1 00:00:00,767 --> 00:00:02,400 [gentle orchestral fanfare] 2 00:00:02,500 --> 00:00:06,133 ♪ 3 00:00:07,401 --> 00:00:09,600 [resonant strings lead building orchestration] 4 00:00:09,700 --> 00:00:17,901 ♪ 5 00:00:18,002 --> 00:00:20,234 (male narrator) Welcome to "Our State," 6 00:00:20,334 --> 00:00:22,568 a production of UNC-TV 7 00:00:22,668 --> 00:00:25,533 in association with "Our State" magazine-- 8 00:00:25,633 --> 00:00:27,701 for over 70 years, 9 00:00:27,801 --> 00:00:29,967 bringing the wonders of North Carolina 10 00:00:30,067 --> 00:00:32,267 to readers across the state. 11 00:00:32,368 --> 00:00:33,867 On this edition, 12 00:00:33,967 --> 00:00:35,700 Bland Simpson takes us 13 00:00:35,800 --> 00:00:37,533 down the Intracoastal Waterway, 14 00:00:37,633 --> 00:00:39,034 from Money Island 15 00:00:39,134 --> 00:00:41,334 to Sunset Beach... 16 00:00:41,434 --> 00:00:42,667 real cowboys 17 00:00:42,767 --> 00:00:44,633 in the real cowboy town 18 00:00:44,734 --> 00:00:46,600 of Love Valley... 19 00:00:46,700 --> 00:00:48,500 and the charming creations 20 00:00:48,600 --> 00:00:50,467 of the Doll Lady. 21 00:00:50,567 --> 00:00:54,734 ♪ 22 00:00:56,334 --> 00:00:57,934 [gentle piano melody] 23 00:00:58,034 --> 00:00:59,901 (male announcer) From Manteo to Murphy 24 00:01:00,002 --> 00:01:03,501 and all the small towns and big cities in-between, 25 00:01:03,601 --> 00:01:08,868 BB&T believes opportunity lives everywhere in North Carolina. 26 00:01:08,968 --> 00:01:12,434 It's a belief we've held for more than 130 years 27 00:01:12,534 --> 00:01:15,167 and guides us as we support our communities 28 00:01:15,267 --> 00:01:17,934 from the mountains to the coast. 29 00:01:18,034 --> 00:01:20,801 We love calling North Carolina home, 30 00:01:20,901 --> 00:01:24,500 and we're proud to provide major funding for "Our State." 31 00:01:25,768 --> 00:01:27,768 Quality public television is made possible 32 00:01:27,868 --> 00:01:29,401 through the financial contributions 33 00:01:29,501 --> 00:01:31,167 of viewers like you, 34 00:01:31,267 --> 00:01:34,667 who invite you to join them in supporting UNC-TV. 35 00:01:34,767 --> 00:01:37,100 ♪ 36 00:01:38,368 --> 00:01:41,333 [birds call as waves slosh] 37 00:01:47,600 --> 00:01:49,300 [engine humming] 38 00:01:50,900 --> 00:01:52,334 rrrr 39 00:01:52,434 --> 00:01:54,433 [gentle melodica leads guitar notes] 40 00:01:54,533 --> 00:01:56,568 ♪ 41 00:01:56,668 --> 00:01:58,167 (Simpson) If you leave the drawbridge 42 00:01:58,267 --> 00:01:59,801 at Wrightsville Beach 43 00:01:59,901 --> 00:02:02,234 and head south down the Intracoastal Waterway, 44 00:02:02,334 --> 00:02:04,134 you'll soon approach a storied little strand 45 00:02:04,234 --> 00:02:06,267 of beach at the mouth of Bradley Creek, 46 00:02:06,368 --> 00:02:10,001 a spot long known as "Money Island." 47 00:02:10,101 --> 00:02:12,634 ♪ 48 00:02:12,735 --> 00:02:15,867 According to legend, pirate Captain William Kidd-- 49 00:02:15,967 --> 00:02:17,467 overburdened with Spanish plunder 50 00:02:17,567 --> 00:02:18,967 from the Caribbean-- 51 00:02:19,067 --> 00:02:22,201 buried two chests of gold and silver plate 52 00:02:22,301 --> 00:02:24,701 right here at Money Island. 53 00:02:24,801 --> 00:02:27,167 Captain Kidd was soon arrested in New York 54 00:02:27,267 --> 00:02:30,468 and subsequently hanged in London in 1701. 55 00:02:30,568 --> 00:02:33,267 And he never did get back to Greenville Sound 56 00:02:33,368 --> 00:02:35,101 to lift his loot. 57 00:02:35,201 --> 00:02:38,767 ♪ 58 00:02:38,867 --> 00:02:40,735 Now that was just a legend, 59 00:02:40,835 --> 00:02:44,001 but what about the mullet men who found gold doubloons 60 00:02:44,101 --> 00:02:46,767 on the beach here at Money Island... 61 00:02:46,867 --> 00:02:49,900 ♪ 62 00:02:50,001 --> 00:02:51,768 or Hezekiah, the old oysterman 63 00:02:51,868 --> 00:02:53,800 who, according to one Bradley Creeker, 64 00:02:53,900 --> 00:02:55,368 discovered a pirate chest 65 00:02:55,468 --> 00:02:57,267 "under an oyster rock in Greenville Sound," 66 00:02:57,368 --> 00:03:00,267 loaded it onto his mule cart, and quit being a waterman 67 00:03:00,368 --> 00:03:02,367 for the rest of his days... 68 00:03:02,467 --> 00:03:05,234 ♪ 69 00:03:05,334 --> 00:03:06,967 and the Intracoastal Waterway dredgers, 70 00:03:07,067 --> 00:03:08,768 who sliced into Money Island 71 00:03:08,868 --> 00:03:11,368 as they created this channel 75 years ago-- 72 00:03:11,468 --> 00:03:13,600 what turned up in their dredge pipes? 73 00:03:13,700 --> 00:03:15,101 Pieces of eight. 74 00:03:15,201 --> 00:03:17,601 ♪ 75 00:03:17,701 --> 00:03:19,735 Stories of doubloons in the sand 76 00:03:19,835 --> 00:03:21,834 and pieces of eight, it turns out, 77 00:03:21,934 --> 00:03:24,001 are a whale of a lot more valuable 78 00:03:24,101 --> 00:03:26,401 than the gold and silver itself could ever be. 79 00:03:26,501 --> 00:03:28,967 And that's the real treasure of Money Island. 