 ♪♪ 953 00:43:40,866 --> 00:43:47,000 >> I LOVE CIRCUS BECAUSE IT 954 00:43:43,833 --> 00:43:52,666 MAKES ME REALLY HAPPY. 955 00:43:47,000 --> 00:43:52,666 [ Cheers and applause ] 956 00:43:58,033 --> 00:43:59,966 >> HOW DO YOU EVEN INTRODUCE 957 00:43:58,800 --> 00:44:01,533 OUR NEXT VIDEO? 958 00:43:59,966 --> 00:44:02,366 IT'S A CHALLENGE BECAUSE 959 00:44:01,533 --> 00:44:04,000 CHIMGEE HALTARHUU HAS DONE IT 960 00:44:02,366 --> 00:44:06,066 ALL. 961 00:44:04,000 --> 00:44:07,733 SHE'S CIRCUS JUVENTAS' HEAD 962 00:44:06,066 --> 00:44:09,633 COACH, A TABLE TENNIS MASTER, 963 00:44:07,733 --> 00:44:11,600 LONG DISTANCE RUNNER. 964 00:44:09,633 --> 00:44:13,566 SHE SPEAKS THREE LANGUAGES, IS 965 00:44:11,600 --> 00:44:14,233 A HUMAN RIGHTS ACTIVIST, AND 966 00:44:13,566 --> 00:44:16,033 PERFORMS WITH HER OWN FAMILY 967 00:44:14,233 --> 00:44:18,633 CIRCUS TROUPE. 968 00:44:16,033 --> 00:44:22,766 EVERYONE, MEET CHIMGEE. 969 00:44:18,633 --> 00:44:23,866 [ Cheers and applause ] 970 00:44:22,766 --> 00:44:24,366 >> PULL! 971 00:44:23,866 --> 00:44:27,166 NICE. 972 00:44:24,366 --> 00:44:31,366 AND BALANCE. 973 00:44:27,166 --> 00:44:34,566 AND UP. 974 00:44:31,366 --> 00:44:37,700 I STARTED WITH GYMNASTICS 975 00:44:34,566 --> 00:44:39,866 FIRST WHEN I WAS EIGHT. 976 00:44:37,700 --> 00:44:42,066 I JUST WENT TWO YEARS. 977 00:44:39,866 --> 00:44:43,500 MY MOM SAID YOU HAVE TO STAY 978 00:44:42,066 --> 00:44:44,833 HOME, WATCH YOUR SISTERS 979 00:44:43,500 --> 00:44:47,766 BECAUSE, YOU KNOW, MY PARENTS 980 00:44:44,833 --> 00:44:49,933 HAVE TO GO WORK, AND WOMEN IN 981 00:44:47,766 --> 00:44:52,066 MONGOLIA, WE DON'T HAVE SUCH 982 00:44:49,933 --> 00:44:55,266 THINGS LIKE BABY SITTERS SO I 983 00:44:52,066 --> 00:44:56,500 QUIT AND I CONTINUED TO DO THE 984 00:44:55,266 --> 00:44:57,733 GYMNASTICS AT MY HOME. 985 00:44:56,500 --> 00:44:59,666 AND A HAND STAND. 986 00:44:57,733 --> 00:45:01,100 ONE, TWO, 987 00:44:59,666 --> 00:45:03,133 AND THEN MY DAD SAW A 988 00:45:01,100 --> 00:45:04,766 NEWSPAPER ADD, YOU KNOW, IT 989 00:45:03,133 --> 00:45:06,266 SAYS THEY HAVE AUDITIONS TO 990 00:45:04,766 --> 00:45:07,566 GET INTO CIRCUS SCHOOL. 