1 00:00:00,000 --> 00:00:05,000 JUDY WOODRUFF: Kara Jackson is known for being the 2019 national youth poet laureate 2 00:00:05,600 --> 00:00:10,600 from Oak Park, Illinois, but her art is not limited to one medium or one place. 3 00:00:11,360 --> 00:00:16,360 She writes poems, but also essays and music, that explore her Southern roots 4 00:00:16,400 --> 00:00:21,280 and how the legacy of racism continues to impact her and her communities. 5 00:00:21,280 --> 00:00:25,840 Tonight, she shares her Brief But Spectacular take on what shapes her art. 6 00:00:25,840 --> 00:00:30,840 KARA JACKSON, Singer/Songwriter/Musician/Writer: When I was a teenager, making work and having 7 00:00:30,880 --> 00:00:35,880 the audacity to call myself a poet or call myself an artist in any way, 8 00:00:36,880 --> 00:00:41,880 that troubled people. When I saw older people trying to gatekeep or try to 9 00:00:42,880 --> 00:00:46,240 humble me or whatever, I just kind of saw that as an invitation. 10 00:00:49,920 --> 00:00:54,240 Gwendolyn Brooks is one of the integral poets who inspired me to write poetry. 11 00:00:54,240 --> 00:00:57,840 Gwendolyn Brooks is a champion of writing what's under your nose. 12 00:00:58,400 --> 00:01:03,400 And so that is the kind of ethic and the kind of practice that I apply in my own work. 13 00:01:03,760 --> 00:01:08,760 I think the South is just important to my work because that's where I'm from. Like, I can't 14 00:01:09,440 --> 00:01:14,440 really explain myself without explaining my dad. My dad was born and raised in Dawson, Georgia. 15 00:01:16,480 --> 00:01:21,480 It's my favorite place on this earth. It's about the size of like any given pebble. 16 00:01:24,080 --> 00:01:29,080 I think that Dawson, Georgia really represents the ways in which culture usually happens in 17 00:01:30,080 --> 00:01:35,080 like the smallest corners of our country and like of this Earth. And it frightens me and 18 00:01:36,000 --> 00:01:41,000 troubles me the ways in which we, as a country, feels so comfortable discarding that space. 19 00:01:43,920 --> 00:01:48,920 I mean, Black people are there, and that's why it's so important to me that people understand 20 00:01:50,240 --> 00:01:55,240 that the South isn't disposable, because my people aren't disposable. That speaks to a larger aspect 21 00:01:57,200 --> 00:02:02,200 of lineage in my work. I can't really do anything without thinking about where I am in this place 22 00:02:04,160 --> 00:02:09,160 and how also I wouldn't be where I am in this place without the people who came before me. 23 00:02:10,080 --> 00:02:13,040 So, I'm constantly thinking about the ways in which I honor 24 00:02:14,080 --> 00:02:18,480 my lineages, but also the ways in which I deviate from those lineages. 25 00:02:18,480 --> 00:02:22,880 I think that every Black person, every Black artist should be given the space 26 00:02:23,680 --> 00:02:28,560 to talk about whatever they want, and to articulate themselves in a way that feels natural. 27 00:02:36,560 --> 00:02:37,060 (SINGING) 28 00:02:37,600 --> 00:02:40,640 KARA JACKSON: 29 00:03:09,200 --> 00:03:14,200 My name is Kara Jackson, and this is my Brief But Spectacular take on writing what's under my nose. 30 00:03:15,840 --> 00:03:18,880 JUDY WOODRUFF: And we thank you, Kara Jackson. 31 00:03:18,880 --> 00:03:23,880 And you can watch all our Brief But Spectacular videos online at PBS.org/NewsHour/Brief.