80 00:03:29,067 --> 00:03:31,633 But since I'm here... 81 00:03:33,067 --> 00:03:35,734 [strings lead placid piano and melodica tune] 82 00:03:35,834 --> 00:03:41,301 ♪ 83 00:03:41,401 --> 00:03:43,468 Across the Cape Fear from Snow's Cut 84 00:03:43,568 --> 00:03:45,934 sits the ghostly Brunswick Town. 85 00:03:46,034 --> 00:03:48,201 Here in the 1740s, the Spanish plundered 86 00:03:48,301 --> 00:03:50,667 what was then a thriving naval stores port. 87 00:03:50,767 --> 00:03:52,434 And in the 1760s, 88 00:03:52,534 --> 00:03:54,735 North Carolinians stood down Governor William Tryon 89 00:03:54,835 --> 00:03:57,934 and the notorious Stamp Act and shut down tax collection 90 00:03:58,034 --> 00:04:00,768 and shipping on the Cape Fear. 91 00:04:00,868 --> 00:04:04,002 Before long, people moved on upriver to Wilmington, 92 00:04:04,102 --> 00:04:07,368 and Governor Tryon had himself a palace built up in New Bern. 93 00:04:07,468 --> 00:04:09,534 By the end of the American Revolution, 94 00:04:09,634 --> 00:04:12,301 Brunswick Town really did belong to the ghosts, 95 00:04:12,401 --> 00:04:15,634 who have held it ever since, except during the Civil War 96 00:04:15,735 --> 00:04:19,434 when Confederate Fort Anderson helped defend Wilmington. 97 00:04:19,534 --> 00:04:21,568 A group of visitors to this quiet place 98 00:04:21,668 --> 00:04:24,401 was surprised back in October 1961 99 00:04:24,501 --> 00:04:26,301 to see the "Battleship North Carolina" 100 00:04:26,401 --> 00:04:28,234 making its way up the Cape Fear 101 00:04:28,334 --> 00:04:30,167 for a permanent berth at Eagles Island 102 00:04:30,267 --> 00:04:33,101 across the river from downtown Wilmington. 103 00:04:33,201 --> 00:04:35,800 ♪ 104 00:04:35,900 --> 00:04:39,633 [birds calling] eeet, eeet...eeet 105 00:04:39,734 --> 00:04:41,334 [horn tooting] prfff, prfff 106 00:04:41,434 --> 00:04:44,068 [deep horn blowing] hrrrnnnn 107 00:04:44,168 --> 00:04:47,334 Below Brunswick Town a ways, sits Price's Creek Light, 108 00:04:47,434 --> 00:04:49,967 a small brick tower only 20 feet tall 109 00:04:50,067 --> 00:04:51,968 built about 1848, 110 00:04:52,068 --> 00:04:55,201 now dwarfed by the industrial works around it. 111 00:04:55,301 --> 00:04:57,700 One might find it hauntingly hard to believe 112 00:04:57,800 --> 00:04:59,601 that Price's Creek Light here 113 00:04:59,701 --> 00:05:01,767 had been an important communications link 114 00:05:01,867 --> 00:05:03,234 for the Confederacy-- 115 00:05:03,334 --> 00:05:07,934 the link to signal Fort Fisher across the lower Cape Fear. 116 00:05:08,034 --> 00:05:09,900 Fort Fisher with its two-mile pounders 117 00:05:10,001 --> 00:05:11,768 kept the Union blockade at bay, 118 00:05:11,868 --> 00:05:13,768 allowed the blockade runners to operate 119 00:05:13,868 --> 00:05:16,735 and keep Wilmington open-- the last Southern port open 120 00:05:16,835 --> 00:05:20,167 after Vicksburg fell in July 1863-- 121 00:05:20,267 --> 00:05:22,067 and thereby sustain the rebel nation 122 00:05:22,167 --> 00:05:25,267 for nearly two years more. 123 00:05:25,368 --> 00:05:28,201 And one might pause to wonder that the fate 124 00:05:28,301 --> 00:05:31,468 of the long-gone Confederacy once hung, in part, 125 00:05:31,568 --> 00:05:35,067 upon what Price's Creek's iron lantern said, 126 00:05:35,167 --> 00:05:37,067 or didn't say. 127 00:05:37,167 --> 00:05:42,167 ♪ 128 00:05:42,267 --> 00:05:44,467 Longer lived and a little better cared for 129 00:05:44,567 --> 00:05:45,868 is Old Baldy, 130 00:05:45,968 --> 00:05:48,201 the tawny Bald Head Island Lighthouse-- 131 00:05:48,301 --> 00:05:50,867 the oldest one still standing on the Carolina coast, 132 00:05:50,967 --> 00:05:53,800 dating to 1817. 133 00:05:53,900 --> 00:05:56,067 ♪ 134 00:05:56,167 --> 00:05:58,368 When Cap'n Charlie Swan came out of retirement 135 00:05:58,468 --> 00:06:00,234 to throw the first power on 136 00:06:00,334 --> 00:06:02,934 at Oak Island Light in 1958, 137 00:06:03,034 --> 00:06:05,167 across the Cape Fear River from Old Baldy, 138 00:06:05,267 --> 00:06:07,201 what he lit was for its time 139 00:06:07,301 --> 00:06:09,101 the brightest light in all America! 140 00:06:09,201 --> 00:06:10,834 [vibraphone joins] 141 00:06:10,934 --> 00:06:12,701 At 2 1/2 million candlepower, 142 00:06:12,801 --> 00:06:14,934 it is still one of the brightest lights 143 00:06:15,034 --> 00:06:17,101 on the face of the earth. 144 00:06:17,201 --> 00:06:22,501 ♪ 145 00:06:22,601 --> 00:06:24,667 [bird calling] eeet, eeet...eeet 146 00:06:25,934 --> 00:06:27,834 Across the channel from Oak Island 147 00:06:27,934 --> 00:06:29,334 and Bald Head Island, 148 00:06:29,434 --> 00:06:31,134 just across the river from Southport, 149 00:06:31,234 --> 00:06:33,033 lies Battery Island. 150 00:06:34,301 --> 00:06:36,634 [gentle piano tune] 151 00:06:36,735 --> 00:06:40,867 To this small spot yearly fly 8,000 or 9,000 ibis. 152 00:06:40,967 --> 00:06:42,368 They arrive around Eastertide 153 00:06:42,468 --> 00:06:45,434 in flights of 50 to 500 birds a mile high, 154 00:06:45,534 --> 00:06:47,968 the birds' wings first flashing in the sun 155 00:06:48,068 --> 00:06:50,735 and then, as they come dropping down to the island, 156 00:06:50,835 --> 00:06:52,534 the wind whistling through their wings 157 00:06:52,634 --> 00:06:55,266 as they fall out of the sky. 158 00:06:55,367 --> 00:06:59,668 ♪ 159 00:06:59,768 --> 00:07:03,067 A single cedar here will sport 50 to 60 nests, 160 00:07:03,167 --> 00:07:04,868 the trees becoming not merely laden 161 00:07:04,968 --> 00:07:09,434 but literally packed beak by tail feather with birds. 