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[gentle orchestral fanfare]

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♪

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[resonant strings lead 
building orchestration]

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♪

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(male narrator) 
Welcome to "Our State,"

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a production of UNC-TV

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in association 
with "Our State" magazine--

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for over 70 years,

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bringing the wonders 
of North Carolina

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to readers across the state.

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On this edition, 
what some have called

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the strangest house 
in the world,

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Rick Sullivan shows us 
some sights and sounds

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on fall Friday nights...

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Fight, fight, fight!

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(narrator) 
and what it takes 
to make North Carolina home

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to plants and animals 
from all over the world.

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♪

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[surf pounds as wind rushes]

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(male announcer) 
BB&T serves the needs

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of more than 180 communities 
from the Outer Banks

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and the Blue Ridge Mountains 
to everywhere in between.

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Since 1872, 
we have supported

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the people and places 
of North Carolina,

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and we've been proud 
to live and work here too.

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We love calling 
North Carolina our home,

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and we're pleased to provide 
major funding for "Our State."

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Additional funding has been 
provided by UNC-TV members.

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[harpsichord leads 
gentle arrangement]

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♪

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(narrator) 
Back in 1878, the young 
advertising illustrator

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and entrepreneur 
named Jule Körner

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decided to build a house.

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His star was on the rise,

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and he decided 
to use his new home

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to showcase his prospering 
decorating business.

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Here's what he came up with.

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♪

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People in the newly named 
town of Kernersville

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had their doubts 
about whether Jule

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had both feet planted 
firmly on the ground,

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as they watched 
his creation rise

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on the community's 
main street.

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Eventually, 
Körner's magnificent obsession

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would evolve into 23 rooms, 
according to Connie Russell,

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who helps us find our way 
through the place,

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which she says was built 
on quite a solid foundation.

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(Russell) 
Jule had a fear of fire, 
so when it was being built,

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you had brick studding 
going up in the house.

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Everything was brick,

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and so everybody 
thought it was quite odd.

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(narrator) 
And people talked,

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often speaking disparagingly of 
Jule's design behind his back,

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saying things like:

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(Russell) 
Twenty years from now,

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this house is gonna to be known 
as Jule Körner's folly.

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(narrator) 
The whisperings 
were not lost on Jule,

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so when he opened up the house 
on Easter Monday, 1880,

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townsfolk were surprised 
by the invitations.

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[Russell reading] 
"You're invited

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to the grand-opening 
gala at Körner's Folly."

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And that's how it got its name,

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and when he had 
the front porch put in,

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then he has "Körner's Folly" 
put in the tiles

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across the front porch, 
so it's always been the Folly.

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♪

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(narrator) 
No one room in the house 
is quite like another.

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♪

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Some are elegant and spacious...

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while other rooms 
you can barely stand in.

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(Russell) 
A lot of your ceilings are low.

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The doorways are small; 
the hallways are small.

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But people 
were smaller back then.

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Your standard 
height of a man

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at the turn of the century 
was between 5'7" and 5'8".

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(narrator) 
Details often differ 
within the same room.

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♪

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But taken together,

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these differences comprised 
a catalog of design features,

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some of them quite ingenious,

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that Jule used to showcase 
his décor inventory,

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which he presented to the public

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as Rubin Rink Decorating 
and House-Furnishing Company.

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(Russell) 
There was no stopping it, 
from that moment on.

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Every time a new decorative 
motif came into being,

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he would find someplace 
in his house to put it.

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The house was constantly

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under some type 
of construction--always.

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♪

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(narrator) 
The Folly's rooms are connected

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by a dizzying maze 
of corridors,

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ventilation shafts, 
and fireplaces,

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with their intricate 
network of flues.

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(Russell) 
He was way ahead of his time

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both in his engineering ability

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and in his 
architectural ability--

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his ventilation system 
going through the house--

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the fact that he put tunnels 
underneath the house

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to enable the cool air 
to rise through the same system

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that pulled the heat through 
from the fireplaces.

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We have 15 fireplaces 
in this house,

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and every fireplace in 
Körner's Folly draws perfectly.

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He was an engineering genius.

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(narrator) 
Even the most inventive and 
determined of small children

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would find it challenging 
to navigate their way

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through the Folly's 
trapdoors and passages.

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(man) 
And also, 
there used to be a tunnel

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that led across the road 
to the carriage house.

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(narrator) 
Like Bill Donnell,

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a Körner descendant, 
and his playmates used to do.

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(Donnell) 
My fond memories

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are wandering 
around the house just--

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it was a treasure trove 
of places to hide.

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And it was an adventure 
just to find out,

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you know, 
where things led to,

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and every room sparks 
the imagination.

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♪

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(narrator) 
But there was one room 
in the Folly

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that came to spark the 
imagination of a certain lady.

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Not long after the house 
was built,

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Jule decided to marry,

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and Alice Körner immediately 
seized on a few things

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about the place 
that simply had to go--

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the billiards room 
on the top floor, for sure,

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which became 
Jule's art studio for a while.

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♪

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But she especially 
had her eye on the carriageway.

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Coming down 
the narrow back passageway

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leads you 
into the library area,

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which was formerly the stables 
and the horse stalls.

