1 00:00:37,922 --> 00:00:41,858 LAUREATE LAURIE ANN GUERRERO, WHO'S USING HER TALENT TO GIVE 2 00:00:41,860 --> 00:00:44,928 BACK TO HER COMMUNITY. TAMLY IS BACK IN SAN ANTONIO. 3 00:00:44,930 --> 00:00:48,298 WE'LL FIND OUT WHERE SHE WENT AND WHAT'S ON HER LIST OF ART 4 00:00:48,300 --> 00:00:52,269 OPENINGS AROUND SAN ANTONIO. ADAM ROCHA OF S.A. FILM JOINS US 5 00:00:52,271 --> 00:00:56,907 TO TALK ABOUT NEXT WEEK'S 20th ANNUAL FILM FESTIVAL AND WHAT WE 6 00:00:56,909 --> 00:00:59,409 CAN EXPECT NEXT YEAR. IT'S ALL AHEAD AND MUCH, MUCH 7 00:00:59,411 --> 00:01:04,948 MORE ON THIS EDITION OF "ARTS." 8 00:01:04,950 --> 00:01:14,791 >> HI AND WELCOME BACK TO "ARTS." 9 00:01:14,793 --> 00:01:18,662 FIRST UP, WE MEET A MOTHER OF THREE WHO WAS BORN AND RAISED ON 10 00:01:18,664 --> 00:01:22,466 THE SOUTH SIDE OF SAN ANTONIO. SHE IS A WRITER, A POET, BUT NOT 11 00:01:22,468 --> 00:01:25,435 JUST ANY WRITER AND CERTAINLY NOT JUST ANY POET. 12 00:01:25,437 --> 00:01:29,873 SHE IS LAURIE ANN GUERRERO, SAN ANTONIO'S SECOND POET LAUREATE. 13 00:01:29,875 --> 00:01:33,510 TONIGHT WE PROFILE THE WOMAN WHO STARTED WRITING AT THE AGE OF 8, 14 00:01:33,512 --> 00:01:37,514 FOUND SUCCESS, AND NOW IS USING HER TALENT TO GIVE BACK TO HER 15 00:01:37,516 --> 00:01:41,885 COMMUNITY. >> WRITING OFFERED A SPACE FOR 16 00:01:41,887 --> 00:01:47,491 ME TO RECORD THE KINDS OF THINGS THAT I WAS EXPERIENCING. 17 00:01:47,493 --> 00:01:55,565 I THINK CULTURALLY, AS A YOUNG GIRL, AND THEN IN A FAMILY OF 18 00:01:55,567 --> 00:01:58,135 BOYS, I OFTEN FOUGHT TO BE HEARD. 19 00:01:58,137 --> 00:02:04,407 SO THE PAGE OFFERED A SPACE. NO NEED FOR GROWN-UPS, CHILD 20 00:02:04,409 --> 00:02:08,778 PROTECTIVE SERVICES WHO WERE TOO BUSY, THE LEGISLATORS WHO 21 00:02:08,780 --> 00:02:11,948 COULDN'T GIVE EDUCATION, MEDICATION TO THIS POOR 22 00:02:11,950 --> 00:02:17,354 NEIGHBORHOOD, THIS CITY WITH LA RAZA WITH NO MUSCLE NO VOICE. 23 00:02:17,356 --> 00:02:21,158 HOPE WAS A SAFE SPACE. BECAUSE IT WAS A SAFE SPACE, IT 24 00:02:21,160 --> 00:02:23,160 TOOK ME A WHILE TO WANT TO SHARE. 25 00:02:23,162 --> 00:02:28,298 IN THE SIXTH GRADE, I HAD AN ENGLISH TEACHER, SANDY PRICE, 26 00:02:28,300 --> 00:02:33,303 WHO SUBMITTED OUR POEMS THAT WE WROTE IN CLASS TO A CONTEST TO 27 00:02:33,305 --> 00:02:37,174 THE CULTURAL ARTS CONTEST, POETRY CONTEST, AND I WON. 28 00:02:37,176 --> 00:02:41,912 THAT KIND OF CHANGED MY IDEA OF WHAT I COULD DO WITH THIS THING 29 00:02:41,914 --> 00:02:46,183 THAT I WAS DOING FOR MYSELF. THERE WAS SPACE THERE TO BE 30 00:02:46,185 --> 00:02:49,186 HEARD. SO THAT EXCITED ME, I THINK, AND 31 00:02:49,188 --> 00:02:51,488 THAT KIND OF PUSHED ME TO WRITE MORE. 32 00:02:51,490 --> 00:02:57,561 I HAVE RECEIVED A LOT OF HONORS, AND FOR ME IT'S REALLY IMPORTANT 33 00:02:57,563 --> 00:03:01,331 TO REMEMBER WHERE I CAME FROM AND WHAT I CAME FROM. 34 00:03:01,333 --> 00:03:04,834 MY FAMILY, MY GRANDPARENTS WERE RAISED IN THE FIELDS PICKING 35 00:03:04,836 --> 00:03:08,071 COTTON AND MIGRATING AND COULDN'T WRITE. 36 00:03:08,073 --> 00:03:11,741 SO TO BE A WRITER, IT'S REALLY IMPORTANT FOR ME TO HONOR THE 37 00:03:11,743 --> 00:03:18,381 HISTORY THAT I COME FROM AND TO KNOW THAT THOSE ARE THE 38 00:03:18,383 --> 00:03:21,751 SHOULDERS THAT I STAND ON. >> TO LEARN MORE ABOUT SAN 39 00:03:21,753 --> 00:03:27,958 ANTONIO'S POET LAUREATE, YOU CAN GO TO LAURIEGUERRERO.COM. 40 00:03:27,960 --> 00:03:31,328 >> WE WANT TO HEAR FROM YOU. DO YOU KNOW OF A GOOD STORY 41 00:03:31,330 --> 00:03:35,131 YOU'D LIKE TO SEE AIRED ON "ARTS"? 42 00:03:35,133 --> 00:03:41,338 LET US KNOW BY E-MAILING US AT ARTS@KLRN.ORG. 43 00:03:41,340 --> 00:03:44,341 >> NEXT UP WE MEET A YOUNG PAINTER IN PORTLAND, OREGON, WHO 44 00:03:44,343 --> 00:03:47,711 IS MAKING A NAME FOR HERSELF AS A GIFTED COLORIST. 45 00:03:47,713 --> 00:03:51,314 REPORTER JESSICA MARTIN FOLLOWS THE BUDDING ARTIST AS SHE MAKES 46 00:03:51,316 --> 00:03:55,252 HER WAY THROUGH TOWN, POPPING INTO NUMEROUS VENUES SHOWCASING 47 00:03:55,254 --> 00:03:56,953 HER ART. >> I LEARNED A LOT AT SCHOOL, 48 00:03:56,955 --> 00:04:00,457 AND I FEEL LIKE IT WAS AWESOME. AND I ALSO LEARNED -- I MEAN, I 49 00:04:00,459 --> 00:04:03,960 HAD TEACHERS WHO LOOKED AT MY WORK, AND THEY WERE LIKE THIS IS 50 00:04:03,962 --> 00:04:06,496 YOUR VOMITING STATE. THIS IS LIKE WHAT YOU'RE -- 51 00:04:06,498 --> 00:04:09,633 YOU'VE GOT TO GET IT OUT, JUST GET IT OUT, LIKE PAINTINGS LIKE 52 00:04:09,635 --> 00:04:13,003 THIS WHERE IT'S REALLY JUST CRAZY AND ABSTRACT. 