162 00:07:09,534 --> 00:07:11,835 The white ibis have had a booming success breeding 163 00:07:11,935 --> 00:07:15,301 in the lower Cape Fear, and the numbers tell the tale. 164 00:07:15,401 --> 00:07:16,934 In May of 1983, 165 00:07:17,034 --> 00:07:20,267 there were 3,700 white ibis nests here. 166 00:07:20,368 --> 00:07:22,368 In the spring of 2004, 167 00:07:22,468 --> 00:07:25,667 the ibis built over 11,500 nests 168 00:07:25,767 --> 00:07:27,600 here on Battery Island. 169 00:07:27,700 --> 00:07:33,201 ♪ 170 00:07:33,301 --> 00:07:35,401 [mellow bass melody] 171 00:07:35,501 --> 00:07:37,967 Southport, formerly Smithville, 172 00:07:38,067 --> 00:07:40,768 was the pilots' town where for generations 173 00:07:40,868 --> 00:07:42,900 the men who guided ships across the bar 174 00:07:43,001 --> 00:07:45,034 at the mouth of the Cape Fear River 175 00:07:45,134 --> 00:07:46,900 had a nearly closed union. 176 00:07:47,001 --> 00:07:48,568 In the old days, 177 00:07:48,668 --> 00:07:51,834 if you weren't the son or nephew of a Cape Fear pilot, 178 00:07:51,934 --> 00:07:53,668 you couldn't become one yourself. 179 00:07:53,768 --> 00:07:55,934 You just couldn't crack the select group 180 00:07:56,034 --> 00:07:58,233 they called the "Combination." 181 00:07:58,333 --> 00:08:00,734 ♪ 182 00:08:02,002 --> 00:08:04,701 Even if you were a pilot, you wouldn't have wanted 183 00:08:04,801 --> 00:08:06,934 to be up top of the Pilots' Tower 184 00:08:07,034 --> 00:08:09,601 on October 15th, 1954. 185 00:08:09,701 --> 00:08:12,334 [mournful cello arrangement] 186 00:08:12,434 --> 00:08:14,634 That's when Hurricane Hazel roared ashore here 187 00:08:14,735 --> 00:08:17,201 in Brunswick County on a full-moon high tide 188 00:08:17,301 --> 00:08:19,735 with 150-mile-an-hour winds. 189 00:08:19,835 --> 00:08:22,234 Hurricane historian Jay Barnes has written, 190 00:08:22,334 --> 00:08:24,167 "The surge wrecked the many shrimp houses 191 00:08:24,267 --> 00:08:26,134 "that lined the Southport riverfront 192 00:08:26,234 --> 00:08:27,834 "and carried the remaining debris 193 00:08:27,934 --> 00:08:29,801 "far into the town's streets. 194 00:08:29,901 --> 00:08:32,267 "Hazel ranks as one of the most catastrophic hurricanes 195 00:08:32,368 --> 00:08:35,234 to strike the United States in the 20th century." 196 00:08:35,334 --> 00:08:37,233 [oboe joins] 197 00:08:37,333 --> 00:08:42,034 ♪ 198 00:08:42,134 --> 00:08:44,400 [crickets chirping] 199 00:08:45,668 --> 00:08:48,534 One morning, 30-odd years ago, I heard a story 200 00:08:48,634 --> 00:08:50,734 about the old Smithville burying ground 201 00:08:50,834 --> 00:08:52,634 from James Harper, editor, 202 00:08:52,735 --> 00:08:54,434 and with his wife Margaret, publisher, 203 00:08:54,534 --> 00:08:56,167 of Southport's wonderful newspaper, 204 00:08:56,267 --> 00:08:58,334 "The State Port Pilot." 205 00:08:58,434 --> 00:09:01,167 Mister Harper leaned back in his captain's chair and said, 206 00:09:01,267 --> 00:09:04,101 "When the earthquake of 1898 hit Southport, 207 00:09:04,201 --> 00:09:06,134 "people came streaming out of their houses, 208 00:09:06,234 --> 00:09:07,568 "into the streets. 209 00:09:07,668 --> 00:09:09,767 "And they all ran-- I mean ran-- 210 00:09:09,867 --> 00:09:12,034 down to the old cemetery." 211 00:09:12,134 --> 00:09:14,433 [mellow bass and guitar arrangement] 212 00:09:14,533 --> 00:09:17,334 ♪ 213 00:09:17,434 --> 00:09:20,001 He said, "They all formed up in a big mob, 214 00:09:20,101 --> 00:09:22,001 "the ground shaking every now and again. 215 00:09:22,101 --> 00:09:23,634 "People crying, praying. 216 00:09:23,735 --> 00:09:26,568 "All of them at the cemetery because they thought it was 217 00:09:26,668 --> 00:09:29,501 "the Judgment Day and there was gonna be the great Revelation. 218 00:09:29,601 --> 00:09:31,368 "The graves were going to open up, 219 00:09:31,468 --> 00:09:32,967 "and their dead relatives and friends 220 00:09:33,067 --> 00:09:34,900 "were gonna fly up and, you know, 221 00:09:35,001 --> 00:09:36,300 be made whole!" 222 00:09:36,400 --> 00:09:38,301 ♪ 223 00:09:38,401 --> 00:09:39,868 Mister Harper told me, 224 00:09:39,968 --> 00:09:42,301 "You ought to walk on by the old cemetery. 225 00:09:42,401 --> 00:09:44,134 "You'll see the same thing 226 00:09:44,234 --> 00:09:46,300 those old-timers saw that night." 227 00:09:46,400 --> 00:09:55,801 ♪ 228 00:09:55,901 --> 00:09:58,800 [lilting melodica and ukulele arrangement] 229 00:09:58,900 --> 00:10:06,034 ♪ 230 00:10:06,134 --> 00:10:08,234 A Brunswick County native named "Mannon Gore" 231 00:10:08,334 --> 00:10:10,201 slapped this old pontoon bridge 232 00:10:10,301 --> 00:10:12,167 across the Waterway decades ago, 233 00:10:12,267 --> 00:10:14,167 connecting the mainland to a causeway 234 00:10:14,267 --> 00:10:15,967 through the gorgeous mile-wide marshes 235 00:10:16,067 --> 00:10:19,067 out to Sunset Beach. 236 00:10:19,167 --> 00:10:21,401 The bridge rises and falls with the tide. 237 00:10:21,501 --> 00:10:24,301 So depending on where you are in this endless cycling, 238 00:10:24,401 --> 00:10:27,734 you either drive up across a peak, 239 00:10:27,834 --> 00:10:29,633 sink down into a trough, 240 00:10:29,734 --> 00:10:31,601 or just roar across flat. 241 00:10:31,701 --> 00:10:34,234 [machine noise] hrrnnn 242 00:10:34,334 --> 00:10:36,134 A cable and winch works 243 00:10:36,234 --> 00:10:39,068 floats it open on the hour for pleasure craft 244 00:10:39,168 --> 00:10:42,266 and as needed for fishing boats and barge trains. 