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00:00:04,900 --> 00:00:07,200
EMINENCE IS THE HOME OF AND THE

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00:00:05,500 --> 00:00:09,766
NAME ON THE WORLD'S NUMBER 1

3
00:00:06,200 --> 00:00:11,466
LOUD SPEAKER.

4
00:00:07,200 --> 00:00:13,166
THE BEST BLUEGRASS BANJO PLAYERS

5
00:00:09,766 --> 00:00:13,733
WANT THE BEST BLUEGRASS BANJOS

6
00:00:11,466 --> 00:00:15,633
AND THEY ARE MADE IN RUSSEL

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00:00:13,166 --> 00:00:18,566
SPRINGS.

8
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IN LEXINGTON WHEN TD YOUNG ROCKS

9
00:00:15,633 --> 00:00:21,000
THE HOUSE, IT'S GOOD TO HAVE THE

10
00:00:18,566 --> 00:00:22,800
BLUES.

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FROM ACROSS THE STATE AND ACROSS

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THE STREET, THESE STORIES AND

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KENTUCKY LIFE START NOW.

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>> HELLO I'M DOUG FLYNN AND

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WELCOME TO KENTUCKY LIFE.

16
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COMING TO YOU AGAIN FROM THE

17
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LIFE ADVENTURE CENTER.

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00:00:52,300 --> 00:00:57,033
DO YOU KNOW WHAT THE NUMBER 1

19
00:00:53,600 --> 00:01:00,166
RULE IN REAL ESTATE IS?

20
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WE ALL HEARD IT.

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00:00:57,033 --> 00:01:04,400
LOCATION, LOCATION, LOCATION.

22
00:01:00,166 --> 00:01:05,866
50 YEARS AGO, AN ENGINEER HAD

23
00:01:02,633 --> 00:01:06,566
THAT RULE IN MIND WHEN HE CHOSE

24
00:01:04,400 --> 00:01:09,000
WHERE TO BUILD AND WHAT TO NAME

25
00:01:05,866 --> 00:01:12,700
HIS COMPANY.

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00:01:06,566 --> 00:01:13,266
A FEW WEEKS AGO, I SPENT A DAY

27
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IN EMINENCE, THE TOWN, TOWERING

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EMINENCE THE COMPANY.

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I WANTED TO HEAR HOWHEY

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00:01:15,400 --> 00:01:26,533
MASTERED THE SCIENCE OF SOUND TO

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BECOME THE WORLD'S LARGEST LOUD

32
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SPEAKER MANUFACTURER.

33
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BOB HAD FAMILY IN MIND WHEN HE

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STARTED EMINENCE SPEAKER COMPANY

35
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IN 1966.

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AND A FAMILY IS WHAT HIS COMPANY

37
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QUICKLY BECAME.

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STILL PRODUCING SOME OF THE

39
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WORLD'S BEST LOUD SPEAKERS FROM

40
00:01:37,933 --> 00:01:43,866
THEIR MANUFACTURING FACILITY IN

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EMINENCE, KENTUCKY.

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NOW 50 YEARS LATER.

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DURING A RECENT VISIT TO THEIR

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HEADQUARTERS, I HAD A CHANCE TO

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VISIT WITH BOB'S SON AND NOW

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COMPANY CHAIRMAN, ROB, AND

47
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COMPANY PRESIDENT, CHRIS ROSE,

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ABOUT WHO THE COMPANY IS TODAY.

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>> EMINENCE IS -- IT'S MY

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BROTHER FOR ONE THING.

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I GREW UP WITH IT THROUGH IT'S

52
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HISTORY.

53
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MY DAD WAS AN ENGINEER AT A

54
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MAGNA JOCKS SPEAKER COMPANY IN

55
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PEDUKA AT ONE TIME.

56
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HE STARTED HIS OWN COMPANY.

57
00:02:16,733 --> 00:02:22,433
HE WAS A PRODUCTION GENIUS SO HE

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KNEW HOW TO MAKE THEM

59
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EFFICIENTLY AND HIS PHILOSOPHY

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WAS COST-PLUS A FAIR MARGIN.

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SO HE GAINED A LOT OF BUSINESS

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PRETTY QUICKLY AND WE GREW FROM

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THAT 5000 SQUARE FOOT THING TO

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ABOUT 80,000 SQUARE FEET OVER

65
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THE NEXT COUPLE OF DECADES.

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WE HAVE SOLD THE MOST OF THE

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MUSICAL INSTRUMENT AMPLIFIER

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COMPANIES OUT THERE.

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AND A LOT OF THE PRO-SOUND

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COMPANIES.

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SO IF YOU'RE AT A CONCERT, THERE

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IS A REAL GOOD CHANCE THAT THE

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EQUIPMENT HAS GOT SOME OF IT, AT

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LEAST STOCK IN EMINENCE AND CAME

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FROM THE FACTORY THAT WAY AND

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ALSO A REALLY GOOD CHANCE THAT

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THE MUSICIAN DECED TO REPLACE

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WHATEVER CAME STOCK, WHICH MIGHT

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HAVE BEEN EMINENCE IN THE FIRST

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PLACE, WITH ANOTHER EMINENCE.

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>> TO SEE WHAT GOES INTO A

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00:03:04,266 --> 00:03:08,733
SPEAKER, I STARTED WITH THE

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DESIGN TEAM.

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FROM WHAT I UNDERSTAND, THIS IS

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00:03:08,733 --> 00:03:13,033
A BEGINNING STAGES, RIGHT?

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>> THAT IS CORRECT.

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THIS IS THE BEGINNING STAGE.

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WHAT WE MAKE LOUD SPEAKERS FOR

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CUSTOMERS THAT MAKE OTHER

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00:03:17,700 --> 00:03:24,100
PRODUCTS AND THEIR ENGINEERS

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00:03:19,500 --> 00:03:26,333
WILL CALL-UP OUR PRODUCT DESIGN

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DEPARTMENT AND SAY, I NEED A

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SOLUTION FOR GUITAR AMPLIFIER OR

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FOR A PA SYSTEM OR A HOME

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HIGH-IFY SYSTEM.

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00:03:31,733 --> 00:03:36,466
MAYBE A CAR AUDIO SYSTEM.

97
00:03:33,100 --> 00:03:37,700
SO THEY TELL US WHAT THEY WANT

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AND WE WORK WITH THEM FROM THE

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00:03:36,466 --> 00:03:41,500
BEGINNING OF THEIR DESIGN

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00:03:37,700 --> 00:03:43,900
PROCESS TO COME UP WITH ALLOWED

101
00:03:39,866 --> 00:03:45,366
SPEAKER SOLUTION.

102
00:03:41,500 --> 00:03:47,733
LOUD SPEAKERS HAVE TO MATCH THE

103
00:03:43,900 --> 00:03:49,233
TYPE OF ENCLOSURE THEY ARE GOING

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IN AND OUR DESIGNERS ARE VERY

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GOOD ABOUT BEING ABLE TO GIVE

106
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THEM THE PERFORMANCE THAT THEY

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NEED.

