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KENTUCKY LIFE IS MADE  
 POSSIBLE IN PART

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BY A GRANT FROM THE HONORABLE  
 ORDER OF KENTUCKY COLONELS

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COMING UP TONIGHT  
ON  KENTUCKY LIFE

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A HOLIDAY TOUR OF THE  
HISTORIC CITY OF BARDSTOWN

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COME ALONG WITH US AS 
WE CELEBRATE THE SEASON

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IN ONE OF KENTUCKY'S  
OLDEST TOWNS

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(Music playing)

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HAPPY HOLIDAYS, AND  
WELCOME TO  KENTUCKY LIFE

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I'M BYRON CRAWFORD, YOUR 
HOST FOR THIS SPECIAL VISIT

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TO A CITY STEEPED IN THE 
HISTORY OF THE COMMONWEALTH

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WE'VE CHOSEN THIS UNIQUE AREA

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TO CELEBRATE AN 
OLD-FASHIONED CHRISTMAS

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AND TO HERALD IN THE NEW YEAR

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FIRST EXPLORED IN THE 1770s

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BARDSTOWN IS HOME TO SAINT 
JOSEPH'S PROTO CATHEDRAL

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THE FIRST CATHOLIC CATHEDRAL 
WEST OF THE ALLEGHENY MOUNTAINS

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IT'S ALSO HOME TO  
THREE COMMUNITIES

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OF CATHOLIC RELIGIOUS 
MEN AND WOMEN

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THE OLD TALBOTT TAVERN 
HAS BEEN OPEN HERE

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SINCE REVOLUTIONARY WAR TIMES

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AND HOSTED VISITORS RANGING 
FROM THE EXILED KING OF FRANCE

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TO LEGENDARY EXPLORERS-- 
LEWIS AND CLARK

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NO LESS THAN 220 BUILDINGS  
ARE LISTED HERE

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ON THE NATIONAL REGISTER 
OF HISTORIC PLACES

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AND 60 % OF THE WORLD'S  
SUPPLY OF BOURBON

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IS MANUFACTURED RIGHT 
HERE IN THIS AREA

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THE COMMUNITY IS AWASH 
IN QUAINT CHARM

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ESPECIALLY THIS TIME OF YEAR

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WHEN ITS MANY SHOPS,  
INNS AND PARKS

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WELCOME VISITORS TO MAKE MERRY

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AND WHAT COULD BE MERRIER?

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OR MORE TRADITIONAL THAN A  
TOY TRAIN SET UNDER THE TREE

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AND A REAL LIVE TRAIN

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WHERE EVERY DAY'S A 
FULL COURSE HOLIDAY

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(Train whistle blowing)

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(Train whistle blowing)

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MY OLD KENTUCKY DINNER TRAIN

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RUNS YEAR ROUND 
ON A VARIED SCHEDULE

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AND WE DO GO ABOUT 35  
MILES DURING THE TRIP

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WE TRAVEL THROUGH  
THE BURNHEIM FOREST

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WE GO THROUGH THE JIM BEAM 
DISTILLERY PROPERTY

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AND THEN WE GO ON TO 
A FORMER TRAIN DEPOT

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AND A HOTEL FROM THE 1800s

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AT LIMESTONE SPRINGS

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THE DINNER TRAIN ITSELF 
HAS THREE DINING CARS

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THEY'RE ALL FROM THE 1940s ERA

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AND OUR ENGINES ARE A LITTLE BIT 
NEWER, THEY'RE FROM THE 1950s

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AND THEY ARE DIESEL ELECTRIC

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WE HAVE A VERY FAMOUS 
DINING CAR WITH US

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IT'S CALLED OUR 
"EISENHOWER CAR"

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AND IT'S CALLED THAT FOR  
THE SIMPLE FACT THAT

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IT WAS ACTUALLY OWNED BY  
THE EISENHOWER FAMILY

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AND IT WAS USED DURING THE  
TIME THAT PRESIDENT EISENHOWER

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WAS BROUGHT BACK FROM 
WASHINGTON, D.C.

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TO ABILENE, KANSAS 
FOR HIS BURIAL

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UH, THE FAMILY USED  
THAT DINING CAR

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FOR THEIR PRIVATE  
DINING PURPOSES

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DURING THAT TIME

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WE HAVE SOME HISTORY  
ALONG THE TRACK

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UH, THE TRACK ITSELF  
IS FROM THE 1800s

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IT WAS USED AND IN, IN SERVICE 
FROM 1860 TO THE MID 1950s

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SO JUST ABOUT 100 YEARS

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AND IT WAS UNDER THE  
OWNERSHIP OF THE L & N

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LOUISVILLE AND NASHVILLE 
RAILROAD AT THAT TIME

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THANK YOU

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AS WE'RE TRAVELING ALONG

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ALL OF THE DINING CARS 
ARE FROM THE 1940s

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UH, THIS PARTICULAR 
DINING CAR

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IS ONE OF OUR MOST 
POPULAR DINING CARS

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THE NUMBER, OBVIOUSLY, IS  
AN EASY TO REMEMBER CAR

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007

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007

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MAKES YOU THINK OF JAMES  
BOND AND SEAN CONNERY

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YOU KNOW,  
IT'S FUNNY TO

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TO NOTICE THE  
PEOPLE ON THE TRAIN

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TODAY, EVEN THE  
PEOPLE BEHIND US

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WHO HAPPENED TO BE FROM 
I THINK, VIRGINIA

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YES, SIR

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UH, THEY'RE JUST REALLY  
HAVING A GOOD TIME

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THE ATMOSPHERE  
OF A TRAIN CAR

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IS, IS NOT COMPARABLE  
TO ANYTHING ELSE

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I AGREE, I AGREE

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THE, THE DINNER  
TRAIN IS WONDERFUL

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FOR I THINK, ANY AGE

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UH, IF YOU'RE FROM THE ERA WHERE 
DINNER TRAINS WERE VERY POPULAR

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IT GIVES YOU A CHANCE TO 
KIND OF STEP BACK IN TIME

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AND HAVE A LOT OF 
MEMORIES COME BACK