245 00:10:47,534 --> 00:10:49,334 Though the forces of speed 246 00:10:49,434 --> 00:10:52,334 have sought for years to scrap this homely, old clunker 247 00:10:52,434 --> 00:10:54,801 and replace it with a high-span flyover, 248 00:10:54,901 --> 00:10:57,834 other forces stood firm and fought that major change 249 00:10:57,934 --> 00:11:01,334 to a standstill... till now. 250 00:11:01,434 --> 00:11:05,001 A new bridge is coming soon, and tens of thousands of people 251 00:11:05,101 --> 00:11:06,800 who grew up with this one 252 00:11:06,900 --> 00:11:09,001 are really gonna miss it when it's gone. 253 00:11:09,101 --> 00:11:12,001 [lilting melodica and ukulele arrangement] 254 00:11:12,101 --> 00:11:14,634 ♪ 255 00:11:14,735 --> 00:11:17,167 These are just a few waterway tales 256 00:11:17,267 --> 00:11:20,067 from southeastern North Carolina. 257 00:11:20,167 --> 00:11:21,668 Thanks for joining us, 258 00:11:21,768 --> 00:11:24,801 and I hope we'll see you again somewhere along the waterway. 259 00:11:24,901 --> 00:11:27,633 For now, from Mannon Gore's old pontoon bridge 260 00:11:27,734 --> 00:11:30,633 at Sunset Beach, farewell. 261 00:11:30,734 --> 00:11:33,667 ♪ 262 00:11:35,701 --> 00:11:38,233 [acoustic guitar leads Western arrangement] 263 00:11:38,333 --> 00:11:42,834 ♪ 264 00:11:44,368 --> 00:11:46,367 [gears squeaking] eee, eee...eee 265 00:11:51,167 --> 00:11:53,134 (Billy Barnes) Some days you wake up 266 00:11:53,234 --> 00:11:55,434 and wonder, where am I? 267 00:11:55,534 --> 00:11:58,734 [whistler leads Western arrangement] 268 00:11:58,834 --> 00:12:00,368 Dirt streets, 269 00:12:00,468 --> 00:12:02,434 hitchin' rails, 270 00:12:02,534 --> 00:12:04,867 boardwalks instead of sidewalks... 271 00:12:04,967 --> 00:12:08,668 ♪ 272 00:12:08,768 --> 00:12:11,700 reminds me of ghost towns I've seen in Nevada-- 273 00:12:11,800 --> 00:12:13,834 more like the Old West 274 00:12:13,934 --> 00:12:16,700 than the Old North State. 275 00:12:16,800 --> 00:12:18,735 But I'm told I'm really 276 00:12:18,835 --> 00:12:21,400 just a few miles north of Statesville. 277 00:12:21,500 --> 00:12:23,035 Morning. 278 00:12:23,135 --> 00:12:26,234 [Barnes voiceover] Looks like a good place to be a cowboy. 279 00:12:26,334 --> 00:12:28,633 [strings and brass lead upbeat Western theme] 280 00:12:28,734 --> 00:12:31,867 ♪ 281 00:12:31,967 --> 00:12:35,501 [Western theme softens] 282 00:12:35,601 --> 00:12:37,867 Every self-respecting cowboy town 283 00:12:37,967 --> 00:12:40,768 has a fellow who just runs the place, 284 00:12:40,868 --> 00:12:44,701 sort of like the local Wyatt Earp type. 285 00:12:44,801 --> 00:12:46,967 On a rainy day not long ago, 286 00:12:47,067 --> 00:12:48,967 I finally met him, 287 00:12:49,067 --> 00:12:51,534 a tall, lanky fellow named Andy. 288 00:12:51,634 --> 00:12:53,034 (man) It's Andy Barker! 289 00:12:53,134 --> 00:12:54,700 (Barnes) Everybody knows Andy Barker. 290 00:12:54,800 --> 00:12:56,368 Good to see you, Glen. 291 00:12:56,468 --> 00:12:57,734 Hello, there. 292 00:12:57,834 --> 00:12:59,235 (Barnes) Back in 1954, 293 00:12:59,335 --> 00:13:01,834 he pulled out of his family's thriving construction business 294 00:13:01,934 --> 00:13:03,368 in Charlotte, 295 00:13:03,468 --> 00:13:07,301 bought 369 acres of wild country, 296 00:13:07,401 --> 00:13:10,234 and turned it into a legendary land 297 00:13:10,334 --> 00:13:13,968 that he named "Love Valley." 298 00:13:14,068 --> 00:13:16,701 (Barker) I just always wanted to play cowboy, 299 00:13:16,801 --> 00:13:19,633 and the first public statement that I ever made 300 00:13:19,734 --> 00:13:21,301 was in the fourth grade, 301 00:13:21,401 --> 00:13:23,701 when you stand up before the class and say, 302 00:13:23,801 --> 00:13:26,634 when I grow up, I'm gonna do so-and-so. 303 00:13:26,735 --> 00:13:29,034 Well, my friends was gonna be doctors and lawyers. 304 00:13:29,134 --> 00:13:30,735 I stand up and say, 305 00:13:30,835 --> 00:13:33,534 "I'm gonna build me a Western town." 306 00:13:33,634 --> 00:13:36,067 The first building I built was a church. 307 00:13:36,167 --> 00:13:37,735 I felt like that then 308 00:13:37,835 --> 00:13:39,834 we could build a community around it. 309 00:13:39,934 --> 00:13:41,868 [lively guitar strumming] 310 00:13:41,968 --> 00:13:45,467 (Barnes) Then Andy built his business district. 311 00:13:45,567 --> 00:13:46,968 [whistler joins] 312 00:13:47,068 --> 00:13:50,368 There are a couple of saloons and a dance hall. 313 00:13:50,468 --> 00:13:51,900 If you're wearing guns-- 314 00:13:52,001 --> 00:13:53,834 and it's legal to do that here-- 315 00:13:53,934 --> 00:13:55,501 you have to check them 316 00:13:55,601 --> 00:13:57,633 as soon as soon as you step inside. 317 00:13:57,734 --> 00:13:59,201 [gunshot] bmm! 318 00:13:59,301 --> 00:14:00,601 Across the street, 319 00:14:00,701 --> 00:14:02,801 there's a store full of saddles, 320 00:14:02,901 --> 00:14:04,835 bridles, everything you or your horse 321 00:14:04,935 --> 00:14:10,967 could possibly need except hay and oats. 322 00:14:11,067 --> 00:14:12,768 The Moonshine gift shop 323 00:14:12,868 --> 00:14:17,167 has cowboy buyables for the folks back home, 324 00:14:17,267 --> 00:14:19,867 and for the travel-trailer deprived, 325 00:14:19,967 --> 00:14:22,367 there's Miss Kitty's grand hotel. 