WEBVTT 00:05.633 --> 00:09.766 align:left position:10% line:11% size:80% >> I'M ERIK FORD FOR MADE HERE. 00:09.766 --> 00:11.066 align:left position:10% line:11% size:80% WITH WHALES FROM MASSACHUSETTS 00:11.066 --> 00:14.100 align:left position:10% line:11% size:80% INTRODUCES US TO CHARLIE HUNTER 00:14.100 --> 00:16.733 align:left position:10% line:11% size:80% IN HIS FILM I KNOW IT WHEN I SEE 00:16.733 --> 00:17.133 align:left position:10% line:11% size:80% IT. 00:17.133 --> 00:21.433 align:left position:10% line:11% size:80% CHARLIE HUNTER, AN IRASCIBLE AND 00:21.433 --> 00:24.366 align:left position:10% line:11% size:80% CHARISMATIC PAINTER, SHARES HIS 00:24.366 --> 00:27.333 align:left position:10% line:11% size:80% MASTERY OF CARAFE AND HIS WISDOM 00:27.333 --> 00:29.066 align:left position:10% line:11% size:80% BULLPEN THE LANDSCAPE OF HIS 00:29.066 --> 00:29.666 align:left position:10% line:11% size:80% HOME STATE. 00:29.666 --> 00:33.533 align:left position:10% line:11% size:80% I FOUND MYSELF INSTANDLY 00:33.533 --> 00:35.300 align:left position:10% line:11% size:80% CAPTURED AND I'M SURE YOU WILL 00:35.300 --> 00:35.866 align:left position:10% line:11% size:80% TOO. 00:35.866 --> 00:37.966 align:left position:10% line:11% size:80% YOU CAN WATCH THIS AND MANY 00:37.966 --> 00:40.466 align:left position:10% line:11% size:80% OTHER MAJOR STORIES STREAMING ON 00:40.466 --> 00:45.666 align:left position:10% line:11% size:80% VERMONTPBS.ORG AND THROUGH THE 00:45.666 --> 00:46.433 align:left position:10% line:11% size:80% PBS APP. 00:46.433 --> 01:10.900 align:left position:10% line:11% size:80% THANKS FOR WATCHING 01:10.900 --> 01:13.300 align:left position:10% line:11% size:80% >> I SUCK ADD RATINGS AND I SUCK 01:13.300 --> 01:15.500 align:left position:10% line:11% size:80% AT MUSIC SO HERE I AM DOING WHAT 01:15.500 --> 01:39.066 align:left position:10% line:11% size:80% I CAN DO. 01:39.066 --> 01:41.300 align:left position:10% line:11% size:80% GLIE REMEMBER THE EXACT MOMENT I 01:41.300 --> 01:50.966 align:left position:10% line:11% size:80% FELL IN LOVE WITH TRAINS. 01:50.966 --> 01:52.900 align:left position:10% line:11% size:80% HALF A LEAGUE, HALF A LEAGUE, 01:52.900 --> 01:55.333 align:left position:10% line:11% size:80% HALF A LEAGUE ONWARD. 01:55.333 --> 01:58.200 align:left position:10% line:11% size:80% STORMED AT WITH SHOT AND SHELL, 01:58.200 --> 02:00.700 align:left position:10% line:11% size:80% THE HORSE AND HERO FELL, THEY 02:00.700 --> 02:04.066 align:left position:10% line:11% size:80% THAT HAD FOUGHT SO WELL, ALL 02:04.066 --> 02:05.900 align:left position:10% line:11% size:80% THAT WAS LEFT, ALL THAT WAS LEFT 02:05.900 --> 02:21.966 align:left position:10% line:11% size:80% OF 600. 02:21.966 --> 02:24.300 align:left position:10% line:11% size:80% I WOULDN'T TAKE BRATTLEBORO IF 02:24.300 --> 02:26.733 align:left position:10% line:11% size:80% YOU GAVE IT TOE IN ON A STICK. 02:26.733 --> 02:29.000 align:left position:10% line:11% size:80% I LIKE IT JUST FINE BUT IT'S NOT 02:29.000 --> 02:29.900 align:left position:10% line:11% size:80% MY CUP OF TEA. 02:29.900 --> 02:31.933 align:left position:10% line:11% size:80% YOU HAVE TO LIVE SOMEWHERE. 02:31.933 --> 02:34.700 align:left position:10% line:11% size:80% I WOULD RATHER LIVE HERE WITH A 02:34.700 --> 02:37.366 align:left position:10% line:11% size:80% BUNCH OF OUTLIERS INSTEAD OF A 02:37.366 --> 02:39.833 align:left position:10% line:11% size:80% MAINSTREAM PLACE WITH CRAPPY 02:39.833 --> 02:40.300 align:left position:10% line:11% size:80% TRAFFIC. 02:40.300 --> 02:42.600 align:left position:10% line:11% size:80% OH, I'M LOOKING AT THE CAMERA, 02:42.600 --> 02:43.333 align:left position:10% line:11% size:80% AREN'T I? 02:43.333 --> 02:46.200 align:left position:10% line:11% size:80% I CAN DO WHATEVER I WANT? 02:46.200 --> 02:46.366 align:left position:10% line:11% size:80% OH. 02:46.366 --> 02:55.600 align:left position:10% line:11% size:80% I KNOW. 02:55.600 --> 02:57.366 align:left position:10% line:11% size:80% SUZANNE TAKES YOU TO A PLACE BY 02:57.366 --> 02:59.400 align:left position:10% line:11% size:80% THE RIVER! 02:59.400 --> 03:04.566 align:left position:10% line:11% size:80% BREAKFAST TIME. 03:04.566 --> 03:05.466 align:left position:10% line:11% size:80% DELICIOUS. 03:05.466 --> 03:05.733 align:left position:10% line:11% size:80% MMM. 03:05.733 --> 03:07.666 align:left position:10% line:11% size:80% LOOK AT THAT! 03:07.666 --> 03:09.666 align:left position:10% line:11% size:80% SMELLS LIKE BURNED TIRES. 03:09.666 --> 03:12.433 align:left position:10% line:11% size:80% WHEN WE WAKE UP IN THE MORNING 03:12.433 --> 03:14.866 align:left position:10% line:11% size:80% WE'RE IN A FOUL MOOD BUT THEN WE 03:14.866 --> 03:17.900 align:left position:10% line:11% size:80% GET TO EAT DELICIOUS FOOD, 03:17.900 --> 03:20.000 align:left position:10% line:11% size:80% DELICIOUS FOOD, DELICIOUS FOOFD, 03:20.000 --> 03:22.500 align:left position:10% line:11% size:80% IT TASTES SO GOOD, IT TASTES SO 03:22.500 --> 03:22.800 align:left position:10% line:11% size:80% GOOD. 03:22.800 --> 03:27.233 align:left position:10% line:11% size:80% I JUST SING IT FOR AS LONG AS 03:27.233 --> 03:31.300 align:left position:10% line:11% size:80% THE FOOD EATING RITUAL TAKES 03:31.300 --> 03:32.633 align:left position:10% line:11% size:80% PLACE. 03:32.633 --> 03:33.566 align:left position:10% line:11% size:80% EAT! 03:33.566 --> 03:33.733 align:left position:10% line:11% size:80% EAT! 03:33.733 --> 03:41.100 align:left position:10% line:11% size:80% NEW YORK HAS INVADED BY BEAVERS. 