1 00:00:08,153 --> 00:00:12,923 ARTS IS PRESENTED BY THE TOBIN CENTER FOR THE PERFORMING ARTS 2 00:00:12,925 --> 00:00:16,360 PROVIDING THE BEST PLACE ANYWHERE TO SEE AND HEAR A LIVE 3 00:00:16,362 --> 00:00:19,363 PERFORM MUST BES. TRANSFORMING THE PERFORMING ARTS 4 00:00:19,365 --> 00:00:23,267 IN SAN ANTONIO'S DECADE OF DOWNTOWN. 5 00:00:23,269 --> 00:00:28,372 THE TOBIN CENTER. IN THIS EDITION OF ARTS 6 00:00:28,374 --> 00:00:30,374 AN ARTIST BRINGS THE SOULFUL SOUND OF JAZZ TO HIS WORK ON 7 00:00:30,376 --> 00:00:35,980 CANVAS. ART IS A LANGUAGE OF PEACE. 8 00:00:35,982 --> 00:00:43,287 IT BRINGS PEOPLE TOGETHER. THE ART OF WINEMAKING. 9 00:00:43,289 --> 00:00:47,324 AND WE HOPE WE'LL REMAIN SUSTAINABLE. 10 00:00:47,326 --> 00:00:51,128 AND WE HAVE TO FIGURE OUT WHAT THAT MEANS. 11 00:00:51,130 --> 00:00:55,499 AN ARTIST PAYS HOMAGE TO THE WORKING CLASS. 12 00:00:55,501 --> 00:01:05,876 AND THE MANY MESSAGES THAT HE WAS FAIR TO FIGHT FOR THE LAB 13 00:01:05,878 --> 00:01:07,778 LABOR LABORER'S RIGHT. 14 00:01:07,780 --> 00:01:10,681 AND AN EVENT BRINGS THE STAGE CLOSER TO THE AUDIENCE THAN EVER 15 00:01:10,683 --> 00:01:14,552 BEFORE. WE GET A CHANCE BEFORE THE SHOWS 16 00:01:14,554 --> 00:01:20,791 TO INTERACT WITH PEOPLE AND ACTUALLY GET TO KNOW THEM. 17 00:01:20,793 --> 00:01:28,999 IT'S ALL AHEAD ON THIS EDITION OF ARTS. 18 00:01:29,001 --> 00:01:38,409 HI AND THANKS FOR JOINING US FOR THIS EDITION OF "ARTS". 19 00:01:38,411 --> 00:01:40,911 I'M MELINA NAREZO. IN OUR FIRST SEGMENT, WE VISIT 20 00:01:40,913 --> 00:01:45,449 SACRAMENTO, CALIFORNIA, HOME TO PASTEL ARTIST RUFUS CHALMERS. 21 00:01:45,451 --> 00:01:49,987 JOIN US AS HE GIVES VIEWERS A FRONT ROW SEAT TO A PERFORMANCE 22 00:01:49,989 --> 00:02:00,898 OF AMERICAN JAZZ MUSICIANS THAT WILL BE HARD TO FORGET. 23 00:02:00,900 --> 00:02:04,668 I'VE BEEN DRAWING BASICALLY ALL MY LIFE. 24 00:02:04,670 --> 00:02:11,475 BUT I'VE GONE COWBOY. I REALLY THINK IT'S BEEN A GIFT 25 00:02:11,477 --> 00:02:15,579 BECAUSE THERE WERE TIMES IN MY LIFE, LONG PERIODS OF MY LIFE 26 00:02:15,581 --> 00:02:19,984 THAT I DROPPED IT. EVERY TIME I PICK UP THE PENCIL 27 00:02:19,986 --> 00:02:25,022 AND A PAD THE TALENT WAS THERE. WHEN I SHOULD HAVE GONE TO COOL 28 00:02:25,024 --> 00:02:30,161 I DIDN'T. I HAD A CHANCE TO GO TO THE 29 00:02:30,163 --> 00:02:34,064 BIGGEST ART SCHOOLS BACK IN THE '60s. 30 00:02:34,066 --> 00:02:38,736 I DIDN'T. BELIEVE IT OR NOT I DIDN'T START 31 00:02:38,738 --> 00:02:41,672 POINTING UNTIL FIVE OR SIX YEARS AGO. 32 00:02:41,674 --> 00:02:46,744 I BASICALLY SELF-TAUGHT. I TOOK A COUPLE OF CLASSES AT 33 00:02:46,746 --> 00:02:51,382 THE LOCAL COLLEGE, AND PASTEL IS MY FAVORITE. 34 00:02:51,384 --> 00:02:55,986 I TRIED OIL. I TRIED EVERYTHING, EVERY OTHER 35 00:02:55,988 --> 00:02:59,857 MEDIA BUT THE PASTELS SEEM TO BE ME. 36 00:02:59,859 --> 00:03:05,396 THE SHADE OF GRAY YOU SEE IN MY PAINTINGS YOU SEE NOW I WAS 37 00:03:05,398 --> 00:03:08,232 DRAWN TO THAT AFTER A TRIP TO NEW ORLEANS. 