>> JIM FORD IS THE GREATEST
KENTUCKY SONGWRITER YOU'VE
PROBABLY NEVER HEARD OF.
WHETHER IT'S ROSE CUE, REHAB OR
ROUND THE CLOCK CARE, SECOND
CHANCES WILDLIFE CENTER PROVIDES
INJURED AND ORPHANED ANIMALS
WITH THE HELP THEY NEED.
AND IN DANVILLE, ARTIST SHELDON
TAPLEY WAS LURED BY AT PEEL OF
KENTUCKY'S LANDSCAPES.
STAY WITH US BECAUSE KENTUCKY
LIFE BEGINS RIGHT NOW.
♪ ♪
♪ ♪
HELLO, I'M DOUG FLYNN, HOST OF
KENTUCKY LIFE.
HERE AGAIN IN HARRODSBURG AT THE
BEAUTIFUL BEAUMONT INN, IN A
STATE WITH SO MANY GIFTED
MUSICAL ARTISTS, SOME OF
KENTUCKY'S MUSICIANS MAY JUST BE
DESTINED TO SLIP THROUGH THE
CRACKS OF STARDOM.
JIM FORD WAS BORN IN JOHNSON
COUNTY IN 1941.
HE WROTE SONGS THAT WERE COVERED
BY TOP ARTISTS LIKE ARETHA
FRANKLIN AND THE TEMPTATIONS.
BUT HE ONLY RECORDED ONE STUDIO
ALBUM.
AFTER HIS DEATH IN 2007, MORE OF
HIS WORK WAS RELEASED AND AS NEW
GENERATIONS OF MUSICIANS
DISCOVER HIS SONGS, JIM FORD MAY
FINALLY ACHIEVE THE RECOGNITION
HE DESERVES.
♪ WITH A ROLL OF BALONEY AND A
HUNK OF CHEESE AND SALTINE CRACK
ERS...
>> JIM FORD WAS BORN IN JOHNSON
COUNTY, KENTUCKY, IN 1941.
HE WAS BORN WHEN VAN LEER WAS
STILL AN OPERATING COAL TOWN AND
HE LIVED THERE UNTIL HE WAS
ABOUT 13 AND HE WENT SHORTLY TO
LIVE WITH HIS FATHER IN MICHIGAN
AND THAT DIDN'T GO SO WELL.
>> I GUESS HE DIDN'T LIKE THE
RULES.
HE SAID MAYBE HE DIDN'T LIKE,
YOU KNOW, DEALING WITH THE
MILITARY FATHER.
SO HE TOOK A LITTLE BIT OF MONEY
AND HOPPED A GREYHOUND BUS TO
NEW ORLEANS.
HE MUST HAVE LANDED IN NEW
ORLEANS WHEN HE WAS IN HIS EARLY
TEENS.
>> AND HE WAS SORT OF AN OUTSID
ER ARTIST.
HE HAD AN IDEA WHAT HAVE HIS
MUSIC SHOULD SOUND LIKE AND HE
NEVER MOVED FROM THAT.
♪ MY HOPES ARE HIGH, SO AM I,
YOU BETTER LOOK OUT, CALIFORNIA
>> I ALWAYS CONSIDERED HIM A
PIONEER OF THE GENRE OF THE
STYLE OF COUNTRY FUNK.
>> HE WROTE STRAIGHT UP COUNTRY
STRONGS, STRAIGHT UP SOUL SONGS
THAT OTHER PEOPLE COULD COVER
BUT HIS OWN STUFF WAS REALLY A
COMBINATION OF ALL THOSE THINGS.
♪ THE CANDLE'S BURN, THE CYCLE'S
TURN ♪
♪ ANOTHER DAY COMES HERE TO
LEARN ♪
♪ ALL THE THINGS I MISSED OUT ON
>> HIS SONG, HARLEM COUNTY IS
ONE OF THE FIRST ONES I HEARD.
