1 00:00:39,233 --> 00:00:47,633 >> HI EVERYBODY, I AM DAVE 2 00:00:43,066 --> 00:00:50,133 SCHUFFET AND WELCOME TO 3 00:00:44,600 --> 00:00:51,566 KENTUCKY LIFE FROM MA'AM 4 00:00:47,633 --> 00:00:54,100 OATH CAVE PARK, HOME OF THE 5 00:00:50,133 --> 00:00:58,566 LONGEST CAVE IN THE WORLD. 6 00:00:51,566 --> 00:01:00,200 HIGH ABOVE ME, RAINWATER 7 00:00:54,100 --> 00:01:00,566 DRAINS INTO THE SINK-HOLE 8 00:00:58,566 --> 00:01:02,266 PLAIN, CREATING THE CAVE 9 00:01:00,200 --> 00:01:05,200 SYSTEM. 10 00:01:00,566 --> 00:01:07,000 THE WATER COMES DOWN INTO 11 00:01:02,266 --> 00:01:09,366 PLACES LIKE THE RIVER AND 12 00:01:05,200 --> 00:01:11,600 DRAINS INTO THE GREEN RIVER. 13 00:01:07,000 --> 00:01:13,633 THAT IS A VERY CONDENSED 14 00:01:09,366 --> 00:01:16,533 VERSION OF MA'AM OATH CAVE. 15 00:01:11,600 --> 00:01:19,733 TONIGHT WE HAVE OTHER 16 00:01:13,633 --> 00:01:22,100 STORIES TO TELL YOU ABOUT, 17 00:01:16,533 --> 00:01:24,666 GOING ON A CRUISE IN 18 00:01:19,733 --> 00:01:25,833 SOMERSET WHERE YOU WILL SEE 19 00:01:22,100 --> 00:01:28,700 ANTIQUE CARS AND MUSCLE CARS 20 00:01:24,666 --> 00:01:32,333 AND CLASSIC SHOW CARS. 21 00:01:25,833 --> 00:01:33,000 FIRST, A GENTLEMAN NAMED SAM 22 00:01:28,700 --> 00:01:34,766 ABLES, A NATIONAL GEOGRAPHIC 23 00:01:32,333 --> 00:01:36,700 PHOTOGRAPHER FOR 33 YEARS 24 00:01:33,000 --> 00:01:38,166 AND HAS PUBLISHED NINE 25 00:01:34,766 --> 00:01:44,266 BOOKS, A VERY SUCCESSFUL 26 00:01:36,700 --> 00:01:46,800 FELLOW WHOSE RIGHTS ARE 27 00:01:38,166 --> 00:01:48,766 RIGHT HERE IN KENTUCKY. 28 00:01:44,266 --> 00:01:50,700 SAM SPENT THE LAST 33 YEARS 29 00:01:46,800 --> 00:01:52,400 TRAVELING THE WORLD FOR 30 00:01:48,766 --> 00:01:54,200 NATIONAL GEOGRAPHIC 31 00:01:50,700 --> 00:01:58,466 MAGAZINE, WHOLE YEARS OF HIS 32 00:01:52,400 --> 00:02:00,700 LIFE CONSUMED BY ASSIGNMENTS 33 00:01:54,200 --> 00:02:03,800 IN THE OUTERMOST OUTBACK OF 34 00:01:58,466 --> 00:02:06,400 NORTHWEST AUSTRALIA, SOVIET 35 00:02:00,700 --> 00:02:09,966 RUSSIA, THE WATERWAYS OF 36 00:02:03,800 --> 00:02:15,500 VENICE, THE IMPERIAL PALACE 37 00:02:06,400 --> 00:02:18,633 OF JAPAN, FOR THE ICY COAST 38 00:02:09,966 --> 00:02:22,700 OF NEWFOUNDLAND, TO TIERRA 39 00:02:15,500 --> 00:02:24,433 DEL FUEGO, BUT HIS FAMILY 40 00:02:18,633 --> 00:02:27,600 ROOTS GO BACK TO SJLVANIA 41 00:02:22,700 --> 00:02:28,566 OHIO, AND EVEN FARTHER BACK 42 00:02:24,433 --> 00:02:31,033 TO KENTUCKY IN LARUE COUNTY 43 00:02:27,600 --> 00:02:32,466 WHERE HIS FATHER WAS BORN 44 00:02:28,566 --> 00:02:36,766 AND RAISED. 45 00:02:31,033 --> 00:02:38,733 HIS PHOTOGRAPH LIFE WAS 46 00:02:32,466 --> 00:02:40,033 FORGED IN THE 1960S WHERE HE 47 00:02:36,766 --> 00:02:43,166 EDITED ONE OF THE MOST 48 00:02:38,733 --> 00:02:45,433 INNOVATIVE YEAR BOOKS. 49 00:02:40,033 --> 00:02:47,466 HE RETURNED TO LEXINGTON IN 50 00:02:43,166 --> 00:02:48,766 2003 TO VISIT WITH ADVANCED 51 00:02:45,433 --> 00:02:49,366 PHOTO STUDENTS IN THE 52 00:02:47,466 --> 00:02:51,066 UNIVERSITY OF KENTUCKY ART 53 00:02:48,766 --> 00:02:53,100 DEPARTMENT. 54 00:02:49,366 --> 00:02:54,266 >> WHAT IS IN, WHAT IS NOT, 55 00:02:51,066 --> 00:02:54,800 ASKING YOU TO DEFEND AND 56 00:02:53,100 --> 00:02:56,166 JUSTIFY AND TAKE 57 00:02:54,266 --> 00:02:56,600 RESPONSIBILITY FOR 58 00:02:54,800 --> 00:02:59,133 EVERYTHING THAT IS IN THE 59 00:02:56,166 --> 00:03:05,900 PICTURE. 60 00:02:56,600 --> 00:03:07,866 >> AND TO BE THE FEATURED 61 00:02:59,133 --> 00:03:08,966 SPEAKER IN THE UNIVERSITY'S 62 00:03:05,900 --> 00:03:10,200 PHOTOGRAPHIC SIS IRRELEVANT, 63 00:03:07,866 --> 00:03:14,833 REFLECTING ON HIS GLOBAL 64 00:03:08,966 --> 00:03:16,866 CAREER. 65 00:03:10,200 --> 00:03:20,866 >> I LEARNED PHOTOGRAPHY 66 00:03:14,833 --> 00:03:25,000 FROM MY FATHER WHO GREW UP 67 00:03:16,866 --> 00:03:26,333 IN LARUE COUNTY, IN SONORA. 