1 00:00:09,387 --> 00:00:12,155 THE ELIZABETH HUTH COATES CHARITABLE FOUNDATION. 2 00:00:12,157 --> 00:00:17,827 AND VIEWERS LIKE YOU. >> ARTS IS PRESENTED BY THE 3 00:00:17,829 --> 00:00:20,830 TOBIN CENTER FOR THE PERFORM ING ARTS. 4 00:00:20,832 --> 00:00:23,466 PROVIDING THE BEST PLACE ANYWHERE TO SEE AND HEAR A 5 00:00:23,468 --> 00:00:26,202 LIVE PERFORMANCE. TRANSFORMING THE PERFORMING 6 00:00:26,204 --> 00:00:30,006 ARTS IN SAN ANTONIO'S DECADE OF DOWNTOWN. 7 00:00:30,008 --> 00:00:35,845 THE TOBIN CENTER. >> ON THIS EDITION OF ARTS, 8 00:00:35,847 --> 00:00:39,315 LARGE SCALE TAPESTRIES OF SOME OF PICASSO'S MOST 9 00:00:39,317 --> 00:00:42,852 ICONIC WORK CONTINUE TO CAPTIVATE AUDIENCES AT THE 10 00:00:42,854 --> 00:00:45,388 MUSEUM OF ART. JANUARY MAY BE WINDING DOWN 11 00:00:45,390 --> 00:00:49,392 BUT LOCAL ARTS WRITER TAMI KEGLEY STOPS BY LETTING US 12 00:00:49,394 --> 00:00:51,795 KNOW THERE'S PLENTY OF EVENTS HAPPENING AROUND TOWN 13 00:00:51,797 --> 00:00:55,231 DONNA SIMON HAS INTROWS INTRODUCED AUDIENCES TO TOP 14 00:00:55,233 --> 00:00:59,169 ARTISTS AND EMERGING ARTISTS THROUGHOUT SAN ANTONIO. 15 00:00:59,171 --> 00:01:01,738 WE'LL INTRODUCE TO YOU THE ACCOMPLISHED ARTISTS LATER 16 00:01:01,740 --> 00:01:03,339 IN THE SHOW. THIS AND MORE ON THIS 17 00:01:03,341 --> 00:01:14,584 EDITION OF ARTS. >>. 18 00:01:14,586 --> 00:01:19,823 >> HI, I'M ASIA CIARAVINO. TODAY WE'RE AT THE SAN 19 00:01:19,825 --> 00:01:23,927 ANTONIO MUSEUM OF ART, I'M SURROUNDED BY TAPESTRIES 20 00:01:23,929 --> 00:01:27,630 INSPIRED BY PICASSO'S ICONIC WORK. 21 00:01:27,632 --> 00:01:31,901 RUDOLPH INVITED US TO SEE THESE MASTERPIECES ON 22 00:01:31,903 --> 00:01:46,382 DISPLAY HERE IN SAN ANTONIO. >> THIS EXHIBITION IS REALLY 23 00:01:46,384 --> 00:01:49,319 THE FIRST TIME THAT A SUITE OF TAPESTRIES THAT WERE 24 00:01:49,321 --> 00:01:52,122 DESIGNED BY PABLO PICASSO AND CAN COMMISSIONED BY 25 00:01:52,124 --> 00:01:56,659 NELSON ROCKEFELLER HAVE BEEN SEEN BY A WIDE PUBLIC. 26 00:01:56,661 --> 00:01:58,895 OVER THE COURSE OF 20 YEARS, THE GOVERNOR OF NEW YORK WHO 27 00:01:58,897 --> 00:02:02,799 WAS A GREAT LOVER OF PICASSO AND GREAT ART PATRON 28 00:02:02,801 --> 00:02:06,302 COMMISSIONED INTERPRETATIONS OF SOME OF PICASSO'S MOST 29 00:02:06,304 --> 00:02:10,039 ICONIC WORKS, TO BE MADE, WOVEN BY A TEAM OF MASTER 30 00:02:10,041 --> 00:02:14,844 WEAVEERS IN FRANCE, WITH THE GOAL OF SHARING WITH THE 31 00:02:14,846 --> 00:02:16,579 PUBLIC. AND THIS EXHIBITION REALIZES 32 00:02:16,581 --> 00:02:21,684 THAT DREAM THAT GOVERNOR ROCKEFELLER HAD. 33 00:02:21,686 --> 00:02:24,821 ALL OF THE TAPESTRIES YOU'LL SEE HERE LIVE AT THE 34 00:02:24,823 --> 00:02:28,424 ROCKEFELLER FAMILY HOME THAT IS NOW A NATIONAL TRUST 35 00:02:28,426 --> 00:02:30,193 PROPERTY IN NEW YORK ABOUT AN HOUR NORTH OF NEW YORK 36 00:02:30,195 --> 00:02:32,428 CITY. AND THEY CAN BE SEEN THERE 37 00:02:32,430 --> 00:02:34,631 ALONG WITH MANY OF THE REST OF THE ROCKEFELLER FAMILY 38 00:02:34,633 --> 00:02:37,467 COLLECTIONS, BUT THEY'VE NEVER BEEN SEEN ON THIS SORT 39 00:02:37,469 --> 00:02:40,637 OF SCALE IN A GRAND MUSEUM SETTING LIKE SAN ANTONIO 40 00:02:40,639 --> 00:02:45,308 MUSEUM OF ART WHERE YOU REALLY GET THE CHANCE TO 41 00:02:45,310 --> 00:02:47,977 APPRECIATE THEIR MON MENTALITY AND VITALITY AND 42 00:02:47,979 --> 00:02:52,382 IT'S BEEN QUITE EXCITING FOR US AND FOR THE STAFF TO SEE 43 00:02:52,384 --> 00:02:57,153 THESE TAPESTRIES IN NEW WAYS . 44 00:02:57,155 --> 00:03:01,090 THE EGGS BIGS IS ON VIEW UNTIL MARCH 8, 2015. 