WEBVTT 00:09.387 --> 00:12.155 THE ELIZABETH HUTH COATES CHARITABLE FOUNDATION. 00:12.157 --> 00:17.827 AND VIEWERS LIKE YOU. >> ARTS IS PRESENTED BY THE 00:17.829 --> 00:20.830 TOBIN CENTER FOR THE PERFORM ING ARTS. 00:20.832 --> 00:23.466 PROVIDING THE BEST PLACE ANYWHERE TO SEE AND HEAR A 00:23.468 --> 00:26.202 LIVE PERFORMANCE. TRANSFORMING THE PERFORMING 00:26.204 --> 00:30.006 ARTS IN SAN ANTONIO'S DECADE OF DOWNTOWN. 00:30.008 --> 00:35.845 THE TOBIN CENTER. >> ON THIS EDITION OF ARTS, 00:35.847 --> 00:39.315 LARGE SCALE TAPESTRIES OF SOME OF PICASSO'S MOST 00:39.317 --> 00:42.852 ICONIC WORK CONTINUE TO CAPTIVATE AUDIENCES AT THE 00:42.854 --> 00:45.388 MUSEUM OF ART. JANUARY MAY BE WINDING DOWN 00:45.390 --> 00:49.392 BUT LOCAL ARTS WRITER TAMI KEGLEY STOPS BY LETTING US 00:49.394 --> 00:51.795 KNOW THERE'S PLENTY OF EVENTS HAPPENING AROUND TOWN 00:51.797 --> 00:55.231 DONNA SIMON HAS INTROWS INTRODUCED AUDIENCES TO TOP 00:55.233 --> 00:59.169 ARTISTS AND EMERGING ARTISTS THROUGHOUT SAN ANTONIO. 00:59.171 --> 01:01.738 WE'LL INTRODUCE TO YOU THE ACCOMPLISHED ARTISTS LATER 01:01.740 --> 01:03.339 IN THE SHOW. THIS AND MORE ON THIS 01:03.341 --> 01:14.584 EDITION OF ARTS. >>. 01:14.586 --> 01:19.823 >> HI, I'M ASIA CIARAVINO. TODAY WE'RE AT THE SAN 01:19.825 --> 01:23.927 ANTONIO MUSEUM OF ART, I'M SURROUNDED BY TAPESTRIES 01:23.929 --> 01:27.630 INSPIRED BY PICASSO'S ICONIC WORK. 01:27.632 --> 01:31.901 RUDOLPH INVITED US TO SEE THESE MASTERPIECES ON 01:31.903 --> 01:46.382 DISPLAY HERE IN SAN ANTONIO. >> THIS EXHIBITION IS REALLY 01:46.384 --> 01:49.319 THE FIRST TIME THAT A SUITE OF TAPESTRIES THAT WERE 01:49.321 --> 01:52.122 DESIGNED BY PABLO PICASSO AND CAN COMMISSIONED BY 01:52.124 --> 01:56.659 NELSON ROCKEFELLER HAVE BEEN SEEN BY A WIDE PUBLIC. 01:56.661 --> 01:58.895 OVER THE COURSE OF 20 YEARS, THE GOVERNOR OF NEW YORK WHO 01:58.897 --> 02:02.799 WAS A GREAT LOVER OF PICASSO AND GREAT ART PATRON 02:02.801 --> 02:06.302 COMMISSIONED INTERPRETATIONS OF SOME OF PICASSO'S MOST 02:06.304 --> 02:10.039 ICONIC WORKS, TO BE MADE, WOVEN BY A TEAM OF MASTER 02:10.041 --> 02:14.844 WEAVEERS IN FRANCE, WITH THE GOAL OF SHARING WITH THE 02:14.846 --> 02:16.579 PUBLIC. AND THIS EXHIBITION REALIZES 02:16.581 --> 02:21.684 THAT DREAM THAT GOVERNOR ROCKEFELLER HAD. 02:21.686 --> 02:24.821 ALL OF THE TAPESTRIES YOU'LL SEE HERE LIVE AT THE 02:24.823 --> 02:28.424 ROCKEFELLER FAMILY HOME THAT IS NOW A NATIONAL TRUST 02:28.426 --> 02:30.193 PROPERTY IN NEW YORK ABOUT AN HOUR NORTH OF NEW YORK 02:30.195 --> 02:32.428 CITY. AND THEY CAN BE SEEN THERE 02:32.430 --> 02:34.631 ALONG WITH MANY OF THE REST OF THE ROCKEFELLER FAMILY 02:34.633 --> 02:37.467 COLLECTIONS, BUT THEY'VE NEVER BEEN SEEN ON THIS SORT 02:37.469 --> 02:40.637 OF SCALE IN A GRAND MUSEUM SETTING LIKE SAN ANTONIO 02:40.639 --> 02:45.308 MUSEUM OF ART WHERE YOU REALLY GET THE CHANCE TO 02:45.310 --> 02:47.977 APPRECIATE THEIR MON MENTALITY AND VITALITY AND 02:47.979 --> 02:52.382 IT'S BEEN QUITE EXCITING FOR US AND FOR THE STAFF TO SEE 02:52.384 --> 02:57.153 THESE TAPESTRIES IN NEW WAYS . 02:57.155 --> 03:01.090 THE EGGS BIGS IS ON VIEW UNTIL MARCH 8, 2015. 