WEBVTT

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>> Thompson: TWO-TIME ROCK AND

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ROLL HALL-OF-FAMER GRAHAM NASH

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IS FAMOUS FOR WRITING AND

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PERFORMING CLASSIC ROCK STAPLES

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LIKE "TEACH YOUR CHILDREN" AND

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"OUR HOUSE" WITH THE BAND

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CROSBY, STILLS, NASH & YOUNG.

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BUT HE RECENTLY PLAYED A SET OF

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SHOWS CENTERED AROUND SOME MUSIC

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HE'S FAR LESS KNOWN FOR.

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NEWSHOUR WEEKEND'S TOM CASCIATO

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HAS MORE.

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>> Reporter: IT'S NOT JUST HIS

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FANS WHO APPRECIATE THAT GRAHAM

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NASH IS STILL GOING STRONG AT

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77.

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>> NICE TO BE BACK.

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>> Reporter: SO DOES GRAHAM

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NASH.

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>> AT MY AGE, IT'S NICE TO BE

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ANYWHERE.

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(<i>LAUGHTER</i>)

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>> Reporter: BUT SOME OF HIS

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RECENT SHOWS MIGHT SEEM CURIOUS

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TO THOSE WHO KNOW HIM ONLY FOR

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HIS HITS.

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>> ♪ PEOPLE LIVE AND LEARN

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BUT YOU'RE STILL LEARNING. ♪

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>> Reporter: HE HAS DECADES'

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WORTH OF CHART-TOPPERS TO DRAW

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FROM...

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>> ♪ DRIVING ME TO

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THE AIRPORT. ♪

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>> Reporter: ...BUT HE RECENTLY

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DID SHOWS FEATURING HIS LESSER-

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KNOWN FIRST TWO SOLO ALBUMS IN

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THEIR ENTIRETY, AND YOU HAVE TO

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WONDER WHY.

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THERE ARE CERTAINLY ARTISTS OF

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YOUR GENERATION WHO GO BACK AND

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REVISIT THEIR FINEST COMMERCIAL

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MOMENT IF NOT THEIR FINEST

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ARTISTIC MOMENT.

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>> I WANT TO BE AS REAL AS

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POSSIBLE.

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I'M COMING TO THE END OF MY

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LIFE.

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I'M 77 YEARS OLD RIGHT NOW.

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HOW MUCH LONGER CAN THIS GO ON?

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I HOPE TO BE AROUND FOR AT LEAST

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THE NEXT 30, 40 YEARS, BUT I

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MIGHT DROP DEAD IN THE MIDDLE OF

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THIS CONVERSATION.

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>> Reporter: WITH NO TIME LIKE

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THE PRESENT TO DO IT, NASH KICKS

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OFF THE SHOW WITH THE OPENER

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FROM HIS FIRST ALBUM, "SONGS FOR

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BEGINNERS."

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>> ♪ IN AN UPSTAIRS ROOM IN

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BLACKPOOL. ♪

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>> Reporter: IT STARTS WITH HIS

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BIRTH IN THE MIDST OF WORLD WAR

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II IN BLACKPOOL, ENGLAND.

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>> ♪ THE ARMY HAD MY FATHER

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AND MY MOTHER WAS HAVING ME. ♪

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>> Reporter: AND WHAT WERE YOU

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DOING IN BLACKPOOL, WHICH WAS

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NOT YOUR HOMETOWN?

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>> NO, I LIVED IN SALFORD, WHICH

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IS A SMALL PART OF MANCHESTER IN

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THE NORTH OF ENGLAND.

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AND MANCHESTER WAS BEING BOMBED

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HEAVILY, AND PREGNANT LADIES

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WERE EVACUATED OUT OF THE

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BOMBING AREA.

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♪ MILITARY MADNESS

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WAS KILLING MY COUNTRY. ♪

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>> Reporter: "MILITARY MADNESS"

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WAS AN ANTI-WAR ANTHEM WITH

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SOCIAL PROTEST ROOTED IN

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CHILDHOOD MEMORIES, BUT IT HAD

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THE KIND OF ENGAGING MELODY NASH

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WAS KNOWN FOR AND EVEN A KIND OF

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SING-ALONG FEEL TO IT.