68 00:03:20,866 --> 00:03:28,466 AND HE LIVED ON A FARM 69 00:03:25,000 --> 00:03:30,433 CALLED NOBB FARM. 70 00:03:26,333 --> 00:03:35,700 HE WOULD GENTLY AND LIGHTLY 71 00:03:28,466 --> 00:03:37,900 TALK TO ME ABOUT SCENE, THE 72 00:03:30,433 --> 00:03:39,333 POWER OF A BEAUTY OF AN 73 00:03:35,700 --> 00:03:44,266 S-CURVE AND COMPOSITION, 74 00:03:37,900 --> 00:03:46,633 ALSO ABOUT THE LIGHT. 75 00:03:39,333 --> 00:03:49,266 ONE OUTING WE WENT ON WAS TO 76 00:03:44,266 --> 00:03:52,000 A TRAIN STATION. 77 00:03:46,633 --> 00:03:54,266 HE LOVED THAT FROM BOYHOOD. 78 00:03:49,266 --> 00:03:57,600 THE TRAIN REPRESENTED THE 79 00:03:52,000 --> 00:04:02,533 DISTANT WORLD, THE WORLD OF 80 00:03:54,266 --> 00:04:03,900 POST BILLS OUTSIDE OF NOBB 81 00:03:57,600 --> 00:04:05,633 FARM. 82 00:04:02,533 --> 00:04:07,333 WHICH IS THE EARLIEST 83 00:04:03,900 --> 00:04:10,233 EXAMPLE I HAVE OF THE WAY I 84 00:04:05,633 --> 00:04:11,000 WOULD TAKE PICTURES THE NEXT 85 00:04:07,333 --> 00:04:13,366 40 YEARS, COMPOSING AND 86 00:04:10,233 --> 00:04:16,133 WAITING FOR THE MOMENT. 87 00:04:11,000 --> 00:04:20,333 IT HAS ALWAYS BEEN EASY TO 88 00:04:13,366 --> 00:04:21,466 EXPLAIN FATHER'S INFLUENCE. 89 00:04:16,133 --> 00:04:23,233 HE TAUGHT ME PHOTOGRAPHY. 90 00:04:20,333 --> 00:04:24,833 BUT WHAT IS IN MY 91 00:04:21,466 --> 00:04:26,466 PHOTOGRAPHS, I BELIEVE, 92 00:04:23,233 --> 00:04:28,500 COMES MORE FROM MY MOTHER, 93 00:04:24,833 --> 00:04:29,466 THE CON TINT AND THE SPIRIT 94 00:04:26,466 --> 00:04:36,566 OF IT, THE SOUL OF THE 95 00:04:28,500 --> 00:04:39,466 PHOTOGRAPH E. 96 00:04:29,466 --> 00:04:40,500 SHE LOVED BEAUTY, HISTORY, 97 00:04:36,566 --> 00:04:44,200 AND WAS HIGH-MINDED WHEN IT 98 00:04:39,466 --> 00:04:45,666 CAME TO CULTURE. 99 00:04:40,500 --> 00:04:47,766 SHE WAS THE ORGANIZED WHO OF 100 00:04:44,200 --> 00:04:52,900 OUR FAMILY VACATIONS. 101 00:04:45,666 --> 00:04:56,200 BECAUSE WE WERE TEACHERS, WE 102 00:04:47,766 --> 00:04:57,833 TRAVELED IN THE SUMMER. 103 00:04:52,900 --> 00:05:00,233 WE DIDN'T GO ON FISHING 104 00:04:56,200 --> 00:05:02,400 TRIPS OR ANYTHING LIKE THAT. 105 00:04:57,833 --> 00:05:04,166 WE WENT TO AMERICA'S 106 00:05:00,233 --> 00:05:05,666 CULTURAL AND HISTORICAL 107 00:05:02,400 --> 00:05:07,466 AREAS, AND HE TOOK PICTURES. 108 00:05:04,166 --> 00:05:10,466 THEY WERE ALSO BIG ON 109 00:05:05,666 --> 00:05:12,166 ACTUALLY GETTING ON THE 110 00:05:07,466 --> 00:05:13,933 BANANA BOAT IN BATON ROUGE 111 00:05:10,466 --> 00:05:16,733 AND MEETING THE INDIAN CHIEF 112 00:05:12,166 --> 00:05:18,233 ON THE RESERVATION. 113 00:05:13,933 --> 00:05:20,066 IT WASN'T JUST DRIVING 114 00:05:16,733 --> 00:05:23,166 THROUGH THESE PLACES. 115 00:05:18,233 --> 00:05:24,433 WE ACTUALLY HAD EXPERIENCES 116 00:05:20,066 --> 00:05:25,133 AND I FIND I FOLLOWED IN HER 117 00:05:23,166 --> 00:05:27,233 FOOTSTEPS WHICH IS A GREAT 118 00:05:24,433 --> 00:05:27,633 SURPRISE TO ME BECAUSE I 119 00:05:25,133 --> 00:05:28,900 DIDN'T WANT TO GO ON THE 120 00:05:27,233 --> 00:05:31,066 VACATION. 121 00:05:27,633 --> 00:05:35,133 BUT THE TRUTH IS I HAVE DONE 122 00:05:28,900 --> 00:05:38,100 A LOT OF THAT IN MY ADULT 123 00:05:31,066 --> 00:05:40,233 LIFE, MOST NOTABLY, A STORY 124 00:05:35,133 --> 00:05:41,766 ON SHAKERS OF ALL THE 125 00:05:38,100 --> 00:05:42,266 STORIES I DID, THAT IS A 126 00:05:40,233 --> 00:05:47,800 STORY MY MOTHER WOULD HAVE 127 00:05:41,766 --> 00:05:50,666 IDENTIFIED WITH. 128 00:05:42,266 --> 00:05:54,100 I WANTED TO SET UP CENTRAL 129 00:05:47,800 --> 00:05:55,666 KENTUCKY AS A PLACE OF 130 00:05:50,666 --> 00:05:57,033 SUBLIME BEAUTY, SOMETHING I 131 00:05:54,100 --> 00:05:59,666 DIDN'T UNDERSTAND OR SEE 132 00:05:55,666 --> 00:06:01,466 WHEN I WAS A STUDENT. 