1 00:01:02,100 --> 00:01:04,500 >>> HELLO EVERYBODY, WELCOME TO 2 00:01:03,900 --> 00:01:05,800 KENTUCKY LIFE. 3 00:01:04,500 --> 00:01:12,200 WE'RE COMING TO YOU THIS WEEK 4 00:01:05,800 --> 00:01:14,066 FROM BEAUTIFUL DOWNTOWN 5 00:01:12,200 --> 00:01:14,433 FLEMINGSBURG, I HAVE MY TWO SIDE 6 00:01:14,066 --> 00:01:18,166 KICKS. 7 00:01:14,433 --> 00:01:22,366 THE BACK DROP IS AN ART STUDIO 8 00:01:18,166 --> 00:01:29,900 WE'LL HAVE MORE ABOUT LATER. 9 00:01:22,366 --> 00:01:31,966 FIRST WE'RE GOING TO MEET MAKI 10 00:01:29,900 --> 00:01:32,733 TAKAHASHI. 11 00:01:31,966 --> 00:01:34,100 SHE CREATES ELABORATE, 12 00:01:32,733 --> 00:01:34,900 COMPLETELY EDIBLE WORKS OF ART 13 00:01:34,100 --> 00:01:38,433 OUT OF SUCH STAPLE MATERIALS AS 14 00:01:34,900 --> 00:01:39,700 GINGERBREAD AND ICING. 15 00:01:38,433 --> 00:01:43,466 IT'S AN AMAZING THING TO WATCH, 16 00:01:39,700 --> 00:01:43,466 IT MAY INCREASE YOUR APPETITE. 17 00:02:01,433 --> 00:02:07,200 ROYAL THAI FRUIT CARVING IS NOT 18 00:02:06,200 --> 00:02:09,633 WELL-KNOWN. 19 00:02:07,200 --> 00:02:11,966 PROBABLY IT WAS ABOUT 700 YEARS 20 00:02:09,633 --> 00:02:14,533 AGO. 21 00:02:11,966 --> 00:02:17,466 FIRST TIME WHEN I GOT INTERESTED 22 00:02:14,533 --> 00:02:22,033 IN ROYAL THAI FRUIT CARVING WAS 23 00:02:17,466 --> 00:02:23,766 WHEN I WAS LOOKING AT THIS THAI 24 00:02:22,033 --> 00:02:26,200 TRAVEL BROCHURE AND THERE WERE 25 00:02:23,766 --> 00:02:29,300 ALL THESE BEAUTIFUL PICTURES OF 26 00:02:26,200 --> 00:02:33,366 THAI FOOD AND ON ONE OF THEM WAS 27 00:02:29,300 --> 00:02:36,300 THIS MYSTERIOUSLY BEAUTIFUL 28 00:02:33,366 --> 00:02:36,700 LOOKING PEACH WITH LOTS OF 29 00:02:36,300 --> 00:02:37,833 FRILLS. 30 00:02:36,700 --> 00:02:38,566 FIRST I COULDN'T FIGURE OUT WHAT 31 00:02:37,833 --> 00:02:43,066 IT WAS. 32 00:02:38,566 --> 00:02:45,000 THE MORE I LOOKED ATITY 33 00:02:43,066 --> 00:02:47,866 GRADUALLY LOOKED ATITY REALIZED 34 00:02:45,000 --> 00:02:49,533 IT WAS A CARVED WATERMELON. 35 00:02:47,866 --> 00:02:51,533 I STARTED TO THINK OF WHAT THE 36 00:02:49,533 --> 00:02:54,200 DEFINITION OF WHAT ART IS, AND 37 00:02:51,533 --> 00:02:59,000 THE MORE I THOUGHT ABOUT IT, THE 38 00:02:54,200 --> 00:03:01,466 MORE I WAS CONVINCED THAT ART, 39 00:02:59,000 --> 00:03:03,266 IT DOES NOT HAVE TO BE SOMETHING 40 00:03:01,466 --> 00:03:05,900 TANGIBLE, SOMETHING THAT KEEPS 41 00:03:03,266 --> 00:03:08,566 GOING ON FOREVER, SOMETHING THAT 42 00:03:05,900 --> 00:03:14,033 YOU CAN PASS FROM YOU TO THE 43 00:03:08,566 --> 00:03:18,566 NEXT GENERATION, WHATEVER. 44 00:03:14,033 --> 00:03:20,100 I REALLY LIKED THE CHANGE OF 45 00:03:18,566 --> 00:03:24,066 FOUR SEASON CHANGE, PEOPLE 46 00:03:20,100 --> 00:03:27,600 CHANGE, I LIKE TO CREATE 47 00:03:24,066 --> 00:03:29,266 SOMETHING THAT WOULD MOVE CHANGE 48 00:03:27,600 --> 00:03:31,966 ALONGSIDE THE NATURAL CHANGES, 49 00:03:29,266 --> 00:03:32,533 SO FOOD DEFINITELY HAS THAT 50 00:03:31,966 --> 00:03:36,433 ASPECT. 51 00:03:32,533 --> 00:03:41,133 AND ALSO FOOD PROBABLY IS ONE OF 52 00:03:36,433 --> 00:03:44,333 THE THINGS THAT KIND OF 53 00:03:41,133 --> 00:03:47,400 CHALLENGES YOUR PALLET, YOU CAN 54 00:03:44,333 --> 00:03:49,700 SMELL AND TASTE IT SO THAT ADDS 55 00:03:47,400 --> 00:03:49,700 DIMENSION TO FOOD ART. 56 00:04:04,200 --> 00:04:06,933 ♪ ♪ 57 00:04:08,666 --> 00:04:13,133 WHEN I TRY TO CHOOSE FRUITS AND 58 00:04:11,133 --> 00:04:14,233 VEGETABLE FOR MY FRUIT CARVING 59 00:04:13,133 --> 00:04:17,900 PROJECT, THERE ARE SOME THINGS I 60 00:04:14,233 --> 00:04:20,533 LOOK FOR, FIRST THING IS THAT 61 00:04:17,900 --> 00:04:22,533 LET'S SAY I AM CARVING A 62 00:04:20,533 --> 00:04:25,233 WATERMELON, THIS WATERMELON 63 00:04:22,533 --> 00:04:28,633 NEEDS TO BE UNRIPE, THE REASON 64 00:04:25,233 --> 00:04:30,733 IS IF IT'S TOO RIPE IT IS TOO 65 00:04:28,633 --> 00:04:32,733 MUSHY AND IT IS TOO DIFFICULT TO 66 00:04:30,733 --> 00:04:33,066 CARVE, SO I GO FOR THE UNRIPE 67 00:04:32,733 --> 00:04:34,166 ONE. 68 00:04:33,066 --> 00:04:40,000 ANOTHER THING IS I REALLY THINK 69 00:04:34,166 --> 00:04:42,466 IT IS IMPORTANT TO BUY THINGS IN 70 00:04:40,000 --> 00:04:47,966 SEASON AND THINGS DOMESTICALLY 71 00:04:42,466 --> 00:04:51,466 GROWN. 