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♪

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YOU AND A LOT OF YOUR PEERS OF

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THAT ERA WERE ANTI-WAR, BUT NOT

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ALL OF THEM CAME UPON THAT

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HAVING GROWN UP AROUND BOMB

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CRATERS.

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>> WE WERE PLAYING IN BUILDINGS

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THAT COULD HAVE COLLAPSED ON US

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AT ANY MOMENT.

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AND IF MY PARENTS WOULD HAVE

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FOUND OUT, I WOULD'VE BEEN IN

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BIG TROUBLE.

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♪

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>> Reporter: THE ALBUM CAME OUT

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IN 1971, NASH JOINING A LIST OF

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CONFESSIONAL SINGER-SONGWRITERS

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ON THE CHARTS AT THE MOMENT

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THEIR GENRE HIT THE COVER OF

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"TIME" AS THE HOT NEW THING.

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IT FOLLOWED THE BREAKUP OF

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CROSBY, STILLS, NASH &amp; YOUNG AND

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ANOTHER BREAKUP WITH HIS LIVE-IN

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LOVE, JONI MITCHELL.

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BUT ON "SONGS FOR BEGINNERS,"

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EVEN LOST LOVE COULD RIDE ALONG

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ON A TUNEFUL WAVE THAT TOOK A

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BIT OF THE STING OUT.

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>> ♪ AND IN MY BED LATE AT NIGHT

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I MISS YOU. ♪

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>> Reporter: OVERALL, THE ALBUM

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CAME ACROSS AS AN AFFIRMATIVE,

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IDEALISTIC AFFAIR.

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>> ♪ WE CAN CHANGE THE WORLD

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WE CAN CHANGE. ♪

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>> Reporter: "WILD TALES,"

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RELEASED IN EARLY 1974, WAS

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SOMETHING ELSE AGAIN.

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IT ARRIVED AT A MOMENT WHEN,

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AMONG NASH'S PEERS-- ON THE

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RADIO, AT LEAST-- CONFESSIONAL

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SONGWRITING HAD GIVEN WAY TO

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POLISHED POP BALLADRY.

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>> ♪ AND WHEN I GO AWAY

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I KNOW MY HEART CAN STAY WITH MY

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LOVE. ♪

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>> Reporter: "MY LOVE" BY PAUL

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McCARTNEY.

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BARBRA STREISAND, "THE WAY WE

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WERE."

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YOU KNEW HOW TO WRITE LOVE

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SONGS, AND YOU KNEW HOW TO WRITE

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HITS.

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AND YET, WITH "WILD TALES," YOU

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DIDN'T GO IN THE DIRECTION OF

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WHAT WAS ON THE RADIO AT THE

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TIME.

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WHAT WAS ON YOUR MIND?

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>> ALL THE STUFF THAT'S IN "WILD

04:16.089 --> 04:17.290 align:left position:10% line:89% size:80%
TALES."

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>> Reporter: NASH WASN'T GOING

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FOR THE GLOSS OF POP-FRIENDLY

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RADIO.

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>> ♪ DON'T THE WIND BLOW COLD

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WHEN YOU'RE HANGING YOUR SOUL

04:25.798 --> 04:28.901 align:left position:10% line:89% size:80%
ON THE LINE? ♪

04:28.901 --> 04:29.836 align:left position:10% line:89% size:80%
>> Reporter: AGAIN, HE MINED HIS

04:29.836 --> 04:31.804 align:left position:10% line:89% size:80%
CHILDHOOD FOR INSPIRATION, BUT

04:31.804 --> 04:34.274 align:left position:10% line:89% size:80%
THE MEMORIES HURT THIS TIME.

04:34.274 --> 04:36.209 align:left position:10% line:89% size:80%
>> MY FATHER WAS AN ENGINEER.

04:36.209 --> 04:37.510 align:left position:10% line:89% size:80%
MY MOTHER HAD TO LOOK AFTER

04:37.510 --> 04:38.978 align:left position:10% line:89% size:80%
THREE KIDS, OF COURSE, BUT SHE

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HAD TO WORK ALSO.