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SO, IT ALL BEGINS HERE.

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WE DO A LOT OF ENGINEERING, A

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LOT OF ANALYSIS, A LOT OF

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MEASUREMENT, A LOT OF TIMES WE

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HAVE TO DO IT TWO OR THREE TIMES

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00:04:01,700 --> 00:04:07,800
BEFORE WE GET THE TARGET RIGHT.

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>> YOU CAN TWEAK THIS TO JUST

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EXACTLY HOW A PERFORMER OR MAYBE

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A BUSINESS WANTS IT, RIGHT?

117
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>> ABSOLUTELY.

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IT ALL DEPENDS ON WHAT SORT OF

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FREQUENCY RANGE THAT THEY WANT

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TO PRODUCE OR REPLICATE.

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SO, IT REAY DEPENDS ON THE

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ACTUAL APPLICATION AS TO WHAT IT

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IS WE ARE GOING TO DESIGN FOR

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THEM.

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AND THEN, CUSTOMER PLACES THE

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ORDER AND WE GO OFF TO

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PRODUCTION.

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00:04:30,000 --> 00:04:33,433
>> OUTSTANDING.

129
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WELL, LET'S MOVE ON TO

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PRODUCTION THEN.

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I HAVE NO IDEA WHAT THIS IS.

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I' AFRAID TO TOUCH IT.

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HI THERE!

134
00:04:40,266 --> 00:04:44,200
>> I WAS JUST LOOKING.

135
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I DON'T HAVE A CLUE WHAT THIS IS

136
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BUT IT MUST BE SOMETHING.

137
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THERE IS ALL DIFFERENT KINDS OF

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SIZES SO I COULDN'T SPECULATE.

139
00:04:47,466 --> 00:04:52,166
WHAT IS THIS?

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00:04:48,300 --> 00:04:52,500
>> THIS IS WHERE WE MAKE THE

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VOICSKULL FOR THE LOUD

142
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SPEAKER.

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WE MAKE A NUMBER OF DIFFERENT

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SIZES AND CONFIGURATIONS

145
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DEPENDING ON WHAT SORT OF DESIGN

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OUR CUSTOMERS WANT.

147
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GENERALLY SPEAKING, WE MAKE ONE

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INCH, INCH AND A HALF, TWO INCH,

149
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2 1/2 INCH, 3 AND 4 INCH VOICE

150
00:05:07,700 --> 00:05:10,033
COILS.

151
00:05:08,000 --> 00:05:10,400
>> WHAT IS THE DIFFENCE

152
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BETWEEN THE SMALLEST AND THE

153
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LARGEST?

154
00:05:10,400 --> 00:05:13,600
>> GENERALLY SPEAKING LOWER

155
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POWER.

156
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ALSO THE LENGTH OF THE COIL HAS

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A LOT TO DO WITH WHAT YOU'RE

158
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DOING.

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SO FOR A GUITAR SPEAKER, YOU

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MIGHT HAVE A SHORT COIL THAT

161
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ONLY MOVES A LITTLE BIT BUT FOR

162
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A BIG SUBWHOEVER, YOU GOT A LG

163
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TALL COIL THAT MOVES A LOT MORE

164
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AIR.

165
00:05:28,533 --> 00:05:32,700
>> THIS IS INTERESTING.

166
00:05:29,333 --> 00:05:33,633
I JUST WANT TO KNOW WHICH ONE

167
00:05:31,266 --> 00:05:35,133
SOUNDS GOOD AND YOU TOLD ME THEY

168
00:05:32,700 --> 00:05:35,966
ALL SOUND GOOD.

169
00:05:33,633 --> 00:05:36,500
>> THEY ALL SOUND GOOD FOR THEIR

170
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RESPECTIVE APPLICATIONS.

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00:05:35,966 --> 00:05:39,466
>> I LOVE IT.

172
00:05:36,500 --> 00:05:41,733
WE ARE GOING FROM HERE AND THEN

173
00:05:38,166 --> 00:05:43,133
WHAT IS THE NEXT PHASE?

174
00:05:39,466 --> 00:05:45,333
>> WE ARE GOING TO OUR PRESS

175
00:05:41,733 --> 00:05:46,433
SHOP WHERE WE MAKE METAL PARTS

176
00:05:43,133 --> 00:05:49,100
FOR LOUD SPEAKERS.

177
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>> LET'S GO.

178
00:05:46,433 --> 00:05:52,466
CHRIS, YOU BROUGHT US UP HERE

179
00:05:49,100 --> 00:05:54,633
WITH THE NUTS AND POLES OF

180
00:05:50,700 --> 00:05:57,033
THINGS RIGHT NOW.

181
00:05:52,466 --> 00:05:58,633
>> THESE ARE 300 TON MECHANICAL

182
00:05:54,633 --> 00:06:00,500
PRESSES AND WE USE THESE FOR

183
00:05:57,033 --> 00:06:00,866
BLANKING AND COINING TOP PLATES

184
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AND BACK PLATES FOR LOUD

185
00:06:00,500 --> 00:06:04,933
SPEAKERS.

186
00:06:00,866 --> 00:06:06,566
THERE IS A LOT OF CONFIGURATION

187
00:06:03,033 --> 00:06:08,666
TO VARIOUS METAL PARTS THAT WE

188
00:06:04,933 --> 00:06:09,066
CAN PUT TOGETHER TO MAKE JUST

189
00:06:06,566 --> 00:06:10,900
ABOUT ANYTHING YOU NEED.

190
00:06:08,666 --> 00:06:13,000
>> WOW!

191
00:06:09,066 --> 00:06:14,900
I'LL TELL YOU WHAT I WANT.

192
00:06:10,900 --> 00:06:16,200
I LISTEN TO OLD MUSIC AND I NEED

193
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A COUPLE OF SPEAKERS WHERE I CAN

194
00:06:14,900 --> 00:06:20,333
BLOW MY WIF OUT OF THE HOUSE.

195
00:06:16,200 --> 00:06:21,066
CAN YOU TAKE CARE OF ME ON THAT?

196
00:06:18,266 --> 00:06:23,100
>> I'M NOT SURE YOUR WIFE WILL

197
00:06:20,333 --> 00:06:23,366
APPRECIATE ME DOING THAT.

198
00:06:21,066 --> 00:06:26,733
>> THAT HAS NOTHING TO DO WITH

199
00:06:23,100 --> 00:06:28,533
IT.

200
00:06:23,366 --> 00:06:30,533
THIS PLACE WAS 600 --

201
00:06:26,733 --> 00:06:31,966
>> 600 TON MULTIPRESS.

202
00:06:28,533 --> 00:06:36,600
THIS IS ONE THAT ROB'S DAD, BOB

203
00:06:30,533 --> 00:06:39,000
BOUGHT AND HELPED THE DESIGN.

204
00:06:31,966 --> 00:06:40,033
WE JUST PRESS AND PUNCH OUT 5/8

205
00:06:36,600 --> 00:06:42,166
OR HALF INCH THICK STEEL UP TO 7

206
00:06:39,000 --> 00:06:44,133
INCHES AND BEYOND.