38 00:03:08,234 --> 00:03:16,040 AND HAPPENED TO SEE AN ARTIST THAT WORKED IN BLACKS, WHITES 39 00:03:16,042 --> 00:03:20,678 AND GRAYS. I TRIED IT AND I LOVED IT, AND 40 00:03:20,680 --> 00:03:25,749 OF COURSE I LIKE COLOR TOO. I GUESS EVERYTHING IS 41 00:03:25,751 --> 00:03:28,752 EXPERIMENTAL WITH ME. WE CAME FROM DOWN SOUTH AND THE 42 00:03:28,754 --> 00:03:35,326 FIRST THING I DO AND ANY NEW PLACE I GO IS CHECK OUT THE 43 00:03:35,328 --> 00:03:38,362 GALLERIES. WE WALK IN THE ARTIST 44 00:03:38,364 --> 00:03:43,367 COLLABORATIVE AND OF COURSE I WANTED TO BRAG I WAS AN ARTIST. 45 00:03:43,369 --> 00:03:50,040 THEY GAVE ME A FORM AND I WAS TO BE JURIED IN. 46 00:03:50,042 --> 00:03:52,710 I HAD BEEN IN A COUPLE OF GALLERIES. 47 00:03:52,712 --> 00:03:57,715 THERE WAS A LOT OF THE TRAFFIC. I WON A COUPLE OF PRIZES AND I 48 00:03:57,717 --> 00:04:02,620 JUST HADN'T GOT MY FEET OFF THE GROUND BUT WHEN I GOT HERE AND 49 00:04:02,622 --> 00:04:07,458 WAS ABLE TO JOIN ARTIST COLLABORATIVE, EVERYTHING JUST 50 00:04:07,460 --> 00:04:10,794 TOOK OFF. AND I JUST FEEL PEOPLE ARE 51 00:04:10,796 --> 00:04:15,499 GETTING TO KNOW WHO I AM. CUSTOMERS COME IN, WHETHER IT'S 52 00:04:15,501 --> 00:04:21,338 THEIR FIRST TIME OR WHETHER WE GET REPEATS. 53 00:04:21,340 --> 00:04:24,975 PEOPLE THAT COME FROM AROUND THE WORLD. 54 00:04:24,977 --> 00:04:28,212 FROM WHAT I UNDERSTAND IT'S GETTING BIGGER. 55 00:04:28,214 --> 00:04:34,251 THE GALLERY JUST WRAPPED THEIR ARMS AROUND ME AND SAID, HEY, WE 56 00:04:34,253 --> 00:04:39,056 LOVE YOUR WORK. SO FAR IT'S BEEN BEAUTIFUL. 57 00:04:39,058 --> 00:04:44,795 I THINK ART IS IMPORTANT TO A COMMUNITY BECAUSE BEING A PART 58 00:04:44,797 --> 00:04:51,035 OF SOMETHING, PART OF THIS COMMUNITY, THEY COME IN IT'S 59 00:04:51,037 --> 00:04:54,538 SOMETHING TO SHARE WITH THE WHOLE WORLD. 60 00:04:54,540 --> 00:05:00,944 EVERYWHERE I GO I GOT TO PULL OUT MY CARD AND THERE'S A BIG 61 00:05:00,946 --> 00:05:04,782 SMILE I'M AN ARTIST. AND I FOUND OUT HAVING GALLERIES 62 00:05:04,784 --> 00:05:09,153 AND HAVING ART. ART IS A LANGUAGE OF PEACE. 63 00:05:09,155 --> 00:05:12,156 IT BRINGS PEOPLE TOGETHER. ESPECIALLY TO ME. 64 00:05:12,158 --> 00:05:15,859 IT GIVES ME PEACE OF MIND. IT'S MY PASSION. 65 00:05:15,861 --> 00:05:20,497 AFTER YOU GET A CERTAIN INTO RETIREMENT AGE WELL I DON'T WANT 66 00:05:20,499 --> 00:05:25,936 TO RETIRE BECAUSE I GOT NOTHING TO DO AND BLAH BLAH BLAH, BUT 67 00:05:25,938 --> 00:05:31,175 I'M NOT RETIRED. I STILL HAVE SOMETHING TO DO, 68 00:05:31,177 --> 00:05:45,422 AND IT KEEPS ME OUT OF TROUBLE. AND NOW, HERE'S A LOOK AT SOME 69 00:05:45,424 --> 00:05:50,594 OF THE ARTS EVENTS HAPPENING THIS WEEK IN OUR COMMUNITY 70 00:05:50,596 --> 00:06:24,495 UP NEXT WE MEET JERRY EISTERHOLD, A DESIGNER WHO IS 71 00:06:24,497 --> 00:06:26,663 APPLYING HIS CRAFT TO AN UNLIKELY PURSUIT-WINEMAKING. 