1 00:00:07,733 --> 00:00:11,300 ♪ ♪ 2 00:00:18,533 --> 00:00:20,766 (horse whinnying) 3 00:00:20,800 --> 00:00:22,466 (man singing) 4 00:00:22,500 --> 00:00:27,333 NARRATOR: Today, the image of Indians on horseback is iconic. 5 00:00:27,366 --> 00:00:30,266 But Native Americans never set eyes on a horse 6 00:00:30,300 --> 00:00:32,233 before the 15th century, 7 00:00:32,266 --> 00:00:34,666 when Europeans bring them to America 8 00:00:34,700 --> 00:00:38,166 as a weapon of conquest. 9 00:00:38,200 --> 00:00:41,333 The Comanche and other native peoples adapt the horse 10 00:00:41,366 --> 00:00:44,900 as a powerful ally in the fight to protect their land 11 00:00:44,933 --> 00:00:47,266 and way of life. 12 00:00:47,300 --> 00:00:51,200 WOMAN (speaking native language): 13 00:01:02,700 --> 00:01:06,533 (horse whinnying) 14 00:01:06,566 --> 00:01:08,433 FOWLES: This rock art tells a story. 15 00:01:08,466 --> 00:01:11,700 This is commemorating an event, a very successful horse raid. 16 00:01:11,733 --> 00:01:14,266 ♪ ♪ 17 00:01:14,300 --> 00:01:16,933 MYERS: We're looking at possibly the beginning of our empire 18 00:01:16,966 --> 00:01:20,000 as Comanche people on horseback. 19 00:01:20,033 --> 00:01:22,600 It's just amazing. 20 00:01:24,600 --> 00:01:28,766 NARRATOR: The panel is just one of hundreds found in this gorge 21 00:01:28,800 --> 00:01:33,466 created by Jhane's ancestors. 22 00:01:33,500 --> 00:01:36,333 These images in Comanche oral history 23 00:01:36,366 --> 00:01:38,900 are rewriting the story of Native America 24 00:01:38,933 --> 00:01:43,200 in the wake of European colonialism. 25 00:01:54,700 --> 00:01:57,100 ♪ ♪ 26 00:01:57,133 --> 00:01:58,766 LINDSAY MONTGOMERY: We're seeing the first encounter 27 00:01:58,800 --> 00:02:03,866 between the Spanish here, the Comanche, and the horse. 28 00:02:03,900 --> 00:02:06,300 NARRATOR: The rock art may memorialize 29 00:02:06,333 --> 00:02:08,300 a pivotal moment in history, 30 00:02:08,333 --> 00:02:14,200 a battle in which the Comanches seize the horse. 31 00:02:14,233 --> 00:02:17,066 (men singing in native language) 32 00:02:25,833 --> 00:02:29,466 WOMAN (speaking native language): 33 00:03:01,766 --> 00:03:03,000 NARRATOR: To the Comanche, 34 00:03:03,033 --> 00:03:06,400 the horse is a gift from the creator. 35 00:03:20,433 --> 00:03:26,000 ♪ ♪ 36 00:03:26,033 --> 00:03:31,100 (woman speaking native language) 37 00:03:37,966 --> 00:03:40,066 (guns firing, horses neighing) 38 00:03:50,000 --> 00:03:52,666 (gun fires, horse whinnies) 39 00:03:59,766 --> 00:04:03,733 ♪ ♪ 40 00:04:07,200 --> 00:04:10,666 NARRATOR: After U.S. troops slaughter the Comanche herd, 41 00:04:10,700 --> 00:04:15,666 Quanah Parker, the last free Comanche chief, surrenders. 42 00:04:24,600 --> 00:04:29,433 ♪ ♪ 43 00:04:29,466 --> 00:04:31,800 WOMAN: I want people to see us and just think, 44 00:04:31,833 --> 00:04:33,166 "Oh, my gosh, that person is Comanche. 45 00:04:33,200 --> 00:04:35,366 "Those people-- they're not historical, 46 00:04:35,400 --> 00:04:36,966 "they're still alive today. 47 00:04:37,000 --> 00:04:38,166 Look, they're thriving." 48 00:04:39,866 --> 00:04:41,600 NARRATOR: And the spirit of the horse 49 00:04:41,633 --> 00:04:46,233 remains at the heart of the Comanche nation. 50 00:04:46,266 --> 00:04:48,666 When the moon is full, the Comanche believe 51 00:04:48,700 --> 00:04:53,366 those mustangs massacred in the Texas panhandle 52 00:04:53,400 --> 00:04:55,866 still run free. 53 00:04:55,900 --> 00:04:59,133 WOMAN (speaking native language):