207
00:06:40,033 --> 00:06:44,566
THE DEMAND FOR THE INDUSTRY OR

208
00:06:42,166 --> 00:06:46,333
FOR MORE POWER, AND TO MOVE MORE

209
00:06:44,133 --> 00:06:48,500
AIR.

210
00:06:44,566 --> 00:06:49,866
SO, WE DEFINITELY FIND OURSELVES

211
00:06:46,333 --> 00:06:51,966
USING THE LARGER PRESS MORE

212
00:06:48,500 --> 00:06:53,466
OFTEN BECAUSE OF THAT.

213
00:06:49,866 --> 00:06:55,666
>> I LOVE WATCHING THE WAY YOUR

214
00:06:51,966 --> 00:06:58,166
PEOPLE GO ABOUT THEIR BUSINESS

215
00:06:53,466 --> 00:07:00,333
AND HOW EACH ONE TAKES OWNERSHIP

216
00:06:55,666 --> 00:07:02,400
OF EVERY JOB THAT THEY HAVE.

217
00:06:58,166 --> 00:07:04,100
>> AGAIN, OUR PEOPLE ARE THE

218
00:07:00,333 --> 00:07:04,766
HEART AND SOUL OF EMINENCE.

219
00:07:02,400 --> 00:07:08,700
WITHOUT THEM, WE COULDN'T DO

220
00:07:04,100 --> 00:07:09,066
WHAT WE DO.

221
00:07:04,766 --> 00:07:10,900
SO WE BELIEVE IN DOING THE RIGHT

222
00:07:08,700 --> 00:07:12,966
THING.

223
00:07:09,066 --> 00:07:15,933
THAT'S OUR BUSINESS MODEL.

224
00:07:10,900 --> 00:07:18,033
SO WE ALSO BELIEVE IN DOING

225
00:07:12,966 --> 00:07:23,133
RIGHT BY OUR EMPLOYEES AND THEY

226
00:07:15,933 --> 00:07:23,700
STICK AROUND.

227
00:07:18,033 --> 00:07:26,200
>> YOU KNOW THEY STAY AROUND 20-

228
00:07:23,133 --> 00:07:27,700
20-40 YEARS.

229
00:07:23,700 --> 00:07:28,066
HERE WE ARE FINAL ASSEMBLY WE

230
00:07:26,200 --> 00:07:29,300
HEARD SO MUCH ABOUT THE

231
00:07:27,700 --> 00:07:29,866
SPEAKERS.

232
00:07:28,066 --> 00:07:30,366
WALK US THROUGH THIS DOWN THE

233
00:07:29,300 --> 00:07:31,766
LINE.

234
00:07:29,866 --> 00:07:33,066
>> ABSOLUTELY.

235
00:07:30,366 --> 00:07:35,500
WE ARE BUILDING THE SPEAKER FROM

236
00:07:31,766 --> 00:07:38,333
THE FOUNDATION UP.

237
00:07:33,066 --> 00:07:38,700
WHICH IS A BIT OF A UNIQUE

238
00:07:35,500 --> 00:07:39,800
APPROACH THAT WE USE HERE AT

239
00:07:38,333 --> 00:07:42,133
EMINENCE.

240
00:07:38,700 --> 00:07:43,933
I SHOULD MENTION THAT EACH ONE

241
00:07:39,800 --> 00:07:46,200
OF THESE EMPLOYEES ARE DOING

242
00:07:42,133 --> 00:07:48,233
QUALITY CHECKS ON WORK THAT

243
00:07:43,933 --> 00:07:49,733
OTHER PEOPLE HAVE DONE.

244
00:07:46,200 --> 00:07:51,533
SO, THE HUMAN ELEMENT IS

245
00:07:48,233 --> 00:07:51,866
EXTREMELY IMPORTANT AND THESE

246
00:07:49,733 --> 00:07:54,166
PEOPLE ARE WHAT MAKE OUR

247
00:07:51,533 --> 00:07:56,000
COMPANY.

248
00:07:51,866 --> 00:07:59,033
SO WE ARE REALLY, REALLY PROUD

249
00:07:54,166 --> 00:07:59,400
THAT WE HAVE NOT AUTOMATED

250
00:07:56,000 --> 00:08:02,433
THINGS AND WE KEEP PEOPLE

251
00:07:59,033 --> 00:08:03,700
INVOLVED.

252
00:07:59,400 --> 00:08:06,066
>> WE SELL TO SOMETHING LIKE 140

253
00:08:02,433 --> 00:08:07,533
COUNTRIES IN THE WORLD THAT WE

254
00:08:03,700 --> 00:08:08,566
HAVE DISTRIBUTION IN NOW.

255
00:08:06,066 --> 00:08:11,533
BASICALLY WE WANT TO KEEP DOING

256
00:08:07,533 --> 00:08:13,133
THE SAME THING WE HAVE BEEN

257
00:08:08,566 --> 00:08:15,000
DOING FOR 50 YEARS, THAT IS, WE

258
00:08:11,533 --> 00:08:15,900
ARE BELIEVING IN HONESTY AND

259
00:08:13,133 --> 00:08:19,000
INTEGRITY AND TREATING OUR

260
00:08:15,000 --> 00:08:21,166
EMPLOYEES TRITE AND TREATING OUR

261
00:08:15,900 --> 00:08:23,666
CUSTOMERS RIGHT AND TREATING OUR

262
00:08:19,000 --> 00:08:24,966
SUPPLIERS RIGHT AND MAKING A

263
00:08:21,166 --> 00:08:30,366
PRODUCT AT A FAIR PRICE.

264
00:08:23,666 --> 00:08:30,666
IT HAS WORKED WELL FOR 50 YEARS

265
00:08:24,966 --> 00:08:33,966
AND I THINK IT WILL ALWAYS WORK

266
00:08:30,366 --> 00:08:34,933
WELL.

267
00:08:30,666 --> 00:08:36,600
>> HEAD ON OVER TO

268
00:08:33,966 --> 00:08:39,433
KET.ORG /KENTUCKY LIFE FOR

269
00:08:34,933 --> 00:08:40,900
STORIES ABOUT OTHER KENTUCKY

270
00:08:36,600 --> 00:08:41,300
COMPANIES WHOSE PRODUCTS ARE IN

271
00:08:39,433 --> 00:08:42,566
DEMAND ON THE BIG GLOBAL

272
00:08:40,900 --> 00:08:44,900
MARKETPLACE.

273
00:08:41,300 --> 00:08:45,366
AND WE HOPE YOU'LL KEEP CHECKING

274
00:08:42,566 --> 00:08:49,033
IN WITH US ON KENTUCKY LIFE'S

275
00:08:44,900 --> 00:08:51,266
FACEBOOK PAGE.

276
00:08:45,366 --> 00:08:53,133
WE WANT TO HEAR FROM YOU.