03:41.100 --> 03:44.566 align:left position:10% line:11% size:80% THIS LOOKS LIKE DOG -- SOMETIMES 03:44.566 --> 03:50.866 align:left position:10% line:11% size:80% IT'S LIKE CAT , SOMETIMES IT'S 03:50.866 --> 04:12.400 align:left position:10% line:11% size:80% LIKE HORSE -- TODAY IT'S FOUL. 04:12.400 --> 04:14.933 align:left position:10% line:11% size:80% I COME HERE EVERY MORNING. 04:14.933 --> 04:16.700 align:left position:10% line:11% size:80% THE FOOD IS WONDERFUL. 04:16.700 --> 04:18.700 align:left position:10% line:11% size:80% YOU GET TO BE SURROUNDED BY 04:18.700 --> 04:23.533 align:left position:10% line:11% size:80% BEAUTY THAT YOU DON'T HAVE TO 04:23.533 --> 04:26.300 align:left position:10% line:11% size:80% MAINTAIN. 04:26.300 --> 04:29.833 align:left position:10% line:11% size:80% IT'S JUST -- IT'S JOYFUL. 04:29.833 --> 04:36.300 align:left position:10% line:11% size:80% I MEAN, IT'S UNPRE-TEN CHUS. 04:36.300 --> 04:37.166 align:left position:10% line:11% size:80% BYE! 04:37.166 --> 04:40.733 align:left position:10% line:11% size:80% >> BYE, GUYS! 04:40.733 --> 04:42.166 align:left position:10% line:11% size:80% THIS IS GRETA. 04:42.166 --> 04:47.466 align:left position:10% line:11% size:80% GRETA ROCKS. 04:47.466 --> 04:48.333 align:left position:10% line:11% size:80% THANKS. 04:48.333 --> 04:51.533 align:left position:10% line:11% size:80% I THINK IT'S EMBLEMATIC OF 04:51.533 --> 04:52.633 align:left position:10% line:11% size:80% BELLA'S FALLS. 04:52.633 --> 04:56.600 align:left position:10% line:11% size:80% IT'S QUIRKY AND INDIVIDUALISTIC. 04:56.600 --> 05:03.800 align:left position:10% line:11% size:80% BELLA'S FALLS WAS NOT AN ARTIST 05:03.800 --> 05:11.500 align:left position:10% line:11% size:80% TOWN. 05:11.500 --> 05:13.033 align:left position:10% line:11% size:80% EVERYBODY IS COVERED IN CAT 05:13.033 --> 05:13.233 align:left position:10% line:11% size:80% HAIR. 05:13.233 --> 05:15.800 align:left position:10% line:11% size:80% YOU GO UP TO MONTREAL THEY HAVE 05:15.800 --> 05:17.966 align:left position:10% line:11% size:80% WORSE WEATHER THAN WE DO AND 05:17.966 --> 05:18.933 align:left position:10% line:11% size:80% EVERYBODY LOOKS FABULOUS. 05:18.933 --> 05:20.433 align:left position:10% line:11% size:80% YOU COME HERE, EVERYBODY LOOKS 05:20.433 --> 05:21.200 align:left position:10% line:11% size:80% LIKE HELL. 05:21.200 --> 05:23.533 align:left position:10% line:11% size:80% WE DO NOT LIKE HUGGING. 05:23.533 --> 05:26.833 align:left position:10% line:11% size:80% WHEN I HUG IT'S KIND OF A 05:26.833 --> 05:29.400 align:left position:10% line:11% size:80% MODIFIED HEIMLICH MANEUVER BUT I 05:29.400 --> 05:30.633 align:left position:10% line:11% size:80% GREW UP IN NEW ENGLAND. 05:30.633 --> 05:33.033 align:left position:10% line:11% size:80% I DON'T HAVE ANY OTHER 05:33.033 --> 05:33.333 align:left position:10% line:11% size:80% PERSPECTIVE. 05:33.333 --> 05:36.033 align:left position:10% line:11% size:80% I THINK THEY ARE MORE FRIENDLY. 05:36.033 --> 05:37.333 align:left position:10% line:11% size:80% MORE FRIENDLY BUT ALSO MORE 05:37.333 --> 05:39.233 align:left position:10% line:11% size:80% LIKELY TO KILL YOU. 05:39.233 --> 05:41.300 align:left position:10% line:11% size:80% YOU'VE GOT A MIX OF PEOPLE WHO 05:41.300 --> 05:44.533 align:left position:10% line:11% size:80% ARE LONG TIME FROM HERE, YOU'VE 05:44.533 --> 05:45.700 align:left position:10% line:11% size:80% GOT A BUNCH OF INTERESTING 05:45.700 --> 05:47.366 align:left position:10% line:11% size:80% PEOPLE THAT HAVE COME HERE. 05:47.366 --> 05:49.066 align:left position:10% line:11% size:80% NO ONE IS THINKING WHAT USED TO 05:49.066 --> 05:51.933 align:left position:10% line:11% size:80% BE HERE IS GOING TO COME BACK. 05:51.933 --> 05:54.500 align:left position:10% line:11% size:80% DON'T PAY ANY ATTENTION TO THESE 05:54.500 --> 05:56.066 align:left position:10% line:11% size:80% SONS -- NO ONE THINKS THAT THE 05:56.066 --> 05:58.600 align:left position:10% line:11% size:80% PAPER MILLS ARE COMING BACK. 05:58.600 --> 05:59.700 align:left position:10% line:11% size:80% BELLA'S FALLS IS OVER. 05:59.700 --> 06:01.833 align:left position:10% line:11% size:80% THAT I REMEMBER WHEN I LIVED IN 06:01.833 --> 06:03.433 align:left position:10% line:11% size:80% NORTHAMPTON THERE WAS A CARTOON 06:03.433 --> 06:07.766 align:left position:10% line:11% size:80% THAT SAID, GREENWICH VILLAGE 06:07.766 --> 06:11.000 align:left position:10% line:11% size:80% GONE RURAL, WITH A PICTURE OF A 06:11.000 --> 06:13.266 align:left position:10% line:11% size:80% OVERALLS WEARING FARMER AND A 06:13.266 --> 06:16.500 align:left position:10% line:11% size:80% BLACK WOMAN IN CAT'S EYEGLASSES. 06:16.500 --> 06:19.000 align:left position:10% line:11% size:80% SHE SAYS, WANT TO GO TO THE 06:19.000 --> 06:19.733 align:left position:10% line:11% size:80% TRACTOR PULL? 06:19.733 --> 06:22.500 align:left position:10% line:11% size:80% HE SAYS, NO I THOUGHT I WOULD GO 06:22.500 --> 06:28.000 align:left position:10% line:11% size:80% TO THE CINEMA AND CATCH DIVA 06:28.000 --> 06:28.533 align:left position:10% line:11% size:80% AGAIN. 06:28.533 --> 06:29.800 align:left position:10% line:11% size:80% >> THANK YOU! 06:29.800 --> 06:33.466 align:left position:10% line:11% size:80% >> YES, WE'RE GOING TO GO TO THE 06:33.466 --> 06:33.733 align:left position:10% line:11% size:80% STUDIO. 