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WE HAD A GENTLEMAN RIDE  
WITH US, NOT TOO LONG AGO

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THAT ACTUALLY SERVICED IN, IN 
THE ERA WHERE GLENN MILLER

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WAS POPULAR

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AND HE WAS ACTUALLY PART 
OF THE GLENN MILLER BAND

92
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SO WE HAD A TREAT

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HE, HE SAT OUT IN THE  
DEPOT, PLAYED SOME PIANO

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AND TREATED US BEFORE 
HE STEPPED ON BOARD

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AND HE HAD A LOT OF MEMORIES  
TO COME BACK TO HIM WITH THAT

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THAT'S GREAT

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ALSO SOMETHING YOU MIGHT  
WANT TO KNOW ABOUT, BYRON

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WE UH, WE ARE PASSING THROUGH 
AN AREA WHERE JESSE JAMES

99
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TRAVELED QUITE A BIT

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AND FOLKLORE HAS IT

101
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THAT THERE IS A HOME  
THAT WAS ALONG THIS TRACK

102
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WHERE JESSE JAMES ACTUALLY  
HID OUT FROM THE LAW

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WHILE HE WAS HERE IN TOWN

104
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UH, AS I UNDERSTAND IT

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HE HAS, HAD A RELATIVE HERE IN 
BARDSTOWN THAT HE CAME TO VISIT

106
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AS HE WAS TRYING TO  
ESCAPE FROM THE LAW

107
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SO WE SAW HIM QUITE A BIT, 
APPARENTLY DURING THOSE YEARS

108
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YOU CAME ALONG  
AT THE RIGHT TIME

109
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IF YOU'D BEEN EARLIER

110
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JESSE MIGHT BE ROBBING 
THE TRAIN RIGHT NOW

111
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THAT'S RIGHT

112
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THAT'S EXACTLY RIGHT

113
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THAT'S EXACTLY RIGHT

114
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THE TRAIN HAS QUITE A 
REPUTATION THOUGH, ALREADY

115
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DOESN'T IT?

116
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IT CERTAINLY DOES

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UH, WE'RE VERY  
FORTUNATE

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THE DINING CARS,  
AS YOU CAN SEE

119
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HAVE BEEN, HAVE BEEN 
REFURBISHED AND RENOVATED

120
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WE'RE TRYING TO CAPTURE  
THE ESSENCE OF THE '40s

121
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UH, WE HAVE THE  
MAHOGANY WALLS

122
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THE WHITE  
LINEN SERVICE

123
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ALL OF OUR WAITERS  
ARE IN TUXEDOS

124
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AND OUR FOOD,  
I THINK

125
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AS, AS YOU MIGHT AGREE, 
IS SECOND TO NONE

126
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ABSOLUTELY WONDERFUL

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(People laughing and talking)

128
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(Train whistle blowing)

129
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Lucas: 
I THINK THE DINNER TRAIN 
BRINGS BACK A LOT OF MEMORIES

130
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FOR FOLKS THAT HAVE RIDDEN 
DINNER TRAINS IN THE PAST

131
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FOR THOSE OF US WHO HAVE 
NOT BEEN FORTUNATE ENOUGH

132
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TO HAVE THAT AS A PART 
OF OUR, OF OUR HISTORY

133
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IT GIVES US AN OPPORTUNITY 
TO RELIVE THE PAST

134
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AND IT REALLY BRINGS OUT  
THE KID IN ALL OF US

135
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UH, THE DINNER  
TRAIN IS A BIG TOY

136
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UH, FOR, FOR EVERYBODY  
I THINK OF ANY AGE

137
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YOU GET ON THERE AND IT  
TAKES YOU TO A DIFFERENT

138
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A DIFFERENT ERA

139
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AND IT TAKES YOU TO A 
DIFFERENT PERSONALITY

140
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UH, I THINK EVERYBODY  
ENJOYS TRAINS

141
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AND IT GIVES YOU AN OPPORTUNITY 
TO RIDE SOMETHING THAT

142
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MAYBE YOU'VE NEVER  
RIDDEN BEFORE

143
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OR IT TAKES YOU BACK TO  
A TIME IN YOUR CHILDHOOD

144
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THAT YOU MAY HAVE 
BEEN AT ONE TIME

145
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AND RIDE AGAIN AS 
YOU DID IN THE '40s

146
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THERE ARE FEW THINGS MORE 
ROMANTIC THAN A TRAIN RIDE

147
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THROUGH THE COUNTRYSIDE

148
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WITH THE CLICK OF THE WHEELS 
TO PUNCTUATE CONVERSATION

149
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AND THERE ARE FEW SONGS TO 
MATCH THE ROMANCE, POPULARITY

150
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AND LONGEVITY OF THE SONG PENNED 
BY STEPHEN COLLINS FOSTER

151
00:06:10,966 --> 00:06:14,000
"OH, SUSANNAH" FOSTER'S  
FIRST HIT TUNE

152
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WAS PUBLISHED IN 1848

153
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AND EVER SINCE, 
PEOPLE IN THE U.S.

154
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AND INDEED, AROUND THE WORLD

155
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HAVE MADE HIS SONGS THEIR OWN

156
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WE'VE CLAIMED ONE SPECIAL 
TUNE "MY OLD KENTUCKY HOME"

157
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AS OURS ALONE

158
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THIS ELEGANT MANSION AT 
FEDERAL HILL IS REPUTED TO BE

159
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THE PLANTATION THAT INSPIRED 
FOSTER TO PEN THE SONG

160
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THAT IS SO DEAR TO OUR HEARTS

161
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(Playing "My Old Kentucky Home")

162
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WE'RE IN THE PARLOR HERE  
AT MY OLD KENTUCKY HOME

163
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THE PEOPLE WHO LIVED HERE  
WERE THE ROWAN FAMILY

164
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THEY WERE JUDGE JOHN ROWAN, 
SR.-- THE FIRST OWNER

165
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AND HIS WIFE-- ANN LIDDLE

166
00:06:58,566 --> 00:07:01,266
(Music playing)

