>>> HELLO EVERYBODY, WELCOME TO
KENTUCKY LIFE.
WE'RE COMING TO YOU THIS WEEK
FROM BEAUTIFUL DOWNTOWN
FLEMINGSBURG, I HAVE MY TWO SIDE
KICKS.
THE BACK DROP IS AN ART STUDIO
WE'LL HAVE MORE ABOUT LATER.
FIRST WE'RE GOING TO MEET MAKI
TAKAHASHI.
SHE CREATES ELABORATE,
COMPLETELY EDIBLE WORKS OF ART
OUT OF SUCH STAPLE MATERIALS AS
GINGERBREAD AND ICING.
IT'S AN AMAZING THING TO WATCH,
IT MAY INCREASE YOUR APPETITE.
ROYAL THAI FRUIT CARVING IS NOT
WELL-KNOWN.
PROBABLY IT WAS ABOUT 700 YEARS
AGO.
FIRST TIME WHEN I GOT INTERESTED
IN ROYAL THAI FRUIT CARVING WAS
WHEN I WAS LOOKING AT THIS THAI
TRAVEL BROCHURE AND THERE WERE
ALL THESE BEAUTIFUL PICTURES OF
THAI FOOD AND ON ONE OF THEM WAS
THIS MYSTERIOUSLY BEAUTIFUL
LOOKING PEACH WITH LOTS OF
FRILLS.
FIRST I COULDN'T FIGURE OUT WHAT
IT WAS.
THE MORE I LOOKED ATITY
GRADUALLY LOOKED ATITY REALIZED
IT WAS A CARVED WATERMELON.
I STARTED TO THINK OF WHAT THE
DEFINITION OF WHAT ART IS, AND
THE MORE I THOUGHT ABOUT IT, THE
MORE I WAS CONVINCED THAT ART,
IT DOES NOT HAVE TO BE SOMETHING
TANGIBLE, SOMETHING THAT KEEPS
GOING ON FOREVER, SOMETHING THAT
YOU CAN PASS FROM YOU TO THE
NEXT GENERATION, WHATEVER.
I REALLY LIKED THE CHANGE OF
FOUR SEASON CHANGE, PEOPLE
CHANGE, I LIKE TO CREATE
SOMETHING THAT WOULD MOVE CHANGE
ALONGSIDE THE NATURAL CHANGES,
SO FOOD DEFINITELY HAS THAT
ASPECT.
AND ALSO FOOD PROBABLY IS ONE OF
THE THINGS THAT KIND OF
CHALLENGES YOUR PALLET, YOU CAN
SMELL AND TASTE IT SO THAT ADDS
DIMENSION TO FOOD ART.
♪ ♪
WHEN I TRY TO CHOOSE FRUITS AND
VEGETABLE FOR MY FRUIT CARVING
PROJECT, THERE ARE SOME THINGS I
LOOK FOR, FIRST THING IS THAT
LET'S SAY I AM CARVING A
WATERMELON, THIS WATERMELON
NEEDS TO BE UNRIPE, THE REASON
IS IF IT'S TOO RIPE IT IS TOO
MUSHY AND IT IS TOO DIFFICULT TO
CARVE, SO I GO FOR THE UNRIPE
ONE.
ANOTHER THING IS I REALLY THINK
IT IS IMPORTANT TO BUY THINGS IN
SEASON AND THINGS DOMESTICALLY
GROWN.
THIRD, THE AESTHETIC PURPOSE, I
LOOK FOR EVENLY GROWN PRODUCE,
AROUND IT LOOKS THE SAME WAY
FROM THE TOP AND WHEN I LOOK AT
IT FROM THE SIDE, IT IS EVENLY
CARVED ON BOTH SIDES.
LOOK AT THAT.
TO ME YOU NEED TO FEEL THIS
MOVEMENT OF THE WIND IS BLOWING
AND IT IS A LEAF SO THE LEAF IS
MOVING WITH IT, IT'S NOT
ARTIFICIAL, SO IT'S STURDY AND
RIGID, YOU HAVE TO HAVE THIS
SENSE OF INNER MOVEMENT IN
THERE, OF IT IS LIVING.