04:40.446 --> 04:42.815 align:left position:10% line:89% size:80%
WE WERE VERY POOR, BUT MY FATHER

04:42.815 --> 04:44.017 align:left position:10% line:89% size:80%
HAD BOUGHT A CAMERA FROM A

04:44.017 --> 04:45.018 align:left position:10% line:89% size:80%
FRIEND OF HIS AT WORK.

04:45.018 --> 04:46.986 align:left position:10% line:89% size:80%
AND ONE DAY, THE POLICE CAME TO

04:46.986 --> 04:48.021 align:left position:10% line:89% size:80%
OUR DOOR.

04:48.021 --> 04:49.989 align:left position:10% line:89% size:80%
THEY WANTED TO KNOW WHERE MY

04:49.989 --> 04:51.958 align:left position:10% line:89% size:80%
FATHER HAD BOUGHT THE CAMERA

04:51.958 --> 04:53.760 align:left position:10% line:89% size:80%
BECAUSE THEY THINK THAT A CAMERA

04:53.760 --> 04:55.428 align:left position:10% line:89% size:80%
HAD BEEN STOLEN.

04:55.428 --> 04:59.098 align:left position:10% line:89% size:80%
AND, WELL, IN THE NORTH OF

04:59.098 --> 05:00.500 align:left position:10% line:89% size:80%
ENGLAND AT THAT POINT-- AND I'M

05:00.500 --> 05:01.668 align:left position:10% line:89% size:80%
SURE IT'S THE SAME ALL OVER THE

05:01.668 --> 05:03.269 align:left position:10% line:89% size:80%
WORLD-- YOU DIDN'T... YOU DON'T

05:03.269 --> 05:05.104 align:left position:10% line:89% size:80%
RAT ON YOUR FRIENDS.

05:05.104 --> 05:06.039 align:left position:10% line:89% size:80%
AND SO, MY FATHER WOULD...

05:06.039 --> 05:07.940 align:left position:10% line:89% size:80%
WOULDN'T TELL THEM, AND HE

05:07.940 --> 05:11.944 align:left position:10% line:89% size:80%
ACTUALLY SPENT A YEAR IN JAIL.

05:11.944 --> 05:13.346 align:left position:10% line:89% size:80%
>> Reporter: AND WHAT DID THAT

05:13.346 --> 05:14.547 align:left position:10% line:89% size:80%
DO TO YOUR DAD?

05:14.547 --> 05:17.784 align:left position:10% line:89% size:80%
AND WHAT DID THAT DO TO YOU?

05:17.784 --> 05:19.619 align:left position:10% line:89% size:80%
>> I THINK IT BROKE HIS HEART.

05:19.619 --> 05:22.922 align:left position:10% line:89% size:80%
I THINK IT WAS SHAMEFUL.

05:22.922 --> 05:24.791 align:left position:10% line:89% size:80%
HE FELT ASHAMED THAT THE POLICE

05:24.791 --> 05:27.727 align:left position:10% line:89% size:80%
HAD COME TO THE DOOR.

05:27.727 --> 05:32.198 align:left position:10% line:89% size:80%
AND HE DIED AT 46.

05:32.198 --> 05:34.334 align:left position:10% line:89% size:80%
♪ ONE DAY, A FRIEND

05:34.334 --> 05:35.835 align:left position:10% line:89% size:80%
TOOK ME ASIDE

05:35.835 --> 05:37.203 align:left position:10% line:89% size:80%
♪ AND SAID I'LL HAVE TO LEAVE

05:37.203 --> 05:39.272 align:left position:10% line:89% size:80%
YOU

05:39.272 --> 05:41.040 align:left position:10% line:89% size:80%
♪ FOR BUYING SOMETHING

05:41.040 --> 05:42.608 align:left position:10% line:89% size:80%
FROM A FRIEND

05:42.608 --> 05:45.244 align:left position:10% line:89% size:80%
THEY SAY I'VE DONE WRONG. ♪

05:45.244 --> 05:45.845 align:left position:10% line:89% size:80%
>> Reporter: NASH TURNED

05:45.845 --> 05:47.480 align:left position:10% line:89% size:80%
EXPERIENCE TO A PLEA FOR PRISON

05:47.480 --> 05:49.248 align:left position:10% line:89% size:80%
REFORM LONG BEFORE SUCH

05:49.248 --> 05:52.585 align:left position:10% line:89% size:80%
SENTIMENTS HIT THE MAINSTREAM.

