WEBVTT 00:02.435 --> 00:06.072 align:left position:15% line:89% size:75% [gentle orchestral fanfare] 00:07.374 --> 00:09.642 align:left position:15% line:83% size:75% [resonant strings lead building orchestration] 00:09.743 --> 00:18.251 align:left position:82.5% line:5% size:7.5% ♪ 00:18.351 --> 00:21.154 align:left position:22.5% line:83% size:67.5% (male narrator) Welcome to "Our State," 00:21.254 --> 00:23.923 align:left position:22.5% line:89% size:67.5% a production of UNC-TV 00:24.024 --> 00:26.993 align:left position:17.5% line:83% size:72.5% in association with "Our State" magazine-- 00:27.093 --> 00:28.728 align:left position:27.5% line:89% size:62.5% for over 70 years, 00:28.828 --> 00:31.131 align:left position:25% line:83% size:65% bringing the wonders of North Carolina 00:31.231 --> 00:33.533 align:left position:15% line:89% size:75% to readers across the state. 00:33.633 --> 00:35.702 align:left position:30% line:89% size:60% On this edition, 00:35.802 --> 00:38.104 align:left position:20% line:83% size:70% the world-renowned Penland School of Crafts 00:38.204 --> 00:40.473 align:left position:10% line:89% size:80% in the North Carolina mountains, 00:40.573 --> 00:42.742 align:left position:50% line:83% size:40% the amazing and colorful work 00:42.842 --> 00:44.677 align:left position:57.5% line:83% size:32.5% of artist Ivey Hayes, 00:44.778 --> 00:48.415 align:left position:17.5% line:83% size:72.5% and D.G. Martin visits twin sisters in Chapel Hill 00:48.515 --> 00:51.951 align:left position:15% line:83% size:75% known for the garden displays they create each year. 00:52.052 --> 00:55.055 align:left position:82.5% line:5% size:7.5% ♪ 01:00.493 --> 01:02.328 align:left position:25% line:83% size:65% (male announcer)g] BB&T serves the needs 01:02.429 --> 01:04.764 align:left position:12.5% line:89% size:77.5% of more than 180 communities, 01:04.864 --> 01:07.767 align:left position:15% line:83% size:75% from the Outer Banks and the Blue Ridge Mountains 01:07.867 --> 01:09.903 align:left position:17.5% line:89% size:72.5% to everywhere in between. 01:10.003 --> 01:11.871 align:left position:35% line:89% size:55% Since 1872, 01:11.971 --> 01:15.241 align:left position:15% line:83% size:75% we have supported the people and places of North Carolina, 01:15.341 --> 01:18.478 align:left position:17.5% line:83% size:72.5% and we've been proud to live and work here too. 01:18.578 --> 01:21.548 align:left position:20% line:83% size:70% We love calling North Carolina our home, 01:21.648 --> 01:25.318 align:left position:12.5% line:83% size:77.5% and we're pleased to provide major funding for "Our State." 01:33.760 --> 01:35.795 align:left position:15% line:83% size:75% Additional funding has been [piano leads gentle melody] 01:35.895 --> 01:37.931 align:left position:20% line:83% size:70% (narrator) Not far from Spruce Pine, 01:38.031 --> 01:40.633 align:left position:25% line:83% size:65% nestled in a secluded Blue Ridge setting, 01:40.733 --> 01:43.603 align:left position:20% line:83% size:70% there is a true North Carolina treasure. 01:43.703 --> 01:46.072 align:left position:25% line:83% size:65% But you wouldn't know from the outside 01:46.172 --> 01:48.708 align:left position:20% line:89% size:70% what's going on inside. 01:48.808 --> 01:50.944 align:left position:27.5% line:89% size:62.5% [airy flute joins] 01:51.044 --> 01:55.248 align:left position:82.5% line:5% size:7.5% ♪ 01:55.348 --> 01:58.718 align:left position:10% line:83% size:80% This extraordinary place 01:55.348 --> 01:58.718 align:left position:10% line:89% size:80% is  01:55.348 --> 01:58.718 align:left position:10% line:83% size:80% the Penland School of Crafts, 01:58.818 --> 02:00.854 align:left position:22.5% line:83% size:67.5% which, for more than 75 years, 02:00.954 --> 02:04.624 align:left position:17.5% line:83% size:72.5% has been a Mecca of sorts for artists of all kinds. 02:04.724 --> 02:08.161 align:left position:82.5% line:5% size:7.5% ♪ 02:08.261 --> 02:10.697 align:left position:20% line:83% size:70% They come, from all over the world, 02:10.797 --> 02:15.568 align:left position:15% line:83% size:75% here to this peaceful setting to further their craft... 02:15.668 --> 02:18.805 align:left position:25% line:83% size:65% to discover something in themselves 02:18.905 --> 02:22.142 align:left position:20% line:83% size:70% or, perhaps, even begin something completely new. 02:22.242 --> 02:26.679 align:left position:82.5% line:5% size:7.5% ♪ 02:26.779 --> 02:28.648 align:left position:30% line:83% size:60% Ceramic sculptor Cristina Cordova 02:28.748 --> 02:30.984 align:left position:32.5% line:89% size:57.5% came to teach 02:31.084 --> 02:33.319 align:left position:22.5% line:83% size:67.5% and experience the reality of a place 02:33.419 --> 02:37.557 align:left position:22.5% line:83% size:67.5% that she'd heard about for a long time. 02:37.657 --> 02:39.692 align:left position:27.5% line:77% size:62.5% (Cordova) The first time I heard of Penland 02:39.792 --> 02:41.861 align:left position:27.5% line:83% size:62.5% was when I went to take a workshop 02:41.961 --> 02:43.696 align:left position:22.5% line:83% size:67.5% with Paulus Berensohn about six years ago, 02:43.796 --> 02:47.467 align:left position:12.5% line:83% size:77.5% and he talked about it almost like in a mythological way-- 02:47.567 --> 02:49.068 align:left position:12.5% line:89% size:77.5% uh, beautiful, rolling hills. 02:49.169 --> 02:53.072 align:left position:10% line:83% size:80% And he kept saying to me, 02:49.169 --> 02:53.072 align:left position:10% line:89% size:80% "Y  02:49.169 --> 02:53.072 align:left position:10% line:83% size:80% ou have to come to this place. 02:53.173 --> 02:55.074 align:left position:30% line:89% size:60% It's wonderful." 02:56.376 --> 02:59.212 align:left position:20% line:5% size:70% It's fresh-- it's like it's isolated, 02:59.312 --> 03:02.582 align:left position:12.5% line:5% size:77.5% but the most wonderful collectors come through. 03:02.682 --> 03:05.351 align:left position:10% line:5% size:80% Like, all these people are drawn to it 03:05.451 --> 03:06.953 align:left position:22.5% line:5% size:67.5% and get to feel that energy. 03:07.053 --> 03:10.456 align:left position:10% line:83% size:80% Then you can still go back 03:07.053 --> 03:10.456 align:left position:10% line:89% size:80% to  03:07.053 --> 03:10.456 align:left position:10% line:83% size:80% your studio or take a walk, 03:10.557 --> 03:13.393 align:left position:20% line:83% size:70% and you feel you're in the middle of nowhere. 03:13.493 --> 03:17.697 align:left position:82.5% line:5% size:7.5% ♪ 03:17.797 --> 03:24.337 align:left position:12.5% line:83% size:77.5% There's a very delicate balance that an artist thrives in, 03:24.437 --> 03:28.341 align:left position:20% line:83% size:70% that, uh, I think Penland continually touches on, 03:28.441 --> 03:31.411 align:left position:22.5% line:89% size:67.5% at least for me. 03:31.511 --> 03:33.213 align:left position:20% line:83% size:70% (Cadman) I always thought of wood 03:33.313 --> 03:37.317 align:left position:12.5% line:83% size:77.5% as being a very linear thing-- something that was very rigid. 