♪ IN THE BACK HILLS OF KENTUCKY
I WAS RAISED IN A SHACK...
>> IT KIND OF HIT ME LIKE A
BRICK WALL.
I STOPPED AND LISTENED TO IT
OVER AND OVER AND OVER AGAIN.
♪ THE TIMES I WENT HUNGRY, YOU
CAN'T COUNT ♪
>> I COULDN'T BELIEVE THAT
SOMEBODY WAS TELLING THAT STORY
IN THAT STYLE.
♪ A MAN IS TIRED OF LIVING
WHETHER HE'S 20.
>> HAR LIN COUNTY, HE GOT A
BLANK CHECK TO MAKE THE ALBUM.
>> THE LATE SIXTH INTO THE EARLY
SEVENTH 70s, ONLY STUDIO FULL
LENGTH ALBUM HE WAS ABLE TO GET
OUT INTO THE WORLD.
HE WAS ABLE TO USED WHATEVER
PLAYERS HE WANTED AND IT WAS
PERFECT FOR HIM BECAUSE HE WAS A
VISIONARY ARTIST AND HE HAD Dr.
JOHN AND JIM CILT DISLT NE
R.
ALL OF THE STARS ALIGNED AND HE
WAS ABLE TO MAKE THAT ONE ALBUM
BUT IT NEVER HAPPENED.
>> THE SOUNDS OF OUR TIME.
THAT'S A SOUL ANTHEM.
THAT'S JUST SUCH A POWERFUL
PIECE OF MUSIC OF DESCRIBING A
LANDSCAPE OF EVERYTHING THAT WAS
HAPPENING IN THE LATE SIXTH AND
CAPTURING KIND OF THE ENERGY OF
ALL THE VARIOUS MOVEMENTS
HAPPENING AT THE TIME.
♪ BIG GUNS FIRE, SOUNDS TO ME
LIKE MY BROTHER'S DYING ♪
HE HAD ALL THE INFLUENCES FROM
THE BLUES, GOSPEL, COUNTRY, SOUL
, R&B, ALL OF IT MIXED IN
AND WAS A GREAT INTERPRETER OF
OTHER SONGS.
AND WILLY DIXON SPOONFUL IS A
GREAT EXAMPLE OF THAT.
>> JIM FORWARD WAS A GREAT
INTERPRETER OF OTHER PEOPLE'S
SONGS.
HE DOES WILLY DIXON SPOONFUL,
THE ROCKED OUT VERSION OF THAT.
♪ SOME WONDER WHY...
>> ON SOUNDS OF OUR TIME, THE UN
ISSUED CAPITAL ALBUM HE DOES A
VERSION OF SAM COOK'S CHAIN GANG
THAT RIVALS THE ORIGINAL IF YOU
CAN BELIEVE THAT.
HE WAS SUCH A GREAT SINGER, HE
WAS AS GOOD OF A SINGER AS
SONGWRITER IF NOT BETTER.
♪ ALL DAY LONG WE WORKED SO HARD
UNTIL THAT SUN IS GONE ♪
♪ DOWN, DOWN, DOWN ON THE
HIGHWAYS AND BYWAYS ♪
♪ WEARING A FROWN ♪
>> THERE IS A STRONG COMMUNITY
OF YOUNG KENTUCKY ARTISTS OUT
WORKING TODAY WHO ARE DOING THE
DEEP DIVE INTO KENTUCKY CULTURE.
>>
♪ WAS GOING HAVE A BABY COME
SATURDAY NIGHT ♪
♪ BUT ALL THEY WERE DOING WAS
HUGGING AND KISSING DOWN BY THE
RIVERSIDE ♪
>> THERE IS A WHOLE NEW
GENERATION OF ARTISTS OUT OF
KENTUCKY WHO ARE REDISCOVERING
THE MUSIC OF JIM FORD AND LIND
AN JEAN STOKELY AN ANNA KLINE
ARE RIGHT THERE IN THE MIX.