45 00:03:01,092 --> 00:03:04,260 WE HAVE A VARIETY OF GREAT PROGRAMS FROM LECTURES, 46 00:03:04,262 --> 00:03:07,030 FAMILY DAYS, ART MAKING ACTIVITIES, WEAVING 47 00:03:07,032 --> 00:03:12,268 DEMONSTRATIONS, ALL OF THIS IS AVAILABLE ON OUR WEBSITE, 48 00:03:12,270 --> 00:03:16,472 AND WE OPEN YOU'LL COME IN TO -- WE HOPE YOU'LL COME IN 49 00:03:16,474 --> 00:03:19,542 TO LEARN ABOUT TAPESTRY AND PICASSO AND GOVERNOR ROCK 50 00:03:19,544 --> 00:03:21,744 FELLER AND PICASSO ON VIEW HERE. 51 00:03:21,746 --> 00:03:24,047 >> WE WANT TO HEAR FROM YOU. DO YOU KNOW OF A GOOD STORY 52 00:03:24,049 --> 00:03:25,815 YOU'D LIKE TO SEE AIRED ON ARTS? 53 00:03:25,817 --> 00:03:29,118 LET US KNOW BY E-MAILING US AT ARTS AT KLRN.ORG. 54 00:03:29,120 --> 00:03:32,388 IF WE USE YOUR IDEA, YOU'LL GET A SCREEN CREDIT ON OUR 55 00:03:32,390 --> 00:03:38,061 PROGRAM. NEXT A LITTLE ITALIAN 56 00:03:38,063 --> 00:03:40,230 GLAMOUR. MUSEUM OF NATURAL SCIENCE. 57 00:03:40,232 --> 00:03:45,468 THEY CELEBRATED 130 YEARS OF BOLD DESIGN BY FAMED JEWELRY 58 00:03:45,470 --> 00:04:06,556 HOUSE BVLGARI. >>. 59 00:04:06,558 --> 00:04:13,096 >> I THINK THE STYLE OF BVLGARI IS UNIQUE. 60 00:04:13,098 --> 00:04:24,474 IT'S BOLD, IT'S POWERFUL, IT HAS STYLE, AND YET IT'S VERY 61 00:04:24,476 --> 00:04:35,218 WEARABLE. >> THE EXHIBITION IS CALLED 62 00:04:35,220 --> 00:04:38,154 BVLGARI, 130 YEARS OF MASTERPIECES, BECAUSE IT'S 63 00:04:38,156 --> 00:04:41,224 KIND OF A RETROSPECTIVE OF THE HOUSE AND ALL THE 64 00:04:41,226 --> 00:04:42,925 MAGNIFICENT PIECES THEY'VE CREATED. 65 00:04:42,927 --> 00:04:52,402 REALLY OVER THE COURSE OF THE LAST 3 CENTURIES. 66 00:04:52,404 --> 00:05:02,578 >> MAGAZINE ANY EXPENT ITALIAN JEWELRY,. 67 00:05:02,580 --> 00:05:18,695 >> REALLY BULL GAIR, IT WAS FOUNDED IN 1884, BY BVLGARI, 68 00:05:18,697 --> 00:05:23,399 A GREEK ESTABLISHED IN ROAMA , FEELING IT WOULD BACK 69 00:05:23,401 --> 00:05:30,506 MAJOR CITY AND IMMEDIATELY SET UP HIS STORE. 70 00:05:30,508 --> 00:05:35,111 HE FOUNDED THE FIRST STORE AND STARTED TO SELL HIS OWN 71 00:05:35,113 --> 00:05:37,980 CRAFTS. AND THEN THE SECOND GEP 72 00:05:37,982 --> 00:05:41,951 RATION, REAL JEWELRY PRECIOUS MATERIALS, GOLD, 73 00:05:41,953 --> 00:05:45,688 PLATINUM. MIXING THEM WITH PRECIOUS 74 00:05:45,690 --> 00:05:52,061 STONES, A LOT OF DIAMONDS, RUBY AND SAPPHIRES. 75 00:05:52,063 --> 00:05:59,135 EVENTUALLY, 16 70S WITH STONES WITH YELLOW GOLD, 76 00:05:59,137 --> 00:06:04,374 COMBINATION OF SEMI PRECIOUS STONES, ALL THE THINGS THAT 77 00:06:04,376 --> 00:06:09,912 IS BVLGARI. >> THERE'S A LOT OF CRAFORTS 78 00:06:09,914 --> 00:06:12,148 MANSHIP. MANUAL TALENT. 79 00:06:12,150 --> 00:06:14,884 START OBVIOUSLY WITH PUTTING STONES TOGETHER AND TRYING 80 00:06:14,886 --> 00:06:19,288 TO FIND A BEAUTIFUL UNIQUE COMBINATION, AND THEN WHEN 81 00:06:19,290 --> 00:06:22,225 YOU ARE CLEAR ON THE STONES YOU WANT TO PUT TOGETHER, 82 00:06:22,227 --> 00:06:27,130 YOU HAVE TO DESIGN A SETTING AND THEN THE DESIGN IS 83 00:06:27,132 --> 00:06:31,968 COMING TO THE PLACE AND THEN AFTER YOU HAVE TO PRODUCE IT 84 00:06:31,970 --> 00:06:34,103 . FUSE GOLD, PLATINUM WHICH IS 85 00:06:34,105 --> 00:06:37,507 VERY DIFFICULT BECAUSE YOU HAVE TO GO -- AND THEN 86 00:06:37,509 --> 00:06:40,810 SETTING WHICH IS ONE OF THE MOST -- BECAUSE ACCORDING 87 00:06:40,812 --> 00:06:46,182 THE SETTING ABILITIES, THE STONE WILL BE MORE GLORIFIED 88 00:06:46,184 --> 00:07:00,029 . JEWELRY OF THE STARS. 89 00:07:00,031 --> 00:07:05,701 AND THE FACT IS THAT NO OTHERS -- THE BVLGARI, WORN 90 00:07:05,703 --> 00:07:13,376 BY STARS, THE VERY BEGINNING , OFF MOVIES. 91 00:07:13,378 --> 00:07:19,615 A LOT OF THE -- WITH MOVIES OF THE 50S AND 60S. 92 00:07:19,617 --> 00:07:28,024 MOST OF THEM, HOLLYWOOD COME TO ROAMA, IN BETWEEN TWO 93 00:07:28,026 --> 00:07:30,259 SHOOTINGS, WALKING THE STREETS. 