05:52.585 --> 05:54.921 align:left position:10% line:89% size:80%
>> ♪ SO NOW I'M BIDDING YOU

05:54.921 --> 05:59.192 align:left position:10% line:89% size:80%
FAREWELL FOR MUCH TOO LONG

05:59.192 --> 06:02.628 align:left position:10% line:89% size:80%
♪ AND HERE'S A SONG TO SING

06:02.628 --> 06:06.332 align:left position:10% line:89% size:80%
FOR EVERY MAN INSIDE. ♪

06:06.332 --> 06:07.166 align:left position:10% line:89% size:80%
>> Reporter: MEANWHILE, THE

06:07.166 --> 06:09.102 align:left position:10% line:89% size:80%
TROOPS HAD LEFT VIETNAM THE YEAR

06:09.102 --> 06:10.837 align:left position:10% line:89% size:80%
BEFORE, BUT THAT DIDN'T STOP

06:10.837 --> 06:12.739 align:left position:10% line:89% size:80%
NASH FROM WRITING A SONG CALLED

06:12.739 --> 06:14.307 align:left position:10% line:89% size:80%
"OH! CAMIL."

06:14.307 --> 06:16.476 align:left position:10% line:89% size:80%
>> SCOTT CAMIL WAS ONE OF THE

06:16.476 --> 06:18.378 align:left position:10% line:89% size:80%
MOST HIGHLY-DECORATED SOLDIERS

06:18.378 --> 06:20.847 align:left position:10% line:89% size:80%
IN THE VIETNAM WAR-- MANY, MANY

06:20.847 --> 06:24.217 align:left position:10% line:89% size:80%
MEDALS FOR ABSOLUTE BRAVERY.

06:24.217 --> 06:26.819 align:left position:10% line:89% size:80%
GUNG-HO, INTO IT.

06:26.819 --> 06:30.056 align:left position:10% line:89% size:80%
♪ OH, CAMIL

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TELL ME HOW DO YOU FEEL? ♪

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AND THEN, HE HAD A... I GUESS A

06:37.730 --> 06:39.132 align:left position:10% line:89% size:80%
COME-TO-JESUS MEETING WITH

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HIMSELF WHERE HE REALIZED THAT

06:40.833 --> 06:42.168 align:left position:10% line:89% size:80%
WHAT HE HAD BEEN DOING ALL THESE

06:42.168 --> 06:44.137 align:left position:10% line:89% size:80%
YEARS WAS WRONG.

06:44.137 --> 06:46.172 align:left position:10% line:89% size:80%
♪ WILL YOU TELL ALL THE PEOPLE

06:46.172 --> 06:48.174 align:left position:10% line:89% size:80%
ABOUT THE PEOPLE YOU KILLED

06:48.174 --> 06:50.543 align:left position:10% line:89% size:80%
♪ NOT FOR GOD BUT FOR COUNTRY

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AND WAR. ♪

06:51.978 --> 06:52.812 align:left position:10% line:89% size:80%
>> Reporter: NASH WAS INSPIRED

06:52.812 --> 06:54.514 align:left position:10% line:89% size:80%
BY CAMIL'S HAVING TESTIFIED IN A

06:54.514 --> 06:56.282 align:left position:10% line:89% size:80%
WAR CRIMES FORUM SPONSORED BY

06:56.282 --> 06:58.050 align:left position:10% line:89% size:80%
THE GROUP VIETNAM VETERANS

06:58.050 --> 06:59.218 align:left position:10% line:89% size:80%
AGAINST THE WAR.