326 00:14:22,467 --> 00:14:25,134 ♪ 327 00:14:25,234 --> 00:14:27,334 And so it was done. 328 00:14:27,434 --> 00:14:30,834 A childhood dream became reality. 329 00:14:30,934 --> 00:14:34,501 Love Valley was born... 330 00:14:34,601 --> 00:14:36,668 a place where a gentle breeze 331 00:14:36,768 --> 00:14:39,501 is followed by a face full of dust 332 00:14:39,601 --> 00:14:42,101 and man's best friend plays second fiddle 333 00:14:42,201 --> 00:14:43,767 to another four-legged animal. 334 00:14:43,867 --> 00:14:46,135 [horse whinnying] whe-hee-hee-heey 335 00:14:46,235 --> 00:14:49,067 (Barker) All the horse people like to congregate together. 336 00:14:49,167 --> 00:14:50,867 They come in on the weekend, 337 00:14:50,967 --> 00:14:53,002 and they get in and tell their tales 338 00:14:53,102 --> 00:14:55,468 and sit around, and everything is about horses 339 00:14:55,568 --> 00:14:57,468 or something they've done with horses 340 00:14:57,568 --> 00:14:59,668 or about the breed of horse 341 00:14:59,768 --> 00:15:03,600 or they argue about who's got the best horse. 342 00:15:03,700 --> 00:15:05,567 Yeah, it's horses. 343 00:15:05,667 --> 00:15:08,267 [organ leads] 344 00:15:08,368 --> 00:15:10,468 dng, dng...dng 345 00:15:10,568 --> 00:15:12,568 (Barnes) And on Saturday mornings, 346 00:15:12,668 --> 00:15:15,434 customers and their steeds are waiting in line 347 00:15:15,534 --> 00:15:19,035 to get a new set of shoes. 348 00:15:19,135 --> 00:15:22,001 (Barker) A lot of these eastern-part-of-the-state boys 349 00:15:22,101 --> 00:15:23,768 never shoe their horses. 350 00:15:23,868 --> 00:15:26,468 And what happens is that they come up here 351 00:15:26,568 --> 00:15:28,601 and they get into rocky country 352 00:15:28,701 --> 00:15:31,167 and they gonna need to shoe. 353 00:15:31,267 --> 00:15:33,101 [trombones lead slowly] 354 00:15:33,201 --> 00:15:35,201 clp, clp...clp 355 00:15:35,301 --> 00:15:37,267 (Barnes) As for Andy Barker, 356 00:15:37,368 --> 00:15:39,534 the mayor of Love Valley, 357 00:15:39,634 --> 00:15:42,767 he greets town folk in his hardware store. 358 00:15:42,867 --> 00:15:44,668 (Barker) Oh, that's my fun place. 359 00:15:44,768 --> 00:15:47,301 I'll be down there tradin' till I'm dead. 360 00:15:47,401 --> 00:15:49,368 I'm runnin' a special on it today. 361 00:15:49,468 --> 00:15:51,034 Buy one, get one free? 362 00:15:51,134 --> 00:15:53,701 Oh, yeah, if you pay enough for the first one. 363 00:15:53,801 --> 00:15:55,368 (Barnes) Prices at Andy's store 364 00:15:55,468 --> 00:15:57,167 are what you might call "variable." 365 00:15:57,267 --> 00:15:59,568 (Barker) Well, you wanna borrow one or buy one? 366 00:15:59,668 --> 00:16:01,801 I just--well, just got to level one corner. 367 00:16:01,901 --> 00:16:03,668 Well, hell, let's get mine out there. 368 00:16:03,768 --> 00:16:06,334 (Barnes) In rainy weather, he gives 50% off on tarps. 369 00:16:06,434 --> 00:16:08,900 Thank you very much, and hurry back to see me. 370 00:16:09,001 --> 00:16:10,434 (man) Okay, I will. 371 00:16:10,534 --> 00:16:12,468 (Barnes) He'll sell you a plastic leg. 372 00:16:12,568 --> 00:16:14,267 Everybody asks about that leg. 373 00:16:14,368 --> 00:16:16,634 And I got it for butt kickin'. 374 00:16:16,735 --> 00:16:19,368 I lease it out-- a dollar a day-- 375 00:16:19,468 --> 00:16:22,001 and they use it for butt kickin'. 376 00:16:22,101 --> 00:16:24,067 [deep guitar note] 377 00:16:24,167 --> 00:16:25,501 (Barnes) On chilly days, 378 00:16:25,601 --> 00:16:28,034 folks come by just to warm themselves 379 00:16:28,134 --> 00:16:29,934 by the pot-bellied stove 380 00:16:30,034 --> 00:16:33,034 and listen to Andy's tall tales. 381 00:16:33,134 --> 00:16:35,001 [violins rise dramatically] 382 00:16:35,101 --> 00:16:36,568 Through the years, 383 00:16:36,668 --> 00:16:40,468 this quirky little town has attracted some big names. 384 00:16:40,568 --> 00:16:43,868 A flamboyant Texan named Lyndon B. Johnson 385 00:16:43,968 --> 00:16:46,601 once rode through town on a stagecoach. 386 00:16:46,701 --> 00:16:48,534 North Carolina Senators Sam Ervin 387 00:16:48,634 --> 00:16:50,767 and B. Everett Jordan stopped by 388 00:16:50,867 --> 00:16:52,900 to chat with Andy Barker. 389 00:16:54,167 --> 00:16:56,034 Early mornin' in Love Valley 390 00:16:56,134 --> 00:16:58,134 might look like a ghost town, 391 00:16:58,234 --> 00:17:01,567 but by high noon, it's anything but that. 392 00:17:01,667 --> 00:17:03,401 There's a horse tethered 393 00:17:03,501 --> 00:17:06,234 to every foot of the hitchin' rail. 394 00:17:06,334 --> 00:17:07,901 The boardwalks are crowded, 395 00:17:08,002 --> 00:17:10,600 and still more riders trot down the street 396 00:17:10,700 --> 00:17:12,900 to see and be seen. 397 00:17:13,001 --> 00:17:14,934 ♪ 398 00:17:15,034 --> 00:17:17,101 Why do people bring their campers 399 00:17:17,201 --> 00:17:19,534 and their horses and their families 400 00:17:19,634 --> 00:17:21,468 from all over Tennessee, 401 00:17:21,568 --> 00:17:23,967 Virginia, Georgia, Alabama, 402 00:17:24,067 --> 00:17:26,034 and certainly from North Carolina 403 00:17:26,134 --> 00:17:28,835 to spend a weekend at Love Valley? 