06:33.733 --> 06:38.133 align:left position:10% line:11% size:80% WE'RE GOING TO -- THE WORDS OF 06:38.133 --> 06:41.800 align:left position:10% line:11% size:80% MY FRIEND PATRICK LEE, OUR JOB 06:41.800 --> 06:43.666 align:left position:10% line:11% size:80% AS ARTISTS IS TO LEARN TO 06:43.666 --> 06:45.666 align:left position:10% line:11% size:80% ACCURATELY RENDER THINGS AND 06:45.666 --> 06:47.333 align:left position:10% line:11% size:80% THEN -- IT UP. 06:47.333 --> 06:52.600 align:left position:10% line:11% size:80% BLAH BLAH BLAH BLAH BLAH. 06:52.600 --> 06:54.600 align:left position:10% line:11% size:80% >> YOU PEOPLE ARE BEAUTIFUL! 06:54.600 --> 07:36.333 align:left position:10% line:11% size:80% JUST BEAUTIFUL! 07:36.333 --> 07:38.300 align:left position:10% line:11% size:80% THE ANALOGY I HAVE USED OFTEN 07:38.300 --> 07:42.233 align:left position:10% line:11% size:80% WHEN TEACHING IS TOWNS VAN ZANDT 07:42.233 --> 07:44.333 align:left position:10% line:11% size:80% SONG PANCHO AND LEFTY. 07:44.333 --> 07:46.466 align:left position:10% line:11% size:80% LIVING ON THE ROAD MY FRIEND IS 07:46.466 --> 07:48.366 align:left position:10% line:11% size:80% GOING TO MAKE YOU FREE AND CLEAN 07:48.366 --> 07:51.233 align:left position:10% line:11% size:80% BUT NOW YOU WEAR YOUR SKIN LIKE 07:51.233 --> 07:54.300 align:left position:10% line:11% size:80% HIGHER THAN AND YOUR BREATH'S AS 07:54.300 --> 07:56.066 align:left position:10% line:11% size:80% HARD AS KEROSENE WHAT. 07:56.066 --> 07:57.500 align:left position:10% line:11% size:80% DOES THAT LITERALLY MEAN? 07:57.500 --> 07:59.733 align:left position:10% line:11% size:80% HARD AS KEROSENE? 07:59.733 --> 08:05.400 align:left position:10% line:11% size:80% YOU KNOW EXACTLY WHAT HE MEANS. 08:05.400 --> 08:07.866 align:left position:10% line:11% size:80% THAT I WOULD ASPIRE TO PAINT. 08:07.866 --> 08:10.033 align:left position:10% line:11% size:80% TO HAVE A PAINTING EVEN APPROACH 08:10.033 --> 08:19.866 align:left position:10% line:11% size:80% THAT LEVEL OF STORY TRUTH. 08:19.866 --> 08:21.600 align:left position:10% line:11% size:80% OH, GOD, THAT WAS ELOQUENT. 08:21.600 --> 08:23.433 align:left position:10% line:11% size:80% I REMEMBERED IT SINCE I WAS NINE 08:23.433 --> 08:25.666 align:left position:10% line:11% size:80% OR TEN, I'M NOT GOING TO FORGET 08:25.666 --> 08:29.233 align:left position:10% line:11% size:80% IT IN THE NEXT TWO MINUTES! 08:29.233 --> 08:32.566 align:left position:10% line:11% size:80% IT WAS LATE AFTERNOON AND THE 08:32.566 --> 08:36.566 align:left position:10% line:11% size:80% SUN WAS GOLDEN HOUR, THE LITTLE 08:36.566 --> 08:37.533 align:left position:10% line:11% size:80% FREIGHT TRAIN CAME BY. 08:37.533 --> 08:40.266 align:left position:10% line:11% size:80% I READ THE SIDES OF THE BOXCARS 08:40.266 --> 08:43.100 align:left position:10% line:11% size:80% AND SAID ONE THAT SAID NICKEL 08:43.100 --> 08:43.733 align:left position:10% line:11% size:80% PLATE ROAD. 08:43.733 --> 08:45.833 align:left position:10% line:11% size:80% THE LETTERING WAS JUST 08:45.833 --> 08:46.300 align:left position:10% line:11% size:80% FANTASTIC. 08:46.300 --> 08:50.000 align:left position:10% line:11% size:80% THE BEAUTY OF THE LIGHT ON THIS 08:50.000 --> 08:51.966 align:left position:10% line:11% size:80% KIND OF FORGOTTEN OBJECT THAT 08:51.966 --> 08:54.600 align:left position:10% line:11% size:80% WAS STILL IN MOTION, IT JUST WAS 08:54.600 --> 08:57.000 align:left position:10% line:11% size:80% PROFOUND TO ME. 08:57.000 --> 08:58.733 align:left position:10% line:11% size:80% I WAS HOOKED ON TRAINS. 08:58.733 --> 09:01.633 align:left position:10% line:11% size:80% MY THEORY IS ALL RIGHT THINKING 09:01.633 --> 09:04.000 align:left position:10% line:11% size:80% TWO-YEAR-OLDS LOVE TRAINS. 09:04.000 --> 09:07.533 align:left position:10% line:11% size:80% AND THEN PEOPLE LOSE TOUCH WITH 09:07.533 --> 09:11.333 align:left position:10% line:11% size:80% THEIR -- THEIR -- WHAT STEERED 09:11.333 --> 09:14.000 align:left position:10% line:11% size:80% THEM RIGHT ABOUT CHILDHOOD. 09:14.000 --> 09:16.266 align:left position:10% line:11% size:80% THEY FORGET. 09:16.266 --> 09:19.100 align:left position:10% line:11% size:80% I JUST -- TRAINS ARE MY RIGHT 09:19.100 --> 09:21.766 align:left position:10% line:11% size:80% OBJECT, YOU KNOW? 09:21.766 --> 09:25.500 align:left position:10% line:11% size:80% PART OF WHY I LIKE TRAINS SO 09:25.500 --> 09:27.666 align:left position:10% line:11% size:80% MUCH IS GRAPHICALLY THEY ROCK. 09:27.666 --> 09:29.100 align:left position:10% line:11% size:80% NICE HORIZONTALS CUTTING THROUGH 09:29.100 --> 09:31.233 align:left position:10% line:11% size:80% THE LAND. 09:31.233 --> 09:36.900 align:left position:10% line:11% size:80% ALSO FASCINATION WITH PASSAGE OF 09:36.900 --> 09:37.133 align:left position:10% line:11% size:80% TIME. 09:37.133 --> 09:41.033 align:left position:10% line:11% size:80% IT'S IMPORTANT. 09:41.033 --> 09:42.333 align:left position:10% line:11% size:80% >> WHY? 09:42.333 --> 09:48.166 align:left position:10% line:11% size:80% >> BECAUSE IT'S JAMES THURBER 09:48.166 --> 09:50.500 align:left position:10% line:11% size:80% WROTE, GETS US ALL IN THE END. 09:50.500 --> 09:53.100 align:left position:10% line:11% size:80% WHAT'S MORE IMPORTANT HUMAN 09:53.100 --> 09:55.033 align:left position:10% line:11% size:80% ENDEAVOR IS ABOUT ATTEMPTING TO 09:55.033 --> 09:56.766 align:left position:10% line:11% size:80% LITERALLY MAKE ONE'S MARK IN THE 09:56.766 --> 10:00.200 align:left position:10% line:11% size:80% TIME THAT ONE HAS. 10:00.200 --> 10:00.400 align:left position:10% line:11% size:80% YEAH. 10:00.400 --> 10:00.600 align:left position:10% line:11% size:80% YEAH. 10:00.600 --> 10:02.900 align:left position:10% line:11% size:80% I THINK THAT'S THE MOST 10:02.900 --> 10:04.600 align:left position:10% line:11% size:80% ENDEARING THING ABOUT HUMANS. 