991 00:45:06,266 --> 00:45:08,500 IT'S A SCHOOL THAT'S HARD TO 992 00:45:07,566 --> 00:45:13,866 GET INTO. 993 00:45:08,500 --> 00:45:15,700 OKAY, HANDS BEHIND AND ARCH. 994 00:45:13,866 --> 00:45:18,100 WE DROVE SEVEN HOURS AND IT 995 00:45:15,700 --> 00:45:21,400 WAS THREE DAYS AUDITION, AND 996 00:45:18,100 --> 00:45:22,500 FOURTH DAY, SECOND, THIRD, AND 997 00:45:21,400 --> 00:45:23,200 FINALLY NEXT SAID YES, YOU 998 00:45:22,500 --> 00:45:23,733 MADE IT. 999 00:45:23,200 --> 00:45:25,966 YEAH! 1000 00:45:23,733 --> 00:45:31,700 SO THAT'S WHEN I STARTED THE 1001 00:45:25,966 --> 00:45:34,866 CIRCUS. 1002 00:45:31,700 --> 00:45:36,100 MY NAME IS CHIMGEE HALTARHUU 1003 00:45:34,866 --> 00:45:39,000 AND I'M A CIRCUS JUVENTAS 1004 00:45:36,100 --> 00:45:43,866 COACH. 1005 00:45:39,000 --> 00:45:46,566 I GRADUATED CIRCUS COLLEGE, A 1006 00:45:43,866 --> 00:45:46,933 FOUR-YEAR CIRCUS COLLEGE IN 1007 00:45:46,566 --> 00:45:48,900 MONGOLIA. 1008 00:45:46,933 --> 00:45:50,233 WE STARTED 8:00 IN THE MORNING 1009 00:45:48,900 --> 00:45:50,900 AND THEN FINISH 6:00 P.M. ALL 1010 00:45:50,233 --> 00:45:53,200 DAY. 1011 00:45:50,900 --> 00:45:54,966 AND THEN AFTER THAT A 1012 00:45:53,200 --> 00:45:56,566 MONGOLIAN STATE CIRCUS, 1013 00:45:54,966 --> 00:45:58,700 THROUGHOUT EUROPE AND ASIA AND 1014 00:45:56,566 --> 00:46:04,333 ENDED UP IN THE UNITED STATES. 1015 00:45:58,700 --> 00:46:06,333 I CAME TO WORK FOR RING LING 1016 00:46:04,333 --> 00:46:08,000 BROTHERS FAMILY CIRCUS. 1017 00:46:06,333 --> 00:46:09,200 I'M UP IN THE AIR HERE. 1018 00:46:08,000 --> 00:46:10,433 >> IS THAT YOU? 1019 00:46:09,200 --> 00:46:14,200 >> YEP. 1020 00:46:10,433 --> 00:46:16,800 AND THEN AFTER THAT I WORK FOR 1021 00:46:14,200 --> 00:46:19,400 YANKEE DOODLE CIRCUS AND THEN 1022 00:46:16,800 --> 00:46:20,700 ENDED UP HERE CIRCUS JUVENTAS. 1023 00:46:19,400 --> 00:46:21,300 WITHOUT CIRCUS, I'M NOT GOING 1024 00:46:20,700 --> 00:46:28,800 TO SURVIVE. 1025 00:46:21,300 --> 00:46:33,200 CIRCUS IS MY LIFE. 1026 00:46:28,800 --> 00:46:36,166 THIS IS MY FIRST YEAR, 2010. 1027 00:46:33,200 --> 00:46:38,666 EVERY YEAR, I BRING MY 1028 00:46:36,166 --> 00:46:40,966 STUDENTS TO MONGOLIA TO TRAVEL 1029 00:46:38,666 --> 00:46:42,900 FROM VILLAGE TO VILLAGE AND DO 1030 00:46:40,966 --> 00:46:48,000 FREE SHOWS, AND THEN WE TALK 1031 00:46:42,900 --> 00:46:50,400 ABOUT HOW TO PREVENT INJURIES. 