SO I TRY TO CREATE IT BY CARVING
IT SO THAT THE POINT WILL BE
LOOKING A LITTLE TOWARD THE
RIGHT AND IT IS LIKE LEAF
SHAPED.
USUALLY THAI CAFERS FLOWERS OUT
OF WATERMELONS, TODAY I DID TOO.
WATERMELONS ARE WONDERFUL
BECAUSE IT HAS SUCH A DIFFERENT
COLORS, IT IS NOT JUST RED AND
GREEN, IT HAS CHANGING COLORS,
YOU HAVE TO THINK OF THE DEPTH
OF YOUR KNIFE AND THE ANGLE YOUR
KNIFE WILL BE TAKING TO
REPRESENT THE DIFFERENT HUES SO
YOU CAN SEE GRADUAL SHIFT IN
YOUR PIECE.
IN ADDITION TO CARVING FRUITS
AND VEGETABLES IN ROYAL THAI
STYLE, I ALSO CREATE VERY
INTRICATE PATTERNS OUT OF
ROYALAL ICING, I CREATE KELTIC
PATTERNS OUT OF ROYAL CAKE
ICING.
I ALSO MAKE THINGS OUT OF ROYAL
CAKE ICING.
IT JUST GIVES ME A GREAT AMOUNT
OF PLEASURE TO BE ABLE TO WORK
WITH FRUITS AND VEGETABLES,
SOMETHING THAT COMES FROM
NATURE.
AS YOU MAY KNOW, JAPANESE PEOPLE
WE ARE NOT HUNTERS, WE HAVE THIS
AFFINITY TOWARD NATURE.
AND WHEN I FIRST SAW THESE
THINGS, I WAS JUST STUNNED AND
AMAZED BY THEIR INTRICACY AND
THEY ARE NOT EXPENSIVE
MATERIALS, THEY ARE NOT LIKE
METALS OR JEWELS, BUT THEY LOOK
LIKE A MILLION BUCKS, SO, THIS
AMOUNT OF ARTISTRY THAI PEOPLE
COULD PUT IN THEIR ART AND
CREATE THESE THINGS OUT OF
LIVING MATERIALS, THESE THINGS
ARE REALLY SPECIAL THINGS FOR
ME.
>> WELL, AS I MENTIONED WE ARE
IN FLEMINGSBURG, KENTUCKY WITH
NUMEROUS ANTIQUE SHOPS.
ALSO FLEMING COUNTY IS THE
COVERED BRIDGE CAPITAL OF
KENTUCKY.
I'M IN DOODLE STORE.
20 ARTISTS ARE REPRESENTED, SOME
WELL-KNOWN AND SOME NEW
DISCOVERIES LIKE THE WORK OF
DAYLE.
ONCE YOU SEE THE WORK OF A
CHICKEN FARMER YOU WILL
UNDERSTAND TALENT IS SOMETIMES
BORN IN US.
YOU WILL SEE A LITTLE OF
EVERYTHING IN DODDLES.
ONCE YOU GET IN HERE YOU WANT TO
SPEND HALF A DAY.
WELL, NEXT, THOUGH, WE'RE HEADED
TO NEWPORT, KENTUCKY.
IT BEGAN AS THE L AND N RAILROAD
BRIDGE BACK FURTHER 1872 AND
LATER OPENED FOR CARS, BUT BACK
IN 2003 IT WAS CLOSED FOR THOSE
KIND OF USES AND MADE FOR
PEDESTRIAN USE ONLY.
IN FACT, NOW YOU CAN CROSS THE
PURPLE PEOPLE BRIDGE OVER THE
OHIO RIVER AND LITERALLY CROSS
ON TOP OF IT.
YOU CAN CLIMB TO THE TOP OF IT
AND GET A SPECTACULAR VIEW OF
THE WHOLE AREA.