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♪

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(narrator) 
Yep, there were horses

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in her house-- 
heh, heh.

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Here's how it worked:

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The Folly's foyer 
was the original carriageway,

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with an entrance 
just off the street

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into which horse 
and carriage could be driven

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and passengers disembarked.

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The carriage 
was then driven out the back,

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through the archway,

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where this breakfast room 
is today,

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or the horses could be stabled 
right there in the house,

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to the right, 
as they came in.

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(Russell) 
The horses would be brought in 
straight from the carriageway,

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and you can still see 
the remnants of the windows

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where the horses would be able 
to stick their heads.

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Originally, 
the floor was cement,

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and it was all level, 
but it became the library

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when they closed in 
the stable and horse area.

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♪

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(narrator) 
The Folly was supposedly 
finished in 1880,

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but Jule kept changing 
the place as whim, business,

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or family needs required

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until his death in 1924...

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♪

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like this,

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what eventually 
became the reception room.

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(Russell) 
Originally, it was Jule's studio 
and the master bedroom.

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The children were born 
in this room.

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It became 
the entertaining room.

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This is where the guests 
would come to have conversation.

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And as you can see,

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it is quite 
beautifully decorated

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with the ornate mantelpieces

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and the massive carvings 
around the room.

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♪

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(narrator) 
The reception room

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retains its elegant 
character today

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and many of its 
original furnishings,

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including specially 
designed loveseats

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for strictly supervised 
boy-girl socializing...

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♪

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and something 
called "kissing corners."

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There are signs 
in this room, however,

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that time has not been 
kind to the Folly,

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particularly 
during its years of abandonment

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following World War II.

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♪

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By the 1950s,

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the house had deteriorated 
to the point

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that the town considered 
knocking it down.

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That's when a group 
of 26 dedicated local citizens

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stepped in to save it.

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Today, the Folly is watched 
after by a nonprofit foundation,

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and there are special occasions 
when it deservedly becomes

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the center of attention 
in Kernersville.

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[excited talking]

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(woman) 
I want to congratulate 
all of you for your involvement

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with this extremely 
worthwhile endeavor

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of keeping this house going

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and making it a positive symbol 
for the town of Kernersville.

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clp, clp...clp

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[footsteps] 
tp, tp...tp

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(narrator) 
But now, let's go upstairs.

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♪

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Remember the former 
billiards room?

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Here it is,

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as transformed in 1897 
into a small theater.

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♪

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(man) 
We are in the little theater--

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00:09:29,334 --> 00:09:33,134
Cupid's Park, 
as it was well known.

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00:09:33,234 --> 00:09:35,067
When I was a boy--

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00:09:35,167 --> 00:09:38,668
this was, uh, 
in the mid 1950s--

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00:09:38,768 --> 00:09:41,800
uh, Grandmother Donnell, 
as I called her, Doré,

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would bring us up 
to the Folly.

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And we would, of course, 
play here for--

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00:09:47,468 --> 00:09:51,068
literally for hours at a time.

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00:09:51,168 --> 00:09:54,434
It was very interesting 
to think about my grandmother

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00:09:54,534 --> 00:09:57,301
and great uncle 
playing in the theater

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00:09:57,401 --> 00:10:00,735
and actually 
putting on performances.

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00:10:00,835 --> 00:10:02,634
(narrator) 
Doré, John's grandmother,

212
00:10:02,735 --> 00:10:05,134
was Jule 
and Alice Körner's daughter.

213
00:10:05,234 --> 00:10:08,434
His Great Uncle Gilmer 
was their son.

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00:10:08,534 --> 00:10:10,934
Alice organized 
a juvenile lyceum,

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00:10:11,034 --> 00:10:12,634
held in Cupid's Park,

216
00:10:12,735 --> 00:10:15,267
and later, the magnificent 
space atop the Folly

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became the site of the first 
little theater group

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00:10:18,368 --> 00:10:21,768
in the United States.

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00:10:21,868 --> 00:10:24,334
Today, 
the Folly's theater comes alive

220
00:10:24,434 --> 00:10:26,935
with puppet shows 
and other events.

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00:10:27,035 --> 00:10:29,067
[man speaking dramatically] 
My name is Jule Körner.

222
00:10:29,167 --> 00:10:30,934
Now what 
do you think?

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00:10:31,034 --> 00:10:32,267
I'm daring.

224
00:10:32,368 --> 00:10:33,567
I'm creative.

225
00:10:33,667 --> 00:10:34,834
I'm Rubin.

226
00:10:34,934 --> 00:10:36,434
I'm Jule.

227
00:10:36,534 --> 00:10:39,167
But if each room 
is an adventure,

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00:10:39,267 --> 00:10:41,301
you can live 
your dream.

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00:10:41,401 --> 00:10:42,935
clp, clp...clp

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00:10:43,035 --> 00:10:45,134
(narrator) 
Live their dreams 
the Körners did

231
00:10:45,234 --> 00:10:47,601
right here 
in what has been called

232
00:10:47,701 --> 00:10:49,568
the strangest house 
in the world.