72 00:04:47,966 --> 00:04:54,633 THIRD, THE AESTHETIC PURPOSE, I 73 00:04:51,466 --> 00:04:55,900 LOOK FOR EVENLY GROWN PRODUCE, 74 00:04:54,633 --> 00:04:57,533 AROUND IT LOOKS THE SAME WAY 75 00:04:55,900 --> 00:05:02,066 FROM THE TOP AND WHEN I LOOK AT 76 00:04:57,533 --> 00:05:03,433 IT FROM THE SIDE, IT IS EVENLY 77 00:05:02,066 --> 00:05:09,766 CARVED ON BOTH SIDES. 78 00:05:03,433 --> 00:05:09,766 LOOK AT THAT. 79 00:05:15,533 --> 00:05:20,733 TO ME YOU NEED TO FEEL THIS 80 00:05:18,533 --> 00:05:23,500 MOVEMENT OF THE WIND IS BLOWING 81 00:05:20,733 --> 00:05:25,600 AND IT IS A LEAF SO THE LEAF IS 82 00:05:23,500 --> 00:05:28,366 MOVING WITH IT, IT'S NOT 83 00:05:25,600 --> 00:05:30,066 ARTIFICIAL, SO IT'S STURDY AND 84 00:05:28,366 --> 00:05:32,800 RIGID, YOU HAVE TO HAVE THIS 85 00:05:30,066 --> 00:05:34,800 SENSE OF INNER MOVEMENT IN 86 00:05:32,800 --> 00:05:37,266 THERE, OF IT IS LIVING. 87 00:05:34,800 --> 00:05:40,600 SO I TRY TO CREATE IT BY CARVING 88 00:05:37,266 --> 00:05:42,000 IT SO THAT THE POINT WILL BE 89 00:05:40,600 --> 00:05:48,533 LOOKING A LITTLE TOWARD THE 90 00:05:42,000 --> 00:05:51,633 RIGHT AND IT IS LIKE LEAF 91 00:05:48,533 --> 00:05:55,666 SHAPED. 92 00:05:51,633 --> 00:05:59,533 USUALLY THAI CAFERS FLOWERS OUT 93 00:05:55,666 --> 00:06:00,400 OF WATERMELONS, TODAY I DID TOO. 94 00:05:59,533 --> 00:06:07,800 WATERMELONS ARE WONDERFUL 95 00:06:00,400 --> 00:06:11,333 BECAUSE IT HAS SUCH A DIFFERENT 96 00:06:07,800 --> 00:06:13,333 COLORS, IT IS NOT JUST RED AND 97 00:06:11,333 --> 00:06:14,966 GREEN, IT HAS CHANGING COLORS, 98 00:06:13,333 --> 00:06:18,166 YOU HAVE TO THINK OF THE DEPTH 99 00:06:14,966 --> 00:06:19,433 OF YOUR KNIFE AND THE ANGLE YOUR 100 00:06:18,166 --> 00:06:22,500 KNIFE WILL BE TAKING TO 101 00:06:19,433 --> 00:06:24,533 REPRESENT THE DIFFERENT HUES SO 102 00:06:22,500 --> 00:06:26,833 YOU CAN SEE GRADUAL SHIFT IN 103 00:06:24,533 --> 00:06:26,833 YOUR PIECE. 104 00:06:33,166 --> 00:06:37,733 IN ADDITION TO CARVING FRUITS 105 00:06:35,333 --> 00:06:41,600 AND VEGETABLES IN ROYAL THAI 106 00:06:37,733 --> 00:06:48,833 STYLE, I ALSO CREATE VERY 107 00:06:41,600 --> 00:06:53,633 INTRICATE PATTERNS OUT OF 108 00:06:48,833 --> 00:06:58,666 ROYALAL ICING, I CREATE KELTIC 109 00:06:53,633 --> 00:06:59,966 PATTERNS OUT OF ROYAL CAKE 110 00:06:58,666 --> 00:07:08,366 ICING. 111 00:06:59,966 --> 00:07:11,400 I ALSO MAKE THINGS OUT OF ROYAL 112 00:07:08,366 --> 00:07:11,400 CAKE ICING. 113 00:07:19,700 --> 00:07:23,633 IT JUST GIVES ME A GREAT AMOUNT 114 00:07:21,733 --> 00:07:25,600 OF PLEASURE TO BE ABLE TO WORK 115 00:07:23,633 --> 00:07:27,800 WITH FRUITS AND VEGETABLES, 116 00:07:25,600 --> 00:07:28,200 SOMETHING THAT COMES FROM 117 00:07:27,800 --> 00:07:33,366 NATURE. 118 00:07:28,200 --> 00:07:36,433 AS YOU MAY KNOW, JAPANESE PEOPLE 119 00:07:33,366 --> 00:07:39,066 WE ARE NOT HUNTERS, WE HAVE THIS 120 00:07:36,433 --> 00:07:42,133 AFFINITY TOWARD NATURE. 121 00:07:39,066 --> 00:07:43,966 AND WHEN I FIRST SAW THESE 122 00:07:42,133 --> 00:07:46,600 THINGS, I WAS JUST STUNNED AND 123 00:07:43,966 --> 00:07:48,600 AMAZED BY THEIR INTRICACY AND 124 00:07:46,600 --> 00:07:52,066 THEY ARE NOT EXPENSIVE 125 00:07:48,600 --> 00:07:55,666 MATERIALS, THEY ARE NOT LIKE 126 00:07:52,066 --> 00:07:59,466 METALS OR JEWELS, BUT THEY LOOK 127 00:07:55,666 --> 00:08:03,266 LIKE A MILLION BUCKS, SO, THIS 128 00:07:59,466 --> 00:08:05,033 AMOUNT OF ARTISTRY THAI PEOPLE 129 00:08:03,266 --> 00:08:06,566 COULD PUT IN THEIR ART AND 130 00:08:05,033 --> 00:08:08,333 CREATE THESE THINGS OUT OF 131 00:08:06,566 --> 00:08:11,300 LIVING MATERIALS, THESE THINGS 132 00:08:08,333 --> 00:08:12,600 ARE REALLY SPECIAL THINGS FOR 133 00:08:11,300 --> 00:08:12,600 ME. 134 00:08:14,333 --> 00:08:22,866 >> WELL, AS I MENTIONED WE ARE 135 00:08:18,233 --> 00:08:25,466 IN FLEMINGSBURG, KENTUCKY WITH 136 00:08:22,866 --> 00:08:27,800 NUMEROUS ANTIQUE SHOPS. 137 00:08:25,466 --> 00:08:31,066 ALSO FLEMING COUNTY IS THE 138 00:08:27,800 --> 00:08:31,500 COVERED BRIDGE CAPITAL OF 139 00:08:31,066 --> 00:08:37,033 KENTUCKY. 140 00:08:31,500 --> 00:08:39,300 I'M IN DOODLE STORE. 141 00:08:37,033 --> 00:08:40,866 20 ARTISTS ARE REPRESENTED, SOME 142 00:08:39,300 --> 00:08:55,200 WELL-KNOWN AND SOME NEW 143 00:08:40,866 --> 00:08:55,566 DISCOVERIES LIKE THE WORK OF 144 00:08:55,200 --> 00:08:58,633 DAYLE. 