>> THE BRIDGE ORIGINALLY OPENED
APRIL 1ST, 1872, AND OPENED AS A
RAILROAD BRIDGE, CINCINNATI'S
FIRST RAILROAD BRIDGE AND THEN
OPENED AS A PEDESTRIAN BRIDGE.
SO, AFTER THE RENOVATIONS IN
2003, FOCUS GROUPS WERE DONE TO
CHOOSE THE COLOR OF THE BRIDGE
AND THE COLOR PURPLE WAS
ACTUALLY CHOSEN ACROSS ALL THE
GROUPS.
I THINK PEOPLE CLIMB FOR ALL
DIFFERENT REASONS.
I MENTIONED EARLIER PEOPLE WERE
CANCER SURVIVORS, THEY CLIMBED
BECAUSE THEY WERE HEALTHY AND
WANTED TO DO SOMETHING BIG.
WE HAD PEOPLE WHO CLIMBED
BECAUSE THEY MET IN THIS AREA
AND WANTED TO DO SOMETHING
SPECIAL.
A LOT OF PEOPLE CLIMB BECAUSE
THEY WANT TO GO WHERE LOTS OF
PEOPLE HAVEN'T GONE OR WANT THE
THRILL OF BEING UP HIGH AND THE
WIND BLOWING.
>> I CAME HERE WITH MY BEST
FRIEND KATIE, WE WERE THINKING,
WE WERE BOTH GOING TO COLLEGE
THIS FALL SO WE WERE THINKING OF
SOMETHING FUN TO DO FOR THE LAST
PART OF THE SUMMER AND THOUGHT
THIS WON FUN AND ADVENTUROUS.
>> I'M NOT SCARED OF HEIGHTS AT
ALL AND IT WAS BETTER THAN I
THOUGHT IT WOULD BE, I THOUGHT
IT WOULD BE WORSE TO LOOK DOWN
AND SEE ANYTHING BUT IT WAS NOT
THAT BAD.
>> WHEN YOU COME INTO BASE CAMP,
YOUR ORIENTATION STARTS WITH A
TAPE, YOU GET YOUR CLIMBING
SUIT, YOUR FULL BODY HARNESS,
THEN YOU GO ON THE SIMULATE, YOU
FIND OUT ABOUT THE SAFETY CABLE
AND HOW IT WORKS.
>> EVERYBODY GETS OUT FITTED
WITH THE SPECIAL STATE OF THE
ART HEAD SETS THAT ARE USING
PHONE CONDUCTIVE TECHNOLOGY, THE
PADS FIT ON YOUR JAW BONE, SEND
SIGNALS THROUGH YOUR INNER EAR
SO YOU CAN HEAR THE AMBIENT
SOUNDS.
>> IT'S VERY SAFE, THERE IS 36
INCH HIGH RAILING ON BOTH SIDES
OF THE BRIDGE SO YOU ARE
COMPLETELY SAFE, BUT IF THERE
WAS A HUGE WIND, WE ALSO HAVE A
FAST NEAR THAT HOOKS YOU TO A
STEAL SAFETY CABLE FOR THE
ENTIRE LENGTH OF THE CLIMB, YOU
CAN'T LEAVE THE BRIDGE BEFORE
YOU WANT TO.
IT'S VERY SAFE.
THE STAFF GOES THROUGH RIGOROUS
TRAINING, SPECIALLY THE CLIMB
GUIDES.
THEY LEARN, I THINK IT'S A 25
PAGE COMMENTARY, LOTS OF
HISTORY, BUT NOT ONLY ONE TIME.
INITIALLY THEY LEARN THAT, THEN
THEY MAKE IT THEIR OWN, BUT
ANYTIME WE HAVE EVENTS IN THE
AREA, THEY HAVE TO STUDY EACH
AND EVERY BOAT WHEN TALL STACKS
CAME IN.
THEY HAD TO HAVE A LOT OF
KNOWLEDGE TO TALK TO THE
CLIMBERS ABOUT.
>> AS FAR AS SIGHTS EVERYBODY
SEES, IT IS NUMBER FIVE, THE
SUMMIT EXPERIENCE.