♪ DOWN BY THE RIVER I HEARD
SOMEONE SAY ♪
♪ HALLELUJAH USA ♪
♪ DOWN BY.
♪ DOWN BY THE RIVERSIDE I HEARD
SOMEONE SAY ♪
♪ HALLELUJAH BIG MOUTH USA ♪
>> BABY SQUIRRELS FALL OUT OF
TREES, BATS BREAK THEIR WINGS
AND SKUNKS AND OPOSSUMS SEEM
PRONE TO CROSSING THE ROADS AT
THE WORST POSSIBLE TIME.
SECOND CHANCES WILDLIFE CENTER
HAS BEEN RESCUING AND
REHABILITATING INJURED AND
ORPHANED WILDLIFE FOR OVER A
DECADE.
EVERY YEAR MORE THAN 100 ANIMALS
RECEIVE EXPERT CARE AND COM
PASSION FROM THE CENTER'S
DEDICATED STAFF AND VOLUNTEERS
>> I'M ESPECIALLY PROUD WHEN I'M
BY MYSELF IN OUR EDUCATION
BUILDING.
I THINK BACK TO 2009 WHEN I'M
SITTING AT MY KITCHEN TABLE AND
DECIDED THIS IS A GOOD IDEA.
I THINK I SHOULD START
REHABILITATING.
THERE IS A NICHE FOR THIS IN OUR
COMMUNITY.
IT'S A VITAL NEED THAT WE HAVE.
SO I AM PROUD TO THINK WHERE I
STARTED AND WHERE I AM AND THEN
THERE ARE OTHER DAYS THAT I
QUESTION MYSELF, WHAT IN THE
WORLD AM I DOING.
IT IS REALLY JUST A LOT OF HARD
WORK.
>> WHEN I FIRST STARTED
VOLUNTEERING FOR BRIDGE--
BRIDGET IT WAS IN HER BACKYARD
IN A NICELY REMODELED GARAGE.
IT WAS A GARAGE, IT WAS A SMALL
SPACE AND WE COULDN'T HOUSE AS
MANY ANIMALS BUT WE STILL TOOK
IN EVERY SINGLE ANIMAL WE COULD.
WE HATED TURNING ANYONE AWAY.
IT HAS BECOME WHAT IT IS TODAY
WHERE WE HAVE THIS HOUSE JUST
DEDICATED TO WHAT WE DO, A WHOLE
CENTER WITH AN EDUCATIONAL
CENTER.
WE HAVE LAND TO RELEASE ANIMALS
ON SO IT'S JUST AMAZING TO SEE
HOW IT'S GROWN AND SHE HAD ALL
THESE IDEAS AND SHEILAS JUST
MADE IT HAPPEN.
IT'S AMAZING.
>> THEY HAVE THE PROFESSIONAL
BACKGROUND TO HELP THESE ANIMALS
AND BIFF THEM THE BEST CHANCE AT
SURVIVAL AND WHAT I LOVE ABOUT
IT IS THAT THESE ANIMALS WILL BE
REINTRODUCED INTO THE WILD.
YOU DON'T WANT THEM TO GO
SOMEWHERE WHERE THEY END UP IN A
LITTLE CAGE FOREVER.
THEY DO THEIR BEST FOR EVERY
ANIMAL THAT IS TO BE ABLE TO BE
RELEASED FOR THEM TO GO BACK
INTO THE WILD.
AND THAT'S WHAT I LOVE
>> WE STARTED OFF RECEIVING 50
PHONE CALLS EACH YEAR AND WE ARE
UP TO ABOUT 2500.
THANKFULLY WE DON'T NEED TO TAKE
ALL THOSE ANIMALS.
WE ARE ABLE TO REUNITE A LOT OF
THE BABIES WITH THEIR NATURAL
PARENTS.
I HAVE ABOUT 40 VOLUNTEERS THAT
WORK WITH ME.
