ELIZABETH HUTH COATES
CHARITABLE FOUNDATION.

AND VIEWERS LIKE YOU.
>> AND BY THE TOBIN CENTER

FOR THE PERFORMING ARTS.
OPENING SEPTEMBER 2014.

PROVIDING THE BEST PLACE
ANYWHERE TO SEE AND HEAR

LIVE PERFORMANCE.
SAN ANTONIO'S FUTURE OF THE

PERFORMING ARTS.
THE TOBIN CENTER.

>> ON THIS EDITION OF ARTS.
WE'LL HEAR FROM SEVERAL SAN

ANTONIO ACTORS WHO HAVE
THEIR OWN REASON FOR

PARTICIPATING IN COMMUNITY
THEATER.

IT'S NOT FOR THE MONEY.
IT'S NOT EVEN FOR THE FAME

OF BEING IN FRONT OF THE
AUDIENCE.

IT'S JUST THEIR WAY OF
EXPRESSING THEMSELVES

THROUGH THEIR ART.
DEBORAH MARTIN OF THE SAN

ANTONIO EXPRESS NEWS JOINS
US TO DISCUSS THE OVERTIME

THEATER'S PERFORMANCE.
BY RACHEL.

AND WE'LL MEET A
PHOTOGRAPHER AND VISUAL

ARTIST WHO GRAVITATE TO
STARK URBANSCAPE WITH AN EYE

FOR THE OVERLOOKEDMENT TIME
TO ENJOY ARTS.

>> .
>> HI AND WELCOME TO ARTS,

MY NAME IS ASIA CIARAVINO.
WE'RE HERE AT THE PLAYHOUSE

SAN ANTONIO.
DID YOU KNOW THAT COMMUNITY

THEATER WAS BORN IN THE
UNITED STATES IN THE EARLY

1900S?
THAT'S WHEN THE LITTLE

THEATER MOVEMENT DEVELOPED
IN SEVERAL LARGE CITIES,

BEGINNING WITH CHICAGO,
BOSTON, SEATTLE AND DETROIT.

MORE THAN 100 YEARS LATER,
COMMUNITY THEATER RIGHT HERE

IN SAN ANTONIO CONTINUES TO
DEVELOP THE SKILLS AND

ARTISTIC SENSIBILITIES OF
THOSE WHO PARTICIPATE.

TONIGHT WE'RE GOING TO HEAR
FROM FOUR OF MY FRIENDS WHO

HAPPEN TO BE SOME OF THE
MOST EXCITING THEATER

ARTISTS IN SAN ANTONIO.
TALK TO YOU A LITTLE ABOUT

WHY THEY DO WHAT THEY DO.
>> THEY COME FROM DIFFERENT

BACKGROUNDS.
>> I'M THE COORDINATOR.

>> I WORK AT -- I'M A
CREATIVE THERE WHICH MAKES

ME TRAINER FOR CUSTOMERS
THAT COME IN TO LEARN ABOUT

THEIR DEVICES.
>> I AM A STUDENT WORKING ON

MY THIRD DEGREE.
>> MY PASSION SON THE STAGE.

I THINK I'LL CONTINUE TO ACT
AS LONG AS I CAN.

>> COMMUNITY THEATER PAYS
THESE ACTORS LITTLE, AND

SOMETIMES NOTHING AT ALL.
IT DOESN'T SEEM TO MATTER.

>> THERE'S SOMETHING SO
MAGICAL AND JUST INCREDIBLE,

INSPIRING TO BE IN FRONT OF
THAT MANY PEOPLE TO HAVE

THAT POWER, TO BE ABLE TO
CONVEY A STORY, AND TO KNOW

THE AUDIENCE IS WITH YOU FOR
THE ROLLER-COASTER RIDE OF

EMOTIONS, AND EVENTS.
TO BE ABLE TO TELL AN

AUDIENCE A STORY THAT THEY
MAY NOT OTHERWISE SEE OR

HEAR SOMEWHERE ELSE.
>> ( SPEAKING SPANISH).

>> GO INFORM HIM THAT THE
CAPTAIN WILL BE COMING TO

MAKE HIS CONNECTION.
>> WHEN THE ACTING BUG BITES

,.
>> I THINK WHEN I WAS YOUNG

ER, I'VE ALWAYS HAD AN
ASPIRATION TO DO SOMETHING

WITH MEDIA OR FILM OR ACTING
, OR PERFORMING.