THE SUMMIT EXPERIENCE HAS A
CLASS 4, THEY ACTUALLY HAVE TO
GO ACROSS THE GLASS, THEY CAN'T
GET AROUND IT, THEY HAVE TO
CROSS THE GLASS AND UP THERE WE
HAVE OUR PERM PEOPLE BRIDGE
CLIMB ACHIEVEMENT.
EVERYBODY WHO COMES UP HAS TO
RING THIS BELL.
ALONG WITH THAT IT IS AN AWESOME
SIGHT, CITY OF NEWPORT,
CINCINNATI, THE OTHERS, THE
SITES ARE JUST AWESOME.
>> THE BEST PART ABOUT CLIMBING
THE BRIDGE WAS THE VIEW OF THE
CITY, IT WAS A DIFFERENT VIEW
THAN YOU COULD GET WHEN YOU COME
DOWNTOWN 360 DEGREES, IT WAS
AWESOME VIEW OF THE CITY,
SPECIALLY ALL THE ACTIVITY ON
THE RIVER.
>> THE PURPLE PEOPLE BRIDGE IS
THE LONGEST PEDESTRIAN BRIDGE IN
THE COUNTRY THAT CONNECTS TWO
STATES, LOT OF PEOPLE DON'T
REALIZE THAT, IT WAS SPECIAL AND
WE THOUGHT IT WOULD BE A GREAT
ADDITION TO CINCINNATI IS WHY IT
WAS CHOSEN.
IT WAS CONVERTED TO A PED-WAY
WITH THE IDEA BRINGING FOOT
TRAFFIC AND MORE BUSINESS TO
BOTH SIDES OF THE RIVER, A WAY
FOR PEOPLE TO ENJOY A GAME ON
THE CINCINNATI SIDE AND
RESTAURANTS AND SHOPPING ON THE
KENTUCKY SIDE.
>> THE SCARIEST PART IS GOING
DOWN BACKWARDS BUT IT'S OKAY,
IT'S OKAY.
>> THE GLASS FLOOR IS REALLY
NICE, IT WAS A NICE DAY TODAY,
NO WIND BLOWING, JUST SEEING THE
RIVER, LOOKING DOWN AND SEEING
THE WATER AND BOATS AND BARGES.
>> I WAS A LITTLE NERVOUS AT
FIRST ABOUT CLIMBING THE BRIDGE
TODAY BUT ONCE I GOT ON TOP OF
IT IT WASN'T AS BAD AS I THOUGHT
IT WOULD BE, AS FAR DOWN AS I
THOUGHT IT WOULD BE.
>> FROM THE DECK OF THE BRIDGE
UP, THE FOUR SMALLER STAND ARE
40 FEET UP AND THE LARGEST IS 70
FEET AND THEN THERE IS ANOTHER
70 FEET TO THE RIVER, DEPENDING
ON THE RIVER LEVEL YOU ARE AS
MUCH AS 150 FEET FROM THE LEVEL
OF THE RIDGE, ABOUT A HALF MILE
LONG.
THERE IS 250 STAIRS BUT IT'S
BROKEN UP INTO FIVE SPANS SO
IT'S NOT 250 AT ONCE.
THE LARGEST SPAN IS PROBABLY 36
TO 40 STAIRS AT ONE TIME.
AT A PRETTY STEEP INCLINE.
>> THE TRIP WAS WHAT I EXPECTED
IT TO BE, IT WAS A LOT OF FUN,
ADVENTUROUS, SOMETHING DIFFERENT
I'VE NEVER DONE BEFORE BUT IT
WASN'T AS STEEP AS I THOUGHT IT
WAS GOING TO BE.
I WOULD RECOMMEND IT TO SOMEBODY
ELSE, IT'S SOMETHING DIFFERENT
YOU CAN'T EXPERIENCE ANYWHERE
ELSE AROUND HERE.
>> I THINK IT GIVES PEOPLE AN
INSIGHT TO THEIR CITY THAT THEY
DIDN'T KNOW.