233
00:10:49,668 --> 00:10:51,801
(Wolf) 
I think Grandmother 
and Granddaddy Körner

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00:10:51,901 --> 00:10:54,934
would be amazed 
at the fact that the house

235
00:10:55,034 --> 00:10:58,267
has actually stood 
this number of years

236
00:10:58,368 --> 00:11:01,234
and, uh, and that people 
are interested in it.

237
00:11:01,334 --> 00:11:03,568
And looking 
at the future of the Folly,

238
00:11:03,668 --> 00:11:06,267
they would be amazed 
to see that actually

239
00:11:06,368 --> 00:11:08,667
that a foundation 
was looking after the home.

240
00:11:08,767 --> 00:11:09,967
(boy) 
Whoa.

241
00:11:10,067 --> 00:11:11,368
(woman) 
I know.

242
00:11:11,468 --> 00:11:13,235
This is 
so cool!

243
00:11:13,335 --> 00:11:16,134
(narrator) 
But there's one more secret 
that needs telling,

244
00:11:16,234 --> 00:11:18,234
something nearly 
as much fun today

245
00:11:18,334 --> 00:11:21,368
as it was 
in the early 20th century--

246
00:11:21,468 --> 00:11:23,234
a trapdoor in the theater.

247
00:11:23,334 --> 00:11:25,334
If you knew where it was,

248
00:11:25,434 --> 00:11:27,334
as John does,

249
00:11:27,434 --> 00:11:31,701
you could open it up 
and crawl out onto the roof,

250
00:11:31,801 --> 00:11:34,468
where it's said that many 
an evening's entertainment

251
00:11:34,568 --> 00:11:36,768
was capped 
by a spectacular view

252
00:11:36,868 --> 00:11:41,368
that stretched for miles 
and miles and miles.

253
00:11:41,468 --> 00:11:43,901
And if the night 
was especially clear,

254
00:11:44,002 --> 00:11:47,102
it was said 
that you could see the future--

255
00:11:47,202 --> 00:11:51,067
a future that would be quite 
different than Jule and Alice,

256
00:11:51,167 --> 00:11:56,134
Doré and Gilmer, 
ever could have imagined...

257
00:11:56,234 --> 00:11:59,067
from high atop their Folly.

258
00:11:59,167 --> 00:12:02,767
♪

259
00:12:06,935 --> 00:12:10,533
(man) 
Six feet tall, 
one hundred fifty pounds--

260
00:12:10,633 --> 00:12:12,534
that's me as a kid.

261
00:12:12,634 --> 00:12:15,001
[film projector whirring] 
err, err...err

262
00:12:15,101 --> 00:12:17,067
A quarterback, 
running back,

263
00:12:17,167 --> 00:12:19,368
defensive back, 
and kicker--

264
00:12:19,468 --> 00:12:22,634
high school football 
consumed me then.

265
00:12:22,735 --> 00:12:24,767
[man yelling] 
Dive, dive!

266
00:12:24,867 --> 00:12:26,834
(man) 
This is me now--

267
00:12:26,934 --> 00:12:29,534
6 feet tall, 
200 pounds--

268
00:12:29,634 --> 00:12:31,700
a cameraman, reporter, 
producer,

269
00:12:31,800 --> 00:12:33,534
and Monday morning quarterback.

270
00:12:33,634 --> 00:12:36,101
Can I catch 
you real quick, Coach?

271
00:12:36,201 --> 00:12:37,767
Still chasing the football,

272
00:12:37,867 --> 00:12:39,967
but from outside of the lines.

273
00:12:40,067 --> 00:12:42,834
A lot has changed 
since I was a kid...

274
00:12:42,934 --> 00:12:45,301
[crowd cheering]

275
00:12:45,401 --> 00:12:48,167
but some things have not.

276
00:12:48,267 --> 00:12:50,401
On any Friday in autumn,

277
00:12:50,501 --> 00:12:53,534
you can still see 
how it used to be

278
00:12:53,634 --> 00:12:56,835
'cause this 
is how it still is.

279
00:12:56,935 --> 00:12:59,668
[male public address announcer] 
We need you here tonight, folks.

280
00:12:59,768 --> 00:13:01,534
Ragsdale's comin' 
to town 4-1--

281
00:13:01,634 --> 00:13:03,935
we're 4-1-- 
this is a big one.

282
00:13:04,035 --> 00:13:07,201
So everybody in the school, 
get that arm up in the sky

283
00:13:07,301 --> 00:13:09,167
and point that index finger up.

284
00:13:09,267 --> 00:13:11,367
One, two, three--

285
00:13:11,467 --> 00:13:13,801
[all] 
Go Cats!

286
00:13:13,901 --> 00:13:16,334
(Sullivan) 
Friday afternoon's at 
Eastern Randolph High School--

287
00:13:16,434 --> 00:13:18,134
not much different, I'm told,

288
00:13:18,234 --> 00:13:20,534
than Friday afternoons 
of years gone by.

289
00:13:20,634 --> 00:13:23,634
The Wildcats football team 
has a lot of history,

290
00:13:23,735 --> 00:13:25,533
and it's gotten 
a lot of attention.

291
00:13:25,633 --> 00:13:27,768
In just a few hours,

292
00:13:27,868 --> 00:13:31,434
they'll play longtime rival 
Ragsdale on this field.

