WEBVTT 00:37.922 --> 00:41.858 LAUREATE LAURIE ANN GUERRERO, WHO'S USING HER TALENT TO GIVE 00:41.860 --> 00:44.928 BACK TO HER COMMUNITY. TAMLY IS BACK IN SAN ANTONIO. 00:44.930 --> 00:48.298 WE'LL FIND OUT WHERE SHE WENT AND WHAT'S ON HER LIST OF ART 00:48.300 --> 00:52.269 OPENINGS AROUND SAN ANTONIO. ADAM ROCHA OF S.A. FILM JOINS US 00:52.271 --> 00:56.907 TO TALK ABOUT NEXT WEEK'S 20th ANNUAL FILM FESTIVAL AND WHAT WE 00:56.909 --> 00:59.409 CAN EXPECT NEXT YEAR. IT'S ALL AHEAD AND MUCH, MUCH 00:59.411 --> 01:04.948 MORE ON THIS EDITION OF "ARTS." 01:04.950 --> 01:14.791 >> HI AND WELCOME BACK TO "ARTS." 01:14.793 --> 01:18.662 FIRST UP, WE MEET A MOTHER OF THREE WHO WAS BORN AND RAISED ON 01:18.664 --> 01:22.466 THE SOUTH SIDE OF SAN ANTONIO. SHE IS A WRITER, A POET, BUT NOT 01:22.468 --> 01:25.435 JUST ANY WRITER AND CERTAINLY NOT JUST ANY POET. 01:25.437 --> 01:29.873 SHE IS LAURIE ANN GUERRERO, SAN ANTONIO'S SECOND POET LAUREATE. 01:29.875 --> 01:33.510 TONIGHT WE PROFILE THE WOMAN WHO STARTED WRITING AT THE AGE OF 8, 01:33.512 --> 01:37.514 FOUND SUCCESS, AND NOW IS USING HER TALENT TO GIVE BACK TO HER 01:37.516 --> 01:41.885 COMMUNITY. >> WRITING OFFERED A SPACE FOR 01:41.887 --> 01:47.491 ME TO RECORD THE KINDS OF THINGS THAT I WAS EXPERIENCING. 01:47.493 --> 01:55.565 I THINK CULTURALLY, AS A YOUNG GIRL, AND THEN IN A FAMILY OF 01:55.567 --> 01:58.135 BOYS, I OFTEN FOUGHT TO BE HEARD. 01:58.137 --> 02:04.407 SO THE PAGE OFFERED A SPACE. NO NEED FOR GROWN-UPS, CHILD 02:04.409 --> 02:08.778 PROTECTIVE SERVICES WHO WERE TOO BUSY, THE LEGISLATORS WHO 02:08.780 --> 02:11.948 COULDN'T GIVE EDUCATION, MEDICATION TO THIS POOR 02:11.950 --> 02:17.354 NEIGHBORHOOD, THIS CITY WITH LA RAZA WITH NO MUSCLE NO VOICE. 02:17.356 --> 02:21.158 HOPE WAS A SAFE SPACE. BECAUSE IT WAS A SAFE SPACE, IT 02:21.160 --> 02:23.160 TOOK ME A WHILE TO WANT TO SHARE. 02:23.162 --> 02:28.298 IN THE SIXTH GRADE, I HAD AN ENGLISH TEACHER, SANDY PRICE, 02:28.300 --> 02:33.303 WHO SUBMITTED OUR POEMS THAT WE WROTE IN CLASS TO A CONTEST TO 02:33.305 --> 02:37.174 THE CULTURAL ARTS CONTEST, POETRY CONTEST, AND I WON. 02:37.176 --> 02:41.912 THAT KIND OF CHANGED MY IDEA OF WHAT I COULD DO WITH THIS THING 02:41.914 --> 02:46.183 THAT I WAS DOING FOR MYSELF. THERE WAS SPACE THERE TO BE 02:46.185 --> 02:49.186 HEARD. SO THAT EXCITED ME, I THINK, AND 02:49.188 --> 02:51.488 THAT KIND OF PUSHED ME TO WRITE MORE. 02:51.490 --> 02:57.561 I HAVE RECEIVED A LOT OF HONORS, AND FOR ME IT'S REALLY IMPORTANT 02:57.563 --> 03:01.331 TO REMEMBER WHERE I CAME FROM AND WHAT I CAME FROM. 03:01.333 --> 03:04.834 MY FAMILY, MY GRANDPARENTS WERE RAISED IN THE FIELDS PICKING 03:04.836 --> 03:08.071 COTTON AND MIGRATING AND COULDN'T WRITE. 03:08.073 --> 03:11.741 SO TO BE A WRITER, IT'S REALLY IMPORTANT FOR ME TO HONOR THE 03:11.743 --> 03:18.381 HISTORY THAT I COME FROM AND TO KNOW THAT THOSE ARE THE 03:18.383 --> 03:21.751 SHOULDERS THAT I STAND ON. >> TO LEARN MORE ABOUT SAN 03:21.753 --> 03:27.958 ANTONIO'S POET LAUREATE, YOU CAN GO TO LAURIEGUERRERO.COM. 03:27.960 --> 03:31.328 >> WE WANT TO HEAR FROM YOU. DO YOU KNOW OF A GOOD STORY 03:31.330 --> 03:35.131 YOU'D LIKE TO SEE AIRED ON "ARTS"? 03:35.133 --> 03:41.338 LET US KNOW BY E-MAILING US AT ARTS@KLRN.ORG. 03:41.340 --> 03:44.341 >> NEXT UP WE MEET A YOUNG PAINTER IN PORTLAND, OREGON, WHO 03:44.343 --> 03:47.711 IS MAKING A NAME FOR HERSELF AS A GIFTED COLORIST. 03:47.713 --> 03:51.314 REPORTER JESSICA MARTIN FOLLOWS THE BUDDING ARTIST AS SHE MAKES 03:51.316 --> 03:55.252 HER WAY THROUGH TOWN, POPPING INTO NUMEROUS VENUES SHOWCASING 03:55.254 --> 03:56.953 HER ART. >> I LEARNED A LOT AT SCHOOL, 03:56.955 --> 04:00.457 AND I FEEL LIKE IT WAS AWESOME. AND I ALSO LEARNED -- I MEAN, I 04:00.459 --> 04:03.960 HAD TEACHERS WHO LOOKED AT MY WORK, AND THEY WERE LIKE THIS IS 04:03.962 --> 04:06.496 YOUR VOMITING STATE. THIS IS LIKE WHAT YOU'RE -- 04:06.498 --> 04:09.633 YOU'VE GOT TO GET IT OUT, JUST GET IT OUT, LIKE PAINTINGS LIKE 04:09.635 --> 04:13.003 THIS WHERE IT'S REALLY JUST CRAZY AND ABSTRACT. 