03:37.417 --> 03:41.020 align:left position:15% line:83% size:75% Once I saw how you could make it look so fluid, 03:41.120 --> 03:45.024 align:left position:12.5% line:83% size:77.5% that was where it was at for me from then on. 03:45.124 --> 03:47.093 align:left position:82.5% line:5% size:7.5% ♪ 03:47.193 --> 03:49.829 align:left position:22.5% line:83% size:67.5% Everyone here is so willing to share 03:49.929 --> 03:52.632 align:left position:10% line:83% size:80% and everyone comes 03:49.929 --> 03:52.632 align:left position:10% line:89% size:80% fr  03:49.929 --> 03:52.632 align:left position:10% line:83% size:80% om such different perspectives 03:52.732 --> 03:55.902 align:left position:20% line:5% size:70% that you end up learning not only from the instructor 03:56.002 --> 03:59.839 align:left position:15% line:5% size:75% but from every other student that you come in contact with. 04:01.207 --> 04:04.577 align:left position:12.5% line:5% size:77.5% (man) I just got so sick of my ns havin' all the fun 04:04.677 --> 04:07.814 align:left position:17.5% line:5% size:72.5% that I decided it was time for me to come down here 04:07.914 --> 04:10.883 align:left position:17.5% line:5% size:72.5% and find out what this Penland thing is all about. 04:12.218 --> 04:14.821 align:left position:10% line:83% size:80% Just learned this 04:12.218 --> 04:14.821 align:left position:10% line:89% size:80% th  04:12.218 --> 04:14.821 align:left position:10% line:83% size:80% is afternoon. 04:14.921 --> 04:17.557 align:left position:82.5% line:5% size:7.5% ♪ 04:17.657 --> 04:21.327 align:left position:12.5% line:77% size:77.5% (narrator) What has become a rich and varied creative environment 04:21.427 --> 04:23.863 align:left position:25% line:83% size:65% actually had rather humble beginnings. 04:23.963 --> 04:25.832 align:left position:82.5% line:5% size:7.5% ♪ 04:25.932 --> 04:27.700 align:left position:27.5% line:89% size:62.5% During the 1920s, 04:27.800 --> 04:30.737 align:left position:15% line:83% size:75% an educator named Lucy Morgan was looking for a way 04:30.837 --> 04:33.139 align:left position:22.5% line:83% size:67.5% to help local families supplement their income 04:33.239 --> 04:35.108 align:left position:25% line:83% size:65% by reviving the craft of weaving, 04:35.208 --> 04:38.044 align:left position:15% line:83% size:75% which had just about died out in the Appalachians 04:38.144 --> 04:40.813 align:left position:15% line:83% size:75% with growth of the commercial textile industry. 04:40.913 --> 04:43.082 align:left position:17.5% line:5% size:72.5% Lucy provided them with looms 04:43.182 --> 04:47.020 align:left position:22.5% line:5% size:67.5% and then, uh, began to work on a weekly basis, 04:47.120 --> 04:48.521 align:left position:30% line:5% size:60% where she would describe 04:48.621 --> 04:50.890 align:left position:32.5% line:5% size:57.5% the kind of things she thought might sell. 04:50.990 --> 04:52.525 align:left position:27.5% line:89% size:62.5% She, uh, sold work 04:52.625 --> 04:55.128 align:left position:20% line:83% size:70% through a lot of different craft shops 04:55.228 --> 04:57.096 align:left position:22.5% line:89% size:67.5% in a multistate area. 04:57.196 --> 04:59.532 align:left position:27.5% line:83% size:62.5% It wasn't just in North Carolina. 04:59.632 --> 05:01.134 align:left position:35% line:83% size:55% (narrator) Edward Wurst, 05:01.234 --> 05:03.803 align:left position:17.5% line:83% size:72.5% a well-respected weaver from Chicago soon arrived, 05:03.903 --> 05:05.571 align:left position:22.5% line:89% size:67.5% at Lucy's invitation, 05:05.672 --> 05:09.108 align:left position:10% line:83% size:80% to teach the community's weavers 05:05.672 --> 05:09.108 align:left position:10% line:89% size:80% ho  05:05.672 --> 05:09.108 align:left position:10% line:83% size:80% w to improve their skills, 05:09.208 --> 05:11.978 align:left position:20% line:83% size:70% and soon, the fledgling Penland School of Crafts 05:12.078 --> 05:14.347 align:left position:22.5% line:89% size:67.5% began to take flight. 05:14.447 --> 05:16.382 align:left position:25% line:77% size:65% (McLaughlin) Well, Penland was drawing students 05:16.482 --> 05:19.519 align:left position:20% line:83% size:70% from all over the country its very first year. 05:19.619 --> 05:22.755 align:left position:10% line:83% size:80% And then it evolved, 05:19.619 --> 05:22.755 align:left position:10% line:89% size:80% so  05:19.619 --> 05:22.755 align:left position:10% line:83% size:80% that they were making pottery 05:22.855 --> 05:24.590 align:left position:20% line:89% size:70% and working with metal. 05:24.691 --> 05:27.827 align:left position:27.5% line:83% size:62.5% It didn't stay with just weaving. 05:27.927 --> 05:31.331 align:left position:10% line:83% size:80% And over the years, 05:27.927 --> 05:31.331 align:left position:10% line:89% size:80% Pe  05:27.927 --> 05:31.331 align:left position:10% line:83% size:80% nland's become very well known 05:31.431 --> 05:34.033 align:left position:27.5% line:83% size:62.5% across the country and internationally 05:36.903 --> 05:38.838 align:left position:22.5% line:83% size:67.5% [acoustic guitar and piano play gently] 05:38.938 --> 05:41.641 align:left position:82.5% line:5% size:7.5% ♪ 05:41.741 --> 05:43.376 align:left position:27.5% line:83% size:62.5% (narrator) The artist's touch 05:43.476 --> 05:47.180 align:left position:20% line:83% size:70% is apparent just about everywhere at Penland... 05:47.280 --> 05:50.316 align:left position:12.5% line:89% size:77.5% created for and by artists... 05:50.416 --> 05:52.318 align:left position:82.5% line:5% size:7.5% ♪ 05:52.418 --> 05:55.121 align:left position:22.5% line:83% size:67.5% like this colorful wall along one walkway, 05:55.221 --> 05:58.858 align:left position:12.5% line:83% size:77.5% which evolved from a class project in tile making. 05:58.958 --> 06:07.166 align:left position:82.5% line:5% size:7.5% ♪ 06:07.266 --> 06:10.336 align:left position:17.5% line:77% size:72.5% (McLaughlin) We have little art objects all over campus 06:10.436 --> 06:14.040 align:left position:12.5% line:83% size:77.5% where people have left things or a visiting artist has said, 06:14.140 --> 06:17.910 align:left position:17.5% line:83% size:72.5% I would really love to clad this tree in mica. 06:18.010 --> 06:20.947 align:left position:17.5% line:83% size:72.5% And so we say, absolutely-- that's why we're here. 06:21.047 --> 06:23.950 align:left position:15% line:83% size:75% Go experiment-- put your work in that place. 06:24.050 --> 06:32.859 align:left position:82.5% line:5% size:7.5% ♪ 06:32.959 --> 06:35.762 align:left position:22.5% line:77% size:67.5% (narrator) Penland also provides temporary studio space, 06:35.862 --> 06:39.565 align:left position:12.5% line:83% size:77.5% in what are called the "barns," to selected resident artists. 06:41.768 --> 06:45.371 align:left position:20% line:83% size:70% That's where we found metalsmith Angela Bubash. 06:45.471 --> 06:47.440 align:left position:25% line:77% size:65% (Bubash) The residency program here at Penland 06:47.540 --> 06:49.275 align:left position:17.5% line:89% size:72.5% is a three-year position, 06:49.375 --> 06:52.678 align:left position:17.5% line:83% size:72.5% and they look for people that are going through, uh, 06:52.779 --> 06:55.381 align:left position:10% line:5% size:80% some sort of transition in their career, basically. 