94 00:07:30,261 --> 00:07:32,462 AND THEY'RE DISCOVERING A BRAND WHICH AT THIS TIME WAS 95 00:07:32,464 --> 00:07:36,399 NOT AS GLOBAL AND FAMOUS AS NOWADAYS, FELL IN LOVE AND 96 00:07:36,401 --> 00:07:50,112 WORD OF MOUTH SOON BECAME --. >> OUR STYLE, I MEAN, FRENCH 97 00:07:50,114 --> 00:07:53,115 SCHOOL OF JEWELRY, IS MUCH BOLDER, MUCH STRONGER 98 00:07:53,117 --> 00:07:59,355 BECAUSE ROAMA BIGGER. WASN'T FULLY ROAMA LIKE I 99 00:07:59,357 --> 00:08:04,660 THINK THERE'S A GREAT SYNERGY BETWEEN THE TWO. 100 00:08:04,662 --> 00:08:09,532 AND SCIENCES, DOWNSTAIRS, THE ROAMA COLLECTION OF 101 00:08:09,534 --> 00:08:14,470 MANUAL CRYSTALS, PUT TOGETHER OVER THE YEARS, AND 102 00:08:14,472 --> 00:08:19,942 IT'S A WAY FOR US ALSO TO PAY TRIBUTE TO WHAT IS 103 00:08:19,944 --> 00:08:29,185 PROVIDING US, WE TRY TO GLORIFY AND GLORIFYING THEM 104 00:08:29,187 --> 00:08:34,023 IN A WAY THAT THEY ARE NOT SOLELY BUT AS WE CAN SEE ALL 105 00:08:34,025 --> 00:08:39,829 AROUND. >> WHAT I LOVE, A LOT OF 106 00:08:39,831 --> 00:08:42,698 THEIR ICONIC DESIGNS START WITH THE STONES FIRST. 107 00:08:42,700 --> 00:08:45,535 SO THEIR COMMITMENT IS TO THE QUALITY ANDRATOR OF THE 108 00:08:45,537 --> 00:08:47,069 STONES. >> I THINK PEOPLE ARE GOING 109 00:08:47,071 --> 00:08:49,472 TO COME IN HERE AND NOT GOING TO LEAVE. 110 00:08:49,474 --> 00:08:54,210 IT'S JUST MIND BOGGLING THE WAY IT'S DISPLAYED AND THE 111 00:08:54,212 --> 00:09:00,683 AMOUNT OF JEWELS AND EARRINGS AND BRACELETS. 112 00:09:00,685 --> 00:09:13,996 I MEAN, I DON'T WANT TO LEAVE. 113 00:09:13,998 --> 00:09:16,098 >> WE ARE BACK WITH TAMI KEGLEY. 114 00:09:16,100 --> 00:09:17,767 I'VE MISSED YOU. >> I'VE MISSED YOU. 115 00:09:17,769 --> 00:09:20,102 >> HAPPY NEW YEAR. TELL ME ABOUT ALL THINGS ART 116 00:09:20,104 --> 00:09:22,071 IN JANUARY. >> 2015. 117 00:09:22,073 --> 00:09:25,942 WELL, ONE EXCITING THING THAT'S GOING ON TONIGHT, 118 00:09:25,944 --> 00:09:29,312 RIGHT NOW AT THE McNAY, 60TH ANNIVERSARY PARTY AFTER 119 00:09:29,314 --> 00:09:33,282 DARK, 9:30 TO 1:00. THEY ARE CELEBRATING WITH 120 00:09:33,284 --> 00:09:36,385 THE WORK OF 6 SAN ANTONIO ARTISTS. 121 00:09:36,387 --> 00:09:40,823 SYLVIA B, DAVID ANTHONY GARCIA, REX HOUSEMAN, 122 00:09:40,825 --> 00:09:45,394 ELIZABETH CARRINGTON, ALISON GREGORY, LEANN, YOU NAME IT, 123 00:09:45,396 --> 00:09:47,597 THEY'VE GOT IT. THEY'VE INVITED THESE, AND I LOVE IT 124 00:09:47,599 --> 00:09:53,002 WHEN THE BIG GUYS INVITE LOCAL ARTISTS AND SHINE THE 125 00:09:53,004 --> 00:09:58,040 LIGHT ON OUR TALENTED LOCALS BECAUSE IT'S WONDERFUL TO 126 00:09:58,042 --> 00:10:01,010 CELEBRATE THE IMPRESSIONISTS AND IT'S WONDERFUL TO HAVE 127 00:10:01,012 --> 00:10:04,313 THOSE THINGS THAT OUR LOCAL GUYS ARE GOLD. 128 00:10:04,315 --> 00:10:07,016 THAT'S OUR PRESENT, OUR FUTURE. 129 00:10:07,018 --> 00:10:09,785 LONGER TERM, THERE'S GOING TO BE SOME WORKS ON PAPER, 130 00:10:09,787 --> 00:10:16,025 BY A DOZEN SAN ANTONIO ARTISTS AND CALLED REGARD 131 00:10:16,027 --> 00:10:18,094 REGARDING -- AND THESE ARE TWHOORKS THEY'VE IN VIETD 132 00:10:18,096 --> 00:10:21,297 THESE CONTEMPORARY ARTISTS IN SAN ANTONIO TO DO. 133 00:10:21,299 --> 00:10:23,966 THAT REFLECT ON THE WORK OF ED. 134 00:10:23,968 --> 00:10:26,502 THERE'S MAJOR PIECES IN THE McNAY COLLECTION. 135 00:10:26,504 --> 00:10:29,772 THE STANDARD STATION AND THEN THE RECENTLY ACQUIRED 136 00:10:29,774 --> 00:10:31,607 GO STATION. THESE ARTISTS ARE DOING THAT 137 00:10:31,609 --> 00:10:32,975 WORK. IT'S REALLY EXCITING. 138 00:10:32,977 --> 00:10:38,614 >> WHAT ELSE? >> BEFORE THE END OF THE 139 00:10:38,616 --> 00:10:41,250 MORKS GUADALUPE. THE FIRST STAGE OF ARTIST 140 00:10:41,252 --> 00:10:42,685 LAB. THIS IS A TWO-YEAR PROJECT 141 00:10:42,687 --> 00:10:48,424 THAT THEY'RE DOING WITH THE FOUNDATION, THEY BROUGHT 6 142 00:10:48,426 --> 00:10:54,196 ARTISTS. AND THEY ARE COUNSELING THEM 143 00:10:54,198 --> 00:10:59,802 ON WORKING WITH THEM TO STRETCH THEIR HORIZONS AS 144 00:10:59,804 --> 00:11:01,837 ARTISTS AND AS WELL AS THEIR BUSINESS. 