1032 00:46:48,000 --> 00:46:52,566 I GREW UP SEEING THIS PROBLEM 1033 00:46:50,400 --> 00:46:55,166 AND I TASTE IT AND I KNOW THIS 1034 00:46:52,566 --> 00:46:57,300 PROBLEM, HOW HARD, SO WE GAVE 1035 00:46:55,166 --> 00:47:00,333 A YOUNG GENERATION MESSAGE 1036 00:46:57,300 --> 00:47:02,100 THAT ABUSE IS NOT RIGHT. 1037 00:47:00,333 --> 00:47:03,933 BUT, YOU KNOW, THINGS SLOWLY 1038 00:47:02,100 --> 00:47:06,433 SURELY IS CHANGING. 1039 00:47:03,933 --> 00:47:08,033 EVERY YEAR I'M GETTING 1040 00:47:06,433 --> 00:47:09,366 EXPERIENCE HELPING CHILDREN IN 1041 00:47:08,033 --> 00:47:14,400 MONGOLIA, SO I'M REALLY HAPPY 1042 00:47:09,366 --> 00:47:16,800 WITH THAT. 1043 00:47:14,400 --> 00:47:18,366 I LOVE TO PLAY TABLE TENNIS. 1044 00:47:16,800 --> 00:47:22,633 OH, MY GOSH, THAT'S MY THING, 1045 00:47:18,366 --> 00:47:25,700 YOU KNOW? 1046 00:47:22,633 --> 00:47:27,233 A LITTLE HARDER WHEN YOU GET 1047 00:47:25,700 --> 00:47:28,800 OLDER, BUT, YOU KNOW, I NEVER 1048 00:47:27,233 --> 00:47:30,933 GIVE UP. 1049 00:47:28,800 --> 00:47:32,266 I GET GOLD LAST YEAR, AT 1050 00:47:30,933 --> 00:47:34,100 MINNESOTA SENIOR GAMES. 1051 00:47:32,266 --> 00:47:36,800 I ALREADY TOLD MY HUSBAND, I'M 1052 00:47:34,100 --> 00:47:37,833 GOING TO DO HANDSTAND ON MY 1053 00:47:36,800 --> 00:47:39,866 70TH BIRTHDAY. 1054 00:47:37,833 --> 00:47:42,700 >> HOW OLD ARE YOU NOW? 1055 00:47:39,866 --> 00:47:43,400 >> OOH, SHOULD I TELL HER OR 1056 00:47:42,700 --> 00:47:47,566 NOT? 1057 00:47:43,400 --> 00:47:49,033 82. 1058 00:47:47,566 --> 00:47:52,266 62. 1059 00:47:49,033 --> 00:47:56,500 >> WHAT ARE YOU MOST PROUD OF? 1060 00:47:52,266 --> 00:47:58,200 >> OH, I REALLY PROUD OF -- 1061 00:47:56,500 --> 00:47:59,000 THAT I CAME TO UNITED STATES 1062 00:47:58,200 --> 00:48:00,933 WITHOUT ANY LANGUAGE. 1063 00:47:59,000 --> 00:48:01,900 I DON'T KNOW HOW TO SAY HI, 1064 00:48:00,933 --> 00:48:03,633 BYE, NOTHING. 1065 00:48:01,900 --> 00:48:05,566 VERY CHALLENGING. 1066 00:48:03,633 --> 00:48:08,133 AND I HAVE A GOOD JOB HERE AND 1067 00:48:05,566 --> 00:48:11,300 GREAT FRIENDS SURROUNDS ME. 1068 00:48:08,133 --> 00:48:13,333 WHAT ELSE I NEED, YOU KNOW? 1069 00:48:11,300 --> 00:48:14,900 YOU KNOW, LIKE CIRCUS, MAKES 1070 00:48:13,333 --> 00:48:16,500 ME HAPPY, SO WITHOUT IT, I 1071 00:48:14,900 --> 00:48:19,433 DON'T KNOW, I COULDN'T IMAGINE 1072 00:48:16,500 --> 00:48:21,300 WITHOUT CIRCUS, I DON'T KNOW. 1073 00:48:19,433 --> 00:48:23,733 JUST THE CIRCUS IS AMAZING. 