53 00:04:13,005 --> 00:04:15,071 OKAY, SO THIS IS MY VOMITING STAGE. 54 00:04:15,073 --> 00:04:17,574 SO I'LL KEEP DOING THESE PAINTINGS OVER AND OVER AGAIN. 55 00:04:17,576 --> 00:04:21,144 AND THEN I NEVER REALLY STOPPED. LIKE THAT'S NOT -- LIKE THAT'S 56 00:04:21,146 --> 00:04:40,563 KIND OF HOW I MAKE MY ART. >> I DID IT WHEN I WAS PAINTING 57 00:04:40,565 --> 00:04:44,334 ONE OF MY FRIENDS IN OUR STUDIO. ALL THESE BITS OF CONVERSATION 58 00:04:44,336 --> 00:04:57,781 ENDED UP IN HERE. I REMEMBER BEING IN THE LIVING 59 00:04:57,783 --> 00:04:59,783 ROOM, AND I WAS DRAWING THIS BUNNY, I THINK. 60 00:04:59,785 --> 00:05:03,953 I REMEMBER ANY DAD SEEING IT, AND HE WAS LIKE, OH, PRETTY 61 00:05:03,955 --> 00:05:05,922 GOOD. MAYBE YOU'LL BE AN ARTIST. 62 00:05:05,924 --> 00:05:09,559 ALBERTA STREET HAS BEEN REALLY, REALLY GOOD TO ME AS AN ARTIST. 63 00:05:09,561 --> 00:05:18,301 I FEEL LIKE I OWE IT A LOT OF CREDIT. 64 00:05:18,303 --> 00:05:20,470 HEY, THIS IS MY NEW PAINTING. >> CUTE. 65 00:05:20,472 --> 00:05:22,205 >> I THINK YOU'LL REALLY LIKE THIS ONE. 66 00:05:22,207 --> 00:05:25,642 >> HAPPY WITH, HAPPY, MY FAVORITE. 67 00:05:25,644 --> 00:05:27,177 >> I THOUGHT YOU'D LIKE THAT ONE. 68 00:05:27,179 --> 00:05:29,279 >> YEAH. >> I DON'T KNOW HOW YOU WANT TO 69 00:05:29,281 --> 00:05:41,324 PUT IT. >> JENNIFER MERCEDE SELLS HER 70 00:05:41,326 --> 00:05:45,428 WORK AT THE WOMEN'S CLOTHING BOUTIQUE TUMBLEWEED AND THE 71 00:05:45,430 --> 00:05:48,631 CHILDREN'S STORE GRASSHOPPER. >> KARA, THE OWNER, SHE 72 00:05:48,633 --> 00:05:51,801 DISCOVERED ME ON LAST THURSDAY. I WAS SELLING LAST THURSDAY, AND 73 00:05:51,803 --> 00:05:54,904 SHE REALLY LIKED MY WORK. SO SHE INVITED ME TO COME AND 74 00:05:54,906 --> 00:05:59,209 SHOW IN TUMBLEWEEDS FIRST, AND ONCE I STARTED MAKING THE 75 00:05:59,211 --> 00:06:02,379 GIRAFFE, SHE INVITED ME TO SHOW AT GRASSHOPPER. 76 00:06:02,381 --> 00:06:05,315 >> I WAS WALKING DOWN LAST THURSDAY, AND IT JUST CAUGHT MY 77 00:06:05,317 --> 00:06:07,083 EYE, AND I THOUGHT IT WAS SO COOL. 78 00:06:07,085 --> 00:06:09,786 I NEVER HAD ART IN MY STORE. I LEFT THAT TO THE GALLERIES, 79 00:06:09,788 --> 00:06:11,755 AND I WAS LIKE, YOUR WORK IS SO GOOD. 80 00:06:11,757 --> 00:06:13,757 I JUST TOTALLY WANT IT IN MY STORE. 81 00:06:13,759 --> 00:06:17,026 SO WE JUST STARTED THERE, AND WE JUST -- THE GIRAFFE JUST TOOK 82 00:06:17,028 --> 00:06:20,330 OFF, LIKE IT WAS CRAZY. WE COULDN'T EVEN KEEP THEM IN 83 00:06:20,332 --> 00:06:22,632 STOCK, POOR GIRL. >> I THINK IT'S LIKE THE MIX OF 84 00:06:22,634 --> 00:06:31,274 KIND OF OF ABSTRACT, FUN, SOMEWHAT ADULT ENERGY WITH THE 85 00:06:31,276 --> 00:06:34,010 ANIMAL. >> AND IT WASN'T JUST THE 86 00:06:34,012 --> 00:06:36,746 SHOPPERS ON ALBERTA WHO APPRECIATED THAT ENERGY. 87 00:06:36,748 --> 00:06:41,518 JENNIFER SOLD THIS VERY LARGE GIRAFFE AT THE CASCADE AIDS 88 00:06:41,520 --> 00:06:46,055 PROJECT AUCTION. >> I WAS IN THE CAPS AUCTION AT 89 00:06:46,057 --> 00:06:49,859 THE HEIDI MCBRIDE GALLERY, AND THAT WAS THE BIGGEST GIRAFFE I 90 00:06:49,861 --> 00:06:52,228 EVER PAINTED. I KIND OF DIDN'T KNOW WHO WOULD 91 00:06:52,230 --> 00:06:55,999 REALLY WANT A BIG GIRAFFE LIKE THAT IN THEIR HOUSE, BUT PEOPLE 92 00:06:56,001 --> 00:07:11,481 LOVED IT. >> SOON JENNIFER REALIZED SHE 93 00:07:11,483 --> 00:07:14,417 NEEDED TO MAKE UP HER OWN RULES OF PAINTING. 94 00:07:14,419 --> 00:07:17,720 >> WHEN I STARTED PAINTING ON MY OWN, I MADE UP THIS SET OF 95 00:07:17,722 --> 00:07:19,189 RULES. THIS IS LIKE PROGRAMS YOU WOULD 96 00:07:19,191 --> 00:07:21,224 LIKE TO INSTALL IN YOUR COMPUTER. 97 00:07:21,226 --> 00:07:38,842 SO YOU CAN USE MY FINGERS, AND I DON'T CARE WHAT ANYONE THINKS. 98 00:07:38,844 --> 00:07:49,385 OR THINGS THAT I COULD IGNORE, SO LIKE I HAD TO PAINT BIG. 99 00:07:49,387 --> 00:07:53,857 I HAD ALL THESE RULES I HAD TO GET RID OF COMING FROM SCHOOL. 100 00:07:53,859 --> 00:07:57,060 LIKE USING COLORED PENCILS. OH, I FREED MYSELF UP TO USE 101 00:07:57,062 --> 00:08:00,897 WHATEVER I WANT TO USE. >> JENNIFER CONTINUED TO MOVE UP 102 00:08:00,899 --> 00:08:03,032 ALBERTA STREET. AT FRANCIS RESTAURANT, SHE 103 00:08:03,034 --> 00:08:15,912 PAINTED THIS MURAL WITH FELLOW ARTIST CHRIS HABERMAN. 