03:01.092 --> 03:04.260 WE HAVE A VARIETY OF GREAT PROGRAMS FROM LECTURES, 03:04.262 --> 03:07.030 FAMILY DAYS, ART MAKING ACTIVITIES, WEAVING 03:07.032 --> 03:12.268 DEMONSTRATIONS, ALL OF THIS IS AVAILABLE ON OUR WEBSITE, 03:12.270 --> 03:16.472 AND WE OPEN YOU'LL COME IN TO -- WE HOPE YOU'LL COME IN 03:16.474 --> 03:19.542 TO LEARN ABOUT TAPESTRY AND PICASSO AND GOVERNOR ROCK 03:19.544 --> 03:21.744 FELLER AND PICASSO ON VIEW HERE. 03:21.746 --> 03:24.047 >> WE WANT TO HEAR FROM YOU. DO YOU KNOW OF A GOOD STORY 03:24.049 --> 03:25.815 YOU'D LIKE TO SEE AIRED ON ARTS? 03:25.817 --> 03:29.118 LET US KNOW BY E-MAILING US AT ARTS AT KLRN.ORG. 03:29.120 --> 03:32.388 IF WE USE YOUR IDEA, YOU'LL GET A SCREEN CREDIT ON OUR 03:32.390 --> 03:38.061 PROGRAM. NEXT A LITTLE ITALIAN 03:38.063 --> 03:40.230 GLAMOUR. MUSEUM OF NATURAL SCIENCE. 03:40.232 --> 03:45.468 THEY CELEBRATED 130 YEARS OF BOLD DESIGN BY FAMED JEWELRY 03:45.470 --> 04:06.556 HOUSE BVLGARI. >>. 04:06.558 --> 04:13.096 >> I THINK THE STYLE OF BVLGARI IS UNIQUE. 04:13.098 --> 04:24.474 IT'S BOLD, IT'S POWERFUL, IT HAS STYLE, AND YET IT'S VERY 04:24.476 --> 04:35.218 WEARABLE. >> THE EXHIBITION IS CALLED 04:35.220 --> 04:38.154 BVLGARI, 130 YEARS OF MASTERPIECES, BECAUSE IT'S 04:38.156 --> 04:41.224 KIND OF A RETROSPECTIVE OF THE HOUSE AND ALL THE 04:41.226 --> 04:42.925 MAGNIFICENT PIECES THEY'VE CREATED. 04:42.927 --> 04:52.402 REALLY OVER THE COURSE OF THE LAST 3 CENTURIES. 04:52.404 --> 05:02.578 >> MAGAZINE ANY EXPENT ITALIAN JEWELRY,. 05:02.580 --> 05:18.695 >> REALLY BULL GAIR, IT WAS FOUNDED IN 1884, BY BVLGARI, 05:18.697 --> 05:23.399 A GREEK ESTABLISHED IN ROAMA , FEELING IT WOULD BACK 05:23.401 --> 05:30.506 MAJOR CITY AND IMMEDIATELY SET UP HIS STORE. 05:30.508 --> 05:35.111 HE FOUNDED THE FIRST STORE AND STARTED TO SELL HIS OWN 05:35.113 --> 05:37.980 CRAFTS. AND THEN THE SECOND GEP 05:37.982 --> 05:41.951 RATION, REAL JEWELRY PRECIOUS MATERIALS, GOLD, 05:41.953 --> 05:45.688 PLATINUM. MIXING THEM WITH PRECIOUS 05:45.690 --> 05:52.061 STONES, A LOT OF DIAMONDS, RUBY AND SAPPHIRES. 05:52.063 --> 05:59.135 EVENTUALLY, 16 70S WITH STONES WITH YELLOW GOLD, 05:59.137 --> 06:04.374 COMBINATION OF SEMI PRECIOUS STONES, ALL THE THINGS THAT 06:04.376 --> 06:09.912 IS BVLGARI. >> THERE'S A LOT OF CRAFORTS 06:09.914 --> 06:12.148 MANSHIP. MANUAL TALENT. 06:12.150 --> 06:14.884 START OBVIOUSLY WITH PUTTING STONES TOGETHER AND TRYING 06:14.886 --> 06:19.288 TO FIND A BEAUTIFUL UNIQUE COMBINATION, AND THEN WHEN 06:19.290 --> 06:22.225 YOU ARE CLEAR ON THE STONES YOU WANT TO PUT TOGETHER, 06:22.227 --> 06:27.130 YOU HAVE TO DESIGN A SETTING AND THEN THE DESIGN IS 06:27.132 --> 06:31.968 COMING TO THE PLACE AND THEN AFTER YOU HAVE TO PRODUCE IT 06:31.970 --> 06:34.103 . FUSE GOLD, PLATINUM WHICH IS 06:34.105 --> 06:37.507 VERY DIFFICULT BECAUSE YOU HAVE TO GO -- AND THEN 06:37.509 --> 06:40.810 SETTING WHICH IS ONE OF THE MOST -- BECAUSE ACCORDING 06:40.812 --> 06:46.182 THE SETTING ABILITIES, THE STONE WILL BE MORE GLORIFIED 06:46.184 --> 07:00.029 . JEWELRY OF THE STARS. 07:00.031 --> 07:05.701 AND THE FACT IS THAT NO OTHERS -- THE BVLGARI, WORN 07:05.703 --> 07:13.376 BY STARS, THE VERY BEGINNING , OFF MOVIES. 07:13.378 --> 07:19.615 A LOT OF THE -- WITH MOVIES OF THE 50S AND 60S. 07:19.617 --> 07:28.024 MOST OF THEM, HOLLYWOOD COME TO ROAMA, IN BETWEEN TWO 07:28.026 --> 07:30.259 SHOOTINGS, WALKING THE STREETS. 