167
00:07:01,366 --> 00:07:04,466
THE JUDGE WAS A SENATOR, 
A JUDGE AND A LAWYER

168
00:07:04,566 --> 00:07:05,800
AT THE TIME THAT HE LIVED HERE

169
00:07:05,900 --> 00:07:07,666
AND HE ALSO HAS A  
SMALL PLANTATION HERE

170
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THE ROWANS WERE A COUSIN 
OF STEPHEN FOSTER

171
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IN THE SOUTH, CHRISTMAS 
WAS A TIME OF FEASTING

172
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DANCING, BALLS AND 
RELIGIOUS DEVOTION

173
00:07:16,766 --> 00:07:19,733
IN THE NORTH, CHRISTMAS HAD A 
MUCH HARDER TIME GETTING STARTED

174
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BECAUSE THE EARLY  
SETTLERS-- THE PURITANS

175
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FORBADE ITS OBSERVANCE

176
00:07:24,100 --> 00:07:27,266
THE CHRISTMAS TREE WAS BROUGHT 
OVER BY THE GERMAN SETTLERS

177
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TO AMERICA

178
00:07:28,566 --> 00:07:30,133
EVERY BRANCH WOULD  
HAVE BEEN DECORATED

179
00:07:30,233 --> 00:07:32,400
AND IT WOULD HAVE BEEN POPULAR 
TO HAVE SMALL CANDLES

180
00:07:32,500 --> 00:07:33,666
SILHOUETTING THE TREE

181
00:07:36,500 --> 00:07:38,066
WE'RE IN THE LIBRARY

182
00:07:38,166 --> 00:07:39,733
THE CHRISTMAS CAROLS  
IN THOSE DAYS

183
00:07:39,833 --> 00:07:41,466
WERE SIMPLE, HAPPY TUNES

184
00:07:41,566 --> 00:07:45,066
THAT INVOLVED NOT ONLY  
SONG, BUT DANCE AS WELL

185
00:07:45,166 --> 00:07:47,433
THE DANCE PART  
EVENTUALLY FADED OUT

186
00:07:48,366 --> 00:07:51,066
STEPHEN FOSTER WAS  
A CAROLER IN HIS DAY

187
00:07:51,166 --> 00:07:54,166
AND WAS A MEMBER OF THE SINGING 
GROUP CALLED "THE SERENADERS"

188
00:07:54,866 --> 00:07:58,400
SOME OF STEPHEN FOSTER'S SONGS 
INCLUDE "OPEN THY LATTICE, LOVE"

189
00:07:58,500 --> 00:07:59,733
"BEAUTIFUL DREAMER"

190
00:07:59,833 --> 00:08:00,866
"OH, SUSANNAH"

191
00:08:00,966 --> 00:08:02,600
AND "MY OLD KENTUCKY HOME"

192
00:08:02,700 --> 00:08:05,533
WHICH FAMILY CORRESPONDENCE 
SAYS HE WROTE ABOUT THIS HOME

193
00:08:05,633 --> 00:08:11,933
(Music playing)

194
00:08:12,033 --> 00:08:14,333
STEPHEN FOSTER DIED  
AT THE AGE OF 37

195
00:08:14,433 --> 00:08:16,133
OF PNEUMONIA IN NEW YORK

196
00:08:16,233 --> 00:08:19,000
ON JANUARY 13, 1864

197
00:08:21,033 --> 00:08:23,066
YOU KNOW, MUSIC  
MAKES THE HOLIDAYS

198
00:08:23,166 --> 00:08:25,266
AND THIS YEAR, WE'VE CHOSEN  
TO PRESENT THE CHOIR

199
00:08:25,366 --> 00:08:27,266
OF THE SISTERS OF 
CHARITY OF NAZARETH

200
00:08:27,366 --> 00:08:29,533
AT THE SAINT VINCENT  
DEPAUL CHURCH

201
00:08:29,633 --> 00:08:33,000
THIS 143-YEAR OLD CHURCH  
WAS BUILT FOR THE SISTERS

202
00:08:33,100 --> 00:08:36,666
WHO WERE FOUNDED IN 1812 BY 
MOTHER CATHERINE SPALDING

203
00:08:36,766 --> 00:08:39,200
IT'S NAMED FOR THE  
SISTERS' PATRON SAINT

204
00:08:39,300 --> 00:08:41,266
WHOSE BRONZE STATUE 
MAY BE SEEN OUTSIDE

205
00:08:42,100 --> 00:08:44,000
DESIGNED IN THE  
FRENCH GOTHIC STYLE

206
00:08:44,100 --> 00:08:46,066
IT FEATURES HAND-CARVED ALTARS

207
00:08:46,166 --> 00:08:47,933
A MARBLE MOSAIC FLOOR

208
00:08:48,033 --> 00:08:50,200
A BEAUTIFUL HARD-CARVED CRUCIFIX

209
00:08:50,300 --> 00:08:52,333
AND LARGE GOTHIC  
STAINED-GLASS WINDOWS

210
00:08:53,100 --> 00:08:55,733
TEN YEARS AFTER ITS DEDICATION, 
THE VISITING BISHOP

211
00:08:55,833 --> 00:08:57,866
WHO HAD SEEN THE WORLD'S 
GREATEST CHURCHES

212
00:08:57,966 --> 00:09:00,133
CALLED IT THE "GEM  
OF THE DIOCESES"

213
00:09:00,233 --> 00:09:02,466
AND SAID IT WAS "THE  
MOST DEVOTIONAL CHURCH"

214
00:09:02,566 --> 00:09:03,466
HE HAD EVER SEEN

215
00:09:03,566 --> 00:09:13,533
(Music playing)

216
00:09:14,900 --> 00:09:24,866
(Singing "Come All Ye Faithful")

217
00:09:30,033 --> 00:09:40,000
(Singing "Come All Ye Faithful")

218
00:09:45,100 --> 00:09:55,066
(Singing "Come All Ye Faithful")

219
00:09:59,766 --> 00:10:09,733
(Singing "Come All Ye Faithful")