72 00:06:26,665 --> 00:06:36,940 HERE'S A LOOK. MEET ARJERRY EAST HOLD. 73 00:06:36,942 --> 00:06:41,111 WITH A THIRD BEST SOIL JUDGE IN THE BIG 8 AND IS THE OWNER AND 74 00:06:41,113 --> 00:06:45,616 LEAD DESIGNER OF EAST HOLD ASSOCIATES A MUSEUM DESIGN FIRM 75 00:06:45,618 --> 00:06:51,755 THAT IS WORKED WITH EVERYONE FROM THE UNIVERSAL ADVENTURES TO 76 00:06:51,757 --> 00:06:55,559 THE ROSA PARKS MUSEUM AND COUNTLESS OTHERS. 77 00:06:55,561 --> 00:07:00,597 WHEN I STARTED THERE WASN'T A SCHOOL WHERE YOU COULD GO AND 78 00:07:00,599 --> 00:07:07,371 STUDY MUSEUM DESIGN. AND WHAT YOU WERE TRAINED TO DO. 79 00:07:07,373 --> 00:07:15,279 IN MY NAIVETNAIVETE. >> FORTUNATELY THAT THE PARADIGM 80 00:07:15,281 --> 00:07:21,418 HAS BEEN A VERY SUCCESSFUL ONE FOR INJURY. 81 00:07:21,420 --> 00:07:25,122 YOU START WITH THE STUPIDITY AND NAIVETE. 82 00:07:25,124 --> 00:07:30,761 AS YOU COME TO LEARN IT YOU HAVE TO KEEP MENTAL BREAD CRUMBS HOW 83 00:07:30,763 --> 00:07:33,530 YOU CAN LEARN AND UNDERSTAND IT AND RE-CREATE THAT EXPERIENCE. 84 00:07:33,532 --> 00:07:36,600 >> TAKE THE AMERICAN MUSEUM OF TORT LAW. 85 00:07:36,602 --> 00:07:42,973 HOW DID THAT PARCEL OUT A BRANCH OF THE LEGAL SYSTEM TO THE 86 00:07:42,975 --> 00:07:49,012 CASUAL PATRONS. WE DID LEGAL PAGES. 87 00:07:49,014 --> 00:07:53,750 BUT THE MUSEUM WE'VE BEEN WORKING ON IT SINCE 1999. 88 00:07:53,752 --> 00:07:57,721 THERE WAS COUPLE OF THE CATEGORIES OF CASES WE TALKED 89 00:07:57,723 --> 00:08:04,061 ABOUT. AND THE CASE OF A FLAMING RAT. 90 00:08:04,063 --> 00:08:09,466 IT'S THE LEGAL PHRASE THE THINGS PEAK FOR ITSELF. 91 00:08:09,468 --> 00:08:12,836 WE TRY NOT TO DO THE SAME OLD DESIGN SOLUTIONS. 92 00:08:12,838 --> 00:08:18,275 THAT MEANS YOU HAVE TO SOME EXTENT THINK THINGS THROUGH. 93 00:08:18,277 --> 00:08:24,381 >> WHEN THE JOHNSON COUNTY MUSEUM LOOKED AT 1,300 SQUARE 94 00:08:24,383 --> 00:08:32,422 FOOT ELECTRIC HOUSE TO A NEW HOUSE INSIDE THE SING LOUIE. 95 00:08:32,424 --> 00:08:36,527 >> AND GENERALLY HOW THE CONTENT IS GOING TO BE TREATED. 96 00:08:36,529 --> 00:08:39,796 AND ALSO TRYING TO FIND OUT THE GRAPHIC TREATMENT. 97 00:08:39,798 --> 00:08:46,103 ONE OF THE THINGS THAT THE EVERYONE ASSUMES THAT HISTORY IS 98 00:08:46,105 --> 00:08:47,504 SE SEPIA TONED. 99 00:08:47,506 --> 00:08:51,608 WE'RE TALKING ABOUT THE '50s AND '60s AND THERE WAS A LOT OF 100 00:08:51,610 --> 00:08:55,445 COLOR. WE'RE TRYING TO GIVE PEOPLE A 101 00:08:55,447 --> 00:08:57,548 SENSE WHAT IT WAS LIKE BACK THEN. 102 00:08:57,550 --> 00:09:03,854 YOU WANT TO GIVE A SENSE WHAT THE TREND THAT WERE HAPPENING IN 103 00:09:03,856 --> 00:09:07,724 TRANSPORTATION AND EDUCATION. WAS IT AN IDEA OF PERSONAL 104 00:09:07,726 --> 00:09:12,296 TECHNOLOGY OR WHAT HAVE YOU. AND THAT GIVES YOU THOSE ARE 105 00:09:12,298 --> 00:09:18,268 LITTLE LESSONS YOU CAN LEARN WHEN YOU'RE THINKING ABOUT WHERE 106 00:09:18,270 --> 00:09:22,439 JOHNSON COUNTY IS GOING IN THE FUTURE THOSE ARE THINGS YOU CAN 107 00:09:22,441 --> 00:09:26,343 THINK OF. >> YOU'RE ALWAYS LEARNING ABOUT 108 00:09:26,345 --> 00:09:31,214 A NEW TOPIC. JERRY'S OTHER PASSION STARTED 109 00:09:31,216 --> 00:09:40,724 WITH A BOOK OF VIN