WEBVTT
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[bright acoustic guitar tune]
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♪
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(narrator)
Fishing is a hopeful endeavor.
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Think about it.
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You enter
into nature's realm
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with great expectation,
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even if your fishing
is limited to a farm pond.
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And there you make
sort of a bargain
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with the Divine,
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who will loan you His fish
for a while
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just for the fun of it,
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although one could
easily conclude
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that the fish aren't having
nearly as much fun as you are,
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especially if you get to fish
on a warm spring afternoon
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with your grandson.
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For Duane Raver,
fishing and fish
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have been his way of life
and vocation
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for a very long time.
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He's been catching
and painting fish
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for going on eight decades.
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♪
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If you've ever seen
magazine covers like these
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over the years,
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you've seen Duane Raver's art.
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♪
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It's little wonder
that a fish just like this
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could find its way
first onto canvas
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and then into print,
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and wonder more that Duane
got into art at all
01:11.337 --> 01:13.306 align:left position:17.5%,start line:83% size:72.5%
after hearing what
his high school art teacher
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had to say back in Iowa.
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"Mr. Raver,
I just don't believe
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you've got a--
a future in artwork."
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(narrator)
Clearly he did,
01:21.714 --> 01:24.451 align:left position:20%,start line:83% size:70%
but it took awhile
for him togetthe idea.
01:24.551 --> 01:26.619 align:left position:22.5%,start line:83% size:67.5%
(Raver)
I was really surprised
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that I had that ability.
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I thought the kid
right next to me in the desk
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could do exactly
the same thing I could do.
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Well, obviously,
it was a gift that I was given
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that most kids there
did not have.
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I remember the one, uh,
that I got paid for.
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The first--
my first assignment
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was theFin and Feather News,
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in Lufkin, Texas,
and I got five dollars.
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I think that must have been
about 1946 or '7,
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and I thought,
"Whoa! That's great."
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So that was my introduction
to professional artwork.
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(narrator)
By 1949,
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Duane had finished school
with a degree
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in fishery management
from Iowa State College
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and was ready
to tackle real life.
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Got a call one day
from North Carolina.
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Friend of mine, uh--
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we had sort of
a mutual agreement
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that if he got a job
that I might be interested in,
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uh, he'd let me know,
and vice versa.
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Well, he was first to call.
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"I'm leaving North Carolina;
come down and take my job."
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The Wildlife Commission
was only, uh,
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two or three years old
and kind of an infancy,
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and certainly,
the fish division
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needed a lot of, um,
organization.
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(narrator)
The new Tar Heel
got right to work
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taking stock of fish
in North Carolina's reservoirs
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and as it turned out,
got to work
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helping put together
the Commission's new magazine.
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(man)
I think, for a long time,
Duanewasthe magazine.
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I mean, Duane literally,
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for some years,
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did everything
there was to do
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for the magazine.
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Duane would paint the covers.
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He would paint illustrations
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for the inside
of the magazine.
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He would, uh,
literally paste up the pages
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uh, when--
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when, you know,
pages had to be pasted up
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and then shot,
and the negatives, uh, were--
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were printed, um.
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Duane did everything.
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I mean, I think, really,
Duane made this magazine.
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I think his paintings
made this magazine.
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(Raver)
I strive for accuracy--hah!
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What comes to mind
was a cover that I did
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for theWildlifemagazine
of a turkey gobbler.
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And, uh,
it got in print,
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and about two weeks later,
I got a, uh--a communiqué
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from a turkey hunter
in Florida.
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"Mr. Raver,
that's a nice gobbler on there,
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but it's the only I ever saw
that didn't have any spurs."
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I had not put the spurs
on the gobbler,
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so that was obviously
in print,
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and I'll never live--
live it down,
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and so I've made
some mistakes, um,
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in my checkered past.
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There's no question
about that.
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(narrator)
After his retirement
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from the Wildlife Commission
in 1979,
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Raver launched himself
full time
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into the freelance world.
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♪
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(Raver)
Fishes of the Southeast
United States--
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we did 150 illustrations,
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both fresh
and saltwater there.
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Whoa, those have been used
and used and used,
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which is great.
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(narrator)
Despite his success,
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Duane sometimes
seems to agree,
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at least in part,
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with his high school
art teacher
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that he can paint this,
but he can't paint that,
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and he doesn't consider
himself an artist.
04:48.655 --> 04:52.525 align:left position:25%,start line:77% size:65%
(Raver)
I--I classify myself
as an illustrator
04:52.625 --> 04:55.528 align:left position:15%,start line:89% size:75%
as opposed to an artist, um.
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Now, you may say,
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Well, I don't see
the differentiation.
04:59.065 --> 05:01.501 align:left position:35%,start line:83% size:55%
Well, uh,
there is, uh,
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certainly,
in my judgment, uh,
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considerable difference there.
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I cannot do abstracts.
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I don't do portraits.
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I had to learn
to do, um, waterfowl, um.