10:04.600 --> 10:07.700 align:left position:10% line:11% size:80% WE'RE GOING TO FAIL. 10:07.700 --> 10:18.400 align:left position:10% line:11% size:80% BUT YET WE TRY. 10:18.400 --> 10:20.300 align:left position:10% line:11% size:80% >> THE ONE PARTICULAR SKILL SET 10:20.300 --> 10:24.066 align:left position:10% line:11% size:80% I HAVE ALLOWS ME TO LOOK AT 10:24.066 --> 10:27.466 align:left position:10% line:11% size:80% SOMETHING AND DO A DECENT 10:27.466 --> 10:29.966 align:left position:10% line:11% size:80% GENERALLY DO A DECENT PAINTING 10:29.966 --> 10:31.800 align:left position:10% line:11% size:80% OF IT IN A COUPLE OF HOURS. 10:31.800 --> 10:40.433 align:left position:10% line:11% size:80% THAT IN AND OF ITSELF IS OF 10:40.433 --> 10:41.800 align:left position:10% line:11% size:80% LIMITED INTEREST. 10:41.800 --> 10:44.100 align:left position:10% line:11% size:80% IT'S LIKE A DOG BEING ABLE TO 10:44.100 --> 10:45.633 align:left position:10% line:11% size:80% DANCE ON ITS HIND LEGS. 10:45.633 --> 10:51.266 align:left position:10% line:11% size:80% IF ONE ACCEPTS THAT ART IS ABOUT 10:51.266 --> 10:54.833 align:left position:10% line:11% size:80% TRYING TO BREAK THROUGH THE 10:54.833 --> 10:56.633 align:left position:10% line:11% size:80% INHERENT LONELINESS OF EXISTENCE 10:56.633 --> 10:58.733 align:left position:10% line:11% size:80% OF SHARING WHAT IT FEELS LIKE TO 10:58.733 --> 11:03.600 align:left position:10% line:11% size:80% BE ALIVE, THEN HOW DO YOU MAKE 11:03.600 --> 11:07.500 align:left position:10% line:11% size:80% AN IMAGE THAT TRANSCENDS THE 11:07.500 --> 11:08.666 align:left position:10% line:11% size:80% LITERAL ASPECT OF IT? 11:08.666 --> 11:12.033 align:left position:10% line:11% size:80% I THINK IT'S A WORTHWHILE THING 11:12.033 --> 11:13.466 align:left position:10% line:11% size:80% TO BE THINKING ABOUT. 11:13.466 --> 11:16.200 align:left position:10% line:11% size:80% RATHER THAN WORKING FROM A 11:16.200 --> 11:17.500 align:left position:10% line:11% size:80% PRECONCEIVED IMAGE, I'M JUST 11:17.500 --> 11:21.233 align:left position:10% line:11% size:80% MAKING THESE MARKS THAT I FIND 11:21.233 --> 11:22.700 align:left position:10% line:11% size:80% GRAPHICALLY INTERESTING, AND 11:22.700 --> 11:25.666 align:left position:10% line:11% size:80% THEN FROM THAT ONCE THIS DRIES I 11:25.666 --> 11:29.666 align:left position:10% line:11% size:80% CAN USE IT HOPEFULLY AS AN ARM 11:29.666 --> 11:33.400 align:left position:10% line:11% size:80% TOUR, AN ABSTRACT COLLECTION OF 11:33.400 --> 11:35.933 align:left position:10% line:11% size:80% SHAPES, MAKING IT A TRUTH 11:35.933 --> 11:39.333 align:left position:10% line:11% size:80% WEILAND SCAPE OR A SOMEWHAT 11:39.333 --> 11:41.566 align:left position:10% line:11% size:80% TRUTHFUL SPACE. 11:41.566 --> 11:43.800 align:left position:10% line:11% size:80% WHERE IS THAT GOING TO GO? 11:43.800 --> 11:48.966 align:left position:10% line:11% size:80% GOING TO END UP -- OR IS IT -- I 11:48.966 --> 11:52.766 align:left position:10% line:11% size:80% HAVE NO IDEA AT THIS POINT. 11:52.766 --> 11:52.966 align:left position:10% line:11% size:80% WHAT? 11:52.966 --> 11:54.533 align:left position:10% line:11% size:80% SOMEONE WOULD LIKE A LITTLE MORE 11:54.533 --> 11:55.100 align:left position:10% line:11% size:80% LAP TIME. 11:55.100 --> 12:18.766 align:left position:10% line:11% size:80% I'M SORRY 12:18.766 --> 12:20.833 align:left position:10% line:11% size:80% MY TRUTH IS IF THERE'S A CERTAIN 12:20.833 --> 12:22.633 align:left position:10% line:11% size:80% LEVEL OF DESTRUCTION, IF THERE'S 12:22.633 --> 12:25.700 align:left position:10% line:11% size:80% A CERTAIN LEVEL OF -- A CERTAIN 12:25.700 --> 12:36.100 align:left position:10% line:11% size:80% POINT OF NO RETURN, IT FEELS FOR 12:36.100 --> 12:40.933 align:left position:10% line:11% size:80% ME DISRESPECTFUL TO DOCUMENT IT. 12:40.933 --> 12:43.833 align:left position:10% line:11% size:80% ONCE A CAR IS REALLY SINKING 12:43.833 --> 12:48.233 align:left position:10% line:11% size:80% INTO THE EARTH, IT'S LIKE LET IT 12:48.233 --> 12:50.800 align:left position:10% line:11% size:80% RUST IN PEACE. 12:50.800 --> 12:55.000 align:left position:10% line:11% size:80% LET IT HAVE ITS LAST TIME BY 12:55.000 --> 12:55.700 align:left position:10% line:11% size:80% ITSELF. 12:55.700 --> 13:01.400 align:left position:10% line:11% size:80% >> I GUESS WHAT I WANT TO KNOW 13:01.400 --> 13:04.533 align:left position:10% line:11% size:80% IS BEING VANQUISHED. 13:04.533 --> 13:06.633 align:left position:10% line:11% size:80% >> WHAT THE -- ARE YOU TALKING 13:06.633 --> 13:07.000 align:left position:10% line:11% size:80% ABOUT? 13:07.000 --> 13:08.166 align:left position:10% line:11% size:80% >> YOU'RE TALKING ABOUT THINGS 13:08.166 --> 13:12.300 align:left position:10% line:11% size:80% THAT ARE COMPLETELY DESTROYED, 13:12.300 --> 13:14.900 align:left position:10% line:11% size:80% ANNIHILATED AS OPPOSED TO APOP 13:14.900 --> 13:15.566 align:left position:10% line:11% size:80% LIP TICK. 13:15.566 --> 13:19.833 align:left position:10% line:11% size:80% >> I DON'T WANT TO PAINT THOSE. 13:19.833 --> 13:22.100 align:left position:10% line:11% size:80% >> RATHER YOUR STORE, YOUR GAS 13:22.100 --> 13:24.000 align:left position:10% line:11% size:80% STATION, THERE'S A CERTAIN LEVEL 13:24.000 --> 13:26.666 align:left position:10% line:11% size:80% OF SPIRIT THAT ENDURES AND 13:26.666 --> 13:29.400 align:left position:10% line:11% size:80% PREVAILS THAT'S UNVANQUISHED. 