04:13.005 --> 04:15.071 OKAY, SO THIS IS MY VOMITING STAGE. 04:15.073 --> 04:17.574 SO I'LL KEEP DOING THESE PAINTINGS OVER AND OVER AGAIN. 04:17.576 --> 04:21.144 AND THEN I NEVER REALLY STOPPED. LIKE THAT'S NOT -- LIKE THAT'S 04:21.146 --> 04:40.563 KIND OF HOW I MAKE MY ART. >> I DID IT WHEN I WAS PAINTING 04:40.565 --> 04:44.334 ONE OF MY FRIENDS IN OUR STUDIO. ALL THESE BITS OF CONVERSATION 04:44.336 --> 04:57.781 ENDED UP IN HERE. I REMEMBER BEING IN THE LIVING 04:57.783 --> 04:59.783 ROOM, AND I WAS DRAWING THIS BUNNY, I THINK. 04:59.785 --> 05:03.953 I REMEMBER ANY DAD SEEING IT, AND HE WAS LIKE, OH, PRETTY 05:03.955 --> 05:05.922 GOOD. MAYBE YOU'LL BE AN ARTIST. 05:05.924 --> 05:09.559 ALBERTA STREET HAS BEEN REALLY, REALLY GOOD TO ME AS AN ARTIST. 05:09.561 --> 05:18.301 I FEEL LIKE I OWE IT A LOT OF CREDIT. 05:18.303 --> 05:20.470 HEY, THIS IS MY NEW PAINTING. >> CUTE. 05:20.472 --> 05:22.205 >> I THINK YOU'LL REALLY LIKE THIS ONE. 05:22.207 --> 05:25.642 >> HAPPY WITH, HAPPY, MY FAVORITE. 05:25.644 --> 05:27.177 >> I THOUGHT YOU'D LIKE THAT ONE. 05:27.179 --> 05:29.279 >> YEAH. >> I DON'T KNOW HOW YOU WANT TO 05:29.281 --> 05:41.324 PUT IT. >> JENNIFER MERCEDE SELLS HER 05:41.326 --> 05:45.428 WORK AT THE WOMEN'S CLOTHING BOUTIQUE TUMBLEWEED AND THE 05:45.430 --> 05:48.631 CHILDREN'S STORE GRASSHOPPER. >> KARA, THE OWNER, SHE 05:48.633 --> 05:51.801 DISCOVERED ME ON LAST THURSDAY. I WAS SELLING LAST THURSDAY, AND 05:51.803 --> 05:54.904 SHE REALLY LIKED MY WORK. SO SHE INVITED ME TO COME AND 05:54.906 --> 05:59.209 SHOW IN TUMBLEWEEDS FIRST, AND ONCE I STARTED MAKING THE 05:59.211 --> 06:02.379 GIRAFFE, SHE INVITED ME TO SHOW AT GRASSHOPPER. 06:02.381 --> 06:05.315 >> I WAS WALKING DOWN LAST THURSDAY, AND IT JUST CAUGHT MY 06:05.317 --> 06:07.083 EYE, AND I THOUGHT IT WAS SO COOL. 06:07.085 --> 06:09.786 I NEVER HAD ART IN MY STORE. I LEFT THAT TO THE GALLERIES, 06:09.788 --> 06:11.755 AND I WAS LIKE, YOUR WORK IS SO GOOD. 06:11.757 --> 06:13.757 I JUST TOTALLY WANT IT IN MY STORE. 06:13.759 --> 06:17.026 SO WE JUST STARTED THERE, AND WE JUST -- THE GIRAFFE JUST TOOK 06:17.028 --> 06:20.330 OFF, LIKE IT WAS CRAZY. WE COULDN'T EVEN KEEP THEM IN 06:20.332 --> 06:22.632 STOCK, POOR GIRL. >> I THINK IT'S LIKE THE MIX OF 06:22.634 --> 06:31.274 KIND OF OF ABSTRACT, FUN, SOMEWHAT ADULT ENERGY WITH THE 06:31.276 --> 06:34.010 ANIMAL. >> AND IT WASN'T JUST THE 06:34.012 --> 06:36.746 SHOPPERS ON ALBERTA WHO APPRECIATED THAT ENERGY. 06:36.748 --> 06:41.518 JENNIFER SOLD THIS VERY LARGE GIRAFFE AT THE CASCADE AIDS 06:41.520 --> 06:46.055 PROJECT AUCTION. >> I WAS IN THE CAPS AUCTION AT 06:46.057 --> 06:49.859 THE HEIDI MCBRIDE GALLERY, AND THAT WAS THE BIGGEST GIRAFFE I 06:49.861 --> 06:52.228 EVER PAINTED. I KIND OF DIDN'T KNOW WHO WOULD 06:52.230 --> 06:55.999 REALLY WANT A BIG GIRAFFE LIKE THAT IN THEIR HOUSE, BUT PEOPLE 06:56.001 --> 07:11.481 LOVED IT. >> SOON JENNIFER REALIZED SHE 07:11.483 --> 07:14.417 NEEDED TO MAKE UP HER OWN RULES OF PAINTING. 07:14.419 --> 07:17.720 >> WHEN I STARTED PAINTING ON MY OWN, I MADE UP THIS SET OF 07:17.722 --> 07:19.189 RULES. THIS IS LIKE PROGRAMS YOU WOULD 07:19.191 --> 07:21.224 LIKE TO INSTALL IN YOUR COMPUTER. 07:21.226 --> 07:38.842 SO YOU CAN USE MY FINGERS, AND I DON'T CARE WHAT ANYONE THINKS. 07:38.844 --> 07:49.385 OR THINGS THAT I COULD IGNORE, SO LIKE I HAD TO PAINT BIG. 07:49.387 --> 07:53.857 I HAD ALL THESE RULES I HAD TO GET RID OF COMING FROM SCHOOL. 07:53.859 --> 07:57.060 LIKE USING COLORED PENCILS. OH, I FREED MYSELF UP TO USE 07:57.062 --> 08:00.897 WHATEVER I WANT TO USE. >> JENNIFER CONTINUED TO MOVE UP 08:00.899 --> 08:03.032 ALBERTA STREET. AT FRANCIS RESTAURANT, SHE 08:03.034 --> 08:15.912 PAINTED THIS MURAL WITH FELLOW ARTIST CHRIS HABERMAN. 