1 00:00:00,240 --> 00:00:04,000 AMNA NAWAZ: Well, as the saying goes, there's no business like show business. 2 00:00:04,000 --> 00:00:08,750 But for 18 months during the pandemic, there was basically no business in Broadway theaters. 3 00:00:08,750 --> 00:00:12,830 Jeffrey Brown recently visited the theater districts artisans, who are playing a key 4 00:00:12,830 --> 00:00:14,480 role in Broadway's return. 5 00:00:14,480 --> 00:00:17,060 It's all part of our arts and culture series, Canvas. 6 00:00:17,060 --> 00:00:22,060 JEFFREY BROWN: The green suit, worn by Lin-Manuel Miranda in the musical "Hamilton." Miranda 7 00:00:22,880 --> 00:00:27,880 told the costume designer it should be -- quote - - "the color of money." 8 00:00:29,460 --> 00:00:34,460 Crystals and mirrors on Elsa's ice dress from Disney's "Frozen." From "Phantom of the Opera," 9 00:00:38,400 --> 00:00:43,400 what else? The mask. They are defining images of contemporary Broadway. But even live in 10 00:00:46,190 --> 00:00:48,280 the theater, you don't get to see them like this. 11 00:00:48,280 --> 00:00:50,450 BRIAN BLYTHE, The Costume Industry Coalition: What I think is so great about this is that 12 00:00:50,450 --> 00:00:54,340 when you're sitting in the fifth row or the 10th row or in the balcony, you're never this 13 00:00:54,340 --> 00:00:55,340 close... 14 00:00:55,340 --> 00:00:56,340 JEFFREY BROWN: Yes, that's for sure. 15 00:00:56,340 --> 00:01:00,770 BRIAN BLYTHE: ... to the costumes, to the point where you can see the amount of craftsmanship, 16 00:01:00,770 --> 00:01:03,640 the workmanship and the details that go into each one of these. 17 00:01:03,640 --> 00:01:07,880 JEFFREY BROWN: Brian Blythe helped put together this exhibition called Showstoppers!. He's 18 00:01:07,880 --> 00:01:12,880 a founder of The Costume Industry Coalition, a group of more than 50 small businesses that 19 00:01:13,850 --> 00:01:17,450 make these amazing garments, like this dress from "Wicked." 20 00:01:17,450 --> 00:01:18,450 Can I touch it? 21 00:01:18,450 --> 00:01:19,939 BRIAN BLYTHE: I will let you touch it, yes. 22 00:01:19,939 --> 00:01:20,939 (LAUGHTER) 23 00:01:20,939 --> 00:01:24,729 JEFFREY BROWN: Why do you do all of this underneath in such exquisite detail? 24 00:01:24,729 --> 00:01:28,170 BRIAN BLYTHE: Because they're living in this fantasy world. You know, they're in Emerald 25 00:01:28,170 --> 00:01:33,170 City. And when an actor puts this on, they become the character. That's how they realize 26 00:01:33,670 --> 00:01:35,350 their character, is through their costume. 27 00:01:35,350 --> 00:01:40,350 JEFFREY BROWN: But starting in March of 2020, no characters, no costumes, no shows. Now, 28 00:01:42,790 --> 00:01:46,189 gradually, tentatively, the spectacle is coming back. 29 00:01:46,189 --> 00:01:51,189 The musical "Six" was supposed to open the same day Broadway shut down in 2020. The six, 30 00:01:52,350 --> 00:01:57,350 by the way, are the wives killed by Henry VIII. Now they have come to life onstage. 31 00:01:58,640 --> 00:02:01,009 And opening night recently was sold out. 32 00:02:01,009 --> 00:02:04,570 GIANNA VAN ROUENDAL, Theatergoer: This is my first Broadway show back, which is very 33 00:02:04,570 --> 00:02:06,950 exciting. And I think it will be so inspiring. 34 00:02:06,950 --> 00:02:10,470 JACK NIX, Theatergoer: We are just thrilled for Broadway, and we cannot wait to see "Six." 35 00:02:10,470 --> 00:02:13,350 And we will be back to see a bunch of shows. 36 00:02:13,350 --> 00:02:18,350 JEFFREY BROWN: "Six" is one of 15 Broadway shows reopening throughout September. Twenty 37 00:02:18,430 --> 00:02:23,430 more are set to open before the end of the year, with patrons masked and required to 38 00:02:25,830 --> 00:02:30,830 have proof of vaccination or negative test results to enter theaters. 39 00:02:31,260 --> 00:02:35,780 Charlotte St. Martin is president of The Broadway League, a trade group representing theater 40 00:02:35,780 --> 00:02:36,780 owners. 41 00:02:36,780 --> 00:02:38,810 CHARLOTTE ST. MARTIN, President, The Broadway League: We said from day one we will not open 42 00:02:38,810 --> 00:02:42,480 unless we feel we can keep the audience, the cast and crew safe. 43 00:02:42,480 --> 00:02:47,480 They might be a little bit sensitive about the Delta variant, but we're trying to spread 44 00:02:49,960 --> 00:02:54,960 the message that we're safe, we're secure, and all of the magic they loved about Broadway 45 00:02:55,620 --> 00:02:56,650 is still there. 