[gentle orchestral fanfare]

[resonant strings
lead building orchestration]

(male narrator)
Welcome to "Our State,"

a production of UNC-TV

in association
with "Our State" magazine--

for over 70 years,

bringing the wonders
of North Carolina

to readers across the state.

On this edition,

an Outer Banks treasure

is restored
to its former glory

at the Whalehead Club,

a mountain of stone

is being whittled down

in Mt. Airy,

and a geologic curiosity

at the heart

of a popular state park.

[gentle piano melody]

(male announcer)
From Manteo to Murphy

and all the small towns
and big cities in-between,

BB&T believes opportunity lives
everywhere in North Carolina.

It's a belief we've held
for more than 130 years

and guides us
as we support our communities

from the mountains
to the coast.

We love calling
North Carolina home,

and we're proud to provide
major funding for "Our State."

Quality public television
is made possible

through the financial
contributions

of viewers like you,

who invite you to join them
in supporting UNC-TV.

[gentle piano introduction]

[strings rise]

(male narrator)
For eons untold,

man has searched the sky...

for something to hunt...

taking to the waters

around Carolina
coastal marshlands

in search
of two things, really...

the birds themselves,
of course,

plus the company of others
who enjoy both the sport

and the satisfaction
of bagging that perfect duck

on that perfect day.

[meandering clarinet leads]

[piano plays ragtime theme]

In the early part
of the 20th century,

it was common practice

for wealthy
Northeastern businessmen,

accompanied occasionally
by their ladies,

to put aside their work

and travel
to an exotic locale,

like our state's Outer Banks,
where they could relax

and commiserate
with one another

while embracing the bounty
of their success.

The destination they found
was well worth the journey--

the distant splendor

of the waterfowl
hunting grounds

around Currituck Sound.

The Outer Banks was
so wealthy with birds

that they were shot
and transported back north

by the boatload.

Occasionally, one of these
Northeastern businessmen

became so smitten

with the rich,
natural beauty of the Banks

that he decided to stay on.

One such man was
Edward Collings Knight Jr.,

lately of Newport,
Rhode Island,

by way of Philadelphia.

Knight was a widower

and had recently taken up
with a younger spitfire

of a French Canadian
widow woman,

Marie Louise LeBel Bonat,

who proved to be
his perfect match.

And together,
they proved a perfect match

for a spit of land
within sight

of the famed
Currituck Light.

In 1922, the Knights
began construction

on a 21,000-square-foot,
electrified, 15-bedroom,

art-nouveau-inspired
residence

they simply called
"Corolla Island"

after the nearby village
that had arisen

to serve the hunt trade.

(woman)
They named it Corolla Island
for a couple of reasons.

One, they didn't want
people to think they were

building a hunt club;
this was not a club.

And the other reason
was they...

literally created an island
around the building.

They brought the spoil up

and built the land
up a little bit

so that the house wouldn't
be right at sea level.

They dredged the sound

and, uh, put in
a couple of canals;

they put in a boat basin

so they could build
the boat house.

And believe it or not,
they put in

a 6,000-square-foot basement,

which was very unusual--
and still is today--

to have a basement
on the Outer Banks.

(narrator)
While digging around
in the sand,

workers discovered
two near-fossilized halves

of a huge whale head,

evidence of the many
such creatures

taken from the region during
the 19th century--

thus the name
"Whalehead Club."

In some ways,
the Knights' substantial home

and hunting retreat
was indeed an extravaganza--

said to have cost
$385,000 back then.

[harp leads
flowing score]

It was steel-framed
and constructed

on pilings pounded
deep in the earth,

and the walls were
18 inches thick.

Certainly no hurricane
or nor'easter

was about
to huff and puff

and blow this house down.

There are 18 dormers,
each with a striking view

of the Atlantic
or the sound,

and five chimneys.

(Baden)
The Knights also had

the first elevator
on the Outer Banks.

It was used
as a dumbwaiter.

(narrator)
Guests of the Knights

could place their baggage
on the elevator

and have it whisked up
to their floor,

where a servant would
deliver it to their bedrooms.

(Baden)
There were four
guest bedrooms,

known for their colors:

the lilac, green,

blue, and pink rooms--

all separate rooms,
all with their own bathrooms,

which was very unusual

for this part
of Currituck County.

The Knights had, uh,
separate rooms, which, uh,

was not all that uncommon
among the elite of that time.

They had them
because they could.

Mrs. Knight believed

in the medicinal powers
of salt water,

and so her bathroom did have

hot and cold
salt and fresh water.

(narrator)
All of the third floor

and half of the second
was servants' quarters.

It's easy to picture them
climbing this narrow stairs

to their room
after a hard workday,

meeting the needs
of their sportsmen guests

and taking care
of the house and property.