08:15.914 --> 08:21.584 EVENTUALLY, SHE MADE HER WAY TO THE NEIGHBORHOOD'S LONG-RUNNING 08:21.586 --> 08:24.320 GUARDINO GALLERY. >> I'VE BEEN HERE SINCE THE 08:24.322 --> 08:27.190 BEGINNING OF THE ART SCENE. WHAT I FEEL ABOUT ALBERTA, IT 08:27.192 --> 08:29.959 GIVES PEOPLE A LOT OF CHANCE TO START, WHETHER IT'S SETTING UP 08:29.961 --> 08:32.862 ON THE STREET AND SELLING FROM A CARDBOARD TABLE OR APPROACHING 08:32.864 --> 08:34.597 ONE OF THE GALLERIES OR COFFEE SHOPS HERE. 08:34.599 --> 08:39.836 I THINK THAT THAT'S GOOD. I LIKE TO NURTURE THAT 08:39.838 --> 08:42.005 CREATIVITY. >> SETTING UP FOR LAST THURSDAY 08:42.007 --> 08:44.173 WAS REALLY AWESOME WHEN I FIRST MOVED HERE. 08:44.175 --> 08:46.709 JUST A GREAT WAY TO PACK YOURSELF UP, GET OUT THERE, SEE 08:46.711 --> 08:48.912 WHO LIKES IT. I REMEMBER SELLING MY FIRST 08:48.914 --> 08:54.083 PIECE FOR $200 THERE, JUST THE FACT OF IT HAPPENING, LIKE 08:54.085 --> 08:56.319 SOMEONE BUYING MY WORK ON THE STREET FOR THAT KIND OF -- FOR 08:56.321 --> 09:09.766 ME, THAT WAS A BIG SALE. SO IT JUST WAS REALLY I CAN DO 09:09.768 --> 09:13.336 THIS. >> I LIKE JENNIFER'S CREATIVITY. 09:13.338 --> 09:17.040 I LIKE PAINTINGS, AND IT ALWAYS IMPRESSES ME WHEN I SEE SOMEONE 09:17.042 --> 09:19.676 MANIPULATE PAINT REALLY WELL. I THINK JENNIFER DOES THIS 09:19.678 --> 09:21.444 REALLY WELL. >> I REMEMBER WALKING DOWN 09:21.446 --> 09:24.113 ALBERTA STREET AND ALWAYS SEEING THIS GALLERY AND LOOKING IN THE 09:24.115 --> 09:27.150 WINDOWS AND THINKING HOW AMAZING IT IS AND HOW THE ART IS SO 09:27.152 --> 09:30.019 BEAUTIFUL, AND IF I COULD JUST SHOW HERE, IT WOULD BE AWESOME. 09:30.021 --> 09:36.492 I GOT UP THE COURAGE TO COME MEET WITH DONNA AND SHOW HER MY 09:36.494 --> 09:38.428 WORK. >> JENNIFER CAME TO SEE ME. 09:38.430 --> 09:41.864 THAT'S ALL IT TAKES IS SOMEONE WALKS IN THE DOOR AND SAY, HEY, 09:41.866 --> 09:44.300 I'VE GOT SOME ARTWORK. I'LL GIVE ANYBODY A SHOT. 09:44.302 --> 09:47.403 THEY DON'T HAVE TO HAVE A RESUME. 09:47.405 --> 09:49.706 I JUST HAVE TO SEE SOMETHING IN THE ART AND RESPOND TO IT. 09:49.708 --> 09:52.942 >> I DIDN'T GET A STRAIGHT ANSWER RIGHT AWAY OF THE I GOT 09:52.944 --> 09:55.445 INVITED TO BE PART OF THE LITTLE THINGS SHOW, AND I REMEMBER 09:55.447 --> 09:58.214 GETTING THAT IN THE MAIL. I WAS LIKE YES! IT WAS LIKE THE 09:58.216 --> 10:00.883 BIGGEST EXCITEMENT. I TOLD EVERYBODY THAT I WAS IN 10:00.885 --> 10:03.586 THE LITTLE THINGS SHOW, WHICH IS A CHRISTMAS SHOW THEY HAVE EVERY 10:03.588 --> 10:06.723 YEAR THAT EVERYONE MAKES LIKE REALLY LITTLE PIECES OF ART. 10:06.725 --> 10:09.993 I JUST FELT SO HONORED TO BE A PART OF IT. 10:09.995 --> 10:13.229 IT JUST FELT LIKE A BREAKTHROUGH FOR ME INTO THE GALLERY. 10:13.231 --> 10:16.432 NOW, I'LL BE ABLE TO HAVE A SHOW THERE. 10:16.434 --> 10:18.701 I'LL SHOW MY WORK AND SELL IT, AND THEN I'LL HAVE A SHOW. 10:18.703 --> 10:21.671 NOT ONLY THAT BUT A BREAK THROUGH FOR MY CAREER AS AN 10:21.673 --> 10:25.675 ARTIST LIKE, OKAY, A GALLERY HAS ACCEPTED ME. 10:25.677 --> 10:38.621 NOW I CAN MAKE THE NEXT STEP. >> I THINK ONE OF MY FAVORITE 10:38.623 --> 10:41.991 THINGS ABOUT PAINTING IS MAKING COLOR COMBINATIONS, JUST SEEING 10:41.993 --> 10:52.702 WHAT COMES UP. LAST THURSDAY IS KEY, AND 10:52.704 --> 10:55.405 THERE'S JUST SO MANY COFFEE SHOPS THAT ARE FRIENDLY. 10:55.407 --> 10:58.041 YOU TAKE A COUPLE PHOTOS, SHOW IT TO THE OWNER, AND THEY SAY, 10:58.043 --> 11:00.910 WHEN DO YOU WANT TO SHOW? IS WHEN DO YOU WANT TO SHOW? 11:00.912 --> 11:04.580 YOU FEEL LIKE THIS ROCK STAR BECAUSE YOU'RE SHOWING ALL OVER 11:04.582 --> 11:06.282 THE PLACE. I'VE SHOWED IN A BUNCH OF PLACES 11:06.284 --> 11:09.819 ON THIS STREET, AND IT'S JUST A GREAT PLACE, LIKE DONNA SAYS, TO 11:09.821 --> 11:17.994 START. >> SO NEXT TIME YOU'RE ON 11:17.996 --> 11:21.164 ALBERTA, LOOK FOR JENNIFER DELIVERING HER ART BY BIKE ON 11:21.166 --> 11:24.701 THE STREET THAT HOLDS A SPECIAL PLACE IN HER HEART. 