404 00:17:28,935 --> 00:17:32,600 Well, they might have a chili cook-off. 405 00:17:32,700 --> 00:17:33,900 Want some? 406 00:17:34,001 --> 00:17:36,500 (Barnes) They might encounter a rodeo. 407 00:17:36,600 --> 00:17:39,334 ♪ 408 00:17:39,434 --> 00:17:42,067 And they might have 409 00:17:42,167 --> 00:17:45,867 a Halloween parade on horseback-- 410 00:17:45,967 --> 00:17:47,501 dressed-up horses, 411 00:17:47,601 --> 00:17:49,700 tiny goblins on ponies, 412 00:17:49,800 --> 00:17:52,167 outrageous hairdos, 413 00:17:52,267 --> 00:17:53,967 fancy dresses, 414 00:17:54,067 --> 00:17:56,167 even a little Indian or two. 415 00:17:56,267 --> 00:17:58,233 [violin leads rich arrangement] 416 00:17:58,333 --> 00:18:00,234 ♪ 417 00:18:00,334 --> 00:18:01,668 [cymbals resound] 418 00:18:01,768 --> 00:18:04,234 You don't have to spend much time here 419 00:18:04,334 --> 00:18:06,434 to figure out there's not really 420 00:18:06,534 --> 00:18:08,835 another place like Love Valley, 421 00:18:08,935 --> 00:18:11,134 and where did the name "Love Valley" 422 00:18:11,234 --> 00:18:13,501 come from anyway? 423 00:18:13,601 --> 00:18:15,334 (Barker) I do love people, 424 00:18:15,434 --> 00:18:17,900 and I was gonna call it the "Valley of Love." 425 00:18:18,001 --> 00:18:19,568 Well, it was too long, 426 00:18:19,668 --> 00:18:21,700 so then I changed it to Love Valley. 427 00:18:21,800 --> 00:18:23,501 (Barnes) And lots of folks 428 00:18:23,601 --> 00:18:25,800 are in love with Love Valley. 429 00:18:25,900 --> 00:18:27,868 The way gamblers love Vegas, 430 00:18:27,968 --> 00:18:30,834 the way hikers love the Appalachian Trail, 431 00:18:30,934 --> 00:18:33,468 this little Western town is heaven 432 00:18:33,568 --> 00:18:36,234 to thousands of cowboys and cowgirls 433 00:18:36,334 --> 00:18:38,334 who just keep comin' back 434 00:18:38,434 --> 00:18:40,667 to Love Valley's happy trails. 435 00:18:40,767 --> 00:18:42,734 [echoing guitar strums] 436 00:18:48,468 --> 00:18:50,467 [lilting harp melody] 437 00:18:50,567 --> 00:18:54,934 ♪ 438 00:18:57,900 --> 00:18:59,434 (woman) I'm afraid that 439 00:18:59,534 --> 00:19:02,334 with the long-standing, traditional crafts 440 00:19:02,434 --> 00:19:05,034 that we're going to see a decline in the motivation 441 00:19:05,134 --> 00:19:08,468 to pass those on to the next generation. 442 00:19:08,568 --> 00:19:10,568 What happens if the next generation says, 443 00:19:10,668 --> 00:19:12,767 "I don't think I want to do that. 444 00:19:12,867 --> 00:19:15,001 I have other interests?" 445 00:19:15,101 --> 00:19:17,700 What happens to a craft? 446 00:19:17,800 --> 00:19:19,001 It's gone. 447 00:19:19,101 --> 00:19:20,501 ♪ 448 00:19:20,601 --> 00:19:22,735 (narrator) It's the art of doll making, 449 00:19:22,835 --> 00:19:24,967 and its roots lie in a cultural exchange 450 00:19:25,067 --> 00:19:27,034 that took place between Native American 451 00:19:27,134 --> 00:19:29,500 and colonial children. 452 00:19:30,768 --> 00:19:32,434 (woman) The Native American children 453 00:19:32,534 --> 00:19:36,501 taught the early settlers how to make dolls. 454 00:19:36,601 --> 00:19:39,101 It's difficult for children now to realize 455 00:19:39,201 --> 00:19:41,901 that during that time period, there were no toys. 456 00:19:42,002 --> 00:19:44,835 The only thing they had were things they made at home. 457 00:19:44,935 --> 00:19:47,067 (narrator) As it's been done for generations, 458 00:19:47,167 --> 00:19:49,934 Smithfield resident Pam Earp fashions her dolls 459 00:19:50,034 --> 00:19:52,434 out of cornhusks. 460 00:19:52,534 --> 00:19:54,501 But today, rather than having to wait 461 00:19:54,601 --> 00:19:56,534 for the corn to get ripe, 462 00:19:56,634 --> 00:19:58,834 she can shop at nearby market. 463 00:19:58,934 --> 00:20:00,567 [mellow Latin beat leads] 464 00:20:00,667 --> 00:20:02,301 ♪ 465 00:20:02,401 --> 00:20:04,767 (Earp) I go to a Hispanic grocery store 466 00:20:04,867 --> 00:20:07,001 at a local open-air market. 467 00:20:07,101 --> 00:20:09,434 I usually am able to pick out the ones 468 00:20:09,534 --> 00:20:11,368 that would work best for dolls. 469 00:20:11,468 --> 00:20:14,201 They have to have a special texture to them. 470 00:20:14,301 --> 00:20:16,334 Then you almost have to sniff 'em, too, 471 00:20:16,434 --> 00:20:19,234 because they've got to smell right. 472 00:20:19,334 --> 00:20:20,900 [lilting harp notes] 473 00:20:21,001 --> 00:20:22,468 ♪ 474 00:20:22,568 --> 00:20:24,934 (narrator) Pam found her interest in doll making 475 00:20:25,034 --> 00:20:27,001 while on her honeymoon in 1978 476 00:20:27,101 --> 00:20:29,767 when she stopped at a craft show in Boone. 477 00:20:29,867 --> 00:20:32,634 ♪ 478 00:20:32,735 --> 00:20:35,867 (Earp) I watched a man make a doll, and I was fascinated. 479 00:20:35,967 --> 00:20:37,668 I really enjoyed watching him 480 00:20:37,768 --> 00:20:40,300 and working with a natural material. 481 00:20:40,400 --> 00:20:43,633 ♪ 482 00:20:43,734 --> 00:20:45,534 And I made a doll, 483 00:20:45,634 --> 00:20:47,467 and it was very traditional, very simple, 484 00:20:47,567 --> 00:20:48,867 and very ugly. 485 00:20:48,967 --> 00:20:50,368 It wasn't my style. 