220
00:10:14,500 --> 00:10:20,266
♪ O, COME ALL YE FAITHFUL ♪

221
00:10:20,366 --> 00:10:25,000
♪ JOYFUL AND TRIUMPHANT ♪

222
00:10:25,100 --> 00:10:35,066
♪ O, COME YE, O, COME 
YE TO BETHLEHEM ♪

223
00:10:37,433 --> 00:10:43,000
♪ COME AND BEHOLD HIM ♪

224
00:10:43,100 --> 00:10:48,200
♪ BORN THE KING OF ANGELS ♪

225
00:10:48,300 --> 00:10:54,266
♪ O, COME LET US ADORE HIM ♪

226
00:10:54,366 --> 00:11:00,600
♪ O, COME LET US ADORE HIM

227
00:11:00,700 --> 00:11:10,666
♪ O, COME LET US ADORE  
HIM, CHRIST THE LORD ♪

228
00:11:19,500 --> 00:11:29,466
(Playing "Silent Night")

229
00:11:32,100 --> 00:11:37,666
♪ SILENT NIGHT ♪

230
00:11:37,766 --> 00:11:43,466
♪ HOLY NIGHT ♪

231
00:11:43,566 --> 00:11:49,133
♪ ALL IS CALM ♪

232
00:11:49,233 --> 00:11:54,466
♪ ALL IS BRIGHT ♪

233
00:11:54,566 --> 00:12:04,600
♪ ROUND YOUNG VIRGIN,  
MOTHER AND CHILD ♪

234
00:12:05,433 --> 00:12:15,400
♪ HOLY INFANT, SO  
TENDER AND MILD ♪

235
00:12:16,366 --> 00:12:26,333
♪ SLEEP IN HEAVENLY PEACE ♪

236
00:12:27,633 --> 00:12:36,733
♪ SLEEP IN HEAVENLY PEACE ♪

237
00:12:39,700 --> 00:12:45,266
♪ SILENT NIGHT ♪

238
00:12:45,366 --> 00:12:51,200
♪ HOLY NIGHT ♪

239
00:12:51,300 --> 00:13:01,333
♪ SHEPHERDS QUAKE AT THE SIGHT ♪

240
00:13:01,900 --> 00:13:11,866
♪ GLORY STREAMS  
FROM HEAVEN ABOVE ♪

241
00:13:12,966 --> 00:13:22,933
♪ HEAVENLY HOSTS  
SING HALLEUJAH ♪

242
00:13:23,900 --> 00:13:33,866
♪ CHRIST THE SAVIOR IS BORN ♪

243
00:13:34,833 --> 00:13:44,800
♪ CHRIST THE SAVIOR IS BORN ♪

244
00:13:50,700 --> 00:13:54,466
(Bells ringing)

245
00:13:54,566 --> 00:13:55,600
THANK YOU,  
JONESEY

246
00:13:55,700 --> 00:13:56,600
APPRECIATE  
IT, BUDDY

247
00:13:56,700 --> 00:13:57,466
ALL RIGHT

248
00:13:57,566 --> 00:13:58,000
HAVE A GOOD ONE

249
00:14:01,300 --> 00:14:04,733
YOU KNOW, IF YOU ROAM THE CHEERY 
STREETS OF BARDSTOWN FOR A WHILE

250
00:14:04,833 --> 00:14:07,533
YOU'LL LIKELY MAKE SOME 
FASCINATING DISCOVERIES

251
00:14:07,633 --> 00:14:10,533
TUCKED AWAY RIGHT HERE  
IS A BIT OF THE OLD WORLD

252
00:14:10,633 --> 00:14:12,133
IN THE NEW

253
00:14:12,233 --> 00:14:15,466
AT BJOERN'S WATCH AND CLOCK 
SHOP ON MULBERRY ALLEY

254
00:14:15,566 --> 00:14:17,133
YOU'LL FIND THE  
NATIVE OF GERMANY

255
00:14:17,233 --> 00:14:21,466
BUSY AT WORK ON THE DEVICES THAT 
MARK OUR PASSAGE THROUGH LIFE

256
00:14:21,566 --> 00:14:24,666
HERE BESIDE THE CHARMING  
BLACK FOREST CUCKOO CLOCKS

257
00:14:24,766 --> 00:14:26,933
YOU'LL FIND OLD WORLD 
COLLECTIBLES

258
00:14:27,033 --> 00:14:28,733
FROM POLAND AND RUSSIA

259
00:14:28,833 --> 00:14:33,066
ALL AMID THE COMFORTING TICK 
TOCK OF 100 TIMEPIECES AT WORK

260
00:14:41,966 --> 00:14:44,200
BJOERN, ANYBODY 
HOME HERE?

261
00:14:44,300 --> 00:14:45,066
WHAT TIME IS IT?

262
00:14:45,166 --> 00:14:45,966
HOW ARE YOU?

263
00:14:46,066 --> 00:14:47,800
IT'S, IT'S  
CHRISTMASTIME

264
00:14:47,900 --> 00:14:48,533
ALMOST

265
00:14:48,633 --> 00:14:49,200
YEAH

266
00:14:49,300 --> 00:14:50,233
ALMOST

267
00:14:50,333 --> 00:14:51,133
YOU GOT A STORE  
FULL OF STUFF

268
00:14:51,233 --> 00:14:52,866
A SHOP FULL  
OF UH, CLOCKS

269
00:14:52,966 --> 00:14:55,200
AND... WHAT'S  
THIS, A CLOCK?

270
00:14:55,300 --> 00:14:56,333
THAT'S A MUSIC BOX

271
00:14:56,433 --> 00:14:57,066
MUSIC BOX

272
00:14:57,166 --> 00:14:59,066
YEP

273
00:14:59,166 --> 00:15:00,533
IT BELONGS TO A CUSTOMER THAT 
I JUST RECENTLY REPAIRED

274
00:15:00,633 --> 00:15:03,200
WHO TAUGHT YOU HOW TO 
MAKE CLOCKS IN GERMANY?