>> ALWAYS BEEN A PART OF ME.
SINCE I WAS A CHILD.

>> I'VE BEEN ACTING SINCE I
WAS IN HIGH SCHOOL.

AND I WENT AND GOT MY DEGREE
IN IT.

AND I'VE BEEN WORKING
PROFESSIONALLY SINCE 2012.

>> WHAT DREW ME WAS JUST THE
ABILITY TO STAND UP AND TRY

A DIFFERENT PERSON ON FOR A
GIVEN PERIOD OF TIME.

AND IT'S NOT SOMETHING THAT
IS SO QUICK AS -- YOU NEED

TO DELVE INTO THE LIVES AND
BACK STORIES, RELATIONSHIPS

AND HISTORY AND YOU HAVE A
SET PERIOD OF TIME TO REALLY

TRY ON ANOTHER LIFE, ANOTHER
TIME, AND TRY TO MAKE THAT

REALISTIC AND IN THE REALM
OF THE PLAY AND THE AUTHOR'S

WORDS IS WHAT DRAWS ME TO IT
>> DEET A SUCCESSFUL

COMMUNITY THEET CERTIFY THE
AUDIENCE.

AND THAT'S WHY THE HARD WORK
.

THEY NEED TO DELIVER AN
ENTERTAINING EXPERIENCE.

NIGHT, AFTER NIGHT.
DEFINITELY FEEL GOOD TYPE OF

EXPERIENCE.
AND THAT'S REALLY WONDERFUL,

THEY FEEL GOOD AFTER THE
SHOW, TAKE SOMETHING FROM IT

.
VENTURE INTO A WORLD THEY

NEVER IMAGINED BEFORE.
>> ONCE YOU GO TO A LIVE

PERFORMANCE YOU'LL NEVER
WANT TO SEE ANYTHING BUT

LIVE PERFORMANCE.
TELEVISION IS GREAT.

AND IT IS CERTAINLY A STRONG
MEDIUM BUT THERE'S NOTHING

AS WONDERFUL AS THE MEDIA OF
THE STAGE.

BECAUSE IT IS HAPPENING IN
THAT MOMENT, THAT ACTOR IS

BRINGING TOGETHER FOR THE
AUDIENCE, THAT PARTICULAR

CHARACTERIZATION IN THAT
MOMENT, AND IT MIGHT BE

DIFFERENT.
ON ONE NIGHT TO THE NEXT

NIGHT AND THAT'S WHAT MAKES
IT THRILLING.

IT IS LIV E.
>> THERE'S A TRUE

RENAISSANCE OF THEATER GOING
ON RIGHT NOW IN SAN ANTONIO,

SO GET OUT INTO THE THEATER,
SUPPORT THEM, YOU CAN CHECK

OUT ALL THE OTHER DATES ON
THE WEB.

>> WE WANT TO HEAR FROM YOU.
DO YOU KNOW OF A GOOD STORY

YOU'D LIKE TO SEE AIRED ON
ARTS?

>> LET US KNOW BY E-MAILING
US AT ARTS AT KLRN.ORG.

IF WE USE YOUR IDEA, YOU'LL
GET A SCREEN CREDIT ON OUR

PROGRAM.
>> LYNN PARKS IS A BALTIMORE

-BASED PHOTOGRAPHER
AND VISUAL ARTIST.

WHAT SHE'S DRAWN MOST TO, IS
THE DISCARDED.

>>.
>> I'M LYNN PARKS AND I'M AN

ARTIST.
>> I DON'T THINK I'VE EVER

DECIDED THAT I WANTED TO BE
AN ARTIST, BEING AN ARTIST

IS SOMETHING YOU JUST ARE.
JUST A MATTER OF CONSCIOUS

NESS.
IN TERMS OF THE MAKING ART,

THE PROCESS IS EVERYTHING.
THE PROCESS IS CONSCIOUSNESS

.
IT'S A MATTER OF WHEN

DEALING WITH IN MY LIFE AND
THE I THINK THAT HELPS ME

MOST MORE THAN ANYTHING
REALLY IS WALKING.

AND I JUST HAPPEN TO WALK
WITH A CAMERA.

THE THINGS I'M DRAWN TO ARE
PATCHED TOGETHER AND BECOME

A METAPHOR FOR MY OWN
PERSONAL EXPERIENCE WITH A

RARE DISEASE THAT I'VE HAD
SINCE I WAS A CHILD.