133 00:05:57,033 --> 00:06:03,233 >> ENCOURAGED BY HIS HIGH 134 00:05:59,666 --> 00:06:04,833 SCHOOL JOURNALISM TEACHER, 135 00:06:01,466 --> 00:06:06,833 HE ENTERED UNIVERSITY OF 136 00:06:03,233 --> 00:06:08,533 KENTUCKY IN THE FALL OF 1963 137 00:06:04,833 --> 00:06:09,666 WITH A DREAM OF EDITING THE 138 00:06:06,833 --> 00:06:12,100 CAMPUS YEAR BOOK. 139 00:06:08,533 --> 00:06:13,666 HE WAS THE EDITOR OF HIS 140 00:06:09,666 --> 00:06:15,766 HIGH SCHOOL YEAR BOOK AND 141 00:06:12,100 --> 00:06:17,366 WAS BEGINNING TO SEE THE 142 00:06:13,666 --> 00:06:18,400 WORLD OF PHOTOGRAPHY AND 143 00:06:15,766 --> 00:06:21,366 PUBLICATIONS AS A POSSIBLE 144 00:06:17,366 --> 00:06:30,966 CAREER PATH. 145 00:06:18,400 --> 00:06:33,000 HIS LIFELONG FRIEND, LIZ HAS 146 00:06:21,366 --> 00:06:34,866 FOLLOWED HIS WORK. 147 00:06:30,966 --> 00:06:36,000 >> I HAVE BEEN TRACKING 148 00:06:33,000 --> 00:06:37,966 RIGHT ALONG BEHIND YOU ALL 149 00:06:34,866 --> 00:06:39,866 THESE YEARS. 150 00:06:36,000 --> 00:06:43,366 >> KINDERGARTEN, GRADE 151 00:06:37,966 --> 00:06:44,666 SCHOOL, JUNIOR HIGH, HIGH 152 00:06:39,866 --> 00:06:48,500 SCHOOL AND UNIVERSITY OF 153 00:06:43,366 --> 00:06:51,433 KENTUCKY, THE BEGINNING OF 154 00:06:44,666 --> 00:06:53,566 AN ERA OF GIFTED STUDENTRY 155 00:06:48,500 --> 00:06:53,933 AND I FELL AMONG THEIR 156 00:06:51,433 --> 00:06:56,133 SPELL, WALTER GRANT, BILL 157 00:06:53,566 --> 00:06:58,900 GRANT. 158 00:06:53,933 --> 00:06:59,400 IT WAS A COMPETITIVE, 159 00:06:56,133 --> 00:07:03,633 DYNAMIC ERA OF STUDENT 160 00:06:58,900 --> 00:07:08,466 JOURNALISM. 161 00:06:59,400 --> 00:07:10,800 >> HIS 1967 JEER BOOK WAS A 162 00:07:03,633 --> 00:07:11,733 TWO-VOLUME SLIP-CASE AFFAIR 163 00:07:08,466 --> 00:07:12,666 FEATURING HIS EVOLVING EYE. 164 00:07:10,800 --> 00:07:14,233 THE TRADITIONAL FARE WAS IN 165 00:07:11,733 --> 00:07:16,633 THE SECOND BOOK. 166 00:07:12,666 --> 00:07:19,466 >> IT IS A RARE BOOK. 167 00:07:14,233 --> 00:07:30,766 I HAVE SEEN COLLECTIONS OF 168 00:07:16,633 --> 00:07:31,733 YEAR BOOKS ALL THE OTHER 169 00:07:19,466 --> 00:07:33,633 YEARS, BUT IT BROKE NEW 170 00:07:30,766 --> 00:07:36,300 GROUND. 171 00:07:31,733 --> 00:07:42,500 IT WASN'T WIDELY UNDERSTOOD 172 00:07:33,633 --> 00:07:45,233 OR APPRECIATED, I DON'T 173 00:07:36,300 --> 00:07:48,366 THINK. 174 00:07:42,500 --> 00:07:49,700 NONE OF IT TALKED ABOUT 175 00:07:45,233 --> 00:07:52,866 AVANTE GARDE OR AGGRESSIVE 176 00:07:48,366 --> 00:07:58,800 PHOTOGRAPHY, BUT I HAVE TO 177 00:07:49,700 --> 00:08:01,233 SAY IT WAS A BOOK THAT GOT 178 00:07:52,866 --> 00:08:05,966 THEY STARTED ON MY CAREER. 179 00:07:58,800 --> 00:08:06,900 THE WORK I DID HERE REALLY 180 00:08:01,233 --> 00:08:09,366 HELPED ME. 181 00:08:05,966 --> 00:08:10,866 >> I WENT FROM A SLEEPING ON 182 00:08:06,900 --> 00:08:17,100 A COT IN THE YEARBOOK OFFICE 183 00:08:09,366 --> 00:08:19,966 TO LIVING OUT OF HIS CAR IN 184 00:08:10,866 --> 00:08:21,066 A SPARSELY-POPULATED COUNTRY 185 00:08:17,100 --> 00:08:23,266 WHERE NAVIGATING THE ROADS 186 00:08:19,966 --> 00:08:25,433 BROUGHT NEW CHALLENGES AND 187 00:08:21,066 --> 00:08:28,233 THE OCCASIONAL WRONG TURN. 188 00:08:23,266 --> 00:08:34,066 >> I WENT TO WORK THAT 189 00:08:25,433 --> 00:08:44,633 SUMMER ON A STORY WHICH 190 00:08:28,233 --> 00:08:45,566 FORMED THE PHOTOGRAPH I CAN 191 00:08:34,066 --> 00:08:47,900 BASIS, A STORE FOREIGN STORY 192 00:08:44,633 --> 00:08:59,666 TO ME. 193 00:08:45,566 --> 00:08:59,666 IT WAS A MARITIME CULTURE 194 00:08:47,900 --> 00:08:59,666 AND A VERY PHYSICAL REALM. 195 00:09:02,600 --> 00:09:07,833 IT WAS THAT NORTH ATLANTIC 196 00:09:04,733 --> 00:09:10,266 LIGHT, THE ATMOSPHERE, THE 197 00:09:06,733 --> 00:09:13,700 STRENGTH OF THE PEOPLE, THE 198 00:09:07,833 --> 00:09:15,400 CHARACTER OF THE LANDSCRAPE, 199 00:09:10,266 --> 00:09:19,200 THE OCEANS AND THE ICE, ALL 200 00:09:13,700 --> 00:09:22,266 OF IT HAD A POWERFUL APPEAL 201 00:09:15,400 --> 00:09:26,100 TO ME, AND AN EFFECT ON ME. 202 00:09:19,200 --> 00:09:27,433 IT GAVE A SPARE QUALITY AND 203 00:09:22,266 --> 00:09:30,000 A MENTALISM TO THE 204 00:09:26,100 --> 00:09:32,633 PHOTOGRAPHY I WAS GOING TO 205 00:09:27,433 --> 00:09:34,000 DO FOR THE REST OF MY LIFE. 206 00:09:30,000 --> 00:09:37,666 IN ADDITION TO NATIONAL 207 00:09:32,633 --> 00:09:39,233 GEOGRAPHIC WORK, I KEPT 208 00:09:34,000 --> 00:09:41,633 ACTIVE AS A BLACK AND WHITE 209 00:09:37,666 --> 00:09:42,800 PHOTOGRAPHER, PHOTOGRAPHING 210 00:09:39,233 --> 00:09:46,033 THE LIFE I WAS LIVING IN 211 00:09:41,633 --> 00:09:48,500 DOMESTIC DETAILS. 