07:30.261 --> 07:32.462 AND THEY'RE DISCOVERING A BRAND WHICH AT THIS TIME WAS 07:32.464 --> 07:36.399 NOT AS GLOBAL AND FAMOUS AS NOWADAYS, FELL IN LOVE AND 07:36.401 --> 07:50.112 WORD OF MOUTH SOON BECAME --. >> OUR STYLE, I MEAN, FRENCH 07:50.114 --> 07:53.115 SCHOOL OF JEWELRY, IS MUCH BOLDER, MUCH STRONGER 07:53.117 --> 07:59.355 BECAUSE ROAMA BIGGER. WASN'T FULLY ROAMA LIKE I 07:59.357 --> 08:04.660 THINK THERE'S A GREAT SYNERGY BETWEEN THE TWO. 08:04.662 --> 08:09.532 AND SCIENCES, DOWNSTAIRS, THE ROAMA COLLECTION OF 08:09.534 --> 08:14.470 MANUAL CRYSTALS, PUT TOGETHER OVER THE YEARS, AND 08:14.472 --> 08:19.942 IT'S A WAY FOR US ALSO TO PAY TRIBUTE TO WHAT IS 08:19.944 --> 08:29.185 PROVIDING US, WE TRY TO GLORIFY AND GLORIFYING THEM 08:29.187 --> 08:34.023 IN A WAY THAT THEY ARE NOT SOLELY BUT AS WE CAN SEE ALL 08:34.025 --> 08:39.829 AROUND. >> WHAT I LOVE, A LOT OF 08:39.831 --> 08:42.698 THEIR ICONIC DESIGNS START WITH THE STONES FIRST. 08:42.700 --> 08:45.535 SO THEIR COMMITMENT IS TO THE QUALITY ANDRATOR OF THE 08:45.537 --> 08:47.069 STONES. >> I THINK PEOPLE ARE GOING 08:47.071 --> 08:49.472 TO COME IN HERE AND NOT GOING TO LEAVE. 08:49.474 --> 08:54.210 IT'S JUST MIND BOGGLING THE WAY IT'S DISPLAYED AND THE 08:54.212 --> 09:00.683 AMOUNT OF JEWELS AND EARRINGS AND BRACELETS. 09:00.685 --> 09:13.996 I MEAN, I DON'T WANT TO LEAVE. 09:13.998 --> 09:16.098 >> WE ARE BACK WITH TAMI KEGLEY. 09:16.100 --> 09:17.767 I'VE MISSED YOU. >> I'VE MISSED YOU. 09:17.769 --> 09:20.102 >> HAPPY NEW YEAR. TELL ME ABOUT ALL THINGS ART 09:20.104 --> 09:22.071 IN JANUARY. >> 2015. 09:22.073 --> 09:25.942 WELL, ONE EXCITING THING THAT'S GOING ON TONIGHT, 09:25.944 --> 09:29.312 RIGHT NOW AT THE McNAY, 60TH ANNIVERSARY PARTY AFTER 09:29.314 --> 09:33.282 DARK, 9:30 TO 1:00. THEY ARE CELEBRATING WITH 09:33.284 --> 09:36.385 THE WORK OF 6 SAN ANTONIO ARTISTS. 09:36.387 --> 09:40.823 SYLVIA B, DAVID ANTHONY GARCIA, REX HOUSEMAN, 09:40.825 --> 09:45.394 ELIZABETH CARRINGTON, ALISON GREGORY, LEANN, YOU NAME IT, 09:45.396 --> 09:47.597 THEY'VE GOT IT. THEY'VE INVITED THESE, AND I LOVE IT 09:47.599 --> 09:53.002 WHEN THE BIG GUYS INVITE LOCAL ARTISTS AND SHINE THE 09:53.004 --> 09:58.040 LIGHT ON OUR TALENTED LOCALS BECAUSE IT'S WONDERFUL TO 09:58.042 --> 10:01.010 CELEBRATE THE IMPRESSIONISTS AND IT'S WONDERFUL TO HAVE 10:01.012 --> 10:04.313 THOSE THINGS THAT OUR LOCAL GUYS ARE GOLD. 10:04.315 --> 10:07.016 THAT'S OUR PRESENT, OUR FUTURE. 10:07.018 --> 10:09.785 LONGER TERM, THERE'S GOING TO BE SOME WORKS ON PAPER, 10:09.787 --> 10:16.025 BY A DOZEN SAN ANTONIO ARTISTS AND CALLED REGARD 10:16.027 --> 10:18.094 REGARDING -- AND THESE ARE TWHOORKS THEY'VE IN VIETD 10:18.096 --> 10:21.297 THESE CONTEMPORARY ARTISTS IN SAN ANTONIO TO DO. 10:21.299 --> 10:23.966 THAT REFLECT ON THE WORK OF ED. 10:23.968 --> 10:26.502 THERE'S MAJOR PIECES IN THE McNAY COLLECTION. 10:26.504 --> 10:29.772 THE STANDARD STATION AND THEN THE RECENTLY ACQUIRED 10:29.774 --> 10:31.607 GO STATION. THESE ARTISTS ARE DOING THAT 10:31.609 --> 10:32.975 WORK. IT'S REALLY EXCITING. 10:32.977 --> 10:38.614 >> WHAT ELSE? >> BEFORE THE END OF THE 10:38.616 --> 10:41.250 MORKS GUADALUPE. THE FIRST STAGE OF ARTIST 10:41.252 --> 10:42.685 LAB. THIS IS A TWO-YEAR PROJECT 10:42.687 --> 10:48.424 THAT THEY'RE DOING WITH THE FOUNDATION, THEY BROUGHT 6 10:48.426 --> 10:54.196 ARTISTS. AND THEY ARE COUNSELING THEM 10:54.198 --> 10:59.802 ON WORKING WITH THEM TO STRETCH THEIR HORIZONS AS 10:59.804 --> 11:01.837 ARTISTS AND AS WELL AS THEIR BUSINESS. 