145 00:08:55,566 --> 00:09:00,233 ONCE YOU SEE THE WORK OF A 146 00:08:58,633 --> 00:09:01,366 CHICKEN FARMER YOU WILL 147 00:09:00,233 --> 00:09:02,066 UNDERSTAND TALENT IS SOMETIMES 148 00:09:01,366 --> 00:09:03,600 BORN IN US. 149 00:09:02,066 --> 00:09:06,100 YOU WILL SEE A LITTLE OF 150 00:09:03,600 --> 00:09:07,766 EVERYTHING IN DODDLES. 151 00:09:06,100 --> 00:09:09,433 ONCE YOU GET IN HERE YOU WANT TO 152 00:09:07,766 --> 00:09:12,666 SPEND HALF A DAY. 153 00:09:09,433 --> 00:09:14,666 WELL, NEXT, THOUGH, WE'RE HEADED 154 00:09:12,666 --> 00:09:18,000 TO NEWPORT, KENTUCKY. 155 00:09:14,666 --> 00:09:20,300 IT BEGAN AS THE L AND N RAILROAD 156 00:09:18,000 --> 00:09:21,966 BRIDGE BACK FURTHER 1872 AND 157 00:09:20,300 --> 00:09:24,833 LATER OPENED FOR CARS, BUT BACK 158 00:09:21,966 --> 00:09:28,766 IN 2003 IT WAS CLOSED FOR THOSE 159 00:09:24,833 --> 00:09:29,666 KIND OF USES AND MADE FOR 160 00:09:28,766 --> 00:09:32,433 PEDESTRIAN USE ONLY. 161 00:09:29,666 --> 00:09:34,433 IN FACT, NOW YOU CAN CROSS THE 162 00:09:32,433 --> 00:09:36,100 PURPLE PEOPLE BRIDGE OVER THE 163 00:09:34,433 --> 00:09:37,233 OHIO RIVER AND LITERALLY CROSS 164 00:09:36,100 --> 00:09:39,333 ON TOP OF IT. 165 00:09:37,233 --> 00:09:41,100 YOU CAN CLIMB TO THE TOP OF IT 166 00:09:39,333 --> 00:09:52,333 AND GET A SPECTACULAR VIEW OF 167 00:09:41,100 --> 00:09:52,333 THE WHOLE AREA. 168 00:10:08,066 --> 00:10:13,300 >> THE BRIDGE ORIGINALLY OPENED 169 00:10:10,100 --> 00:10:16,700 APRIL 1ST, 1872, AND OPENED AS A 170 00:10:13,300 --> 00:10:18,566 RAILROAD BRIDGE, CINCINNATI'S 171 00:10:16,700 --> 00:10:23,133 FIRST RAILROAD BRIDGE AND THEN 172 00:10:18,566 --> 00:10:23,133 OPENED AS A PEDESTRIAN BRIDGE. 173 00:10:32,733 --> 00:10:36,800 SO, AFTER THE RENOVATIONS IN 174 00:10:35,433 --> 00:10:38,133 2003, FOCUS GROUPS WERE DONE TO 175 00:10:36,800 --> 00:10:40,733 CHOOSE THE COLOR OF THE BRIDGE 176 00:10:38,133 --> 00:10:43,033 AND THE COLOR PURPLE WAS 177 00:10:40,733 --> 00:10:44,133 ACTUALLY CHOSEN ACROSS ALL THE 178 00:10:43,033 --> 00:10:46,766 GROUPS. 179 00:10:44,133 --> 00:10:47,433 I THINK PEOPLE CLIMB FOR ALL 180 00:10:46,766 --> 00:10:50,333 DIFFERENT REASONS. 181 00:10:47,433 --> 00:10:52,533 I MENTIONED EARLIER PEOPLE WERE 182 00:10:50,333 --> 00:10:53,466 CANCER SURVIVORS, THEY CLIMBED 183 00:10:52,533 --> 00:10:55,400 BECAUSE THEY WERE HEALTHY AND 184 00:10:53,466 --> 00:10:56,966 WANTED TO DO SOMETHING BIG. 185 00:10:55,400 --> 00:10:59,000 WE HAD PEOPLE WHO CLIMBED 186 00:10:56,966 --> 00:11:00,800 BECAUSE THEY MET IN THIS AREA 187 00:10:59,000 --> 00:11:01,200 AND WANTED TO DO SOMETHING 188 00:11:00,800 --> 00:11:02,400 SPECIAL. 189 00:11:01,200 --> 00:11:04,266 A LOT OF PEOPLE CLIMB BECAUSE 190 00:11:02,400 --> 00:11:06,033 THEY WANT TO GO WHERE LOTS OF 191 00:11:04,266 --> 00:11:08,466 PEOPLE HAVEN'T GONE OR WANT THE 192 00:11:06,033 --> 00:11:08,966 THRILL OF BEING UP HIGH AND THE 193 00:11:08,466 --> 00:11:10,766 WIND BLOWING. 194 00:11:08,966 --> 00:11:12,766 >> I CAME HERE WITH MY BEST 195 00:11:10,766 --> 00:11:14,700 FRIEND KATIE, WE WERE THINKING, 196 00:11:12,766 --> 00:11:16,266 WE WERE BOTH GOING TO COLLEGE 197 00:11:14,700 --> 00:11:17,933 THIS FALL SO WE WERE THINKING OF 198 00:11:16,266 --> 00:11:19,600 SOMETHING FUN TO DO FOR THE LAST 199 00:11:17,933 --> 00:11:21,466 PART OF THE SUMMER AND THOUGHT 200 00:11:19,600 --> 00:11:24,466 THIS WON FUN AND ADVENTUROUS. 201 00:11:21,466 --> 00:11:26,033 >> I'M NOT SCARED OF HEIGHTS AT 202 00:11:24,466 --> 00:11:27,900 ALL AND IT WAS BETTER THAN I 203 00:11:26,033 --> 00:11:29,566 THOUGHT IT WOULD BE, I THOUGHT 204 00:11:27,900 --> 00:11:31,466 IT WOULD BE WORSE TO LOOK DOWN 205 00:11:29,566 --> 00:11:33,533 AND SEE ANYTHING BUT IT WAS NOT 206 00:11:31,466 --> 00:11:33,533 THAT BAD. 207 00:11:48,600 --> 00:11:59,300 >> WHEN YOU COME INTO BASE CAMP, 208 00:11:54,266 --> 00:12:01,666 YOUR ORIENTATION STARTS WITH A 209 00:11:59,300 --> 00:12:03,600 TAPE, YOU GET YOUR CLIMBING 210 00:12:01,666 --> 00:12:09,833 SUIT, YOUR FULL BODY HARNESS, 211 00:12:03,600 --> 00:12:11,800 THEN YOU GO ON THE SIMULATE, YOU 212 00:12:09,833 --> 00:12:13,466 FIND OUT ABOUT THE SAFETY CABLE 213 00:12:11,800 --> 00:12:15,533 AND HOW IT WORKS. 214 00:12:13,466 --> 00:12:17,566 >> EVERYBODY GETS OUT FITTED 215 00:12:15,533 --> 00:12:21,666 WITH THE SPECIAL STATE OF THE 216 00:12:17,566 --> 00:12:23,666 ART HEAD SETS THAT ARE USING 217 00:12:21,666 --> 00:12:26,833 PHONE CONDUCTIVE TECHNOLOGY, THE 218 00:12:23,666 --> 00:12:28,700 PADS FIT ON YOUR JAW BONE, SEND 219 00:12:26,833 --> 00:12:30,700 SIGNALS THROUGH YOUR INNER EAR 220 00:12:28,700 --> 00:12:32,533 SO YOU CAN HEAR THE AMBIENT 221 00:12:30,700 --> 00:12:32,533 SOUNDS. 