THEY'RE VITAL TO OUR
ORGANIZATION.
THEY ARE VITAL TO US BEING ABLE
TO ACCEPT SO MANY ANIMALS AND
SAVE SO MANY LIVES.
WE TAKE IN INJURED AND ORPHANED
WILDLIFE NATIVE TO KENTUCKY.
OUR GOAL IS TO ALWAYS TRY TO
RELEASE THEM BACK INTO THE WILD
AND THOSE THAT ARE NOT QUITE
HEALTHY ENOUGH TO SURVIVE BECOME
OUR EDUCATION AMBASSADORS.
WE REHABILITATE APPROXIMATELY
300 ANIMALS EACH YEAR MOST OF
THOSE ANIMALS DO MAKE IT BACK
OUT INTO THE WILD.
ABOUT 80% OF THEM.
SOMETIMES ANIMALS COME TO US
JUST IN TOO DIRE A CONDITION TO
BE ABLE TO MAKE IT OUT INTO THE
WILD.
SO SOME OF THOSE, THE ONES THAT
BECOME OUR EDUCATION AMBASSADORS
, THEY'RE LICENSED
THROUGH THE USDA.
WHAT WE HAVE RIGHT NOW, WE HAVE
A COUPLE OF RACCOONS THAT THE GO
OUT FOR EDUCATION.
WE HAVE TWO FLYING SQUIRRELS, A
LOT OF OPOSSUMS.
WE HAVE FOUR OPOSSUMS.
AND WE HAVE A GROUND HOG AND
THREE SKUNKS AND ARM BILL OWE
HIVE-- HIEFER ARMADILLO AND EACH
ONE SERVES A DIFFERENT NICHE TO
GO OUT AND TEACH FOR VARIOUS
REASONS.
I'M AN EDUCATOR BY BACKGROUND.
WHEN WE BRING THE ANIMALS OUT
WITH US, IT IS NOT NECESSARILY A
SHOW AND TELL.
WE MEET STATE STANDARDS.
WE MEET THE NECESSITY GENERATION
-- THE NEW GENERATION
SCIENCE STANDARDS.
WHAT IS IMPORTANT ABOUT THE
ANIMALS COMING TO THE CLASSES IS
IT FORMS A CONNECTION WITH THE
STUDENTS AND THE ENVIRONMENT.
WHEN THEY CAN GET EXCITED TO SEE
THESE ANIMALS IN A DIFFERENT
SETTING THAN THEY NORMALLY DO,
THEY'RE RAMPED UP.
THEY'RE EXCITED.
THEY'RE GOING TO GO OUT AND MAKE
BETTER CHOICES NOT ONLY FOR OUR
WILDLIFE BUT OUR ENVIRONMENT AS
A WHOLE.
THAT IS A HUGE GOAL FOR US I. IS
NOT JUST THE REHABILITATION.
IT IS FOR PEOPLE TO THINK ABOUT
THE DECISIONS THEY'RE MAKING
THAT AFFECT WILDLIFE AND OUR
ENVIRONMENT ONCE YOU SEE THE
ANIMALS RETURN TO THEIR
ENVIRONMENT, RETURN TO WHERE
THEY'RE SUPPOSED TO BE, YOU
BREATHE A SIGH OF RELIEF LIKE
THIS IS WHAT I'M DOING THIS FOR.
IT IS HARD FEW MONTHS OF HARD
LABOR.
IT MAKES IT WORTH IT.
YOU JUST KEEP IT IN MIND AND YOU
KIND OF GET ATTACHED EVEN THOUGH
WE ARE CAREFUL NOT TO BABY TALK
THEM OR TO HANDLE THEM TOO MUCH.
YOU KNOW, YOU ARE FEEDING AN
ANIMAL AT LEAST TWICE A DAY ON A
SHIFT AND EVERY SINGLE WEEK YOU
SEE THEM AND YOU KNOW, YOU DO GO
HOME.