06:59.218 --> 06:59.886 align:left position:10% line:89% size:80%
>> AND IF PEOPLE WERE IN THE

06:59.886 --> 07:01.554 align:left position:10% line:89% size:80%
VILLAGES YELLING AND SCREAMING,

07:01.554 --> 07:02.622 align:left position:10% line:89% size:80%
WE DIDN'T HELP THEM.

07:02.622 --> 07:03.689 align:left position:10% line:89% size:80%
WE JUST BURNED THE HOUSES AS WE

07:03.689 --> 07:04.724 align:left position:10% line:89% size:80%
WENT.

07:04.724 --> 07:05.958 align:left position:10% line:89% size:80%
IT WASN'T LIKE THEY WERE HUMANS.

07:05.958 --> 07:07.860 align:left position:10% line:89% size:80%
LIKE, WE WERE... YOU KNOW, WE

07:07.860 --> 07:08.828 align:left position:10% line:89% size:80%
WERE CONDITIONED TO BELIEVE

07:08.828 --> 07:10.463 align:left position:10% line:89% size:80%
THAT, YOU KNOW, THIS WAS FOR

07:10.463 --> 07:12.732 align:left position:10% line:89% size:80%
THE... THE GOOD OF THE NATION,

07:12.732 --> 07:13.833 align:left position:10% line:89% size:80%
THE GOOD OF OUR COUNTRY, AND

07:13.833 --> 07:15.735 align:left position:10% line:89% size:80%
THAT ANYTHING WE DID WAS OKAY.

07:15.735 --> 07:20.206 align:left position:10% line:89% size:80%
>> ♪ OH, CAMIL, TELL ME WHAT

07:20.206 --> 07:24.010 align:left position:10% line:89% size:80%
DID YOUR MOTHER SAY

07:24.010 --> 07:26.479 align:left position:10% line:89% size:80%
♪ WHEN YOU LEFT THOSE PEOPLE

07:26.479 --> 07:28.614 align:left position:10% line:89% size:80%
OUT IN THE FIELDS

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♪ ROTTING ALONG WITH THE HAY? ♪

07:31.250 --> 07:31.984 align:left position:10% line:89% size:80%
>> Reporter: UNLIKE HIS EARLIER

07:31.984 --> 07:34.320 align:left position:10% line:89% size:80%
ANTI-WAR SONG, "OH! CAMIL" WAS

07:34.320 --> 07:35.288 align:left position:10% line:89% size:80%
NO SING-ALONG.

07:35.288 --> 07:37.023 align:left position:10% line:89% size:80%
>> ♪ DID YOU SHOW HER YOUR GUNS?

07:37.023 --> 07:38.991 align:left position:10% line:89% size:80%
DID YOU SHOW HER THE EARS THAT

07:38.991 --> 07:41.093 align:left position:10% line:89% size:80%
YOU WORE? ♪

07:41.093 --> 07:41.894 align:left position:10% line:89% size:80%
>> Reporter: "DID YOU SHOW THEM

07:41.894 --> 07:44.096 align:left position:10% line:89% size:80%
THE EARS THAT YOU WORE?"

07:44.096 --> 07:45.898 align:left position:10% line:89% size:80%
I DIDN'T KNOW WHAT THAT MEANT

07:45.898 --> 07:49.836 align:left position:10% line:89% size:80%
WHEN I FIRST HEARD THAT SONG.

07:49.836 --> 07:51.103 align:left position:10% line:89% size:80%
>> SOME AMERICAN SOLDIERS IN THE

07:51.103 --> 07:54.373 align:left position:10% line:89% size:80%
VIETNAM WAR WERE GUNG-HO ENOUGH

07:54.373 --> 07:55.775 align:left position:10% line:89% size:80%
TO... WHEN THEY KILLED THEIR

07:55.775 --> 07:57.176 align:left position:10% line:89% size:80%
ENEMIES, THAT THEY WOULD CUT OFF

07:57.176 --> 07:59.412 align:left position:10% line:89% size:80%
THEIR EARS AND MAKE A BRACELET

07:59.412 --> 08:03.716 align:left position:10% line:89% size:80%
OF THEM TO WEAR.