104 00:08:15,914 --> 00:08:21,584 EVENTUALLY, SHE MADE HER WAY TO THE NEIGHBORHOOD'S LONG-RUNNING 105 00:08:21,586 --> 00:08:24,320 GUARDINO GALLERY. >> I'VE BEEN HERE SINCE THE 106 00:08:24,322 --> 00:08:27,190 BEGINNING OF THE ART SCENE. WHAT I FEEL ABOUT ALBERTA, IT 107 00:08:27,192 --> 00:08:29,959 GIVES PEOPLE A LOT OF CHANCE TO START, WHETHER IT'S SETTING UP 108 00:08:29,961 --> 00:08:32,862 ON THE STREET AND SELLING FROM A CARDBOARD TABLE OR APPROACHING 109 00:08:32,864 --> 00:08:34,597 ONE OF THE GALLERIES OR COFFEE SHOPS HERE. 110 00:08:34,599 --> 00:08:39,836 I THINK THAT THAT'S GOOD. I LIKE TO NURTURE THAT 111 00:08:39,838 --> 00:08:42,005 CREATIVITY. >> SETTING UP FOR LAST THURSDAY 112 00:08:42,007 --> 00:08:44,173 WAS REALLY AWESOME WHEN I FIRST MOVED HERE. 113 00:08:44,175 --> 00:08:46,709 JUST A GREAT WAY TO PACK YOURSELF UP, GET OUT THERE, SEE 114 00:08:46,711 --> 00:08:48,912 WHO LIKES IT. I REMEMBER SELLING MY FIRST 115 00:08:48,914 --> 00:08:54,083 PIECE FOR $200 THERE, JUST THE FACT OF IT HAPPENING, LIKE 116 00:08:54,085 --> 00:08:56,319 SOMEONE BUYING MY WORK ON THE STREET FOR THAT KIND OF -- FOR 117 00:08:56,321 --> 00:09:09,766 ME, THAT WAS A BIG SALE. SO IT JUST WAS REALLY I CAN DO 118 00:09:09,768 --> 00:09:13,336 THIS. >> I LIKE JENNIFER'S CREATIVITY. 119 00:09:13,338 --> 00:09:17,040 I LIKE PAINTINGS, AND IT ALWAYS IMPRESSES ME WHEN I SEE SOMEONE 120 00:09:17,042 --> 00:09:19,676 MANIPULATE PAINT REALLY WELL. I THINK JENNIFER DOES THIS 121 00:09:19,678 --> 00:09:21,444 REALLY WELL. >> I REMEMBER WALKING DOWN 122 00:09:21,446 --> 00:09:24,113 ALBERTA STREET AND ALWAYS SEEING THIS GALLERY AND LOOKING IN THE 123 00:09:24,115 --> 00:09:27,150 WINDOWS AND THINKING HOW AMAZING IT IS AND HOW THE ART IS SO 124 00:09:27,152 --> 00:09:30,019 BEAUTIFUL, AND IF I COULD JUST SHOW HERE, IT WOULD BE AWESOME. 125 00:09:30,021 --> 00:09:36,492 I GOT UP THE COURAGE TO COME MEET WITH DONNA AND SHOW HER MY 126 00:09:36,494 --> 00:09:38,428 WORK. >> JENNIFER CAME TO SEE ME. 127 00:09:38,430 --> 00:09:41,864 THAT'S ALL IT TAKES IS SOMEONE WALKS IN THE DOOR AND SAY, HEY, 128 00:09:41,866 --> 00:09:44,300 I'VE GOT SOME ARTWORK. I'LL GIVE ANYBODY A SHOT. 129 00:09:44,302 --> 00:09:47,403 THEY DON'T HAVE TO HAVE A RESUME. 130 00:09:47,405 --> 00:09:49,706 I JUST HAVE TO SEE SOMETHING IN THE ART AND RESPOND TO IT. 131 00:09:49,708 --> 00:09:52,942 >> I DIDN'T GET A STRAIGHT ANSWER RIGHT AWAY OF THE I GOT 132 00:09:52,944 --> 00:09:55,445 INVITED TO BE PART OF THE LITTLE THINGS SHOW, AND I REMEMBER 133 00:09:55,447 --> 00:09:58,214 GETTING THAT IN THE MAIL. I WAS LIKE YES! IT WAS LIKE THE 134 00:09:58,216 --> 00:10:00,883 BIGGEST EXCITEMENT. I TOLD EVERYBODY THAT I WAS IN 135 00:10:00,885 --> 00:10:03,586 THE LITTLE THINGS SHOW, WHICH IS A CHRISTMAS SHOW THEY HAVE EVERY 136 00:10:03,588 --> 00:10:06,723 YEAR THAT EVERYONE MAKES LIKE REALLY LITTLE PIECES OF ART. 137 00:10:06,725 --> 00:10:09,993 I JUST FELT SO HONORED TO BE A PART OF IT. 138 00:10:09,995 --> 00:10:13,229 IT JUST FELT LIKE A BREAKTHROUGH FOR ME INTO THE GALLERY. 139 00:10:13,231 --> 00:10:16,432 NOW, I'LL BE ABLE TO HAVE A SHOW THERE. 140 00:10:16,434 --> 00:10:18,701 I'LL SHOW MY WORK AND SELL IT, AND THEN I'LL HAVE A SHOW. 141 00:10:18,703 --> 00:10:21,671 NOT ONLY THAT BUT A BREAK THROUGH FOR MY CAREER AS AN 142 00:10:21,673 --> 00:10:25,675 ARTIST LIKE, OKAY, A GALLERY HAS ACCEPTED ME. 143 00:10:25,677 --> 00:10:38,621 NOW I CAN MAKE THE NEXT STEP. >> I THINK ONE OF MY FAVORITE 144 00:10:38,623 --> 00:10:41,991 THINGS ABOUT PAINTING IS MAKING COLOR COMBINATIONS, JUST SEEING 145 00:10:41,993 --> 00:10:52,702 WHAT COMES UP. LAST THURSDAY IS KEY, AND 146 00:10:52,704 --> 00:10:55,405 THERE'S JUST SO MANY COFFEE SHOPS THAT ARE FRIENDLY. 147 00:10:55,407 --> 00:10:58,041 YOU TAKE A COUPLE PHOTOS, SHOW IT TO THE OWNER, AND THEY SAY, 148 00:10:58,043 --> 00:11:00,910 WHEN DO YOU WANT TO SHOW? IS WHEN DO YOU WANT TO SHOW? 149 00:11:00,912 --> 00:11:04,580 YOU FEEL LIKE THIS ROCK STAR BECAUSE YOU'RE SHOWING ALL OVER 150 00:11:04,582 --> 00:11:06,282 THE PLACE. I'VE SHOWED IN A BUNCH OF PLACES 151 00:11:06,284 --> 00:11:09,819 ON THIS STREET, AND IT'S JUST A GREAT PLACE, LIKE DONNA SAYS, TO 152 00:11:09,821 --> 00:11:17,994 START. >> SO NEXT TIME YOU'RE ON 153 00:11:17,996 --> 00:11:21,164 ALBERTA, LOOK FOR JENNIFER DELIVERING HER ART BY BIKE ON 154 00:11:21,166 --> 00:11:24,701 THE STREET THAT HOLDS A SPECIAL PLACE IN HER HEART. 