WE GET A LOT OF CINCINNATIANS,
THEY SAY YOU DON'T NEED TO TELL
US, WE KNOW A LOT, BUT THEY
LEARN SOMETHING ANYWAY.
AND BEING THAT HIGH ABOVE THE
RIVER, THAT'S THE BEST PART OF
IT.
>> THE PURPLE PEOPLE BRIDGE IS
THE ONLY ATTRACTION OF ITS KIND
IN THE NORTHERN HEMISPHERE,
ANYONE WHO WANTS TO EXPERIENCE
AN UNIQUE ATTRACTION AND OVER
THE TOP EXPERIENCE, COME TO THE
PURPLE PEOPLE BRIDGE AND CLIMB.
>> NEXT, KENTUCKY NATIVE RUSS
FAXON HAS AN UNIQUE WAY OF
SEEING THE WORLD HE TRANSLATES
INTO ART.
HIS WORK IS IN PARKS,
UNIVERSITIES, MUSEUMS, AND ONE
OF HIS LATEST PIECES TAKES HIM
CLOSER TO HIS CHILDHOOD HOME.
>> WELL, I GOT INTO SCULPTING
REALLY BECAUSE OF MY ART TEACHER
IN THE 7TH GRADE AND I WAS DOING
SOME ARTWORK AND HE ASKED ME
WHAT I WANTED TO DO AS A CAREER.
AND IN THE 7TH GRADE WHAT DO YOU
WANT TO DO?
DO YOU WANT TO PLACE BASKETBALL,
GO WITH THE GIRLS OR GO WITH THE
GIRLS AND PLAY BASKETBALL, ONE
OR THE OTHER BUT NOT A CAREER.
HE SAID, YOU KNOW, YOU'VE GOT
TALENT, YOU OUGHT TO CONSIDER
SOME KIND OF ART CAREER, SO, IN
HIGH SCHOOL I WENT THROUGH ALL
THE COURSES AND WHEN I WOUND UP
GETTING TO SCULPT YOUR, MODELING
IN CLAY, WORKING WITH PLASTER, I
THOUGHT THIS IS WHAT I REALLY
LOVE.
IT WAS MY SOPHOMORE YEAR IN HIGH
SCHOOL I REALIZED SCULPT YOUR IS
WHAT IT WANTED TO DO.
>> AFTER HIS FIRST COMMISSION
PIECE DEBUTED IN TENNESSEE, HE
WAS ON HIS WAY AS AN ARTIST.
THE ONLY THING HE NEEDED WAS
IDEAS.
>> INSPIRATION COMES FROM LIVING
AND JUST SEEING PEOPLE, THINGS
AROUND YOU, IS INSPIRATION.
AND THEN THE THINGS THAT ARE
GOING ON INSIDE OF MY HEAD ARE
INFLUENCED BY THE THINGS THAT I
DO, THE THINGS I'VE SEEN, THE
PEOPLE THAT HAVE SPOKEN WITH,
THE THINGS THAT I'VE READ, IT'S
JUST -- WE ARE ALL CONSTANTLY
BOMBARDEDDED WITH ALL KIND OF
INFORMATION, AND IT'S HOW WE
WIND UP INTERPRETING THAT
INFORMATION IS WHAT WIND
UPCOMING OUT.
WHEN YOU SET OUT WITH A PURPOSE
OF CAPTURING THE PERSONALITY, I
THINK A LOT OF SCULPTURE IS NOT
NECESSARILY CREATED IN THE
PERSONALITY BUT CREATING THE
IMAGE, SO, THAT IS WHAT -- AND I
DON'T KNOW HOW I DO THAT, BUT
I'VE BEEN REAL FORTUNATE IN THE
TYPE OF SCULPTURE I HAVE DONE.
I THINK I AM ABLE TO CREATE A
PERSONALITY BEHIND THE SCULPTURE
AND IN THAT MOVEMENT, I WANT THE
SCULPTURE TO HAVE A SENSE OF
GETTING READY TO SAY DO
SOMETHING, IT'S THAT
ANTICIPATION OF MOVEMENT OR
EXPRESSION THAT IT'S GETTING
READY TO DO IS WHAT I STRIFE
FOR.