13:29.400 --> 13:30.866 align:left position:10% line:11% size:80% >> YES, THE NOBILITY. 13:30.866 --> 13:32.866 align:left position:10% line:11% size:80% HONOR THE LIGHT BRIGADE. 13:32.866 --> 13:37.100 align:left position:10% line:11% size:80% HONOR THE CHARGE THEY MADE. 13:37.100 --> 13:37.500 align:left position:10% line:11% size:80% YEAH. 13:37.500 --> 13:39.100 align:left position:10% line:11% size:80% THAT'S ABOUT ALL I REMEMBER OF 13:39.100 --> 13:42.333 align:left position:10% line:11% size:80% CHARGE OF THE LIGHT BRIGADE. 13:42.333 --> 13:44.666 align:left position:10% line:11% size:80% HALF A LEAGUE, HALF A LEAGUE, 13:44.666 --> 13:48.800 align:left position:10% line:11% size:80% HALF A LEAGUE STORMED THE HORSE 13:48.800 --> 13:50.966 align:left position:10% line:11% size:80% AND HERO FELL, THEY THAT HAD 13:50.966 --> 13:52.000 align:left position:10% line:11% size:80% FOUGHT SO WELL. 13:52.000 --> 13:57.600 align:left position:10% line:11% size:80% ALL THAT WAS LEFT, LEFT OF 600. 13:57.600 --> 13:59.900 align:left position:10% line:11% size:80% YEAH. 13:59.900 --> 14:05.133 align:left position:10% line:11% size:80% I LIKE THINGS THAT HAVE A MOD I 14:05.133 --> 14:06.133 align:left position:10% line:11% size:80% COME OF DIGNITY. 14:06.133 --> 14:08.300 align:left position:10% line:11% size:80% I LIKE WHEN THEY SLIDE OFF YOUR 14:08.300 --> 14:15.900 align:left position:10% line:11% size:80% LAP AND FALL ON THE FLOOR. 14:15.900 --> 14:19.833 align:left position:10% line:11% size:80% I WOULD RATHER NOT BE GIMPY. 14:19.833 --> 14:21.966 align:left position:10% line:11% size:80% I DIDN'T WAKE UP ONE MORNING AND 14:21.966 --> 14:23.866 align:left position:10% line:11% size:80% SAY,, GO I WOULD LIKE THE 14:23.866 --> 14:27.200 align:left position:10% line:11% size:80% ADDITIONAL CHALLENGE OF BEING -- 14:27.200 --> 14:30.266 align:left position:10% line:11% size:80% OF HAVING LIMITED MOVEMENT, BUT 14:30.266 --> 14:32.800 align:left position:10% line:11% size:80% EVERYBODY I KNOW WHO IS 60 HAS 14:32.800 --> 14:34.933 align:left position:10% line:11% size:80% SOME PROBLEM OR OTHER. 14:34.933 --> 14:36.700 align:left position:10% line:11% size:80% IF I I'VE GOT THIS PROBLEM THAT 14:36.700 --> 14:39.233 align:left position:10% line:11% size:80% I WALK FUNNY, CAN'T REALLY USE 14:39.233 --> 14:43.100 align:left position:10% line:11% size:80% MY RIGHT HAND, WHAT I'M GOING 14:43.100 --> 14:45.633 align:left position:10% line:11% size:80% THROUGH DOESN'T SEEM TO BE TO BE 14:45.633 --> 14:47.400 align:left position:10% line:11% size:80% ANY DIFFERENT THAN WHAT ANYBODY 14:47.400 --> 14:48.300 align:left position:10% line:11% size:80% ELSE GOES THROUGH. 14:48.300 --> 14:50.966 align:left position:10% line:11% size:80% THERE'S NOTHING PROFOUND ABOUT 14:50.966 --> 14:51.200 align:left position:10% line:11% size:80% IT. 14:51.200 --> 14:53.400 align:left position:10% line:11% size:80% NOT ENOUGH TIME, WE'RE NOT GOING 14:53.400 --> 14:54.933 align:left position:10% line:11% size:80% TO GET IT ALL DONE. 14:54.933 --> 14:56.000 align:left position:10% line:11% size:80% HEY, BUDDY. 14:56.000 --> 14:56.266 align:left position:10% line:11% size:80% YEAH. 14:56.266 --> 14:57.766 align:left position:10% line:11% size:80% THAT'S PART OF THE GAME TOO. 14:57.766 --> 15:01.233 align:left position:10% line:11% size:80% I'M STILL HOPING FOR 15:01.233 --> 15:02.466 align:left position:10% line:11% size:80% IMMORTALITY, BUT CURRENTLY THE 15:02.466 --> 15:08.533 align:left position:10% line:11% size:80% SIGNS ARE NOT LOOKING TERRIBLY 15:08.533 --> 15:08.833 align:left position:10% line:11% size:80% POSITIVE. 15:08.833 --> 15:12.933 align:left position:10% line:11% size:80% I WOULD PREFER TO BE ABLE TO 15:12.933 --> 15:14.600 align:left position:10% line:11% size:80% HAVE AN UNLIMITED AMOUNT OF TIME 15:14.600 --> 15:18.966 align:left position:10% line:11% size:80% TO BE REALLY GOOD AT BEING A 15:18.966 --> 15:21.700 align:left position:10% line:11% size:80% HUMAN BEING, BUT WE GEL AS MUCH 15:21.700 --> 15:22.466 align:left position:10% line:11% size:80% TIME AS WE GET. 15:22.466 --> 15:35.166 align:left position:10% line:11% size:80% WE ALL DO PRETTY MUCH. 15:35.166 --> 15:36.866 align:left position:10% line:11% size:80% WELL, WHO SAYS I'M RIGHT? 15:36.866 --> 15:48.900 align:left position:10% line:11% size:80% I MAY BE JUST FULL OF ! 15:48.900 --> 15:50.466 align:left position:10% line:11% size:80% I DON'T LIKE WORKING FROM 15:50.466 --> 15:50.766 align:left position:10% line:11% size:80% PHOTOGRAPHS. 15:50.766 --> 15:52.433 align:left position:10% line:11% size:80% I WILL BUT I DON'T LIKE IT. 15:52.433 --> 15:55.500 align:left position:10% line:11% size:80% I'M JUST MAKING THESE MARKS THAT 15:55.500 --> 15:58.600 align:left position:10% line:11% size:80% I FIND GRAPHICALLY INTERESTING, 15:58.600 --> 16:01.533 align:left position:10% line:11% size:80% THEN FROM THAT ONCE THIS DRIES I 16:01.533 --> 16:06.433 align:left position:10% line:11% size:80% CAN USE IT HOPEFULLY AS ANAR 16:06.433 --> 16:06.766 align:left position:10% line:11% size:80% MATURE. 16:06.766 --> 16:12.166 align:left position:10% line:11% size:80% IF MY HANDSHAKES AT ALL, THEY 16:12.166 --> 16:17.033 align:left position:10% line:11% size:80% VOLKS STRUCTURE BUT IT'S NOT A 16:17.033 --> 16:17.966 align:left position:10% line:11% size:80% STRUCTURE AT THIS POINT. 