155 00:11:24,703 --> 00:11:28,204 IT'S THE STREET THAT HELPED LAUNCH HER CAREER AS A PAINTER. 156 00:11:28,206 --> 00:11:31,541 TO LEARN MORE ABOUT THIS YOUNG TALENT, YOU CAN VISIT HER 157 00:11:31,543 --> 00:11:43,252 WEBSITE AT JENNIFERMERCEDE.COM. >> WE ARE BACK WITH TAMMY. 158 00:11:43,254 --> 00:11:45,755 I MISSED YOU SO MUCH. >> I MISSED YOU TOO. 159 00:11:45,757 --> 00:11:48,357 >> YOU'VE BEEN GONE FOR SO LONG, IT FEELS LIKE. 160 00:11:48,359 --> 00:11:51,427 DON'T EVER LEAVE ME AGAIN. >> I PROMISE, ASIA, NEVER, NEVER 161 00:11:51,429 --> 00:11:55,465 AGAIN. >> YOU WENT TO THE CANADIAN, 162 00:11:55,467 --> 00:11:58,601 THAT'S SO FUN. >> WE WENT TO THE GRAND 163 00:11:58,603 --> 00:12:01,404 CANADIAN, THE GREAT WHITE NORTH. TORONTO WAS ABSOLUTELY 164 00:12:01,406 --> 00:12:03,206 WONDERFUL. WE GOT SOME NICE COOL DAYS. 165 00:12:03,208 --> 00:12:05,308 SORRY, SAN ANTONIO, BUT IT WAS REALLY, REALLY GREAT. 166 00:12:05,310 --> 00:12:07,376 >> YOU WERE CHEATING ON US. >> WE WERE CHEATING ON YOU. 167 00:12:07,378 --> 00:12:12,281 WE HAD THE BEST TIME IN TORONTO. THEY HAD THE LUMINATO FESTIVAL 168 00:12:12,283 --> 00:12:15,852 GOING ON WHILE I WAS THERE. I EVEN GOT TO MEET RUFUS 169 00:12:15,854 --> 00:12:17,653 WAINWRIGHT. >> YOU ARE A CELEBRITY. 170 00:12:17,655 --> 00:12:23,092 >> SAW HIM IN THERE WITH A SHOW WITH JUST ABOUT 40 PEOPLE. 171 00:12:23,094 --> 00:12:25,394 WE'LL HAVE MORE TO SHARE ON THAT AT A LATER DAY. 172 00:12:25,396 --> 00:12:29,499 IT REALLY WAS FANTASTIC TO SEE THE ART SCENE AND ANOTHER MAJOR 173 00:12:29,501 --> 00:12:34,804 CITY. MADE ME APPRECIATE SAN ANTONIO. 174 00:12:34,806 --> 00:12:38,541 >> WOW. >> WE'RE NOT NEW YORK. 175 00:12:38,543 --> 00:12:41,544 WE'RE NOT TORONTO, BUT WE ARE SAN ANTONIO, AND WE'RE VERY 176 00:12:41,546 --> 00:12:43,980 UNIQUE. WE HAVE SO MUCH TO ENJOY RIGHT 177 00:12:43,982 --> 00:12:45,882 HERE IN THE CITY. WE'RE LUCKY. 178 00:12:45,884 --> 00:12:48,484 >> THAT'S SO COOL. CAN YOU TELL ME ONE THING THAT 179 00:12:48,486 --> 00:12:51,053 REALLY STOOD OUT TO YOU AS A DIFFERENCE BETWEEN TORONTO AND 180 00:12:51,055 --> 00:12:53,756 SAN ANTONIO IN TERMS OF THE ART SCENE. 181 00:12:53,758 --> 00:12:55,625 >> THE SIZE OF IT. IT'S JUST HUGE. 182 00:12:55,627 --> 00:12:59,896 THEY REALLY HAVE TREMENDOUS BUDGETS TO WORK WITH BECAUSE 183 00:12:59,898 --> 00:13:01,364 THEY -- >> THEY'RE FUNDED. 184 00:13:01,366 --> 00:13:07,270 >> THEY ARE FUNDED BY THE STATE. SO THEY HAVE DIFFERENT BUDGETARY 185 00:13:07,272 --> 00:13:09,739 RELEASES THAT WE DON'T HAVE. EVERYTHING IS SO MUCH BIGGER. 186 00:13:09,741 --> 00:13:11,474 >> WE WILL SOON. >> WE WILL. 187 00:13:11,476 --> 00:13:14,877 >> JUST KEEP WORBING ON IT. >> WE CONTINUE TO WORK FOR IT. 188 00:13:14,879 --> 00:13:17,980 >> WE WILL STRIVE TOWARDS THAT. >> WE WON'T BE GETTING A $15 189 00:13:17,982 --> 00:13:20,950 MILLION BUDGET FOR ANY OF OUR FESTIVALS ANY TIME SOON. 190 00:13:20,952 --> 00:13:22,919 >> BUT WE WOULD LIKE THAT. >> WE WOULD. 191 00:13:22,921 --> 00:13:25,354 >> IT'S HOT OUTSIDE. EVERYBODY IS LOOKING FOR A GREAT 192 00:13:25,356 --> 00:13:27,924 PLACE TO BE RIGHT NOW. THERE IS SO MUCH HAPPENING IN 193 00:13:27,926 --> 00:13:29,859 ART. HOW CAN PEOPLE POP OUT OF THE 194 00:13:29,861 --> 00:13:37,366 HEAT AND GET INTO THE ART SCENE? >> IF YOU'RE READY TO STOP 195 00:13:37,368 --> 00:13:39,969 BAKING, THERE'S LOTS OF PLACING TO GET IN OUT OF THE HEAT. 196 00:13:39,971 --> 00:13:44,307 I WOULD START WITH THE McNAY. THE McNAY IS AN ABSOLUTELY 197 00:13:44,309 --> 00:13:46,142 WONDERFUL, WONDERFUL PLACE FOR FAMILIES. 198 00:13:46,144 --> 00:13:49,312 COMING IN SEPTEMBER, THEY'VE HAD A BIG RECENT ANNOUNCEMENT. 199 00:13:49,314 --> 00:13:53,583 THE NATIONAL GALLERY IS TOURING INTIMATE IMPRESSIONISM. 200 00:13:53,585 --> 00:13:57,019 THAT'S COMING IN SEPTEMBER. FOR NOW, WE STILL HAVE BEAUTY 201 00:13:57,021 --> 00:14:01,190 REIGNS, WHICH IS UP THROUGH AUGUST 17th, CURATED BY THE 202 00:14:01,192 --> 00:14:04,327 WONDERFUL RENEE BARRIO. >> I LOVE HIM SO MUCH. 203 00:14:04,329 --> 00:14:08,164 >> HE'S A DOLL. HE WROTE A GREAT ARTICLE THAT 204 00:14:08,166 --> 00:14:09,832 WAS PUBLISHED IN THE REPORT. CHECK IT OUT. 205 00:14:09,834 --> 00:14:14,036 ALSO, THE MATISSE AND PICASSO SHOW ALSO THERE RIGHT NOW 206 00:14:14,038 --> 00:14:16,138 THROUGH AUGUST 10th. WHAT'S INTERESTING ABOUT THAT, 207 00:14:16,140 --> 00:14:20,877 IT'S NOT A TOURING SHOW. IT'S ALL CULLED FROM THE McNAYS' 208 00:14:20,879 --> 00:14:23,379 COLLECTIONS, WHICH IS VERY IMPRESSIVE. 