06:55.481 --> 06:57.283 align:left position:20% line:5% size:70% And I'm coming from graduate school, 06:57.383 --> 07:00.887 align:left position:20% line:5% size:70% so this is a way for me to, uh, figure out 07:00.987 --> 07:04.056 align:left position:17.5% line:83% size:72.5% how I'm gonna use my degree and use my skills 07:04.157 --> 07:07.026 align:left position:15% line:83% size:75% and my art and to be exposed to other media 07:07.126 --> 07:10.396 align:left position:12.5% line:83% size:77.5% and other minds and other ways of thinking about art. 07:10.496 --> 07:12.331 align:left position:15% line:89% size:75% And it's a great place to-- 07:12.432 --> 07:14.500 align:left position:20% line:83% size:70% to explore and to spread your wings 07:14.600 --> 07:18.204 align:left position:12.5% line:83% size:77.5% and to learn how to use your skills in different ways. 07:18.304 --> 07:19.939 align:left position:82.5% line:5% size:7.5% ♪ 07:20.039 --> 07:22.175 align:left position:17.5% line:83% size:72.5% (narrator) Angela's work is on display 07:22.275 --> 07:27.180 align:left position:20% line:83% size:70% and for sale in Penland's ever-changing gallery. 07:27.280 --> 07:29.315 align:left position:20% line:83% size:70% (McLaughlin) Our gallery is considered 07:29.415 --> 07:33.953 align:left position:10% line:83% size:80% one of the most important venues 07:29.415 --> 07:33.953 align:left position:10% line:89% size:80% fo  07:29.415 --> 07:33.953 align:left position:10% line:83% size:80% r contemporary craft. 07:34.053 --> 07:36.722 align:left position:20% line:83% size:70% [flute and piano lead serene composition] 07:36.823 --> 07:39.892 align:left position:82.5% line:5% size:7.5% ♪ 07:39.992 --> 07:42.462 align:left position:27.5% line:83% size:62.5% Everyone whose work is exhibited here 07:42.562 --> 07:44.964 align:left position:22.5% line:83% size:67.5% has either been a teacher at Penland... 07:45.064 --> 07:47.300 align:left position:82.5% line:5% size:7.5% ♪ 07:47.400 --> 07:49.402 align:left position:30% line:89% size:60% or a student... 07:49.502 --> 07:51.437 align:left position:82.5% line:5% size:7.5% ♪ 07:51.537 --> 07:54.774 align:left position:20% line:89% size:70% or a visiting artist... 07:54.874 --> 07:56.876 align:left position:25% line:83% size:65% or one of our artists-in-residence 07:56.976 --> 08:00.646 align:left position:27.5% line:83% size:62.5% in our program down in the barns. 08:00.746 --> 08:04.450 align:left position:15% line:77% size:75% (Bubash) We get a lot of people coming through just to see the work. 08:04.550 --> 08:06.953 align:left position:22.5% line:83% size:67.5% It's quite a nice thing to talk to people 08:07.053 --> 08:08.521 align:left position:20% line:89% size:70% from all over the world 08:08.621 --> 08:11.457 align:left position:17.5% line:83% size:72.5% and to promote the crafts and promote art. 08:11.557 --> 08:14.126 align:left position:82.5% line:5% size:7.5% ♪ 08:14.227 --> 08:15.728 align:left position:27.5% line:83% size:62.5% The whole idea of the residency-- 08:15.828 --> 08:19.031 align:left position:15% line:83% size:75% it was a way to bring artists from all over the country, 08:19.131 --> 08:21.133 align:left position:20% line:83% size:70% do the residency, and end up settling here. 08:21.234 --> 08:25.071 align:left position:15% line:83% size:75% And when you'll drive around, you'll see so many studios. 08:25.171 --> 08:27.840 align:left position:25% line:83% size:65% And it is a lovely community of people, 08:27.940 --> 08:30.276 align:left position:17.5% line:83% size:72.5% and you become a really tight-knit group. 08:30.376 --> 08:32.378 align:left position:25% line:89% size:65% [indistinct talking] 08:32.478 --> 08:34.547 align:left position:30% line:83% size:60% My professor that I went to-- 08:34.647 --> 08:37.750 align:left position:12.5% line:83% size:77.5% where I went to graduate school said it was kind of hard 08:37.850 --> 08:41.587 align:left position:17.5% line:83% size:72.5% to leave this place because it is so protected. 08:41.687 --> 08:43.856 align:left position:20% line:83% size:70% [birds faintly chirping] whi, whi...whi 08:46.459 --> 08:49.962 align:left position:22.5% line:83% size:67.5% [hammer banging metal] tnk, tnk...tnk 08:50.062 --> 08:52.498 align:left position:22.5% line:77% size:67.5% (narrator) One of the attractions for students 08:52.598 --> 08:54.767 align:left position:20% line:83% size:70% is that Penland offers facilities and equipment 08:54.867 --> 08:57.036 align:left position:10% line:89% size:80% that most likely won't be found 08:57.136 --> 08:59.005 align:left position:27.5% line:83% size:62.5% in the average backyard workshop. 08:59.105 --> 09:02.475 align:left position:10% line:89% size:80% [electric bass leads mellow jam] 09:02.575 --> 09:04.043 align:left position:25% line:89% size:65% While any blacksmith 09:04.143 --> 09:06.913 align:left position:15% line:83% size:75% would be at home with the traditional anvil... 09:07.013 --> 09:10.182 align:left position:82.5% line:5% size:7.5% ♪ 09:10.283 --> 09:11.918 align:left position:30% line:83% size:60% these powerful hydraulic hammers 09:12.018 --> 09:14.787 align:left position:20% line:83% size:70% can take work to a whole new dimension. 09:14.887 --> 09:18.391 align:left position:82.5% line:5% size:7.5% ♪ 09:18.491 --> 09:20.826 align:left position:22.5% line:83% size:67.5% [piano transitions to serene arrangement] 09:20.927 --> 09:23.563 align:left position:82.5% line:5% size:7.5% ♪ 09:23.663 --> 09:25.464 align:left position:22.5% line:89% size:67.5% The fire of creativity 09:25.565 --> 09:28.334 align:left position:15% line:83% size:75% takes other forms in the glass-blowing studio. 09:28.434 --> 09:33.673 align:left position:82.5% line:5% size:7.5% ♪ 09:33.773 --> 09:36.876 align:left position:20% line:83% size:70% Age-old techniques are refined and expanded 09:36.976 --> 09:41.080 align:left position:17.5% line:83% size:72.5% to turn out almost anything that can be imagined. 09:41.180 --> 09:42.949 align:left position:42.5% line:89% size:47.5% ssshhh 09:43.049 --> 09:49.956 align:left position:82.5% line:5% size:7.5% ♪ 09:50.056 --> 09:57.763 align:left position:82.5% line:5% size:7.5% ♪ 09:57.863 --> 10:00.199 align:left position:82.5% line:5% size:7.5% ♪ 10:02.001 --> 10:04.303 align:left position:50% line:89% size:40% Okay, Mike. 10:04.403 --> 10:06.272 align:left position:50% line:89% size:40% Blow...hard. 10:06.372 --> 10:12.178 align:left position:82.5% line:5% size:7.5% ♪ 10:12.278 --> 10:19.952 align:left position:82.5% line:5% size:7.5% ♪ 10:20.052 --> 10:24.256 align:left position:27.5% line:77% size:62.5% (narrator) And what is pottery without fire? 10:24.357 --> 10:27.960 align:left position:17.5% line:83% size:72.5% Here, a gas kiln is being salted to produce glazes 10:28.060 --> 10:32.031 align:left position:17.5% line:83% size:72.5% that eventually will adorn products of hand and wheel, 10:32.131 --> 10:36.435 align:left position:12.5% line:83% size:77.5% further reflecting each artist's creative take on lif. 10:36.535 --> 10:38.938 align:left position:82.5% line:5% size:7.5% ♪ 10:41.607 --> 10:43.976 align:left position:82.5% line:5% size:7.5% ♪ 10:44.076 --> 10:48.414 align:left position:10% line:77% size:80% (McLaughlin) 10:44.076 --> 10:48.414 align:left position:10% line:83% size:80% Of  10:44.076 --> 10:48.414 align:left position:10% line:77% size:80% ten, we will hear people ta  lk about their hands itching-- 10:48.514 --> 10:51.484 align:left position:27.5% line:83% size:62.5% that they hadn't realized that, um-- 10:51.584 --> 10:54.320 align:left position:20% line:83% size:70% that there was something else they wanted to say. 10:54.420 --> 10:56.288 align:left position:20% line:83% size:70% It's almost like you watch people's hands 10:56.389 --> 10:57.923 align:left position:25% line:89% size:65% while they're here, 10:58.024 --> 11:01.193 align:left position:20% line:83% size:70% and their hands become this mode of expression-- 11:01.293 --> 11:04.930 align:left position:15% line:83% size:75% a way to-- to communicate who they are. 11:05.031 --> 11:09.301 align:left position:82.5% line:5% size:7.5% ♪ 11:09.402 --> 11:12.905 align:left position:22.5% line:77% size:67.5% (narrator) Change is always in the wind at Penland, 11:13.005 --> 11:16.208 align:left position:20% line:83% size:70% as techniques and even mediums evolve, 11:16.308 --> 11:19.045 align:left position:17.5% line:83% size:72.5% building on the timeless art and craft 11:19.145 --> 11:23.349 align:left position:15% line:83% size:75% that has created this place over the past 75-plus years. 