145 00:11:01,839 --> 00:11:09,512 DIFFERENT MEDIUM, IT'S A TWO -YEAR PROGRAM. 146 00:11:09,514 --> 00:11:12,848 THE FIRST STAGE THROUGH THE END OF THE MONTH, GO SEE IT, 147 00:11:12,850 --> 00:11:13,949 GUADALUPE. AWESOME. 148 00:11:13,951 --> 00:11:14,950 >> THANK YOU. >> INCREDIBLE. 149 00:11:14,952 --> 00:11:16,886 >> THANKS FOR HAVING ME AGAIN. 150 00:11:16,888 --> 00:11:18,454 >> FOR FEBRUARY AND ALL THINGS ART. 151 00:11:18,456 --> 00:11:20,823 THANK YOU, TAMLY KEGLEY. >> THANK YOU, ASIA. 152 00:11:20,825 --> 00:11:25,728 >> YOU CAN READ MORE FROM TAM -- TAMI KEGLEY OR IN THE 153 00:11:25,730 --> 00:11:54,857 ARTS AND CULTURE SECTION. >> . 154 00:11:54,859 --> 00:12:00,396 >> TO ADD YOUR EVENT, VISIT KLRN.ORG/ARTS. 155 00:12:00,398 --> 00:12:03,599 NEXT WE VISIT JARED BOW EN IN BOSTON WHERE HE SPOKE 156 00:12:03,601 --> 00:12:07,236 WITH FORMER U.S. SECRETARY OF STATE ABOUT THE ART OF 157 00:12:07,238 --> 00:12:09,872 DIPLOMACY AND HER UNIQUE COLLECTION OF PINS. 158 00:12:09,874 --> 00:12:13,909 >> AS UN AMBASSADOR, SHE WASN'T ABOUT TO LET THE 159 00:12:13,911 --> 00:12:16,112 IRAQIS CALLING HER A SERPENT SLIDE. 160 00:12:16,114 --> 00:12:18,814 >> MY INSTRUCTIONS WERE TO MAKE SURE THE SANCTIONS 161 00:12:18,816 --> 00:12:20,850 STAYED ON. WHICH 'MEANT THAT I HAD TO 162 00:12:20,852 --> 00:12:25,054 KEEP REPEATING ALL THE TERRIBLE THINGS SADDAM HUGH 163 00:12:25,056 --> 00:12:28,257 HAD DONE AND I SAID TERRIBLE THINGS ABOUT HIM WHICH HE 164 00:12:28,259 --> 00:12:30,726 DESERVES. HE INVADED ANOTHER COUNTRY. 165 00:12:30,728 --> 00:12:33,763 ULTIMATELY THERE WAS A POEM THAT APPEARED IN THE PAPERS 166 00:12:33,765 --> 00:12:37,032 IN BAGHDAD, COMPARING ME TO MANY THINGS BUT AN UN 167 00:12:37,034 --> 00:12:40,302 PARALLELED SERPENT. AND I HAPPEN TO HAVE A SNAKE 168 00:12:40,304 --> 00:12:41,804 PIN. SO I WORE IT WHENEVER WE 169 00:12:41,806 --> 00:12:46,542 WERE TALKING ABOUT IRAQ. >> WITH ONE PIN, SHE BECAME 170 00:12:46,544 --> 00:12:48,677 SECRETARY OF STATE, DISCOVERED THE ACCESSORY 171 00:12:48,679 --> 00:12:52,381 THAT WOULD HELP HER FASHION A NEW ART OF DIPLOMACY. 172 00:12:52,383 --> 00:12:54,984 SHE WORE FLOWERS, BUTTERFLIES AND BALLOONS ON 173 00:12:54,986 --> 00:12:58,587 THE GOOD DAYS SHE SAYS, AND BUGS FOR THE BAD DAYS. 174 00:12:58,589 --> 00:13:02,224 >> DID YOU FIND THAT IT WAS CHANGING DYNAMICS AT ALL? 175 00:13:02,226 --> 00:13:05,461 >> I THINK PART OF IT, AND I THINK PEOPLE DON'T 176 00:13:05,463 --> 00:13:07,596 UNDERSTAND HOW MUCH OF DIPLOMACY IS REALLY PERSONAL 177 00:13:07,598 --> 00:13:12,301 . AND IT'S KIND OF AN OPENING 178 00:13:12,303 --> 00:13:16,572 IN SOME WAYS, AND SOME WAYS A CLOSING. IF YOU HAVE SOME 179 00:13:16,574 --> 00:13:18,140 MESSAGE THAT YOU'RE DELIVERING. 180 00:13:18,142 --> 00:13:21,510 >> MORE THAN 200 OF HER NOW HISTORIC PINS ARE ON VIEW OF 181 00:13:21,512 --> 00:13:24,980 THE DAVIS MUSEUM AT HER ALMA MATTER. 182 00:13:24,982 --> 00:13:27,716 THE SHOW IS TITLED READ MY PINS. 183 00:13:27,718 --> 00:13:31,187 THE SAME COUNSEL SHE OFFERED PRESS AND COLLEAGUES TRYING 184 00:13:31,189 --> 00:13:34,156 TO INTERPRET HER DIPLOMATIC STANCES. 185 00:13:34,158 --> 00:13:37,726 WHEN CUBAN FIGHTER PILOT SHOT DOWN TWO UNARMED 186 00:13:37,728 --> 00:13:41,463 CIVILIAN AIRCRAFT, SHE WORE A BLUE BIRD SADLY SAILING 187 00:13:41,465 --> 00:13:45,201 DOWNWARD ASTINGING BEE WHEN MEETING YASSER ARAFAT AND 188 00:13:45,203 --> 00:13:50,039 HEAR NO EVIL, SPEAK NO EVIL, SEE NO EVIL MONKEYS WITH 189 00:13:50,041 --> 00:13:52,107 VLADIMIR PUTIN. >> ONE OF THE TIMES IT 190 00:13:52,109 --> 00:13:59,815 REALLY DID WORK WHEN I WORE IT IN NORTH KOREA AND HAD MY 191 00:13:59,817 --> 00:14:01,784 PICTURE TAKEN WITH THE LEADER. AND STANDING NEXT 192 00:14:01,786 --> 00:14:05,154 TO I'M WITH A HUGE AMERICAN FLAG, I THINK IT WAS ITS OWN 193 00:14:05,156 --> 00:14:06,789 MESSAGE. >> AMONG HER MOST PRIZED 194 00:14:06,791 --> 00:14:09,758 PINS, A SHATTERED GLASS CEILING AND THIS FLOUR, 195 00:14:09,760 --> 00:14:12,761 BELONGING TO A WOMAN WHO PERISHED DURING HURRICANE 196 00:14:12,763 --> 00:14:14,597 KATRINA. IT WAS GIVEN TO HER BY THE 197 00:14:14,599 --> 00:14:17,900 WOMAN'S SON. HER FAVORITE IS THE CERAMIC 198 00:14:17,902 --> 00:14:21,704 HEART, HER DAUGHTER MADE FOR HER WHEN SHE WAS 5. 