AND IF THEY'RE NOT DOING TOO
GREAT, YOU ARE HOPING YOU ARE
GOING TO SEE THEM AGAIN AND THAT
THEY'RE GOING TO BE OKAY AND YOU
ARE SAD, YOU KNOW.
>> EVEN IF YOU DON'T GET THE
TIME WITH THE ANIMAL, YOU STILL
CARE ABOUT THE WELL-BEING AND
YOU DON'T WANT THE SEE ANY HARM
COME TO THEM.
>> THERE IS NOTHING BETTER THAN
KNOWING THAT YOU'VE MADE A
DIFFERENCE FOR AN ANIMAL THAT
WOULD OTHERWISE NOT HAVE SURVIV
ED AND I FEEL THAT IT'S
OUR RESPONSIBILITY AS HUMANS TO
HELP AND PROVIDE THE CARE AND
SUPPORT THAT AN ANIMAL NEEDS
THAT IS SUFFERING DUE TO A CAR
HITTING IT OR LAWN MOWER OR
SOMETHING THAT WE'VE CAUSED AS
HUMANS.
>> WE MAKE SURE THAT THESE
ANIMALS HAVE ADEQUATE SURVIVAL
SKILLS BEFORE THEY GO.
SO HOPEFULLY WITH THOSE SKILLS
THEY'RE ON THEIR OWN AND THEY
WILL SURVIVE FOR A LONG AMOUNT
OF TIME.
>> YOU KNOW, RUMOR HAS IT MANY
FUTURE MAJOR LEAGUER GOT HIS
START IN THE RANKS OF LITTLE
LEAGUE BASEBALL.
AND KENTUCKY'S TEAMS HAVE A
GREAT TRADITION OF SUCCESS.
SINCE JOINING THE GREAT LAKES
REGION IN 2001, SEVEN KENTUCKY
TEAMS WON THE REGIONAL
CHAMPIONSHIP WITH A VALLEY
SPORTS AMERICAN TEAM FROM
LOUISVILLE WINNING IT ALL IN
WILLIAMSPORT IN 2002.
JOIN US AS WE TAKE IN THE EXCITE
MENT OF OPENING DAY CHAMPS
ST. MATTHEWS.
♪ ♪
♪ ♪
♪ ♪
( BACKGROUND NOISES)
>> NOW BATTING NUMBER 1.
>> COME ON, COME ON!
>> RUN, RUN!
>> 1, 2, 3!
>> GOOD JOB,.
>> EARNEST SHELDON TAPLEY MOVED
TO DANVILLE TO TEACH AT CENTER
COLLEGE.
NOW MORE THAN 35 YEARS LATER,
TAPLEY IS A NATIONALLY RECOGNIZ
ED PAINTER KNOWN FOR HIS
STILL LIVES AND FOR HIS
LANDSCAPES.
>> MY STUDIO HERE ON MAIN STREET
IS RIGHT IN THE HUB OF DOWNTOWN
DANVILLE AND I WALK DOWN HERE
MOST DAYS.
WHEN I FOUND THIS STUDIO, VERY
EAGER TO FIND NORTH LIGHT WINDOW
S.
I WANTED TO WORK BY DAYLIGHT AS
MUCH AS POSSIBLE.
AND I WILL SET UP A STILL LIFE
IN THE LIGHT COMING FROM THAT
WINDOW AND THE LIGHT MAKES THE
SPACE.
>> EVERY TIME WE FLY BACK TO
KENTUCKY FROM SOME OTHER PLACE
THE INCREDIBLE WEALTH OF BEAUTY
OUT THE AIRPLANE WINDOW AS YOU
COME INTO THE STATE AND YOU JUST
SEE THE GREEN AND ROLLING HILLS
AND YOU THINK PEOPLE GO TO
ENGLAND, IRELAND, FRANCE.
THEY GO PLACES THAT THE LOOK
LIKE THIS AND KENTUCKY LOOKS
LIKE THIS ALL THE TIME.