293
00:13:31,534 --> 00:13:34,301
Right now we're on a 14-game 
home-winning streak,

294
00:13:34,401 --> 00:13:36,501
which we'd like 
to keep intact tonight,

295
00:13:36,601 --> 00:13:39,301
but uh, as we tell our players, 
that's gonna--

296
00:13:39,401 --> 00:13:40,800
that streak will end.

297
00:13:40,900 --> 00:13:43,301
But we just don't want it 
to be tonight.

298
00:13:43,401 --> 00:13:45,967
[cheerleading together] 
♪ W-i-l-d-c-a-t-s

299
00:13:46,067 --> 00:13:47,201
♪ Wildcats

300
00:13:47,301 --> 00:13:48,735
♪ Wildcats ♪

301
00:13:48,835 --> 00:13:51,400
(Cates) 
Our community takes a lot 
of pride in their football.

302
00:13:51,500 --> 00:13:52,800
You got it.

303
00:13:52,900 --> 00:13:54,334
(Cates) 
And it's evident

304
00:13:54,434 --> 00:13:58,101
by the way our fans 
turn out for our home games.

305
00:13:58,201 --> 00:13:59,701
Y'all gonna 
join us?

306
00:13:59,801 --> 00:14:01,501
(Cates) 
And it's even more amazing

307
00:14:01,601 --> 00:14:03,634
when they turn out 
for our away games.

308
00:14:03,735 --> 00:14:06,967
(Sullivan) 
Guys, tell me-- 
is this a regular ritual?

309
00:14:07,067 --> 00:14:08,301
This is our 
most extreme.

310
00:14:08,401 --> 00:14:09,633
We've done 
this before, though.

311
00:14:09,734 --> 00:14:10,967
We had just 
painted letters--

312
00:14:11,067 --> 00:14:12,601
now we're paintin' 
our whole selves.

313
00:14:12,701 --> 00:14:16,301
Yeah, it takes about 
a squirt of paint for him.

314
00:14:16,401 --> 00:14:18,101
(Cates) 
You know, 
we're very fortunate.

315
00:14:18,201 --> 00:14:20,068
We've got kids 
on our football team

316
00:14:20,168 --> 00:14:23,267
that do well in the classroom-- 
they do well in other areas,

317
00:14:23,368 --> 00:14:25,468
and it's easy 
to pull for somebody

318
00:14:25,568 --> 00:14:27,134
when they're successful.

319
00:14:27,234 --> 00:14:28,800
[drum sets rhythm]

320
00:14:28,900 --> 00:14:31,200
[brass lead fight song]

321
00:14:31,300 --> 00:14:41,534
♪

322
00:14:41,634 --> 00:14:45,067
(man) 
This is like going back 
in a time capsule.

323
00:14:45,167 --> 00:14:47,334
Football's still king here.

324
00:14:47,434 --> 00:14:49,368
(referee) 
Okay, Ragsdale in white;

325
00:14:49,468 --> 00:14:51,534
Eastern Randolph in green.

326
00:14:51,634 --> 00:14:54,067
(man) 
And on Saturday mornings 
when they go downtown,

327
00:14:54,167 --> 00:14:56,467
they gotta answer questions 
if they don't win.

328
00:14:56,567 --> 00:15:02,368
♪

329
00:15:02,468 --> 00:15:06,267
(PA announcer) 
Taken by number 4 
at the 45 yard line.

330
00:15:06,368 --> 00:15:09,068
clp, clp...clp

331
00:15:09,168 --> 00:15:11,501
(Sullivan) 
The challenge 
for Eastern Randolph tonight

332
00:15:11,601 --> 00:15:16,633
will be to find a way to slow 
down number 22 for Ragsdale.

333
00:15:16,734 --> 00:15:18,701
That's Tony Baker,

334
00:15:18,801 --> 00:15:22,801
the most prolific running back 
in North Carolina history,

335
00:15:22,901 --> 00:15:25,568
and it doesn't 
look good early on.

336
00:15:25,668 --> 00:15:27,567
[crowd yelling] 
Yeaaaa!

337
00:15:31,034 --> 00:15:32,301
[whistle blaring] 
whiiii

338
00:15:32,401 --> 00:15:34,368
(PA announcer) 
In the end zone,

339
00:15:34,468 --> 00:15:36,434
number 22, Tony Baker-- 
touchdown Tigers.

340
00:15:36,534 --> 00:15:38,501
(Sullivan) 
The visitor's already lead 7-0,

341
00:15:38,601 --> 00:15:40,735
and they are about 
to score again

342
00:15:40,835 --> 00:15:42,801
when Eastern Randolph 
gets a break.

343
00:15:42,901 --> 00:15:44,468
(radio announcer) 
Ball's popped loose--

344
00:15:44,568 --> 00:15:46,267
Eastern Randolph 
comes out with it.

345
00:15:46,368 --> 00:15:48,568
Val Mosely runs down 
the right sideline--

346
00:15:48,668 --> 00:15:53,467
50, 40, 30, 20, 10, 5-- 
touchdown Wildcats!

347
00:15:53,567 --> 00:15:55,301
Number 1!