[seagulls squawking]

(Baden)
The boathouse, uh,
served, of course,

a very important role.

Some of the local people
that the Knights hired

were hired as marsh guards
or as guides.

And so the guides would
go to the boathouse

early in the morning...

perhaps, uh, take the boat
out and scope out

where the birds are--
are congregating,

deposit the decoys,

and then come back...
and be prepared

to take the Knights
and their guests

to the many
different blinds

on the Corolla Island
property in the sound.

(narrator)
Knight had an eye

and a passion for
residential architecture.

He chose an elegant
Edwardian style

for their new
North Carolina residence,

with hints
of the French-Canadian homes

that Marie Louise
had admired as a child.

The combination proved
to be simple and graceful.

The home's long,
straight lines were softened

by lovely art nouveau curves
here and there

and enlivened
by splashes of color.

(Baden)
During the restoration

we were told
that the exterior

originally
was painted yellow.

We were all shocked by that.

We forget that art nouveau
loved color.

(narrator)
Marie Louise
loved art nouveau

and couldn't imagine
creating a home

in any other style.

(Baden)
Her home in Middletown,
Rhode Island,

was filled with
art nouveau architecture

that she had purchased,

and so they brought the
art nouveau elements down here

and literally built the house
around the art nouveau.

(narrator)
The dining room shows the care

that went into designing
and decorating the home.

(Baden)
In the early 1900s,

we know Mrs. Knight attended

an art nouveau expo in Paris,

and Tiffany,
Louis Comfort Tiffany,

was there.

So we think perhaps

she literally
purchased the room--

the walls,
the lighting, uh--

everything but the furniture
that exists here now.

(narrator)
Dancing organic forms
sweep across a doorway

set off by Tiffany
sconces on the wall.

It's almost as if
the decor itself

seems to take flight.

A view of the sound
through the dining room's

slender,
Tiffany-inspired windows

almost makes you believe
that you're sailing on a ship.

The striking art nouveau
Steinway & Sons grand piano

in the library is
definitely a one-of-a-kind.

(Baden)
The piano was purchased
by Mrs. Knight.

She actually
called Steinway and said,

"I want a piano built,

"but I want
to create the design.

I want it to have
art nouveau elements."

You can see, uh,
beautiful carved blinds,

and it has,

untraditionally, six legs.

(narrator)
The library, of course,

was the center of conviviality
at Corolla Island.

(Baden)
After being outside

in the frigid
Outer Banks wind,

they would enjoy, perhaps,
a glass of brandy

and a roaring fire
and a nice game of cards.

In 1934,
the Knights arrived

in the fall
but left abruptly.

We believe that Mr. Knight
had taken ill.

So they went back
to their residence

in, uh, Rhode Island
and never returned.

(narrator)
After a succession

of diverse owners and uses,

the home that would
forever be known locally

as the Whalehead Club,

with its 2,000 acres
of sea oats and sand dunes,

was left to the elements

and began a long period
of neglect.

And finally,
some 60 years later,

somebody began to care.

(Baden)
It was just in terrible shape,

and Currituck County
officials,

in 1992,
had the foresight

and the vision to purchase
39 acres of land

and the very badly
deteriorated

Whalehead Club itself

for the sake of preservation.

(narrator)
A group of volunteers

formed the Whalehead
Preservation Trust in 1989

to oversee a multimillion
dollar renovation

of the house and property.

(Baden)
Right now we are
in the furnishing stage

of restoration

so that we can
refurnish the house

the way it was
during the Knight era.

(narrator)
When the light
slants a certain way,

perhaps glowing
through the clouds

of an evening storm
building over the Banks,

it's not difficult
to imagine Edward

or Marie Louise watching
the gathering darkness

from their
dining room window,

not knowing that
their future together

in their dream home
would soon be cut short

by his advancing age--

not knowing that
their house would live on.

It would be good
to be able to tell them

that their beloved
Corolla Island will continue

to stand foursquare
against the elements...

as long as someone cares...

even half as much
as they did.

[birds chirping]

[hammered dulcimer
playing gently]

(male narrator)
In Gaston County,

just south of Charlotte,
sits a geological oddity

known as Crowders Mountain...

now centerpiece
to the state park

that bears its name.

Once an area mostly valued
for its mineral deposits

and once
almost mined to death,

the 5,000-acre park is now
much more highly valued

by thousands of visitors

for its wide variety
of hiking, rock climbing,

fishing, camping,
or picnicking.

(woman)
We have a wide variety

of activities that people
can do out here.

We have over 12 miles
of hiking trail right now.

Currently we have the lake,

and people can come down here

and rent canoes from the park,
and they can also fish.