11:23.449 --> 11:26.752 align:left position:17.5% line:83% size:72.5% And yet, the essence of Penland does not change 11:26.852 --> 11:29.922 align:left position:25% line:83% size:65% and is not likely to in coming decades. 11:30.022 --> 11:34.126 align:left position:10% line:83% size:80% And that would have suited 11:30.022 --> 11:34.126 align:left position:10% line:89% size:80% fo  11:30.022 --> 11:34.126 align:left position:10% line:83% size:80% under Lucy Morgan rather well. 11:39.699 --> 11:42.368 align:left position:20% line:83% size:70% [piano and flute play idyllic arrangement] 11:42.468 --> 11:50.009 align:left position:82.5% line:5% size:7.5% ♪ 11:50.109 --> 11:51.977 align:left position:20% line:77% size:70% (Martin) Beginning in the early springtime, 11:52.078 --> 11:54.513 align:left position:10% line:5% size:80% people from all over Chapel Hill find an excuse 11:54.613 --> 11:56.282 align:left position:10% line:5% size:80% to come down Gimghoul Road. 11:56.382 --> 11:59.518 align:left position:12.5% line:5% size:77.5% Hundreds of walkers and joggers from the nearby campus, 11:59.618 --> 12:01.787 align:left position:10% line:89% size:80% many of them at this house, 12:01.887 --> 12:04.323 align:left position:10% line:83% size:80% will stop at least for a short while 12:04.423 --> 12:08.260 align:left position:10% line:83% size:80% to savor the scents and colors of the changing displays 12:08.360 --> 12:10.796 align:left position:10% line:83% size:80% of flowers and plants in this garden 12:10.896 --> 12:12.765 align:left position:10% line:89% size:80% where the sign says simply-- 12:12.865 --> 12:15.768 align:left position:15% line:89% size:75% The garden is open! 12:15.868 --> 12:17.737 align:left position:82.5% line:5% size:7.5% ♪ 12:17.837 --> 12:21.807 align:left position:22.5% line:77% size:67.5% (Martin) This welcoming sign and this garden belong 12:21.907 --> 12:25.177 align:left position:15% line:83% size:75% to twin sisters Bernice Wade and Barbara Stiles. 12:25.277 --> 12:26.879 align:left position:17.5% line:89% size:72.5% They actually look forward 12:26.979 --> 12:29.115 align:left position:22.5% line:83% size:67.5% to the springtime onslaught of visitors. 12:29.215 --> 12:30.950 align:left position:32.5% line:83% size:57.5% Hi! Thanks for having us. 12:31.050 --> 12:32.685 align:left position:22.5% line:83% size:67.5% (Stiles) We have so many people 12:32.785 --> 12:34.820 align:left position:25% line:83% size:65% coming all the time to see the garden, 12:34.920 --> 12:36.689 align:left position:10% line:83% size:80% and they'd come knock on the door 12:36.789 --> 12:38.357 align:left position:15% line:83% size:75% and ask if they could come. 12:38.457 --> 12:40.092 align:left position:22.5% line:83% size:67.5% So we decided it would be 12:40.192 --> 12:41.994 align:left position:20% line:83% size:70% much nicer to have a sign out-- 12:42.094 --> 12:44.497 align:left position:10% line:83% size:80% that they'd feel more welcome and anybody could come. 12:44.597 --> 12:47.099 align:left position:20% line:83% size:70% So we put it out about three weeks every April. 12:47.199 --> 12:48.834 align:left position:10% line:5% size:80% If you wanna touch the tulips, 12:48.934 --> 12:50.870 align:left position:10% line:5% size:80% that's okay, because they're getting old. 12:50.970 --> 12:52.238 align:left position:27.5% line:83% size:62.5% (Martin) Barbara and Bernice 12:52.338 --> 12:54.340 align:left position:25% line:83% size:65% recently celebrated their 90th birthday. 12:54.440 --> 12:57.910 align:left position:10% line:83% size:80% They are being visited this day by a group of future gardeners 12:58.010 --> 13:01.247 align:left position:20% line:83% size:70% and by members of the Cary Garden Club. 13:01.347 --> 13:04.016 align:left position:57.5% line:83% size:32.5% Oh, okay. 13:04.116 --> 13:05.985 align:left position:27.5% line:83% size:62.5% (boy) You can touch 'em? 13:06.085 --> 13:08.420 align:left position:30% line:77% size:60% (girl) 'Cause they're getting very old. 13:08.521 --> 13:11.257 align:left position:22.5% line:77% size:67.5% (Martin) There seems to be just a wonderful blending 13:11.357 --> 13:12.658 align:left position:25% line:89% size:65% of different colors. 13:12.758 --> 13:14.827 align:left position:25% line:83% size:65% Is that a-- is that an accident? 13:14.927 --> 13:17.463 align:left position:32.5% line:5% size:57.5% No, I think most of it is pretty well planned. 13:17.563 --> 13:19.632 align:left position:10% line:5% size:80% I can tell you it's not an accident 13:19.732 --> 13:21.734 align:left position:10% line:5% size:80% because every year she comes around and says, 13:21.834 --> 13:23.669 align:left position:10% line:5% size:80% now, we wanna move this bush here. 13:23.769 --> 13:26.605 align:left position:12.5% line:5% size:77.5% We would move that bush there because the color's not right. 13:26.705 --> 13:29.708 align:left position:10% line:83% size:80% And so the poor nephews that are around here 13:29.809 --> 13:32.945 align:left position:10% line:83% size:80% have to lift these giant bushes into a new hole. 13:33.045 --> 13:35.447 align:left position:10% line:83% size:80% Luckily, they-- most of them have survived. 13:35.548 --> 13:36.949 align:left position:12.5% line:89% size:77.5% So sometimes, 13:37.049 --> 13:39.518 align:left position:10% line:83% size:80% we wish you weren't quite so color conscious. 13:39.618 --> 13:42.188 align:left position:35% line:83% size:55% But we don't ask 'em to move the huge ones. 13:42.288 --> 13:43.789 align:left position:25% line:89% size:65% No. 13:43.889 --> 13:46.392 align:left position:82.5% line:5% size:7.5% ♪ 13:46.492 --> 13:48.594 align:left position:27.5% line:77% size:62.5% (Wade) We try not to have conflicting colors, 13:48.694 --> 13:50.062 align:left position:32.5% line:89% size:57.5% so the colors flow. 13:50.162 --> 13:51.764 align:left position:17.5% line:89% size:72.5% We don't have a bright red 13:51.864 --> 13:54.266 align:left position:20% line:83% size:70% right where you have this beautiful row of pinks. 