486 00:20:50,468 --> 00:20:53,134 I wanted to find my own way of making them 487 00:20:53,234 --> 00:20:55,900 and put my own creativity in it. 488 00:20:57,634 --> 00:20:59,267 (narrator) Nearly 30 years later, 489 00:20:59,368 --> 00:21:01,867 Pam sits around the table with her mother, daughter, 490 00:21:01,967 --> 00:21:04,234 and an apprentice still creating-- 491 00:21:04,334 --> 00:21:07,501 still upholding this unique tradition. 492 00:21:07,601 --> 00:21:09,134 (Earp) Most traditions pass 493 00:21:09,234 --> 00:21:10,701 from grandmother on down 494 00:21:10,801 --> 00:21:12,701 a normal family-tradition path, 495 00:21:12,801 --> 00:21:14,601 but ours is a little different. 496 00:21:14,701 --> 00:21:16,267 My daughter actually learned from me, 497 00:21:16,368 --> 00:21:18,967 and now my mother has started making things as well. 498 00:21:19,067 --> 00:21:20,967 So we have three generations involved, 499 00:21:21,067 --> 00:21:22,867 but it's not the normal passing down 500 00:21:22,967 --> 00:21:24,267 from generation to generation. 501 00:21:24,368 --> 00:21:26,134 We just sort of started one place 502 00:21:26,234 --> 00:21:27,934 and branched out in all directions. 503 00:21:28,034 --> 00:21:29,334 You got it? 504 00:21:29,434 --> 00:21:31,735 What color sleeve you want? Natural or red? 505 00:21:31,835 --> 00:21:34,600 [voiceover] We have our own areas we like to work with. 506 00:21:34,700 --> 00:21:36,267 I really like to work 507 00:21:36,368 --> 00:21:38,534 with the fancy, very elaborate dolls, 508 00:21:38,634 --> 00:21:40,868 and my daughter works with the smaller pieces-- 509 00:21:40,968 --> 00:21:43,368 the angels and very intricate pieces there. 510 00:21:43,468 --> 00:21:46,468 And my mom does a great job with flowers 511 00:21:46,568 --> 00:21:49,034 and the very traditional dolls. 512 00:21:49,134 --> 00:21:50,568 ♪ 513 00:21:50,668 --> 00:21:52,434 (narrator) Pam dyes the cleaned husks 514 00:21:52,534 --> 00:21:54,267 with about ten different colors. 515 00:21:54,368 --> 00:21:57,568 As you look at the fine detail that goes into her craft, 516 00:21:57,668 --> 00:22:00,600 you might notice that none of her dolls have faces. 517 00:22:00,700 --> 00:22:02,668 ♪ 518 00:22:02,768 --> 00:22:04,633 (Earp) It's a Native American tradition. 519 00:22:04,734 --> 00:22:06,501 There are a lot of stories, 520 00:22:06,601 --> 00:22:08,534 but the most common version is that 521 00:22:08,634 --> 00:22:10,468 if you put a face on something, 522 00:22:10,568 --> 00:22:12,134 an evil spirit could possess it, 523 00:22:12,234 --> 00:22:13,968 so they left the faces off. 524 00:22:14,068 --> 00:22:16,734 There are lots of different versions of the story. 525 00:22:16,834 --> 00:22:18,334 I like the look 526 00:22:18,434 --> 00:22:20,800 because, then, you can make the doll 527 00:22:20,900 --> 00:22:22,900 anyone you want it to be. 528 00:22:23,001 --> 00:22:25,334 ♪ 529 00:22:25,434 --> 00:22:27,201 I don't do commission work 530 00:22:27,301 --> 00:22:29,801 because, then, it would be more like a job. 531 00:22:29,901 --> 00:22:33,034 I don't want it to be something I have to do. 532 00:22:33,134 --> 00:22:35,800 I want it to be something that I enjoy doing. 533 00:22:35,900 --> 00:22:37,434 Oh, I'm having fun. 534 00:22:37,534 --> 00:22:39,567 [voiceover] It's very relaxing for me. 535 00:22:39,667 --> 00:22:44,501 ♪ 536 00:22:44,601 --> 00:22:47,034 Well, I like to have the dolls doing things 537 00:22:47,134 --> 00:22:48,867 or let them depict things 538 00:22:48,967 --> 00:22:51,633 that a woman would do in real life. 539 00:22:51,734 --> 00:22:53,135 I like baskets. 540 00:22:53,235 --> 00:22:56,867 I like little fancy parasols and flowers and handbags. 541 00:22:56,967 --> 00:22:59,401 And you really have to look at the doll 542 00:22:59,501 --> 00:23:02,900 once she's finished and decide what fits her personality. 543 00:23:03,001 --> 00:23:04,701 Every doll looks a little different. 544 00:23:04,801 --> 00:23:06,834 You can even put an age on them, 545 00:23:06,934 --> 00:23:08,968 or I can when I look at them. 546 00:23:09,068 --> 00:23:11,368 They look like they fit certain roles in life, 547 00:23:11,468 --> 00:23:13,234 and that's generally how I determine 548 00:23:13,334 --> 00:23:15,333 what I put in their hands. 549 00:23:15,433 --> 00:23:20,601 ♪ 550 00:23:20,701 --> 00:23:22,401 (narrator) Whereas dolls in the old days 551 00:23:22,501 --> 00:23:24,201 were used as toys for children, 552 00:23:24,301 --> 00:23:26,934 they're now primarily for display. 553 00:23:27,034 --> 00:23:29,067 And each year at the State Fair, 554 00:23:29,167 --> 00:23:31,767 collectors can find Pam's dolls for sale 555 00:23:31,867 --> 00:23:34,067 at the Village of Yesteryear... 556 00:23:34,167 --> 00:23:36,067 ♪ 557 00:23:36,167 --> 00:23:40,534 but a lot of preparation is needed for this event. 558 00:23:40,634 --> 00:23:44,067 (Earp) Twenty-three made, and I need a hundred. 559 00:23:44,167 --> 00:23:45,967 I'm thinkin' I have three made, 560 00:23:46,067 --> 00:23:48,234 and I need about 200. 561 00:23:48,334 --> 00:23:49,934 I really enjoy doing these. 562 00:23:50,034 --> 00:23:51,835 They're fairly quick to do. 563 00:23:51,935 --> 00:23:55,835 I can sit at home watching TV doing 'em. 564 00:23:55,935 --> 00:23:57,967 (Earp) I think I prefer the larger ones 565 00:23:58,067 --> 00:24:00,101 'cause you can be more creative with those. 