277
00:08:49,033 --> 00:08:55,200
IT'S A GUITAR, THE MANDOLIN AND

278
00:08:51,266 --> 00:08:56,766
THE BANJO THAT REALLY DOMINATE

279
00:08:53,133 --> 00:08:58,300
WHAT WE THINK OF AS THAT

280
00:08:55,200 --> 00:09:00,266
TRADITIONAL AND DISTINCTIVE

281
00:08:56,766 --> 00:09:02,533
SOUND OF BLUEGRASS MUSIC.

282
00:08:58,300 --> 00:09:05,000
TO GET THE BEST SOUND, MUSICIANS

283
00:09:00,266 --> 00:09:06,966
WANT THE VERY BEST INSTRUMENTS.

284
00:09:02,533 --> 00:09:08,533
AND FOR BLUEGRASS BANJO PLAYERS,

285
00:09:05,000 --> 00:09:09,700
THAT MEANS BANJOS MADE BY FRANK

286
00:09:06,966 --> 00:09:20,066
NEAT IN HIS RUSSEL SPRINGS

287
00:09:08,533 --> 00:09:20,066
WORKSHOP.

288
00:09:09,700 --> 00:09:20,066
[ MUSIC PLAYING ]

289
00:09:34,166 --> 00:09:39,100
FRANK NEAT CAN ABSOLUTELY TAYLOR

290
00:09:34,866 --> 00:09:41,400
THE NEEDS OF THE CLIENT INTO

291
00:09:37,066 --> 00:09:46,200
EVERY BANJO THAT HE BUILDS.

292
00:09:39,100 --> 00:09:46,533
>> FRANK IS BY FAR SUPERIOR AS

293
00:09:41,400 --> 00:09:48,400
FAR AS I'M CONCERNED IN MAKING

294
00:09:46,200 --> 00:09:49,766
BANJOS.

295
00:09:46,533 --> 00:09:51,233
I DON'T THINK YOU CAN BEAT WHAT

296
00:09:48,400 --> 00:09:53,666
HE DOES.

297
00:09:49,766 --> 00:09:56,333
>> IN MAKING A BANJO FROM START

298
00:09:51,233 --> 00:09:59,066
TO FINISH, IT NORMALLY TAKES

299
00:09:53,666 --> 00:10:09,433
LIKE TWO WEEKS TO DO ONE

300
00:09:56,333 --> 00:10:09,433
COMPLETE.

301
00:09:59,066 --> 00:10:09,433
[ MUSIC PLAYING ]

302
00:10:11,633 --> 00:10:20,533
WE DO A LOT OF REPAIR WORK, DO A

303
00:10:14,433 --> 00:10:23,333
LOT OF -- A LOT OF BANJO NECKS

304
00:10:19,400 --> 00:10:24,333
AND DIFFERENT POTS FOR PEOPLE.

305
00:10:20,533 --> 00:10:26,933
WHAT I MEAN BY POT IS, IT'S THE

306
00:10:23,333 --> 00:10:29,233
ROUND PART ON THE BANJO.

307
00:10:24,333 --> 00:10:30,933
YOU HAVE GOT THE WOOD RIM AND

308
00:10:26,933 --> 00:10:34,100
THEN YOU GOT THE TONE RING THAT

309
00:10:29,233 --> 00:10:36,300
FITS ON THE WOOD RIM.

310
00:10:30,933 --> 00:10:38,300
YOU GOT THE FLANGE THAT FITS ON

311
00:10:34,100 --> 00:10:41,500
THE WOOD RIM, THEN YOU GOT THE

312
00:10:36,300 --> 00:10:42,266
TENSION HOOK, THE HEAD AND YOU

313
00:10:38,300 --> 00:10:44,300
PUT ALL OF THAT TOGETHER AND

314
00:10:41,500 --> 00:10:46,533
THAT'S THE P.

315
00:10:42,266 --> 00:10:48,600
THEN WE CAN DO THE POTS AND ALL

316
00:10:44,300 --> 00:10:50,666
THAT, WE CAN BUILD A COMPLETE

317
00:10:46,533 --> 00:10:51,466
BANJO AND WE DO A LOT OF REPAIR

318
00:10:48,600 --> 00:10:52,500
WORK.

319
00:10:50,666 --> 00:10:55,500
WE DO FRETWORK.

320
00:10:51,466 --> 00:10:56,233
ABOUT ANYTHING THAT NEEDS TO BE

321
00:10:52,500 --> 00:10:57,366
DONE ON ONE, WE CAN DO IT.

322
00:10:55,500 --> 00:11:05,566
>> THERE SHE IS.

323
00:10:56,233 --> 00:11:07,533
THAT'S THE ONE FROM THE T.V.

324
00:10:57,366 --> 00:11:10,200
SHOW.

325
00:11:05,566 --> 00:11:13,533
FRANK'S NAME IS HERE.

326
00:11:07,533 --> 00:11:14,700
TURTLE MAN LOVES OUR HEADS.

327
00:11:10,200 --> 00:11:16,466
SO ACTUALLY THE HOPES AND DREAMS

328
00:11:13,533 --> 00:11:17,766
FEATHERS -- YOU KNOW HOW ERNIE

329
00:11:14,700 --> 00:11:20,433
MAKES THE MUSCLE AND SHOWS YOU

330
00:11:16,466 --> 00:11:22,266
HIS TATTOO?

331
00:11:17,766 --> 00:11:25,466
RICKY DUPLICATED THE TATTOO ON

332
00:11:20,433 --> 00:11:28,233
THE THIRD FRET OF THIS BANJO.

333
00:11:22,266 --> 00:11:30,100
AND OF COURSE THE TURTLE MAN AT

334
00:11:25,466 --> 00:11:32,366
THE TOP, AND I FORGET HOW MANY

335
00:11:28,233 --> 00:11:32,766
DIFFERENT PIECES OF GREEN AND

336
00:11:30,100 --> 00:11:36,266
BLACK ABALONE ARE IN THIS

337
00:11:32,366 --> 00:11:37,666
TURTLE.

338
00:11:32,766 --> 00:11:38,866
THE TURTLE HAS EYEBALLS AND

339
00:11:36,266 --> 00:11:41,666
TOES.

340
00:11:37,666 --> 00:11:42,966
RICKY NEAT IS THE MAN!

341
00:11:38,866 --> 00:11:46,066
>> MY SON, RICKY, HE CUTS THE

342
00:11:41,666 --> 00:11:47,933
INLAY AND DOES THAT BY HAND.

343
00:11:42,966 --> 00:11:50,300
I USED TO DO INLAY MYSELF.

344
00:11:46,066 --> 00:11:53,100
I TAUGHT MY SON HOW TO DO IT.

345
00:11:47,933 --> 00:11:53,600
TAUGHT RICKY HOW TOO IT.

346
00:11:50,300 --> 00:11:55,733
AND HE JUST HAS A NATURAL KNACK

347
00:11:53,100 --> 00:11:57,566
FOR DOING INLAY.

348
00:11:53,600 --> 00:11:58,933
HE IS GOOD AT IT.