11:24.703 --> 11:28.204 IT'S THE STREET THAT HELPED LAUNCH HER CAREER AS A PAINTER. 11:28.206 --> 11:31.541 TO LEARN MORE ABOUT THIS YOUNG TALENT, YOU CAN VISIT HER 11:31.543 --> 11:43.252 WEBSITE AT JENNIFERMERCEDE.COM. >> WE ARE BACK WITH TAMMY. 11:43.254 --> 11:45.755 I MISSED YOU SO MUCH. >> I MISSED YOU TOO. 11:45.757 --> 11:48.357 >> YOU'VE BEEN GONE FOR SO LONG, IT FEELS LIKE. 11:48.359 --> 11:51.427 DON'T EVER LEAVE ME AGAIN. >> I PROMISE, ASIA, NEVER, NEVER 11:51.429 --> 11:55.465 AGAIN. >> YOU WENT TO THE CANADIAN, 11:55.467 --> 11:58.601 THAT'S SO FUN. >> WE WENT TO THE GRAND 11:58.603 --> 12:01.404 CANADIAN, THE GREAT WHITE NORTH. TORONTO WAS ABSOLUTELY 12:01.406 --> 12:03.206 WONDERFUL. WE GOT SOME NICE COOL DAYS. 12:03.208 --> 12:05.308 SORRY, SAN ANTONIO, BUT IT WAS REALLY, REALLY GREAT. 12:05.310 --> 12:07.376 >> YOU WERE CHEATING ON US. >> WE WERE CHEATING ON YOU. 12:07.378 --> 12:12.281 WE HAD THE BEST TIME IN TORONTO. THEY HAD THE LUMINATO FESTIVAL 12:12.283 --> 12:15.852 GOING ON WHILE I WAS THERE. I EVEN GOT TO MEET RUFUS 12:15.854 --> 12:17.653 WAINWRIGHT. >> YOU ARE A CELEBRITY. 12:17.655 --> 12:23.092 >> SAW HIM IN THERE WITH A SHOW WITH JUST ABOUT 40 PEOPLE. 12:23.094 --> 12:25.394 WE'LL HAVE MORE TO SHARE ON THAT AT A LATER DAY. 12:25.396 --> 12:29.499 IT REALLY WAS FANTASTIC TO SEE THE ART SCENE AND ANOTHER MAJOR 12:29.501 --> 12:34.804 CITY. MADE ME APPRECIATE SAN ANTONIO. 12:34.806 --> 12:38.541 >> WOW. >> WE'RE NOT NEW YORK. 12:38.543 --> 12:41.544 WE'RE NOT TORONTO, BUT WE ARE SAN ANTONIO, AND WE'RE VERY 12:41.546 --> 12:43.980 UNIQUE. WE HAVE SO MUCH TO ENJOY RIGHT 12:43.982 --> 12:45.882 HERE IN THE CITY. WE'RE LUCKY. 12:45.884 --> 12:48.484 >> THAT'S SO COOL. CAN YOU TELL ME ONE THING THAT 12:48.486 --> 12:51.053 REALLY STOOD OUT TO YOU AS A DIFFERENCE BETWEEN TORONTO AND 12:51.055 --> 12:53.756 SAN ANTONIO IN TERMS OF THE ART SCENE. 12:53.758 --> 12:55.625 >> THE SIZE OF IT. IT'S JUST HUGE. 12:55.627 --> 12:59.896 THEY REALLY HAVE TREMENDOUS BUDGETS TO WORK WITH BECAUSE 12:59.898 --> 13:01.364 THEY -- >> THEY'RE FUNDED. 13:01.366 --> 13:07.270 >> THEY ARE FUNDED BY THE STATE. SO THEY HAVE DIFFERENT BUDGETARY 13:07.272 --> 13:09.739 RELEASES THAT WE DON'T HAVE. EVERYTHING IS SO MUCH BIGGER. 13:09.741 --> 13:11.474 >> WE WILL SOON. >> WE WILL. 13:11.476 --> 13:14.877 >> JUST KEEP WORBING ON IT. >> WE CONTINUE TO WORK FOR IT. 13:14.879 --> 13:17.980 >> WE WILL STRIVE TOWARDS THAT. >> WE WON'T BE GETTING A $15 13:17.982 --> 13:20.950 MILLION BUDGET FOR ANY OF OUR FESTIVALS ANY TIME SOON. 13:20.952 --> 13:22.919 >> BUT WE WOULD LIKE THAT. >> WE WOULD. 13:22.921 --> 13:25.354 >> IT'S HOT OUTSIDE. EVERYBODY IS LOOKING FOR A GREAT 13:25.356 --> 13:27.924 PLACE TO BE RIGHT NOW. THERE IS SO MUCH HAPPENING IN 13:27.926 --> 13:29.859 ART. HOW CAN PEOPLE POP OUT OF THE 13:29.861 --> 13:37.366 HEAT AND GET INTO THE ART SCENE? >> IF YOU'RE READY TO STOP 13:37.368 --> 13:39.969 BAKING, THERE'S LOTS OF PLACING TO GET IN OUT OF THE HEAT. 13:39.971 --> 13:44.307 I WOULD START WITH THE McNAY. THE McNAY IS AN ABSOLUTELY 13:44.309 --> 13:46.142 WONDERFUL, WONDERFUL PLACE FOR FAMILIES. 13:46.144 --> 13:49.312 COMING IN SEPTEMBER, THEY'VE HAD A BIG RECENT ANNOUNCEMENT. 13:49.314 --> 13:53.583 THE NATIONAL GALLERY IS TOURING INTIMATE IMPRESSIONISM. 13:53.585 --> 13:57.019 THAT'S COMING IN SEPTEMBER. FOR NOW, WE STILL HAVE BEAUTY 13:57.021 --> 14:01.190 REIGNS, WHICH IS UP THROUGH AUGUST 17th, CURATED BY THE 14:01.192 --> 14:04.327 WONDERFUL RENEE BARRIO. >> I LOVE HIM SO MUCH. 14:04.329 --> 14:08.164 >> HE'S A DOLL. HE WROTE A GREAT ARTICLE THAT 14:08.166 --> 14:09.832 WAS PUBLISHED IN THE REPORT. CHECK IT OUT. 14:09.834 --> 14:14.036 ALSO, THE MATISSE AND PICASSO SHOW ALSO THERE RIGHT NOW 14:14.038 --> 14:16.138 THROUGH AUGUST 10th. WHAT'S INTERESTING ABOUT THAT, 14:16.140 --> 14:20.877 IT'S NOT A TOURING SHOW. IT'S ALL CULLED FROM THE McNAYS' 14:20.879 --> 14:23.379 COLLECTIONS, WHICH IS VERY IMPRESSIVE. 