11:01.839 --> 11:09.512 DIFFERENT MEDIUM, IT'S A TWO -YEAR PROGRAM. 11:09.514 --> 11:12.848 THE FIRST STAGE THROUGH THE END OF THE MONTH, GO SEE IT, 11:12.850 --> 11:13.949 GUADALUPE. AWESOME. 11:13.951 --> 11:14.950 >> THANK YOU. >> INCREDIBLE. 11:14.952 --> 11:16.886 >> THANKS FOR HAVING ME AGAIN. 11:16.888 --> 11:18.454 >> FOR FEBRUARY AND ALL THINGS ART. 11:18.456 --> 11:20.823 THANK YOU, TAMLY KEGLEY. >> THANK YOU, ASIA. 11:20.825 --> 11:25.728 >> YOU CAN READ MORE FROM TAM -- TAMI KEGLEY OR IN THE 11:25.730 --> 11:54.857 ARTS AND CULTURE SECTION. >> . 11:54.859 --> 12:00.396 >> TO ADD YOUR EVENT, VISIT KLRN.ORG/ARTS. 12:00.398 --> 12:03.599 NEXT WE VISIT JARED BOW EN IN BOSTON WHERE HE SPOKE 12:03.601 --> 12:07.236 WITH FORMER U.S. SECRETARY OF STATE ABOUT THE ART OF 12:07.238 --> 12:09.872 DIPLOMACY AND HER UNIQUE COLLECTION OF PINS. 12:09.874 --> 12:13.909 >> AS UN AMBASSADOR, SHE WASN'T ABOUT TO LET THE 12:13.911 --> 12:16.112 IRAQIS CALLING HER A SERPENT SLIDE. 12:16.114 --> 12:18.814 >> MY INSTRUCTIONS WERE TO MAKE SURE THE SANCTIONS 12:18.816 --> 12:20.850 STAYED ON. WHICH 'MEANT THAT I HAD TO 12:20.852 --> 12:25.054 KEEP REPEATING ALL THE TERRIBLE THINGS SADDAM HUGH 12:25.056 --> 12:28.257 HAD DONE AND I SAID TERRIBLE THINGS ABOUT HIM WHICH HE 12:28.259 --> 12:30.726 DESERVES. HE INVADED ANOTHER COUNTRY. 12:30.728 --> 12:33.763 ULTIMATELY THERE WAS A POEM THAT APPEARED IN THE PAPERS 12:33.765 --> 12:37.032 IN BAGHDAD, COMPARING ME TO MANY THINGS BUT AN UN 12:37.034 --> 12:40.302 PARALLELED SERPENT. AND I HAPPEN TO HAVE A SNAKE 12:40.304 --> 12:41.804 PIN. SO I WORE IT WHENEVER WE 12:41.806 --> 12:46.542 WERE TALKING ABOUT IRAQ. >> WITH ONE PIN, SHE BECAME 12:46.544 --> 12:48.677 SECRETARY OF STATE, DISCOVERED THE ACCESSORY 12:48.679 --> 12:52.381 THAT WOULD HELP HER FASHION A NEW ART OF DIPLOMACY. 12:52.383 --> 12:54.984 SHE WORE FLOWERS, BUTTERFLIES AND BALLOONS ON 12:54.986 --> 12:58.587 THE GOOD DAYS SHE SAYS, AND BUGS FOR THE BAD DAYS. 12:58.589 --> 13:02.224 >> DID YOU FIND THAT IT WAS CHANGING DYNAMICS AT ALL? 13:02.226 --> 13:05.461 >> I THINK PART OF IT, AND I THINK PEOPLE DON'T 13:05.463 --> 13:07.596 UNDERSTAND HOW MUCH OF DIPLOMACY IS REALLY PERSONAL 13:07.598 --> 13:12.301 . AND IT'S KIND OF AN OPENING 13:12.303 --> 13:16.572 IN SOME WAYS, AND SOME WAYS A CLOSING. IF YOU HAVE SOME 13:16.574 --> 13:18.140 MESSAGE THAT YOU'RE DELIVERING. 13:18.142 --> 13:21.510 >> MORE THAN 200 OF HER NOW HISTORIC PINS ARE ON VIEW OF 13:21.512 --> 13:24.980 THE DAVIS MUSEUM AT HER ALMA MATTER. 13:24.982 --> 13:27.716 THE SHOW IS TITLED READ MY PINS. 13:27.718 --> 13:31.187 THE SAME COUNSEL SHE OFFERED PRESS AND COLLEAGUES TRYING 13:31.189 --> 13:34.156 TO INTERPRET HER DIPLOMATIC STANCES. 