349
00:11:55,733 --> 00:12:00,233
AND THEN WHENEVER I GOT OLD

350
00:11:57,566 --> 00:12:02,966
ENOUGH IT WAS HARD FOR ME TO

351
00:11:58,933 --> 00:12:04,866
SEE, THEN, THAT WAS HANDY FOR

352
00:12:00,233 --> 00:12:06,333
HIM TO DO IT TOO.

353
00:12:02,966 --> 00:12:08,733
AND I'M NOT SAYING THIS BECAUSE

354
00:12:04,866 --> 00:12:10,566
HE'S MY SONUT HE IS THE BEST

355
00:12:06,333 --> 00:12:12,266
THAT I HAVE EVER SEEN.

356
00:12:08,733 --> 00:12:13,800
WHEN HE WAS GROWING UP, HE WOULD

357
00:12:10,566 --> 00:12:16,666
HELP FROM TIME TO TIME BUT ABOUT

358
00:12:12,266 --> 00:12:17,033
20 YEARS AGO, HE COME BACK HERE

359
00:12:13,800 --> 00:12:18,366
AND HE START THE WORKING WITH ME

360
00:12:16,666 --> 00:12:19,766
FULL-TIME.

361
00:12:17,033 --> 00:12:23,233
AND HE DECIDED THIS IS WHAT HE

362
00:12:18,366 --> 00:12:24,833
WANTED TO DO AND THAT'S WHEN I

363
00:12:19,766 --> 00:12:26,966
GOT HIM STARTED DOING INLAY AND

364
00:12:23,233 --> 00:12:30,133
SHOWED HIM THE BASICS AND HE CAN

365
00:12:24,833 --> 00:12:32,133
DO EVERYTHING THAT I CAN.

366
00:12:26,966 --> 00:12:34,600
HE HAS -- HE DOES THE INLAY WORK

367
00:12:30,133 --> 00:12:35,433
AND CUTS THE MOTHER OF PEARL AND

368
00:12:32,133 --> 00:12:38,400
INLAYS IT AND THEN HE DOES MOST

369
00:12:34,600 --> 00:12:40,200
OF THE FINISH WORK.

370
00:12:35,433 --> 00:12:41,833
AND WE HAVE GOT OUR OWN JOBS WE

371
00:12:38,400 --> 00:12:43,933
DO AND I CAN DO SOME OF MINE

372
00:12:40,200 --> 00:12:45,466
FASTER THAN HE CAN HIS AND THEN

373
00:12:41,833 --> 00:12:50,100
HE CAN DO SOME OF HIS FASTER

374
00:12:43,933 --> 00:12:50,100
THAN I CAN.

375
00:12:45,466 --> 00:12:50,100
[ MUSIC PLAYING ]

376
00:13:06,333 --> 00:13:12,366
I GUESS I WAS 7 OR 8 YEARS OLD

377
00:13:07,233 --> 00:13:14,366
AND I HEARD A GUY, HE WAS -- HE

378
00:13:10,700 --> 00:13:15,300
COME TOOUS HOUSE AND HE WAS

379
00:13:12,366 --> 00:13:17,600
PLAYING AND FROM THAT TIME ON, I

380
00:13:14,366 --> 00:13:21,233
LIKED THE BANJO.

381
00:13:15,300 --> 00:13:22,500
THAT GOT ME HOOKED ON IT.

382
00:13:17,600 --> 00:13:25,766
AND THEN OF COURSE I GOT

383
00:13:21,233 --> 00:13:26,966
ACQUAINTED WITH EARL SCRUGGS AND

384
00:13:22,500 --> 00:13:30,800
THE WAY THAT I MET RALPH

385
00:13:25,766 --> 00:13:31,966
STANLEY, WE WERE PLAYING IN A

386
00:13:26,966 --> 00:13:33,000
STAFF BAND IN INDIANA AND WE

387
00:13:30,800 --> 00:13:34,266
PLAYED SEVERAL DIFFERENT SHOWS

388
00:13:31,966 --> 00:13:36,500
WITH HIM UP THERE AND I WAS

389
00:13:33,000 --> 00:13:36,800
TALKING TO HIM ONE DAY AND I

390
00:13:34,266 --> 00:13:38,866
ASKED HIM ABOUT BUILDING HIM A

391
00:13:36,500 --> 00:13:39,400
BANJO.

392
00:13:36,800 --> 00:13:41,166
HE SAID, I DON'T KNOW WHY YOU

393
00:13:38,866 --> 00:13:41,466
HASN'T ALREADY.

394
00:13:39,400 --> 00:13:43,933
SO I ASKED HIM, WHAT DO YOU

395
00:13:41,166 --> 00:13:46,666
LIKE?

396
00:13:41,466 --> 00:13:49,433
AND HE SAID, I LIKE A SMALL NECK

397
00:13:43,933 --> 00:13:51,233
AND I LIKE A BRIGHT SOUND.

398
00:13:46,666 --> 00:13:53,200
AND SO, I BUILT HIM ONE AND PUT

399
00:13:49,433 --> 00:13:54,500
HIS NAME ON THE FINGER BOARD ON

400
00:13:51,233 --> 00:13:56,466
IT AND HE CALLED ME A COUPLE OF

401
00:13:53,200 --> 00:13:57,866
MONTHS LATER AND SAID IF YOU'LL

402
00:13:54,500 --> 00:13:58,166
BUILD THESE, I'LL SELL THEM AND

403
00:13:56,466 --> 00:14:02,733
WE'LL CALL THEM THE STANLEY

404
00:13:57,866 --> 00:14:06,000
TONES.

405
00:13:58,166 --> 00:14:09,533
SO THE FIRST I BUILT IN 1975.

406
00:14:02,733 --> 00:14:13,800
THE WAY THAT WE DONE THESE RALPH

407
00:14:06,000 --> 00:14:15,466
WOULD WANT ME TO BUILD 50 OF A

408
00:14:09,533 --> 00:14:16,933
CERTAIN KIND AND THEN HE WOULD

409
00:14:13,800 --> 00:14:19,533
TELL -- HIS SELLING POINT IS WE

410
00:14:15,466 --> 00:14:21,633
ARE JUST DOING 50 OF THESE.

411
00:14:16,933 --> 00:14:23,866
SO WE DONE 50 OF THEICKEL

412
00:14:19,533 --> 00:14:26,300
PLATED ONES AND THEN 50

413
00:14:21,633 --> 00:14:27,800
GOLD-PLATED ONES AND THEN WE

414
00:14:23,866 --> 00:14:32,400
HAVE DONE SOME 40th

415
00:14:26,300 --> 00:14:34,333
ANNIVERSARY AND THEN WE HAVE

416
00:14:27,800 --> 00:14:35,866
DONE 50 OF THE 50TH ANNIVERSARY.

417
00:14:32,400 --> 00:14:37,666
AND BEFORE WE GOT TO 50TH

418
00:14:34,333 --> 00:14:40,000
ANNIVERSARY DONE, HE WANTED TO

419
00:14:35,866 --> 00:14:42,566
DO SOMETHING ELSE SO WE DONE A

420
00:14:37,666 --> 00:14:42,866
SIGNATURE MODEL.