14:23.381 --> 14:26.549 IF YOU'RE FEELING AMBITIOUS ON SUNDAY, GO TO THE MUSEUM, 3:00, 14:26.551 --> 14:34.223 THERE'S A GALLERY TALK. THAT'S ALWAYS A TREMENDOUS 14:34.225 --> 14:35.791 OPPORTUNITY TO LEARN A LITTLE BIT MORE. 14:35.793 --> 14:42.365 AT THE SAM. A, THEY HAVE THE TOURING MATISSE 14:42.367 --> 14:46.002 SHOW. OPENING THIS WEEKEND AT THE 14:46.004 --> 14:49.205 BILLHOUSE IS HOT. IT'S ARTISTS' RESPONSES TO 14:49.207 --> 14:55.411 GLOBAL WARMING IN SAN ANTONIO. SO THE BILLHOUSE ALWAYS PREVENTS 14:55.413 --> 14:57.780 MULTIMEDIA THOUGHT-PROVOKING EVENTS. 14:57.782 --> 14:59.115 THIS IS ART. THIS IS POETRY. 14:59.117 --> 15:01.550 OPENING AT BILLHOUSE ON FRIDAY EVENING. 15:01.552 --> 15:07.857 AT SALADIA'S ON SATURDAY, THE MAGNIFICENT ED CEVEDRA OPENING A 15:07.859 --> 15:11.627 SHOW "THAT AIN'T NECESSARILY SO" RUNNING THROUGH AUGUST 24th. 15:11.629 --> 15:15.631 RECENTLY OPENED AT THE RUIZ HEALY GALLERY. 15:15.633 --> 15:21.904 PATRICIA RUIZ HEALY IS ONE OF THE MOST DYNAMIC GALLERISTS IN 15:21.906 --> 15:23.639 SAN ANTONIO RIGHT NOW. CHECK THIS OUT. 15:23.641 --> 15:25.908 THIS IS CALLED PAPER, PENCIL, INK. 15:25.910 --> 15:29.312 IT IS A SHOW FEATURING MORE THAN 20 ARTISTS. 15:29.314 --> 15:36.018 SO HER GALLERY HAS THAT. THAT'S THROUGH AUGUST 30th. 15:36.020 --> 15:39.789 AT R.E.M., THIS IS ONE I HAVEN'T SEEN YET. 15:39.791 --> 15:43.693 I'M VERY CURIOUS ABOUT IT. IT'S CALLED AS A MATTER OF FACT, 15:43.695 --> 15:46.329 GRAFFITI FOR CIVILIZED TRANQUILLITY. 15:46.331 --> 15:51.968 IT'S A JAPANESE ARTIST, AND THE WORK IS -- ENGLISH ISN'T HER 15:51.970 --> 15:53.869 FIRST LANGUAGE. OF COURSE, JAPANESE IS. 15:53.871 --> 15:58.808 SO THE ARTWORK IS ABOUT HER STRUGGLES AND MISAPPROPRIATIONS 15:58.810 --> 16:00.810 OF LANGUAGE, AND IT JUST SOUNDS -- 16:00.812 --> 16:02.745 >> I LOVE THAT. >> THE WORK IS EXQUISITE, AND 16:02.747 --> 16:07.483 I'M REALLY LOOKING FORWARD TO SEEING IT IN GREATER DETAIL AT 16:07.485 --> 16:09.251 R.E.M. AS A MATTER OF FACT, WE'VE GOT A 16:09.253 --> 16:12.054 RESET ON OPENING. THEY'VE GOT A MID-OPENING, WHICH 16:12.056 --> 16:13.689 IS KIND OF INTERESTING, FOR SATURDAY IN AUGUST. 16:13.691 --> 16:16.258 CHECK THAT OUT. THEIR OPENINGS ARE ALWAYS GREAT. 16:16.260 --> 16:22.698 AT SOUTHWEST SCHOOL OF ART, WONDERFUL, WONDERFUL LOCAL 16:22.700 --> 16:24.934 RESOUR RESOURCE, THEIR ALL SCHOOL SHOW. 16:24.936 --> 16:26.569 THIS IS AN OPPORTUNITY TO SEE WHAT THE STUDENTS ARE DOING AT 16:26.571 --> 16:29.505 SOUTHWEST SCHOOL OF ART, HOW THEY'RE INSPIRED BY THEIR 16:29.507 --> 16:36.045 AMAZING FACULTY. THEY HAVE A VERY, VERY ACTIVE 16:36.047 --> 16:39.982 ACTIVE, PROACTIVE FACULTY THAT REALLY HAVE THE ABILITY NOT ONLY 16:39.984 --> 16:42.985 TO BE ARTISTS THAT ARE STRONG AND ACTIVE IN THEIR OWN RIGHT, 16:42.987 --> 16:47.757 BUT THEY ALSO HAVE THE ABILITY TO PASS IT ON. 16:47.759 --> 16:52.795 SO THEY REALLY ARE A UNIQUE CREW OF PEOPLE OVER THERE THAT WE 16:52.797 --> 16:56.565 HAVE ACCESS TO IN SAN ANTONIO. GO CHECK THAT OUT, ABSOLUTELY. 16:56.567 --> 16:59.969 GUADALUPE CULTURAL ARTS CENTER, A SHOW CALLED FLAT LAND THAT I'M 16:59.971 --> 17:04.140 LOOKING FORWARD TO SEEING. I HAVEN'T SEEN IT YET. 17:04.142 --> 17:09.912 AND, OF COURSE, ART SPACE. THEY HAVE SUMMER RESIDENCIES AND 17:09.914 --> 17:13.215 JUST OPENED THEIR RESIDENT SHOW. SO YOU HAVE THAT TO SEE. 17:13.217 --> 17:15.551 >> THAT'S A LOT. >> AND IT'S ALL IN THE AIR 17:15.553 --> 17:17.486 CONDITIONING. >> WHICH THE BEST PLACE TO BE 17:17.488 --> 17:19.121 RIGHT NOW. >> FORGET THE ART. 17:19.123 --> 17:21.257 IT'S ABOUT THE AIR CONDITIONING. >> IT'S ABOUT THE ART, TAMMY. 17:21.259 --> 17:24.026 SHE MEANT ABOUT THE ART. >> IT'S ALL ABOUT THE ART. 17:24.028 --> 17:26.629 IT'S ALWAYS ABOUT THE ART. AND AIR CONDITIONING. 