I HAVE RARE TUMORS, AND
THESE TUMORS ARE VERY

AGGRESSIVE, THEY DESTROY
LOCAL STRUCTURES.

AND I HAVE A SKIN GRAFT, I'M
A BIT OF A PATCHWORK GIRL,

I'M DRAWN TO THINGS WITH
DISPARATE PARTS RESEMBLEED.

AND IT'S A METAPHOR FOR ME.
I SUPPOSE I FIND BEAUTY IN

UNLIKELY PLACES.
SO I'M DRAWN IN TO ALLEYS.

I LOVE ALLEYS, WHAT I FIND
ARE THAT OLD WINDOWS,

PATCHED TOGETHER WITH BITS
OF BOARD, PLASTIC, GLASS, IT

ALL BECOMES AN ASSEMBLAGE
THAT'S ACCIDENTAL.

WHEN I SEE, THIS I CONNECT
TO IT.

IN TERMS OF MY OWN
EXPERIENCE.

>> DHOG IS ALL ABOUT JOY
BECAUSE IT'S JUST ECSTATIC

WHEN YOU'RE SO IN LOVE WITH
FORM AND TEXTURE AND COLOR.

IT'S JUST -- WHEN YOU'RE IN
THE MIDST OF IT, IT'S

ECSTASY.
IN TERMS OF MYSELF, SOME

PEOPLE WOULD CONSIDER NEED
TO BE DISABLED -- ME TO BE

DISABLED OR DISFIGURED AND
THOSE WORDS DON'T REALLY CUT

IT FOR ME AND I'M DIFFERENT,
IT'S A MATTER OF, I THINK,

FOR ME, SEEING OTHER THINGS
THAT ARE DIFFERENT.

AND HOPEFULLY FINDING THE
THINGS WITHIN OR WHAT THEY

SHOW THAT GIVES BEAUTY.
AND I HOPE WE CAN ALL COME

TO A NEW UNDERSTANDING OF
WHAT CAN BE BEAUTIFUL.

>> YOU CAN LAIRN MORE ABOUT
LYNN BY VISITING HER WEBSITE

AT MUSINGRELICS.COM.
>> THIS WEEK MY ART COMES

FROM CARLA VELIZ.
BORN IN MEXICO, CARLA

CREATES WORKS OF UNSELF-
CONSCIOUS PASSION.

THESE PAINTINGS ARE FROM AN
EXHIBIT LAST YEAR CALLED YOU

DON'T KNOW WHO I AM.
HER WORK SPEAKS OF DEEP

EMOTION.
BUT ALWAYS WITH AN UNDER

CURRENT OF HAPPINESS.
SHE SAYS HER WORK IS ALWAYS

BORN OF SPONTANEITY.
AND INTUITIVE APPROACH WITH

NO PREDETERMINED CHOICE OF
COLOR OR MEDIA.

A TRUE EXPRESSION OF LOVE,
LIFE, OR LAMENT.

OUR THANKS TO CARLA FOR
SHARING HER ART WITH US.

THE PRINCE OF RAY MASEMAN
HAVE BEEN HATCHED FROM

DREAMS, MYTH AND CHILDREN'S
STORIES.

>> THE WORK LENDS ITSELF TO
METAPHOR.

CAN YOU TALK ABOUT THAT.
>> AFTER I'VE MADE, IT OH,

THIS IS WHAT THIS MEANT. AT
THE TIME IT'S JUST KIND OF

A -- I SHOULD PUT THIS
BICYCLE HERE, THIS ANIMAL ON

THIS BICYCLE.
THERE SHOULD BE A THING OFF

THE TOP OF THE BICYCLE.
OH, THIS WANTS A LITTLE

MOUNTAIN IN THE BACKGROUND.
IT'S LIKE NOT THINKING ABOUT

WHAT IT ALL MEANS.
JUST LIKE COMPOSITION, AND

WHAT COLOR LOOKS GOOD.
AND WHATEVER WAS FLOATING

AROUND IN THE BACK OF MY
BRAIN, IT POPS OUT.

WHEN MY KIDS WERE YOUNG,
THERE WAS FATHERHOOD AND

PARENTING THINGS, AND A LOT
OF TRAVELING HAPPENS, AND I

DON'T KNOW HOW MUCH THAT'S
WANTING TO HAPPEN.