209 00:14:23,381 --> 00:14:26,549 IF YOU'RE FEELING AMBITIOUS ON SUNDAY, GO TO THE MUSEUM, 3:00, 210 00:14:26,551 --> 00:14:34,223 THERE'S A GALLERY TALK. THAT'S ALWAYS A TREMENDOUS 211 00:14:34,225 --> 00:14:35,791 OPPORTUNITY TO LEARN A LITTLE BIT MORE. 212 00:14:35,793 --> 00:14:42,365 AT THE SAM. A, THEY HAVE THE TOURING MATISSE 213 00:14:42,367 --> 00:14:46,002 SHOW. OPENING THIS WEEKEND AT THE 214 00:14:46,004 --> 00:14:49,205 BILLHOUSE IS HOT. IT'S ARTISTS' RESPONSES TO 215 00:14:49,207 --> 00:14:55,411 GLOBAL WARMING IN SAN ANTONIO. SO THE BILLHOUSE ALWAYS PREVENTS 216 00:14:55,413 --> 00:14:57,780 MULTIMEDIA THOUGHT-PROVOKING EVENTS. 217 00:14:57,782 --> 00:14:59,115 THIS IS ART. THIS IS POETRY. 218 00:14:59,117 --> 00:15:01,550 OPENING AT BILLHOUSE ON FRIDAY EVENING. 219 00:15:01,552 --> 00:15:07,857 AT SALADIA'S ON SATURDAY, THE MAGNIFICENT ED CEVEDRA OPENING A 220 00:15:07,859 --> 00:15:11,627 SHOW "THAT AIN'T NECESSARILY SO" RUNNING THROUGH AUGUST 24th. 221 00:15:11,629 --> 00:15:15,631 RECENTLY OPENED AT THE RUIZ HEALY GALLERY. 222 00:15:15,633 --> 00:15:21,904 PATRICIA RUIZ HEALY IS ONE OF THE MOST DYNAMIC GALLERISTS IN 223 00:15:21,906 --> 00:15:23,639 SAN ANTONIO RIGHT NOW. CHECK THIS OUT. 224 00:15:23,641 --> 00:15:25,908 THIS IS CALLED PAPER, PENCIL, INK. 225 00:15:25,910 --> 00:15:29,312 IT IS A SHOW FEATURING MORE THAN 20 ARTISTS. 226 00:15:29,314 --> 00:15:36,018 SO HER GALLERY HAS THAT. THAT'S THROUGH AUGUST 30th. 227 00:15:36,020 --> 00:15:39,789 AT R.E.M., THIS IS ONE I HAVEN'T SEEN YET. 228 00:15:39,791 --> 00:15:43,693 I'M VERY CURIOUS ABOUT IT. IT'S CALLED AS A MATTER OF FACT, 229 00:15:43,695 --> 00:15:46,329 GRAFFITI FOR CIVILIZED TRANQUILLITY. 230 00:15:46,331 --> 00:15:51,968 IT'S A JAPANESE ARTIST, AND THE WORK IS -- ENGLISH ISN'T HER 231 00:15:51,970 --> 00:15:53,869 FIRST LANGUAGE. OF COURSE, JAPANESE IS. 232 00:15:53,871 --> 00:15:58,808 SO THE ARTWORK IS ABOUT HER STRUGGLES AND MISAPPROPRIATIONS 233 00:15:58,810 --> 00:16:00,810 OF LANGUAGE, AND IT JUST SOUNDS -- 234 00:16:00,812 --> 00:16:02,745 >> I LOVE THAT. >> THE WORK IS EXQUISITE, AND 235 00:16:02,747 --> 00:16:07,483 I'M REALLY LOOKING FORWARD TO SEEING IT IN GREATER DETAIL AT 236 00:16:07,485 --> 00:16:09,251 R.E.M. AS A MATTER OF FACT, WE'VE GOT A 237 00:16:09,253 --> 00:16:12,054 RESET ON OPENING. THEY'VE GOT A MID-OPENING, WHICH 238 00:16:12,056 --> 00:16:13,689 IS KIND OF INTERESTING, FOR SATURDAY IN AUGUST. 239 00:16:13,691 --> 00:16:16,258 CHECK THAT OUT. THEIR OPENINGS ARE ALWAYS GREAT. 240 00:16:16,260 --> 00:16:22,698 AT SOUTHWEST SCHOOL OF ART, WONDERFUL, WONDERFUL LOCAL 241 00:16:22,700 --> 00:16:24,934 RESOUR RESOURCE, THEIR ALL SCHOOL SHOW. 242 00:16:24,936 --> 00:16:26,569 THIS IS AN OPPORTUNITY TO SEE WHAT THE STUDENTS ARE DOING AT 243 00:16:26,571 --> 00:16:29,505 SOUTHWEST SCHOOL OF ART, HOW THEY'RE INSPIRED BY THEIR 244 00:16:29,507 --> 00:16:36,045 AMAZING FACULTY. THEY HAVE A VERY, VERY ACTIVE 245 00:16:36,047 --> 00:16:39,982 ACTIVE, PROACTIVE FACULTY THAT REALLY HAVE THE ABILITY NOT ONLY 246 00:16:39,984 --> 00:16:42,985 TO BE ARTISTS THAT ARE STRONG AND ACTIVE IN THEIR OWN RIGHT, 247 00:16:42,987 --> 00:16:47,757 BUT THEY ALSO HAVE THE ABILITY TO PASS IT ON. 248 00:16:47,759 --> 00:16:52,795 SO THEY REALLY ARE A UNIQUE CREW OF PEOPLE OVER THERE THAT WE 249 00:16:52,797 --> 00:16:56,565 HAVE ACCESS TO IN SAN ANTONIO. GO CHECK THAT OUT, ABSOLUTELY. 250 00:16:56,567 --> 00:16:59,969 GUADALUPE CULTURAL ARTS CENTER, A SHOW CALLED FLAT LAND THAT I'M 251 00:16:59,971 --> 00:17:04,140 LOOKING FORWARD TO SEEING. I HAVEN'T SEEN IT YET. 252 00:17:04,142 --> 00:17:09,912 AND, OF COURSE, ART SPACE. THEY HAVE SUMMER RESIDENCIES AND 253 00:17:09,914 --> 00:17:13,215 JUST OPENED THEIR RESIDENT SHOW. SO YOU HAVE THAT TO SEE. 254 00:17:13,217 --> 00:17:15,551 >> THAT'S A LOT. >> AND IT'S ALL IN THE AIR 255 00:17:15,553 --> 00:17:17,486 CONDITIONING. >> WHICH THE BEST PLACE TO BE 256 00:17:17,488 --> 00:17:19,121 RIGHT NOW. >> FORGET THE ART. 257 00:17:19,123 --> 00:17:21,257 IT'S ABOUT THE AIR CONDITIONING. >> IT'S ABOUT THE ART, TAMMY. 258 00:17:21,259 --> 00:17:24,026 SHE MEANT ABOUT THE ART. >> IT'S ALL ABOUT THE ART. 259 00:17:24,028 --> 00:17:26,629 IT'S ALWAYS ABOUT THE ART. AND AIR CONDITIONING. 