1074 00:48:21,300 --> 00:48:25,133 SO I'M SO PROUD THAT I'M 1075 00:48:23,733 --> 00:48:27,833 LIVING, SURVIVING IN THIS 1076 00:48:25,133 --> 00:48:28,833 COUNTRY, AND I'M REALLY HAPPY 1077 00:48:27,833 --> 00:48:33,666 AND I'M HAPPY WOMAN IN THE 1078 00:48:28,833 --> 00:48:36,033 WORLD. 1079 00:48:33,666 --> 00:48:36,033 [ Laughter ] 1080 00:48:37,133 --> 00:48:41,200 >> ANIMAL ACTS USED TO BE A 1081 00:48:39,933 --> 00:48:42,466 KEY COMPONENT OF THE 1082 00:48:41,200 --> 00:48:43,200 TRADITIONAL THREE-RING 1083 00:48:42,466 --> 00:48:44,500 CIRCUSES. 1084 00:48:43,200 --> 00:48:45,900 HORSE RIDERS. 1085 00:48:44,500 --> 00:48:48,200 LION TAMERS. 1086 00:48:45,900 --> 00:48:49,966 ELEPHANT PARADES, EVEN BEARS 1087 00:48:48,200 --> 00:48:51,600 ON BICYCLES WERE ALWAYS A PART 1088 00:48:49,966 --> 00:48:52,300 OF EVERY SUCCESSFUL CIRCUS 1089 00:48:51,600 --> 00:48:54,500 TOUR. 1090 00:48:52,300 --> 00:48:55,966 PEOPLE WERE THRILLED BY THE 1091 00:48:54,500 --> 00:48:58,933 NOTION OF GETTING TO BE UP 1092 00:48:55,966 --> 00:49:02,400 CLOSE TO THESE EXOTIC ANIMALS. 1093 00:48:58,933 --> 00:49:03,266 >> CONTEMPORARY CIRCUS DOESN'T 1094 00:49:02,400 --> 00:49:06,533 UTILIZE ANIMAL ACTS. 1095 00:49:03,266 --> 00:49:06,933 THE COST OF TPTING THEM BECAME 1096 00:49:06,533 --> 00:49:08,733 PROHIBITIVE. 1097 00:49:06,933 --> 00:49:10,300 SO WHILE AT PERNS IN SOIRVEGS 1098 00:49:08,733 --> 00:49:12,066 ON OTHER CONTINENTS REMAINS 1099 00:49:10,300 --> 00:49:14,333 QUITE POPULAR, THE USE OF THE 1100 00:49:12,066 --> 00:49:17,900 ANIMAL ACTS IS ON THE DECLINE 1101 00:49:14,333 --> 00:49:17,900 HERE IN THE UNITED STATES. 1102 00:49:18,833 --> 00:49:26,966 [ Cheers and applause ] 1103 00:49:26,200 --> 00:49:28,033 >> OUR LAST ACT OF THE NIGHT 1104 00:49:26,966 --> 00:49:28,933 IS LIKE A MINI CIRCUS JUVENTAS 1105 00:49:28,033 --> 00:49:29,766 SHOW. 1106 00:49:28,933 --> 00:49:30,566 IT FOCUSES ON THE THEME OF THE 1107 00:49:29,766 --> 00:49:32,066 OVERABUNDANCE OF TECHNOLOGY IN 1108 00:49:30,566 --> 00:49:35,066 OUR LIVES AND FEATURES 1109 00:49:32,066 --> 00:49:36,133 THEATER, HOOPS, AND DANCE. 1110 00:49:35,066 --> 00:49:38,133 BEFORE WE GO, A BIG THANK YOU 1111 00:49:36,133 --> 00:49:41,533 TO CIRCUS JUVENTAS FOR TAKING 1112 00:49:38,133 --> 00:49:42,333 OVER TWIN CITIES PBS TONIGHT 1113 00:49:41,533 --> 00:49:44,666 -- YEAH! 1114 00:49:42,333 --> 00:49:45,566 [ Cheers and applause ] 1115 00:49:44,666 --> 00:49:47,500 AND CLOUD CULT FOR LETTING US 1116 00:49:45,566 --> 00:49:51,666 USE THEIR INCREDIBLE MUSIC. 