AND, SO, FORTUNATELY I'VE BEEN
ABLE TO WORK WITH A LOT OF NICE
FOLKS THAT HAVE ALLOWED ME TO BE
ABLE TO DO THAT.
>> A BOWLING GREEN NATIVE, FAXON
WAS A NATURAL CHOICE TO RENDER
THE COACH E. A. DIDDLE, PART OF
THE UNIVERSITY'S CENTENNIAL.
>> I WAS CONTACTED ABOUT DOING A
SCULPTURE OF COACH DIZDLE,
TALKING TO PEOPLE UP AT WESTERN,
TALKING WITH HIS DAUGHTER MARY
JO PHILLIPS, SOMETHING UP AND
SEEING DIFFERENT PICTURES OF HIM
WHILE HE WAS IN ACTION, STILL
PICTURES, SOMETHING THAT WOULD
WIND UP CATCHING THE ESSENCE OF
THE SPIRIT HE REPRESENTED, NOT
ONLY TO WESTERN, BUT HIS
ENTHUSIASM FOR LIVING AND HOW HE
WOUND UP MAKING WAIVING THE RED
TOWEL SUCH AN ICONIC
REPRESENTATION FOR WESTERN.
THAT'S HOW IT WOUND UPCOMING
OUT, FINDING THE SPIRIT OF THE
MAN, THE JOY, THE FUNNY HAD
COACHING WESTERN.
WITH FIGURES LIKE COACH DIDDLE,
CHET AT CINS, NOTABLE WELL, WHAT
I TRY TO DO IS CATCH THE ESSENCE
OF THEIR PERSONALITIES AND SO BY
STUDYING PICTURES AND REING
ABOUT THEM, THEN I CAN WIND UP
IN MY OWN INTERPRETATION OF WHAT
I THINK THAT THEY SHOULD WIND UP
LOOKING LIKE AND THEN I TRY TO
ADD THAT IN THERE WITH THEIR
EXPRESSIONS, GESTURES, MOVEMENT,
THINGS OF THAT NATURE AND WITH
MY OWN WORK I TRY TO CAPTURE
MOVEMENT AND IN THAT MOVEMENT OF
THE FIGURE, THAT CAPTURES AN
EXPRESSION THAT TELLS A STORY.
AND SAYS THERE IS SOMETHING
THERE BEYOND JUST THE FIGURE AND
IT'S JUST LIKE, YOU KNOW,
PEOPLE, YOU KNOW, WHAT YOU SEE
IS NOT NECESSARILY WHAT IS ON
THE INSIDE OF THAT PERSON.
SO, WHAT I TRY TO SHOW WITH MY
FIGURES IS WHAT IS ON THE INSIDE
THAT COMES THROUGH THE OUTSIDE.
SO, THAT'S WHAT I TRY TO DO.
WHAT WAS REALLY NICE IS THAT I
WAS WORKING WITH HUNT MEMORIAL
WHO DID ALL THE GRANITE WORK,
THEY KNOW WHAT THEY ARE DOING,
YOU JUST LET THEM DO WHAT THEY
ARE GOING TO DO AND YOU JUST
STAND BACK AND WAIT UNTIL IT'S
TIME FOR ME TO DO THE
INSTALLATION OF THE BRONZE.
I'M WORKING WITH PROFESSIONALS
THAT KNOW WHAT THEY ARE DOING,
SO IT TAKES ALL THE STRAIN OFF
OF WHAT I'VE GOT TO DO.
SO, IT WAS, YOU KNOW, IT WAS
GREAT.
I WAS HAVING A GREAT TIME,
SEEING EVERYTHING COME TOGETHER
THE WAY IT WAS SUPPOSED TO, SO,
THAT WAS GOOD.
I ENJOYED IT.
WOW, IT REALLY LOOKS LIKE THE
WAY I CONCEIVED IT.