SOME IS WANTING TO LITERALLY
TRAVEL.

SOME IS LIKE LIFE IS A
JOURNEY KIND OF THING.

AND I GUESS THIS IDEA OF ARC
TYPE.

I MEAN, THAT'S THE JUNIAN
PHILOSOPHY.

I FIGURE THAT'S MUST BE A
GOOD IDEA BECAUSE EVEN

THOUGH IN MY HEAD IT WAS
ABOUT STUFF IN MY HEAD, IT

SEEMS TO RESONATE WITH THEIR
HEAD, TOO.

IT'S SUPPOSED TO BE
UNIVERSAL.

AND THE METAPHOR PART OF
THAT IS METAPHORS ARE

AMBIGUOUS.
SOMETIMES MAYBE THE BOAT IS

THE BOAT.
BUT YOU CAN INTERPRET A LOT

OF WAYS.
TO ME IT'S EXCITINGLY

CURIOUS.
YOU'RE TRYING TO FIGURE OUT

THE DYNAMICS BETWEEN SAY, A
PENGUIN AND A GIRAFFE, SO

LET'S TALK ABOUT THE
CHARACTER CHARACTERS.

>> THE ANIMAL STARTED
HAPPENING BECAUSE A FRIEND

GAVE ME A BOOK ABOUT ANIMAL
FATHERS.

AND THE FIRST THIRD OF THE
BOOK WAS ABOUT EMPEROR

PENGUINS AND I DIDN'T KNOW
ANYTHING ABOUT MALE PENGUINS

BUT I DISCOVERED THEY TAKE
CARE OF THE EGG.

THAT'S A GOOD ROLE MODEL FOR
BEING -- I'M GOING TO TRY TO

BE THAT DEDICATED AND AFTER
A WHILE THE PENGUIN NEEDED A

BUDDY.
SOLO AND NEEDED A FRIEND,

AND SO SEA HORSE IS THE THE
MALE BEAR THE YOUNG.

THE SEA HORSE, AT THAT POINT
EVOLVED FROM THIS FATHERHOOD

THING, ARE THEY TWO FRIENDS?
IS IT A RELATIONSHIP, ARE

THEY A COUPLE?
ARE THEY PAIRCHTING THE EGG?

IS THE EGG SOMETHING ELSE?
THE WHOLE MOAT FORETHING

TOOK OFF.
>> ALSO EVOLVED.

ARC TYPE CAL THING.
IF YOU'RE A MAN -- KIND OF

BECAME THAT. STILL LIKE
DEPENDING UPON YOU THE VIEW

ER AS TO WHRT PENGUIN IS
THE INTERNAL WOMAN OR THE

SEA HORSE IS OR WHAT.
BUT JUST THAT, FEMALE,

IDENTITY.
WHAT THAT MEANS.

>> AND GIRAFFE AND THE BIRD.
>> THE PENGUIN GOT TO THE

POINT WHERE PEOPLE ARE
GIVING ME PENGUINS AND SKIFF

S.
I DON'T WANT.

STOP, I DON'T WANT TO BE THE
PENGUIN GUY.

I NEED A NEW ANIMAL. I WAS
READING ABOUT THE GIRAFFES

IN THE PR AGUE ZOO. AND HOW
THE GIRAFFE GOT FROM AFRICA

TO THE ZOO, AND ALL THIS
STUFF ABOUT GIRAFFE BIOLOGY

AND PSYCHOLOGY, AND JUST HOW
GIRAFFES WORK.

AND THEIR EYEBALL IS
PROPORTIONATELY THE BIGGEST

OF ANY ANIMAL.
THEIR VISION IS THE WAY

SMELL FOR DOGS.
DOGS SMELL THINGS WE DON'T.

AND A GIRAFFE MAYBE SEES
THINGS WE DON'T SEE OR SEES

A LEVEL OF DETAIL WE DON'T.
AND THAT'S A GOOD ARTIST.

BETTER FATHER NOW THE
GIRAFFE IS INSPIRING ME TO

BE A BETTER ARTIST.
>> WHEN YOU HAVE THE TWO

GIRAFFES STARING AT EACH
OTHER AND ONE HAS THE CAGED

BIRD AND ONE NOT.
THERE'S CERTAINLY A

NARRATIVE.
>> DEFINITELY -- SOMETIMES I

HAVE A FUZZY IDEA OF THE
NARRATIVE OR MAYBE EVEN A

CLEAR IDEA, SOMETIMES I
DON'T KNOW UNTIL ITS IT'S

OVER.
I WANT PEOPLE TO LOOK AND

MAKE UP A STORY OR HAVE A
SENSE OF STORY WITHOUT IT

BEING TIED TO THIS IS THE
ONE STORY.