222 00:12:42,466 --> 00:12:47,566 >> IT'S VERY SAFE, THERE IS 36 223 00:12:46,333 --> 00:12:49,233 INCH HIGH RAILING ON BOTH SIDES 224 00:12:47,566 --> 00:12:50,666 OF THE BRIDGE SO YOU ARE 225 00:12:49,233 --> 00:12:53,633 COMPLETELY SAFE, BUT IF THERE 226 00:12:50,666 --> 00:12:56,500 WAS A HUGE WIND, WE ALSO HAVE A 227 00:12:53,633 --> 00:12:58,466 FAST NEAR THAT HOOKS YOU TO A 228 00:12:56,500 --> 00:13:00,200 STEAL SAFETY CABLE FOR THE 229 00:12:58,466 --> 00:13:02,733 ENTIRE LENGTH OF THE CLIMB, YOU 230 00:13:00,200 --> 00:13:03,600 CAN'T LEAVE THE BRIDGE BEFORE 231 00:13:02,733 --> 00:13:04,433 YOU WANT TO. 232 00:13:03,600 --> 00:13:07,033 IT'S VERY SAFE. 233 00:13:04,433 --> 00:13:09,533 THE STAFF GOES THROUGH RIGOROUS 234 00:13:07,033 --> 00:13:09,933 TRAINING, SPECIALLY THE CLIMB 235 00:13:09,533 --> 00:13:11,900 GUIDES. 236 00:13:09,933 --> 00:13:13,766 THEY LEARN, I THINK IT'S A 25 237 00:13:11,900 --> 00:13:15,866 PAGE COMMENTARY, LOTS OF 238 00:13:13,766 --> 00:13:17,633 HISTORY, BUT NOT ONLY ONE TIME. 239 00:13:15,866 --> 00:13:19,500 INITIALLY THEY LEARN THAT, THEN 240 00:13:17,633 --> 00:13:22,166 THEY MAKE IT THEIR OWN, BUT 241 00:13:19,500 --> 00:13:24,500 ANYTIME WE HAVE EVENTS IN THE 242 00:13:22,166 --> 00:13:27,400 AREA, THEY HAVE TO STUDY EACH 243 00:13:24,500 --> 00:13:28,066 AND EVERY BOAT WHEN TALL STACKS 244 00:13:27,400 --> 00:13:29,400 CAME IN. 245 00:13:28,066 --> 00:13:30,733 THEY HAD TO HAVE A LOT OF 246 00:13:29,400 --> 00:13:32,933 KNOWLEDGE TO TALK TO THE 247 00:13:30,733 --> 00:13:32,933 CLIMBERS ABOUT. 248 00:13:36,300 --> 00:13:44,066 >> AS FAR AS SIGHTS EVERYBODY 249 00:13:41,166 --> 00:13:44,933 SEES, IT IS NUMBER FIVE, THE 250 00:13:44,066 --> 00:13:48,000 SUMMIT EXPERIENCE. 251 00:13:44,933 --> 00:13:51,866 THE SUMMIT EXPERIENCE HAS A 252 00:13:48,000 --> 00:13:53,200 CLASS 4, THEY ACTUALLY HAVE TO 253 00:13:51,866 --> 00:13:55,066 GO ACROSS THE GLASS, THEY CAN'T 254 00:13:53,200 --> 00:13:58,933 GET AROUND IT, THEY HAVE TO 255 00:13:55,066 --> 00:14:02,733 CROSS THE GLASS AND UP THERE WE 256 00:13:58,933 --> 00:14:04,066 HAVE OUR PERM PEOPLE BRIDGE 257 00:14:02,733 --> 00:14:05,500 CLIMB ACHIEVEMENT. 258 00:14:04,066 --> 00:14:09,366 EVERYBODY WHO COMES UP HAS TO 259 00:14:05,500 --> 00:14:14,200 RING THIS BELL. 260 00:14:09,366 --> 00:14:17,433 ALONG WITH THAT IT IS AN AWESOME 261 00:14:14,200 --> 00:14:21,266 SIGHT, CITY OF NEWPORT, 262 00:14:17,433 --> 00:14:22,466 CINCINNATI, THE OTHERS, THE 263 00:14:21,266 --> 00:14:24,633 SITES ARE JUST AWESOME. 264 00:14:22,466 --> 00:14:26,466 >> THE BEST PART ABOUT CLIMBING 265 00:14:24,633 --> 00:14:28,266 THE BRIDGE WAS THE VIEW OF THE 266 00:14:26,466 --> 00:14:32,733 CITY, IT WAS A DIFFERENT VIEW 267 00:14:28,266 --> 00:14:35,200 THAN YOU COULD GET WHEN YOU COME 268 00:14:32,733 --> 00:14:38,300 DOWNTOWN 360 DEGREES, IT WAS 269 00:14:35,200 --> 00:14:40,300 AWESOME VIEW OF THE CITY, 270 00:14:38,300 --> 00:14:42,500 SPECIALLY ALL THE ACTIVITY ON 271 00:14:40,300 --> 00:14:42,500 THE RIVER. 272 00:14:45,766 --> 00:14:49,866 >> THE PURPLE PEOPLE BRIDGE IS 273 00:14:47,566 --> 00:14:51,733 THE LONGEST PEDESTRIAN BRIDGE IN 274 00:14:49,866 --> 00:14:53,066 THE COUNTRY THAT CONNECTS TWO 275 00:14:51,733 --> 00:14:54,833 STATES, LOT OF PEOPLE DON'T 276 00:14:53,066 --> 00:14:57,000 REALIZE THAT, IT WAS SPECIAL AND 277 00:14:54,833 --> 00:14:58,866 WE THOUGHT IT WOULD BE A GREAT 278 00:14:57,000 --> 00:15:00,233 ADDITION TO CINCINNATI IS WHY IT 279 00:14:58,866 --> 00:15:04,066 WAS CHOSEN. 280 00:15:00,233 --> 00:15:06,533 IT WAS CONVERTED TO A PED-WAY 281 00:15:04,066 --> 00:15:07,633 WITH THE IDEA BRINGING FOOT 282 00:15:06,533 --> 00:15:10,566 TRAFFIC AND MORE BUSINESS TO 283 00:15:07,633 --> 00:15:13,033 BOTH SIDES OF THE RIVER, A WAY 284 00:15:10,566 --> 00:15:15,766 FOR PEOPLE TO ENJOY A GAME ON 285 00:15:13,033 --> 00:15:17,633 THE CINCINNATI SIDE AND 286 00:15:15,766 --> 00:15:18,133 RESTAURANTS AND SHOPPING ON THE 287 00:15:17,633 --> 00:15:20,300 KENTUCKY SIDE. 288 00:15:18,133 --> 00:15:21,933 >> THE SCARIEST PART IS GOING 289 00:15:20,300 --> 00:15:23,500 DOWN BACKWARDS BUT IT'S OKAY, 290 00:15:21,933 --> 00:15:25,466 IT'S OKAY. 291 00:15:23,500 --> 00:15:27,833 >> THE GLASS FLOOR IS REALLY 292 00:15:25,466 --> 00:15:29,800 NICE, IT WAS A NICE DAY TODAY, 293 00:15:27,833 --> 00:15:31,366 NO WIND BLOWING, JUST SEEING THE 294 00:15:29,800 --> 00:15:35,866 RIVER, LOOKING DOWN AND SEEING 295 00:15:31,366 --> 00:15:37,633 THE WATER AND BOATS AND BARGES. 