212 00:09:42,800 --> 00:09:50,366 YOU MIGHT CALL IT 213 00:09:46,033 --> 00:09:52,433 ANTI-NATIONAL GEOGRAPHIC 214 00:09:48,500 --> 00:09:54,266 PHOTOGRAPHY, MOTEL ROOMS, 215 00:09:50,366 --> 00:09:55,866 THE GASH BOARD OF THE CAR, 216 00:09:52,433 --> 00:09:58,866 THE BLANK CHARACTER OF THE 217 00:09:54,266 --> 00:10:00,133 ACTUAL LIFE I WAS LIVING, 218 00:09:55,866 --> 00:10:01,633 WHICH IS THE OPPOSITE OF THE 219 00:09:58,866 --> 00:10:02,600 LIFE THAT PEOPLE THINK A 220 00:10:00,133 --> 00:10:07,100 NATIONAL GEOGRAPHIC 221 00:10:01,633 --> 00:10:08,166 PHOTOGRAPHER LIVES. 222 00:10:02,600 --> 00:10:10,833 >> THE LESS THAN LAVISH 223 00:10:07,100 --> 00:10:13,200 LIFESTYLE CONTINUED AS HE 224 00:10:08,166 --> 00:10:14,233 SPENT A GOOD BIT OF THE 225 00:10:10,833 --> 00:10:14,833 1970S ON GEOGRAPHIC 226 00:10:13,200 --> 00:10:20,066 ASSIGNMENTS IN THE 227 00:10:14,233 --> 00:10:22,866 WILDERNESS. 228 00:10:14,833 --> 00:10:24,333 >> BROADLY, MY LIFE CAN BE 229 00:10:20,066 --> 00:10:27,666 DIVIDED INTO TWO SCENES, 230 00:10:22,866 --> 00:10:33,433 WILDERNESS TRAVEL BY FOOT 231 00:10:24,333 --> 00:10:35,533 AND BY BOAT, AND IT IS ABOUT 232 00:10:27,666 --> 00:10:38,000 BEAUTY. 233 00:10:33,433 --> 00:10:40,533 TWO YEARS OF MY LIFE WERE 234 00:10:35,533 --> 00:10:44,300 SPENT ON THE PACIFIC CREST 235 00:10:38,000 --> 00:10:45,066 HIKING TRAIL THAT GOES FROM 236 00:10:40,533 --> 00:10:49,133 MEXICO TO CANADA, 2,600 237 00:10:44,300 --> 00:10:51,500 MILES LONG. 238 00:10:45,066 --> 00:10:55,466 I SPENT 14 MONTHS ON A BOOK 239 00:10:49,133 --> 00:10:57,500 ABOUT CONOING, AND I ALSO 240 00:10:51,500 --> 00:11:00,766 DID THE APPALACHAIN TRAVEL 241 00:10:55,466 --> 00:11:02,500 AND DID REMOTE TRAVELING IN 242 00:10:57,500 --> 00:11:12,900 TIERRA DEL FUEGO AND THE 243 00:11:00,766 --> 00:11:12,900 OUTERMOST PART OF THE 244 00:11:02,500 --> 00:11:12,900 AUSTRALIAN OUTBACK. 245 00:11:44,166 --> 00:11:49,300 I WANTED TO TRAVEL. 246 00:11:46,900 --> 00:11:51,666 MY PARENT HAD PREPARED ME 247 00:11:48,600 --> 00:11:52,266 FOR THAT. 248 00:11:49,300 --> 00:11:52,733 BUILDING A LIFE AROUND 249 00:11:51,666 --> 00:11:54,700 TRAVEL WAS SOMETHING I 250 00:11:52,266 --> 00:11:57,366 WANTED TO DO. 251 00:11:52,733 --> 00:11:59,800 IT WAS FAR MORE LONELY AND 252 00:11:54,700 --> 00:12:01,800 DANGEROUS THAN I THOUGHT. 253 00:11:57,366 --> 00:12:02,333 DOCUMENTING PHOTOGRAPHY 254 00:11:59,800 --> 00:12:04,100 REQUIRES YOU TO BE PRESENT 255 00:12:01,800 --> 00:12:05,466 WITH YOUR SUBJECT. 256 00:12:02,333 --> 00:12:06,333 YOU ARE NOT IN THE STUDIO OR 257 00:12:04,100 --> 00:12:08,933 ANY KIND OF CONTROLED 258 00:12:05,466 --> 00:12:10,866 ENVIRONMENT. 259 00:12:06,333 --> 00:12:14,133 I HAVE BEEN PROFOUNDLY 260 00:12:08,933 --> 00:12:17,066 SEASICK IN THE NORTH 261 00:12:10,866 --> 00:12:21,300 ATLANTIC, I HAVE HAD MY BACK 262 00:12:14,133 --> 00:12:24,000 BADLY BROKEN IN A 263 00:12:17,066 --> 00:12:25,866 HANGGLIDING ACCIDENT. 264 00:12:21,300 --> 00:12:27,533 I HAVE HAD MALARIA, I HAVE 265 00:12:24,000 --> 00:12:30,766 BEEN MUGGED AND ROBBED. 266 00:12:25,866 --> 00:12:33,566 TWICE I THOUGHT I WOULD DIE 267 00:12:27,533 --> 00:12:36,400 IN AUSTRALIA IN A SMALL 268 00:12:30,766 --> 00:12:37,566 PLANE FLIGHT I HAD ORGANIZED 269 00:12:33,566 --> 00:12:40,366 WE WERE DIRECTLY IN PERIL, 270 00:12:36,400 --> 00:12:42,233 AND TWICE I SURVIVED. 271 00:12:37,566 --> 00:12:43,866 THE FIRST TIME I 272 00:12:40,366 --> 00:12:44,866 PHOTOGRAPHED IT TO SETTLE 273 00:12:42,233 --> 00:12:48,133 MYSELF, AND ALSO BECAUSE IT 274 00:12:43,866 --> 00:12:48,466 WAS BEAUTIFUL. 