>> DO PEOPLE EVER ASK YOU
WHAT THE BIRD IS?

>> BIRDS ARE LIKE
STEREOTYPICAL -- ICONOGRAPHY

OF BIRDS ARE SUPPOSED TO BE
SOULS OR SPIRITS. AND

THAT'S KIND OF WHAT THEY'VE
ENDED UP BEING MOST OF THE

TIME.
SO IN THE TWO GIVE RAR ONE,

THEY EACH HAVE A BIRD AND
THE BIRD IS LIKE THE SPIRIT

OR LITTLE SOUL AND ONE OF
THEM HAS HER BIRD IN A CAGE

AND THE OTHER BIRD FREE BUT
HE'S IN A CAGE.

AND WHATEVER YOU MAY THINK
YOU'RE DOING AT A GIVEN TIME

, YOUR BIRD IS OUT THERE
MAYBE DOING WHAT YOU'RE

REALLY DOING.
OR SEEING WHAT YOU'RE DOING.

>> BIRD'S EYE VIEW.
>> THAT INHERENT SENSE OF

PLAY THAT CHILDREN HAVE AND
IN YOUR WORK.

CAN YOU TELL US WHERE THAT
PLAYFULNESS IN YOUR WORK

COMES FROM?
>> IT'S REALLY IMPORTANT TO

FEEL LIKE YOU'RE SAFE AND
COMFORTABLE ENOUGH TO JUST

TRY THINGS WITHOUT KNOWING
HOW IT'S GOING TO TURN OUT.

WITHOUT KNOWING FOR SURE
WHAT IT'S GOING TO MEAN.

I THINK PART OF WHY I LIKE
SETTING UP THE PICTURE, SO

PEOPLE HAVE TO ASK QUESTIONS
IS IT SORT OF FORCES THEM TO

GET OUT THEIR LITTLE RUT.
WHATEVER THE LITTLE RUT

MIGHT BE.
>> IN YOUR PERSONAL

EXPERIENCE, PERSONAL
BACKGROUND, HOW DOES

BASICALLYINESS CONNECT TO
YOUR UPBRINGING?

>> NEITHER -- NEITHER ONE OF
MY PARENTS WERE SUPER

BASICALLY.
MY DAD, AS HE WENT THROUGH

LIFE AND LOTS OF ADDICTION
STUFF AND ALCOHOL AND

CIGARETTES AND WHATNOT.
ESPECIALLY AS I GOT OLDER

AND COULD SEE YOU'RE STUCK.
I MEAN, DEFINITELY ADDICTION

STUFF, LIKE DONE PEOPLE HAVE
DONE STUDIES, PEOPLE'S

BRAINS GET ALMOST LITERALLY
RUTTED LIKE IN THIS PATH OF

WHATEVER YOUR ADDICTION; AND
READ ABOUT THOSE AND LOOKED

AT MY FATHER AND WELL, YEAH,
HE CAN'T -- IT'S TOO SCARY

TO GET OUT OF THE RUT. AND
THERE'S NOT ANY PLAY

HAPPENING.
I HAVE TWO BROTHERS AND ALL

THREE OF US LOOKED AND WE'RE
NOT GOING TO BE LIKE THAT.

A BETTER DAD, MORE HAPPIER
PERSON, AND I THINK FOR ME

THE ART WAS JUST A WAY TO
EXPLORE THAT.

>> S TO LEARN MORE, YOU CAN
VISIT WEBSITE.

>> WE ARE BACK WITH MY GREAT
FRIEND DEBORAH MARTIN AND

WE'RE GOING TO TALK ABOUT
OVERTIME'S NEW -- IT SOUNDS

REALLY KIND OF SAUCY.
IS IT?

>> I DON'T KNOW IF I WOULD
USE THE WORD SAUCY.

IT'S VERY INTERESTING.
I MEAN, IT'S SORT OF A

AVANT-GARDE PIECE.
BUILT AROUND THERAPY SESSION

, AND THE ACTORS MOVE
IN AND OUT OF THEIR DREAMS.