13:54.366 --> 13:57.403 align:left position:15% line:83% size:75% We might have blues and whites and a soft yellow, 13:57.503 --> 14:01.073 align:left position:20% line:83% size:70% but if we had a red, then we have to move it. 14:01.173 --> 14:05.244 align:left position:12.5% line:83% size:77.5% We try to get a good blend of colors that will blend well 14:05.344 --> 14:06.979 align:left position:20% line:83% size:70% with whatever's blooming in that area. 14:07.079 --> 14:09.381 align:left position:25% line:83% size:65% So we do have a place in our garden 14:09.481 --> 14:12.051 align:left position:15% line:83% size:75% where I can use the gaudy colors like I want, 14:12.151 --> 14:14.220 align:left position:22.5% line:5% size:67.5% with the reds and the red and yellows 14:14.320 --> 14:16.322 align:left position:25% line:5% size:65% and a flow of yellows and the reds, 14:16.422 --> 14:18.891 align:left position:12.5% line:5% size:77.5% and they match with the white azaleas and all. 14:18.991 --> 14:21.961 align:left position:15% line:89% size:75% So we like to plan our colors. 14:22.061 --> 14:24.663 align:left position:12.5% line:77% size:77.5% (Martin) You can see, as you walk around the garden, 14:24.763 --> 14:29.301 align:left position:12.5% line:83% size:77.5% that one of the icons of spring is on prominent display. 14:29.401 --> 14:31.170 align:left position:15% line:83% size:75% (Stiles) We just have to have tulips. 14:31.270 --> 14:33.405 align:left position:27.5% line:83% size:62.5% We just love tulips in the spring, 14:33.505 --> 14:35.274 align:left position:15% line:83% size:75% and they're a great extravagance of ours 14:35.374 --> 14:37.176 align:left position:10% line:89% size:80% because you have to dig them up 14:37.276 --> 14:39.278 align:left position:17.5% line:83% size:72.5% and throw them away when they finish blooming. 14:39.378 --> 14:40.646 align:left position:17.5% line:89% size:72.5% They won't come back here. 14:40.746 --> 14:43.315 align:left position:10% line:83% size:80% The bulbs will divide 14:40.746 --> 14:43.315 align:left position:10% line:89% size:80% in  14:40.746 --> 14:43.315 align:left position:10% line:83% size:80% to three or four little bulbs. 14:43.415 --> 14:45.985 align:left position:10% line:83% size:80% None of those are gonna be strong enough to support-- 14:46.085 --> 14:47.253 align:left position:50% line:89% size:40% A pretty tulip-- 14:47.353 --> 14:48.520 align:left position:17.5% line:89% size:72.5% Next year. 14:48.621 --> 14:50.923 align:left position:32.5% line:83% size:57.5% A weak tulip, but not a pretty tulip. 14:51.023 --> 14:53.626 align:left position:20% line:77% size:70% (Wade) We order them from a wholesale company, 14:53.726 --> 14:56.395 align:left position:22.5% line:83% size:67.5% and you have to buy 'em by the hundred. 14:56.495 --> 14:59.965 align:left position:20% line:83% size:70% It could be $24 or $34, depending on the variety. 15:00.065 --> 15:02.601 align:left position:20% line:83% size:70% And uh, we always say that's our extravagance. 15:02.701 --> 15:05.504 align:left position:35% line:83% size:55% We'd rather do that than go out to dinner. 15:05.604 --> 15:07.573 align:left position:50% line:83% size:40% You could buy a hundred tulips 15:07.673 --> 15:09.909 align:left position:50% line:83% size:40% or go out and have a meal. 15:10.009 --> 15:11.644 align:left position:27.5% line:83% size:62.5% (Martin) Azaleas are another 15:11.744 --> 15:13.846 align:left position:25% line:83% size:65% spectacular component of their garden. 15:13.946 --> 15:17.917 align:left position:12.5% line:83% size:77.5% Success with them has come from years of experimentation. 15:18.017 --> 15:22.288 align:left position:17.5% line:77% size:72.5% (Wade) We do find that you have to have 'em in good soil-- 15:22.388 --> 15:23.956 align:left position:27.5% line:89% size:62.5% not in the clay-- 15:24.056 --> 15:27.626 align:left position:20% line:83% size:70% so the roots can go out and they're easy to lift. 15:27.726 --> 15:31.096 align:left position:25% line:83% size:65% And you have to water them frequently. 15:31.196 --> 15:32.998 align:left position:22.5% line:89% size:67.5% Don't let 'em dry out. 15:33.098 --> 15:34.967 align:left position:10% line:89% size:80% Fertilize them after they bloom. 15:35.067 --> 15:36.735 align:left position:17.5% line:89% size:72.5% If you're gonna prune 'em, 15:36.835 --> 15:38.837 align:left position:30% line:83% size:60% prune 'em immediately after they bloom. 15:38.938 --> 15:40.339 align:left position:22.5% line:89% size:67.5% What else have I forgotten? 15:40.439 --> 15:42.141 align:left position:10% line:83% size:80% Well, the most 15:40.439 --> 15:42.141 align:left position:10% line:89% size:80% im  15:40.439 --> 15:42.141 align:left position:10% line:83% size:80% portant, I think, 15:42.241 --> 15:45.244 align:left position:10% line:83% size:80% is they have to be on raised beds 15:45.344 --> 15:47.279 align:left position:27.5% line:83% size:62.5% because their roots do go out. 15:47.379 --> 15:50.015 align:left position:22.5% line:83% size:67.5% And they have to have nice, soft soil there. 15:50.115 --> 15:55.387 align:left position:17.5% line:83% size:72.5% To go down into that red clay is not very good for them. 15:55.487 --> 15:57.122 align:left position:32.5% line:83% size:57.5% (Martin) Over the years, 15:57.222 --> 15:58.958 align:left position:10% line:89% size:80% with many hundreds of visitors, 15:59.058 --> 16:01.060 align:left position:27.5% line:83% size:62.5% Barbara and Bernice have been asked 16:01.160 --> 16:02.928 align:left position:15% line:89% size:75% for lots of gardening tips. 16:03.028 --> 16:05.197 align:left position:25% line:83% size:65% And they have some good advice to give. 16:05.297 --> 16:07.967 align:left position:12.5% line:83% size:77.5% And one of the pieces might be a little big. 16:08.067 --> 16:10.402 align:left position:15% line:83% size:75% (Wade) Get good beds; get good soil. 16:10.502 --> 16:13.072 align:left position:30% line:83% size:60% Don't try to plant until you get the soil right. 16:13.172 --> 16:15.040 align:left position:55% line:83% size:35% And it takes a lot of money 16:15.140 --> 16:16.709 align:left position:60% line:83% size:30% to get a lot of compost 16:16.809 --> 16:19.078 align:left position:35% line:83% size:55% and a lot of peat moss and everything else 16:19.178 --> 16:20.813 align:left position:52.5% line:83% size:37.5% to get your bed just right. 16:20.913 --> 16:22.681 align:left position:37.5% line:83% size:52.5% Then start spending your money on plants. 16:22.781 --> 16:24.583 align:left position:57.5% line:83% size:32.5% We learned the hard way. 16:24.683 --> 16:26.485 align:left position:10% line:83% size:80% Go small-- start with one small bed 16:26.585 --> 16:28.687 align:left position:10% line:83% size:80% and get it perfect and then move on. 16:28.787 --> 16:31.123 align:left position:10% line:83% size:80% Don't try to do the whole yard at once. 16:31.223 --> 16:33.525 align:left position:20% line:77% size:70% (Martin) You can tell by looking at the garden 16:33.625 --> 16:37.129 align:left position:15% line:83% size:75% that these energetic sisters are not afraid of hard work 16:37.229 --> 16:41.300 align:left position:22.5% line:83% size:67.5% because a lot of that went into what you see. 16:41.400 --> 16:44.470 align:left position:20% line:77% size:70% (Stiles) Well, it's a great joy to be out in the garden. 16:44.570 --> 16:47.139 align:left position:15% line:83% size:75% It really is-- it's just fun to be out here. 16:47.239 --> 16:49.174 align:left position:10% line:83% size:80% (Wade) 16:47.239 --> 16:49.174 align:left position:10% line:89% size:80% An  16:47.239 --> 16:49.174 align:left position:10% line:83% size:80% d we just like being outdoors. 