(narrator)
On a sunny afternoon,
a group of visitors

gets a taste of the wildflower
diversity of the park

with a guided stroll
around the lake.

(Anderson)
So this one's
called "sourgrass,"

and it's a real common
early spring wildflower.

As you can probably guess,
the way it got its name,

sourgrass,

is that if you pick
the leaves,

and you were to taste
of 'em, it's very sour.

There are two things
right here,

and both of these
are almost past

their real prime
of blooming.

There's a little
purple violet,

and that's just your
common blue violet.

This is a vetch;
it's called specifically

"Carolina vetch,"

and it's a member
of the pea family,

and you can know that
by looking at the shape

of the flowers.

(narrator)
The twin peaks
of Crowders Mountain

and King's peak are
described by geologists

as erosional remnants
left behind

when their tough,
quartzite cores

kept them from being
weathered away.

They are all that's left
of an ancient mountain range

called
the Kings Mountain Belt.

(Anderson)
Basically, the two peaks

that we have here in our park
are known as "monadnocks,"

and those are mountains
which are formed by erosion.

Well, really,
wildflowers can be found

at any elevation, um.

The lake supports a variety

of those that need
a real moist habitat,

and then, as you go
on up the mountain

and as it starts to get drier,
you'll find different species.

There's a few of these
little, yellow flowers here

right in this area

and they look
like strawberries.

You probably have those
growing in your yard,

but they're actually
not strawberries.

These are called
"five-fingers,"

and the way you know that
and the way

you differentiate between
this little, yellow flower

and the strawberry plant
is that it has five leaves.

You may have heard
the old saying,

"Leaves of three,
let it be."

It's poison ivy--
some people

are allergic to it;
some people aren't.

If you are,
you'll know it.

If you are familiar
with your parts of a plant,

most plants have
real small sepals

and real large petals.

But on a dogwood,

your flowers are inside,
and your white--

things that look like petals
are actually sepals.

Does anybody
know this one?

Would you like
to smell?

I thought
it smelled minty.

Yeah, slightly.

(Anderson)
That's called "Lyreleaf sage,"

and it's a member
of the mint family.

It has a square stem

with the four sides
and the purple flowers.

(woman)
What's this
green foliage?

(Anderson)
Those are all leaves
from those white violets.

(narrator)
Ambitious plans are underway

to complete a trail system
that will link this park

with King's Mountain Park
to the south.

But you don't have to wait
for that to drop by...

Just give us
a call,

and we'll let you
know when the
next program is.

(narrator)
...and enjoy
the scenic pleasures here

for the taking today.

[easy jazz guitar strumming]

(narrator)
The little town of Mount Airy

might be home to one
or two famous sons,

such as Eng and Chang,

the original
Siamese twins,

and, of course,
Andy Griffith.

But it is perhaps
more widely represented

by another local celebrity--

the world's premier
white granite.

Mount Airy is the home

of North Carolina
Granite Corporation.

(man)
North Carolina Granite

has been in continuous
operation since 1889.

It was started by a company

called "Thomas
Woodruff & Sons,"

out of Greensboro,
North Carolina,

who had a contract
to build something

connected with the railroad

from Greensboro
to Mount Airy.

They needed a source
of raw rock product

for projects
on the railroad.

They heard about a 40-acre
exposed rock in this area,

and came up,
visited, looked at it,

and they actually
purchased the land

and started
extracting stone

to be used
on the railroad.

It is, uh,
considered to be

the world's largest
open-face granite quarry.

There may be
larger quarries--

gold mines,
coal mines--

but as far
as granite quarries,

this is considered to be
the world's largest,

open-face granite quarry.

[machinery hissing]

(narrator)
The process
of extracting the stone

is a testament
to the power of water--

with a big boost from
the latest technology.

(Goad)
We use a machine
called a water jet

that actually cuts
a slot in the stone

about 2 1/2 inches wide

up to 21 feet deep.

Once that process is done,

we drop
a diamond wire

down in those slots
that we have cut,

attach that
to a diamond wire saw

that rotates that wire

plus slowly pulls it
along the bottom,

which frees that mass
from the mother mass.

(narrator)
The brute force of explosives

is still used.

But even that is much
more sophisticated

than a few sticks
of dynamite.

(Goad)
Once we've got
that loaf sitting there

free from the quarry,

we bring in our drills,

we drill vertically
inch-and-a-quarter holes, uh,

roughly in the size
of the blocks that we want,

which are basically
ten foot by five foot.

We use Primacord,

which is an
explosive material;

we hang it down
in those holes,

fill the holes
full of water.

The water helps magnify
the force of the explosive.