199 00:14:21,706 --> 00:14:24,607 AND SHE'S ESPECIALLY FOND OF THE EAGLE SHE PURCHASED AS 200 00:14:24,609 --> 00:14:26,942 AN INDULGENCE FOR HER SWEAR ING IN AS SECRETARY OF 201 00:14:26,944 --> 00:14:29,245 STATE. IT'S ONE OF FEW PIECES THAT 202 00:14:29,247 --> 00:14:33,515 IS NOT COSTUME JEWELRY. >> IT'S AN ANTIQUE PIN AND I 203 00:14:33,517 --> 00:14:37,820 HADN'T NOTICED ABOUT HOW DIFFICULT THE CLASP ON IT. 204 00:14:37,822 --> 00:14:41,056 SO I'M THERE WITH ONE HAND ON THE BIBLE AND ONE HAND 205 00:14:41,058 --> 00:14:44,093 SWEARING ALLEGIANCE TO THE CONSTITUTION OF THE UNITED 206 00:14:44,095 --> 00:14:47,196 STATES AND I SEE THIS PIN KIND OF FLAPPING AROUND. 207 00:14:47,198 --> 00:14:49,732 AND I KNOW I SWORE ALLEGIANCE BUT I WAS ALSO 208 00:14:49,734 --> 00:14:52,501 WORRIED THAT IT WOULD FALL ON THE BIBLE AND SCREW UP 209 00:14:52,503 --> 00:14:55,371 THE WHOLE CEREMONY. >> SHE SAYS SHE STRUGGLED 210 00:14:55,373 --> 00:14:57,740 WITH THE ATTENTION HER PINS ATTRACTED AND EVEN IN 211 00:14:57,742 --> 00:15:00,709 ASSEMBLING THE EXHIBITION AND ITS ACCOMPANYING BOOK. 212 00:15:00,711 --> 00:15:03,879 AS THE FIRST FEMALE SECRETARY OF STATE, SHE SAYS 213 00:15:03,881 --> 00:15:07,516 , SHE WAS SELF-CONSCIOUS ABOUT DISCUSSING HER JEWELRY 214 00:15:07,518 --> 00:15:10,252 >> I DO THINK THERE ALWAYS ARE QUESTIONS. 215 00:15:10,254 --> 00:15:12,855 PEOPLE DON'T ASK BHEAN THEY'RE WEARING. 216 00:15:12,857 --> 00:15:15,691 BUT THERE REALLY WAS THIS ISSUE ABOUT, YOU KNOW, HOW 217 00:15:15,693 --> 00:15:23,899 LONG THE SKIRT, AND RICE HAD BOOTS ON AND PEOPLE WONDER 218 00:15:23,901 --> 00:15:25,768 WHAT HAD THAT MEANT. THERE ALWAYS ARE QUESTIONS. 219 00:15:25,770 --> 00:15:28,203 >> BUT IN THE YEARS HER PINS HAVE THOUSAND BEEN TRAVELING 220 00:15:28,205 --> 00:15:31,373 THE COUNTRY, SHE HAS BEEN STRUCK BY HOW THEY'VE BECOME 221 00:15:31,375 --> 00:15:35,477 GEMS FOR TEACHING DIPLOMACY. SHE CONTINUES TO COLLECT. 222 00:15:35,479 --> 00:15:39,748 THE ONES SHE WORE FOR OUR INTERVIEW WERE FOR THE 223 00:15:39,750 --> 00:15:42,151 COLLEGE AND GLOBAL AFFAIRS INSTITUTE FOUNDED IN HER 224 00:15:42,153 --> 00:15:45,087 NAME AND YES, SHE DOES MISS THEM. 225 00:15:45,089 --> 00:15:47,990 >> THEY'RE SPECIAL AND HAVE GREAT FOREIGN POLICY STORIES 226 00:15:47,992 --> 00:15:50,793 AND VERY GREAT MEMORIES WITH THEM BUT I'M GLAD TO SHARE 227 00:15:50,795 --> 00:15:55,030 THEM AND I OF COURSE HAVE STARTED A NEW COLLECTION AND 228 00:15:55,032 --> 00:15:58,334 PEOPLE HAVE GIVEN ME PINS AND I CALL THEM MY PITY PINS 229 00:15:58,336 --> 00:16:00,936 BECAUSE PEOPLE FEEL SORRY. >> THEY SHOULDN'T. 230 00:16:00,938 --> 00:16:04,673 BECAUSE SHE LEAVES US WITH A MOST DECORATED HISTORY. 231 00:16:04,675 --> 00:16:09,211 >> NEXT UP, WE VISIT A UNIQUE GALLERY IN DAYTON, 232 00:16:09,213 --> 00:16:12,147 OHIO USING UNIVERSAL LANGUAGE OF ART TO PROMOTE 233 00:16:12,149 --> 00:16:16,585 WORLD PEACE. >> SHOAM WHERE YOU ARE. 234 00:16:16,587 --> 00:16:23,258 SO MY HOME NOW IS HERE. BUT I COME FROM RWANDA. 235 00:16:23,260 --> 00:16:29,698 I CAME HERE BECAUSE OF THE GENOCIDE AND MASSACRE. 