348
00:15:55,401 --> 00:15:56,834
Yeah, 
number 1, baby!

349
00:15:56,934 --> 00:15:58,967
That is a big 
turnaround there--

350
00:15:59,067 --> 00:16:00,801
big turnaround.

351
00:16:00,901 --> 00:16:02,668
(Sullivan) 
Harold Nibbett has not missed

352
00:16:02,768 --> 00:16:06,867
an Eastern Randolph game 
since before 1970.

353
00:16:06,967 --> 00:16:08,368
(PA announcer) 
It's good.

354
00:16:08,468 --> 00:16:09,868
[whistle blaring] 
whiiii

355
00:16:09,968 --> 00:16:12,668
(Nibbett) 
Now, I love college football, 
and I love the NFL,

356
00:16:12,768 --> 00:16:14,534
but there's somethin' 
about this.

357
00:16:14,634 --> 00:16:17,067
You get attached 
to these kids.

358
00:16:17,167 --> 00:16:20,967
I adopt them 
as my sons--ha, ha.

359
00:16:21,067 --> 00:16:23,233
[brass lead fight song]

360
00:16:23,333 --> 00:16:25,234
♪

361
00:16:25,334 --> 00:16:27,333
[whistle blaring] 
whiiii

362
00:16:28,601 --> 00:16:30,935
(crowd) 
♪ Heyyy ♪

363
00:16:31,035 --> 00:16:34,266
(Sullivan) 
There's nothing like a high 
school football Friday night.

364
00:16:34,367 --> 00:16:36,967
♪

365
00:16:37,067 --> 00:16:39,101
I love being 
around the kind of people

366
00:16:39,201 --> 00:16:41,500
that come to these games-- 
people that have energy.

367
00:16:41,600 --> 00:16:42,700
Go Ragsdale!

368
00:16:42,800 --> 00:16:43,934
Get out of here!

369
00:16:44,034 --> 00:16:45,134
Go Wildcats!

370
00:16:45,234 --> 00:16:48,067
People that have enthusiasm, 
people that have desire--

371
00:16:48,167 --> 00:16:50,934
they're not afraid 
to line up against one another

372
00:16:51,034 --> 00:16:53,166
and see who's better than who.

373
00:16:53,266 --> 00:16:56,767
♪

374
00:16:56,867 --> 00:16:58,401
[whistle blaring] 
whiiii

375
00:16:58,501 --> 00:17:02,167
But the fact that they stop it 
between every play

376
00:17:02,267 --> 00:17:04,401
and they line up again

377
00:17:04,501 --> 00:17:07,102
and they try to decide 
what they're gonna do

378
00:17:07,202 --> 00:17:10,867
to outsmart the other guy 
or outslug the other guy--

379
00:17:10,967 --> 00:17:12,534
it's like a little war,

380
00:17:12,634 --> 00:17:14,700
but they play it 
over and over again,

381
00:17:14,800 --> 00:17:17,101
and nobody gets hurt.

382
00:17:17,201 --> 00:17:19,734
[crowd yelling]

383
00:17:19,834 --> 00:17:21,968
[whistle blaring] 
whiiii

384
00:17:22,068 --> 00:17:24,101
(Sullivan) 
Who do you think's 
gonna win tonight?

385
00:17:24,201 --> 00:17:27,001
[all] 
Eastern Randolph!

386
00:17:27,101 --> 00:17:28,600
It's 
settled.

387
00:17:28,700 --> 00:17:30,567
Now it's getting late.

388
00:17:30,667 --> 00:17:33,468
The tension is building.

389
00:17:33,568 --> 00:17:36,967
The TV news is now 
less than an hour away.

390
00:17:37,067 --> 00:17:40,134
Like a quarterback 
on third down and long,

391
00:17:40,234 --> 00:17:44,001
a good sports photographer 
lives for this situation.

392
00:17:44,101 --> 00:17:47,034
(man) 
I don't know-- 
our show hits at 11:00--

393
00:17:47,134 --> 00:17:49,301
45 minutes back 
to the station.

394
00:17:49,401 --> 00:17:51,234
I got 
a live truck, though.

395
00:17:51,334 --> 00:17:53,668
(Sullivan) 
Patience pays off 
for the cameraman

396
00:17:53,768 --> 00:17:55,968
and for the Eastern 
Randolph Wildcats.

397
00:17:56,068 --> 00:17:59,067
The go-ahead touchdown 
comes in the fourth quarter.

398
00:17:59,167 --> 00:18:00,835
[whistle blaring] 
whiiii

399
00:18:00,935 --> 00:18:04,934
The offense had come 
from behind to take the lead...

400
00:18:05,034 --> 00:18:07,234
and the defense 
met the challenge

401
00:18:07,334 --> 00:18:09,434
of bottling up number 22

402
00:18:09,534 --> 00:18:12,900
just often enough 
to get the victory.

403
00:18:13,001 --> 00:18:14,300
Gooooo!

404
00:18:14,400 --> 00:18:18,468
♪

405
00:18:18,568 --> 00:18:20,167
(boy #1) 
Good job, baby.

406
00:18:20,267 --> 00:18:22,035
(boy #2) 
Good job, y'all.