46 00:02:56,650 --> 00:03:01,290 JEFFREY BROWN: Magic and money. Broadway is a business with a large behind-the-scenes 47 00:03:01,290 --> 00:03:06,290 ecosystem fed by ticket sales, with every production employing scores of workers crucial 48 00:03:07,250 --> 00:03:11,900 to making the show go on. And then there's its wider impact on the city. 49 00:03:11,900 --> 00:03:16,900 CHARLOTTE ST. MARTIN: We're responsible for 97,000 jobs in this city, and 80 percent of 50 00:03:17,010 --> 00:03:21,390 the tourists that are coming here for pleasure give Broadway as their number one, two or 51 00:03:21,390 --> 00:03:26,390 three reason for coming to the city. So we need to be open not just for us, but to bring 52 00:03:27,210 --> 00:03:28,210 New York back. 53 00:03:28,210 --> 00:03:33,210 BRIAN BLYTHE: We lost over $26.6 million in gross revenue in 2020. And we have incurred 54 00:03:34,170 --> 00:03:36,270 an immense amount of debt during the pandemic. 55 00:03:36,270 --> 00:03:40,530 JEFFREY BROWN: Showstoppers!, occupying an out-of-business sporting goods store on 42nd 56 00:03:40,530 --> 00:03:45,530 Street, was conceived as a fund-raiser, with ticket sales benefiting costume workers. 57 00:03:46,370 --> 00:03:51,370 According to Blythe, they face a collective debt of $3.5 million. In an industry where 58 00:03:52,080 --> 00:03:56,480 nothing but the best will do, some of the people who make these costumes took part in 59 00:03:56,480 --> 00:03:58,080 the exhibition. 60 00:03:58,080 --> 00:04:01,460 Camilla Chuvarsky is a theatrical milliner she makes hats. 61 00:04:01,460 --> 00:04:04,900 CAMILLA CHUVARSKY, Lynne Mackey Studio: I think there's a bit of a false perception 62 00:04:04,900 --> 00:04:09,900 with costumes that they're not as well-made as everyday garments. 63 00:04:10,100 --> 00:04:15,100 And, in fact, the opposite is true. They have to hold up through eight shows a week and 64 00:04:16,780 --> 00:04:21,780 still look beautiful the entire time, because, when you're going to Broadway, more than regional 65 00:04:21,810 --> 00:04:24,370 theater, what you're paying for is the production value. 66 00:04:24,370 --> 00:04:29,370 JEFFREY BROWN: The pandemic, she says, forced some to leave the industry or retire early, 67 00:04:29,509 --> 00:04:32,680 revealing just how fragile some of the costuming trades are. 68 00:04:32,680 --> 00:04:37,680 CAMILLA CHUVARSKY: There are a lot of techniques and skills that really are passed down through 69 00:04:38,349 --> 00:04:43,349 training on the job and that a lot of people don't know and would honestly be lost. If 70 00:04:44,949 --> 00:04:49,949 some of these shops closed, there's knowledge that would just vanish, because it is so particular 71 00:04:50,930 --> 00:04:51,930 to the industry. 72 00:04:51,930 --> 00:04:55,759 JEFFREY BROWN: Another behind-the-scenes art form, fabric painter. 73 00:04:55,759 --> 00:05:00,759 Hochi Asiatico has worked on Broadway for 25 years, painting everything from the most 74 00:05:00,789 --> 00:05:03,689 detailed patterns to a character's sweat. 75 00:05:03,689 --> 00:05:07,699 A painter for a Broadway show, most people probably don't know there is such a thing. 76 00:05:07,699 --> 00:05:09,610 HOCHI ASIATICO, Owner, Hochi Asiatico Studio: No, people don't know. 77 00:05:09,610 --> 00:05:14,539 And they just get the feeling of something. And I think they get into the character. But, 78 00:05:14,539 --> 00:05:18,819 really, the painting is very important for the development of the character. 79 00:05:18,819 --> 00:05:23,069 JEFFREY BROWN: Asiatico hand-painted these robes, set in the early 19th century, for 80 00:05:23,069 --> 00:05:24,669 the play "Golden Child." 81 00:05:24,669 --> 00:05:29,199 HOCHI ASIATICO: So, we had to research the colors that were available at the time and 82 00:05:29,199 --> 00:05:34,199 the style of the time. Also, we wanted them to look a little bit embroidered. So we have 83 00:05:34,539 --> 00:05:38,520 to consider the distance on stage, how the lighting works. 84 00:05:38,520 --> 00:05:43,229 JEFFREY BROWN: The people we met are now back at work making costumes for productions. 85 00:05:43,229 --> 00:05:48,039 But will the audience return? With tourism still down in New York City... 86 00:05:48,039 --> 00:05:50,129 OPRAH WINFREY, Producer/Philanthropist: This is Broadway. 87 00:05:50,129 --> 00:05:55,129 JEFFREY BROWN: ... Broadway League has a new $1.5 million ad campaign narrated by Oprah. 88 00:05:55,591 --> 00:05:58,849 OPRAH WINFREY: This is the return of something truly spectacular. 89 00:05:58,849 --> 00:06:03,009 JEFFREY BROWN: Strategically targeting those within a car drive. 90 00:06:03,009 --> 00:06:08,009 And, as we saw recently, those who are coming are glad to be back, even amid continuing 91 00:06:08,819 --> 00:06:09,819 uncertainty. 92 00:06:09,819 --> 00:06:11,729 AUDRIANNE SPEIDEL, Theatergoer: I'm loving the fact that the shows are back and being 93 00:06:11,729 --> 00:06:15,520 able to come and see as many shows as possible. So, yes. 94 00:06:15,520 --> 00:06:17,710 WOMAN: And please let Broadway open, please. 95 00:06:17,710 --> 00:06:18,710 AUDRIANNE SPEIDEL: Right. 96 00:06:18,710 --> 00:06:21,139 JEFFREY BROWN: For now, at least, it is. 97 00:06:21,139 --> 00:06:23,959 For the "PBS NewsHour," I'm Jeffrey Brown in New York.