236 00:16:29,700 --> 00:16:34,536 SO I WAS LOOKING FOR A PEACEFUL PLACE TO BE AND I 237 00:16:34,538 --> 00:16:38,207 FOUND MY PEACE. SO THIS IS MY HOME. 238 00:16:38,209 --> 00:16:42,745 >> I AM STRUGGLING RIGHT NOW AS A CAUCASIAN WOMAN WITH 239 00:16:42,747 --> 00:16:47,583 WHITE PRIVILEGE. AND I HAVE BECOME SO INVEST 240 00:16:47,585 --> 00:16:55,491 ED IN THE IMMIGRANT COMMUNITY SO WHEN I'M TREAT 241 00:16:55,493 --> 00:16:58,460 ED DIFFERENTLY AS A WHITE WOMAN, I FEEL SICK 242 00:16:58,462 --> 00:17:01,363 INSIDE. >> PEACE IS A STATE OF MIND. 243 00:17:01,365 --> 00:17:04,767 SOMETIMES WE JUST CANNOT CONTROL THE VIOLENCE AROUND 244 00:17:04,769 --> 00:17:08,971 US, THE ANGER, THE UN DESIRABLE THINGS. 245 00:17:08,973 --> 00:17:13,108 BUT THE WAY WE REACT TO THEM , THAT'S WHAT PEACE 246 00:17:13,110 --> 00:17:15,511 COMES. >> THREE WOMEN, THREE 247 00:17:15,513 --> 00:17:17,713 CULTURES. THREE VERY DIFFERENT LIFE 248 00:17:17,715 --> 00:17:21,717 EXPERIENCES. >> THERE IS BUT ONE GOAL. 249 00:17:21,719 --> 00:17:24,887 TO EXPLORE ISSUES OF PEACE THROUGH ART. 250 00:17:24,889 --> 00:17:27,623 >> ART ALLOWS YOU TO BE A CHANGE AGENT BECAUSE YOU'RE 251 00:17:27,625 --> 00:17:30,893 PUTTING YOUR EMOTIONS INTO TANGIBLE THINGS. 252 00:17:30,895 --> 00:17:32,895 AND PUTTING IT INTO THE WORLD. 253 00:17:32,897 --> 00:17:35,230 I HAVE STARTED AN ORGANIZATION CALLED THE 254 00:17:35,232 --> 00:17:38,801 COMPASSION AREA, AND WE'RE FOCUSED ON PROJECTS THAT 255 00:17:38,803 --> 00:17:42,337 WILL BRING PEOPLE TOGETHER. THE DIVERSITY OF OUR 256 00:17:42,339 --> 00:17:47,309 COMMUNITY, AND THE NEEDS OF OUR COMMUNITY COME TOGETHER. 257 00:17:47,311 --> 00:17:51,547 >> ONE OF THE THINGS THAT I'M ADAMANT ABOUT IS ART 258 00:17:51,549 --> 00:17:55,684 SHOULD BE ABLE TO HELP BREAK THE PARTITIONS. 259 00:17:55,686 --> 00:17:58,821 ONCE YOU PUT A BARRIER BETWEEN TWO COUNTRIES, OR 260 00:17:58,823 --> 00:18:01,490 TWO CULTURES, WHETHER IT'S A REAL BARRIER OR INVISIBLE 261 00:18:01,492 --> 00:18:04,326 ONE, IT'S REALLY DIFFICULT TO BREAK IT. 262 00:18:04,328 --> 00:18:11,366 SO THAT'S WHERE ART COMES. IT REALLY HELPS IN WIFN 263 00:18:11,368 --> 00:18:13,068 PICTURE TO DEPICT THE OTHER SIDE. 264 00:18:13,070 --> 00:18:17,806 IT MAKES US SEE WHAT OTHER PEOPLE ARE SUFFERING. 265 00:18:17,808 --> 00:18:20,175 ONCE YOU SEE A PICTURE, THAT IMAGE IS WITH YOU. 266 00:18:20,177 --> 00:18:23,078 IT'S NOT GOING TO GO AWAY. WHAT IS PEACE, WHAT IS THAT 267 00:18:23,080 --> 00:18:25,347 SUPPOSED TO LOOK LIKE. AND IT DEPENDS UPON ITS 268 00:18:25,349 --> 00:18:29,585 ARTIST. AND I'M VERY AGAINST TELLING 269 00:18:29,587 --> 00:18:32,121 AN ARTIST, THIS IS A PEACE GALLERY AND THIS IS WHAT 270 00:18:32,123 --> 00:18:35,290 PEACE IS SUPPOSED TO LOOK LIKE. 271 00:18:35,292 --> 00:18:40,129 >> IN DAYTON, A LITTLE KNOWN ART GALLERY, THE MISSING 272 00:18:40,131 --> 00:18:44,333 PIECE ART SPACE. AN ARTIST DREAMED OF OWNING 273 00:18:44,335 --> 00:18:47,169 HER OWN GALLERY AND STUDIO. WHILE WORKING WITH 274 00:18:47,171 --> 00:18:48,737 INTERNATIONAL RED CROSS IN EUROPE, SHE WAS ASKED TO 275 00:18:48,739 --> 00:18:52,774 ORGANIZE AN EXHIBITION TO BENEFIT CHILDREN IN ESTONIA. 276 00:18:52,776 --> 00:18:55,911 WITH ELBOW GREASE AND VISION CREATED A SPACE FOR THE 277 00:18:55,913 --> 00:18:59,214 EXHIBITION WHICH WENT ON TO BECOME THE MISSING PIECE ART 278 00:18:59,216 --> 00:19:04,019 SPACE. >> ART IS A UNIVERSAL 279 00:19:04,021 --> 00:19:05,921 LANGUAGE. WE DON'T HAVE TO KNOW 280 00:19:05,923 --> 00:19:08,824 EVERYBODY ELSE, WE JUST AS LONG AS WE CAN DEPICT 281 00:19:08,826 --> 00:19:13,028 EMOTIONS, IN A CANVAS. BECAUSE IT CAN CREATE 282 00:19:13,030 --> 00:19:16,131 EMPATHY. AND TO ME THAT'S THE TRIGGER 283 00:19:16,133 --> 00:19:18,500 THAT'S THE WAY THAT WE CAN COMMUNICATE. 