407
00:18:22,135 --> 00:18:24,967
You got to see 
high school football 
at its best tonight.

408
00:18:25,067 --> 00:18:28,534
And you couldn't ask 
for a better game to do.

409
00:18:28,634 --> 00:18:30,234
(Sullivan) 
Many things have changed

410
00:18:30,334 --> 00:18:32,968
from generation to generation,

411
00:18:33,068 --> 00:18:37,934
but Friday nights at the 
high school football field...

412
00:18:38,034 --> 00:18:41,568
are just as good 
as they used to be.

413
00:18:41,668 --> 00:18:44,667
[film projector whirring] 
err, err...err

414
00:18:49,167 --> 00:18:53,167
[xylophone and brass 
suggest African theme]

415
00:18:53,267 --> 00:18:54,868
yeowwww

416
00:18:54,968 --> 00:18:57,500
[bird chirping] 
twi-whi, twi-whi...twi-whi

417
00:18:57,600 --> 00:19:02,668
♪

418
00:19:02,768 --> 00:19:04,668
(narrator) 
The North Carolina Zoo,

419
00:19:04,768 --> 00:19:08,600
one of the best known natural 
habitat zoos in the nation.

420
00:19:08,700 --> 00:19:11,101
♪

421
00:19:11,201 --> 00:19:13,834
Our zoo has been 
a pioneer in creating

422
00:19:13,934 --> 00:19:16,468
a bold, new design for exhibits,

423
00:19:16,568 --> 00:19:19,634
one that involved turning 
a section of Randolph County

424
00:19:19,735 --> 00:19:21,434
into environments 
that might be found

425
00:19:21,534 --> 00:19:23,167
on an entirely 
different continent

426
00:19:23,267 --> 00:19:25,467
halfway around the world.

427
00:19:25,567 --> 00:19:27,601
[airy flute joins]

428
00:19:27,701 --> 00:19:30,034
But this place 
really ought to be called

429
00:19:30,134 --> 00:19:32,468
the North Carolina Zoo 
and Botanical Garden,

430
00:19:32,568 --> 00:19:34,534
because that's what it is--

431
00:19:34,634 --> 00:19:36,634
an environment where the plants

432
00:19:36,735 --> 00:19:39,633
are as carefully chosen 
and displayed as the animals...

433
00:19:39,734 --> 00:19:44,101
♪

434
00:19:44,201 --> 00:19:46,734
a showcase 
for the relatively new science

435
00:19:46,834 --> 00:19:50,267
of zoo horticulture.

436
00:19:50,368 --> 00:19:52,368
(woman) 
In the old days,

437
00:19:52,468 --> 00:19:55,301
zoos had bars and they had 
very sterile cages.

438
00:19:55,401 --> 00:19:58,533
We've come a long way 
in the last 25 years

439
00:19:58,633 --> 00:20:02,001
with zoo horticulture.

440
00:20:02,101 --> 00:20:04,434
We try and cluster 
exhibits together,

441
00:20:04,534 --> 00:20:07,601
and then with the plant 
material, with the landscapes,

442
00:20:07,701 --> 00:20:10,600
we recreate representations 
of those kind of wild places

443
00:20:10,700 --> 00:20:12,600
at those continents.

444
00:20:12,700 --> 00:20:17,368
♪

445
00:20:17,468 --> 00:20:20,701
We're a little bit ecologist, 
we're a little bit botanist,

446
00:20:20,801 --> 00:20:22,501
and we're a whole lot 
horticulturist.

447
00:20:22,601 --> 00:20:25,101
And you have to put 
all those skills together,

448
00:20:25,201 --> 00:20:27,001
and you don't actually come away

449
00:20:27,101 --> 00:20:29,001
from, like, 
a college degree with that.

450
00:20:29,101 --> 00:20:31,701
You have to kind 
of get that on-site.

451
00:20:31,801 --> 00:20:33,667
There's no zoo horticulture 
college degree.

452
00:20:33,767 --> 00:20:35,467
[indistinct talking]

453
00:20:36,735 --> 00:20:39,601
The really kind of uniqueness 
about zoo horticulture

454
00:20:39,701 --> 00:20:42,568
is the animals 
and what sort of behaviors

455
00:20:42,668 --> 00:20:45,101
we want to elicit 
from the animals.

456
00:20:45,201 --> 00:20:47,968
And many times, 
I use the animal curators

457
00:20:48,068 --> 00:20:52,002
to help me decide 
what they think their animals

458
00:20:52,102 --> 00:20:54,668
are going to do 
and how they're going to react,

459
00:20:54,768 --> 00:20:57,067
so that I know 
which plants to choose and--

460
00:20:57,167 --> 00:20:58,867
or which plants might hurt them

461
00:20:58,967 --> 00:21:00,668
or which plants 
might not hurt them

462
00:21:00,768 --> 00:21:03,068
or what plants 
they want to actually use

463
00:21:03,168 --> 00:21:07,101
to get them to climb or 
to get them to hide in the bush

464
00:21:07,201 --> 00:21:09,200
or to make 
their nest--whatever.