08:03.716 --> 08:05.852 align:left position:10% line:89% size:80%
♪ WILL YOU TELL ALL THE PEOPLE

08:05.852 --> 08:08.154 align:left position:10% line:89% size:80%
ABOUT THE PEOPLE THAT STAND UP

08:08.154 --> 08:11.123 align:left position:10% line:89% size:80%
♪ FOR GOD

08:11.123 --> 08:14.961 align:left position:10% line:89% size:80%
NOT FOR COUNTRY AND WAR. ♪

08:14.961 --> 08:16.095 align:left position:10% line:89% size:80%
>> Reporter: HIS LOST LOVE, JONI

08:16.095 --> 08:17.330 align:left position:10% line:89% size:80%
MITCHELL, MADE AN EXPRESSIVE

08:17.330 --> 08:18.998 align:left position:10% line:89% size:80%
PAINTING OF NASH FOR THE ALBUM'S

08:18.998 --> 08:20.299 align:left position:10% line:89% size:80%
BACK COVER.

08:20.299 --> 08:21.734 align:left position:10% line:89% size:80%
AND IT WAS HER HAUNTING,

08:21.734 --> 08:23.236 align:left position:10% line:89% size:80%
WORDLESS VOCALS THAT BROUGHT THE

08:23.236 --> 08:25.171 align:left position:10% line:89% size:80%
RECORD TO A CLOSE ON A TUNE

08:25.171 --> 08:27.039 align:left position:10% line:89% size:80%
CALLED "ANOTHER SLEEP SONG."

08:27.039 --> 08:33.613 align:left position:10% line:89% size:80%
♪

08:33.613 --> 08:34.647 align:left position:10% line:89% size:80%
IT SOUNDS LIKE YOU'RE WRITING

08:34.647 --> 08:36.549 align:left position:10% line:89% size:80%
ABOUT BEING FLAT-OUT

08:36.549 --> 08:37.483 align:left position:10% line:89% size:80%
DEPRESSED...

08:37.483 --> 08:38.284 align:left position:10% line:89% size:80%
>> YES.

08:38.284 --> 08:39.085 align:left position:10% line:89% size:80%
>> Reporter: ...IN THAT SONG.

08:39.085 --> 08:40.786 align:left position:10% line:89% size:80%
>> I<i>AM.</i>

08:40.786 --> 08:42.688 align:left position:10% line:89% size:80%
I... I WAS AVOIDING THE DAY.

08:42.688 --> 08:44.056 align:left position:10% line:89% size:80%
I WAS AVOIDING SUNLIGHT.

08:44.056 --> 08:48.427 align:left position:10% line:89% size:80%
I WAS ALMOST LIKE A...

08:48.427 --> 08:50.096 align:left position:10% line:89% size:80%
...ALMOST LIKE A VAMPIRE.

08:50.096 --> 08:51.464 align:left position:10% line:89% size:80%
♪ ALL I NEED

08:51.464 --> 08:57.169 align:left position:10% line:89% size:80%
IS SOMEONE TO AWAKEN ME

08:57.169 --> 08:58.771 align:left position:10% line:89% size:80%
♪ MUCH OF ME

08:58.771 --> 09:01.173 align:left position:10% line:89% size:80%
HAS GONE TO SLEEP. ♪

09:01.173 --> 09:01.874 align:left position:10% line:89% size:80%
>> Reporter: THE MELODIES WERE

09:01.874 --> 09:03.709 align:left position:10% line:89% size:80%
THERE AND THE WORDS WERE DEEPLY

09:03.709 --> 09:05.611 align:left position:10% line:89% size:80%
FELT, BUT "WILD TALES" WAS

09:05.611 --> 09:07.580 align:left position:10% line:89% size:80%
GRAHAM NASH'S FIRST COMMERCIAL--

09:07.580 --> 09:10.550 align:left position:10% line:89% size:80%
THOUGH NOT ARTISTIC-- FAILURE.