275 00:12:44,866 --> 00:12:50,200 I TOOK ALL OF THOSE TO BE 276 00:12:48,133 --> 00:12:52,966 TESTS. 277 00:12:48,466 --> 00:12:54,233 IF YOU ARE GOING TO LIVE THE 278 00:12:50,200 --> 00:12:57,400 PHOTOGRAPHIC LIVE, THINGS 279 00:12:52,966 --> 00:12:59,433 WILL HAPPEN AND YOU HAVE TO 280 00:12:54,233 --> 00:13:00,800 TAKE IT ON, TRY TO AVOID IT 281 00:12:57,400 --> 00:13:04,366 AND TRY TO SURVIVE IT. 282 00:12:59,433 --> 00:13:08,700 AND WHILE YOU ARE DOING ALL 283 00:13:00,800 --> 00:13:12,133 OF THAT, PHOTOGRAPH IT ALL. 284 00:13:04,366 --> 00:13:17,766 I WAS MARRIED IN 1978. 285 00:13:08,700 --> 00:13:21,233 I HAD MET MY WIFE IN 1976. 286 00:13:12,133 --> 00:13:23,000 SHE WAS THE FIRST PERSON I 287 00:13:17,766 --> 00:13:33,366 MET ON THE TRAIL FROM AND 288 00:13:21,233 --> 00:13:33,366 FROM 1978 TO 1998 WE 289 00:13:23,000 --> 00:13:33,366 TRAVELED TOGETHER. 290 00:13:49,466 --> 00:13:55,666 >> BETWEEN ASSIGNMENTS, HE 291 00:13:51,766 --> 00:13:57,966 DID WHAT HE ALWAYS WANTED TO 292 00:13:53,733 --> 00:14:09,000 DO, ORGANIZE HIS WORK INTO A 293 00:13:55,666 --> 00:14:22,933 SERIES OF BOOKS, INCLUDING 294 00:13:57,966 --> 00:14:26,033 "STAY THIS MOMENT" AND 295 00:14:09,000 --> 00:14:32,766 "SEEING GARDENS" AND "SAM 296 00:14:22,933 --> 00:14:32,766 ABLES: THE PHOTOGRAPHIC 297 00:14:26,033 --> 00:14:32,766 LIFE" 298 00:14:37,033 --> 00:14:45,200 >> IN 1998 MY LIFE AND OUR 299 00:14:42,366 --> 00:14:46,233 FAMILY'S LIFE CHANGED. 300 00:14:42,966 --> 00:14:49,800 MY FATHER CAME DOWN WITH 301 00:14:45,200 --> 00:14:51,733 ALZHEIMER'S. 302 00:14:46,233 --> 00:14:53,166 THAT SAME FALL, MY WIFE WAS 303 00:14:49,800 --> 00:14:54,066 DIAGNOSED WITH OVARIAN 304 00:14:51,733 --> 00:14:56,100 CANCER AND IT MARKED THE 305 00:14:53,166 --> 00:14:57,333 BEGINNING OF THE END OF THE 306 00:14:54,066 --> 00:15:00,066 LIFE WE HAD KNOWN TRAVELING 307 00:14:56,100 --> 00:15:04,200 TOGETHER AND DOING 308 00:14:57,333 --> 00:15:05,400 ASSIGNMENTS. 309 00:15:00,066 --> 00:15:08,300 >> ABLES FATHER SUCCUMBED, 310 00:15:04,200 --> 00:15:10,666 BUT HIS WIFE SURVIVED. 311 00:15:05,400 --> 00:15:11,733 IT WAS THEN HE DECIDED TO 312 00:15:08,300 --> 00:15:14,433 WIND UP HIS LONG CAREER WITH 313 00:15:10,666 --> 00:15:15,866 NATIONAL GEOGRAPHIC. 314 00:15:11,733 --> 00:15:17,333 >> I DID A DIFFICULT 315 00:15:14,433 --> 00:15:25,033 ASSIGNMENT ON THE LIFE 316 00:15:15,866 --> 00:15:27,300 WITHIN THE JAPANESE IMPERIAL 317 00:15:17,333 --> 00:15:34,266 PALACE. 318 00:15:25,033 --> 00:15:38,733 THE AESTHETIC OF JAPAN IS 319 00:15:27,300 --> 00:15:39,633 SOMETHING I HAVE LONG-LOVED. 320 00:15:34,266 --> 00:15:41,066 BUT IT TURNED OUT WE HAD NO 321 00:15:38,733 --> 00:15:41,500 ACCESS AND IT WAS ONE OF THE 322 00:15:39,633 --> 00:15:43,200 MOST DIFFICULT ASSIGNMENT OF 323 00:15:41,066 --> 00:15:45,066 MY LIFE. 324 00:15:41,500 --> 00:15:46,400 >> HE WASN'T ALLOWED 325 00:15:43,200 --> 00:15:48,800 ANYWHERE NEAR THE SELL 326 00:15:45,066 --> 00:15:50,233 DONE-SEEN EMPEROR AND WAS 327 00:15:46,400 --> 00:15:50,666 TOLD A GIANT PROJECTED TV 328 00:15:48,800 --> 00:15:52,566 IMAGE WAS THE BEST HE COULD 329 00:15:50,233 --> 00:15:53,700 DO. 330 00:15:50,666 --> 00:15:55,233 >> ON THE LAST DAY OF THE 331 00:15:52,566 --> 00:15:56,433 ASSIGNMENT I PHOTOGRAPHED 332 00:15:53,700 --> 00:15:58,366 THE EMPEROR OF JAPAN, 333 00:15:55,233 --> 00:16:00,333 SOMETHING I HAD BEEN TRYING 334 00:15:56,433 --> 00:16:01,533 TO DO FOR A YEAR, JUST HE 335 00:15:58,366 --> 00:16:03,566 AND HIS WIFE AND THEIR 336 00:16:00,333 --> 00:16:05,133 DAUGHTER. 337 00:16:01,533 --> 00:16:07,100 THEY WERE BIRD-WATCHING. 338 00:16:03,566 --> 00:16:08,133 AND THAT WAS THE LAST 339 00:16:05,133 --> 00:16:09,766 ASSIGNMENT I DID FOR 340 00:16:07,100 --> 00:16:13,166 NATIONAL GEOGRAPHIC. 341 00:16:08,133 --> 00:16:14,266 >> THOUGH HE HAS CUT BACK ON 342 00:16:09,766 --> 00:16:15,266 HIS TRAVELS, HE IS STILL AN 343 00:16:13,166 --> 00:16:15,633 ACTIVE PHOTOGRAPHER WITH 344 00:16:14,266 --> 00:16:20,133 SEVERAL PROJECTS IN THE 345 00:16:15,266 --> 00:16:22,333 WORKS. 