17:26.631 --> 17:31.467 >> TAMMY. NOW, LISTEN, I'M SO EXCITED TO 17:31.469 --> 17:34.003 HEAR ABOUT WHAT'S COMING UP IN THE FALL AND ALL THE STUFF AT 17:34.005 --> 17:36.205 THE TOBIN. ARE YOU GOING TO TELL US ABOUT 17:36.207 --> 17:38.507 THAT NEXT TIME? >> WE WILL BE TALKING ABOUT THE 17:38.509 --> 17:41.243 TOBIN IN THE FALL. WE HAVE A SERIES OF ARTICLES 17:41.245 --> 17:44.547 SLATED FOR THE REVARD REPORT, WHERE WE'RE GOING TO BE 17:44.549 --> 17:48.884 CONCENTRATING ON THE RESIDENT COMPANIES, LOOKING AT BALLET SAN 17:48.886 --> 17:53.823 ANTONIO, REALLY REALLY STEPPING UP THEIR GAME. 17:53.825 --> 17:57.726 LOOKING AT ATTIC REP, SO MUCH HAPPENING. 17:57.728 --> 17:59.428 THOSE GUYS JUST GOT BACK FROM INDIA. 17:59.430 --> 18:02.631 >> THEY'RE SO COOL. >> I CAN'T WAIT TO TALK TO THEM. 18:02.633 --> 18:05.968 >> SO MUCH GREAT STUFF. >> CHECK TAMMY OUT, OF COURSE. 18:05.970 --> 18:08.637 >> WE WILL BE FOLLOWING IT. >> WE'LL SEE YOU NEXT TIME. 18:08.639 --> 18:11.240 >> I'M LOOKING FORWARD TO IT. NO MORE BIG TRIPS, NOT FOR A 18:11.242 --> 18:12.741 WHILE. >> DON'T LEAVE ME AGAIN. 18:12.743 --> 18:15.644 >> I PROMISE. >> SEE YOU NEXT TIME, TAMMY. 18:15.646 --> 18:21.083 >> YOU CAN READ MORE FROM TAMMY ON HER ART BLOG FA.COM. 18:21.085 --> 18:28.023 OR IN THE ARTS AND CULTURE SECTION AT THE REVARDREPORT.COM. 18:28.025 --> 18:56.352 >> TO ADD YOUR EVENT TO THE ARTS CALENDAR. 18:56.354 --> 18:59.622 NEXT UP, WE TRAVEL TO COLUMBUS, OHIO, WHERE WE CHASE MYSTERY AND 18:59.624 --> 19:02.558 INTRIGUE WITH THE LEGENDARY SHERLOCK HOLMES. 19:02.560 --> 19:04.960 THE INTERNATIONAL EXHIBIT CELEBRATING THE FICTIONAL 19:04.962 --> 19:07.296 DETECTIVE AND THE BRILLIANT WRITER WHO CREATED HIM HAS COME 19:07.298 --> 19:14.003 TO TOWN. LET'S TAKE A LOOK. 19:14.005 --> 19:29.485 >> A LOT OF WAYS, I THINK THAT SHERLOCK HOLMES WAS ONE OF THE 19:29.487 --> 19:32.354 FIRST SUPERHEROES. HE'S THE SUPERHERO THAT YOU CAN 19:32.356 --> 19:35.257 HOPE TO BE. I MOST LIKELY AM NOT GOING TO 19:35.259 --> 19:39.662 WAKE UP TOMORROW AND BE BITTEN BY A RADIOACTIVE SPIDER AND BE 19:39.664 --> 19:43.199 ABLE TO CLIMB A WALL, BUT IF I USE MY BRAIN AND MY POWERS OF 19:43.201 --> 19:47.836 DEDUCTION, I CAN BECOME MORE LIKE SHERLOCK HOLMES. 19:47.838 --> 19:51.040 I THINK FOLKS REALLY ENJOY THAT ELEMENT OF THE CHARACTER. 19:51.042 --> 19:55.244 THIS IS A 10,000 SQUARE FOOT EXHIBITION THAT IS ALL ABOUT 19:55.246 --> 19:57.947 SHERLOCK HOLMES, THE CHARACTER, THE EVOLUTION OF THE CHARACTER 19:57.949 --> 20:04.220 FROM AN IDEA IN CONAN DOYLE'S MIND ALL THE WAY UP TO PRESENT 20:04.222 --> 20:07.656 DAY, AND A LOOK AT THE FORENSIC SCIENCE THAT HOLMES USED IN 20:07.658 --> 20:09.892 ORDER TO COME UP WITH HIS DEDUCTIONS. 20:09.894 --> 20:12.127 VISITORS WALKING INTO THIS EXHIBIT ARE IMMEDIATELY GOING TO 20:12.129 --> 20:16.065 BE GREETED FROM BEAUTIFUL ARTIFACTS FROM THE CONAN DOYLE 20:16.067 --> 20:20.703 ESTATE, INCLUDING ACTUAL PIECES OF THE HANDWRITTEN MANUSCRIPT OF 20:20.705 --> 20:24.340 THE HOUND OF THE BASKERVILLES AS WELL AS BEAUTIFUL ART THAT 20:24.342 --> 20:27.309 APPEARED IN BOTH THE AMERICAN AND BRITISH VERSIONS OF SHERLOCK 20:27.311 --> 20:29.044 NOVELS. AND THEN AS THEY CONTINUE ON, 20:29.046 --> 20:32.581 THEY'RE GOING TO GET TO TRY THEIR HAND AT BECOMING SHERLOCK 20:32.583 --> 20:34.083 HOLMES. WHEN FOLKS COME AND SEE 20:34.085 --> 20:36.852 EXHIBITION, THEY RECEIVE THEIR CRIME JOURNAL THEY GET TO TAKE 20:36.854 --> 20:38.754 WITH THEM THROUGHOUT THE EXHIBITION. 20:38.756 --> 20:41.156 THIS IS WHERE THEY'RE GOING TO RECORD THE RESULTS OF THEIR 20:41.158 --> 20:43.692 STUDIES THAT THEY LOOK AT. THEY'RE GOING TO BE EXAMINING 20:43.694 --> 20:49.465 THINGS LIKE CODES INSIDE OF A NEWSPAPER. 