CULTURIST. >> AND IN THE FULL EXPERIMENT 110 00:09:40,726 --> 00:09:45,762 WAS NATIVE-AMERICAN GRAPES. AS A KID GROWING UP ON A LITTLE 111 00:09:45,764 --> 00:09:51,501 FARM IN MISSOURI. WE WERE UP THE STREET FROM 112 00:09:51,503 --> 00:09:56,006 HERMAN. SO WE DID IN THAT CASE OUT OF 113 00:09:56,008 --> 00:10:06,617 WILD GRAPES WHICH I WILL SAY WAS PRETTY GOOD SAND BETTER THAN TH 114 00:10:06,619 --> 00:10:10,454 NANO CRCH NAN 115 00:10:10,456 --> 00:10:14,057 NANOCHEVITS. >> AND SO OUT OF THAT HE WAS 116 00:10:14,059 --> 00:10:18,962 GROWING HUNDREDS OF VARIETIES. LIKE AN IN A BIRD BOOK. 117 00:10:18,964 --> 00:10:24,868 SOME HAVE LARGER RANGES, SAND SMALLER RANGES. 118 00:10:24,870 --> 00:10:31,041 CONCORDS WILL GROW ANYWHERE. THEY ALL OVERLAP HERE. 119 00:10:31,043 --> 00:10:37,080 IT IS A WARM NOTE ON THE PLANET. AND THE SOIL IS CONDUCIVE TO 120 00:10:37,082 --> 00:10:40,550 GRAPE GROWING. YOU PUT TOGETHER WITH THE SORT 121 00:10:40,552 --> 00:10:46,023 OF MISSIONARY IMPULSE THAT CAME OUT OF DOING MUSEUMS. 122 00:10:46,025 --> 00:10:49,960 I FIGURED THESE GRAPES NEEDED TO HAVE THEIR SAY. 123 00:10:49,962 --> 00:10:55,666 IT SEEMED AN EXPLORATION OF GENETIC DIVERSITY. 124 00:10:55,668 --> 00:11:04,808 A NOTION THAT PROMPTED THE NAME VOX. 125 00:11:04,810 --> 00:11:09,646 >> AND WE HAVE FRIENDS WHO LIKE TO DESCRIBE US AS WINE. 126 00:11:09,648 --> 00:11:13,650 JERRY DOES THE WINE PART, AND I DO THE FOOD. 127 00:11:13,652 --> 00:11:20,524 FROM THE HOURS OF 7 TO 3 KATE CAN BE FOUND AT THE MUSEUM OF 128 00:11:20,526 --> 00:11:27,130 ART WHERE HE'S THE OVERSEER OF PRAUMINGS. 129 00:11:27,132 --> 00:11:32,769 WE WERE ASKED TO CLEAN OFF THE CORROSION OFF OF THIS GOLD 130 00:11:32,771 --> 00:11:42,546 SURFACE. I PICKED IT OFF WITH A SCALPEL. 131 00:11:42,548 --> 00:11:48,552 AND ONE OF THE REAL PLEASURES OF THIS WAS NOT ONLY REVEALING THE 132 00:11:48,554 --> 00:11:54,191 GOLD BUT FINDING THE FINGERPRINT OF THE LAST PERSON WHO HANDLED 133 00:11:54,193 --> 00:11:57,994 IT AS FAR AS WRAPPED IN SILK CLOTH. 134 00:11:57,996 --> 00:12:04,835 FROM BURYING ANTIQUITIES. >> IT'S A SHRINE FROM INDIA, AND 135 00:12:04,837 --> 00:12:08,672 IT HAD BEEN IN STORAGE FOR SO LONG NOBODY QUITE REMEMBERED IT. 136 00:12:08,674 --> 00:12:13,710 IT WAS ALL IN PIECES, AND THE CURATOR WANTED TO EXPLORE WHAT 137 00:12:13,712 --> 00:12:16,379 WE WOULD DO WITH IT. IT WAS SILKY. 138 00:12:16,381 --> 00:12:19,249 IT WAS BROWN. IT WAS NOT AT ALL INTERESTING TO 139 00:12:19,251 --> 00:12:23,520 LOOK IT. IT TOOK KATE AND A COLLEAGUE 140 00:12:23,522 --> 00:12:31,361 NEARLY TWO YEARS TO TAKE OFF THE GRIME AND SHOW THE BEAUTY 141 00:12:31,363 --> 00:12:34,965 UNDERNEATH. THEIR APPROACHES COULDN'T BE 142 00:12:34,967 --> 00:12:38,034 FURTHER APART. >> WE'RE KIND OF PROFESSIONAL 143 00:12:38,036 --> 00:12:41,037 ENEMIES. HIS DESIGNERS WANT TO SHOW ART 144 00:12:41,039 --> 00:12:45,642 IN THE BEST POSSIBLE WAY AND THEY WANT IT ON DISPLAY FOR A 145 00:12:45,644 --> 00:12:51,515 LONG TIME. THEY WANT TO HAVE LIGHT. 