421
00:14:40,000 --> 00:14:46,600
AND WE DONE QUITE A FEW OF

422
00:14:42,566 --> 00:14:49,100
THOSE.

423
00:14:42,866 --> 00:14:50,666
AND THEN I ENJOY -- IF I DO ONE

424
00:14:46,600 --> 00:14:51,900
FOR SOMEBODY AND THEY ARE THE

425
00:14:49,100 --> 00:14:53,566
OPERATOR OR SOMEBODY ON A T.V.

426
00:14:50,666 --> 00:14:55,600
SHOW OR SOMETHING LIKE THAT

427
00:14:51,900 --> 00:14:57,633
PLAYING IT, IT'S A PLEASURE TO

428
00:14:53,566 --> 00:14:58,400
KNOW THAT I HAD DONE THAT.

429
00:14:55,600 --> 00:15:08,833
AND IT WAS GOOD ENOUGH THAT THEY

430
00:14:57,633 --> 00:15:08,833
WOULD PLAY IT

431
00:14:58,400 --> 00:15:08,833
[ MUSIC PLAYING ]

432
00:15:24,200 --> 00:15:27,166
>> HE IS THE ONLY ONE I LET WORK

433
00:15:24,800 --> 00:15:30,333
ON MY BANJOS.

434
00:15:25,233 --> 00:15:32,333
HE CAN DO THE COMPLETE BANJO OR

435
00:15:27,166 --> 00:15:32,633
HE CAN MAKE THE NECK OR HE CAN

436
00:15:30,333 --> 00:15:36,566
REFRET, HE CAN JUST DO THE

437
00:15:32,333 --> 00:15:38,066
INLAY.

438
00:15:32,633 --> 00:15:38,800
HE TRIES TO GET THE BEST WOOD TO

439
00:15:36,566 --> 00:15:40,266
GO IN THE INSTRUMENT OF THE

440
00:15:38,066 --> 00:15:42,533
BANJOS.

441
00:15:38,800 --> 00:15:45,333
AND THEN THE BEST TONE RINGS,

442
00:15:40,266 --> 00:15:47,133
THE METAL, THE WHOLE BIT.

443
00:15:42,533 --> 00:15:49,133
THERE IS JUST A LOT TO MAKING

444
00:15:45,333 --> 00:15:52,233
ONE AND SETTING IT UP AND MAKING

445
00:15:47,133 --> 00:15:55,766
A NEW ONE SOUND LIKE AN OLD ONE,

446
00:15:49,133 --> 00:15:57,933
WHICH IS VERY HARD TO DO.

447
00:15:52,233 --> 00:16:00,766
AND FRANK CAN GET VERY CLOSE.

448
00:15:55,766 --> 00:16:02,800
I THINK FRANK IS THE BEST AS FAR

449
00:15:57,933 --> 00:16:05,833
AS I'M CONCERNED.

450
00:16:00,766 --> 00:16:12,000
>> FOR IT TO BE A FRANK NEAT

451
00:16:02,800 --> 00:16:14,766
BANJO, WE PICKED THE BEST OF

452
00:16:05,833 --> 00:16:16,500
EVERYTHING THAT IS AVAILABLE.

453
00:16:12,000 --> 00:16:18,200
>> A CRAFTSMAN WHO MAKES OR

454
00:16:14,766 --> 00:16:22,900
REPAIRS CERTAIN TYPES OF STRING

455
00:16:16,500 --> 00:16:24,100
INSTRUMENTS IS A LUTHIERS.

456
00:16:18,200 --> 00:16:27,400
IT COMES FROM A FRENCH WORD FOR

457
00:16:22,900 --> 00:16:29,966
LAWSUIT, WE'LL BE MEETING TWO

458
00:16:24,100 --> 00:16:31,433
MORE OF KENTUCKY'S LUTHIERSES.

459
00:16:27,400 --> 00:16:33,733
T.V. YOUNG CHOICE OF STRIPPED

460
00:16:29,966 --> 00:16:34,600
INSTRUMENTS IS THE GUITAR AND

461
00:16:31,433 --> 00:16:37,300
FANS OF THE BLUES WOULDN'T HAVE

462
00:16:33,733 --> 00:16:40,200
IT ANY OTHER WAY.

463
00:16:34,600 --> 00:16:40,933
HE PICKED UP THE GUITAR EARLY

464
00:16:37,300 --> 00:16:43,000
AND NEVER PUT IT DOWN.

465
00:16:40,200 --> 00:16:44,300
THIS BLUES MASTER AND HIS BAND

466
00:16:40,933 --> 00:16:45,566
HAVE THE KIND OF STYLE AND

467
00:16:43,000 --> 00:16:49,333
SHOWMANSHIP THAT KEEPS FOLKS ON

468
00:16:44,300 --> 00:16:59,700
THEIR FEET AND DANCING TO THE

469
00:16:45,566 --> 00:16:59,700
BLUES.

470
00:16:49,333 --> 00:16:59,700
[ MUSIC PLAYING ]

471
00:17:01,700 --> 00:17:06,066
>> THIS IS HOW THE CLUB STARTED.

472
00:17:03,633 --> 00:17:08,000
ONE OF THE BROTHERS COME UP AND

473
00:17:04,600 --> 00:17:09,266
SAID, LET'S OPEN UP THE CLUB.

474
00:17:06,066 --> 00:17:10,166
I SAID NO, I DON'T KNOW NOTHING

475
00:17:08,000 --> 00:17:11,200
ABOUT NO CLUB.

476
00:17:09,266 --> 00:17:13,666
DON'T WORRY ABOUT IT.

477
00:17:10,166 --> 00:17:15,700
IHOW YOU.

478
00:17:11,200 --> 00:17:15,966
SO I BOUGHT A BUILDING.

479
00:17:13,666 --> 00:17:17,266
AND THEN I CAME IN AND FIXED IT

480
00:17:15,700 --> 00:17:19,000
UP.

481
00:17:15,966 --> 00:17:20,700
IT WAS TREES AND EVERYTHING

482
00:17:17,266 --> 00:17:22,600
GROWED UP IN THE BUILDING AND

483
00:17:19,000 --> 00:17:24,233
YOU RATHER STAND OUTSIDE THAN

484
00:17:20,700 --> 00:17:25,366
STAND IN THE BUILDING BECAUSE IT

485
00:17:22,600 --> 00:17:27,133
WAS RAINING IN THE BUILDING MORE

486
00:17:24,233 --> 00:17:31,933
THAN IT WAS OUTSIDE.

487
00:17:25,366 --> 00:17:33,066
MONDAY NIGHTS AT THE CLUB WE

488
00:17:27,133 --> 00:17:35,000
STARTED OFF REHEARSEING AND ONE

489
00:17:31,933 --> 00:17:37,000
OR TWO BLUES.

490
00:17:33,066 --> 00:17:38,900
THEN ONE OR TWO PEOPLE CAME IN

491
00:17:35,000 --> 00:17:39,433
AND THEN IT STARTED GROWING AND

492
00:17:37,000 --> 00:17:41,366
THE NEXT THINGS YOU KNOW WE GOT

493
00:17:38,900 --> 00:17:43,266
20.