296 00:15:35,866 --> 00:15:39,100 >> I WAS A LITTLE NERVOUS AT 297 00:15:37,633 --> 00:15:41,166 FIRST ABOUT CLIMBING THE BRIDGE 298 00:15:39,100 --> 00:15:43,100 TODAY BUT ONCE I GOT ON TOP OF 299 00:15:41,166 --> 00:15:44,666 IT IT WASN'T AS BAD AS I THOUGHT 300 00:15:43,100 --> 00:15:47,700 IT WOULD BE, AS FAR DOWN AS I 301 00:15:44,666 --> 00:15:47,700 THOUGHT IT WOULD BE. 302 00:16:03,033 --> 00:16:08,833 >> FROM THE DECK OF THE BRIDGE 303 00:16:07,033 --> 00:16:10,533 UP, THE FOUR SMALLER STAND ARE 304 00:16:08,833 --> 00:16:13,033 40 FEET UP AND THE LARGEST IS 70 305 00:16:10,533 --> 00:16:15,100 FEET AND THEN THERE IS ANOTHER 306 00:16:13,033 --> 00:16:17,133 70 FEET TO THE RIVER, DEPENDING 307 00:16:15,100 --> 00:16:21,200 ON THE RIVER LEVEL YOU ARE AS 308 00:16:17,133 --> 00:16:24,466 MUCH AS 150 FEET FROM THE LEVEL 309 00:16:21,200 --> 00:16:25,233 OF THE RIDGE, ABOUT A HALF MILE 310 00:16:24,466 --> 00:16:27,033 LONG. 311 00:16:25,233 --> 00:16:28,933 THERE IS 250 STAIRS BUT IT'S 312 00:16:27,033 --> 00:16:30,566 BROKEN UP INTO FIVE SPANS SO 313 00:16:28,933 --> 00:16:32,966 IT'S NOT 250 AT ONCE. 314 00:16:30,566 --> 00:16:36,066 THE LARGEST SPAN IS PROBABLY 36 315 00:16:32,966 --> 00:16:37,733 TO 40 STAIRS AT ONE TIME. 316 00:16:36,066 --> 00:16:39,300 AT A PRETTY STEEP INCLINE. 317 00:16:37,733 --> 00:16:41,866 >> THE TRIP WAS WHAT I EXPECTED 318 00:16:39,300 --> 00:16:42,900 IT TO BE, IT WAS A LOT OF FUN, 319 00:16:41,866 --> 00:16:44,500 ADVENTUROUS, SOMETHING DIFFERENT 320 00:16:42,900 --> 00:16:46,800 I'VE NEVER DONE BEFORE BUT IT 321 00:16:44,500 --> 00:16:47,600 WASN'T AS STEEP AS I THOUGHT IT 322 00:16:46,800 --> 00:16:49,933 WAS GOING TO BE. 323 00:16:47,600 --> 00:16:51,133 I WOULD RECOMMEND IT TO SOMEBODY 324 00:16:49,933 --> 00:16:52,800 ELSE, IT'S SOMETHING DIFFERENT 325 00:16:51,133 --> 00:16:57,800 YOU CAN'T EXPERIENCE ANYWHERE 326 00:16:52,800 --> 00:16:57,800 ELSE AROUND HERE. 327 00:16:59,533 --> 00:17:02,833 >> I THINK IT GIVES PEOPLE AN 328 00:17:01,633 --> 00:17:03,566 INSIGHT TO THEIR CITY THAT THEY 329 00:17:02,833 --> 00:17:11,866 DIDN'T KNOW. 330 00:17:03,566 --> 00:17:15,033 WE GET A LOT OF CINCINNATIANS, 331 00:17:11,866 --> 00:17:16,700 THEY SAY YOU DON'T NEED TO TELL 332 00:17:15,033 --> 00:17:18,433 US, WE KNOW A LOT, BUT THEY 333 00:17:16,700 --> 00:17:19,800 LEARN SOMETHING ANYWAY. 334 00:17:18,433 --> 00:17:21,100 AND BEING THAT HIGH ABOVE THE 335 00:17:19,800 --> 00:17:24,033 RIVER, THAT'S THE BEST PART OF 336 00:17:21,100 --> 00:17:25,366 IT. 337 00:17:24,033 --> 00:17:27,566 >> THE PURPLE PEOPLE BRIDGE IS 338 00:17:25,366 --> 00:17:29,533 THE ONLY ATTRACTION OF ITS KIND 339 00:17:27,566 --> 00:17:31,166 IN THE NORTHERN HEMISPHERE, 340 00:17:29,533 --> 00:17:32,833 ANYONE WHO WANTS TO EXPERIENCE 341 00:17:31,166 --> 00:17:34,833 AN UNIQUE ATTRACTION AND OVER 342 00:17:32,833 --> 00:17:37,666 THE TOP EXPERIENCE, COME TO THE 343 00:17:34,833 --> 00:17:37,666 PURPLE PEOPLE BRIDGE AND CLIMB. 344 00:17:40,700 --> 00:17:47,033 >> NEXT, KENTUCKY NATIVE RUSS 345 00:17:45,400 --> 00:17:49,166 FAXON HAS AN UNIQUE WAY OF 346 00:17:47,033 --> 00:17:50,833 SEEING THE WORLD HE TRANSLATES 347 00:17:49,166 --> 00:17:53,166 INTO ART. 348 00:17:50,833 --> 00:17:54,366 HIS WORK IS IN PARKS, 349 00:17:53,166 --> 00:17:56,466 UNIVERSITIES, MUSEUMS, AND ONE 350 00:17:54,366 --> 00:18:00,133 OF HIS LATEST PIECES TAKES HIM 351 00:17:56,466 --> 00:18:00,133 CLOSER TO HIS CHILDHOOD HOME. 352 00:18:06,233 --> 00:18:13,200 >> WELL, I GOT INTO SCULPTING 353 00:18:11,166 --> 00:18:15,933 REALLY BECAUSE OF MY ART TEACHER 354 00:18:13,200 --> 00:18:19,566 IN THE 7TH GRADE AND I WAS DOING 355 00:18:15,933 --> 00:18:22,666 SOME ARTWORK AND HE ASKED ME 356 00:18:19,566 --> 00:18:24,433 WHAT I WANTED TO DO AS A CAREER. 357 00:18:22,666 --> 00:18:25,900 AND IN THE 7TH GRADE WHAT DO YOU 358 00:18:24,433 --> 00:18:29,866 WANT TO DO? 359 00:18:25,900 --> 00:18:31,200 DO YOU WANT TO PLACE BASKETBALL, 360 00:18:29,866 --> 00:18:33,400 GO WITH THE GIRLS OR GO WITH THE 361 00:18:31,200 --> 00:18:35,366 GIRLS AND PLAY BASKETBALL, ONE 362 00:18:33,400 --> 00:18:37,633 OR THE OTHER BUT NOT A CAREER. 