146 00:12:51,517 --> 00:12:56,820 THAT'S NOT A GOOD IDEA. WE'RE ABOUT THE PRESIDENTS 147 00:12:56,822 --> 00:13:02,159 VAESSEN SIDE OF IT. IT'S A BIT OF A CONFLICT 148 00:13:02,161 --> 00:13:04,394 PROFESSIONALLY. WE GET ALONG PRETTY WELL. 149 00:13:04,396 --> 00:13:11,034 >> AS OF LAST NIGHT WE HAD THEM LAUGH. 150 00:13:11,036 --> 00:13:14,971 WE ENJOY THE SIMPLER QUIETER THINGS IN LIFE. 151 00:13:14,973 --> 00:13:19,709 THERE IS AN APPRECIATION OF JUST BEING ABLE TO SIT AND HAVE A 152 00:13:19,711 --> 00:13:24,548 GOOD ORAL CONVERSATION. >> I NEVER THOUGHT I'D STAY IN 153 00:13:24,550 --> 00:13:32,856 ONE PLACE AS LONG AS I HAVE. I ALWAYS THOUGHT I'D BE A GYPSY. 154 00:13:32,858 --> 00:13:39,596 HIS DREAM BUT IT'S ALSO MINE. >> AND ASKS FOR THE DREAM OF 155 00:13:39,598 --> 00:13:51,208 AMERICAN GRAPES. >> AND A RETAIL OUTLET. 156 00:13:51,210 --> 00:13:55,545 PEOPLE HAVE TO BE WILLING TO COME UP HERE AND EXPLORE WITH 157 00:13:55,547 --> 00:14:02,419 US, AND WE'LL EITHER FIND THOSE PEOPLE OR WE'LL MAKE A NICE PLAN 158 00:14:02,421 --> 00:14:05,188 IF IT DOES WORK OUT. >> 159 00:14:05,190 --> 00:14:09,326 AND YOU CAN FIND OUT MORE BY VISITING VOXVINEYARDS.COM. 160 00:14:09,328 --> 00:14:38,455 TO SELF TAUGHT ARTIST, RALPH FASANELLA, PAINTING IS MORE THAN 161 00:14:38,457 --> 00:14:42,158 AN ART FORM,IT IS A FORM OF SOCIAL ADVOCACY. 162 00:14:42,160 --> 00:14:44,895 WE GO INSIDE THE AMERICAN FOLK ART MUSEUM IN NEW YORK CITY AND 163 00:14:44,897 --> 00:14:47,898 TAKE A LOOK AT FASANELLA'S LARGE SCALE CANVASES CELEBRATING 164 00:14:47,900 --> 00:14:59,876 WORKING CLASS NEIGHBORHOODS. WELCOME TO THE MUSEUM. 165 00:14:59,878 --> 00:15:10,253 I'M THE CUE EVERY CURATOR FOR THE FIRST CENTURY ART. 166 00:15:10,255 --> 00:15:16,259 RUFUS FAAS NALA WAS BORN IN THE BRONX. 167 00:15:16,261 --> 00:15:20,096 HE WAS COLLECTING SOCIAL REALITY. 168 00:15:20,098 --> 00:15:30,106 AND OUR MESSAGES OF HOPE OF LIBERTY AND THE LIFE OF WORKERS. 169 00:15:30,108 --> 00:15:39,783 AND FOR MID '40s. EARLY ON FAAS NALA ASKED HIS 170 00:15:39,785 --> 00:15:40,884 FATH FATHER. 171 00:15:40,886 --> 00:15:50,260 WITH A LOT OF HORIZONTAL LINES AND STACKING OF OBJECTS AND 172 00:15:50,262 --> 00:15:53,430 ARCHITECTURE. WORKING WITH HIS FATHER. 173 00:15:53,432 --> 00:15:58,435 WHERE HE WAS PLACING AND REPLACING ICE CUBES IN THE 174 00:15:58,437 --> 00:16:04,941 REFRIGERATOR. SEVEN WATERS WAS MADE FROM 175 00:16:04,943 --> 00:16:12,015 SKETCHES ON HIS RIDE ON THE SUBWAY BACK FROM WORK. 176 00:16:12,017 --> 00:16:16,753 HE SAID I TAKE THE SUBWAY EVERY DAY TO MY JOB. 177 00:16:16,755 --> 00:16:21,825 I LOVE THE SUBWAY. IT PULLS THE CITY TOGETHER. 178 00:16:21,827 --> 00:16:30,233 IT PULLS PEOPLE TOGETHER IN A MAGIC WAY. 179 00:16:30,235 --> 00:16:38,875 EVERY ONE SEPARATES BUT ALONE BUT VERY MUCH TOGETHER. 