SO SOMETIMES YOU'RE IN WHAT
APPEARS TO BE A REALISTIC

SPACE, AND SOMETIMES YOU'RE
PLAINLY NOT.

I MEAN, THERE'S A REALLY
WONDERFUL SEQUENCE THAT IS

THIS SILENT DANCE SEQUENCES
AND THEY'RE ALL DOING

DIFFERENT MOVES AND IT'S
REALLY WONDERFUL.

THERE'S ONE SEQUENCE WHERE
THE THERAPIST AND HER

THERAPIST SWITCH PLACES JUST
SO YOU THINK WHAT ANOTHER

ONE THINKS OF THE OTHER ONE
AND IT IS BASICALLY WHAT

EACH THOUGHT THE OTHER ONE
THOUGHT OF THEM.

YOU KNOW, THE THERAPIST
THINKS OF THE PATIENT AS

MAYBE A LITTLE ENTITLED AND
A LITTLE MELODRAMATIC, AND

THE PATIENT SEES HER DOCTOR
AS A LITTLE CHILLY, DISTANT.

>> THAT'S A COOL PERSPECTIVE
>> YEAH, IT'S A REALLY

INTERESTING PIECE.
RUNS FOR ABOUT AN HOUR OR SO

, RAIMP HE WILL JOSEPH IS
THE PLAYWRIGHT.

>> SHE'S LOCAL.
>> EXPHES TEACHES AT TRIN

EXPIT HER STUFF IS REALLY,
REALLY INTERESTING.

AND ONE OF THE COOL THINGS
ABOUT THE OVERTIME, IT'S ALL

ORIGINAL STUFF.
SO YOU WILL NOT SEE THAT

ANYWHERE ELSE.
YOU KNOW.

>> THAT'S REALLY, REALLY FUN
>> SO HOW MANY SHOWS -- DO

YOU KNOW HOW MANY SHOWS
SHE'S WRITTEN AND DONE?

IS THIS HER FIRST?
>> NO, SHE DID A PIECE

CALLED SCREAM DREAMS.
ALSO KIND OF -- WHICH WAS

REALLY INTERESTING AND ALSO
SORT OF DEALT WITH REALITY

VERSUS DREAMS.
AND SILENT FILM AND WHICH

WAS REALLY WONDERFUL.
>> COOL.

>> SHE -- SHE PARTICIPATED
IN THE -- I DON'T REMEMBER

IF THEY'RE CALLING
THEMSELVES THE BARE NAKED

PLAYWRIGHTS.
>> ABSOLUTELY.

>>S DID A REALLY INTERESTING
PIECE FOR THEM A FEW YEARS

AGO HERE AT THE PLAY HOUSE.
>> AWESOME.

>> WHY SHOULD PEOPLE COME
SEE STRIP?

OBVIOUSLY THEY SHOULD COME
SUPPORT IS LOCAL THEATER

BECAUSE THAS THAT IS AWESOME
.

WHAT ELSE ABOUT THE PLAY
WOULD MAKE PEOPLE WANT TO

COME?
>> IF YOU ARE INTERESTED IN

SEEING SOMETHING WHERE --
WHERE THE PERSPECTIVE IS

DEFINITELY NOT SOMETHING
YOU'RE GOING TO SEE

SOMEWHERE ELSE.
IT RUNS JUST ABOUT AN HOUR.

SO IT'S NOT A HUGE TIME
COMMITMENT.

AND IT JUST, A VERY
INTERESTING PERSPECTIVE.

I DON'T WANT TO GIVE TOO
MUCH AWAY.

>> MULTIMEDIA?
>> IT IS NOT.

>> INTERESTING.
>> A LOT OF THEIR STUFF IS.

>> RIGHT, THIS IS NOT.
I MEAN, THEY'VE PUT IT WHERE

THEY PUT WORKSHOP PIECES.
>> REALLY GOOD ACTORS IN

THAT PIECE, TOO.
>> YES, JULIA IS FANTASTIC.

>> AND CHRIS, I LOVE HIM.
>> WONDERFUL.

>>.
>> EVERYONE SHOULD COME SEE

IT.
THANKS SO MUCH.

>> THANK YOU.
>>.

>> YOU CAN READ MORE REVIEWS
BY DEBORAH MARTIN IN THE

INTERAT THE SAME TIME
SECTION.

TO ADD YOUR EVENT, VISIT
KLRN.ORG/ARTS.