363 00:18:35,366 --> 00:18:39,066 HE SAID, YOU KNOW, YOU'VE GOT 364 00:18:37,633 --> 00:18:41,800 TALENT, YOU OUGHT TO CONSIDER 365 00:18:39,066 --> 00:18:43,266 SOME KIND OF ART CAREER, SO, IN 366 00:18:41,800 --> 00:18:47,733 HIGH SCHOOL I WENT THROUGH ALL 367 00:18:43,266 --> 00:18:50,900 THE COURSES AND WHEN I WOUND UP 368 00:18:47,733 --> 00:18:53,233 GETTING TO SCULPT YOUR, MODELING 369 00:18:50,900 --> 00:18:55,833 IN CLAY, WORKING WITH PLASTER, I 370 00:18:53,233 --> 00:18:56,200 THOUGHT THIS IS WHAT I REALLY 371 00:18:55,833 --> 00:18:58,100 LOVE. 372 00:18:56,200 --> 00:19:01,233 IT WAS MY SOPHOMORE YEAR IN HIGH 373 00:18:58,100 --> 00:19:02,033 SCHOOL I REALIZED SCULPT YOUR IS 374 00:19:01,233 --> 00:19:05,133 WHAT IT WANTED TO DO. 375 00:19:02,033 --> 00:19:10,200 >> AFTER HIS FIRST COMMISSION 376 00:19:05,133 --> 00:19:12,966 PIECE DEBUTED IN TENNESSEE, HE 377 00:19:10,200 --> 00:19:14,400 WAS ON HIS WAY AS AN ARTIST. 378 00:19:12,966 --> 00:19:16,200 THE ONLY THING HE NEEDED WAS 379 00:19:14,400 --> 00:19:17,633 IDEAS. 380 00:19:16,200 --> 00:19:22,033 >> INSPIRATION COMES FROM LIVING 381 00:19:17,633 --> 00:19:24,900 AND JUST SEEING PEOPLE, THINGS 382 00:19:22,033 --> 00:19:26,533 AROUND YOU, IS INSPIRATION. 383 00:19:24,900 --> 00:19:31,933 AND THEN THE THINGS THAT ARE 384 00:19:26,533 --> 00:19:33,900 GOING ON INSIDE OF MY HEAD ARE 385 00:19:31,933 --> 00:19:35,900 INFLUENCED BY THE THINGS THAT I 386 00:19:33,900 --> 00:19:37,133 DO, THE THINGS I'VE SEEN, THE 387 00:19:35,900 --> 00:19:39,533 PEOPLE THAT HAVE SPOKEN WITH, 388 00:19:37,133 --> 00:19:43,000 THE THINGS THAT I'VE READ, IT'S 389 00:19:39,533 --> 00:19:44,866 JUST -- WE ARE ALL CONSTANTLY 390 00:19:43,000 --> 00:19:47,733 BOMBARDEDDED WITH ALL KIND OF 391 00:19:44,866 --> 00:19:50,600 INFORMATION, AND IT'S HOW WE 392 00:19:47,733 --> 00:19:52,033 WIND UP INTERPRETING THAT 393 00:19:50,600 --> 00:19:53,666 INFORMATION IS WHAT WIND 394 00:19:52,033 --> 00:19:56,000 UPCOMING OUT. 395 00:19:53,666 --> 00:20:00,333 WHEN YOU SET OUT WITH A PURPOSE 396 00:19:56,000 --> 00:20:04,833 OF CAPTURING THE PERSONALITY, I 397 00:20:00,333 --> 00:20:06,300 THINK A LOT OF SCULPTURE IS NOT 398 00:20:04,833 --> 00:20:08,166 NECESSARILY CREATED IN THE 399 00:20:06,300 --> 00:20:10,866 PERSONALITY BUT CREATING THE 400 00:20:08,166 --> 00:20:13,066 IMAGE, SO, THAT IS WHAT -- AND I 401 00:20:10,866 --> 00:20:16,566 DON'T KNOW HOW I DO THAT, BUT 402 00:20:13,066 --> 00:20:19,966 I'VE BEEN REAL FORTUNATE IN THE 403 00:20:16,566 --> 00:20:24,033 TYPE OF SCULPTURE I HAVE DONE. 404 00:20:19,966 --> 00:20:26,433 I THINK I AM ABLE TO CREATE A 405 00:20:24,033 --> 00:20:29,866 PERSONALITY BEHIND THE SCULPTURE 406 00:20:26,433 --> 00:20:31,733 AND IN THAT MOVEMENT, I WANT THE 407 00:20:29,866 --> 00:20:36,666 SCULPTURE TO HAVE A SENSE OF 408 00:20:31,733 --> 00:20:39,433 GETTING READY TO SAY DO 409 00:20:36,666 --> 00:20:41,000 SOMETHING, IT'S THAT 410 00:20:39,433 --> 00:20:42,100 ANTICIPATION OF MOVEMENT OR 411 00:20:41,000 --> 00:20:44,933 EXPRESSION THAT IT'S GETTING 412 00:20:42,100 --> 00:20:45,300 READY TO DO IS WHAT I STRIFE 413 00:20:44,933 --> 00:20:48,166 FOR. 414 00:20:45,300 --> 00:20:50,233 AND, SO, FORTUNATELY I'VE BEEN 415 00:20:48,166 --> 00:20:52,333 ABLE TO WORK WITH A LOT OF NICE 416 00:20:50,233 --> 00:20:55,833 FOLKS THAT HAVE ALLOWED ME TO BE 417 00:20:52,333 --> 00:20:55,833 ABLE TO DO THAT. 418 00:20:59,433 --> 00:21:07,333 >> A BOWLING GREEN NATIVE, FAXON 419 00:21:03,600 --> 00:21:11,666 WAS A NATURAL CHOICE TO RENDER 420 00:21:07,333 --> 00:21:13,666 THE COACH E. A. DIDDLE, PART OF 421 00:21:11,666 --> 00:21:18,733 THE UNIVERSITY'S CENTENNIAL. 422 00:21:13,666 --> 00:21:21,933 >> I WAS CONTACTED ABOUT DOING A 423 00:21:18,733 --> 00:21:24,333 SCULPTURE OF COACH DIZDLE, 424 00:21:21,933 --> 00:21:28,300 TALKING TO PEOPLE UP AT WESTERN, 425 00:21:24,333 --> 00:21:31,700 TALKING WITH HIS DAUGHTER MARY 426 00:21:28,300 --> 00:21:33,133 JO PHILLIPS, SOMETHING UP AND 427 00:21:31,700 --> 00:21:34,833 SEEING DIFFERENT PICTURES OF HIM 428 00:21:33,133 --> 00:21:36,600 WHILE HE WAS IN ACTION, STILL 429 00:21:34,833 --> 00:21:38,166 PICTURES, SOMETHING THAT WOULD 430 00:21:36,600 --> 00:21:40,166 WIND UP CATCHING THE ESSENCE OF 431 00:21:38,166 --> 00:21:46,933 THE SPIRIT HE REPRESENTED, NOT 432 00:21:40,166 --> 00:21:50,133 ONLY TO WESTERN, BUT HIS 433 00:21:46,933 --> 00:21:55,066 ENTHUSIASM FOR LIVING AND HOW HE 434 00:21:50,133 --> 00:21:57,966 WOUND UP MAKING WAIVING THE RED 435 00:21:55,066 --> 00:21:59,066 TOWEL SUCH AN ICONIC 436 00:21:57,966 --> 00:22:05,966 REPRESENTATION FOR WESTERN. 