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Demand--
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"Hey, can you do
a goose painting
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or a duck painting?"
05:20.286 --> 05:21.788 align:left position:22.5%,start line:89% size:67.5%
"Well, yeah I can try,"
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and that took a while to--
to develop that.
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I was so into fish
05:26.693 --> 05:30.596 align:left position:25%,start line:83% size:65%
that anything else
was a real challenge.
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I simply had to learn--
and I'm still learning there,
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so--whoa--after, whatever,
70-some years just to be sure.
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Now, every day, I--
I learn something, I hope.
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(narrator)
This ever-learning,
ever-fresh artist
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has plenty of opportunity
to hone his technique
05:47.647 --> 05:49.549 align:left position:27.5%,start line:83% size:62.5%
and paint even more
new subjects
05:49.649 --> 05:53.219 align:left position:15%,start line:83% size:75%
because his daughter Diane
operates a taxidermy business
05:53.319 --> 05:56.789 align:left position:15%,start line:83% size:75%
as part
of their Wake County studio.
05:56.889 --> 05:59.892 align:left position:12.5%,start line:5% size:77.5%
Well, I do remember,
he would work--
05:59.992 --> 06:01.327 align:left position:17.5%,start line:5% size:72.5%
paint at night
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when he would come home
from work, so, um,
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I would spend time there
in his--in his workroom,
06:08.634 --> 06:12.038 align:left position:10%,start line:83% size:80%
and he may have had a--
a duck wing, um,
06:12.138 --> 06:14.374 align:left position:12.5%,start line:83% size:77.5%
those kinds of things
that he was workin' on.
06:14.474 --> 06:16.809 align:left position:22.5%,start line:83% size:67.5%
So that's a very early
memory for me.
06:16.909 --> 06:18.878 align:left position:25%,start line:77% size:65%
(narrator)
And that's not
the only difference.
06:18.978 --> 06:21.881 align:left position:20%,start line:83% size:70%
Having Diane so close by
has been a blessing...
06:21.981 --> 06:23.549 align:left position:37.5%,start line:89% size:52.5%
both ways.
06:23.649 --> 06:25.084 align:left position:37.5%,start line:83% size:52.5%
(Braswell)
It's great.
06:25.184 --> 06:28.855 align:left position:20%,start line:83% size:70%
He works in this section,
and I work downstairs
06:28.955 --> 06:30.923 align:left position:27.5%,start line:89% size:62.5%
in my section, um.
06:31.023 --> 06:34.927 align:left position:17.5%,start line:83% size:72.5%
Even though we work, maybe,
together all day long,
06:35.027 --> 06:39.065 align:left position:17.5%,start line:83% size:72.5%
we may not have a whole lot
of interaction some days,
06:39.165 --> 06:40.666 align:left position:25%,start line:89% size:65%
and then other days,
06:40.767 --> 06:45.405 align:left position:22.5%,start line:83% size:67.5%
he'll advise me
on bill color of ducks
06:45.505 --> 06:50.643 align:left position:20%,start line:83% size:70%
or, uh, habitat material,
things like that
06:50.743 --> 06:53.379 align:left position:32.5%,start line:83% size:57.5%
that he's, uh--
helps me with.
06:53.479 --> 06:55.648 align:left position:20%,start line:83% size:70%
I've done a lot
of commercial deer heads
06:55.748 --> 06:58.751 align:left position:32.5%,start line:83% size:57.5%
over the years,
but my, um--
06:58.851 --> 07:02.021 align:left position:17.5%,start line:83% size:72.5%
my preference
was always with waterfowl.
07:02.121 --> 07:04.424 align:left position:27.5%,start line:83% size:62.5%
There's so many
different species,
07:04.524 --> 07:07.927 align:left position:22.5%,start line:83% size:67.5%
different poses--
flying, standing, uh--
07:08.027 --> 07:09.962 align:left position:22.5%,start line:89% size:67.5%
a lot more interesting.
07:10.062 --> 07:11.964 align:left position:87.5%,start line:5% size:2.5%
♪
07:12.064 --> 07:14.834 align:left position:20%,start line:77% size:70%
(narrator)
Both father and daughter
consult the real thing
07:14.934 --> 07:16.369 align:left position:27.5%,start line:89% size:62.5%
from time to time,
07:16.469 --> 07:18.371 align:left position:30%,start line:83% size:60%
including a stash
of bird wings
07:18.471 --> 07:20.907 align:left position:27.5%,start line:83% size:62.5%
Duane keeps
in a file cabinet.
07:21.007 --> 07:23.009 align:left position:22.5%,start line:83% size:67.5%
When painting something
as elaborate
07:23.109 --> 07:25.611 align:left position:20%,start line:83% size:70%
and finely detailed
as this mother wood duck
07:25.711 --> 07:26.979 align:left position:27.5%,start line:89% size:62.5%
and her hatchlings,
07:27.079 --> 07:29.515 align:left position:25%,start line:83% size:65%
he often refers
to actual specimens,
07:29.615 --> 07:33.085 align:left position:25%,start line:83% size:65%
much like Audubon did
for his life studies.