494
00:17:39,433 --> 00:17:43,733
NEXT THING I KNEW, I HAD TO GET

495
00:17:41,366 --> 00:17:49,966
ME A BARTENDER.

496
00:17:43,266 --> 00:17:51,966
[ LAUGHS ]

497
00:17:43,733 --> 00:17:53,233
I GREW UP IN A COMMUNITY CALLED

498
00:17:49,966 --> 00:17:56,500
PAW TOWN IN LEXINGTON AND ON THE

499
00:17:51,966 --> 00:17:57,933
RAILROAD TRACK THERE WAS A WALL.

500
00:17:53,233 --> 00:18:00,466
SO ALL THE OLD FELLOWS DOWN

501
00:17:56,500 --> 00:18:03,600
THERE SAT ON THE WALL AND THEY

502
00:17:57,933 --> 00:18:05,633
CRANK AND PLAYED THEIR GUITARS

503
00:18:00,466 --> 00:18:07,133
AND -- DRANK -- AND LOADED THEIR

504
00:18:03,600 --> 00:18:09,533
JUGS AND SPOONS AND I USED TO GO

505
00:18:05,633 --> 00:18:11,733
DOWN AND WATCH THEM AFTER I GOT

506
00:18:07,133 --> 00:18:13,933
OUT OF SCHOOL.

507
00:18:09,533 --> 00:18:16,366
THERE WAS A GUY NAMED

508
00:18:11,733 --> 00:18:18,700
Mr. HARRISON THAT MUSIC THAT

509
00:18:13,933 --> 00:18:19,366
HE WAS PLAYING, DRAWED ME TO HIM

510
00:18:16,366 --> 00:18:20,966
AND THEN ONE DAY HE HANDED ME

511
00:18:18,700 --> 00:18:22,033
HIS GUITAR.

512
00:18:19,366 --> 00:18:24,633
HE SAID, YOU'RE GOING TO PLAY

513
00:18:20,966 --> 00:18:26,900
THIS GUITAR.

514
00:18:22,033 --> 00:18:29,166
I TOOK IT HOME AND MY MOM MADE

515
00:18:24,633 --> 00:18:30,333
ME TAKE IT BACK.

516
00:18:26,900 --> 00:18:30,966
SHE SAY WHERE YOU GET THAT BACK?

517
00:18:29,166 --> 00:18:31,766
SHE SAID Mr. HARRISON LET ME

518
00:18:30,333 --> 00:18:34,766
USE IT.

519
00:18:30,966 --> 00:18:37,933
NO, TAKE IT BACK.

520
00:18:31,766 --> 00:18:42,600
SO I TOOK IT BACK AND THEN HE

521
00:18:34,766 --> 00:18:44,300
CAME BACK TO THE HOUSE AND SAID,

522
00:18:37,933 --> 00:18:46,100
I LET HIM USE THIS SO HE COULD

523
00:18:42,600 --> 00:18:47,400
PRACTICE ON THE SONG.

524
00:18:44,300 --> 00:18:49,500
SO ANYWAY, I WORKED ON IT AND

525
00:18:46,100 --> 00:18:50,466
WORKED ON IT ALL NIGHT LONG.

526
00:18:47,400 --> 00:18:51,966
ALL NIGHT LONG.

527
00:18:49,500 --> 00:18:52,900
SO THEN HE WOULD SAY, PAWN IT,

528
00:18:50,466 --> 00:18:55,466
PAWN THIS GUITAR, BOY.

529
00:18:51,966 --> 00:18:59,866
FALL ON IT.

530
00:18:52,900 --> 00:19:01,800
FALL ON IT.

531
00:18:55,466 --> 00:19:03,833
AND I LIKE I'M PLAYING YOU KNOW?

532
00:18:59,866 --> 00:19:06,600
NOT KNOWING UNTIL LATER ON IN

533
00:19:01,800 --> 00:19:08,366
YEARS WHAT FALL ON IT MEANS.

534
00:19:03,833 --> 00:19:10,733
WHEN YOU LEADING ON THE GUITAR,

535
00:19:06,600 --> 00:19:12,666
THAT MEANS YOU PUTTING YOUR

536
00:19:08,366 --> 00:19:15,333
HEART INTO WHAT YOU'RE DOING.

537
00:19:10,733 --> 00:19:16,833
THAT IS FALLING.

538
00:19:12,666 --> 00:19:19,833
YOU REALLY PUTTING IT DOWN.

539
00:19:15,333 --> 00:19:23,433
A LOT OF SONGS IS ABOUT MY LIFE.

540
00:19:16,833 --> 00:19:24,366
A LOT OF SONGS IS BASICALLY WHEN

541
00:19:19,833 --> 00:19:27,133
I'M REHEARSEING AND WE ARE

542
00:19:23,433 --> 00:19:29,400
PLAYIN AND KIDDING AROUND AND

543
00:19:24,366 --> 00:19:32,133
WE HAVE A CONVERSATION.

544
00:19:27,133 --> 00:19:33,266
I WANT TO YOU HAVE FUN.

545
00:19:29,400 --> 00:19:35,666
I WANT YOU TO ENJOY YOURSELF.

546
00:19:32,133 --> 00:19:37,100
AS LONG AS I'M MAKING YOU HAPPY

547
00:19:33,266 --> 00:19:38,066
AND I CAN SEE IT, AND I CAN FEEL

548
00:19:35,666 --> 00:19:41,100
IT, I'M A STRANGE GUY.

549
00:19:37,100 --> 00:19:41,400
I CAN FEEL.

550
00:19:38,066 --> 00:19:43,700
IF YOU PAIN, I CAN FEEL YOUR

551
00:19:41,100 --> 00:19:47,466
PAIN.

552
00:19:41,400 --> 00:19:50,166
AND I WANT THAT PAIN TO GO AWAY.

553
00:19:43,700 --> 00:19:51,766
I WANT TO MAKE YOU HAPPY.

554
00:19:47,466 --> 00:19:53,133
YOU KNOW, SOMETIMES YOU GO SOME

555
00:19:50,166 --> 00:19:53,933
PLACE AND SOMEBODY HIT A NOTE

556
00:19:51,766 --> 00:19:55,233
AND JUST CRIMINALS COME ALL OVER

557
00:19:53,133 --> 00:19:56,033
YOU.

558
00:19:53,933 --> 00:19:58,300
I CAN FEEL THAT.

559
00:19:55,233 --> 00:20:00,900
YOU KNOW?

560
00:19:56,033 --> 00:20:02,200
AND THE GUITA IS THE SAME WAY.

561
00:19:58,300 --> 00:20:05,600
WHEN I'M FEELING IT, SOMETIMES I

562
00:20:00,900 --> 00:20:07,633
GIVE MYSELF CHILL BUMPS BECAUSE

563
00:20:02,200 --> 00:20:10,466
SOMETIMES I SAY, DID I DO THAT?