437 00:21:59,066 --> 00:22:08,933 THAT'S HOW IT WOUND UPCOMING 438 00:22:05,966 --> 00:22:12,433 OUT, FINDING THE SPIRIT OF THE 439 00:22:08,933 --> 00:22:13,366 MAN, THE JOY, THE FUNNY HAD 440 00:22:12,433 --> 00:22:17,933 COACHING WESTERN. 441 00:22:13,366 --> 00:22:21,200 WITH FIGURES LIKE COACH DIDDLE, 442 00:22:17,933 --> 00:22:23,100 CHET AT CINS, NOTABLE WELL, WHAT 443 00:22:21,200 --> 00:22:26,066 I TRY TO DO IS CATCH THE ESSENCE 444 00:22:23,100 --> 00:22:27,366 OF THEIR PERSONALITIES AND SO BY 445 00:22:26,066 --> 00:22:32,833 STUDYING PICTURES AND REING 446 00:22:27,366 --> 00:22:34,933 ABOUT THEM, THEN I CAN WIND UP 447 00:22:32,833 --> 00:22:36,933 IN MY OWN INTERPRETATION OF WHAT 448 00:22:34,933 --> 00:22:38,833 I THINK THAT THEY SHOULD WIND UP 449 00:22:36,933 --> 00:22:41,166 LOOKING LIKE AND THEN I TRY TO 450 00:22:38,833 --> 00:22:43,566 ADD THAT IN THERE WITH THEIR 451 00:22:41,166 --> 00:22:45,100 EXPRESSIONS, GESTURES, MOVEMENT, 452 00:22:43,566 --> 00:22:49,500 THINGS OF THAT NATURE AND WITH 453 00:22:45,100 --> 00:22:52,800 MY OWN WORK I TRY TO CAPTURE 454 00:22:49,500 --> 00:22:56,633 MOVEMENT AND IN THAT MOVEMENT OF 455 00:22:52,800 --> 00:22:59,133 THE FIGURE, THAT CAPTURES AN 456 00:22:56,633 --> 00:23:01,233 EXPRESSION THAT TELLS A STORY. 457 00:22:59,133 --> 00:23:04,033 AND SAYS THERE IS SOMETHING 458 00:23:01,233 --> 00:23:05,966 THERE BEYOND JUST THE FIGURE AND 459 00:23:04,033 --> 00:23:08,100 IT'S JUST LIKE, YOU KNOW, 460 00:23:05,966 --> 00:23:09,966 PEOPLE, YOU KNOW, WHAT YOU SEE 461 00:23:08,100 --> 00:23:12,633 IS NOT NECESSARILY WHAT IS ON 462 00:23:09,966 --> 00:23:14,400 THE INSIDE OF THAT PERSON. 463 00:23:12,633 --> 00:23:16,266 SO, WHAT I TRY TO SHOW WITH MY 464 00:23:14,400 --> 00:23:18,700 FIGURES IS WHAT IS ON THE INSIDE 465 00:23:16,266 --> 00:23:23,400 THAT COMES THROUGH THE OUTSIDE. 466 00:23:18,700 --> 00:23:23,400 SO, THAT'S WHAT I TRY TO DO. 467 00:23:32,533 --> 00:23:37,200 WHAT WAS REALLY NICE IS THAT I 468 00:23:34,033 --> 00:23:39,866 WAS WORKING WITH HUNT MEMORIAL 469 00:23:37,200 --> 00:23:41,633 WHO DID ALL THE GRANITE WORK, 470 00:23:39,866 --> 00:23:43,633 THEY KNOW WHAT THEY ARE DOING, 471 00:23:41,633 --> 00:23:46,066 YOU JUST LET THEM DO WHAT THEY 472 00:23:43,633 --> 00:23:47,400 ARE GOING TO DO AND YOU JUST 473 00:23:46,066 --> 00:23:50,500 STAND BACK AND WAIT UNTIL IT'S 474 00:23:47,400 --> 00:23:53,800 TIME FOR ME TO DO THE 475 00:23:50,500 --> 00:23:54,900 INSTALLATION OF THE BRONZE. 476 00:23:53,800 --> 00:23:56,333 I'M WORKING WITH PROFESSIONALS 477 00:23:54,900 --> 00:23:59,300 THAT KNOW WHAT THEY ARE DOING, 478 00:23:56,333 --> 00:24:03,433 SO IT TAKES ALL THE STRAIN OFF 479 00:23:59,300 --> 00:24:05,833 OF WHAT I'VE GOT TO DO. 480 00:24:03,433 --> 00:24:06,200 SO, IT WAS, YOU KNOW, IT WAS 481 00:24:05,833 --> 00:24:08,100 GREAT. 482 00:24:06,200 --> 00:24:09,466 I WAS HAVING A GREAT TIME, 483 00:24:08,100 --> 00:24:11,033 SEEING EVERYTHING COME TOGETHER 484 00:24:09,466 --> 00:24:12,133 THE WAY IT WAS SUPPOSED TO, SO, 485 00:24:11,033 --> 00:24:14,000 THAT WAS GOOD. 486 00:24:12,133 --> 00:24:15,533 I ENJOYED IT. 487 00:24:14,000 --> 00:24:18,866 WOW, IT REALLY LOOKS LIKE THE 488 00:24:15,533 --> 00:24:19,200 WAY I CONCEIVED IT. 489 00:24:18,866 --> 00:24:21,200 WOW. 490 00:24:19,200 --> 00:24:25,066 THIS IS GOOD. 491 00:24:21,200 --> 00:24:28,700 IT'S SEEING THAT FINAL REALITY 492 00:24:25,066 --> 00:24:32,766 OF YOUR INITIAL CONCEPT, AND I 493 00:24:28,700 --> 00:24:35,833 KIND OF SEE IT BEFORE IT'S ALL 494 00:24:32,766 --> 00:24:40,233 DONE, AND, SO, ACTUALLY IT'S 495 00:24:35,833 --> 00:24:44,066 JUST THE REALZATION OF YOUR 496 00:24:40,233 --> 00:24:46,166 THOUGHTS AND THAT'S REALLY 497 00:24:44,066 --> 00:24:47,600 SATISFYING TO LET EVERYBODY ELSE 498 00:24:46,166 --> 00:24:49,033 SEE WHAT HAS BEEN GOING ON IN 499 00:24:47,600 --> 00:24:52,900 YOUR HEAD. 500 00:24:49,033 --> 00:24:55,866 SOMETIMES YOU WANT TO, YOU KNOW, 501 00:24:52,900 --> 00:24:59,466 CUT, BUT IT'S NICE TO SEE THE 502 00:24:55,866 --> 00:25:03,266 REALITY OF YOUR CONCEPT. 