284 00:19:18,502 --> 00:19:22,738 NOT TO MENTION THAT IT'S A WAY TO EXPLORE OUR OWN 285 00:19:22,740 --> 00:19:25,807 FEELINGS AND ISSUES THAT ARE BOTHERING US SO THAT OTHER 286 00:19:25,809 --> 00:19:29,611 PEOPLE CAN LEARN AND SEE WHERE WE COME FROM. 287 00:19:29,613 --> 00:19:35,317 >> GABRIELLA AND JEAN ARE FOSTERING EMPATHY IN DAYTON 288 00:19:35,319 --> 00:19:38,287 'S COMMUNITY, WHICH INCLUDES A PARADE AND DIS 289 00:19:38,289 --> 00:19:40,889 PLAY OF ALTARS AT MISSING PIECE ART SPACE. 290 00:19:40,891 --> 00:19:45,961 >> IT'S WHIMSICAL, JOYFUL, IT ACTUALLY TAKES THE MOTHER 291 00:19:45,963 --> 00:19:50,933 ED BY OUT OF DEATH. AND MAKES IT STRANGELY 292 00:19:50,935 --> 00:19:53,902 PALATABLE. NOT EVERYBODY CAN EMBRACE 293 00:19:53,904 --> 00:19:57,940 MEXICAN ART AND THE NOTION OF THE DAY OF THE DEAD. 294 00:19:57,942 --> 00:20:06,181 BECAUSE WE SEE DEATH AS A CELL BRAIFTION LIFE. 295 00:20:06,183 --> 00:20:09,851 >> WE ALL HAVE LOVED ONES, WE'VE ALL HAD LOVED ONES 296 00:20:09,853 --> 00:20:12,221 PASS. AND WE ALL HAVE THAT MEMORY, 297 00:20:12,223 --> 00:20:14,256 AND TO BE ABLE TO COME TOGETHER AND CELEBRATE 298 00:20:14,258 --> 00:20:19,094 THROUGH THIS TRADITION IS MAGNIFICENT. 299 00:20:19,096 --> 00:20:23,498 SO I CREATED A ALTAR FOR MY DAD THIS LAST YEAR, AND IT 300 00:20:23,500 --> 00:20:26,468 WAS ABOUT ART CREATING AND IT WAS ABOUT FINDING WAYS 301 00:20:26,470 --> 00:20:31,607 THAT I COULD SPEAK TO MY MEMORY OF MY DAD, IN A 302 00:20:31,609 --> 00:20:35,711 LOVING, HONEST WAY. I RESOLVEED THINGS THROUGH 303 00:20:35,713 --> 00:20:39,147 THAT PROCESS THAT I DIDN'T KNOW I HAD UNRESOLVED. 304 00:20:39,149 --> 00:20:41,516 >> IN ADDITION TO CURE RATING THE MISSING PIECE ART 305 00:20:41,518 --> 00:20:44,386 SPACE, AND ORGANIZING DAYTON'S DAY OF THE DEAD 306 00:20:44,388 --> 00:20:47,990 EVENT, GABRIELLA HAS BECOME THE VOICE FOR IMMIGRANT 307 00:20:47,992 --> 00:20:51,026 REFORM IN DAYTON. IT BEGAN WITH A KNOCK ON THE 308 00:20:51,028 --> 00:20:55,897 DOOR. >> I STARTED WORKING WITH 309 00:20:55,899 --> 00:20:58,533 REFUGEES FROM CENTRAL AFRICA LITERALLY CAME TO THE 310 00:20:58,535 --> 00:21:02,537 GALLERY ASKING FOR SUMMER CAMPS FOR THE KIDS AND 311 00:21:02,539 --> 00:21:05,307 THAT'S HOW I STARTED WORKING WITH THEM. 312 00:21:05,309 --> 00:21:09,811 JUST AMAZING PERSON. INCIDENTALLY IN WHAT SHE'S 313 00:21:09,813 --> 00:21:16,685 DOING AND THAT'S WHY WE PARTNER WITH HER. 314 00:21:16,687 --> 00:21:31,300 >> WE HAVE MANY -- MANY KIDS WITHOUT PARENTS. 315 00:21:31,302 --> 00:21:36,171 THEY NEED FOOD, CLOAGING. SOME WE GIVE WE PAY FOR THE 316 00:21:36,173 --> 00:21:39,875 MATERIALS, AND OTHERS WE PAY FOR LIKE LUNCH FOR THE WHOLE 317 00:21:39,877 --> 00:21:42,611 YEAR. AND THEN THERE -- THEY WILL 318 00:21:42,613 --> 00:21:46,748 BE ABLE TO GO TO SCHOOL AND LEARN BECAUSE AS WE SAY, 319 00:21:46,750 --> 00:21:51,787 HUNGRY SO MUCH DOESN'T HELP. >> BECAUSE OF MISSING PIECE 320 00:21:51,789 --> 00:21:54,356 ARTIST SPACE, SHE HAS IMPROVED ART SKILLS AND 321 00:21:54,358 --> 00:21:56,091 HELPED MORE CHILDREN. IN ADDITION TO SELLING HER 322 00:21:56,093 --> 00:22:00,195 OWN JEWELRY, SHE BUYS ITEMS FROM ARTISANS AND ORPHANS 323 00:22:00,197 --> 00:22:03,498 BACK HOME, SELLS THEM HERE, AND SENDS THE MONEY BACK TO 324 00:22:03,500 --> 00:22:11,306 PAY FOR THEIR SCHOOL FEES. >> THAT LADY, THAT WOMAN, 325 00:22:11,308 --> 00:22:23,552 CHILD IS DOING THE ARTS LIKE MAYBE SOWING OR WEAVING. 326 00:22:23,554 --> 00:22:27,055 OTHER PEOPLE IN THE SAME CONDITIONS, THEY TALK, THEY 327 00:22:27,057 --> 00:22:32,527 LIVE, THEY HAVE THAT SMILE. SO ITS -- IT GETS THEM 328 00:22:32,529 --> 00:22:37,933 LEAVE, POSITIVELY. AS I SAID, PEACE, I 329 00:22:37,935 --> 00:22:39,868 UNDERSTAND THAT. THAT'S YOUR HEART, YOUR MIND. 330 00:22:39,870 --> 00:22:45,841 SO IT GIVES THEM PEACE BY SOWING, DOING THAT. 331 00:22:45,843 --> 00:22:47,876 >> YOU CAN SIT WITH A PILE OF MATERIALS AND BEGIN TO 332 00:22:47,878 --> 00:22:52,013 USE YOUR OWN MEMORIES TO CREATE SOMETHING FOR SOMEONE 333 00:22:52,015 --> 00:22:56,451 ELSE TO SEE. THERE'S A POWER IN THAT 334 00:22:56,453 --> 00:22:59,955 EXPRESSION THAT IS BEYOND WORDS. 