>> Thompson: TWO-TIME ROCK AND
ROLL HALL-OF-FAMER GRAHAM NASH
IS FAMOUS FOR WRITING AND
PERFORMING CLASSIC ROCK STAPLES
LIKE "TEACH YOUR CHILDREN" AND
"OUR HOUSE" WITH THE BAND
CROSBY, STILLS, NASH & YOUNG.
BUT HE RECENTLY PLAYED A SET OF
SHOWS CENTERED AROUND SOME MUSIC
HE'S FAR LESS KNOWN FOR.
NEWSHOUR WEEKEND'S TOM CASCIATO
HAS MORE.
>> Reporter: IT'S NOT JUST HIS
FANS WHO APPRECIATE THAT GRAHAM
NASH IS STILL GOING STRONG AT
77.
>> NICE TO BE BACK.
>> Reporter: SO DOES GRAHAM
NASH.
>> AT MY AGE, IT'S NICE TO BE
ANYWHERE.
( LAUGHTER )
>> Reporter: BUT SOME OF HIS
RECENT SHOWS MIGHT SEEM CURIOUS
TO THOSE WHO KNOW HIM ONLY FOR
HIS HITS.
>> ♪ PEOPLE LIVE AND LEARN
BUT YOU'RE STILL LEARNING. ♪
>> Reporter: HE HAS DECADES'
WORTH OF CHART-TOPPERS TO DRAW
FROM...
>> ♪ DRIVING ME TO
THE AIRPORT. ♪
>> Reporter: ...BUT HE RECENTLY
DID SHOWS FEATURING HIS LESSER-
KNOWN FIRST TWO SOLO ALBUMS IN
THEIR ENTIRETY, AND YOU HAVE TO
WONDER WHY.
THERE ARE CERTAINLY ARTISTS OF
YOUR GENERATION WHO GO BACK AND
REVISIT THEIR FINEST COMMERCIAL
MOMENT IF NOT THEIR FINEST
ARTISTIC MOMENT.
>> I WANT TO BE AS REAL AS
POSSIBLE.
I'M COMING TO THE END OF MY
LIFE.
I'M 77 YEARS OLD RIGHT NOW.
HOW MUCH LONGER CAN THIS GO ON?
I HOPE TO BE AROUND FOR AT LEAST
THE NEXT 30, 40 YEARS, BUT I
MIGHT DROP DEAD IN THE MIDDLE OF
THIS CONVERSATION.
>> Reporter: WITH NO TIME LIKE
THE PRESENT TO DO IT, NASH KICKS
OFF THE SHOW WITH THE OPENER
FROM HIS FIRST ALBUM, "SONGS FOR
BEGINNERS."
>> ♪ IN AN UPSTAIRS ROOM IN
BLACKPOOL. ♪
>> Reporter: IT STARTS WITH HIS
BIRTH IN THE MIDST OF WORLD WAR
II IN BLACKPOOL, ENGLAND.
>> ♪ THE ARMY HAD MY FATHER
AND MY MOTHER WAS HAVING ME. ♪
>> Reporter: AND WHAT WERE YOU
DOING IN BLACKPOOL, WHICH WAS
NOT YOUR HOMETOWN?
>> NO, I LIVED IN SALFORD, WHICH
IS A SMALL PART OF MANCHESTER IN
THE NORTH OF ENGLAND.
AND MANCHESTER WAS BEING BOMBED
HEAVILY, AND PREGNANT LADIES
WERE EVACUATED OUT OF THE
BOMBING AREA.
♪ MILITARY MADNESS
WAS KILLING MY COUNTRY. ♪
>> Reporter: "MILITARY MADNESS"
WAS AN ANTI-WAR ANTHEM WITH
SOCIAL PROTEST ROOTED IN
CHILDHOOD MEMORIES, BUT IT HAD
THE KIND OF ENGAGING MELODY NASH
WAS KNOWN FOR AND EVEN A KIND OF
SING-ALONG FEEL TO IT.
♪
YOU AND A LOT OF YOUR PEERS OF
THAT ERA WERE ANTI-WAR, BUT NOT
ALL OF THEM CAME UPON THAT
HAVING GROWN UP AROUND BOMB
CRATERS.
>> WE WERE PLAYING IN BUILDINGS
THAT COULD HAVE COLLAPSED ON US
AT ANY MOMENT.
AND IF MY PARENTS WOULD HAVE
FOUND OUT, I WOULD'VE BEEN IN
BIG TROUBLE.
♪
>> Reporter: THE ALBUM CAME OUT
IN 1971, NASH JOINING A LIST OF
CONFESSIONAL SINGER-SONGWRITERS
ON THE CHARTS AT THE MOMENT
THEIR GENRE HIT THE COVER OF
"TIME" AS THE HOT NEW THING.
IT FOLLOWED THE BREAKUP OF
CROSBY, STILLS, NASH & YOUNG AND
ANOTHER BREAKUP WITH HIS LIVE-IN
LOVE, JONI MITCHELL.