UP NEXT WE'RE GOING TO MEET
DAVE BUICKER, A HISTORIANIAN

AND IN DEMAND FROM OHIO.
WE'LL SEE THEIR FIRST VIDEO.

>> I'M A SCIENCE EDUCATOR
AND SING AND PLAY GUITAR IN

THE BAND.
>> I'M JOE, I'M A TEACHER

AND I PLAY DRUMS.
>> I'M BROOKLYN, AND I PLAY

KEYS.
>> I'M LEANNA AND I SING

HARMONIES AND I'M A SCIENCE
EDUCATOR.

>>.
>> I'M PAUL, I WORK AT SAM

ASH MUSIC AND PLAY KEYS AND
SING.

>> I WORK FOR A TEXTBOOK
COMPANY AND PLAY BASIC

GUITAR.
>>.

>> THE NAME IS BECAUSE SORT
OF OUR PHILOSOPHY THAT SONG

WRITING IS THE ACT OF
DOCUMENTING YOUR OWN EMOTION

S AND EXPERIENCING
THAT -- AND OF THOSE THAT

YOU KNOW, THAT MAY HAVE
OTHERWISE GONE UNDOCUMENTED.

SO YOU'RE KIND OF THERE
TAKING SNAPSHOTS AND PUTTING

THOSE IN FILES SO EVERYBODY
CAN REMEMBER THOSE THINGS.

>> I THINK IN TERMS OF
PRODUCING A ALBUM, THAT'S

DOWN TO A AN INDIVIDUAL
BASIS.

YOU WANT TO MAKE A CERTAIN
KIND OF MUSIC AND RECORD IT

AND YOU WANT IT TO BE GOOD.
IT'S ALL DEPENDENT UPON HOW

HARD YOU WORK.
>> JUST LAST WEEK I SAID IT

FELT LIKE A MUSICAL SOUND
TRACK.

OR HAD A THEME THAT IT START
ED WITH AND FINISHED

WITH.
>> DEFINITELY DOES.

AND THAT THEME IS THE TITLE.
>> BRINGS YOU HERE.

>> WE WORK HARD TO FIND THE
SOUND. AND NOT IN KIND OF A

A -- WE NEED TO WRITE SOUNDS
THAT WILL FIT THIS MOLD

BECAUSE THAT WOULD BE BORING
BUT WE ENDED UP WITH

SOMETHING THAT I THINK HAS A
UNIFORM FEELING AND TEXTURE.

THAT MAKES IT FEEL LIKE AN
ALBUM.

ABOUT A MONTH AGO, WE FILMED
A MUSIC VIDEO, FILMED IT AT

CAFE COFFEE SHOP DOWN ON
HIDE STREED.

>> VERY GOOD TO US OVER THE
YEARS R YEARS AS WELL.

>> MIKE WHO IT IS INCREDIBLY
GOOD TO US.

YOU WILL NOTICE IN THE VIDEO
, THAT PAUL IS NOT

FACING THE BAND.
AND WE WANTED PAUL TO BE

FACING THE BAND BUT WHEN WE
TRIED TO MOVE THE PIANO, THE

LEG FELL OFF.
SO YOU GO FIND THE PIANO

FELL OVER.
>> DON'T TELL HIM.

HE MIGHT NOT BE HAPPY WITH
US.

>>.
>>¶

¶.
>> IF YOU WANT TO LEARN MORE

ABOUT THE BAND, VISIT ON THE
WEBSITE AT DAVE BUICKER.COM.

THAT WRAPS IT UP FOR THIS
EDITION OF ARTS.

I'M ASIA CIARAVINO, NEXT
WEEK WE'RE GOING TO TALK

ABOUT ALL THE COOL STUFF
GOING ON IN SAN ANTONIO.

WE'LL SEE YOU THEN.
>> ARTS IS MADE POSSIBLE BY

THE KELSO FOUNDATION.
THE ELIZABETH HUTH COATES

CHARITABLE FOUNDATION.
AND VIEWERS LIKE YOU.

ARTS IS PRESENTED BY THE
TOBIN CENTER FOR THE PERFORM

ING ARTS.
OPENING SEPTEMBER 2014.

PROVIDING THE BEST PLACE
ANYWHERE TO SEE AND HEAR A

LIVE PERFORMANCE.
SAN ANTONIO'S FUTURE OF THE

PERFORMING ARTS.
THE TOBIN CENTER.