335 00:22:59,957 --> 00:23:03,825 I THINK ALSO IN A COMMUNITY WHERE WE HAVE SO MANY 336 00:23:03,827 --> 00:23:07,429 LANGUAGES, WHATEVER YOU CHOOSE TO USE, TO CREATE 337 00:23:07,431 --> 00:23:09,898 SOMETHING THAT SOMEHOW IS GOING TO EXPRESS A DEEPER 338 00:23:09,900 --> 00:23:13,902 SET OF FEELINGS, AND BELIEFS AND EXPERIENCES, THEN WE CAN 339 00:23:13,904 --> 00:23:18,173 BUILD EMPATHY BETWEEN EACH OTHER BY SLAIRG THAT ART. 340 00:23:18,175 --> 00:23:21,977 >> WHEN I HELP SOMEBODY PUT A SMILE ON THEIR FACE, I'M 341 00:23:21,979 --> 00:23:24,413 SO HAPPY. THAT'S MY BIG JOY. 342 00:23:24,415 --> 00:23:29,651 >> I DON'T EXPECT PEOPLE TO COME IN HERE AND GO OUTSIDE 343 00:23:29,653 --> 00:23:31,853 THE DOOR, YOU KNOW, WITH A TOTALLY DIFFERENT 344 00:23:31,855 --> 00:23:34,790 PERSPECTIVE OF LIFE, BUT I WOULD LIKE TO JUST IN STILL 345 00:23:34,792 --> 00:23:42,998 A LITTLE SEED, FOR THEM TO QUESTION THEIR OWN PERSONAL 346 00:23:43,000 --> 00:23:44,433 BELIEF. WITH THE HOPE THAT MAYBE 347 00:23:44,435 --> 00:23:50,205 WEIGH KNOW AS A NORM NOT NECESSARILY TRUE. 348 00:23:50,207 --> 00:23:55,010 >> ARE MY -- MY ART SEGMENT, FOCUSES ON AN ARTIST WHOSE 349 00:23:55,012 --> 00:24:00,015 JOB TO INTRODUCE AUDIENCES TO TOP ARTISTS AND EMERGING 350 00:24:00,017 --> 00:24:02,651 TALENT. OFFERS STUDIO VISITS THAT 351 00:24:02,653 --> 00:24:07,155 ALLOW THE PUBLIC TO MEET WITH ARTISTS. 352 00:24:07,157 --> 00:24:09,558 DONNA IS AN ACCOMPLISHED ARTIST AND POSTED ON HER 353 00:24:09,560 --> 00:24:12,227 WEBSITE. PAINTINGS INCLUDE EARLY WORKS LIKE THIS ONE. 354 00:24:12,229 --> 00:24:14,296 CREATED IN MEMORY OF HER FATHER. 355 00:24:14,298 --> 00:24:18,633 >> A 9/11 SERIES SHE CREATED WHILE WATCHING THE EVENT 356 00:24:18,635 --> 00:24:22,604 THAT OCCURRED ON SEPTEMBER SEPTEMBER 11, 2001. 357 00:24:22,606 --> 00:24:25,273 AND ASPEN SERIES PRESENT VISION OF EVERYTHING FROM 358 00:24:25,275 --> 00:24:27,943 PALM TREES TO ASPEN TREE TRUNKS. 359 00:24:27,945 --> 00:24:30,345 WE THANK YOU, DONNA SIMON FOR SHARING YOUR WORK WITH 360 00:24:30,347 --> 00:24:32,414 US. YOU CAN SEE MORE BY GOING ON 361 00:24:32,416 --> 00:24:37,519 TO YOUR WEBSITE AT SEEING ARTISAN TONE.COM. 362 00:24:37,521 --> 00:24:40,121 WE'D LIKE TO FEATURE YOUR ART ON OUR SHOW OF THE JUST 363 00:24:40,123 --> 00:24:42,891 E-MAIL US A PICTURE, VIDEO, SOUND RECORDING, WHATEVER 364 00:24:42,893 --> 00:24:46,495 ART WORK YOU HAVE CREATED TO ARTS AT KLRN.ORG. 365 00:24:46,497 --> 00:24:49,297 AND PUT THE WORDS MY ART IN THE SUBJECT LINE. 366 00:24:49,299 --> 00:24:52,367 EACH WEEK WE'LL SELECT A PROJECT AND SHARE IT WITH 367 00:24:52,369 --> 00:24:56,104 OUR VIEWERS. >> AND THAT WRAPS IT UP FOR 368 00:24:56,106 --> 00:24:59,841 THIS EDITION OF ARTS. BE SURE TO CHECK OUT THIS 369 00:24:59,843 --> 00:25:02,811 EXHIBIT ONLY HERE AT THE MUSEUM OF ART UNTIL MARCH 8. 370 00:25:02,813 --> 00:25:05,180 UNTIL THEN I'M ASIA CIARAVINO, WE'LL SEE YOU 371 00:25:05,182 --> 00:25:07,816 NEXT WEEK. >>. 372 00:25:07,818 --> 00:25:10,919 >> ARTS IS MADE POSSIBLE BY THE KELSO FOUNDATION. 373 00:25:10,921 --> 00:25:13,889 THE ELIZABETH HUTH COATES CHARITABLE FOUNDATION. 374 00:25:13,891 --> 00:25:19,794 AND VIEWERS LIKE YOU. >> ARTS, IS PRESENTED BY THE 375 00:25:19,796 --> 00:25:22,831 TOBIN CENTER FOR THE PERFORM ING ARTS. 376 00:25:22,833 --> 00:25:25,600 PROVIDING THE BEST PLACE ANYWHERE TO SEE AND HEAR A 377 00:25:25,602 --> 00:25:28,503 LIVE PERFORMANCE. TRANSFORMING THE PERFORMING 378 00:25:28,505 --> 00:25:32,107 ARTS IN SAN ANTONIO'S DECADE OF DOWNTOWN. 379 00:25:32,109 --> 00:26:37,105 THE TOBIN CENTER.