260 00:17:26,631 --> 00:17:31,467 >> TAMMY. NOW, LISTEN, I'M SO EXCITED TO 261 00:17:31,469 --> 00:17:34,003 HEAR ABOUT WHAT'S COMING UP IN THE FALL AND ALL THE STUFF AT 262 00:17:34,005 --> 00:17:36,205 THE TOBIN. ARE YOU GOING TO TELL US ABOUT 263 00:17:36,207 --> 00:17:38,507 THAT NEXT TIME? >> WE WILL BE TALKING ABOUT THE 264 00:17:38,509 --> 00:17:41,243 TOBIN IN THE FALL. WE HAVE A SERIES OF ARTICLES 265 00:17:41,245 --> 00:17:44,547 SLATED FOR THE REVARD REPORT, WHERE WE'RE GOING TO BE 266 00:17:44,549 --> 00:17:48,884 CONCENTRATING ON THE RESIDENT COMPANIES, LOOKING AT BALLET SAN 267 00:17:48,886 --> 00:17:53,823 ANTONIO, REALLY REALLY STEPPING UP THEIR GAME. 268 00:17:53,825 --> 00:17:57,726 LOOKING AT ATTIC REP, SO MUCH HAPPENING. 269 00:17:57,728 --> 00:17:59,428 THOSE GUYS JUST GOT BACK FROM INDIA. 270 00:17:59,430 --> 00:18:02,631 >> THEY'RE SO COOL. >> I CAN'T WAIT TO TALK TO THEM. 271 00:18:02,633 --> 00:18:05,968 >> SO MUCH GREAT STUFF. >> CHECK TAMMY OUT, OF COURSE. 272 00:18:05,970 --> 00:18:08,637 >> WE WILL BE FOLLOWING IT. >> WE'LL SEE YOU NEXT TIME. 273 00:18:08,639 --> 00:18:11,240 >> I'M LOOKING FORWARD TO IT. NO MORE BIG TRIPS, NOT FOR A 274 00:18:11,242 --> 00:18:12,741 WHILE. >> DON'T LEAVE ME AGAIN. 275 00:18:12,743 --> 00:18:15,644 >> I PROMISE. >> SEE YOU NEXT TIME, TAMMY. 276 00:18:15,646 --> 00:18:21,083 >> YOU CAN READ MORE FROM TAMMY ON HER ART BLOG FA.COM. 277 00:18:21,085 --> 00:18:28,023 OR IN THE ARTS AND CULTURE SECTION AT THE REVARDREPORT.COM. 278 00:18:28,025 --> 00:18:56,352 >> TO ADD YOUR EVENT TO THE ARTS CALENDAR. 279 00:18:56,354 --> 00:18:59,622 NEXT UP, WE TRAVEL TO COLUMBUS, OHIO, WHERE WE CHASE MYSTERY AND 280 00:18:59,624 --> 00:19:02,558 INTRIGUE WITH THE LEGENDARY SHERLOCK HOLMES. 281 00:19:02,560 --> 00:19:04,960 THE INTERNATIONAL EXHIBIT CELEBRATING THE FICTIONAL 282 00:19:04,962 --> 00:19:07,296 DETECTIVE AND THE BRILLIANT WRITER WHO CREATED HIM HAS COME 283 00:19:07,298 --> 00:19:14,003 TO TOWN. LET'S TAKE A LOOK. 284 00:19:14,005 --> 00:19:29,485 >> A LOT OF WAYS, I THINK THAT SHERLOCK HOLMES WAS ONE OF THE 285 00:19:29,487 --> 00:19:32,354 FIRST SUPERHEROES. HE'S THE SUPERHERO THAT YOU CAN 286 00:19:32,356 --> 00:19:35,257 HOPE TO BE. I MOST LIKELY AM NOT GOING TO 287 00:19:35,259 --> 00:19:39,662 WAKE UP TOMORROW AND BE BITTEN BY A RADIOACTIVE SPIDER AND BE 288 00:19:39,664 --> 00:19:43,199 ABLE TO CLIMB A WALL, BUT IF I USE MY BRAIN AND MY POWERS OF 289 00:19:43,201 --> 00:19:47,836 DEDUCTION, I CAN BECOME MORE LIKE SHERLOCK HOLMES. 290 00:19:47,838 --> 00:19:51,040 I THINK FOLKS REALLY ENJOY THAT ELEMENT OF THE CHARACTER. 291 00:19:51,042 --> 00:19:55,244 THIS IS A 10,000 SQUARE FOOT EXHIBITION THAT IS ALL ABOUT 292 00:19:55,246 --> 00:19:57,947 SHERLOCK HOLMES, THE CHARACTER, THE EVOLUTION OF THE CHARACTER 293 00:19:57,949 --> 00:20:04,220 FROM AN IDEA IN CONAN DOYLE'S MIND ALL THE WAY UP TO PRESENT 294 00:20:04,222 --> 00:20:07,656 DAY, AND A LOOK AT THE FORENSIC SCIENCE THAT HOLMES USED IN 295 00:20:07,658 --> 00:20:09,892 ORDER TO COME UP WITH HIS DEDUCTIONS. 296 00:20:09,894 --> 00:20:12,127 VISITORS WALKING INTO THIS EXHIBIT ARE IMMEDIATELY GOING TO 297 00:20:12,129 --> 00:20:16,065 BE GREETED FROM BEAUTIFUL ARTIFACTS FROM THE CONAN DOYLE 298 00:20:16,067 --> 00:20:20,703 ESTATE, INCLUDING ACTUAL PIECES OF THE HANDWRITTEN MANUSCRIPT OF 299 00:20:20,705 --> 00:20:24,340 THE HOUND OF THE BASKERVILLES AS WELL AS BEAUTIFUL ART THAT 300 00:20:24,342 --> 00:20:27,309 APPEARED IN BOTH THE AMERICAN AND BRITISH VERSIONS OF SHERLOCK 301 00:20:27,311 --> 00:20:29,044 NOVELS. AND THEN AS THEY CONTINUE ON, 302 00:20:29,046 --> 00:20:32,581 THEY'RE GOING TO GET TO TRY THEIR HAND AT BECOMING SHERLOCK 303 00:20:32,583 --> 00:20:34,083 HOLMES. WHEN FOLKS COME AND SEE 304 00:20:34,085 --> 00:20:36,852 EXHIBITION, THEY RECEIVE THEIR CRIME JOURNAL THEY GET TO TAKE 305 00:20:36,854 --> 00:20:38,754 WITH THEM THROUGHOUT THE EXHIBITION. 306 00:20:38,756 --> 00:20:41,156 THIS IS WHERE THEY'RE GOING TO RECORD THE RESULTS OF THEIR 307 00:20:41,158 --> 00:20:43,692 STUDIES THAT THEY LOOK AT. THEY'RE GOING TO BE EXAMINING 308 00:20:43,694 --> 00:20:49,465 THINGS LIKE CODES INSIDE OF A NEWSPAPER. 