07:33.186 --> 07:35.087 align:left position:87.5%,start line:5% size:2.5%
♪
07:35.188 --> 07:37.457 align:left position:27.5%,start line:83% size:62.5%
Now let's finish up
with a story
07:37.557 --> 07:39.725 align:left position:20%,start line:89% size:70%
plus a keen observation.
07:40.893 --> 07:43.062 align:left position:42.5%,start line:5% size:47.5%
This is an original
watercoloring
07:43.162 --> 07:45.832 align:left position:20%,start line:5% size:70%
that Duane Raver did in 1946
07:45.932 --> 07:48.968 align:left position:35%,start line:5% size:55%
when he was a student
at Iowa State College.
07:49.068 --> 07:51.037 align:left position:20%,start line:89% size:70%
And this was found in a--
07:51.137 --> 07:53.606 align:left position:27.5%,start line:83% size:62.5%
in a--a pile
of belongings, uh,
07:53.706 --> 07:57.510 align:left position:15%,start line:83% size:75%
from one of his college mates
back in--in those days.
07:57.610 --> 07:59.345 align:left position:35%,start line:89% size:55%
And, uh, the daughter
07:59.445 --> 08:01.781 align:left position:37.5%,start line:83% size:52.5%
of the college friend
found this,
08:01.881 --> 08:04.250 align:left position:40%,start line:83% size:50%
didn't know
who Duane Raver was,
08:04.350 --> 08:05.618 align:left position:42.5%,start line:89% size:47.5%
googled the name,
08:05.718 --> 08:07.954 align:left position:22.5%,start line:83% size:67.5%
and found out
that he was an artist and--
08:08.054 --> 08:10.122 align:left position:27.5%,start line:83% size:62.5%
and an illustrator
famous in North Carolina,
08:10.223 --> 08:11.891 align:left position:35%,start line:89% size:55%
contacted Duane, and--
08:11.991 --> 08:14.660 align:left position:22.5%,start line:83% size:67.5%
and asked what to do
with this original artwork.
08:14.760 --> 08:15.928 align:left position:47.5%,start line:89% size:42.5%
Duane said,
08:16.028 --> 08:17.797 align:left position:30%,start line:83% size:60%
"Send it to the Wildlife
Resources Commission,
08:17.897 --> 08:19.665 align:left position:40%,start line:83% size:50%
and they'll be proud
to display it,"
08:19.765 --> 08:21.801 align:left position:37.5%,start line:83% size:52.5%
and this is one
of our proudest items
08:21.901 --> 08:24.670 align:left position:42.5%,start line:83% size:47.5%
we're glad to have
from, uh, 1946.
08:24.770 --> 08:27.940 align:left position:22.5%,start line:83% size:67.5%
Even today, uh,
when I go across the state,
08:28.040 --> 08:30.109 align:left position:37.5%,start line:83% size:52.5%
or sometimes people
will call in
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or send a letter in,
08:32.178 --> 08:34.547 align:left position:20%,start line:83% size:70%
and they will talk about
seeing Duane's paintings
08:34.647 --> 08:36.616 align:left position:20%,start line:83% size:70%
on the cover
when they were growin' up
08:36.716 --> 08:38.684 align:left position:17.5%,start line:83% size:72.5%
or the fact that they have
Duane's paintings
08:38.784 --> 08:40.119 align:left position:27.5%,start line:89% size:62.5%
in their house now,
08:40.219 --> 08:42.822 align:left position:25%,start line:83% size:65%
and how much pleasure
they get from that,
08:42.922 --> 08:45.258 align:left position:15%,start line:83% size:75%
and I--
I think a large part of that
08:45.358 --> 08:48.794 align:left position:17.5%,start line:83% size:72.5%
goes back to them seein'
those paintings on a cover
08:48.895 --> 08:50.396 align:left position:20%,start line:89% size:70%
when they were children,
08:50.496 --> 08:53.799 align:left position:30%,start line:83% size:60%
and, you know,
Duane's paintings
08:53.900 --> 08:59.138 align:left position:20%,start line:83% size:70%
evoke, I think, a nostalgia,
uh, for those people.
08:59.238 --> 09:01.707 align:left position:22.5%,start line:83% size:67.5%
I--I mean,
I know they do for me.
09:01.807 --> 09:03.442 align:left position:27.5%,start line:83% size:62.5%
It's hard to think
about wildlife
09:03.543 --> 09:04.810 align:left position:30%,start line:89% size:60%
in North Carolina
09:04.911 --> 09:07.079 align:left position:27.5%,start line:83% size:62.5%
and not think
about Duane Raver.
09:07.179 --> 09:09.215 align:left position:25%,start line:83% size:65%
[harmonica concludes
guitar tune]
09:09.315 --> 09:11.484 align:left position:87.5%,start line:5% size:2.5%
♪