275
00:15:03,300 --> 00:15:07,133
UH, IN GERMANY, YOU HAVE  
TO GO TO AN APPRENTICESHIP

276
00:15:07,233 --> 00:15:09,266
YOU HAVE TO FIND A  
MASTER CLOCK MAKER

277
00:15:09,366 --> 00:15:12,866
WATCH AND CLOCK MAKER WHO WILL 
TAKE YOU ON, AS AN APPRENTICE

278
00:15:12,966 --> 00:15:14,933
AND YOU HAVE TO SIGN 
A CONTRACT WITH THEM

279
00:15:15,033 --> 00:15:18,866
AND HOPEFULLY HE'S GOING 
TO TEACH YOU THE TRADE

280
00:15:18,966 --> 00:15:20,533
AND TEACH YOU EVERYTHING RIGHT

281
00:15:21,366 --> 00:15:23,200
BUT YOU JUST LIKE  
TOYS ON YOUR OWN?

282
00:15:23,300 --> 00:15:24,766
I LOVE TOYS

283
00:15:24,866 --> 00:15:27,866
YES, I ALWAYS HAD A FASCINATION 
WITH UH, MECHANICAL TOYS

284
00:15:27,966 --> 00:15:30,066
SHOW ME WHERE YOU WORK  
AND WHAT YOU DO BACK HERE?

285
00:15:30,166 --> 00:15:30,833
WOULD YOU?

286
00:15:30,933 --> 00:15:31,600
COME ON, COME ON BACK

287
00:15:31,700 --> 00:15:32,733
ALL RIGHT

288
00:15:34,500 --> 00:15:36,133
OH YEAH, LET'S TAKE  
A LOOK BACK...

289
00:15:36,233 --> 00:15:38,800
YEAH, THIS IS WHERE...  
THIS IS THE WORKINGS OF...

290
00:15:38,900 --> 00:15:40,033
THE PLACE, HERE

291
00:15:40,133 --> 00:15:41,066
IT'S THE PLACE

292
00:15:41,166 --> 00:15:42,800
THIS IS WHERE YOU 
DO MOST OF YOUR WORK

293
00:15:42,900 --> 00:15:44,600
RIGHT HERE, RIGHT  
ON THIS BENCH

294
00:15:44,700 --> 00:15:46,800
YEAH, IT'S KIND OF 
A LOW CHAIR, THERE

295
00:15:46,900 --> 00:15:48,400
YEP

296
00:15:48,500 --> 00:15:50,666
AND ALL THESE  
PIECES OF CLOCKS

297
00:15:50,766 --> 00:15:53,866
HUNDREDS OF PIECES OF CLOCKS 
THAT YOU HAVE OUT HERE

298
00:15:53,966 --> 00:15:57,233
WHAT EVER CAUSED YOU TO WANT 
TO WORK ON CLOCKS, ANYWAY?

299
00:15:58,433 --> 00:16:01,066
AS A TEEN-AGER,  
I WAS...

300
00:16:03,166 --> 00:16:06,133
IN GERMANY YOU HAVE  
TO GO AFTER SCHOOL

301
00:16:06,233 --> 00:16:08,133
TO... INTO AN 
APPRENTICESHIP

302
00:16:08,233 --> 00:16:11,533
AND THERE WERE SEVERAL 
APPRENTICESHIPS OFFERED

303
00:16:11,633 --> 00:16:14,933
AS A GOLDSMITH AND UH,  
WATCH AND CLOCK MAKER

304
00:16:15,033 --> 00:16:18,733
AND I GOT IN TOUCH UH, 
WITH A MASTER WHO, UH

305
00:16:18,833 --> 00:16:21,333
HAD AN APPRENTICESHIP OPEN 
THERE FOR WATCH AND CLOCK MAKER

306
00:16:21,433 --> 00:16:24,333
AND UH, I LIKED IT

307
00:16:24,433 --> 00:16:27,800
AND HE DECIDED TO TAKE  
ME ON AS AN APPRENTICE

308
00:16:27,900 --> 00:16:29,733
AND THAT'S HOW 
I GOT STARTED

309
00:16:29,833 --> 00:16:32,000
THIS UH, FASCINATION 
WITH MECHANICAL THINGS

310
00:16:32,366 --> 00:16:35,733
WHAT KIND OF CLOCKS AND WATCHES 
DO YOU LIKE TO WORK ON MOST?

311
00:16:36,700 --> 00:16:39,000
THE MORE  
COMPLICATED WATCH

312
00:16:39,100 --> 00:16:40,733
THE HIGHER  
GRADE WATCHES

313
00:16:40,833 --> 00:16:43,600
ARE MORE JOY IT  
IS TO GET IT BACK

314
00:16:43,700 --> 00:16:44,866
IN GOOD WORKING ORDER

315
00:16:44,966 --> 00:16:48,466
IF YOU SEE UH, OLD AMERICAN 
RAILROAD WATCHES

316
00:16:48,566 --> 00:16:49,600
POCKET WATCHES

317
00:16:49,700 --> 00:16:51,466
THEY'RE BEAUTIFUL 
PIECES OF ART

318
00:16:51,566 --> 00:16:55,466
AND WHEN YOU SEE THE INSIDES, 
YOU SEE UH, PLATES ON THE INSIDE

319
00:16:55,566 --> 00:16:58,466
DECORATED BY AN OLD MASTER  
THAT NOBODY EVER SEES

320
00:16:58,566 --> 00:17:00,666
EXCEPT THE WATCHMAKER 
WHO CAN TAKE IT APART

321
00:17:00,766 --> 00:17:02,666
UH, THE SAME WITH CLOCKS

322
00:17:02,766 --> 00:17:05,800
UH, EUROPEAN, MOSTLY  
EUROPEAN CLOCKS

323
00:17:05,900 --> 00:17:08,933
FRENCH-MADE, GERMAN-MADE, 
ENGLISH-MADE

324
00:17:09,033 --> 00:17:11,533
TELL US ABOUT YOUR  
INTEREST IN TOYS

325
00:17:11,633 --> 00:17:15,133
GROWING UP IN GERMANY, 
WE HAVE A LOT WIND-UP TOYS

326
00:17:15,233 --> 00:17:19,866
AND I THINK UH, ESPECIALLY THE 
PRE-WAR AND POST-WAR TIMES

327
00:17:19,966 --> 00:17:21,666
GERMANY WAS KNOWN FOR THEIR TOYS

328
00:17:21,766 --> 00:17:23,266
MOST OF THEM WERE EXPORTED

329
00:17:23,366 --> 00:17:25,000
IMPORTED INTO THE STATES

330
00:17:25,100 --> 00:17:27,800
UH, THEY MADE BEAUTIFUL, 
BEAUTIFUL TOYS

331
00:17:27,900 --> 00:17:30,333
TODAY, WHEN YOU COME ACROSS 
SOME OF THEM, UH...