BUT ON "SONGS FOR BEGINNERS,"
EVEN LOST LOVE COULD RIDE ALONG
ON A TUNEFUL WAVE THAT TOOK A
BIT OF THE STING OUT.
>> ♪ AND IN MY BED LATE AT NIGHT
I MISS YOU. ♪
>> Reporter: OVERALL, THE ALBUM
CAME ACROSS AS AN AFFIRMATIVE,
IDEALISTIC AFFAIR.
>> ♪ WE CAN CHANGE THE WORLD
WE CAN CHANGE. ♪
>> Reporter: "WILD TALES,"
RELEASED IN EARLY 1974, WAS
SOMETHING ELSE AGAIN.
IT ARRIVED AT A MOMENT WHEN,
AMONG NASH'S PEERS-- ON THE
RADIO, AT LEAST-- CONFESSIONAL
SONGWRITING HAD GIVEN WAY TO
POLISHED POP BALLADRY.
>> ♪ AND WHEN I GO AWAY
I KNOW MY HEART CAN STAY WITH MY
LOVE. ♪
>> Reporter: "MY LOVE" BY PAUL
McCARTNEY.
BARBRA STREISAND, "THE WAY WE
WERE."
YOU KNEW HOW TO WRITE LOVE
SONGS, AND YOU KNEW HOW TO WRITE
HITS.
AND YET, WITH "WILD TALES," YOU
DIDN'T GO IN THE DIRECTION OF
WHAT WAS ON THE RADIO AT THE
TIME.
WHAT WAS ON YOUR MIND?
>> ALL THE STUFF THAT'S IN "WILD
TALES."
>> Reporter: NASH WASN'T GOING
FOR THE GLOSS OF POP-FRIENDLY
RADIO.
>> ♪ DON'T THE WIND BLOW COLD
WHEN YOU'RE HANGING YOUR SOUL
ON THE LINE? ♪
>> Reporter: AGAIN, HE MINED HIS
CHILDHOOD FOR INSPIRATION, BUT
THE MEMORIES HURT THIS TIME.
>> MY FATHER WAS AN ENGINEER.
MY MOTHER HAD TO LOOK AFTER
THREE KIDS, OF COURSE, BUT SHE
HAD TO WORK ALSO.
WE WERE VERY POOR, BUT MY FATHER
HAD BOUGHT A CAMERA FROM A
FRIEND OF HIS AT WORK.
AND ONE DAY, THE POLICE CAME TO
OUR DOOR.
THEY WANTED TO KNOW WHERE MY
FATHER HAD BOUGHT THE CAMERA
BECAUSE THEY THINK THAT A CAMERA
HAD BEEN STOLEN.
AND, WELL, IN THE NORTH OF
ENGLAND AT THAT POINT-- AND I'M
SURE IT'S THE SAME ALL OVER THE
WORLD-- YOU DIDN'T... YOU DON'T
RAT ON YOUR FRIENDS.
AND SO, MY FATHER WOULD...
WOULDN'T TELL THEM, AND HE
ACTUALLY SPENT A YEAR IN JAIL.
>> Reporter: AND WHAT DID THAT
DO TO YOUR DAD?
AND WHAT DID THAT DO TO YOU?
>> I THINK IT BROKE HIS HEART.
I THINK IT WAS SHAMEFUL.
HE FELT ASHAMED THAT THE POLICE
HAD COME TO THE DOOR.
AND HE DIED AT 46.
♪ ONE DAY, A FRIEND
TOOK ME ASIDE
♪ AND SAID I'LL HAVE TO LEAVE
YOU
♪ FOR BUYING SOMETHING
FROM A FRIEND
THEY SAY I'VE DONE WRONG. ♪
>> Reporter: NASH TURNED
EXPERIENCE TO A PLEA FOR PRISON
REFORM LONG BEFORE SUCH
SENTIMENTS HIT THE MAINSTREAM.
>> ♪ SO NOW I'M BIDDING YOU
FAREWELL FOR MUCH TOO LONG
♪ AND HERE'S A SONG TO SING
FOR EVERY MAN INSIDE. ♪
>> Reporter: MEANWHILE, THE
TROOPS HAD LEFT VIETNAM THE YEAR
BEFORE, BUT THAT DIDN'T STOP
NASH FROM WRITING A SONG CALLED
"OH! CAMIL."
>> SCOTT CAMIL WAS ONE OF THE
MOST HIGHLY-DECORATED SOLDIERS
IN THE VIETNAM WAR-- MANY, MANY
MEDALS FOR ABSOLUTE BRAVERY.
GUNG-HO, INTO IT.
♪ OH, CAMIL
TELL ME HOW DO YOU FEEL? ♪
AND THEN, HE HAD A... I GUESS A
COME-TO-JESUS MEETING WITH
HIMSELF WHERE HE REALIZED THAT
WHAT HE HAD BEEN DOING ALL THESE
YEARS WAS WRONG.