346 00:16:15,633 --> 00:16:24,933 >> I AM DOING A BOOK, 347 00:16:20,133 --> 00:16:28,466 JAPANESE PHILOSOPHY OF 348 00:16:22,333 --> 00:16:35,000 BEAUTY CALLED WABI SABI, 349 00:16:24,933 --> 00:16:35,700 THINGS UNFINISHED, UNDONE. 350 00:16:28,466 --> 00:16:40,100 IT IS ANTI--GORGEISM, TO 351 00:16:35,000 --> 00:16:41,800 SOME EXTENT, COAXING BEAUTY 352 00:16:35,700 --> 00:16:43,666 AND SEEING IT WHERE NO ONE 353 00:16:40,100 --> 00:16:47,166 ELSE DOES. 354 00:16:41,800 --> 00:16:48,533 I NEVER STOP TAKING A 355 00:16:43,666 --> 00:16:50,733 PARTICULAR KIND OF PHOTO NO 356 00:16:47,166 --> 00:16:52,366 ONE ELSE TOOK. 357 00:16:48,533 --> 00:16:53,266 AND IT IS ABOUT BEAUTY. 358 00:16:50,733 --> 00:16:55,400 >> CAN YOU IMAGINE ALL THE 359 00:16:52,366 --> 00:16:57,433 BEAUTIFUL PLACES HE HAS SEEN 360 00:16:53,266 --> 00:16:58,066 OVER THE YEARS? 361 00:16:55,400 --> 00:17:01,000 BUT WE HAVEN'T GOT IT SO BAD 362 00:16:57,433 --> 00:17:04,466 AROUND HERE. 363 00:16:58,066 --> 00:17:06,100 WE HAVE MORE THAN 50,000 364 00:17:01,000 --> 00:17:08,400 SURFACE TANKERS HERE AT 365 00:17:04,466 --> 00:17:09,166 MAMMOTH CAVE NATIONAL PARK 366 00:17:06,100 --> 00:17:11,533 AND THE WORLD'S LONGEST CAVE 367 00:17:08,400 --> 00:17:12,033 DOWN BELONG. 368 00:17:09,166 --> 00:17:14,666 IT IS A PHOTOGRAPHER'S 369 00:17:11,533 --> 00:17:16,300 PARADISE. 370 00:17:12,033 --> 00:17:18,733 UP NEXT, TIME TO REV UP THE 371 00:17:14,666 --> 00:17:22,033 ENGINES AND LOOK AT THE 372 00:17:16,300 --> 00:17:24,666 ANTIQUE CARS, MUSCLE CARS, 373 00:17:18,733 --> 00:17:26,233 STREET RODS, CLASSIC SHOW 374 00:17:22,033 --> 00:17:30,333 CARS, ALL GATHERED IN 375 00:17:24,666 --> 00:17:37,133 SOMERSET KENTUCKY ONCE A 376 00:17:26,233 --> 00:17:37,133 MONTH FROM APRIL THROUGH 377 00:17:30,333 --> 00:17:37,133 OCTOBER. 378 00:17:57,900 --> 00:18:03,900 >> THE EVENT STARTED IN 379 00:18:00,833 --> 00:18:05,166 2004. 380 00:18:01,166 --> 00:18:06,866 A FEW CARS HAD BEEN TO 381 00:18:03,900 --> 00:18:08,066 SOMERSET, WE LIKE OLD CARS 382 00:18:05,166 --> 00:18:09,766 AND GO TO CAR SHOWS. 383 00:18:06,866 --> 00:18:10,500 WE WERE LOOKING FOR A PLACE 384 00:18:08,066 --> 00:18:13,633 TO DO IT IN OUR OWN 385 00:18:09,766 --> 00:18:16,800 COMMUNITY. 386 00:18:10,500 --> 00:18:18,233 WE KNEW WE COULD BUILD A 387 00:18:13,633 --> 00:18:20,866 SUCCESS IN THIS AREA AND FOR 388 00:18:16,800 --> 00:18:23,066 SEVERAL STATES AROUND US. 389 00:18:18,233 --> 00:18:26,800 WE HAVE THE DOWNTOWN 390 00:18:20,866 --> 00:18:29,633 DEVELOPMENT CORPORATION AND 391 00:18:23,066 --> 00:18:32,200 TOGETHER WITH THEM AND THE 392 00:18:26,800 --> 00:18:32,800 TOURISM COMMISSION WE SET TO 393 00:18:29,633 --> 00:18:33,966 BUILD A SUCCESSFUL CAR 394 00:18:32,200 --> 00:18:34,666 CRUISE. 395 00:18:32,800 --> 00:18:37,000 PEOPLE WANT SOMETHING GOOD 396 00:18:33,966 --> 00:18:38,300 TO DO. 397 00:18:34,666 --> 00:18:40,500 IN THE WORLD WE LIVE IN, 398 00:18:37,000 --> 00:18:43,400 PEOPLE LOOK FOR A GOOD, 399 00:18:38,300 --> 00:18:44,833 CLEAN FAMILY-ORIENTED EVENT 400 00:18:40,500 --> 00:18:46,766 TO ATTEND AND THEY WILL 401 00:18:43,400 --> 00:18:47,800 DRIVE FOR MILES TO DO IT. 402 00:18:44,833 --> 00:18:49,666 WE KNEW WE COULD GET LOCAL 403 00:18:46,766 --> 00:18:51,566 PARTICIPATION OUT OF OUR 404 00:18:47,800 --> 00:18:53,066 BUSINESSES TO RESPOND 405 00:18:49,666 --> 00:18:54,200 SUPPORT US MONETARY-WISE AND 406 00:18:51,566 --> 00:18:56,366 WE WOULDN'T NEED TO CHARGE 407 00:18:53,066 --> 00:19:00,766 FAMILIES TO COME HERE. 408 00:18:54,200 --> 00:19:02,800 IT IS INCREDIBLE TO SEE 409 00:18:56,366 --> 00:19:05,600 FAMILIES COMING FROM 19 OR 410 00:19:00,766 --> 00:19:07,000 20 DIFFERENT STATES ON THE 411 00:19:02,800 --> 00:19:08,666 EAST COAST, THEY KNOW IT 412 00:19:05,600 --> 00:19:09,966 WON'T COST THEM ANYTHING TO 413 00:19:07,000 --> 00:19:13,266 HAVE A GOOD TIME HERE. 414 00:19:08,666 --> 00:19:14,800 WE WANTED TO BUILD A GOOD 415 00:19:09,966 --> 00:19:18,133 PLACE FOR A FAMILY EVENT 416 00:19:13,266 --> 00:19:23,233 THAT CAN BE ENJOYED, WHICH 417 00:19:14,800 --> 00:19:24,466 IS SUMMER NIGHT'S CUISE IS 418 00:19:18,133 --> 00:19:27,633 ALL ABOUT. 