[radio chatter]

(man)
It's a nonelectric fire.

Cuts it off.

Fits the primer.

Goes in this.

It hooks on that.

This is what's called
a "lead line."

Got little ol' connector
that ties 'em together.

[high-pitched siren wailing]

(Goad)
We set that explosive
charge off...

boom!

...and it frees those blocks

or creates a small crack
which separates them

from the loaf
that's sitting there.

Then we'll
drill holes by hand,

use steel wedges
to break those loose

into the final blocks
that we need

that are roughly
10 foot by 5 foot by 5 foot.

[stones clattering]

(narrator)
It's hard to imagine
this work being done

in the days of mule
or horse power.

Nowadays,
computers have taken over

some of the backbreaking work.

These giant,
electronically-controlled saws

are programmed to do
their repetitive work

largely unattended
for hours at a time.

Despite all
the computerized machinery,

there are still some things

that are just better
done by hand.

And it's the hand
of a skilled craftsman

that is needed to give
final shape and finish

to the
custom-designed pieces

of whatever sculpture

or fountain

or monument
a customer has ordered.

[tool buzzing]

(Goad)
We call it "the big shed"

just because
it's a big building.

Uh, within that building
we use hand-held products

to fabricate
mostly custom products

to go on buildings.

The people who work in here
are skilled individuals

who've learned
their trade, uh,

over the years
of working here,

and they have
a lot of experience.

sssss

tnk, tnk

Our curbing division

fabricates roadway
and bridge curbing, uh,

a lot of it goes
to the New England states,

because they use
quite a bit of salt

on the roads there.

A concrete curb
is...deteriorated

in about two to three years
due to the salt.

But the granite is
impervious to the salt,

so that's the reason
that they choose

to use granite
on their projects

in the New England states.

[crashing]

We have a small
crushing operation here.

If we didn't
have this crusher,

we basically
would eventually be

under a mountain of waste

and have no way
of getting rid of it.

(narrator)
Wherever
you may have traveled,

you are very likely
to have seen the products

of this quarry
on public display...

downtown Raleigh...

the Memorial Bridge
in Washington, D.C...

and one
of the most famous--

the Wright Brothers Memorial
at Kill Devil Hills.

(Goad)
The quarry deposit itself

is approximately 59 acres,

8,000 feet deep,

7 miles long,

and a mile wide.

(narrator)
Despite the many millions

of tons of granite that
have been extracted so far,

the company can
take comfort in the fact

that they won't be running
out of rock any time soon.

[gentle piano interlude]

[surf pounding]

[seagulls calling]

(Ray Matthews)
My favorite thing

is just to go out
and see what I can find

and just try to discover
a new image

that I've never
quite done that way before.

[waves crashing distantly]

The whole idea of just jumping
in the 4-wheel drive

and heading out to the beach
appeals to me a lot.

I do that, uh,

whenever the light's interesting
or the weather's changed.

Something
different's happening.

I don't do a lot fishing
with a rod and reel.

I always say I'm fishing
with my camera

'cause it's just like
a fisherman.

You kinda know what might be
there to be caught,

but then you don't really know
till you get there and try it.

So I just kinda go out
and fish for what's there.

Got a big change
in the weather last night,

and, uh...
you know, we've got

about a 25-30 mile an hour
northeast wind.

This is when
the shooting's good, usually.

You get interesting weather,

and that's what makes
for interesting pictures.

The early-morning light--
the late-afternoon light--

it's usually the best
'cause it's not so contrasty,

and it's a warmer,
mellower light.

Lighthouses are always here
and always---heh--

a subject
for every photographer

that comes
to the Outer Banks,

but I try to find it
in a different light

or a different weather

and do something new
with 'em.

Living right at the ocean
all these years,

[chuckling]
the mountains have a lot
of fascination for me.

Uh, Boone
and Blowing Rock--

all up in that area,

so, yeah, I love
to shoot the landscape

wherever I happen to be.

[gentle piano introduction]

[strings rise]

[meandering
clarinet leads]

[piano playing ragtime theme]

Captioning editor
Lauren Gardner

Caption Perfect, Inc.
CaptionPerfect.com

(announcer)
To subscribe
to "Our State" magazine,

visit the Web site
www.ourstate.com or call...

[gentle piano melody]

From small towns
to bustling cities,

from the Outer Banks
to the Blue Ridge Mountains

and all the places in-between,

BB&T believes opportunity lives
everywhere in North Carolina.

And for more than 130 years,

we've helped people
discover it.

We're proud
of our North Carolina roots,

and we're proud to provide
major funding for "Our State."

Quality public television
is made possible

through the financial
contributions

of viewers like you,

who invite you to join them
in supporting UNC-TV.