13:34.158 --> 13:37.726 WHEN CUBAN FIGHTER PILOT SHOT DOWN TWO UNARMED 13:37.728 --> 13:41.463 CIVILIAN AIRCRAFT, SHE WORE A BLUE BIRD SADLY SAILING 13:41.465 --> 13:45.201 DOWNWARD ASTINGING BEE WHEN MEETING YASSER ARAFAT AND 13:45.203 --> 13:50.039 HEAR NO EVIL, SPEAK NO EVIL, SEE NO EVIL MONKEYS WITH 13:50.041 --> 13:52.107 VLADIMIR PUTIN. >> ONE OF THE TIMES IT 13:52.109 --> 13:59.815 REALLY DID WORK WHEN I WORE IT IN NORTH KOREA AND HAD MY 13:59.817 --> 14:01.784 PICTURE TAKEN WITH THE LEADER. AND STANDING NEXT 14:01.786 --> 14:05.154 TO I'M WITH A HUGE AMERICAN FLAG, I THINK IT WAS ITS OWN 14:05.156 --> 14:06.789 MESSAGE. >> AMONG HER MOST PRIZED 14:06.791 --> 14:09.758 PINS, A SHATTERED GLASS CEILING AND THIS FLOUR, 14:09.760 --> 14:12.761 BELONGING TO A WOMAN WHO PERISHED DURING HURRICANE 14:12.763 --> 14:14.597 KATRINA. IT WAS GIVEN TO HER BY THE 14:14.599 --> 14:17.900 WOMAN'S SON. HER FAVORITE IS THE CERAMIC 14:17.902 --> 14:21.704 HEART, HER DAUGHTER MADE FOR HER WHEN SHE WAS 5. 14:21.706 --> 14:24.607 AND SHE'S ESPECIALLY FOND OF THE EAGLE SHE PURCHASED AS 14:24.609 --> 14:26.942 AN INDULGENCE FOR HER SWEAR ING IN AS SECRETARY OF 14:26.944 --> 14:29.245 STATE. IT'S ONE OF FEW PIECES THAT 14:29.247 --> 14:33.515 IS NOT COSTUME JEWELRY. >> IT'S AN ANTIQUE PIN AND I 14:33.517 --> 14:37.820 HADN'T NOTICED ABOUT HOW DIFFICULT THE CLASP ON IT. 14:37.822 --> 14:41.056 SO I'M THERE WITH ONE HAND ON THE BIBLE AND ONE HAND 14:41.058 --> 14:44.093 SWEARING ALLEGIANCE TO THE CONSTITUTION OF THE UNITED 14:44.095 --> 14:47.196 STATES AND I SEE THIS PIN KIND OF FLAPPING AROUND. 14:47.198 --> 14:49.732 AND I KNOW I SWORE ALLEGIANCE BUT I WAS ALSO 14:49.734 --> 14:52.501 WORRIED THAT IT WOULD FALL ON THE BIBLE AND SCREW UP 14:52.503 --> 14:55.371 THE WHOLE CEREMONY. >> SHE SAYS SHE STRUGGLED 14:55.373 --> 14:57.740 WITH THE ATTENTION HER PINS ATTRACTED AND EVEN IN 14:57.742 --> 15:00.709 ASSEMBLING THE EXHIBITION AND ITS ACCOMPANYING BOOK. 15:00.711 --> 15:03.879 AS THE FIRST FEMALE SECRETARY OF STATE, SHE SAYS 15:03.881 --> 15:07.516 , SHE WAS SELF-CONSCIOUS ABOUT DISCUSSING HER JEWELRY 15:07.518 --> 15:10.252 >> I DO THINK THERE ALWAYS ARE QUESTIONS. 15:10.254 --> 15:12.855 PEOPLE DON'T ASK BHEAN THEY'RE WEARING. 15:12.857 --> 15:15.691 BUT THERE REALLY WAS THIS ISSUE ABOUT, YOU KNOW, HOW 15:15.693 --> 15:23.899 LONG THE SKIRT, AND RICE HAD BOOTS ON AND PEOPLE WONDER 15:23.901 --> 15:25.768 WHAT HAD THAT MEANT. THERE ALWAYS ARE QUESTIONS. 15:25.770 --> 15:28.203 >> BUT IN THE YEARS HER PINS HAVE THOUSAND BEEN TRAVELING 15:28.205 --> 15:31.373 THE COUNTRY, SHE HAS BEEN STRUCK BY HOW THEY'VE BECOME 15:31.375 --> 15:35.477 GEMS FOR TEACHING DIPLOMACY. SHE CONTINUES TO COLLECT. 15:35.479 --> 15:39.748 THE ONES SHE WORE FOR OUR INTERVIEW WERE FOR THE 15:39.750 --> 15:42.151 COLLEGE AND GLOBAL AFFAIRS INSTITUTE FOUNDED IN HER 15:42.153 --> 15:45.087 NAME AND YES, SHE DOES MISS THEM. 15:45.089 --> 15:47.990 >> THEY'RE SPECIAL AND HAVE GREAT FOREIGN POLICY STORIES 15:47.992 --> 15:50.793 AND VERY GREAT MEMORIES WITH THEM BUT I'M GLAD TO SHARE 15:50.795 --> 15:55.030 THEM AND I OF COURSE HAVE STARTED A NEW COLLECTION AND 15:55.032 --> 15:58.334 PEOPLE HAVE GIVEN ME PINS AND I CALL THEM MY PITY PINS 15:58.336 --> 16:00.936 BECAUSE PEOPLE FEEL SORRY. >> THEY SHOULDN'T. 16:00.938 --> 16:04.673 BECAUSE SHE LEAVES US WITH A MOST DECORATED HISTORY. 16:04.675 --> 16:09.211 >> NEXT UP, WE VISIT A UNIQUE GALLERY IN DAYTON, 16:09.213 --> 16:12.147 OHIO USING UNIVERSAL LANGUAGE OF ART TO PROMOTE 16:12.149 --> 16:16.585 WORLD PEACE. >> SHOAM WHERE YOU ARE. 16:16.587 --> 16:23.258 SO MY HOME NOW IS HERE. BUT I COME FROM RWANDA. 16:23.260 --> 16:29.698 I CAME HERE BECAUSE OF THE GENOCIDE AND MASSACRE. 