16:17.966 --> 16:19.633 align:left position:10% line:11% size:80% IT'S ALSO NOT REALLY A PAINTING 16:19.633 --> 16:20.900 align:left position:10% line:11% size:80% AT THIS POINT BUT IT'S A 16:20.900 --> 16:21.166 align:left position:10% line:11% size:80% SOMETHING. 16:21.166 --> 16:25.466 align:left position:10% line:11% size:80% I'M NOT TRYING TO MAKE THIS 16:25.466 --> 16:28.900 align:left position:10% line:11% size:80% PAINTING AT THIS POINT ABOUT 16:28.900 --> 16:30.433 align:left position:10% line:11% size:80% LOLA'S IN STURGEON BAY, 16:30.433 --> 16:31.900 align:left position:10% line:11% size:80% WISCONSIN, I'M TRYING TO MAKE IT 16:31.900 --> 16:33.366 align:left position:10% line:11% size:80% ABOUT EVERYBODY WHO STOOD IN 16:33.366 --> 16:40.600 align:left position:10% line:11% size:80% FRONT OF AN ENIGMATIC, GHOSTLY 16:40.600 --> 16:41.400 align:left position:10% line:11% size:80% BUILDING. 16:41.400 --> 16:42.900 align:left position:10% line:11% size:80% MACHINE TOOL INDUSTRY 16:42.900 --> 16:43.966 align:left position:10% line:11% size:80% SPRINGFIELD, VERMONT, HAS MOVED 16:43.966 --> 16:46.133 align:left position:10% line:11% size:80% ON SO HOW IS SPRINGFIELD, VERNLT 16:46.133 --> 16:48.800 align:left position:10% line:11% size:80% GOING TO REINVENT ITSELF NOW? 16:48.800 --> 16:50.233 align:left position:10% line:11% size:80% INTERNATIONAL PAPER WAS FOUNDED 16:50.233 --> 16:51.866 align:left position:10% line:11% size:80% IN BELLA'S FALLS. 16:51.866 --> 16:53.833 align:left position:10% line:11% size:80% IT'S LONG SINCE HEADED OUT. 16:53.833 --> 16:56.833 align:left position:10% line:11% size:80% HOW ISABELLA'S FALLS GOING TO 16:56.833 --> 16:58.966 align:left position:10% line:11% size:80% REINVENT ITSELF NOW? 16:58.966 --> 17:01.000 align:left position:10% line:11% size:80% THAT IS WHAT THESE PAINTINGS DO 17:01.000 --> 17:06.733 align:left position:10% line:11% size:80% TOUCH ON. 17:06.733 --> 17:08.100 align:left position:10% line:11% size:80% NOW WHAT? 17:08.100 --> 17:09.933 align:left position:10% line:11% size:80% NOW CAN WE GO RIDE TRAINS? 17:09.933 --> 17:17.466 align:left position:10% line:11% size:80% PRETTY SOON. 17:17.466 --> 17:20.033 align:left position:10% line:11% size:80% HERE'S BOB'S TRAIN ALL PUT 17:20.033 --> 17:21.000 align:left position:10% line:11% size:80% TOGETHER READY FOR THE 17:21.000 --> 17:21.300 align:left position:10% line:11% size:80% PASSENGERS. 17:21.300 --> 17:24.600 align:left position:10% line:11% size:80% IN THE REAR IS THE OBSERVATION 17:24.600 --> 17:25.633 align:left position:10% line:11% size:80% CAR. 17:25.633 --> 17:27.566 align:left position:10% line:11% size:80% THE ASKED THE CONDUCTOR TO KEEP 17:27.566 --> 17:30.966 align:left position:10% line:11% size:80% AN EYE ON BOB BECAUSE THIS IS 17:30.966 --> 17:32.700 align:left position:10% line:11% size:80% HIS FIRST TRAIN TRIP ALONE. 17:32.700 --> 17:39.200 align:left position:10% line:11% size:80% YOU'RE ON YOUR OWN NOW, HE SAYS. 17:39.200 --> 17:41.166 align:left position:10% line:11% size:80% THE HUGE LOCOMOTIVE SETS THE 17:41.166 --> 18:02.166 align:left position:10% line:11% size:80% TRAIN IN MOTION, SLOWLY AT FI 18:02.166 --> 19:05.533 align:left position:10% line:11% size:80% FIRST. 19:05.533 --> 19:08.600 align:left position:10% line:11% size:80% OH, LOOK OUT, HERE SHE COMES. 19:08.600 --> 19:09.533 align:left position:10% line:11% size:80% THERE SHALL GOES. 19:09.533 --> 19:12.500 align:left position:10% line:11% size:80% SHE'S GONE, STREELG STRAIGHT 19:12.500 --> 19:15.333 align:left position:10% line:11% size:80% THROUGH TEXAS LIKE A BIG 19:15.333 --> 19:18.066 align:left position:10% line:11% size:80% CYCLONE, BIG, RED AND SILVER. 19:18.066 --> 19:22.233 align:left position:10% line:11% size:80% SHE'S A MAD DOG STREAMLINE COME 19:22.233 --> 19:25.200 align:left position:10% line:11% size:80% TO SHOW THE FOLKS. 19:25.200 --> 19:29.166 align:left position:10% line:11% size:80% I ADMIRE WRITING LIKE THAT LIKE 19:29.166 --> 19:34.033 align:left position:10% line:11% size:80% TOWNS VAN ZANDT OR JOHN PRYNE. 19:34.033 --> 19:36.333 align:left position:10% line:11% size:80% I READ ENOUGH THAT I HAVE AN 19:36.333 --> 19:36.866 align:left position:10% line:11% size:80% IDEA OF IT. 19:36.866 --> 19:38.066 align:left position:10% line:11% size:80% I DON'T REALLY WANT TO LEARN 19:38.066 --> 19:40.033 align:left position:10% line:11% size:80% MORE ABOUT IT. 19:40.033 --> 19:43.766 align:left position:10% line:11% size:80% I PREFER NOT -- WELL, LET THE 19:43.766 --> 19:44.700 align:left position:10% line:11% size:80% MYSTERY BE. 19:44.700 --> 19:45.666 align:left position:10% line:11% size:80% YOU KNOW? 19:45.666 --> 19:49.300 align:left position:10% line:11% size:80% I CAN DO THAT MORE EASILY WITH 19:49.300 --> 19:53.333 align:left position:10% line:11% size:80% MUSIC THAN I CAN WITH ART. 19:53.333 --> 19:59.666 align:left position:10% line:11% size:80% I KNOW MORE OF THE TRICKS WITH 19:59.666 --> 20:33.700 align:left position:10% line:11% size:80% ART 20:33.700 --> 20:36.166 align:left position:10% line:11% size:80% >> PART OF PAINTING MEANS JUST 20:36.166 --> 20:37.700 align:left position:10% line:11% size:80% PAINTING OUTSIDE. 20:37.700 --> 20:42.433 align:left position:10% line:11% size:80% IT IS PART OF THE AMERICAN LOVE 20:42.433 --> 20:44.966 align:left position:10% line:11% size:80% OF PUTTING FOREIGN NAMES ON 20:44.966 --> 20:48.700 align:left position:10% line:11% size:80% THINGS THAT, YOU KNOW, IT'S 20:48.700 --> 20:54.400 align:left position:10% line:11% size:80% AFRAID IT'S DECLASSE. 