564
00:20:05,600 --> 00:20:12,566
BECAUSE A LOT OF PEOPLE SAY, MAN

565
00:20:07,633 --> 00:20:14,166
YOU WAS HITTING SOME NOTES AND I

566
00:20:10,466 --> 00:20:14,866
DON'T KNOW -- SOME PEOPLE SAY

567
00:20:12,566 --> 00:20:17,266
YOU GOING INTO ZONE.

568
00:20:14,166 --> 00:20:21,666
I DON'T KNOW.

569
00:20:14,866 --> 00:20:23,133
MAYBE I DO.

570
00:20:17,266 --> 00:20:24,566
IN MY CAREER, OF PLAYING PLAYING

571
00:20:21,666 --> 00:20:26,100
FOR A LOT OF PEOPLE AND I BACKED

572
00:20:23,133 --> 00:20:28,300
UP A LOT OF PEOPLE.

573
00:20:24,566 --> 00:20:31,033
OPENED UP FOR A LOT OF PEOPLE

574
00:20:26,100 --> 00:20:32,833
BUT I ALWAYS HAVE A HABIT OF

575
00:20:28,300 --> 00:20:33,700
SAYING WE, BECAUSE THE FELLOWS,

576
00:20:31,033 --> 00:20:34,166
THAT HAS BEEN WITH ME DESERVE

577
00:20:32,833 --> 00:20:35,666
CREDIT TOO.

578
00:20:33,700 --> 00:20:38,933
YOU SEE?

579
00:20:34,166 --> 00:20:42,700
SO I COULDN'T HAVE DONE IT BY

580
00:20:35,666 --> 00:20:46,266
MYSELF.

581
00:20:38,933 --> 00:20:48,833
THE BLUES IS REALLY, YOU CAN

582
00:20:42,700 --> 00:20:51,900
REALLY EXPRESS YOURSELF, I'M

583
00:20:46,266 --> 00:20:53,000
PLAYING THE GUITAR.

584
00:20:48,833 --> 00:20:54,266
WHAT I FEEL IS WHAT I PLAY.

585
00:20:51,900 --> 00:20:54,966
IT'S NOT MAPPED OUT.

586
00:20:53,000 --> 00:20:57,033
IT MAY COME ANY KIND OF

587
00:20:54,266 --> 00:20:57,933
DIFFERENT WAY.

588
00:20:54,966 --> 00:20:59,433
IF I'M FEELING IT, I JUST

589
00:20:57,033 --> 00:21:00,833
DELIVER IT.

590
00:20:57,933 --> 00:21:03,666
I LOVE TO PLAY.

591
00:20:59,433 --> 00:21:05,900
I WILL PLAY ANY TIME.

592
00:21:00,833 --> 00:21:16,266
ANY TIME.

593
00:21:03,666 --> 00:21:16,266
ALL DAY LONG

594
00:21:05,900 --> 00:21:16,266
[ MUSIC PLAYING ]

595
00:21:55,833 --> 00:22:19,366
LET ME TAKE YOU THERE.

596
00:21:59,000 --> 00:22:19,366
LISTEN.

597
00:22:09,000 --> 00:22:19,366
[ MUSIC PLAYING ]

598
00:22:57,333 --> 00:23:03,800
♪  LAST NIGHT I CAME HOME AT A

599
00:22:59,466 --> 00:23:05,333
DECENT HOUR ♪

600
00:23:00,700 --> 00:23:07,266
♪  YOU KNOW MY BABY GOT MAD AT

601
00:23:03,800 --> 00:23:10,566
ME BECAUSE SHE SAID I SMELLED

602
00:23:05,333 --> 00:23:17,833
LIKE I JUST TOOK A SHOWER ♪

603
00:23:07,266 --> 00:23:23,200
♪  I WANT TO BE A GOOD BOY ♪

604
00:23:10,566 --> 00:23:28,466
♪  BUT THE DEVIL TAKES A HOLD ♪

605
00:23:17,833 --> 00:23:31,833
♪  TALKING TO ME ♪

606
00:23:23,200 --> 00:23:33,400
♪  I REALLY WANT TO CHANGE ♪

607
00:23:28,466 --> 00:23:35,366
♪  BUT WHAT I WIND UP DOING IS

608
00:23:31,833 --> 00:23:42,766
THE SAME OLD THING ♪

609
00:23:33,400 --> 00:23:47,500
♪  YES, I DID ♪

610
00:23:35,366 --> 00:23:47,866
♪  NOW LISTEN ♪

611
00:23:42,766 --> 00:23:50,233
♪  LAST NIGHT SHE TOLD ME IT WAS

612
00:23:47,500 --> 00:23:51,300
OVER ♪

613
00:23:47,866 --> 00:23:55,400
♪  THEN SHE TURNED AROUND AND

614
00:23:50,233 --> 00:23:56,500
GOT MAD AT ME ♪

615
00:23:51,300 --> 00:24:01,700
♪  BECAUSE I TOLD HER SISTER TO

616
00:23:55,400 --> 00:24:13,800
COME ON OVER ♪

617
00:23:56,500 --> 00:24:14,133
♪  I WANT TO BE A GOOD BOY ♪

618
00:24:01,700 --> 00:24:19,600
♪  BUT THE DEVIL HE'S TALKING TO

619
00:24:13,800 --> 00:24:23,900
ME ♪

620
00:24:14,133 --> 00:24:29,400
♪  I REALLY WANT TO CHANGE ♪

621
00:24:19,600 --> 00:24:36,366
♪  BUT WHAT I WIND UP DOING IS

622
00:24:23,900 --> 00:24:36,366
THE SAME OLD THING ♪

623
00:24:29,400 --> 00:24:36,366
♪

624
00:24:43,333 --> 00:24:53,500
♪

625
00:26:23,933 --> 00:26:29,200
>> IN LEXINGTON T.V.'S CLUB IS

626
00:26:25,433 --> 00:26:32,000
ON A STREET CORNER SO IT'S EASY

627
00:26:27,966 --> 00:26:34,600
TO MIS, UNLESS YOU'RE LOOKING

628
00:26:29,200 --> 00:26:36,333
FOR IT ON A MONDAY NIGHT.

629
00:26:32,000 --> 00:26:37,700
THAT'S WHEN TEE DEE AND HIS BAND

630
00:26:34,600 --> 00:26:39,500
PLAY TO A PACKED HOUSE.

631
00:26:36,333 --> 00:26:41,600
BETWEEN ALL THE PEOPLE HEADING

632
00:26:37,700 --> 00:26:42,633
IN AND THE MUSIC, YOU WILL KNOW

633
00:26:39,500 --> 00:26:44,433
YOU FOUND THE RIGHT PLACE.

634
00:26:41,600 --> 00:26:47,600
THANK YOU FOR SPENDING TIME HERE

635
00:26:42,633 --> 00:26:47,900
WITH US ON KENTUCKY LIFE.

636
00:26:44,433 --> 00:26:49,266
WE'LL LOOK FOR YOU AGAIN NEXT