419 00:19:23,233 --> 00:19:30,433 LAST MONTH WAS A RECORD 420 00:19:24,466 --> 00:19:32,466 BREAKER OF 1311 CARS. 421 00:19:27,633 --> 00:19:34,866 WE HAD TREMENDOUS SUCCESS IN 422 00:19:30,433 --> 00:19:37,166 CAR QUALITY AND CAR COUNT. 423 00:19:32,466 --> 00:19:38,433 WE HAVE MANY PEOPLE THAT 424 00:19:34,866 --> 00:19:39,766 VISIT SUMMER NIGHT'S CRUISE 425 00:19:37,166 --> 00:19:44,400 AT LEAST ONE TIME. 426 00:19:38,433 --> 00:19:46,266 WE PROBABLY HAVE IN THE 427 00:19:39,766 --> 00:19:47,666 NEIGHBORHOOD OF 5,000 CARS 428 00:19:44,400 --> 00:19:49,966 THAT HAVE BEEN AT LEAST ONE 429 00:19:46,266 --> 00:19:52,033 TIME IN THE FOUR YEARS IT 430 00:19:47,666 --> 00:19:53,766 HAS BEEN IN EXISTENCE, WHICH 431 00:19:49,966 --> 00:20:03,066 IS AN INCREDIBLE STATISTIC 432 00:19:52,033 --> 00:20:05,700 FOR AN EVENT THAT IS ONLY 433 00:19:53,766 --> 00:20:07,233 FOUR YEARS OLD. 434 00:20:03,066 --> 00:20:09,933 EVERY TIME THE PEOPLE SEE 435 00:20:05,700 --> 00:20:11,200 OUR PEOPLE IN THE YELLOW 436 00:20:07,233 --> 00:20:12,733 SHIRTS, OUR TEAM MEMBERS, 437 00:20:09,933 --> 00:20:15,300 THEY SAY THAT THE 438 00:20:11,200 --> 00:20:18,500 ORGANIZATION IS INCREDIBLE, 439 00:20:12,733 --> 00:20:19,133 HOW DO YOU HANDLE THIS MANY 440 00:20:15,300 --> 00:20:19,833 CARS, THEY JUST SAY IT IS AN 441 00:20:18,500 --> 00:20:21,300 INCREDIBLE ORGANIZATION, 442 00:20:19,133 --> 00:20:23,000 WHICH IS A PLUS FOR US. 443 00:20:19,833 --> 00:20:24,766 IT MEANS WE ARE DOING OUR 444 00:20:21,300 --> 00:20:27,233 JOB RIGHT, KEEPING THE CARS 445 00:20:23,000 --> 00:20:29,533 IN SHAPE. 446 00:20:24,766 --> 00:20:30,900 WE ARE PRETTY STIFF AT THE 447 00:20:27,233 --> 00:20:31,566 GATES AND WE DO IT FOR A 448 00:20:29,533 --> 00:20:36,333 REASON, TO BE A CUT ABOVE 449 00:20:30,900 --> 00:20:38,033 THE REST. 450 00:20:31,566 --> 00:20:41,733 WE HAVE DONE A LOT OF FOLKS 451 00:20:36,333 --> 00:20:43,266 FROM MANY DIFFERENT STATES. 452 00:20:38,033 --> 00:20:45,233 ONE GUY GOES HOME TO ALABAMA 453 00:20:41,733 --> 00:20:45,833 AFTER HAVING A GREAT TIME 454 00:20:43,266 --> 00:20:47,700 AND HE BRINGS TWO OR THREE 455 00:20:45,233 --> 00:20:49,566 GUYS BACK. 456 00:20:45,833 --> 00:20:51,266 TODAY WE HAVE 15 PEOPLE IN 457 00:20:47,700 --> 00:20:53,566 OUR GROUP FROM ALABAMA 458 00:20:49,566 --> 00:20:58,633 TODAY, FROM WEST VIRGINIA, 459 00:20:51,266 --> 00:21:00,833 FROM CANADA LAST MONTH, 460 00:20:53,566 --> 00:21:01,600 SOUTH DAKOTA, YOU NAME IT. 461 00:20:58,633 --> 00:21:03,966 >> I WOULD COME EVERY MONTH 462 00:21:00,833 --> 00:21:05,200 IF I COULD. 463 00:21:01,600 --> 00:21:15,400 IT IS A BEAUTIFUL TOWN BE, 464 00:21:03,966 --> 00:21:15,400 UNBELIEVABLE CARS, GREAT 465 00:21:05,200 --> 00:21:15,400 PEOPLE. 466 00:21:16,266 --> 00:21:23,133 WE DECIDED TO DRIVE IT IN 467 00:21:17,433 --> 00:21:26,400 INSTEAD OF TRAILER IT. 468 00:21:19,833 --> 00:21:36,466 IT IS A 1965 MUSS TAPE 469 00:21:23,133 --> 00:21:38,200 CONVERTIBLE, ALL ORIGINAL. 470 00:21:26,400 --> 00:21:41,000 WE CAME ON A 515-MILE DRIVE. 471 00:21:36,466 --> 00:21:52,066 >> WE HAVE AN EHAVEN'T ON 472 00:21:38,200 --> 00:21:52,066 FRIDAY NIGHT, SOME OF THE 473 00:21:41,000 --> 00:21:52,066 LOCAL BUSINESSES 474 00:21:57,666 --> 00:22:05,433 ,. 475 00:21:58,200 --> 00:22:07,700 ON SATURDAY MORNING WE HAVE 476 00:22:00,833 --> 00:22:11,400 A SEAT MORNING FUN-RUN. 477 00:22:05,433 --> 00:22:13,266 WE MEET AND THE LOCAL 478 00:22:07,700 --> 00:22:15,500 BUSINESSES PROVIDE BREAKFAST. 479 00:22:11,400 --> 00:22:17,900 THEN WE LEAVE FROM THERE TO 480 00:22:13,266 --> 00:22:28,066 CRUISE AREAS OF INTEREST. 