09:10.550 --> 09:12.485 align:left position:10% line:89% size:80%
YOU MADE AN ALBUM WHERE YOU HAD

09:12.485 --> 09:14.220 align:left position:10% line:89% size:80%
SYMPATHY FOR INCARCERATED

09:14.220 --> 09:17.023 align:left position:10% line:89% size:80%
PEOPLE, WHERE YOU WROTE VIVIDLY

09:17.023 --> 09:20.259 align:left position:10% line:89% size:80%
ABOUT WAR CRIMES, AND YOU ENDED

09:20.259 --> 09:22.728 align:left position:10% line:89% size:80%
THE RECORD WITH A SONG ABOUT

09:22.728 --> 09:25.064 align:left position:10% line:89% size:80%
BEING THOROUGHLY AND UTTERLY

09:25.064 --> 09:26.832 align:left position:10% line:89% size:80%
DEPRESSED.

09:26.832 --> 09:28.401 align:left position:10% line:89% size:80%
LOOKING BACK, CAN YOU SEE WHY IT

09:28.401 --> 09:29.502 align:left position:10% line:89% size:80%
MIGHT NOT HAVE BEEN ONE OF YOUR

09:29.502 --> 09:31.337 align:left position:10% line:89% size:80%
BIG HITS?

09:31.337 --> 09:31.804 align:left position:10% line:89% size:80%
>> I DO.

09:31.804 --> 09:33.639 align:left position:10% line:89% size:80%
I DEFINITELY UNDERSTAND.

09:33.639 --> 09:35.374 align:left position:10% line:89% size:80%
I WAS DEPRESSED, YOU KNOW?

09:35.374 --> 09:38.344 align:left position:10% line:89% size:80%
AND THE MUSIC SHOWS IT.

09:38.344 --> 09:39.946 align:left position:10% line:89% size:80%
BUT THAT'S ALL I'VE EVER WRITTEN

09:39.946 --> 09:42.615 align:left position:10% line:89% size:80%
ABOUT IS WHAT'S HAPPENING TO ME.

09:42.615 --> 09:43.816 align:left position:10% line:89% size:80%
I'VE GOT MONEY, AND I'VE GOT

09:43.816 --> 09:44.450 align:left position:10% line:89% size:80%
FAME.

09:44.450 --> 09:46.385 align:left position:10% line:89% size:80%
AND I'VE GOT ALL THOSE OTHER

09:46.385 --> 09:48.254 align:left position:10% line:89% size:80%
THINGS, YOU KNOW, THAT I NEVER

09:48.254 --> 09:50.656 align:left position:10% line:89% size:80%
WANTED IN THE FIRST PLACE.

09:50.656 --> 09:52.425 align:left position:10% line:89% size:80%
BUT I'M STILL THIS PERSON THAT

09:52.425 --> 09:54.827 align:left position:10% line:89% size:80%
FEELS VERY DEEPLY ABOUT MANY

09:54.827 --> 09:55.394 align:left position:10% line:89% size:80%
THINGS.

09:55.394 --> 09:58.831 align:left position:10% line:89% size:80%
♪ WE CAN HEED THE CALL

09:58.831 --> 10:00.166 align:left position:10% line:89% size:80%
WE CAN TRIP AND FALL. ♪

10:00.166 --> 10:00.833 align:left position:10% line:89% size:80%
>> Reporter: WHICH BRINGS US

10:00.833 --> 10:02.501 align:left position:10% line:89% size:80%
BACK TO WHY HE'S SINGING<i>THESE</i>

10:02.501 --> 10:04.770 align:left position:10% line:89% size:80%
SONGS AT THIS MOMENT-- TO BE, IN

10:04.770 --> 10:07.139 align:left position:10% line:89% size:80%
HIS WORDS, AS REAL AS POSSIBLE

10:07.139 --> 10:09.008 align:left position:10% line:89% size:80%
WITH NO TIME LIKE THE PRESENT.

10:09.008 --> 10:12.712 align:left position:10% line:89% size:80%
>> ♪ LET THE ASHES FALL

10:12.712 --> 10:16.215 align:left position:10% line:89% size:80%
UPON US ALL

10:16.215 --> 10:19.318 align:left position:10% line:89% size:80%
♪ OR NOT AT ALL

10:19.318 --> 10:21.854 align:left position:10% line:89% size:80%
IT'S IN US ALL. ♪