20:49.467 --> 20:52.268 YOU'RE GOING TO GET THE CHANCE TO LOOK AT BALLISTICS, THE WAY 20:52.270 --> 20:55.004 THE BULLET TRAVELS, LOOK AT DIFFERENT PLANT SAMPLES AND SEE 20:55.006 --> 20:57.906 IF THE PLANT SAMPLES ARE POISONOUS OR NOT. 20:57.908 --> 21:01.543 YOU GET TO LOOK AT THE WAY BOOTS MAKE TRACKS OVER SAND. 21:01.545 --> 21:05.147 BOOTS TRACKED OVER THE SAND AS THEY'RE BEING DRUG LOOK VERY 21:05.149 --> 21:08.684 DIFFERENT THAN BOOTS WALKING BACK AND FORTH OVER THE SAND. 21:08.686 --> 21:12.621 THAT'S SOMETHING YOU HAVE TO USE YOUR KEEN EYE AND YOUR ABILITY 21:12.623 --> 21:16.125 TO OBSERVE THE SCENE IN ORDER TO TELL IF YOU CAN REALLY DECIDE 21:16.127 --> 21:22.231 WHAT'S GOING ON. IT IS SUCH A FANTASTIC 21:22.233 --> 21:26.602 COMBINATION OF HANDS-ON SCIENCE AND REAL CHER CAN LOING 21:26.604 --> 21:29.171 ARTIFACTS. WE ARE ALL ABOUT HANS-ON 21:29.173 --> 21:31.507 SCIENCE. SO ANY EXHIBITION WHERE FOLKS 21:31.509 --> 21:35.077 CAN GET IN AND MANIPULATE THE SCIENCE, THE FORENSIC SCIENCE WE 21:35.079 --> 21:37.646 TALK ABOUT INSIDE THE INTERNATIONAL EXHIBITION OF 21:37.648 --> 21:40.382 SHERLOCK HOLMES IS FANTASTIC FOR US. 21:40.384 --> 21:43.952 THIS IS ONLY THE SECOND PLACE WHERE THIS EXHIBIT HAS BEEN IN 21:43.954 --> 21:47.523 THE COUNTRY, AND ALSO WE ARE VERY FORTUNATE THIS IS GOING TO 21:47.525 --> 21:50.459 BE THE EXHIBITION'S ONLY STOP EAST OF THE MISSISSIPPI FOR THE 21:50.461 --> 21:54.630 NEXT FOUR OR FIVE YEARS. IT'S PRETTY EXCLUSIVE TO BE ABLE 21:54.632 --> 21:56.665 TO HAVE THIS HERE IN COLUMBUS, OHIO. 21:56.667 --> 21:59.168 >> HI. I'M HERE WITH ADAM ROCHA. 21:59.170 --> 22:02.471 HE'S THE EXECUTIVE DIRECTOR OF THE FA FILM FESTIVAL, AND THIS 22:02.473 --> 22:06.175 IS YOUR 20th YEAR ANNIVERSARY. HOW COOL IS THAT? 22:06.177 --> 22:10.012 >> VERY EXCITED. IT'S 20 YEARS, 70-PLUS FILMS, 22:10.014 --> 22:12.214 SEVEN DAYS, JULY 28th THROUGH AUGUST 3rd. 22:12.216 --> 22:17.419 I'M VERY EXCITED ABOUT THAT. >> SO YES, FILM FESTIVAL 22:17.421 --> 22:18.821 AMAZING. THIS ORGANIZATION HAD TO COME 22:18.823 --> 22:21.323 FROM SOMEWHERE. WHY DID YOU START THIS? 22:21.325 --> 22:22.458 WHAT IS IT ABOUT YOU? IS 22:22.460 --> 22:24.693 >> I WAS A BABY CHILD. >> A SMALL BABY CHILD. 22:24.695 --> 22:27.463 >> I WAS A STUDENT AT SAN ANTONIO COLLEGE AND TOOK SOME 22:27.465 --> 22:31.166 FILM CLASSES AND DECIDED -- I WENT TO FILM CLASSES IN SAN 22:31.168 --> 22:33.135 DIEGO AND DECIDED I CAN DO THAT HERE. 22:33.137 --> 22:35.904 20 YEARS LATER, WE'RE NOW A NONPROFIT. 22:35.906 --> 22:37.973 THIS IS OUR FIFTH YEAR AS A NONPROFIT. 22:37.975 --> 22:39.908 IT'S JUST GROWN AS AN ORGANIZATION. 22:39.910 --> 22:42.211 WE HAVE AWESOME VOLUNTEERS AND A WONDERFUL STAFF OF VOLUNTEERS AS 22:42.213 --> 22:44.046 WELL. >> NOW, WHAT CAN THE GENERAL 22:44.048 --> 22:46.482 PUBLIC GET OUT OF THE FESTIVAL LIKE THIS? 22:46.484 --> 22:48.684 WHAT IS IN IT FOR THEM? >> SURE. 22:48.686 --> 22:51.019 >> OBVIOUSLY, IT'S AN EDUCATIONAL OPPORTUNITY FOR 22:51.021 --> 22:54.123 STUDENTS AND FOR FILM MAKERS, BUT WHAT DOES AN AVERAGE PERSON 22:54.125 --> 22:57.459 GET OUT OF THE FILM FESTIVAL? >> LET ME SAY THIS IS A FUN 22:57.461 --> 22:58.827 EVENT. >> I CAN TELL. 22:58.829 --> 23:04.767 >> BUT IF YOU LOVE MOVIES -- AND WHO DOESN'T -- IF YOU LOVE 23:04.769 --> 23:07.269 MEETING THE ACTORS, AND THAT'S EXCITING. 23:07.271 --> 23:10.139 >> THAT IS. >> RED CARPET EVENTS. 23:10.141 --> 23:14.610 WE HAVE JOSE CANSECO, FORMER BASEBALL PLAYER. 23:14.612 --> 23:19.415 WE'RE SCREENING HIS DOCUMENTARY. HE'LL BE IN ATTENDANCE. 23:19.417 --> 23:22.084 WE'RE SCREENING "E.T." ON FRIDAY. 23:22.086 --> 23:23.886 WE HAVE PETER COYOTE. >> LOVE HIM. 23:23.888 --> 23:25.888 THAT'S GREAT. >> AND ALSO WE HAVE DANIEL 23:25.890 --> 23:27.589 BALDWIN. HE'S COMING IN ON SUNDAY. 23:27.591 --> 23:30.192 HE'S DIRECTED A FILM. I'VE GOT TO MENTION THIS. 23:30.194 --> 23:32.928 OUR BACKGROUND IS ALL ABOUT EDUCATING THE GENERAL PUBLIC. 23:32.930 --> 23:35.164 SO IF YOU'RE INTERESTED IN CINEMA. 23:35.166 --> 23:38.267 IF YOU'RE CURIOUS ABOUT IT, IT'S A FUN EVENT. 