309 00:20:49,467 --> 00:20:52,268 YOU'RE GOING TO GET THE CHANCE TO LOOK AT BALLISTICS, THE WAY 310 00:20:52,270 --> 00:20:55,004 THE BULLET TRAVELS, LOOK AT DIFFERENT PLANT SAMPLES AND SEE 311 00:20:55,006 --> 00:20:57,906 IF THE PLANT SAMPLES ARE POISONOUS OR NOT. 312 00:20:57,908 --> 00:21:01,543 YOU GET TO LOOK AT THE WAY BOOTS MAKE TRACKS OVER SAND. 313 00:21:01,545 --> 00:21:05,147 BOOTS TRACKED OVER THE SAND AS THEY'RE BEING DRUG LOOK VERY 314 00:21:05,149 --> 00:21:08,684 DIFFERENT THAN BOOTS WALKING BACK AND FORTH OVER THE SAND. 315 00:21:08,686 --> 00:21:12,621 THAT'S SOMETHING YOU HAVE TO USE YOUR KEEN EYE AND YOUR ABILITY 316 00:21:12,623 --> 00:21:16,125 TO OBSERVE THE SCENE IN ORDER TO TELL IF YOU CAN REALLY DECIDE 317 00:21:16,127 --> 00:21:22,231 WHAT'S GOING ON. IT IS SUCH A FANTASTIC 318 00:21:22,233 --> 00:21:26,602 COMBINATION OF HANDS-ON SCIENCE AND REAL CHER CAN LOING 319 00:21:26,604 --> 00:21:29,171 ARTIFACTS. WE ARE ALL ABOUT HANS-ON 320 00:21:29,173 --> 00:21:31,507 SCIENCE. SO ANY EXHIBITION WHERE FOLKS 321 00:21:31,509 --> 00:21:35,077 CAN GET IN AND MANIPULATE THE SCIENCE, THE FORENSIC SCIENCE WE 322 00:21:35,079 --> 00:21:37,646 TALK ABOUT INSIDE THE INTERNATIONAL EXHIBITION OF 323 00:21:37,648 --> 00:21:40,382 SHERLOCK HOLMES IS FANTASTIC FOR US. 324 00:21:40,384 --> 00:21:43,952 THIS IS ONLY THE SECOND PLACE WHERE THIS EXHIBIT HAS BEEN IN 325 00:21:43,954 --> 00:21:47,523 THE COUNTRY, AND ALSO WE ARE VERY FORTUNATE THIS IS GOING TO 326 00:21:47,525 --> 00:21:50,459 BE THE EXHIBITION'S ONLY STOP EAST OF THE MISSISSIPPI FOR THE 327 00:21:50,461 --> 00:21:54,630 NEXT FOUR OR FIVE YEARS. IT'S PRETTY EXCLUSIVE TO BE ABLE 328 00:21:54,632 --> 00:21:56,665 TO HAVE THIS HERE IN COLUMBUS, OHIO. 329 00:21:56,667 --> 00:21:59,168 >> HI. I'M HERE WITH ADAM ROCHA. 330 00:21:59,170 --> 00:22:02,471 HE'S THE EXECUTIVE DIRECTOR OF THE FA FILM FESTIVAL, AND THIS 331 00:22:02,473 --> 00:22:06,175 IS YOUR 20th YEAR ANNIVERSARY. HOW COOL IS THAT? 332 00:22:06,177 --> 00:22:10,012 >> VERY EXCITED. IT'S 20 YEARS, 70-PLUS FILMS, 333 00:22:10,014 --> 00:22:12,214 SEVEN DAYS, JULY 28th THROUGH AUGUST 3rd. 334 00:22:12,216 --> 00:22:17,419 I'M VERY EXCITED ABOUT THAT. >> SO YES, FILM FESTIVAL 335 00:22:17,421 --> 00:22:18,821 AMAZING. THIS ORGANIZATION HAD TO COME 336 00:22:18,823 --> 00:22:21,323 FROM SOMEWHERE. WHY DID YOU START THIS? 337 00:22:21,325 --> 00:22:22,458 WHAT IS IT ABOUT YOU? IS 338 00:22:22,460 --> 00:22:24,693 >> I WAS A BABY CHILD. >> A SMALL BABY CHILD. 339 00:22:24,695 --> 00:22:27,463 >> I WAS A STUDENT AT SAN ANTONIO COLLEGE AND TOOK SOME 340 00:22:27,465 --> 00:22:31,166 FILM CLASSES AND DECIDED -- I WENT TO FILM CLASSES IN SAN 341 00:22:31,168 --> 00:22:33,135 DIEGO AND DECIDED I CAN DO THAT HERE. 342 00:22:33,137 --> 00:22:35,904 20 YEARS LATER, WE'RE NOW A NONPROFIT. 343 00:22:35,906 --> 00:22:37,973 THIS IS OUR FIFTH YEAR AS A NONPROFIT. 344 00:22:37,975 --> 00:22:39,908 IT'S JUST GROWN AS AN ORGANIZATION. 345 00:22:39,910 --> 00:22:42,211 WE HAVE AWESOME VOLUNTEERS AND A WONDERFUL STAFF OF VOLUNTEERS AS 346 00:22:42,213 --> 00:22:44,046 WELL. >> NOW, WHAT CAN THE GENERAL 347 00:22:44,048 --> 00:22:46,482 PUBLIC GET OUT OF THE FESTIVAL LIKE THIS? 348 00:22:46,484 --> 00:22:48,684 WHAT IS IN IT FOR THEM? >> SURE. 349 00:22:48,686 --> 00:22:51,019 >> OBVIOUSLY, IT'S AN EDUCATIONAL OPPORTUNITY FOR 350 00:22:51,021 --> 00:22:54,123 STUDENTS AND FOR FILM MAKERS, BUT WHAT DOES AN AVERAGE PERSON 351 00:22:54,125 --> 00:22:57,459 GET OUT OF THE FILM FESTIVAL? >> LET ME SAY THIS IS A FUN 352 00:22:57,461 --> 00:22:58,827 EVENT. >> I CAN TELL. 353 00:22:58,829 --> 00:23:04,767 >> BUT IF YOU LOVE MOVIES -- AND WHO DOESN'T -- IF YOU LOVE 354 00:23:04,769 --> 00:23:07,269 MEETING THE ACTORS, AND THAT'S EXCITING. 355 00:23:07,271 --> 00:23:10,139 >> THAT IS. >> RED CARPET EVENTS. 356 00:23:10,141 --> 00:23:14,610 WE HAVE JOSE CANSECO, FORMER BASEBALL PLAYER. 357 00:23:14,612 --> 00:23:19,415 WE'RE SCREENING HIS DOCUMENTARY. HE'LL BE IN ATTENDANCE. 358 00:23:19,417 --> 00:23:22,084 WE'RE SCREENING "E.T." ON FRIDAY. 359 00:23:22,086 --> 00:23:23,886 WE HAVE PETER COYOTE. >> LOVE HIM. 360 00:23:23,888 --> 00:23:25,888 THAT'S GREAT. >> AND ALSO WE HAVE DANIEL 361 00:23:25,890 --> 00:23:27,589 BALDWIN. HE'S COMING IN ON SUNDAY. 362 00:23:27,591 --> 00:23:30,192 HE'S DIRECTED A FILM. I'VE GOT TO MENTION THIS. 363 00:23:30,194 --> 00:23:32,928 OUR BACKGROUND IS ALL ABOUT EDUCATING THE GENERAL PUBLIC. 364 00:23:32,930 --> 00:23:35,164 SO IF YOU'RE INTERESTED IN CINEMA. 365 00:23:35,166 --> 00:23:38,267 IF YOU'RE CURIOUS ABOUT IT, IT'S A FUN EVENT. 366 00:23:38,269 --> 00:23:41,870 WE HAVE FIVE -- I'M SORRY. FIVE FREE EVENTS ON FRIDAY. 