332
00:17:30,433 --> 00:17:32,400
YOU REMEMBER THOSE TOYS

333
00:17:32,500 --> 00:17:35,866
AND UH, SOMETHING A LITTLE 
NOSTALGIA, I WOULD SAY

334
00:17:35,966 --> 00:17:40,400
TO TRY TO ACQUIRE SOME OF THE 
TOYS THAT YOU HAD AS A CHILD

335
00:17:40,500 --> 00:17:42,933
AFTER THOSE YEARS, MOST  
OF THEM ARE IN BAD SHAPE

336
00:17:43,033 --> 00:17:45,300
SO THAT'S HOW I GOT STARTED 
IN COLLECTING OLD TOYS

337
00:17:45,400 --> 00:17:47,866
AND UH, TRYING TO 
GET THEM GOING AGAIN

338
00:17:48,433 --> 00:17:49,866
WHAT ARE SOME OF  
YOUR FAVORITE TOYS

339
00:17:49,966 --> 00:17:52,000
AND MUSIC BOXES THAT  
YOU'VE WORKED ON?

340
00:17:52,100 --> 00:17:58,066
UH, FAVORITE TOYS...  
I LOVE TRAINS

341
00:17:58,966 --> 00:17:59,966
I LOVE TRAINS

342
00:18:00,133 --> 00:18:01,600
ESPECIALLY OLD 
WIND UP TRAINS

343
00:18:01,700 --> 00:18:03,933
UH, MUSIC BOXES

344
00:18:06,700 --> 00:18:10,133
THE OLD SWISS-MADE ONES, THEY 
ARE VERY, VERY BEAUTIFUL

345
00:18:10,233 --> 00:18:12,600
IS CHRISTMAS  
DIFFERENT FOR YOU

346
00:18:12,700 --> 00:18:17,066
BEING A CLOCK MAKER  
AND A TOY MAKER

347
00:18:17,166 --> 00:18:20,933
FOR ME, CHRISTMAS UH, HAS 
A DIFFERENT MEANING THAN

348
00:18:21,033 --> 00:18:23,666
I THINK, THAN THE  
PEOPLE HAVE OVER HERE

349
00:18:23,766 --> 00:18:27,066
GO UP... THE WHOLE CHRISTMAS 
SEASON IS DIFFERENT IN GERMANY

350
00:18:27,166 --> 00:18:31,400
AS AN ADULT, YOU DON'T PAY THAT 
MUCH ATTENTION TO IT ANYMORE

351
00:18:31,500 --> 00:18:34,200
BUT, BUT STILL I...

352
00:18:34,300 --> 00:18:39,333
IT IS NOT AS UH, AS LOUD AND 
COMMERCIALIZED IN GERMANY

353
00:18:39,433 --> 00:18:40,800
AS IT IS HERE

354
00:18:40,900 --> 00:18:42,933
OR AT LEAST IT WAS 
NOT WHEN I GREW UP

355
00:18:43,033 --> 00:18:48,800
AND THEY... IT IS,  
IT'S QUIETER AND...

356
00:18:48,900 --> 00:18:51,200
IT'S A FASCINATING  
TIME FOR A CHILD

357
00:18:51,300 --> 00:18:53,066
I STILL THINK IT'S 
A FASCINATING TIME

358
00:18:53,166 --> 00:18:54,800
FOR, FOR A CHILD

359
00:18:54,900 --> 00:18:57,600
OLD MUSIC BOXES, YOU KNOW,  
PLAY A LITTLE SWEETER TUNE

360
00:18:57,700 --> 00:18:58,866
AT CHRISTMAS

361
00:18:58,966 --> 00:19:00,666
THAN THEY DO ANY OTHER  
TIME OF THE YEAR

362
00:19:00,766 --> 00:19:01,533
HAVE YOU NOTICED THAT?

363
00:19:02,966 --> 00:19:04,600
IT'S A TIME OF THE  
YEAR, I WILL SAY

364
00:19:04,700 --> 00:19:06,400
THAT YOU, YOU PERCEIVE 
SOMETHING DIFFERENT

365
00:19:06,500 --> 00:19:08,600
THAN YOU DO DURING  
THE REST OF THE YEAR

366
00:19:08,700 --> 00:19:11,333
I MEAN UH, IF YOU  
TAKE CHRISTMAS CANDY

367
00:19:11,433 --> 00:19:12,733
IT EVENS TASTES BETTER 
AT CHRISTMASTIME

368
00:19:12,833 --> 00:19:14,266
THAN ANY OTHER TIME OF THE YEAR

369
00:19:14,366 --> 00:19:16,333
I THINK IT'S PRETTY  
MUCH THE SAME AS MUSIC

370
00:19:17,433 --> 00:19:18,600
MAYBE IT'S JUST ME

371
00:19:19,033 --> 00:19:29,000
(Clocks ticking)

372
00:19:38,366 --> 00:19:40,233
ALL RIGHT, THANK YOU

373
00:19:40,333 --> 00:19:41,600
MERRY CHRISTMAS  
TO YOU

374
00:19:41,700 --> 00:19:42,266
THANK YOU

375
00:19:42,366 --> 00:19:43,800
GOOD TO SEE YOU

376
00:19:43,900 --> 00:19:45,033
MERRY CHRISTMAS

377
00:19:45,133 --> 00:19:46,566
HEY! MERRY CHRISTMAS  
TO YOU-ALL

378
00:19:46,666 --> 00:19:49,733
WHAT A NICE LOOKING WELCOMING 
COMMITTEE THIS IS, HI

379
00:19:49,833 --> 00:19:51,400
MERRY CHRISTMAS TO YOU

380
00:19:51,500 --> 00:19:53,066
YOU KNOW, WHAT  
I LIKE TO DO

381
00:19:53,166 --> 00:19:55,000
LET'S GO IN AND  
SIT BY THE FIRE

382
00:19:55,100 --> 00:19:56,666
AND TELL SOME  
CHRISTMAS STORIES

383
00:19:56,766 --> 00:19:57,700
WANT TO?