20:54.400 --> 20:58.466 align:left position:10% line:11% size:80% IT'S HAD A REBIRTH IN THE LAST 20:58.466 --> 21:02.466 align:left position:10% line:11% size:80% TEN YEARS IN THE U.S. 21:02.466 --> 21:04.400 align:left position:10% line:11% size:80% THIS YEAR MANAGED TO FINALLY 21:04.400 --> 21:10.966 align:left position:10% line:11% size:80% COMBINE MY TWO LOVES OF TRAINS 21:10.966 --> 21:14.166 align:left position:10% line:11% size:80% -- OF TRAINS AND PAINTING AND WE 21:14.166 --> 21:18.800 align:left position:10% line:11% size:80% DID A THING CALLED ON TRAIN-AIR. 21:18.800 --> 21:22.100 align:left position:10% line:11% size:80% A PAINTER FRIEND OF MINE, LARRY 21:22.100 --> 21:23.566 align:left position:10% line:11% size:80% MOORE, WANTED TO SEE IF IT WAS 21:23.566 --> 21:25.500 align:left position:10% line:11% size:80% POSSIBLE TO TAKE A TRAIN, JUST 21:25.500 --> 21:27.666 align:left position:10% line:11% size:80% GO ONE STOP DOWN THE LINE FOR 21:27.666 --> 21:29.933 align:left position:10% line:11% size:80% LIKE A WEEK, EACH DAY MOVING ONE 21:29.933 --> 21:31.566 align:left position:10% line:11% size:80% STOP FURTHER DOWN, PAINTING IN 21:31.566 --> 21:33.866 align:left position:10% line:11% size:80% EACH ONE OF THOSE LITTLE TOWNS. 21:33.866 --> 21:36.400 align:left position:10% line:11% size:80% CONCURRENTLY I WAS REALLY 21:36.400 --> 21:40.266 align:left position:10% line:11% size:80% INVOLVED WITH EFFORTS TO SAVE 21:40.266 --> 21:41.433 align:left position:10% line:11% size:80% ONE PARTICULAR AMERICAN TRAIN, 21:41.433 --> 21:43.100 align:left position:10% line:11% size:80% THE SOUTHWEST CHIEF. 21:43.100 --> 21:46.533 align:left position:10% line:11% size:80% SHE'S A DAILY AMTRAK TRAIN 21:46.533 --> 21:50.166 align:left position:10% line:11% size:80% BETWEEN CHICAGO AND LOS ANGELES. 21:50.166 --> 21:59.266 align:left position:10% line:11% size:80% SO IN APRIL OF THIS YEAR, ME AND 21:59.266 --> 22:03.000 align:left position:10% line:11% size:80% FIVE OTHER PLEIN AIR PAINTERS 22:03.000 --> 22:04.533 align:left position:10% line:11% size:80% BOARDED IN CHICAGO. 22:04.533 --> 22:07.166 align:left position:10% line:11% size:80% WE PAINTED IN LA JUNTA FOR A 22:07.166 --> 22:07.533 align:left position:10% line:11% size:80% DAY. 22:07.533 --> 22:09.300 align:left position:10% line:11% size:80% WE WERE GREETED BY THE MAYOR. 22:09.300 --> 22:10.900 align:left position:10% line:11% size:80% WORD OF OUR COMING HAD SPREAD. 22:10.900 --> 22:14.400 align:left position:10% line:11% size:80% WE ALL GOT LITTLE PENS THAT SAID 22:14.400 --> 22:17.800 align:left position:10% line:11% size:80% YOU'RE ON THE LEVEL IN LA JUNTA. 22:17.800 --> 22:20.000 align:left position:10% line:11% size:80% TRINIDAD, COLORADO, IS AN OLD 22:20.000 --> 22:22.333 align:left position:10% line:11% size:80% MINING TOWN THAT NOW SURVIVES ON 22:22.333 --> 22:22.900 align:left position:10% line:11% size:80% MARIJUANA. 22:22.900 --> 22:25.666 align:left position:10% line:11% size:80% WE WENT STOP DOWN THE LINE TO 22:25.666 --> 22:26.433 align:left position:10% line:11% size:80% RATON, NEW MEXICO. 22:26.433 --> 22:28.400 align:left position:10% line:11% size:80% THESE GUYS SAID, LOOK, WE WERE 22:28.400 --> 22:29.900 align:left position:10% line:11% size:80% COAL MINERS. 22:29.900 --> 22:32.033 align:left position:10% line:11% size:80% COAL MINES ARE NOT COMING BACK. 22:32.033 --> 22:33.766 align:left position:10% line:11% size:80% WE KNOW THAT THE FUTURE OF THIS 22:33.766 --> 22:36.333 align:left position:10% line:11% size:80% TOWN IS GOING TO BE THROUGH THE 22:36.333 --> 22:37.233 align:left position:10% line:11% size:80% ARTS. 22:37.233 --> 22:39.966 align:left position:10% line:11% size:80% AFTER TRINIDAD, RATON, TO LAS 22:39.966 --> 22:42.533 align:left position:10% line:11% size:80% VEGAS, NEW MEXICO, GOT ON THE 22:42.533 --> 22:46.466 align:left position:10% line:11% size:80% TRAIN, WENT ONE STOP DOWN TO 22:46.466 --> 22:48.266 align:left position:10% line:11% size:80% LEIME, NEW MEXICO, THEN WE HAD A 22:48.266 --> 22:49.833 align:left position:10% line:11% size:80% POP-UP SHOW, PAINTING FOR 22:49.833 --> 22:52.333 align:left position:10% line:11% size:80% SOMETHING GREATER THAN ONESELF. 22:52.333 --> 22:55.500 align:left position:10% line:11% size:80% IT'S NOT JUST USING THE PAINT 22:55.500 --> 22:58.400 align:left position:10% line:11% size:80% BECAUSE IT'S FUN TO GO PAINTING. 22:58.400 --> 23:00.800 align:left position:10% line:11% size:80% IT'S USING THE POWER OF THE ARTS 23:00.800 --> 23:03.066 align:left position:10% line:11% size:80% AS AN ECONOMIC DRIVER. 23:03.066 --> 23:06.766 align:left position:10% line:11% size:80% IT'S HELPING EFFORTS FOR REALLY 23:06.766 --> 23:10.766 align:left position:10% line:11% size:80% ADVOCACY AND IT'S ALMOST 23:10.766 --> 23:11.100 align:left position:10% line:11% size:80% AMBASSADORIAL. 23:11.100 --> 23:12.933 align:left position:10% line:11% size:80% GETTING PARTS OF THE COUNTRY, 23:12.933 --> 23:15.966 align:left position:10% line:11% size:80% THE CURRENT RED-BLUE DIVIDE, 23:15.966 --> 23:17.333 align:left position:10% line:11% size:80% GETTING PARTS OF THE COUNTRY TO 23:17.333 --> 23:18.700 align:left position:10% line:11% size:80% TALK TO ONE ANOTHER AGAIN. 23:18.700 --> 23:20.333 align:left position:10% line:11% size:80% WHAT I NEED TO DO FOR A MINUTE 23:20.333 --> 23:24.866 align:left position:10% line:11% size:80% IS STEP BACK AND GO, HMMM. 23:24.866 --> 23:27.000 align:left position:10% line:11% size:80% I CAME WITH THOSE FOLKS BECAUSE 23:27.000 --> 23:29.900 align:left position:10% line:11% size:80% I WAS REALLY INTERESTED IN 23:29.900 --> 23:33.166 align:left position:10% line:11% size:80% HELPING MAKE ARTS COMMUNITY AS 23:33.166 --> 23:35.466 align:left position:10% line:11% size:80% OPPOSED TO GETTING ACCEPTED BY A 23:35.466 --> 23:36.500 align:left position:10% line:11% size:80% PREEXISTING ONE. 23:36.500 --> 23:37.633 align:left position:10% line:11% size:80% DON'T FOLLOW THE CROWD. 