566 00:24:00,201 --> 00:24:02,767 I like the smaller ones. 567 00:24:02,867 --> 00:24:04,633 Should they have any wrinkles? 568 00:24:04,734 --> 00:24:06,368 No wrinkles for the sleeves. 569 00:24:06,468 --> 00:24:08,334 They don't bend very--very well. 570 00:24:08,434 --> 00:24:10,501 (Earp's mother) If it's too flimsy and all, 571 00:24:10,601 --> 00:24:12,668 it's not going to work out as well, 572 00:24:12,768 --> 00:24:15,668 so I try to get some that's thicker. 573 00:24:15,768 --> 00:24:17,401 (Earp) We do have collectors. 574 00:24:17,501 --> 00:24:20,134 I'm very fortunate to have a large group of collectors 575 00:24:20,234 --> 00:24:22,001 that come and visit me every year. 576 00:24:22,101 --> 00:24:23,834 I enjoy visiting with the people. 577 00:24:23,934 --> 00:24:25,667 They bring pictures of their dolls 578 00:24:25,767 --> 00:24:27,201 and their doll collections, 579 00:24:27,301 --> 00:24:29,067 and it's interesting to listen to them 580 00:24:29,167 --> 00:24:31,334 because you don't see them very often. 581 00:24:31,434 --> 00:24:33,234 There are very few of us left-- 582 00:24:33,334 --> 00:24:35,434 very few doll makers left in North Carolina. 583 00:24:35,534 --> 00:24:37,534 That's why I think it's so important 584 00:24:37,634 --> 00:24:39,768 that we teach this to other people 585 00:24:39,868 --> 00:24:43,233 so that we can pass that tradition on. 586 00:24:43,333 --> 00:24:46,634 ♪ 587 00:24:46,735 --> 00:24:49,568 Each doll is very unique, and I want to make sure 588 00:24:49,668 --> 00:24:52,468 that when I do a doll, that it is something 589 00:24:52,568 --> 00:24:55,967 that people are going to cherish for many generations. 590 00:24:56,067 --> 00:25:04,266 ♪ 591 00:25:08,234 --> 00:25:10,133 [gentle piano introduction] 592 00:25:10,233 --> 00:25:12,201 ♪ 593 00:25:12,301 --> 00:25:14,200 [resonant strings join] 594 00:25:14,300 --> 00:25:22,201 ♪ 595 00:25:22,301 --> 00:25:24,134 (man) Ansel Adams said that 596 00:25:24,234 --> 00:25:26,234 the negative is like the score, 597 00:25:26,334 --> 00:25:28,567 and the print is the performance. 598 00:25:28,667 --> 00:25:32,868 ♪ 599 00:25:32,968 --> 00:25:34,935 You can interpret the image, you know, 600 00:25:35,035 --> 00:25:39,067 a lot of different ways, and they can all be right. 601 00:25:39,167 --> 00:25:48,900 ♪ 602 00:25:49,001 --> 00:25:50,767 As far as what's in the image, 603 00:25:50,867 --> 00:25:52,634 the thing that I am drawn to, 604 00:25:52,735 --> 00:25:56,167 number one, is that it tells a story. 605 00:25:56,267 --> 00:25:58,101 And even if it's a still life, 606 00:25:58,201 --> 00:26:01,700 there's a sensation that somebody was just there. 607 00:26:01,800 --> 00:26:05,701 ♪ 608 00:26:05,801 --> 00:26:07,668 I did a collection of photographs 609 00:26:07,768 --> 00:26:10,800 of North Carolina Indian women. 610 00:26:10,900 --> 00:26:13,034 You know, what I try to avoid 611 00:26:13,134 --> 00:26:18,768 is sort of the stoic, classic Indian portraits 612 00:26:18,868 --> 00:26:24,034 and to have it be about my friends. 613 00:26:24,134 --> 00:26:25,934 Right in the lens. 614 00:26:26,034 --> 00:26:27,201 tckk 615 00:26:27,301 --> 00:26:28,468 Good. 616 00:26:28,568 --> 00:26:30,867 [Native American singing and drumming] 617 00:26:32,134 --> 00:26:34,001 Yeah, that's very cool. 618 00:26:34,101 --> 00:26:39,133 ♪ 619 00:26:40,401 --> 00:26:42,400 [rushing wind] 620 00:26:44,301 --> 00:26:46,800 [energetic string quartet playing "Our State" theme] 621 00:26:46,900 --> 00:26:58,001 ♪ 622 00:26:58,101 --> 00:27:00,400 [dainty piano joins] 623 00:27:00,500 --> 00:27:09,101 ♪ 624 00:27:09,201 --> 00:27:11,166 [violins join] 625 00:27:11,266 --> 00:27:14,433 ♪ 626 00:27:14,533 --> 00:27:16,433 [woodwinds lead] 627 00:27:16,533 --> 00:27:19,633 ♪ 628 00:27:19,734 --> 00:27:21,633 [full orchestration] 629 00:27:21,734 --> 00:27:32,168 ♪ 630 00:27:32,268 --> 00:27:34,768 Captioning by Caroline Griffin, Chad Propst, and Molly Freedman 631 00:27:34,868 --> 00:27:38,001 Caption Perfect, Inc. www.CaptionPerfect.com 632 00:27:39,267 --> 00:27:41,468 (announcer) To subscribe to "Our State" magazine, 633 00:27:41,568 --> 00:27:45,066 visit the Web site www.ourstate.com or call... 634 00:27:50,368 --> 00:27:53,501 [gentle piano melody] 635 00:27:53,601 --> 00:27:56,267 From small towns to bustling cities, 636 00:27:56,368 --> 00:27:58,568 from the Outer Banks to the Blue Ridge Mountains 637 00:27:58,668 --> 00:28:00,701 and all the places in-between, 638 00:28:00,801 --> 00:28:06,034 BB&T believes opportunity lives everywhere in North Carolina. 639 00:28:06,134 --> 00:28:07,867 And for more than 130 years, 640 00:28:07,967 --> 00:28:11,868 we've helped people discover it. 641 00:28:11,968 --> 00:28:14,234 We're proud of our North Carolina roots, 642 00:28:14,334 --> 00:28:18,001 and we're proud to provide major funding for "Our State." 643 00:28:20,434 --> 00:28:22,368 Quality public television is made possible 644 00:28:22,468 --> 00:28:23,934 through the financial contributions 645 00:28:24,034 --> 00:28:25,434 of viewers like you, 646 00:28:25,534 --> 00:28:29,534 who invite you to join them in supporting UNC-TV.