16:29.700 --> 16:34.536 SO I WAS LOOKING FOR A PEACEFUL PLACE TO BE AND I 16:34.538 --> 16:38.207 FOUND MY PEACE. SO THIS IS MY HOME. 16:38.209 --> 16:42.745 >> I AM STRUGGLING RIGHT NOW AS A CAUCASIAN WOMAN WITH 16:42.747 --> 16:47.583 WHITE PRIVILEGE. AND I HAVE BECOME SO INVEST 16:47.585 --> 16:55.491 ED IN THE IMMIGRANT COMMUNITY SO WHEN I'M TREAT 16:55.493 --> 16:58.460 ED DIFFERENTLY AS A WHITE WOMAN, I FEEL SICK 16:58.462 --> 17:01.363 INSIDE. >> PEACE IS A STATE OF MIND. 17:01.365 --> 17:04.767 SOMETIMES WE JUST CANNOT CONTROL THE VIOLENCE AROUND 17:04.769 --> 17:08.971 US, THE ANGER, THE UN DESIRABLE THINGS. 17:08.973 --> 17:13.108 BUT THE WAY WE REACT TO THEM , THAT'S WHAT PEACE 17:13.110 --> 17:15.511 COMES. >> THREE WOMEN, THREE 17:15.513 --> 17:17.713 CULTURES. THREE VERY DIFFERENT LIFE 17:17.715 --> 17:21.717 EXPERIENCES. >> THERE IS BUT ONE GOAL. 17:21.719 --> 17:24.887 TO EXPLORE ISSUES OF PEACE THROUGH ART. 17:24.889 --> 17:27.623 >> ART ALLOWS YOU TO BE A CHANGE AGENT BECAUSE YOU'RE 17:27.625 --> 17:30.893 PUTTING YOUR EMOTIONS INTO TANGIBLE THINGS. 17:30.895 --> 17:32.895 AND PUTTING IT INTO THE WORLD. 17:32.897 --> 17:35.230 I HAVE STARTED AN ORGANIZATION CALLED THE 17:35.232 --> 17:38.801 COMPASSION AREA, AND WE'RE FOCUSED ON PROJECTS THAT 17:38.803 --> 17:42.337 WILL BRING PEOPLE TOGETHER. THE DIVERSITY OF OUR 17:42.339 --> 17:47.309 COMMUNITY, AND THE NEEDS OF OUR COMMUNITY COME TOGETHER. 17:47.311 --> 17:51.547 >> ONE OF THE THINGS THAT I'M ADAMANT ABOUT IS ART 17:51.549 --> 17:55.684 SHOULD BE ABLE TO HELP BREAK THE PARTITIONS. 17:55.686 --> 17:58.821 ONCE YOU PUT A BARRIER BETWEEN TWO COUNTRIES, OR 17:58.823 --> 18:01.490 TWO CULTURES, WHETHER IT'S A REAL BARRIER OR INVISIBLE 18:01.492 --> 18:04.326 ONE, IT'S REALLY DIFFICULT TO BREAK IT. 18:04.328 --> 18:11.366 SO THAT'S WHERE ART COMES. IT REALLY HELPS IN WIFN 18:11.368 --> 18:13.068 PICTURE TO DEPICT THE OTHER SIDE. 18:13.070 --> 18:17.806 IT MAKES US SEE WHAT OTHER PEOPLE ARE SUFFERING. 18:17.808 --> 18:20.175 ONCE YOU SEE A PICTURE, THAT IMAGE IS WITH YOU. 18:20.177 --> 18:23.078 IT'S NOT GOING TO GO AWAY. WHAT IS PEACE, WHAT IS THAT 18:23.080 --> 18:25.347 SUPPOSED TO LOOK LIKE. AND IT DEPENDS UPON ITS 18:25.349 --> 18:29.585 ARTIST. AND I'M VERY AGAINST TELLING 18:29.587 --> 18:32.121 AN ARTIST, THIS IS A PEACE GALLERY AND THIS IS WHAT 18:32.123 --> 18:35.290 PEACE IS SUPPOSED TO LOOK LIKE. 18:35.292 --> 18:40.129 >> IN DAYTON, A LITTLE KNOWN ART GALLERY, THE MISSING 18:40.131 --> 18:44.333 PIECE ART SPACE. AN ARTIST DREAMED OF OWNING 18:44.335 --> 18:47.169 HER OWN GALLERY AND STUDIO. WHILE WORKING WITH 18:47.171 --> 18:48.737 INTERNATIONAL RED CROSS IN EUROPE, SHE WAS ASKED TO 18:48.739 --> 18:52.774 ORGANIZE AN EXHIBITION TO BENEFIT CHILDREN IN ESTONIA. 18:52.776 --> 18:55.911 WITH ELBOW GREASE AND VISION CREATED A SPACE FOR THE 18:55.913 --> 18:59.214 EXHIBITION WHICH WENT ON TO BECOME THE MISSING PIECE ART 18:59.216 --> 19:04.019 SPACE. >> ART IS A UNIVERSAL 19:04.021 --> 19:05.921 LANGUAGE. WE DON'T HAVE TO KNOW 19:05.923 --> 19:08.824 EVERYBODY ELSE, WE JUST AS LONG AS WE CAN DEPICT 19:08.826 --> 19:13.028 EMOTIONS, IN A CANVAS. BECAUSE IT CAN CREATE 19:13.030 --> 19:16.131 EMPATHY. AND TO ME THAT'S THE TRIGGER 19:16.133 --> 19:18.500 THAT'S THE WAY THAT WE CAN COMMUNICATE. 