WEBVTT 00:02.000 --> 00:04.733 align:left position:10% line:77% size:80% JUDY WOODRUFF: The documentary "Hale County This Morning, This Evening," about a community 00:04.733 --> 00:09.733 align:left position:10% line:77% size:80% in the Alabama Black Belt, was nominated for an Academy Award earlier this year for best 00:10.466 --> 00:12.400 align:left position:20% line:89% size:70% documentary feature. 00:12.400 --> 00:16.533 align:left position:10% line:77% size:80% Filmmaker RaMell Ross, who spent more than five years making the film, gives his Brief 00:18.066 --> 00:21.200 align:left position:20% line:77% size:70% But Spectacular take on the black experience in documentary film. 00:21.200 --> 00:23.800 align:left position:10% line:83% size:80% It's also part of our of arts and culture series, Canvas. 00:23.800 --> 00:27.933 align:left position:20% line:83% size:70% RAMELL ROSS, Filmmaker: We look at black folks. 00:27.933 --> 00:30.433 align:left position:20% line:83% size:70% We don't often look from black folks. 00:30.433 --> 00:35.433 align:left position:10% line:77% size:80% And the reason why that's the case is because the sort of world view of the U.S. is the 00:36.266 --> 00:37.666 align:left position:30% line:89% size:60% white gaze. 00:37.666 --> 00:38.966 align:left position:10% line:89% size:80% And so blackness is the other. 00:38.966 --> 00:40.700 align:left position:10% line:89% size:80% You go into a black community. 00:40.700 --> 00:44.166 align:left position:20% line:83% size:70% You don't leave a black community. 00:44.166 --> 00:49.133 align:left position:10% line:83% size:80% I live in Hale County currently, been there for 10 years. 00:50.866 --> 00:54.266 align:left position:10% line:77% size:80% I moved there to teach photography and then eventually ran a youth program. 00:54.266 --> 00:58.533 align:left position:10% line:77% size:80% And eight years living there, people still knew me as the one who could help someone 00:58.533 --> 01:01.566 align:left position:10% line:83% size:80% write a resume or help someone get into college. 01:01.566 --> 01:06.566 align:left position:10% line:77% size:80% That role gave me more leeway, and allowed for people to trust me by default, before 01:09.133 --> 01:12.666 align:left position:20% line:83% size:70% I intended or thought about making a film. 01:12.666 --> 01:17.666 align:left position:10% line:77% size:80% I talk about the film as a return to home for a Northern black American to the historic 01:19.233 --> 01:23.366 align:left position:10% line:89% size:80% South looking through my eyes. 01:23.366 --> 01:27.300 align:left position:10% line:77% size:80% I'm encountering the moment in the same way in which you encounter the moment. 01:27.300 --> 01:32.300 align:left position:10% line:77% size:80% I'm waiting and watching and participating, in hopes that something magnificent would 01:33.666 --> 01:38.533 align:left position:10% line:83% size:80% unfold in front of the camera in a beautiful frame. 01:40.566 --> 01:44.633 align:left position:10% line:77% size:80% When I'm filming Quincy, and we walk outside, and literally a storm is born on the horizon, 01:46.600 --> 01:50.433 align:left position:10% line:77% size:80% I'm in the same shock and awe and appreciation for the moment viscerally as you are when 01:53.633 --> 01:56.566 align:left position:10% line:89% size:80% you encounter it on screen. 01:56.566 --> 02:01.533 align:left position:20% line:77% size:70% Making the film was the most profound five years I have ever had. 02:03.433 --> 02:08.400 align:left position:10% line:77% size:80% No one has access to the nuclear family, the living room environment over the course of 02:12.600 --> 02:14.600 align:left position:10% line:89% size:80% many years in someone's family. 02:14.600 --> 02:16.233 align:left position:20% line:83% size:70% This is where the myths are made. 02:16.233 --> 02:18.433 align:left position:20% line:83% size:70% This is where you learn how to love. 02:18.433 --> 02:23.433 align:left position:10% line:83% size:80% And I was able to witness that in Daniel and Quincy's lives. 02:25.666 --> 02:30.666 align:left position:10% line:77% size:80% If we weren't stuck in our first-person points of view, I would argue that most problems 02:32.600 --> 02:35.533 align:left position:10% line:77% size:80% in the world that have to do with inequality would be solved, because we wouldn't be stuck 02:35.533 --> 02:38.866 align:left position:10% line:89% size:80% in our single points of views. 02:38.866 --> 02:43.866 align:left position:10% line:77% size:80% My name is RaMell Ross, and this is my Brief But Spectacular take on the centrality of 02:43.866 --> 02:46.666 align:left position:20% line:83% size:70% the black experience in documentary film. 02:46.666 --> 02:51.300 align:left position:10% line:77% size:80% JUDY WOODRUFF: And you can find additional Brief But Spectacular episodes on our Web 02:51.300 --> 02:55.133 align:left position:10% line:89% size:80% site, PBS.org/NewsHour/Brief.