16:49.274 --> 16:50.843 align:left position:20% line:89% size:70% We've always liked that. 16:50.943 --> 16:52.311 align:left position:50% line:83% size:40% We were outdoor campers, 16:52.411 --> 16:54.146 align:left position:50% line:83% size:40% and when we went to college, 16:54.246 --> 16:55.881 align:left position:37.5% line:83% size:52.5% we wanted to be forest rangers. 16:55.981 --> 16:58.951 align:left position:47.5% line:77% size:42.5% And they said, "But you can't be forest rangers-- 16:59.051 --> 17:00.452 align:left position:40% line:89% size:50% that's a man's job." 17:00.552 --> 17:03.522 align:left position:30% line:83% size:60% So I guess it's the next best thing as to being-- 17:03.622 --> 17:07.026 align:left position:15% line:83% size:75% having our beautiful garden-- to be outdoors. 17:07.126 --> 17:10.195 align:left position:10% line:77% size:80% (Martin) 17:07.126 --> 17:10.195 align:left position:10% line:83% size:80% Th  17:07.126 --> 17:10.195 align:left position:10% line:77% size:80% e house that is now surrounded by  their spectacular garden 17:10.295 --> 17:12.631 align:left position:20% line:83% size:70% was an early 20th-century phenomenon. 17:12.731 --> 17:15.934 align:left position:27.5% line:83% size:62.5% You could order it from Sears Roebuck. 17:16.035 --> 17:18.537 align:left position:15% line:83% size:75% (Stiles) The house was built in 1920. 17:18.637 --> 17:21.673 align:left position:22.5% line:83% size:67.5% It's, uh, one of those Craftsman houses that-- 17:21.774 --> 17:22.975 align:left position:10% line:89% size:80% the Sears catalog house. 17:23.075 --> 17:24.343 align:left position:47.5% line:83% size:42.5% It's a charming house. 17:24.443 --> 17:26.445 align:left position:10% line:83% size:80% Yesterday, we had some people here from California. 17:26.545 --> 17:28.047 align:left position:20% line:89% size:70% The lady said, 17:28.147 --> 17:30.349 align:left position:10% line:83% size:80% "I saw, in the state magazine, my house." 17:30.449 --> 17:32.217 align:left position:20% line:83% size:70% And she actually came to find it. 17:32.317 --> 17:34.653 align:left position:10% line:83% size:80% She said that she lives in the same house, 17:34.753 --> 17:36.021 align:left position:17.5% line:89% size:72.5% but in California. 17:36.121 --> 17:37.523 align:left position:45% line:83% size:45% Oh, wow-- that's incredible. 17:37.623 --> 17:40.426 align:left position:15% line:77% size:75% (Martin) But it's the garden that attracts most visitors, 17:40.526 --> 17:43.362 align:left position:17.5% line:83% size:72.5% and it's fortunate for us that Barbara and Bernice 17:43.462 --> 17:45.631 align:left position:10% line:89% size:80% are so generous with sharing it. 17:45.731 --> 17:48.700 align:left position:45% line:83% size:45% Hey, look at those spiked ones. 17:48.801 --> 17:51.070 align:left position:22.5% line:77% size:67.5% (Stiles) To have friends, you gotta be a friend. 17:51.170 --> 17:52.971 align:left position:12.5% line:89% size:77.5% and this is what we feel, too, 17:53.072 --> 17:54.840 align:left position:20% line:83% size:70% with the people coming through the yard. 17:54.940 --> 17:57.042 align:left position:20% line:83% size:70% We have made so many wonderful friends 17:57.142 --> 18:00.345 align:left position:17.5% line:83% size:72.5% from all walks of life and all areas around here. 18:00.446 --> 18:04.516 align:left position:12.5% line:89% size:77.5% And it makes our life richer. 18:04.616 --> 18:07.686 align:left position:17.5% line:77% size:72.5% (Wade) When we put a lot of work in it, it's pretty. 18:07.786 --> 18:10.389 align:left position:15% line:83% size:75% We like someone else to come and say it's pretty. 18:10.489 --> 18:11.790 align:left position:10% line:89% size:80% And to enjoy it too. 18:11.890 --> 18:13.959 align:left position:32.5% line:83% size:57.5% And sit down and enjoy it with them. 18:14.059 --> 18:16.028 align:left position:10% line:83% size:80% That great big tulip was that size-- 18:16.128 --> 18:18.163 align:left position:15% line:83% size:75% (Wade) But Barbara and I always say, 18:18.263 --> 18:20.265 align:left position:37.5% line:83% size:52.5% as long as we're good gardeners, 18:20.365 --> 18:21.867 align:left position:35% line:89% size:55% we'll never be lonely. 18:21.967 --> 18:23.435 align:left position:22.5% line:89% size:67.5% They're just lots of people 18:23.535 --> 18:27.372 align:left position:17.5% line:83% size:72.5% who are gonna come by and enjoy the garden with us. 18:27.473 --> 18:31.310 align:left position:82.5% line:5% size:7.5% ♪ 18:42.054 --> 18:43.822 align:left position:22.5% line:5% size:67.5% (narrator) It would be fascinating 18:43.922 --> 18:47.192 align:left position:20% line:5% size:70% to know what Ivey Hayes dreams about at night. 18:47.292 --> 18:49.328 align:left position:30% line:89% size:60% [ethereal score] 18:49.428 --> 18:58.303 align:left position:82.5% line:5% size:7.5% ♪ 18:58.403 --> 18:59.805 align:left position:30% line:89% size:60% Whatever it is, 18:59.905 --> 19:02.307 align:left position:17.5% line:83% size:72.5% there's a pretty good likelihood that he wakes up 19:02.407 --> 19:04.243 align:left position:20% line:89% size:70% with a smile on his face 19:04.343 --> 19:06.745 align:left position:12.5% line:89% size:77.5% and can't wait to get to work, 19:06.845 --> 19:08.780 align:left position:12.5% line:89% size:77.5% putting paintbrush to canvas. 19:08.881 --> 19:10.749 align:left position:15% line:83% size:75% (Hayes) I'm just bubbling over inside 19:10.849 --> 19:12.818 align:left position:10% line:83% size:80% and saying, "Man, isn't this great?" 19:12.918 --> 19:14.486 align:left position:10% line:89% size:80% And so I have fun. 19:14.586 --> 19:18.023 align:left position:10% line:83% size:80% I mean, I have fun 24/7 when I'm painting. 19:18.123 --> 19:20.692 align:left position:82.5% line:5% size:7.5% ♪ 19:20.792 --> 19:23.362 align:left position:20% line:77% size:70% (narrator) And Ivey Hayes is one of those painters 19:23.462 --> 19:26.031 align:left position:22.5% line:83% size:67.5% whose work you don't soon forget. 19:26.131 --> 19:28.333 align:left position:82.5% line:5% size:7.5% ♪ 19:28.433 --> 19:32.738 align:left position:25% line:83% size:65% Sinuous shapes swirl across his creations. 19:32.838 --> 19:37.376 align:left position:15% line:83% size:75% Brilliant colors present themselves in riotous array. 19:37.476 --> 19:39.811 align:left position:27.5% line:83% size:62.5% There are no shades of gray here. 19:39.912 --> 19:42.748 align:left position:15% line:83% size:75% Colors are so richly applied that the sounds 19:42.848 --> 19:46.118 align:left position:22.5% line:83% size:67.5% and smells of the beach come close at hand. 19:46.218 --> 19:50.222 align:left position:15% line:83% size:75% You can practically reach out and touch the fish, 19:50.322 --> 19:53.926 align:left position:22.5% line:83% size:67.5% choose a bucket of oysters for dinner, 19:54.026 --> 19:58.263 align:left position:15% line:83% size:75% begin to know what it's like to work tobacco... 19:58.363 --> 20:02.134 align:left position:25% line:89% size:65% or even pick cotton. 20:02.234 --> 20:05.337 align:left position:27.5% line:83% size:62.5% And you can almost hear the music... 