384
00:19:57,800 --> 00:19:58,700
YEAH!  
YEAH! 
YEAH!

385
00:19:58,800 --> 00:19:59,766
OKAY, LET'S GO

386
00:20:00,433 --> 00:20:01,866
YOU HAVE ANY  
COOKIES IN HERE?

387
00:20:01,966 --> 00:20:02,533
YEAH

388
00:20:02,633 --> 00:20:03,333
DO YOU?

389
00:20:03,433 --> 00:20:04,200
GOT ANY MILK?

390
00:20:04,300 --> 00:20:05,000
GOOD

391
00:20:05,100 --> 00:20:06,666
(Music playing)

392
00:20:06,766 --> 00:20:10,600
THIS IS ABOUT THE NIGHT  
THAT SANTA CLAUS CAME

393
00:20:10,700 --> 00:20:12,933
WHEN SOMEONE ABOUT YOUR AGE

394
00:20:13,033 --> 00:20:15,266
WAS WAITING FOR SANTA CLAUS

395
00:20:16,900 --> 00:20:18,866
'TWAS THE NIGHT  
BEFORE CHRISTMAS

396
00:20:18,966 --> 00:20:20,800
WHEN ALL THROUGH THE HOUSE

397
00:20:20,900 --> 00:20:22,333
NOT A CREATURE WAS STIRRING

398
00:20:22,433 --> 00:20:24,600
NOT EVEN A MOUSE

399
00:20:25,966 --> 00:20:29,066
THE STOCKINGS WERE HUNG 
BY THE CHIMNEY WITH CARE

400
00:20:29,166 --> 00:20:32,200
IN HOPES THAT SAINT NICHOLAS 
SOON WOULD BE THERE

401
00:20:33,433 --> 00:20:36,533
THE CHILDREN WERE NESTLED 
ALL SNUG IN THEIR BEDS

402
00:20:36,633 --> 00:20:40,266
WHILE VISIONS OF SUGAR PLUMS 
DANCED IN THEIR HEADS

403
00:20:41,766 --> 00:20:44,466
AND MAMA IN HER KERCHIEF 
AND I IN MY CAP

404
00:20:44,566 --> 00:20:48,466
HAD JUST SETTLED OUR BRAINS 
FOR A LONG WINTER'S NAP

405
00:20:48,566 --> 00:20:52,000
WHEN OUT ON THE LAWN THERE 
AROSE SUCH A CLATTER

406
00:20:52,100 --> 00:20:53,800
I SPRANG FROM MY BED

407
00:20:53,900 --> 00:20:55,233
TO SEE WHAT WAS THE MATTER

408
00:20:56,566 --> 00:21:00,266
AWAY TO THE WINDOW 
I FLEW LIKE A FLASH

409
00:21:00,366 --> 00:21:02,800
TORE OPEN THE SHUTTERS 
AND THREW UP THE SASH

410
00:21:03,966 --> 00:21:07,266
THE MOON ON THE BREAST 
OF THE NEW FALLEN SNOW

411
00:21:07,366 --> 00:21:09,266
GAVE THE LUSTER OF MIDDAY

412
00:21:09,366 --> 00:21:10,866
TO OBJECTS BELOW

413
00:21:13,233 --> 00:21:16,466
WHEN WHAT TO MY WONDERING 
EYES SHOULD APPEAR

414
00:21:16,566 --> 00:21:18,266
BUT A MINIATURE SLEIGH

415
00:21:18,366 --> 00:21:20,666
AND EIGHT TINY REINDEER

416
00:21:22,166 --> 00:21:25,133
WITH A LITTLE OLD DRIVER 
SO LIVELY AND QUICK

417
00:21:25,233 --> 00:21:28,733
I KNEW IN A MOMENT IT  
MUST BE SAINT NICK

418
00:21:30,166 --> 00:21:33,333
MORE RAPID THAN EAGLES 
HIS COURSERS THEY CAME

419
00:21:33,433 --> 00:21:37,000
AND HE WHISTLED AND SHOUTED  
AND CALLED THEM BY NAME

420
00:21:37,100 --> 00:21:41,200
NOW DASHER, NOW DANCER, 
NOW PRANCER AND VIXEN

421
00:21:41,300 --> 00:21:44,600
ON COMET, ON CUPID,  
ON DONNER AND BLITZEN

422
00:21:45,633 --> 00:21:48,266
TO THE TOP OF THE PORCH  
TO THE TOP OF THE WALL

423
00:21:48,366 --> 00:21:52,266
NOW DASH AWAY, DASH 
AWAY, DASH AWAY ALL

424
00:21:53,766 --> 00:21:57,666
AS DRY LEAVES THAT BEFORE  
THE WILD HURRICANE FLY

425
00:21:57,766 --> 00:22:00,600
WHEN THEY MEET WITH AN  
OBSTACLE MOUNT TO THE SKY

426
00:22:01,633 --> 00:22:04,133
SO UP TO THE HOUSETOP,  
THE COURSERS THEY FLEW

427
00:22:04,233 --> 00:22:07,266
WITH THE SLEIGH FULL OF TOYS 
AND SAINT NICHOLAS, TOO

428
00:22:08,766 --> 00:22:11,133
AND THEN IN A TWINKLING 
I HEARD ON THE ROOF

429
00:22:11,233 --> 00:22:13,800
THE PRANCING AND PAWING 
OF EACH LITTLE HOOF

430
00:22:14,766 --> 00:22:18,933
AS I DREW IN MY HEAD 
AND WAS TURNING AROUND

431
00:22:19,033 --> 00:22:21,800
DOWN THE CHIMNEY SAINT  
NICHOLAS CAME WITH A BOUND

432
00:22:23,033 --> 00:22:26,266