465
00:21:09,300 --> 00:21:13,334
♪

466
00:21:13,434 --> 00:21:17,002
So the design principles 
for landscapes

467
00:21:17,102 --> 00:21:21,300
is much more than just 
how do you get a plant to grow.

468
00:21:21,400 --> 00:21:23,468
♪

469
00:21:23,568 --> 00:21:26,534
(narrator) 
Getting plants from faraway 
places to grow happily

470
00:21:26,634 --> 00:21:29,134
in North Carolina 
can be quite a challenge,

471
00:21:29,234 --> 00:21:31,834
but one that was met 
with great success

472
00:21:31,934 --> 00:21:34,335
in the Sonoran Desert exhibit.

473
00:21:34,435 --> 00:21:38,334
(woman) 
We try to mimic desert 
conditions as much as possible.

474
00:21:38,434 --> 00:21:42,267
This exhibit has relative-- 
low relative humidity levels.

475
00:21:42,368 --> 00:21:44,567
We water very sparingly.

476
00:21:44,667 --> 00:21:46,002
The cacti--

477
00:21:46,102 --> 00:21:50,267
the large cacti, say, are only 
watered three times a year.

478
00:21:50,368 --> 00:21:52,368
(narrator) 
This spectacular dome building

479
00:21:52,468 --> 00:21:56,501
is basically 14,000 square feet 
of desert under glass.

480
00:21:56,601 --> 00:21:58,968
Inside, 
it is almost another world,

481
00:21:59,068 --> 00:22:01,834
but the glass lets 
the view extend to the outside,

482
00:22:01,934 --> 00:22:03,534
where, as much as possible,

483
00:22:03,634 --> 00:22:05,767
a desert environment 
also was created.

484
00:22:05,867 --> 00:22:07,735
[Spanish guitar 
plays boldly]

485
00:22:07,835 --> 00:22:10,568
(Wall) 
Part of what we do 
when we design landscapes

486
00:22:10,668 --> 00:22:13,401
is we have to understand 
the environmental criterias

487
00:22:13,501 --> 00:22:15,835
and the growing conditions 
of the plants.

488
00:22:15,935 --> 00:22:18,167
At the desert 
it was especially hard

489
00:22:18,267 --> 00:22:20,267
because our growing 
conditions outside

490
00:22:20,368 --> 00:22:22,534
are certainly 
not desert conditions.

491
00:22:22,634 --> 00:22:25,568
We have a lot of rain; 
we have cold winters.

492
00:22:25,668 --> 00:22:27,434
And putting the cold 
and wet together,

493
00:22:27,534 --> 00:22:31,434
what we had to do on the design 
of the desert was to berm up,

494
00:22:31,534 --> 00:22:33,301
so that we have 
very good drainage.

495
00:22:33,401 --> 00:22:35,568
We had to use a sandy loam soil,

496
00:22:35,668 --> 00:22:37,967
and we had to make microclimates

497
00:22:38,067 --> 00:22:40,800
so that we could 
test different things.

498
00:22:40,900 --> 00:22:48,800
♪

499
00:22:48,900 --> 00:22:50,434
(narrator) 
Like the desert,

500
00:22:50,534 --> 00:22:52,633
creating a rain forest 
in North Carolina

501
00:22:52,734 --> 00:22:54,768
had to be done under glass.

502
00:22:54,868 --> 00:22:57,434
Three thousand plants 
from four hundred fifty species

503
00:22:57,534 --> 00:22:59,401
make up this popular exhibit,

504
00:22:59,501 --> 00:23:02,034
home to a wide variety of birds

505
00:23:02,134 --> 00:23:06,634
who would not be at home 
here without the plants.

506
00:23:06,735 --> 00:23:10,568
(Wall) 
The R.J. Reynolds Forest Aviary 
is a tropical exhibit--

507
00:23:10,668 --> 00:23:14,401
plants and birds from 
any tropical area of the world.

508
00:23:14,501 --> 00:23:16,534
Instead of a rain forest,

509
00:23:16,634 --> 00:23:19,601
it's more like 
a tropical forest clearing,

510
00:23:19,701 --> 00:23:22,867
where perhaps 
a large canopy tree came down.

511
00:23:22,967 --> 00:23:25,368
And it opens up a gap

512
00:23:25,468 --> 00:23:28,034
so that a lot of sunlight 
streams through,

513
00:23:28,134 --> 00:23:30,368
and you have 
a flush of new plants

514
00:23:30,468 --> 00:23:33,368
trying to take advantage 
of the light.

515
00:23:33,468 --> 00:23:37,234
The birds really use the trees 
and the plants in the aviary.

516
00:23:37,334 --> 00:23:39,634
Primarily, 
they use them for nesting.

517
00:23:39,735 --> 00:23:41,835
They use them to roost at night

518
00:23:41,935 --> 00:23:45,701
and for shelter 
from other birds occasionally.

519
00:23:45,801 --> 00:23:47,868
There's always 
something flowering.

520
00:23:47,968 --> 00:23:52,301
We have a lot of birds that 
enjoy the nectar of the flowers.