180 00:16:38,877 --> 00:16:43,813 BECAUSE OF THE MOVE FROM THE RHYTHM THAT GETS INSIDE OF US. 181 00:16:43,815 --> 00:16:48,651 IT'S COMFORT. THAT'S THE KNOWLEDGE OF THE CITY 182 00:16:48,653 --> 00:17:01,898 ITSELF. SOME OF THEM ARE WIDE AS 10 183 00:17:01,900 --> 00:17:05,869 FEET. HE SAID SPECIFICALLY THAT THOSE 184 00:17:05,871 --> 00:17:09,839 PAINTINGS WERE MEANT TO BE SEEN BY A LOT OF PEOPLE AT THE SAME 185 00:17:09,841 --> 00:17:15,745 TIME SO IT'S THAT'S WHY HE WANTED THEM TO HAVE LARGE AND 186 00:17:15,747 --> 00:17:18,648 FULL OF DETAILS. YOU CAN LEARN SOMETHING ABOUT 187 00:17:18,650 --> 00:17:25,388 THE PERSONAL LIFE OF EACH OF THOSE SUBJECTS. 188 00:17:25,390 --> 00:17:27,924 HIS PAINTINGS WERE CARRYING TWO MESSAGES. 189 00:17:27,926 --> 00:17:33,363 THE MAIN MESSAGE HE WAS THERE TO FIGHT FOR THE LABORER'S RIGHT 190 00:17:33,365 --> 00:17:44,841 AND I THINK IT'S A CELEBRATION OF NEW YORKERS. 191 00:17:44,843 --> 00:17:49,779 FOR MORE INFORMATION, VISIT FOLKARTMUSEUM.ORG. 192 00:17:52,783 --> 00:18:26,649 IN OUR FINAL SEGMENT, WE CHECK OUT THE LISTENING ROOM FESTIVAL 193 00:18:26,651 --> 00:18:30,186 IN TAMPA, FLORIDA. THIS UNIQUE FESTIVAL BRINGS 194 00:18:30,188 --> 00:18:32,989 TOURING MUSICIANS INTO TAMPA BAY LIVING ROOMS, PROVIDING AN UP 195 00:18:32,991 --> 00:18:34,924 CLOSE AND PERSONAL EXPERIENCE FOR FANS. 196 00:18:34,926 --> 00:18:43,867 HERE'S A LOOK. 197 00:18:43,869 --> 00:18:50,807 YOU KNOW COMMUNITY THAT HAS HOSTS AND ARTISTS. 198 00:18:50,809 --> 00:18:54,978 THE HOST ARE MUSIC FANS THAT LOVE MUSIC SO MUCH THEY'RE 199 00:18:54,980 --> 00:18:58,715 WILLING TO HAVE IT IN THEIR LIVING ROOM, GO THROUGH THE WORK 200 00:18:58,717 --> 00:19:02,552 OF ORGANIZING AN EVENT IN THEIR HOME AND IT GIVES ALL THE MONEY 201 00:19:02,554 --> 00:19:05,922 TO THE ARTIST. AND EVEN THROW IN A GUEST ROOM 202 00:19:05,924 --> 00:19:11,594 FOR THE NIGHT AND FEEDING THEM AND IT'S JUST A REALLY ROMANTIC 203 00:19:11,596 --> 00:19:21,704 NOTION WHAT A FAN WOULD BE. WITH THE SIMPLE EXPLANATION 204 00:19:21,706 --> 00:19:24,641 >> ONE OF THE GREAT THINGS IS 205 00:19:24,643 --> 00:19:31,881 THAT THE ARTIST THAT PARTICIPATE IN WHAT FRAN IS DOING WE MAKE 206 00:19:31,883 --> 00:19:37,253 CONNECTIONS WITH EACH OTHER IN ADDITION TO WITH THE AUDIENCES. 207 00:19:37,255 --> 00:19:41,958 YOU JUST KIND OF GROW IN YOUR MUSICIAN FAMILY. 208 00:19:41,960 --> 00:19:45,495 EVERYBODY SETS A TOTALLY DIFFERENT 74 AND I REALLY LIKE 209 00:19:45,497 --> 00:19:48,064 THAT. IT'S NOT THE SAME PLACE, AND 210 00:19:48,066 --> 00:19:51,534 IT'S NOT THE SAME SETTING. I'VE NEVER BEEN TO THIS 211 00:19:51,536 --> 00:19:54,070 APARTMENT. AND EVERYTHING IS A LITTLE 212 00:19:54,072 --> 00:19:58,675 DIFFERENT AND LITTLE NEW EACH TIME I COME TO THESE. 213 00:19:58,677 --> 00:20:05,949 >> IF YOU GO TO ANOTHER CONCERT YOU'RE NOT GOING TO MEET ANYONE. 214 00:20:05,951 --> 00:20:10,520 THIS YOU HAD TO DO IT BECAUSE YOU'RE IN SOMEBODY'S HOUSE. 215 00:20:10,522 --> 00:20:18,795 IT'S GREAT TO HAVE EXPOSURE TO GET THESE SINGER SONG WRITERS. 