WHY HE WAS DRESSED ALL IN FUR, 
FROM HIS HEAD TO HIS FOOT

433
00:22:26,366 --> 00:22:30,000
AND HIS CLOTHES WERE ALL 
TARNISHED WITH ASHES AND SOOT

434
00:22:31,833 --> 00:22:34,400
A BUNDLE OF TOYS HE 
HAD FLUNG ON HIS BACK

435
00:22:34,500 --> 00:22:36,933
AND HE LOOKED LIKE A PEDDLER 
JUST OPENING HIS PACK

436
00:22:37,966 --> 00:22:40,166
HIS EYES HOW THEY TWINKLED

437
00:22:40,266 --> 00:22:41,933
HIS DIMPLES HOW MERRY

438
00:22:42,033 --> 00:22:44,000
HIS CHEEKS WERE LIKE ROSES

439
00:22:44,100 --> 00:22:45,666
HIS NOSE LIKE A CHERRY

440
00:22:47,366 --> 00:22:51,466
HIS DROLL LITTLE MOUTH  
WAS DRAWN UP IN A BOW

441
00:22:51,566 --> 00:22:54,466
AND THE BEARD ON HIS CHIN 
WAS AS WHITE AS THE SNOW

442
00:22:55,666 --> 00:22:58,333
THE STUMP OF A PIPE HE  
HELD TIGHT IN HIS TEETH

443
00:22:58,433 --> 00:23:01,066
AND THE SMOKE IT  
ENCIRCLED HIS HEAD

444
00:23:01,166 --> 00:23:02,500
LIKE A WREATH

445
00:23:04,100 --> 00:23:06,666
HE HAD A BROAD FACE AND 
A LITTLE ROUND BELLY

446
00:23:06,766 --> 00:23:10,666
THAT SHOOK WHEN HE LAUGHED  
LIKE A BOWL FULL OF JELLY

447
00:23:12,700 --> 00:23:15,733
HE WAS CHUBBY AND PLUMP, 
A RIGHT JOLLY OLD ELF

448
00:23:15,833 --> 00:23:17,800
AND I LAUGHED WHEN I SAW HIM

449
00:23:17,900 --> 00:23:19,333
IN SPITE OF MYSELF

450
00:23:20,233 --> 00:23:23,000
A WINK OF HIS EYE AND 
A TWIST OF HIS HEAD

451
00:23:23,100 --> 00:23:25,500
SOON GAVE ME TO KNOW  
I HAD NOTHING TO DREAD

452
00:23:26,566 --> 00:23:30,333
HE SPOKE NOT A WORD BUT  
WENT STRAIGHT TO HIS WORK

453
00:23:30,433 --> 00:23:33,333
AND FILLED ALL THE STOCKINGS, 
THEN TURNED WITH A JERK

454
00:23:33,433 --> 00:23:36,133
AND LAYING HIS FINGER  
ASIDE OF HIS NOSE

455
00:23:36,233 --> 00:23:39,133
AND GIVING A NOD, UP  
THE CHIMNEY HE ROSE

456
00:23:39,233 --> 00:23:42,400
HE SPRANG TO HIS SLEIGH,  
TO THE TEAM GAVE A WHISTLE

457
00:23:42,500 --> 00:23:46,266
AND AWAY THEY ALL FLEW  
LIKE THE DOWN OF A THISTLE

458
00:23:47,766 --> 00:23:51,733
BUT I HEARD HIM EXCLAIM 
AS HE DROVE OUT OF SIGHT

459
00:23:51,833 --> 00:23:53,666
MERRY CHRISTMAS TO ALL

460
00:23:53,766 --> 00:23:56,066
AND TO ALL, A GOOD NIGHT

461
00:23:58,700 --> 00:24:01,000
MERRY CHRISTMAS TO YOU-ALL

462
00:24:01,100 --> 00:24:03,466
I HOPE SANTA CLAUS LEAVES 
SOMETHING IN YOUR STOCKINGS

463
00:24:03,566 --> 00:24:04,733
ON CHRISTMAS EVE

464
00:24:05,966 --> 00:24:07,400
AND MERRY CHRISTMAS TO YOU-ALL

465
00:24:07,500 --> 00:24:10,133
FROM THE STAFF  
OF  KENTUCKY LIFE

466
00:24:10,233 --> 00:24:11,466
GOOD NIGHT

467
00:24:16,700 --> 00:24:19,533
IF YOU'D LIKE MORE INFORMATION 
ON ANY OF OUR STORIES TONIGHT

468
00:24:19,633 --> 00:24:21,933
OR WANT TO HEAR MORE  
ABOUT NEXT WEEK'S SHOW

469
00:24:22,033 --> 00:24:23,800
CALL OUR VIEWER LINK LINE AT:

470
00:24:23,900 --> 00:24:27,933
[TDD: 1-800-395-5388]

471
00:24:28,033 --> 00:24:29,400
OR WRITE TO US AT:

472
00:24:37,366 --> 00:24:47,333
(Music playing)

473
00:24:51,766 --> 00:25:01,800
(Music playing)

474
00:25:07,100 --> 00:25:13,400
(Music playing)

475
00:26:06,166 --> 00:26:07,400
[Closed captioning 
by the KET Caption Center]

476
00:26:07,500 --> 00:26:08,733
[was made possible by a grant]

477
00:26:08,833 --> 00:26:10,266
[from the Honorable Order  
of Kentucky Colonels]

478
00:26:10,366 --> 00:26:12,133
[and in part by a grant from  
The Lexington Lions Club]

479
00:26:12,233 --> 00:26:13,466
[and a gift from the 
Lloyd E. Rigler-Lawrence E. 
Deutsch Foundation]