WOW.
THIS IS GOOD.
IT'S SEEING THAT FINAL REALITY
OF YOUR INITIAL CONCEPT, AND I
KIND OF SEE IT BEFORE IT'S ALL
DONE, AND, SO, ACTUALLY IT'S
JUST THE REALZATION OF YOUR
THOUGHTS AND THAT'S REALLY
SATISFYING TO LET EVERYBODY ELSE
SEE WHAT HAS BEEN GOING ON IN
YOUR HEAD.
SOMETIMES YOU WANT TO, YOU KNOW,
CUT, BUT IT'S NICE TO SEE THE
REALITY OF YOUR CONCEPT.
YOU KNOW, IT DOESN'T REALLY MEAN
THAT MUCH THAT IT'S GOING TO
LAST A WHOLE LOT LONGER THAN I
DO.
BRONZE IS A BEAUTIFUL MEDIUM TO
WORK IN, AND IT HAS THAT
LONGEVITY FOR LASTING FOR
THOUSANDS OF YEARS.
BUT IT'S NOT SO MUCH IN ITS
ABILITY TO LAST, BUT IT'S MORE
IN -- IT'S A NECESSARY MATERIAL
IN ORDER TO LAST.
AND IN ORDER TO SUPPORT THE
DESIGNS THAT I WIND UP DOING.
BUT IT'S REALLY NOT -- IT'S IN
THE ACT OF CREATING.
THAT'S WHERE IT COMES FROM.
IT'S NOT LONGEVITY THAT IS SO
MUCH SATISFACTION, IT'S THE ACT
OF CREATING IT.
THAT'S WHERE THE JOY COMES FROM.
AND GOING BACK FURTHER, IT'S THE
ORIGINAL CONCEPT OF WHAT YOU
WANT TO DO.
AND THAT IS EVEN MORE JOY.
BECAUSE YOU KNOW WHAT THAT
REALITY CAN WIND UP BEING,
BECAUSE, YOU KNOW, AFTER YOU'VE
DONE SO MANY, YOU KNOW WHAT IT
IS GOING TO BE, IT'S JUST THE
PHYSICAL ACT OF CREATING IT.
AND IT'S TOO BAD OUR BRAINS
AREN'T COMPUTERS WHERE ALL WE
HAVE TO DO IS JUST SAY: CLICK,
PRINT, AND IT WILL COME OUT,
BECAUSE IT IS REALLY IN THE
CONCEPT WHERE ALL THE JOY COMES
AND THEN ONCE THE INSTALLATION
IS COMPLETE, THEN YOU SEE THAT
REALITY OF YOUR CONCEPT
HAPPENING.
>>> AND, NOW, FELLOW'S, IT'S
TIME FOR PAW PALS, IT'S THE
REGULAR FEATURE WHERE WE ASK YOU
TO SEND IN YOUR FAVORITE PET
PHOTO.
I HAVE ONE FROM DENNIS AND JUDY
JONES FROM REDDING, OHIO, WE
LIKE OUT OF STATE VIEWERS.
THANKS, DENNIS, AND JUDY, FOR
THAT GREAT AND VERY CUTE PICTURE
I'LL HAVE TO SAY.
REMEMBER, YOU CAN SEND US YOUR
PHOTO BY DROPPING IT IN THE MAIL
TO PAW PALS IN CARE OF KET,
LEXINGTON, KENTUCKY OR E-MAIL IT
TO US AT KET.ORG.
THIS IS A POPULAR FEATURE.
I CAN'T GET THEM TO SIT UP AT
ALL.
THEY ARE OUT OF THE CAMERA SHOT
PROBABLY.
THANKS FOR WATCHING THIS WEEK
AND A SPECIAL THANKS TO DODDLES
STUDIO, DODDLES GALLERY HERE FOR
HOSTING US.
THIS IS A BEAUTIFUL TOWN FULL OF
ANTIQUE SHOPS.
YOU NEED TO COME VISIT.
THANKS FOR WATCHING.