521
00:23:52,401 --> 00:23:55,067
[xylophone and flute 
resume African theme]

522
00:23:55,167 --> 00:23:56,568
(narrator) 
Once you realize

523
00:23:56,668 --> 00:23:59,167
the zoo is a complex series 
of elaborate gardens,

524
00:23:59,267 --> 00:24:01,834
you then appreciate 
the large staff of specialists

525
00:24:01,934 --> 00:24:03,768
it takes to maintain it--

526
00:24:03,868 --> 00:24:06,267
as many horticulturists 
as animal keepers

527
00:24:06,368 --> 00:24:08,401
to keep it all running smoothly.

528
00:24:08,501 --> 00:24:10,835
And the horticulture staff 
is keenly aware

529
00:24:10,935 --> 00:24:14,634
of their part in the educational 
experience of the zoo.

530
00:24:14,735 --> 00:24:17,668
(man) 
The way that we can teach 
conservation to visitors

531
00:24:17,768 --> 00:24:21,334
is that they're able to see 
some of these rare habitats,

532
00:24:21,434 --> 00:24:24,135
like mountain bogs-- 
there are so few of those.

533
00:24:24,235 --> 00:24:26,301
And most folks probably 
wouldn't have the opportunity

534
00:24:26,401 --> 00:24:28,101
to go visit a mountain bog.

535
00:24:28,201 --> 00:24:30,434
Yet I think 
they can come here

536
00:24:30,534 --> 00:24:33,301
and they can see 
what a mountain bog looks like

537
00:24:33,401 --> 00:24:36,102
and, in doing so, 
realize that these habitats

538
00:24:36,202 --> 00:24:40,002
are home to some very rare 
plants and that, you know,

539
00:24:40,102 --> 00:24:43,668
without these plants, we won't 
have a lot of the animals

540
00:24:43,768 --> 00:24:45,900
that are associated 
with these habitats.

541
00:24:46,001 --> 00:24:48,534
♪

542
00:24:48,634 --> 00:24:50,801
(Wall) 
Plants are really cool.

543
00:24:50,901 --> 00:24:53,935
They--they provide 
everything that we need,

544
00:24:54,035 --> 00:24:58,900
and what I perceive is that 
people do not appreciate plants

545
00:24:59,001 --> 00:25:01,301
because they 
are so there for them.

546
00:25:01,401 --> 00:25:04,201
I want them to realize 
just how essential plants are,

547
00:25:04,301 --> 00:25:06,434
and I want them 
to care about plants,

548
00:25:06,534 --> 00:25:09,001
because their survival 
depends on it.

549
00:25:09,101 --> 00:25:10,735
(narrator) 
So don't miss out

550
00:25:10,835 --> 00:25:13,201
on one of the best 
around-the-world trips

551
00:25:13,301 --> 00:25:15,034
right here in North Carolina.

552
00:25:15,134 --> 00:25:17,500
Come on down to the zoo.

553
00:25:17,600 --> 00:25:21,800
♪

554
00:25:24,534 --> 00:25:27,233
[xylophone and acoustic guitar 
lead airy arrangement]

555
00:25:27,333 --> 00:25:39,934
♪

556
00:25:40,034 --> 00:25:42,600
[flute joins]

557
00:25:42,700 --> 00:25:57,600
♪

558
00:25:57,700 --> 00:26:12,600
♪

559
00:26:12,700 --> 00:26:27,600
♪

560
00:26:27,700 --> 00:26:42,600
♪

561
00:26:42,700 --> 00:26:57,600
♪

562
00:26:57,700 --> 00:27:09,800
♪

563
00:27:12,434 --> 00:27:14,734
[electronic piano 
suggests chamber music]

564
00:27:14,834 --> 00:27:19,934
♪

565
00:27:20,034 --> 00:27:22,501
[indistinct crowd noise]

566
00:27:22,601 --> 00:27:24,301
[whistle blaring] 
whiiii

567
00:27:24,401 --> 00:27:26,300
[violins join]

568
00:27:26,400 --> 00:27:36,300
♪

569
00:27:36,400 --> 00:27:46,367
♪

570
00:27:49,634 --> 00:27:52,234
(announcer) 
To subscribe 
to "Our State" magazine,

571
00:27:52,334 --> 00:27:56,667
visit the Web site 
www.ourstate.com or call...

572
00:28:00,634 --> 00:28:02,601
[crickets chirping] 
chiiii

573
00:28:02,701 --> 00:28:05,167
(announcer) 
From back roads and small towns

574
00:28:05,267 --> 00:28:07,167
to busy interstates 
and bustling cities,

575
00:28:07,267 --> 00:28:10,601
BB&T is proud 
to contribute to the growth

576
00:28:10,701 --> 00:28:13,401
of more than 180 
North Carolina communities.

577
00:28:13,501 --> 00:28:16,434
We've seen a lot change 
in our 130 years,

578
00:28:16,534 --> 00:28:18,834
but our commitment 
to the people we serve

579
00:28:18,934 --> 00:28:20,768
is one thing 
that never will.

580
00:28:20,868 --> 00:28:24,568
We're proud to help build 
this special place we call home,

581
00:28:24,668 --> 00:28:28,333
and we're proud to provide 
major funding for "Our State."

582
00:28:30,401 --> 00:28:34,401
Additional funding has been 
provided by UNC-TV members.