23:38.269 --> 23:41.870 WE HAVE FIVE -- I'M SORRY. FIVE FREE EVENTS ON FRIDAY. 23:41.872 --> 23:45.007 FIVE FREE EVENTS ON SATURDAY. THOSE ARE WORKSHOPS AND PANELS. 23:45.009 --> 23:47.342 YOU CAN HEAR FROM THE EXPERTS FROM L.A. AND NEW YORK OF HOW 23:47.344 --> 23:50.712 THEY DID IT AND HOW TO GET INTO IT. 23:50.714 --> 23:53.615 >> THAT'S SO COOL. >> IT'S A FUN, FREE EVENT. 23:53.617 --> 23:57.453 >> THIS IS AN AMAZING EVENT. MORE PEOPLE NEED TO KNOW ABOUT 23:57.455 --> 23:59.354 IT. ALL THIS INFORMATION'S ON YOUR 23:59.356 --> 24:00.823 WEBSITE. WHAT'S YOUR URL? 24:00.825 --> 24:04.293 >> IT'S SAFILM.COM. WE'RE ON FACEBOOK AND TWITTER 24:04.295 --> 24:06.161 ALSO. I'VE GOT TO MENTION THIS. 24:06.163 --> 24:08.430 MONDAY IS A FREE SCREENING FOR FAMILIES. 24:08.432 --> 24:10.999 IT'S AT THE JOSEPHINE AT 6:00 P.M. 24:11.001 --> 24:14.937 AND THEN TUESDAY NIGHT IT'S AT THE PEARL STABLE ALSO AT 6:00 24:14.939 --> 24:17.473 P.M. IT'S A FREE EVENT. 24:17.475 --> 24:22.211 BUT OUR -- LET'S SEE. FROM WEDNESDAY TO SUNDAY, IT'S 24:22.213 --> 24:25.481 AT BROOK CITY-BASED CINEMA. IT'S A GREAT THEATER. 24:25.483 --> 24:27.549 IT'S ONE OF THE BEST IN TOWN. >> AWESOME. 24:27.551 --> 24:30.752 >> WE'LL BE THERE FOR THE ENTIRE FESTIVAL. 24:30.754 --> 24:32.688 >> TELL ME WHAT A STUDENT WILL GET OUT OF THIS. 24:32.690 --> 24:34.723 THEY GET THE WORKSHOPS AND CLASSES. 24:34.725 --> 24:37.059 ARE THERE OPPORTUNITIES FOR THEM TO COME IN AND SPEAK TO THESE 24:37.061 --> 24:40.095 PROFESSIONALS ONE-ON-ONE KIND OF IN STUDIO TIME? 24:40.097 --> 24:45.234 >> SURE. LIKE YOU GO TO THESE EVENTS AND 24:45.236 --> 24:49.371 BECOME ENVELOPED IN THIS FILM COMMUNITY WE HAVE HERE. 24:49.373 --> 24:53.108 IT'S GROWING AND GROWING. I JUST EXPECT A LOT FROM THE 24:53.110 --> 24:56.712 FUTURE FILM MAKERS THAT COME OUT TO THIS EVENT, AND THAT'S HOW 24:56.714 --> 24:58.680 YOU JUST GET STARTED. YOU JUST GO OUT. 24:58.682 --> 25:00.449 >> AND DO IT. JUST DO IT. 25:00.451 --> 25:02.384 >> I'VE GOT TO MENTION THIS ALSO. 25:02.386 --> 25:06.154 WE'RE TEAMING UP WITH THE TEXAS FILM COMMISSION IN THE LATE FALL 25:06.156 --> 25:11.527 OR EARLY SPRING. WE'LL BE HAVING CLASSES THAT YOU 25:11.529 --> 25:14.663 CAN GET INTO THE ENTRY LEVEL POSITION, AND THAT IS CALLED A 25:14.665 --> 25:17.566 PRODUCTION ASSISTANT. BUT YOU BECOME STATE CERTIFIED 25:17.568 --> 25:19.434 WITH THAT THROUGH THE TEXAS FILM COMMISSION. 25:19.436 --> 25:21.403 >> WHAT A GREAT PROGRAM AND OPPORTUNITY. 25:21.405 --> 25:22.638 HOW COOL IS THAT? >> VERY COOL. 25:22.640 --> 25:24.973 VERY COOL. >> ADAM, YOU'VE DONE SOME GREAT 25:24.975 --> 25:25.707 STUFF. >> THANK YOU. 25:25.709 --> 25:28.544 >> THANK YOU SO MUCH FOR STOPPING BY "ARTS." 25:28.546 --> 25:31.246 BE SURE TO CHECK OUT ALL THE INFORMATION, HIGH FIVE. 25:31.248 --> 25:36.585 IT'S SO FUN. CHECK OUT HIS WEBSITE, SAFILM 25:36.587 --> 25:37.786 FESTIVAL. >> THANK YOU. 25:37.788 --> 25:42.391 >> AND THAT WRAPS IT UP FOR THIS EDITION OF "ARTS." 25:42.393 --> 25:44.726 BUT WE'RE ONE MONTH AWAY FROM THE TOBIN CENTER FOR THE ARTS 25:44.728 --> 25:47.930 OPEN. STARTING NEXT WEEK, WE'LL BE 25:47.932 --> 25:51.667 HIGHLIGHTING THE TEN LOCAL PERFORMING ARTS COMPANIES HOSTED 25:51.669 --> 25:54.970 ATHE TOBIN CENTER AND WHAT THEY'LL BE OFFERING FOR OUR 25:54.972 --> 25:57.539 COMMUNITY. STAY TUNED FOR ALL THINGS TOBIN. 25:57.541 --> 26:00.809 I'M ASIA CIARAVINO. SEE YOU NEXT WEEK. 26:00.811 --> 26:06.014 >> "ARTS" IS MADE POSSIBLE BY THE KELSO FOUNDATION, THE 26:06.016 --> 26:09.418 ELIZABETH CHARITABLE FOUNDATION, AND VIEWERS LIKE YOU. 26:09.420 --> 26:13.455 >> "ARTS" IS PRESENTED BY THE TOBIN CENTER FOR THE PERFORMING 26:13.457 --> 26:15.924 ARTS. OPENING SEPTEMBER 2014, 26:15.926 --> 26:20.128 PROVIDING THE BEST PLACE ANYWHERE TO SEE AND HEAR A LIVE 26:20.130 --> 26:22.064 PERFORMANCE. SAN ANTONIO'S FUTURE OF THE 26:22.066 --> 26:23.932 PERFORMING ARTS, THE TOBIN CENTER.