19:18.502 --> 19:22.738 NOT TO MENTION THAT IT'S A WAY TO EXPLORE OUR OWN 19:22.740 --> 19:25.807 FEELINGS AND ISSUES THAT ARE BOTHERING US SO THAT OTHER 19:25.809 --> 19:29.611 PEOPLE CAN LEARN AND SEE WHERE WE COME FROM. 19:29.613 --> 19:35.317 >> GABRIELLA AND JEAN ARE FOSTERING EMPATHY IN DAYTON 19:35.319 --> 19:38.287 'S COMMUNITY, WHICH INCLUDES A PARADE AND DIS 19:38.289 --> 19:40.889 PLAY OF ALTARS AT MISSING PIECE ART SPACE. 19:40.891 --> 19:45.961 >> IT'S WHIMSICAL, JOYFUL, IT ACTUALLY TAKES THE MOTHER 19:45.963 --> 19:50.933 ED BY OUT OF DEATH. AND MAKES IT STRANGELY 19:50.935 --> 19:53.902 PALATABLE. NOT EVERYBODY CAN EMBRACE 19:53.904 --> 19:57.940 MEXICAN ART AND THE NOTION OF THE DAY OF THE DEAD. 19:57.942 --> 20:06.181 BECAUSE WE SEE DEATH AS A CELL BRAIFTION LIFE. 20:06.183 --> 20:09.851 >> WE ALL HAVE LOVED ONES, WE'VE ALL HAD LOVED ONES 20:09.853 --> 20:12.221 PASS. AND WE ALL HAVE THAT MEMORY, 20:12.223 --> 20:14.256 AND TO BE ABLE TO COME TOGETHER AND CELEBRATE 20:14.258 --> 20:19.094 THROUGH THIS TRADITION IS MAGNIFICENT. 20:19.096 --> 20:23.498 SO I CREATED A ALTAR FOR MY DAD THIS LAST YEAR, AND IT 20:23.500 --> 20:26.468 WAS ABOUT ART CREATING AND IT WAS ABOUT FINDING WAYS 20:26.470 --> 20:31.607 THAT I COULD SPEAK TO MY MEMORY OF MY DAD, IN A 20:31.609 --> 20:35.711 LOVING, HONEST WAY. I RESOLVEED THINGS THROUGH 20:35.713 --> 20:39.147 THAT PROCESS THAT I DIDN'T KNOW I HAD UNRESOLVED. 20:39.149 --> 20:41.516 >> IN ADDITION TO CURE RATING THE MISSING PIECE ART 20:41.518 --> 20:44.386 SPACE, AND ORGANIZING DAYTON'S DAY OF THE DEAD 20:44.388 --> 20:47.990 EVENT, GABRIELLA HAS BECOME THE VOICE FOR IMMIGRANT 20:47.992 --> 20:51.026 REFORM IN DAYTON. IT BEGAN WITH A KNOCK ON THE 20:51.028 --> 20:55.897 DOOR. >> I STARTED WORKING WITH 20:55.899 --> 20:58.533 REFUGEES FROM CENTRAL AFRICA LITERALLY CAME TO THE 20:58.535 --> 21:02.537 GALLERY ASKING FOR SUMMER CAMPS FOR THE KIDS AND 21:02.539 --> 21:05.307 THAT'S HOW I STARTED WORKING WITH THEM. 21:05.309 --> 21:09.811 JUST AMAZING PERSON. INCIDENTALLY IN WHAT SHE'S 21:09.813 --> 21:16.685 DOING AND THAT'S WHY WE PARTNER WITH HER. 21:16.687 --> 21:31.300 >> WE HAVE MANY -- MANY KIDS WITHOUT PARENTS. 21:31.302 --> 21:36.171 THEY NEED FOOD, CLOAGING. SOME WE GIVE WE PAY FOR THE 21:36.173 --> 21:39.875 MATERIALS, AND OTHERS WE PAY FOR LIKE LUNCH FOR THE WHOLE 21:39.877 --> 21:42.611 YEAR. AND THEN THERE -- THEY WILL 21:42.613 --> 21:46.748 BE ABLE TO GO TO SCHOOL AND LEARN BECAUSE AS WE SAY, 21:46.750 --> 21:51.787 HUNGRY SO MUCH DOESN'T HELP. >> BECAUSE OF MISSING PIECE 21:51.789 --> 21:54.356 ARTIST SPACE, SHE HAS IMPROVED ART SKILLS AND 21:54.358 --> 21:56.091 HELPED MORE CHILDREN. IN ADDITION TO SELLING HER 21:56.093 --> 22:00.195 OWN JEWELRY, SHE BUYS ITEMS FROM ARTISANS AND ORPHANS 22:00.197 --> 22:03.498 BACK HOME, SELLS THEM HERE, AND SENDS THE MONEY BACK TO 22:03.500 --> 22:11.306 PAY FOR THEIR SCHOOL FEES. >> THAT LADY, THAT WOMAN, 22:11.308 --> 22:23.552 CHILD IS DOING THE ARTS LIKE MAYBE SOWING OR WEAVING. 22:23.554 --> 22:27.055 OTHER PEOPLE IN THE SAME CONDITIONS, THEY TALK, THEY 22:27.057 --> 22:32.527 LIVE, THEY HAVE THAT SMILE. SO ITS -- IT GETS THEM 22:32.529 --> 22:37.933 LEAVE, POSITIVELY. AS I SAID, PEACE, I 22:37.935 --> 22:39.868 UNDERSTAND THAT. THAT'S YOUR HEART, YOUR MIND. 22:39.870 --> 22:45.841 SO IT GIVES THEM PEACE BY SOWING, DOING THAT. 22:45.843 --> 22:47.876 >> YOU CAN SIT WITH A PILE OF MATERIALS AND BEGIN TO 22:47.878 --> 22:52.013 USE YOUR OWN MEMORIES TO CREATE SOMETHING FOR SOMEONE 22:52.015 --> 22:56.451 ELSE TO SEE. THERE'S A POWER IN THAT 22:56.453 --> 22:59.955 EXPRESSION THAT IS BEYOND WORDS. 