20:05.437 --> 20:09.341 align:left position:82.5% line:5% size:7.5% ♪ 20:09.441 --> 20:11.410 align:left position:15% line:89% size:75% and have a pretty good idea 20:11.510 --> 20:14.079 align:left position:22.5% line:83% size:67.5% what Ivey Hayes dreams about at night. 20:14.179 --> 20:17.783 align:left position:82.5% line:5% size:7.5% ♪ 20:17.883 --> 20:21.153 align:left position:25% line:83% size:65% How did this man come to paint this way, 20:21.253 --> 20:25.724 align:left position:15% line:83% size:75% as if the very rainbow has been summoned to his service? 20:25.824 --> 20:28.427 align:left position:22.5% line:77% size:67.5% (Hayes) Actually, it started in first grade, really. 20:28.527 --> 20:32.030 align:left position:12.5% line:83% size:77.5% Uh, I had a love for the pencil to draw things, 20:32.130 --> 20:35.601 align:left position:17.5% line:5% size:72.5% and so it was something that was in me I had to do. 20:35.701 --> 20:38.503 align:left position:30% line:5% size:60% I didn't have a choice-- I lived it; 20:38.604 --> 20:41.173 align:left position:27.5% line:5% size:62.5% I walked it; I talked it; I dreamed it. 20:41.273 --> 20:43.008 align:left position:30% line:5% size:60% Everything was like art. 20:43.108 --> 20:45.744 align:left position:30% line:89% size:60% It was like life for me. 20:45.844 --> 20:47.379 align:left position:12.5% line:89% size:77.5% I didn't have to push myself. 20:47.479 --> 20:49.748 align:left position:27.5% line:83% size:62.5% It was in me-- it took hold of me. 20:49.848 --> 20:52.184 align:left position:27.5% line:83% size:62.5% And all I had to do was just do. 20:52.284 --> 20:54.586 align:left position:25% line:77% size:65% (narrator) So the boy who could outdraw his teachers 20:54.686 --> 20:56.488 align:left position:27.5% line:83% size:62.5% was off and running toward a future 20:56.588 --> 20:59.057 align:left position:17.5% line:83% size:72.5% that eventually would allow him to make a living 20:59.157 --> 21:00.959 align:left position:17.5% line:89% size:72.5% doing something he loved, 21:01.059 --> 21:04.496 align:left position:12.5% line:83% size:77.5% although not before trying a variety of other occupations 21:04.596 --> 21:06.298 align:left position:15% line:89% size:75% in different Carolina towns 21:06.398 --> 21:09.501 align:left position:22.5% line:83% size:67.5% and then being thrown one critical curve ball 21:09.601 --> 21:13.772 align:left position:25% line:83% size:65% that would change his life and his art. 21:13.872 --> 21:17.009 align:left position:17.5% line:83% size:72.5% If Ivey Hayes' first gift was his talent, 21:17.109 --> 21:20.946 align:left position:20% line:83% size:70% his second gift was born from adversity. 21:21.046 --> 21:25.050 align:left position:17.5% line:77% size:72.5% (Hayes) When I, uh, moved back home in the early '80s, 21:25.150 --> 21:28.820 align:left position:12.5% line:83% size:77.5% I started work at Federal Paper in Wilmington. 21:28.920 --> 21:30.722 align:left position:27.5% line:89% size:62.5% A few years later, 21:30.822 --> 21:33.225 align:left position:17.5% line:89% size:72.5% I came down with an illness-- 21:33.325 --> 21:35.260 align:left position:32.5% line:89% size:57.5% rheumatoid arthritis. 21:35.360 --> 21:37.496 align:left position:82.5% line:5% size:7.5% ♪ 21:37.596 --> 21:38.997 align:left position:10% line:89% size:80% [sighing] 21:39.097 --> 21:42.601 align:left position:15% line:83% size:75% The doctors suggested to me, as a form of therapy, 21:42.701 --> 21:45.137 align:left position:12.5% line:89% size:77.5% to start drawing and painting. 21:45.237 --> 21:50.242 align:left position:22.5% line:83% size:67.5% And so as a result of-- of a illness, uh, 21:50.342 --> 21:54.279 align:left position:22.5% line:83% size:67.5% so many positive things came out of this. 21:54.379 --> 21:57.082 align:left position:25% line:77% size:65% (narrator) Ivey continued painting right along, 21:57.182 --> 21:59.918 align:left position:15% line:89% size:75% despite his damaged hands... 22:00.018 --> 22:03.088 align:left position:15% line:83% size:75% gentle but arresting watercolors in natural hues, 22:03.188 --> 22:06.058 align:left position:27.5% line:89% size:62.5% for the most part. 22:06.158 --> 22:08.327 align:left position:17.5% line:89% size:72.5% And then he was presented 22:08.427 --> 22:11.596 align:left position:27.5% line:83% size:62.5% with a fresh vision for his art... 22:12.864 --> 22:16.234 align:left position:15% line:83% size:75% one bursting with brightness and distorted human images 22:16.335 --> 22:19.938 align:left position:27.5% line:83% size:62.5% without discernible facial features. 22:20.038 --> 22:23.241 align:left position:12.5% line:83% size:77.5% And there were design elements reminiscent of Africa. 22:23.342 --> 22:25.610 align:left position:27.5% line:77% size:62.5% (Hayes) When the Lord began to show me things, 22:25.711 --> 22:27.813 align:left position:27.5% line:83% size:62.5% a whole new world opened up to me-- 22:27.913 --> 22:29.448 align:left position:25% line:83% size:65% using bright colors-- and sometimes, 22:29.548 --> 22:31.817 align:left position:22.5% line:83% size:67.5% He would show me, like, four paintings-- 22:31.917 --> 22:33.618 align:left position:15% line:89% size:75% one right behind the other-- 22:33.719 --> 22:36.488 align:left position:22.5% line:83% size:67.5% and usually were images of silhouette women. 22:36.588 --> 22:37.823 align:left position:15% line:89% size:75% These people would have on-- 22:37.923 --> 22:39.524 align:left position:12.5% line:89% size:77.5% or the ladies would have on-- 22:39.624 --> 22:41.960 align:left position:17.5% line:83% size:72.5% these long, flowing gowns, full of light-- 22:42.060 --> 22:44.363 align:left position:15% line:83% size:75% moving, sweeping-- full of geometric patterns-- 22:44.463 --> 22:46.398 align:left position:35% line:89% size:55% you name it. 22:46.498 --> 22:48.900 align:left position:22.5% line:83% size:67.5% And it blew me away... literally. 22:49.000 --> 22:50.869 align:left position:82.5% line:5% size:7.5% ♪ 22:50.969 --> 22:53.338 align:left position:32.5% line:83% size:57.5% I didn't ask for this gift. 22:53.438 --> 22:55.841 align:left position:32.5% line:89% size:57.5% It was given to me. 22:55.941 --> 22:59.211 align:left position:17.5% line:83% size:72.5% Before I really began to use it in my paintings, 22:59.311 --> 23:00.879 align:left position:15% line:89% size:75% I didn't want to accept that 23:00.979 --> 23:02.848 align:left position:27.5% line:83% size:62.5% because it looked so strange and odd. 23:02.948 --> 23:05.417 align:left position:37.5% line:83% size:52.5% I said, "Wow, where'd that come from?" 23:05.517 --> 23:08.387 align:left position:47.5% line:83% size:42.5% But... I enjoy it today. 23:08.487 --> 23:10.856 align:left position:50% line:83% size:40% Why? Because it's me. 23:10.956 --> 23:12.991 align:left position:82.5% line:5% size:7.5% ♪ 23:13.091 --> 23:15.360 align:left position:15% line:83% size:75% (narrator) It's not hard to imagine how, 23:15.460 --> 23:17.662 align:left position:25% line:83% size:65% given Ivey Hayes' level of inspiration, 23:17.763 --> 23:21.333 align:left position:15% line:83% size:75% he has produced so much work, available in varied formats 23:21.433 --> 23:24.669 align:left position:20% line:83% size:70% in the store adjacent to his Wilmington studio 23:24.770 --> 23:26.304 align:left position:17.5% line:89% size:72.5% and in galleries elsewhere 23:26.405 --> 23:29.608 align:left position:27.5% line:83% size:62.5% at surprisingly affordable prices. 