1117 00:49:47,500 --> 00:49:51,666 NOW LET'S SEE THE FINAL ACT! 1118 00:49:52,800 --> 00:50:02,833 ♪♪ 1119 00:51:13,266 --> 00:51:23,300 ♪♪ 1120 00:51:45,600 --> 00:51:52,266 ♪♪ 1121 00:51:51,233 --> 00:51:53,800 >> ♪ A MILLION YEARS IT'S BEEN 1122 00:51:52,266 --> 00:51:56,500 SINCE THE SEARCH BEGAN ♪ 1123 00:51:53,800 --> 00:51:59,366 ♪ STILL CAN'T FIND IT ♪ 1124 00:51:56,500 --> 00:52:01,933 ♪ STILL CAN'T FIND IT ♪ 1125 00:51:59,366 --> 00:52:04,333 ♪ THE FUEL IS NEARLY SPENT ♪ 1126 00:52:01,933 --> 00:52:06,966 ♪ CHECK THE MAPS AGAIN ♪ 1127 00:52:04,333 --> 00:52:12,000 ♪ CAN'T LET GO OF IT ♪ 1128 00:52:06,966 --> 00:52:13,566 ♪ CAN'T LET GO OF IT ♪ 1129 00:52:12,000 --> 00:52:15,333 ♪ AND NOW THE CREW IS COLD 1130 00:52:13,566 --> 00:52:17,733 AND DRUNK ON CHEMICALS ♪ 1131 00:52:15,333 --> 00:52:19,733 ♪ CAN'T BELIEVE IN IT ♪ 1132 00:52:17,733 --> 00:52:20,833 ♪ CAN'T BELIEVE IN IT ♪ 1133 00:52:19,733 --> 00:52:26,600 ♪ AND I HEARD THE CAPTAIN 1134 00:52:20,833 --> 00:52:27,366 SAY ♪ 1135 00:52:26,600 --> 00:52:28,400 ♪ AND I HEARD THE CAPTAIN 1136 00:52:27,366 --> 00:52:29,566 SAY ♪ 1137 00:52:28,400 --> 00:52:33,266 ♪ WE'RE SO CLOSE TO IT ♪ 1138 00:52:29,566 --> 00:52:43,900 ♪ SO VERY CLOSE TO IT ♪ 1139 00:52:33,266 --> 00:52:43,900 ♪ WE STILL HAVE ENERGY IN US ♪ 1140 00:52:47,066 --> 00:52:51,933 ♪ WE FEEL OUR HEARTS BREAK 1141 00:52:49,600 --> 00:52:54,700 AS THE ENGINES FADE ♪ 1142 00:52:51,933 --> 00:52:57,733 ♪ STILL NEED TO FIND IT ♪ 1143 00:52:54,700 --> 00:53:00,533 ♪ STILL NEED TO FIND IT ♪ 1144 00:52:57,733 --> 00:53:03,100 ♪ SO WE TOOK THE WRITTEN WORDS 1145 00:53:00,533 --> 00:53:05,633 OF OUR PHILOSOPHERS ♪ 1146 00:53:03,100 --> 00:53:08,133 ♪ AND BUILT A FIRE FROM IT ♪ 1147 00:53:05,633 --> 00:53:09,433 ♪ LET'S GET THOSE ENGINES 1148 00:53:08,133 --> 00:53:11,400 LIT ♪ 1149 00:53:09,433 --> 00:53:14,133 ♪ WE TOOK THE CHURCH'S VEIL 1150 00:53:11,400 --> 00:53:16,733 AND BUILT A MIGHTY SAIL ♪ 1151 00:53:14,133 --> 00:53:18,466 ♪ TO CARRY FORTH THIS SHIP ♪ 1152 00:53:16,733 --> 00:53:19,800 ♪ BUT WE'RE STILL LOSING IT ♪ 1153 00:53:18,466 --> 00:53:21,600 ♪ AND I HEARD THE CAPTAIN 1154 00:53:19,800 --> 00:53:24,400 SAY ♪ 1155 