22:59.957 --> 23:03.825 I THINK ALSO IN A COMMUNITY WHERE WE HAVE SO MANY 23:03.827 --> 23:07.429 LANGUAGES, WHATEVER YOU CHOOSE TO USE, TO CREATE 23:07.431 --> 23:09.898 SOMETHING THAT SOMEHOW IS GOING TO EXPRESS A DEEPER 23:09.900 --> 23:13.902 SET OF FEELINGS, AND BELIEFS AND EXPERIENCES, THEN WE CAN 23:13.904 --> 23:18.173 BUILD EMPATHY BETWEEN EACH OTHER BY SLAIRG THAT ART. 23:18.175 --> 23:21.977 >> WHEN I HELP SOMEBODY PUT A SMILE ON THEIR FACE, I'M 23:21.979 --> 23:24.413 SO HAPPY. THAT'S MY BIG JOY. 23:24.415 --> 23:29.651 >> I DON'T EXPECT PEOPLE TO COME IN HERE AND GO OUTSIDE 23:29.653 --> 23:31.853 THE DOOR, YOU KNOW, WITH A TOTALLY DIFFERENT 23:31.855 --> 23:34.790 PERSPECTIVE OF LIFE, BUT I WOULD LIKE TO JUST IN STILL 23:34.792 --> 23:42.998 A LITTLE SEED, FOR THEM TO QUESTION THEIR OWN PERSONAL 23:43.000 --> 23:44.433 BELIEF. WITH THE HOPE THAT MAYBE 23:44.435 --> 23:50.205 WEIGH KNOW AS A NORM NOT NECESSARILY TRUE. 23:50.207 --> 23:55.010 >> ARE MY -- MY ART SEGMENT, FOCUSES ON AN ARTIST WHOSE 23:55.012 --> 24:00.015 JOB TO INTRODUCE AUDIENCES TO TOP ARTISTS AND EMERGING 24:00.017 --> 24:02.651 TALENT. OFFERS STUDIO VISITS THAT 24:02.653 --> 24:07.155 ALLOW THE PUBLIC TO MEET WITH ARTISTS. 24:07.157 --> 24:09.558 DONNA IS AN ACCOMPLISHED ARTIST AND POSTED ON HER 24:09.560 --> 24:12.227 WEBSITE. PAINTINGS INCLUDE EARLY WORKS LIKE THIS ONE. 24:12.229 --> 24:14.296 CREATED IN MEMORY OF HER FATHER. 24:14.298 --> 24:18.633 >> A 9/11 SERIES SHE CREATED WHILE WATCHING THE EVENT 24:18.635 --> 24:22.604 THAT OCCURRED ON SEPTEMBER SEPTEMBER 11, 2001. 24:22.606 --> 24:25.273 AND ASPEN SERIES PRESENT VISION OF EVERYTHING FROM 24:25.275 --> 24:27.943 PALM TREES TO ASPEN TREE TRUNKS. 24:27.945 --> 24:30.345 WE THANK YOU, DONNA SIMON FOR SHARING YOUR WORK WITH 24:30.347 --> 24:32.414 US. YOU CAN SEE MORE BY GOING ON 24:32.416 --> 24:37.519 TO YOUR WEBSITE AT SEEING ARTISAN TONE.COM. 24:37.521 --> 24:40.121 WE'D LIKE TO FEATURE YOUR ART ON OUR SHOW OF THE JUST 24:40.123 --> 24:42.891 E-MAIL US A PICTURE, VIDEO, SOUND RECORDING, WHATEVER 24:42.893 --> 24:46.495 ART WORK YOU HAVE CREATED TO ARTS AT KLRN.ORG. 24:46.497 --> 24:49.297 AND PUT THE WORDS MY ART IN THE SUBJECT LINE. 24:49.299 --> 24:52.367 EACH WEEK WE'LL SELECT A PROJECT AND SHARE IT WITH 24:52.369 --> 24:56.104 OUR VIEWERS. >> AND THAT WRAPS IT UP FOR 24:56.106 --> 24:59.841 THIS EDITION OF ARTS. BE SURE TO CHECK OUT THIS 24:59.843 --> 25:02.811 EXHIBIT ONLY HERE AT THE MUSEUM OF ART UNTIL MARCH 8. 25:02.813 --> 25:05.180 UNTIL THEN I'M ASIA CIARAVINO, WE'LL SEE YOU 25:05.182 --> 25:07.816 NEXT WEEK. >>. 25:07.818 --> 25:10.919 >> ARTS IS MADE POSSIBLE BY THE KELSO FOUNDATION. 25:10.921 --> 25:13.889 THE ELIZABETH HUTH COATES CHARITABLE FOUNDATION. 25:13.891 --> 25:19.794 AND VIEWERS LIKE YOU. >> ARTS, IS PRESENTED BY THE 25:19.796 --> 25:22.831 TOBIN CENTER FOR THE PERFORM ING ARTS. 25:22.833 --> 25:25.600 PROVIDING THE BEST PLACE ANYWHERE TO SEE AND HEAR A 25:25.602 --> 25:28.503 LIVE PERFORMANCE. TRANSFORMING THE PERFORMING 25:28.505 --> 25:32.107 ARTS IN SAN ANTONIO'S DECADE OF DOWNTOWN. 25:32.109 --> 26:37.105 THE TOBIN CENTER.