367 00:23:41,872 --> 00:23:45,007 FIVE FREE EVENTS ON SATURDAY. THOSE ARE WORKSHOPS AND PANELS. 368 00:23:45,009 --> 00:23:47,342 YOU CAN HEAR FROM THE EXPERTS FROM L.A. AND NEW YORK OF HOW 369 00:23:47,344 --> 00:23:50,712 THEY DID IT AND HOW TO GET INTO IT. 370 00:23:50,714 --> 00:23:53,615 >> THAT'S SO COOL. >> IT'S A FUN, FREE EVENT. 371 00:23:53,617 --> 00:23:57,453 >> THIS IS AN AMAZING EVENT. MORE PEOPLE NEED TO KNOW ABOUT 372 00:23:57,455 --> 00:23:59,354 IT. ALL THIS INFORMATION'S ON YOUR 373 00:23:59,356 --> 00:24:00,823 WEBSITE. WHAT'S YOUR URL? 374 00:24:00,825 --> 00:24:04,293 >> IT'S SAFILM.COM. WE'RE ON FACEBOOK AND TWITTER 375 00:24:04,295 --> 00:24:06,161 ALSO. I'VE GOT TO MENTION THIS. 376 00:24:06,163 --> 00:24:08,430 MONDAY IS A FREE SCREENING FOR FAMILIES. 377 00:24:08,432 --> 00:24:10,999 IT'S AT THE JOSEPHINE AT 6:00 P.M. 378 00:24:11,001 --> 00:24:14,937 AND THEN TUESDAY NIGHT IT'S AT THE PEARL STABLE ALSO AT 6:00 379 00:24:14,939 --> 00:24:17,473 P.M. IT'S A FREE EVENT. 380 00:24:17,475 --> 00:24:22,211 BUT OUR -- LET'S SEE. FROM WEDNESDAY TO SUNDAY, IT'S 381 00:24:22,213 --> 00:24:25,481 AT BROOK CITY-BASED CINEMA. IT'S A GREAT THEATER. 382 00:24:25,483 --> 00:24:27,549 IT'S ONE OF THE BEST IN TOWN. >> AWESOME. 383 00:24:27,551 --> 00:24:30,752 >> WE'LL BE THERE FOR THE ENTIRE FESTIVAL. 384 00:24:30,754 --> 00:24:32,688 >> TELL ME WHAT A STUDENT WILL GET OUT OF THIS. 385 00:24:32,690 --> 00:24:34,723 THEY GET THE WORKSHOPS AND CLASSES. 386 00:24:34,725 --> 00:24:37,059 ARE THERE OPPORTUNITIES FOR THEM TO COME IN AND SPEAK TO THESE 387 00:24:37,061 --> 00:24:40,095 PROFESSIONALS ONE-ON-ONE KIND OF IN STUDIO TIME? 388 00:24:40,097 --> 00:24:45,234 >> SURE. LIKE YOU GO TO THESE EVENTS AND 389 00:24:45,236 --> 00:24:49,371 BECOME ENVELOPED IN THIS FILM COMMUNITY WE HAVE HERE. 390 00:24:49,373 --> 00:24:53,108 IT'S GROWING AND GROWING. I JUST EXPECT A LOT FROM THE 391 00:24:53,110 --> 00:24:56,712 FUTURE FILM MAKERS THAT COME OUT TO THIS EVENT, AND THAT'S HOW 392 00:24:56,714 --> 00:24:58,680 YOU JUST GET STARTED. YOU JUST GO OUT. 393 00:24:58,682 --> 00:25:00,449 >> AND DO IT. JUST DO IT. 394 00:25:00,451 --> 00:25:02,384 >> I'VE GOT TO MENTION THIS ALSO. 395 00:25:02,386 --> 00:25:06,154 WE'RE TEAMING UP WITH THE TEXAS FILM COMMISSION IN THE LATE FALL 396 00:25:06,156 --> 00:25:11,527 OR EARLY SPRING. WE'LL BE HAVING CLASSES THAT YOU 397 00:25:11,529 --> 00:25:14,663 CAN GET INTO THE ENTRY LEVEL POSITION, AND THAT IS CALLED A 398 00:25:14,665 --> 00:25:17,566 PRODUCTION ASSISTANT. BUT YOU BECOME STATE CERTIFIED 399 00:25:17,568 --> 00:25:19,434 WITH THAT THROUGH THE TEXAS FILM COMMISSION. 400 00:25:19,436 --> 00:25:21,403 >> WHAT A GREAT PROGRAM AND OPPORTUNITY. 401 00:25:21,405 --> 00:25:22,638 HOW COOL IS THAT? >> VERY COOL. 402 00:25:22,640 --> 00:25:24,973 VERY COOL. >> ADAM, YOU'VE DONE SOME GREAT 403 00:25:24,975 --> 00:25:25,707 STUFF. >> THANK YOU. 404 00:25:25,709 --> 00:25:28,544 >> THANK YOU SO MUCH FOR STOPPING BY "ARTS." 405 00:25:28,546 --> 00:25:31,246 BE SURE TO CHECK OUT ALL THE INFORMATION, HIGH FIVE. 406 00:25:31,248 --> 00:25:36,585 IT'S SO FUN. CHECK OUT HIS WEBSITE, SAFILM 407 00:25:36,587 --> 00:25:37,786 FESTIVAL. >> THANK YOU. 408 00:25:37,788 --> 00:25:42,391 >> AND THAT WRAPS IT UP FOR THIS EDITION OF "ARTS." 409 00:25:42,393 --> 00:25:44,726 BUT WE'RE ONE MONTH AWAY FROM THE TOBIN CENTER FOR THE ARTS 410 00:25:44,728 --> 00:25:47,930 OPEN. STARTING NEXT WEEK, WE'LL BE 411 00:25:47,932 --> 00:25:51,667 HIGHLIGHTING THE TEN LOCAL PERFORMING ARTS COMPANIES HOSTED 412 00:25:51,669 --> 00:25:54,970 ATHE TOBIN CENTER AND WHAT THEY'LL BE OFFERING FOR OUR 413 00:25:54,972 --> 00:25:57,539 COMMUNITY. STAY TUNED FOR ALL THINGS TOBIN. 414 00:25:57,541 --> 00:26:00,809 I'M ASIA CIARAVINO. SEE YOU NEXT WEEK. 415 00:26:00,811 --> 00:26:06,014 >> "ARTS" IS MADE POSSIBLE BY THE KELSO FOUNDATION, THE 416 00:26:06,016 --> 00:26:09,418 ELIZABETH CHARITABLE FOUNDATION, AND VIEWERS LIKE YOU. 417 00:26:09,420 --> 00:26:13,455 >> "ARTS" IS PRESENTED BY THE TOBIN CENTER FOR THE PERFORMING 418 00:26:13,457 --> 00:26:15,924 ARTS. OPENING SEPTEMBER 2014, 419 00:26:15,926 --> 00:26:20,128 PROVIDING THE BEST PLACE ANYWHERE TO SEE AND HEAR A LIVE 420 00:26:20,130 --> 00:26:22,064 PERFORMANCE. SAN ANTONIO'S FUTURE OF THE 421 00:26:22,066 --> 00:26:23,932 PERFORMING ARTS, THE TOBIN CENTER.