00:53:21,600 --> 00:53:27,000 ♪ I HEARD THE CAPTAIN SAY ♪ 1156 00:53:24,400 --> 00:53:33,033 ♪ WE'RE SO CLOSE TO IT ♪ 1157 00:53:27,000 --> 00:53:43,666 ♪ SO VERY CLOSE TO IT ♪ 1158 00:53:33,033 --> 00:53:43,666 ♪ WE STILL HAVE ENERGY IN US ♪ 1159 00:54:10,300 --> 00:54:20,333 ♪♪ 1160 00:54:37,233 --> 00:54:39,233 ♪ THE MISSION'S OVER NOW ♪ 1161 00:54:38,200 --> 00:54:40,400 ♪ AND MY BREATH IS 1162 00:54:39,233 --> 00:54:41,833 RUNNING OUT ♪ 1163 00:54:40,400 --> 00:54:45,300 ♪ CAN'T LET GO OF IT ♪ 1164 00:54:41,833 --> 00:54:47,933 ♪ CAN'T LET GO OF IT ♪ 1165 00:54:45,300 --> 00:54:50,166 ♪ I DIDN'T MEAN WHAT I SAID ♪ 1166 00:54:47,933 --> 00:54:52,566 ♪ I DIDN'T MEAN WHAT I SAID ♪ 1167 00:54:50,166 --> 00:54:54,666 ♪ I LOVE YOU MORE THAN THIS ♪ 1168 00:54:52,566 --> 00:54:55,833 ♪ I LOVE YOU MORE THAN THIS ♪ 1169 00:54:54,666 --> 00:54:57,566 ♪ THEN LIGHTS, THEY FILL 1170 00:54:55,833 --> 00:54:59,766 THE AIR ♪ 1171 00:54:57,566 --> 00:55:02,633 ♪ OR WERE THEY ALWAYS THERE? ♪ 1172 00:54:59,766 --> 00:55:05,166 ♪ I FINALLY SEE IT ♪ 1173 00:55:02,633 --> 00:55:06,166 ♪ I FINALLY SEE IT ♪ 1174 00:55:05,166 --> 00:55:08,766 ♪ AND I HEARD THE CAPTAIN 1175 00:55:06,166 --> 00:55:10,766 SAY ♪ 1176 00:55:08,766 --> 00:55:13,400 ♪ I HEARD THE CAPTAIN SAY ♪ 1177 00:55:10,766 --> 00:55:17,233 ♪ YOU'RE ALWAYS CLOSE TO IT ♪ 1178 00:55:13,400 --> 00:55:19,433 ♪ SO VERY CLOSE TO IT ♪ 1179 00:55:17,233 --> 00:55:27,800 ♪ THERE'S SO MUCH ENERGY 1180 00:55:19,433 --> 00:55:30,333 IN US ♪ 1181 00:55:27,800 --> 00:55:38,300 ♪ THERE'S SO MUCH ENERGY 1182 00:55:30,333 --> 00:55:40,600 IN US ♪ 1183 00:55:38,300 --> 00:55:46,133 ♪ THERE'S SO MUCH ENERGY 1184 00:55:40,600 --> 00:55:46,133 IN US ♪ 1185 00:55:53,500 --> 00:55:55,533 Captioned by: Paradigm Reporting & Captioning www.paradigmreporting.com 1186 00:55:59,233 --> 00:56:09,333 ♪♪ 1187 00:56:14,133 --> 00:56:21,166 >> "TV TAKEOVER" IS SUPPORTED 1188 00:56:17,466 --> 00:56:22,700 IN PART BY THE ARTS AND 1189 00:56:21,166 --> 00:56:24,633 CULTURAL HERITAGE FUND AND THE 1190 00:56:22,700 --> 00:56:27,000 CITIZENS OF MINNESOTA AND BY A 1191 00:56:24,633 --> 00:56:27,800 GRANT THROUGH THE NATIONAL 1192 00:56:27,000 --> 00:56:29,500 ENDOWMENT OF THE ARTS. 1193 00:56:27,800 --> 00:56:33,100 ADDITIONAL FUNDING IS PROVIDED 1194 00:56:29,500 --> 00:56:33,100 BY THE LOWERTOWN FUTURE FUND.