WHEN I MOVED TO DANVILLE IN 1983
, I HAD JUST COME HERE FROM
GRADUATE SCHOOL TO START
TEACHING AT CENTER COLLEGE AND
LANDSCAPE ART WAS SOMETHING I
REALLY WANTED TO PURSUE.
I COULDN'T HAVE COME TO A BETTER
PLACE THAN KENTUCKY.
AND DANVILLE, IT WAS EASY TO GET
OUT TO THE COUNTRY SIDE AND
RESUME MY WORK AS A LANDSCAPIST.
THE LUSHNESS, THE ROLLING HILLS,
THE MARVELOUS SKIES REINFORCED
FOR ME, THE IMPORTANCE OF THE
MOTIFS I WAS FINDING WHEN I WENT
OUT TO PAINT THERE IS A HUNGER
AND REWARD THAT GOING OUT TO
NATURE BRINGS TO PAINTING AND TO
POINTING WITH THE WEATHER, WITH
THE COWS, WITH WHATEVER THE DAY
BRINGS YOU.
THERE IS SOMETHING THAT HAPPENS
THAT'S MAGICAL AS I WAS LEARNING
MORE ABOUT HOW TO BE A GOOD
LANDSCAPE PAINTER IN MY 20s, I
SPENT A LOT OF TIME LOOKING AT
THE ENGLISH PAINTER JOHN
CONSTABLE AND THE KENTUCKY
LANDSCAPE HAS A LOT OF ECHOS OF
THE ENGLISH LANDSCAPE.
>> IT'S INSPIRING TO GO AND SEE
A CONSTABLE LANDSCAPE AND THINK
WHAT CAN I BRING TO THAT.
IF I'M GOING TO MAKE A LANDSCAPE
WHERE WE LIVE, HOW DO I BRING
SOME OF THAT RICHNESS AND
VITALITY TO MY OWN WORK.
>> ONE OF THE THINGS ABOUT NOT
WORKING DIRECTLY FROM A
PHOTOGRAPH IS THAT MY SENSE OF
COLOR, MY IMAGINATION CAN COME
INTO PLAY MORE FREELY THAN IF
I'M SIMPLY WORKING FROM A
PHOTOGRAPHIC REFERENCE.
>> SHELDON'S WORK, THERE IS AN
IMMEDIATE REWARD AND THEN THERE
ARE MORE HIDDEN REWARDS IF YOU
KEEP LOOKING AND YOU THINK ABOUT
IT BECAUSE IT WAS MADE BY A
REALLY SMART PAINTER.
>> I THINK OOTSZ THAT'S ONE
-OF-THE-THINGS ABOUT
LANDSCAPE THAT HELPED ME THINK
THAT I REALLY LIVED IN KENTUCKY.
I WAS PAINTING THE LANDSCAPED
AROUND ME.
>> MIGHT THINK OF THEM AS SHORT
STORIES OR EVEN SOME OF THE
BIGGER PAINTINGS, I THINK OF
THEM AS BEING LIKE NOVELS
BECAUSE THE OBJECTS, THE INTER
PLAY WEN THE OBJECTS AND
THE RHYTHMS AND THE SHAPES THAT
REFERENCE ONE ANOTHER AND HOW
THEY BOUNCE BACK AND FORTH RE
WARD LONG LOOKING.