481 00:22:15,500 --> 00:22:28,066 ONE MIGHT BE TO A DRAG 482 00:22:17,900 --> 00:22:28,066 STRIP. 483 00:23:04,666 --> 00:23:12,066 AFTER THE SATURDAY MORNING 484 00:23:08,933 --> 00:23:13,633 FUN-RUN, THE SHOW AND SHINE 485 00:23:10,733 --> 00:23:15,133 PORTION WHEN THE CARS COME 486 00:23:12,066 --> 00:23:15,733 TO DOWNTOWN AND ARE 487 00:23:13,633 --> 00:23:18,300 DISPLAYED FOR VIEWING BY THE 488 00:23:15,133 --> 00:23:19,300 PUBLIC. 489 00:23:15,733 --> 00:23:23,633 WE USUALLY HAVE IN EXCESS OF 490 00:23:18,300 --> 00:23:26,866 A THOUSAND CARS. 491 00:23:19,300 --> 00:23:29,200 THEY WILL COME IN AND RAISE 492 00:23:23,633 --> 00:23:30,133 YOUR HOODS AND BASICALLY IT 493 00:23:26,866 --> 00:23:35,000 IS AN ALL-DAY CAR SHOW FROM 494 00:23:29,200 --> 00:23:36,266 2:00 O'CLOCK UNTIL 8:00 495 00:23:30,133 --> 00:23:37,566 O'CLOCK. 496 00:23:35,000 --> 00:23:38,566 WE HAVE THOUSANDS OF SPEC 497 00:23:36,266 --> 00:23:40,200 STAY FORCE THAT COME TO VIEW 498 00:23:37,566 --> 00:23:41,733 THE CARS. 499 00:23:38,566 --> 00:23:42,133 YOU WILL SEE ALL KINDS OF 500 00:23:40,200 --> 00:23:43,933 CARS, HEAR ALL KINDS OF 501 00:23:41,733 --> 00:23:45,733 STORIES. 502 00:23:42,133 --> 00:23:49,700 THE STORY WE HEAR MOST 503 00:23:43,933 --> 00:23:51,933 OFTEN, THEY LOVE THE 504 00:23:45,733 --> 00:23:54,533 LOCATION OF THE CRUISE. 505 00:23:49,700 --> 00:23:56,866 IT IS NOT IN A BIG PARKING 506 00:23:51,933 --> 00:23:59,333 LOT OR IN A FIELD, IT IS 507 00:23:54,533 --> 00:24:02,533 AROUND HISTORIC BUILDINGS. 508 00:23:56,866 --> 00:24:06,533 WE GET MORE COMMENTS ABOUT 509 00:23:59,333 --> 00:24:10,233 THAT, WHICH SETS THIS CRUISE 510 00:24:02,533 --> 00:24:11,766 APART FROM JUST ABOUT EVERY 511 00:24:06,533 --> 00:24:13,133 OTHER CRUISE IN THE COUNTRY. 512 00:24:10,233 --> 00:24:15,266 SPEC STAY FORCE ARE FREE TO 513 00:24:11,766 --> 00:24:16,966 WANDER ABOUT WITHOUT 514 00:24:13,133 --> 00:24:17,966 WORRYING ABOUT TRAFFIC, CARS 515 00:24:15,266 --> 00:24:19,433 ARE PARKED UP AND DOWN THE 516 00:24:16,966 --> 00:24:21,300 STREETS, EVERYTHING IS 517 00:24:17,966 --> 00:24:23,500 REALLY NICE. 518 00:24:19,433 --> 00:24:26,366 YOU WILL SEE EVERYTHING, 519 00:24:21,300 --> 00:24:28,700 FROM THE ANTIQUE TO THE 520 00:24:23,500 --> 00:24:31,800 CLASSICS TO THE CUSTOMS. 521 00:24:26,366 --> 00:24:33,500 YOU WILL SEE 522 00:24:28,700 --> 00:24:38,533 PICK-INSTRUCTION, 523 00:24:31,800 --> 00:24:41,566 LOW-RIDERS, YOU NAME IT, IT 524 00:24:33,500 --> 00:24:43,900 IS HERE. 525 00:24:38,533 --> 00:24:45,733 IF HE AT THE END OF THAT 526 00:24:41,566 --> 00:24:49,833 TIME WE GO BACK TO THE 527 00:24:43,900 --> 00:24:52,100 CRUISE PORTION WHERE THE 528 00:24:45,733 --> 00:24:53,233 CARS ARE LINED UP AND LED 529 00:24:49,833 --> 00:24:55,633 DOWNTOWN AND BACK TO THE 530 00:24:52,100 --> 00:24:58,000 STRIP, HIGHWAY 27. 531 00:24:53,233 --> 00:25:01,800 THAT IS A SIX-LANE HIGHWAY. 532 00:24:55,633 --> 00:25:02,266 THERE ARE A THOUSAND PEOPLE 533 00:24:58,000 --> 00:25:04,200 LINED UP TO WATCH THEM 534 00:25:01,800 --> 00:25:05,466 CRUISE AROUND. 535 00:25:02,266 --> 00:25:07,666 THEY MAY CRUISE FROM 8:00 536 00:25:04,200 --> 00:25:09,433 O'CLOCK UNTIL MIDNIGHT. 537 00:25:05,466 --> 00:25:12,933 IT HAS REALLY BECOME A 538 00:25:07,666 --> 00:25:16,266 FAVORITE PART OF THE CRUISE 539 00:25:09,433 --> 00:25:18,466 FOR EVERYBODY. 540 00:25:12,933 --> 00:25:25,100 WE HAVE BEEN TOLD IT IS IT 541 00:25:16,266 --> 00:25:26,600 NOT ONE OF THE LARGEST CAR 542 00:25:18,466 --> 00:25:28,800 CRUISES IN THE NATION. 543 00:25:25,100 --> 00:25:32,233 >> IT LOOKS LIKE WE HAVE RUN 544 00:25:26,600 --> 00:25:33,666 OUT OF TIME FOR THIS EDITION 545 00:25:28,800 --> 00:25:35,366 OF "KENTUCKY LIFE" I SAY 546 00:25:32,233 --> 00:25:38,933 THANK YOU FOR WATCHING. 547 00:25:33,666 --> 00:25:39,633 WE LEAVE YOU WITH SOME 548 00:25:35,366 --> 00:25:44,866 SCENES FROM MAMMOTH CAVE, 549 00:25:38,933 --> 00:25:44,866 NATIONAL PARK. 550 00:25:39,633 --> 00:25:44,866 WE WILL SEE YOU NEXT TIME.