23:29.708 --> 23:32.544 align:left position:17.5% line:77% size:72.5% (Hayes) It's okay to be commissioned to do a work, 23:32.644 --> 23:34.479 align:left position:25% line:83% size:65% providing it's done the Ivey Hayes way. 23:34.579 --> 23:37.482 align:left position:17.5% line:83% size:72.5% If they say, "Well, Ivey, I need this; I want this; 23:37.582 --> 23:41.052 align:left position:17.5% line:83% size:72.5% I want that, and I want you to show me this or that," 23:41.153 --> 23:43.989 align:left position:22.5% line:83% size:67.5% immediately, I have to say, I'm sorry; I cannot do that 23:44.089 --> 23:49.528 align:left position:17.5% line:89% size:72.5% because of how I do things... 23:49.628 --> 23:51.029 align:left position:30% line:89% size:60% because, in me, 23:51.129 --> 23:53.799 align:left position:12.5% line:83% size:77.5% there's a student, then there's a master teacher. 23:53.899 --> 23:56.635 align:left position:15% line:83% size:75% And when that master teacher shows up, 23:56.735 --> 23:59.538 align:left position:12.5% line:89% size:77.5% Ivey becomes the paint pusher. 23:59.638 --> 24:03.074 align:left position:15% line:83% size:75% And you could say the supernatural takes over. 24:03.175 --> 24:05.477 align:left position:15% line:89% size:75% No longer is it about Ivey. 24:05.577 --> 24:10.248 align:left position:12.5% line:83% size:77.5% It's about Ivey just doing that which is being shown to him. 24:10.348 --> 24:12.083 align:left position:82.5% line:5% size:7.5% ♪ 24:12.184 --> 24:13.952 align:left position:25% line:89% size:65% I don't have a clue 24:14.052 --> 24:17.088 align:left position:17.5% line:83% size:72.5% as to what's gonna be in this scene or whatever, 24:17.189 --> 24:18.623 align:left position:25% line:89% size:65% but I can tell you, 24:18.723 --> 24:22.093 align:left position:10% line:83% size:80% it will be grand and fantastic-- that I do know. 24:22.194 --> 24:28.934 align:left position:82.5% line:5% size:7.5% ♪ 24:29.034 --> 24:31.369 align:left position:27.5% line:77% size:62.5% (narrator) When this artist's gnarled fingers 24:31.470 --> 24:34.673 align:left position:20% line:83% size:70% apply paint to canvas-- mostly primary colors-- 24:34.773 --> 24:38.076 align:left position:25% line:83% size:65% it's as if he enters another world. 24:38.176 --> 24:40.745 align:left position:22.5% line:89% size:67.5% I'm shown many colors. 24:40.846 --> 24:42.647 align:left position:27.5% line:89% size:62.5% When I use color, 24:42.747 --> 24:45.851 align:left position:17.5% line:83% size:72.5% it may not relate directly to what I'm painting, 24:45.951 --> 24:50.822 align:left position:15% line:83% size:75% so it's not about the fish, but it's more about color. 24:50.922 --> 24:53.792 align:left position:22.5% line:77% size:67.5% (narrator) And color is what makes everything come alive 24:53.892 --> 24:55.627 align:left position:20% line:89% size:70% in Ivey Hayes' painting. 24:55.727 --> 24:59.731 align:left position:82.5% line:5% size:7.5% ♪ 24:59.831 --> 25:02.801 align:left position:17.5% line:77% size:72.5% (Hayes) When I paint, I become what I'm painting, 25:02.901 --> 25:05.237 align:left position:22.5% line:83% size:67.5% though I have to get around right now 25:05.337 --> 25:07.105 align:left position:17.5% line:89% size:72.5% with the use of crutches. 25:07.205 --> 25:09.241 align:left position:22.5% line:83% size:67.5% Physically, you look at me saying, 25:09.341 --> 25:11.142 align:left position:20% line:89% size:70% now, how can he do that? 25:11.243 --> 25:15.914 align:left position:20% line:83% size:70% But mentally, I'm-- I feel what I'm painting. 25:16.014 --> 25:19.951 align:left position:27.5% line:83% size:62.5% I literally become what I'm painting. 25:20.051 --> 25:23.421 align:left position:12.5% line:89% size:77.5% The painting takes hold of me, 25:23.522 --> 25:26.124 align:left position:27.5% line:89% size:62.5% and we become one. 25:26.224 --> 25:34.666 align:left position:82.5% line:5% size:7.5% ♪ 25:36.368 --> 25:39.638 align:left position:30% line:83% size:60% [birds chirping] twi, twi...twi 25:39.738 --> 25:42.541 align:left position:22.5% line:83% size:67.5% [strings lead resonant orchestration] 25:42.641 --> 25:45.644 align:left position:82.5% line:5% size:7.5% ♪ 25:45.744 --> 25:47.913 align:left position:27.5% line:83% size:62.5% [thunder rumbling] bmm, bmm...bmm 25:48.013 --> 25:50.749 align:left position:32.5% line:89% size:57.5% [piano joins] 25:50.849 --> 25:56.187 align:left position:82.5% line:5% size:7.5% ♪ 26:03.995 --> 26:06.631 align:left position:12.5% line:89% size:77.5% [acoustic guitar plays softly] 26:06.731 --> 26:13.872 align:left position:82.5% line:5% size:7.5% ♪ 26:13.972 --> 26:21.680 align:left position:82.5% line:5% size:7.5% ♪ 26:21.780 --> 26:33.892 align:left position:82.5% line:5% size:7.5% ♪ 26:33.992 --> 26:37.062 align:left position:32.5% line:89% size:57.5% [piano leads] 26:37.162 --> 26:44.302 align:left position:82.5% line:5% size:7.5% ♪ 26:44.402 --> 26:52.077 align:left position:82.5% line:5% size:7.5% ♪ 26:52.177 --> 27:03.121 align:left position:82.5% line:5% size:7.5% ♪ 27:03.221 --> 27:05.423 align:left position:30% line:83% size:60% [birds chirping] wha, wha...wha 27:09.894 --> 27:12.163 align:left position:12.5% line:89% size:77.5% [piano suggests chamber music] 27:12.263 --> 27:20.739 align:left position:82.5% line:5% size:7.5% ♪ 27:20.839 --> 27:23.375 align:left position:32.5% line:89% size:57.5% [violins join] 27:23.475 --> 27:30.649 align:left position:82.5% line:5% size:7.5% ♪ 27:30.749 --> 27:38.390 align:left position:82.5% line:5% size:7.5% ♪ 27:38.490 --> 27:43.495 align:left position:15% line:83% size:75% Captioning by Caption Perfect www.CaptionPerfect.com 27:45.730 --> 27:48.266 align:left position:20% line:5% size:70% (announcer) To subscribe to "Our State" magazine, 27:48.366 --> 27:52.437 align:left position:17.5% line:5% size:72.5% visit the Web site www.ourstate.com or call... 27:59.144 --> 28:01.146 align:left position:10% line:89% size:80% From back roads and small towns 28:01.246 --> 28:03.748 align:left position:25% line:83% size:65% to busy interstates and bustling cities, 28:03.848 --> 28:06.751 align:left position:17.5% line:83% size:72.5% BB&T is proud to contribute to the growth 28:06.851 --> 28:09.654 align:left position:12.5% line:83% size:77.5% of more than 180 North Carolina communities. 28:09.754 --> 28:12.791 align:left position:22.5% line:83% size:67.5% We've seen a lot change in our 130 years, 28:12.891 --> 28:15.193 align:left position:22.5% line:83% size:67.5% but our commitment to the people we serve 28:15.293 --> 28:17.062 align:left position:12.5% line:89% size:77.5% is one thing that never will. 28:17.162 --> 28:20.699 align:left position:10% line:83% size:80% We're proud to help build 28:17.162 --> 28:20.699 align:left position:10% line:89% size:80% th  28:17.162 --> 28:20.699 align:left position:10% line:83% size:80% is special place we call home, 28:20.799 --> 28:22.667 align:left position:17.5% line:89% size:72.5% and we're proud to provide 28:22.767 --> 28:25.270 align:left position:12.5% line:89% size:77.5% major funding for "Our State."