216 00:20:26,738 --> 00:20:32,141 >> YOU KNOW I WOULD HAVE TO SAY THIS ISN'T QUITE GLAMOROUS OR 217 00:20:32,143 --> 00:20:35,211 ANYTHING LIKE THAT. I PLAYED BECAUSE IT WAS 218 00:20:35,213 --> 00:20:40,049 SOMETHING TO DO IN THE HOUSE. MY YOUNGER BROTHER, THREE YEARS 219 00:20:40,051 --> 00:20:43,786 HAD A DRUM SET. I DIDN'T GO OUT PLAYING MUCH. 220 00:20:43,788 --> 00:20:49,425 I PLAYED THE DRUM SET. HE HAD A GUITAR AND I PLAYED HIS 221 00:20:49,427 --> 00:20:53,630 GUITAR. IT'S WHAT THIS PARTICULAR NERD 222 00:20:53,632 --> 00:20:58,001 DECIDED TO DO. MOST ARTISTS WHAT WE ASPIRE MORE 223 00:20:58,003 --> 00:21:02,238 TO DO WHAT WE WANT TO HAVE AN AUDIENCE. 224 00:21:02,240 --> 00:21:06,976 WE DREAM ABOUT GOING TO SOME HALL AND PLAYING. 225 00:21:06,978 --> 00:21:11,014 THE THING THAT'S MOST IMPORTANT ISN'T THAT YOU'RE PLAYING FOR A 226 00:21:11,016 --> 00:21:13,883 TON OF PEOPLE EVEN THOUGH THAT'S WELCOME. 227 00:21:13,885 --> 00:21:19,088 THE THING WE REALLY, REALLY WANT IS THE FACT THAT THERE ARE 228 00:21:19,090 --> 00:21:22,292 PEOPLE SITTING DOWN AND LISTENING WHAT WE'RE DOING. 229 00:21:22,294 --> 00:21:25,895 I'VE HOSTED THE HOUSE CONCERTS MYSELF. 230 00:21:25,897 --> 00:21:29,799 THE TALENT I CAN'T BELIEVE THAT I'M SEEING THIS TALENT RIGHT IN 231 00:21:29,801 --> 00:21:33,136 FRONT OF ME. >> I ALSO THINK IT WOULD BE GOOD 232 00:21:33,138 --> 00:21:39,242 FOR MYSELF JUST TO REMIND MYSELF WHO IS OUT THERE PRODUCING AND 233 00:21:39,244 --> 00:21:54,123 CREATING AND JUST HAVE MORE INSPIRATION. 234 00:21:54,125 --> 00:22:02,198 >> I CAN TELL YOU'RE GOING TO BE AN AWESOME CROWD ALREADY. 235 00:22:02,200 --> 00:22:17,613 WE ARE SISTERS. AND OUR LAST NAME IS SPELLED 236 00:22:17,615 --> 00:22:19,749 ULL. >> I GET TO KNOW THEM. 237 00:22:19,751 --> 00:22:22,752 I THINK THEY FEEL MORE COMFORTABLE WITH LISTENING TO 238 00:22:22,754 --> 00:22:26,522 OUR MUSIC AND ACTUALLY MORE COMFORTABLE WITH LISTENING TO 239 00:22:26,524 --> 00:22:30,727 OUR ORIGINAL MUSIC BECAUSE THEY'VE KIND OF GOTTEN TO KNOW 240 00:22:30,729 --> 00:22:48,711 WHO WE ARE. 241 00:22:48,713 --> 00:22:52,682 >> WE LIKE TO SING ABOUT THINGS 242 00:22:52,684 --> 00:22:56,986 THAT ARE IMPORTANT TO REMEMBER. WE'VE WRITTEN ABOUT OUR GREAT 243 00:22:56,988 --> 00:23:00,156 GRANDPA WHO WENT OFF TO WAR AND DIED IN NORMANDY. 244 00:23:00,158 --> 00:23:05,194 I THINK IT'S VERY IMPORTANT TO KEEP HISTORY ALIVE AND MUSIC 245 00:23:05,196 --> 00:23:27,250 ESPECIALLY. 246 00:23:31,222 --> 00:23:36,225 >> ONE WAY THAT'S VERY HELPFUL 247 00:23:36,227 --> 00:23:42,598 WHEN YOU'RE TOURING A HOUSE CONCERT CAN BE A WAY TO FILL IT. 248 00:23:42,600 --> 00:23:46,102 FRIENDS CAN GET THEIR FRIENDS TO COME OVER JUST LIKE A PARTY AND 249 00:23:46,104 --> 00:23:49,372 YOU GET TO SIT AND PLAY FOR THEM. 250 00:23:49,374 --> 00:23:53,910 IT'S A GREAT WAY TO FILL A SPOT YOU MIGHT NOT OTHERWISE ON TOUR. 251 00:23:53,912 --> 00:23:58,648 THE OTHER THING ABOUT THIS FESTIVAL IT'S VERY PRACTICAL FOR 252 00:23:58,650 --> 00:24:06,589 US AS MUSICIANS. >> HOUSE CONCERTS GO WAY BACK TO 253 00:24:06,591 --> 00:24:14,197 CLASSICAL MUSIC. MOZART DID HOUSE CONCERTS. 