23:37.633 --> 23:39.600 align:left position:10% line:11% size:80% WHAT THE HELL'S THE POINTS OF 23:39.600 --> 23:39.800 align:left position:10% line:11% size:80% THAT? 23:39.800 --> 23:41.033 align:left position:10% line:11% size:80% BUILD YOUR OWN THING. 23:41.033 --> 23:44.733 align:left position:10% line:11% size:80% IT'S A MUCH BETTER DEAL FOR YOU. 23:44.733 --> 23:47.133 align:left position:10% line:11% size:80% IT'S A SELFISH THING, AND IT 23:47.133 --> 23:49.200 align:left position:10% line:11% size:80% GIVES OTHER PEOPLE AN 23:49.200 --> 23:50.766 align:left position:10% line:11% size:80% OPPORTUNITY AND IT'S AN EXAMPLE 23:50.766 --> 23:53.300 align:left position:10% line:11% size:80% FOR OTHER PEOPLE THAT THEY TOO 23:53.300 --> 23:56.600 align:left position:10% line:11% size:80% SHOULD CREATE THEIR OWN REALITY 23:56.600 --> 24:02.733 align:left position:10% line:11% size:80% AS OPPOSED TO TRYING TO GET THE 24:02.733 --> 24:04.433 align:left position:10% line:11% size:80% HIPSTERS TO BELIEVE IN YOU. 24:04.433 --> 24:06.633 align:left position:10% line:11% size:80% LOOKING OKAY OVER THERE. 24:06.633 --> 24:07.966 align:left position:10% line:11% size:80% LOOKING OKAY OVER THERE. 24:07.966 --> 24:10.833 align:left position:10% line:11% size:80% THIS LOOKS SOPHOMOREIC. 24:10.833 --> 24:12.666 align:left position:10% line:11% size:80% NOW THEY ARE STARTING TO 24:12.666 --> 24:13.033 align:left position:10% line:11% size:80% WHISPER. 24:13.033 --> 24:15.300 align:left position:10% line:11% size:80% HE'S NOT GETTING THAT RIGHT! 24:15.300 --> 24:17.600 align:left position:10% line:11% size:80% THAT'S NOT VERY GOOD AT ALL! 24:17.600 --> 24:19.733 align:left position:10% line:11% size:80% I'M STILL GOING TO -- UP THE 24:19.733 --> 24:24.766 align:left position:10% line:11% size:80% RAILROAD TRACKS, TRUST ME. 24:24.766 --> 24:27.566 align:left position:10% line:11% size:80% >> THAT DID NOT BRING ME JOY. 24:27.566 --> 24:29.966 align:left position:10% line:11% size:80% WHAT REMAINS TO BE DONE IS TO 24:29.966 --> 24:34.900 align:left position:10% line:11% size:80% LEARN HOW TO PROPERLY LOAD A 24:34.900 --> 24:38.233 align:left position:10% line:11% size:80% SQUEEGEE, OBVIOUSLY. 24:38.233 --> 24:40.900 align:left position:10% line:11% size:80% EVERYTHING MEANS, YOU KNOW, JUST 24:40.900 --> 24:43.433 align:left position:10% line:11% size:80% GOING TO KEEP DOING WHAT YOU DO 24:43.433 --> 24:44.533 align:left position:10% line:11% size:80% UNTIL YOU KEEL OVER. 24:44.533 --> 24:47.000 align:left position:10% line:11% size:80% YOU'RE GOING TO BOOGIE UNTIL YOU 24:47.000 --> 24:48.333 align:left position:10% line:11% size:80% CAN'T BOOGIE NO MORE. 24:48.333 --> 24:50.933 align:left position:10% line:11% size:80% EVERYONE HAS THEIR RIGHT 24:50.933 --> 24:51.466 align:left position:10% line:11% size:80% OBJECTS. 24:51.466 --> 24:55.433 align:left position:10% line:11% size:80% JUST GETTING BETTER AT WHAT YOU 24:55.433 --> 24:55.600 align:left position:10% line:11% size:80% DO. 24:55.600 --> 25:11.800 align:left position:10% line:11% size:80% YOU KNOW. 25:11.800 --> 25:14.466 align:left position:10% line:11% size:80% >> YOU'RE DONE ASKING QUESTIONS? 25:14.466 --> 25:16.633 align:left position:10% line:11% size:80% OH, I'M NOT DONE PAINTING. 25:16.633 --> 25:17.533 align:left position:10% line:11% size:80% ALL RIGHT? 25:17.533 --> 25:18.333 align:left position:10% line:11% size:80% >> LET'S SEE HERE. 25:18.333 --> 25:19.833 align:left position:10% line:11% size:80% >> SEE, THAT'S GETTING 25:19.833 --> 25:20.133 align:left position:10% line:11% size:80% INTERESTING. 25:20.133 --> 25:25.766 align:left position:10% line:11% size:80% >> I THINK IT IS. 25:25.766 --> 25:28.166 align:left position:10% line:11% size:80% >> CATHOLIC CHURCH HIT IS A 25:28.166 --> 25:35.100 align:left position:10% line:11% size:80% PHILISTINE, BUT THE CREW 25:35.100 --> 25:35.466 align:left position:10% line:11% size:80% APPRECIATES. 25:35.466 --> 25:38.533 align:left position:10% line:11% size:80% GUILDING THE LILY. 25:38.533 --> 25:47.000 align:left position:10% line:11% size:80% BLAH BLAH BLAH BLAH BLAH! 25:47.000 --> 25:49.433 align:left position:10% line:11% size:80% YOU PEOPLE ARE BEAUTIFUL! 25:49.433 --> 25:56.700 align:left position:10% line:11% size:80% WHAT YOU'RE DOING IS BEAUTIFUL! 25:56.700 --> 26:11.533 align:left position:10% line:11% size:80% A KIND OF TRUTH WEIY LANDSCAPE. 26:11.533 --> 26:13.166 align:left position:10% line:11% size:80% ATTEMPTING TO LITERALLY MAKE 26:13.166 --> 26:19.333 align:left position:10% line:11% size:80% ONE'S MARK IN THE TIME THAT ONE 26:19.333 --> 26:25.900 align:left position:10% line:11% size:80% HAS. 26:25.900 --> 26:28.233 align:left position:10% line:11% size:80% WE'RE GOING TO FAIL. 26:28.233 --> 27:47.533 align:left position:10% line:11% size:80% BUT YET WE TRY. 27:47.533 --> 27:49.866 align:left position:10% line:11% size:80% >> VERMONT PBS, PARTNERING WITH 27:49.866 --> 27:51.066 align:left position:10% line:11% size:80% LOCAL FILM MAKERS BRING YOU 27:51.066 --> 27:53.266 align:left position:10% line:11% size:80% STORIES MADE HERE. 27:53.266 --> 27:54.500 align:left position:10% line:11% size:80% FOR MORE VISIT VERMONTPBS.ORG.