♪ WILL YOU TELL ALL THE PEOPLE
ABOUT THE PEOPLE YOU KILLED
♪ NOT FOR GOD BUT FOR COUNTRY
AND WAR. ♪
>> Reporter: NASH WAS INSPIRED
BY CAMIL'S HAVING TESTIFIED IN A
WAR CRIMES FORUM SPONSORED BY
THE GROUP VIETNAM VETERANS
AGAINST THE WAR.
>> AND IF PEOPLE WERE IN THE
VILLAGES YELLING AND SCREAMING,
WE DIDN'T HELP THEM.
WE JUST BURNED THE HOUSES AS WE
WENT.
IT WASN'T LIKE THEY WERE HUMANS.
LIKE, WE WERE... YOU KNOW, WE
WERE CONDITIONED TO BELIEVE
THAT, YOU KNOW, THIS WAS FOR
THE... THE GOOD OF THE NATION,
THE GOOD OF OUR COUNTRY, AND
THAT ANYTHING WE DID WAS OKAY.
>> ♪ OH, CAMIL, TELL ME WHAT
DID YOUR MOTHER SAY
♪ WHEN YOU LEFT THOSE PEOPLE
OUT IN THE FIELDS
♪ ROTTING ALONG WITH THE HAY? ♪
>> Reporter: UNLIKE HIS EARLIER
ANTI-WAR SONG, "OH! CAMIL" WAS
NO SING-ALONG.
>> ♪ DID YOU SHOW HER YOUR GUNS?
DID YOU SHOW HER THE EARS THAT
YOU WORE? ♪
>> Reporter: "DID YOU SHOW THEM
THE EARS THAT YOU WORE?"
I DIDN'T KNOW WHAT THAT MEANT
WHEN I FIRST HEARD THAT SONG.
>> SOME AMERICAN SOLDIERS IN THE
VIETNAM WAR WERE GUNG-HO ENOUGH
TO... WHEN THEY KILLED THEIR
ENEMIES, THAT THEY WOULD CUT OFF
THEIR EARS AND MAKE A BRACELET
OF THEM TO WEAR.
♪ WILL YOU TELL ALL THE PEOPLE
ABOUT THE PEOPLE THAT STAND UP
♪ FOR GOD
NOT FOR COUNTRY AND WAR. ♪
>> Reporter: HIS LOST LOVE, JONI
MITCHELL, MADE AN EXPRESSIVE
PAINTING OF NASH FOR THE ALBUM'S
BACK COVER.
AND IT WAS HER HAUNTING,
WORDLESS VOCALS THAT BROUGHT THE
RECORD TO A CLOSE ON A TUNE
CALLED "ANOTHER SLEEP SONG."
♪
IT SOUNDS LIKE YOU'RE WRITING
ABOUT BEING FLAT-OUT
DEPRESSED...
>> YES.
>> Reporter: ...IN THAT SONG.
>> I AM.
I... I WAS AVOIDING THE DAY.
I WAS AVOIDING SUNLIGHT.
I WAS ALMOST LIKE A...
...ALMOST LIKE A VAMPIRE.
♪ ALL I NEED
IS SOMEONE TO AWAKEN ME
♪ MUCH OF ME
HAS GONE TO SLEEP. ♪
>> Reporter: THE MELODIES WERE
THERE AND THE WORDS WERE DEEPLY
FELT, BUT "WILD TALES" WAS
GRAHAM NASH'S FIRST COMMERCIAL--
THOUGH NOT ARTISTIC-- FAILURE.
YOU MADE AN ALBUM WHERE YOU HAD
SYMPATHY FOR INCARCERATED
PEOPLE, WHERE YOU WROTE VIVIDLY
ABOUT WAR CRIMES, AND YOU ENDED
THE RECORD WITH A SONG ABOUT
BEING THOROUGHLY AND UTTERLY
DEPRESSED.
LOOKING BACK, CAN YOU SEE WHY IT
MIGHT NOT HAVE BEEN ONE OF YOUR
BIG HITS?
>> I DO.
I DEFINITELY UNDERSTAND.
I WAS DEPRESSED, YOU KNOW?
AND THE MUSIC SHOWS IT.
BUT THAT'S ALL I'VE EVER WRITTEN
ABOUT IS WHAT'S HAPPENING TO ME.
I'VE GOT MONEY, AND I'VE GOT
FAME.
AND I'VE GOT ALL THOSE OTHER
THINGS, YOU KNOW, THAT I NEVER
WANTED IN THE FIRST PLACE.
BUT I'M STILL THIS PERSON THAT
FEELS VERY DEEPLY ABOUT MANY
THINGS.
♪ WE CAN HEED THE CALL
WE CAN TRIP AND FALL. ♪
>> Reporter: WHICH BRINGS US
BACK TO WHY HE'S SINGING THESE
SONGS AT THIS MOMENT-- TO BE, IN
HIS WORDS, AS REAL AS POSSIBLE
WITH NO TIME LIKE THE PRESENT.
>> ♪ LET THE ASHES FALL
UPON US ALL
♪ OR NOT AT ALL
IT'S IN US ALL. ♪