254 00:24:14,199 --> 00:24:18,167 AND INSTEAD OF WRITING A $10,000 CHECK TO THE ORCHESTRA YOU TAKE 255 00:24:18,169 --> 00:24:38,454 IN AN ARTIST IN YOUR HOME. >> 256 00:24:38,456 --> 00:24:42,692 FOR MORE INFORMATION VISIT LISTENINGROOMFESTIVAL.COM. 257 00:24:42,694 --> 00:24:51,968 DO YOU HAVE AN IDEA FOR A LOCAL ARTS SEGMENT. 258 00:24:51,970 --> 00:25:01,911 WE'D LIKE TO HEAR FROM YOU. E-MAIL US AT KLRN.org. 259 00:25:01,913 --> 00:25:03,646 AND THAT WRAPS IT UP FOR THIS EDITION OF "ARTS." 260 00:25:03,648 --> 00:25:06,182 FOR MORE ARTS AND CULTURE, VISIT KLRN.ORG/ARTS WHERE YOU'LL FIND 261 00:25:06,184 --> 00:25:12,455 FEATURE VIDEOS AND INFORMATION ON UPCOMING ARTS EVENTS. 262 00:25:12,457 --> 00:25:14,991 UNTIL NEXT WEEK, I'M MELINA NAREZO. 263 00:25:14,993 --> 00:25:25,635 THANKS FOR WATCHING. 264 00:25:25,637 --> 00:26:33,002 ART IS MADE POSSIBLE BY VIEWERS LIKE YOU. 265 00:26:33,004 --> 00:26:37,473 ARTS IS PRESENTED BY THE TOBIN CENTER FOR THE PERFORMING ARTS. 266 00:26:37,475 --> 00:26:43,045 PROVIDING THE BEST PLACE ANYWHERE TO SEE AND HEAR A LIVE 267 00:26:43,047 --> 00:26:47,617 PERFORMING ARTS. TRANSFORMING THE PERFORMING ARTS 268 00:26:47,619 --> 00:26:55,658 IN SAN ANTONIO'S DECADE OF ARTS. THE TOBIN CENTER. 269 00:26:55,660 --> 00:28:22,578 SI SCITECH IS BROUGHT TO YOU BY THE 270 00:28:22,580 --> 00:28:25,181 80/20 FOUNDATION. AND SUPPORTERS. 271 00:28:25,183 --> 00:28:27,817 HELLO, AND THANK YOU FOR JOINING US FOR ANOTHER EXCITING EPISODE 272 00:28:27,819 --> 00:28:31,253 AS WE BRING YOU THE LATEST BREAKTHROUGHS IN SCIENCE, 273 00:28:31,255 --> 00:28:34,223 TECHNOLOGY AND INNOVATION; BOTH FROM AROUND THE WORLD AND EVEN 274 00:28:34,225 --> 00:28:38,694 RIGHT HERE IN SAN ANTONIO. COMING UP, THE BEST BUY TEEN 275 00:28:38,696 --> 00:28:42,498 TECH CENTER IN THE HEART OF SAN ANTONIO'S WEST SIDE. 276 00:28:42,500 --> 00:28:48,070 WEARABLE TECH: HERE TO STAY OR A PASSING FAD? 277 00:28:48,072 --> 00:28:49,872 A LEGO LOVER'S DREAM COME TRUE. A MISSION IN MARINE 278 00:28:49,874 --> 00:28:53,542 CONSERVATION. AND FINALLY, THE SCIENTIFIC 279 00:28:53,544 --> 00:28:57,980 FIGHT AGAINST DRUG RESISTANT DISEASES 280 00:28:57,982 --> 00:29:01,117 I'M CHRIS DUEL, AND THIS IS SCITECH NOW! 281 00:29:01,119 --> 00:29:03,119 LET'S GET STARTED! 282 00:29:03,121 --> 00:29:18,067 ON SAN ANTONIO'S WEST SIDE, THERE'S A VERY SPECIAL PLACE 283 00:29:18,069 --> 00:29:21,070 WHERE TEENAGERS WHO OTHERWISE MIGHT NOT HAVE ACCESS TO 284 00:29:21,072 --> 00:29:24,607 TECHNOLOGY AND THE INTERNET CAN EXPLORE MANY VARIETIES OF TECH 285 00:29:24,609 --> 00:29:28,043 AND CONNECT WITH OTHER YOUNG PEOPLE IN THEIR COMMUNITY AND 286 00:29:28,045 --> 00:29:30,479 AROUND THE WORLD. LET'S GO INSIDE THE BEST BUY 287 00:29:30,481 --> 00:29:35,785 TEEN TECH CENTER. THIS IS THE BEST BUY TEEN TECH 288 00:29:35,787 --> 00:29:40,289 CENTER IN SAN ANTONIO, TEXAS. AND HERE WE HELP STUDENTS 289 00:29:40,291 --> 00:29:44,760 EXPLORE WHAT THEIR GIFTS ARE IN A BIG SPACE WITH MENTORS AND 290 00:29:44,762 --> 04:59:49,348 RESOURCES IN A COMMUNITY OF THE OTHER FELLOW STUTS