503 00:24:59,466 --> 00:25:06,666 YOU KNOW, IT DOESN'T REALLY MEAN 504 00:25:03,266 --> 00:25:09,433 THAT MUCH THAT IT'S GOING TO 505 00:25:06,666 --> 00:25:12,800 LAST A WHOLE LOT LONGER THAN I 506 00:25:09,433 --> 00:25:15,666 DO. 507 00:25:12,800 --> 00:25:18,833 BRONZE IS A BEAUTIFUL MEDIUM TO 508 00:25:15,666 --> 00:25:20,400 WORK IN, AND IT HAS THAT 509 00:25:18,833 --> 00:25:23,500 LONGEVITY FOR LASTING FOR 510 00:25:20,400 --> 00:25:29,300 THOUSANDS OF YEARS. 511 00:25:23,500 --> 00:25:34,033 BUT IT'S NOT SO MUCH IN ITS 512 00:25:29,300 --> 00:25:36,766 ABILITY TO LAST, BUT IT'S MORE 513 00:25:34,033 --> 00:25:39,200 IN -- IT'S A NECESSARY MATERIAL 514 00:25:36,766 --> 00:25:41,533 IN ORDER TO LAST. 515 00:25:39,200 --> 00:25:44,833 AND IN ORDER TO SUPPORT THE 516 00:25:41,533 --> 00:25:47,700 DESIGNS THAT I WIND UP DOING. 517 00:25:44,833 --> 00:25:51,433 BUT IT'S REALLY NOT -- IT'S IN 518 00:25:47,700 --> 00:25:54,700 THE ACT OF CREATING. 519 00:25:51,433 --> 00:25:57,966 THAT'S WHERE IT COMES FROM. 520 00:25:54,700 --> 00:25:59,700 IT'S NOT LONGEVITY THAT IS SO 521 00:25:57,966 --> 00:26:01,400 MUCH SATISFACTION, IT'S THE ACT 522 00:25:59,700 --> 00:26:03,166 OF CREATING IT. 523 00:26:01,400 --> 00:26:06,900 THAT'S WHERE THE JOY COMES FROM. 524 00:26:03,166 --> 00:26:07,800 AND GOING BACK FURTHER, IT'S THE 525 00:26:06,900 --> 00:26:10,000 ORIGINAL CONCEPT OF WHAT YOU 526 00:26:07,800 --> 00:26:12,966 WANT TO DO. 527 00:26:10,000 --> 00:26:14,133 AND THAT IS EVEN MORE JOY. 528 00:26:12,966 --> 00:26:16,333 BECAUSE YOU KNOW WHAT THAT 529 00:26:14,133 --> 00:26:18,033 REALITY CAN WIND UP BEING, 530 00:26:16,333 --> 00:26:20,366 BECAUSE, YOU KNOW, AFTER YOU'VE 531 00:26:18,033 --> 00:26:22,766 DONE SO MANY, YOU KNOW WHAT IT 532 00:26:20,366 --> 00:26:26,400 IS GOING TO BE, IT'S JUST THE 533 00:26:22,766 --> 00:26:28,266 PHYSICAL ACT OF CREATING IT. 534 00:26:26,400 --> 00:26:29,400 AND IT'S TOO BAD OUR BRAINS 535 00:26:28,266 --> 00:26:34,100 AREN'T COMPUTERS WHERE ALL WE 536 00:26:29,400 --> 00:26:35,766 HAVE TO DO IS JUST SAY: CLICK, 537 00:26:34,100 --> 00:26:37,733 PRINT, AND IT WILL COME OUT, 538 00:26:35,766 --> 00:26:39,733 BECAUSE IT IS REALLY IN THE 539 00:26:37,733 --> 00:26:41,700 CONCEPT WHERE ALL THE JOY COMES 540 00:26:39,733 --> 00:26:46,200 AND THEN ONCE THE INSTALLATION 541 00:26:41,700 --> 00:26:47,833 IS COMPLETE, THEN YOU SEE THAT 542 00:26:46,200 --> 00:26:50,133 REALITY OF YOUR CONCEPT 543 00:26:47,833 --> 00:26:50,133 HAPPENING. 544 00:26:54,700 --> 00:27:00,300 >>> AND, NOW, FELLOW'S, IT'S 545 00:26:56,966 --> 00:27:01,733 TIME FOR PAW PALS, IT'S THE 546 00:27:00,300 --> 00:27:04,566 REGULAR FEATURE WHERE WE ASK YOU 547 00:27:01,733 --> 00:27:04,933 TO SEND IN YOUR FAVORITE PET 548 00:27:04,566 --> 00:27:09,866 PHOTO. 549 00:27:04,933 --> 00:27:16,466 I HAVE ONE FROM DENNIS AND JUDY 550 00:27:09,866 --> 00:27:21,200 JONES FROM REDDING, OHIO, WE 551 00:27:16,466 --> 00:27:22,966 LIKE OUT OF STATE VIEWERS. 552 00:27:21,200 --> 00:27:25,166 THANKS, DENNIS, AND JUDY, FOR 553 00:27:22,966 --> 00:27:26,266 THAT GREAT AND VERY CUTE PICTURE 554 00:27:25,166 --> 00:27:28,000 I'LL HAVE TO SAY. 555 00:27:26,266 --> 00:27:29,533 REMEMBER, YOU CAN SEND US YOUR 556 00:27:28,000 --> 00:27:42,233 PHOTO BY DROPPING IT IN THE MAIL 557 00:27:29,533 --> 00:27:44,100 TO PAW PALS IN CARE OF KET, 558 00:27:42,233 --> 00:27:47,400 LEXINGTON, KENTUCKY OR E-MAIL IT 559 00:27:44,100 --> 00:27:50,400 TO US AT KET.ORG. 560 00:27:47,400 --> 00:27:52,800 THIS IS A POPULAR FEATURE. 561 00:27:50,400 --> 00:27:53,133 I CAN'T GET THEM TO SIT UP AT 562 00:27:52,800 --> 00:27:54,633 ALL. 563 00:27:53,133 --> 00:27:55,066 THEY ARE OUT OF THE CAMERA SHOT 564 00:27:54,633 --> 00:27:56,700 PROBABLY. 565 00:27:55,066 --> 00:28:00,966 THANKS FOR WATCHING THIS WEEK 566 00:27:56,700 --> 00:28:05,333 AND A SPECIAL THANKS TO DODDLES 567 00:28:00,966 --> 00:28:06,333 STUDIO, DODDLES GALLERY HERE FOR 568 00:28:05,333 --> 00:28:08,766 HOSTING US. 569 00:28:06,333 --> 00:28:09,966 THIS IS A BEAUTIFUL TOWN FULL OF 570 00:28:08,766 --> 00:28:13,400 ANTIQUE SHOPS. 571 00:28:09,966 --> 00:28:14,600 YOU NEED TO COME VISIT. 572 00:28:13,400 --> 00:28:16,466 THANKS FOR WATCHING.