>> I WAS LOOKING AT STILL LIFE
AND I WANTED TO FIND THE STORIES
, THE IMPLICIT CONNECTION
AND CONJUNCTIONS THAT THE PEOPLE
WOULD FIND WHEN THEY LOOKED AT
THEM AND THE GRACE MASSERS OF
THE STILL LIFE IN WESTERN ART
ARE THE DUTCH, FLEMISH, NORTHERN
EUROPEANS SO I WENT TO THEM TO
LOOK AT THEM AND HOW THEY MADE
THOSE PAINTINGS AND WE USE
OBJECTS IN WAYS THAT ARE PART OF
MODERN LIFE AND EVERYTHING WE
USE CONNECTS TO THE HUMAN BODY
AND THE HUMAN STORY I THINK THE
STILL LIVES HAVE A VIVIDNESS AND
QUALITY OF JOY AND APPRECIATION,
A SENSUOUS QUALITY THAT IS IN
THE TEXTURE AND THE SHINE AND
THE COLOR EVERYWHERE YOU LOOK
THERE IS A GATHERING OF OBJECTS
AND THEY SAY SOMETHING ABOUT THE
PEOPLE THAT MADE THEM.
>> ALL CAN I REALLY DO IS MAKE A
PAINTING AS BEST I CAN SO THAT
THE FEELING, THE STRUCTURE, THE
THOUGHT THAT GOES INTO IT OFFERS
SOMETHING SUBSTANTIAL, I HOPE.
>> SHELDON TAPLEY WAS PROFILED
IN KET'S 2001 ART SERIES LOOKING
AT PAINTING.
HE WAS ONE OF FOUR ARTISTS WHO
DEMONSTRATED THE REALIST STYLE
OF PAINTING AND DISCUSSED WHAT
INSPIRED THEIR ART.
HERE ON KENTUCKY LIFE, WE ARE
ALWAYS INSPIRED BY THE WORK OF
OUR STATE'S ARTISTS AND WE LOOK
FORWARD TO SHARING MORE OF THEIR
STORIES WITH YOU.
AND NOW, WE WOULD LIKE TO SHARE
SOME MOMENTS FROM WHAT IS ALWAYS
ONE OF THE YEAR'S MOST
ANTICIPATED MUSICAL EVENINGS,
WHEN THE UNIVERSITY OF KENTUCKY
'S OPERA THEATER TAKES
THE STAGE AT THE SINGLETARY
CENTER TO PERFORM HIT SONGS,
CLASSICS FROM THE BILLBOARD
CHARTS AND BROADWAY SHOW TUNES.
ENJOY THE 25th ANNIVERSARY
PERFORMANCE OF GRAND NIGHT FOR
SINGING.
I'M DOUG FLYNN ENJOYING LIFE,
KENTUCKY LIFE.
♪ ♪
♪ ♪
♪ AIN'T NO SUNSHINE WHEN SHE'S
GONE ♪
♪ IT'S NOT WARM WHEN SHE'S AWAY
♪ AIN'T NO SUNSHINE WHEN SHE'S
GONE, AND SHE'S ALWAYS GONE TOO
LONG ♪
♪ ANY TIME SHE GOES AWAY ♪
WONDER THIS TIME WHERE SHE'S
GONE ♪
♪ WONDER IF SHE'S GONE TOO STAY.
♪ AIN'T NO SUNSHINE WHEN SHE'S
GONE ♪
THIS HOUSE JUST AIN'T NO HOME
ANY TIME SHE GOES AWAY ♪
♪ SHE GOES AWAY ♪
♪ THERE'S A SPECIAL KIND OF
BUSINESS IN SHOW BUSINESS ♪
JUST ASK ANY STRANGER YOU MEET ♪
♪ ♪
♪ ♪
WE'RE A SPECIAL KIND OF PEOPLE
KNOWN AS SHOW PEOPLE ♪
♪ WE LIVE IN A WORLD OF OUR OWN
♪ ♪
♪ ♪
♪ 55526,000 MINUTES.
♪ 500, 526,000 MINUTES.
HOW DO YOU MEASURE, MEASURE A
YEAR ♪
IN DAYLIGHT ♪
IN SUNSHET ♪
♪ ♪
IN INCHES, IN MILES AND LAUGHTER
525,600 MINUTES.
HOW DO YOU MEASURE A YEAR IN THE
LIGHT ♪
HOW ABOUT LOVE, LOVE ♪
HOW ABOUT LOVE.