1
00:00:01,134 --> 00:00:03,303
What are we going to be playing 
today? Well,

2
00:00:03,303 --> 00:00:05,372
today we're going to play Tierra 
Querida, a wonderful tango by 
Julio de Caro.

3
00:00:06,573 --> 00:00:07,540
Anyone that loves tango 
loves this piece.

4
00:00:08,508 --> 00:00:10,110
And it's an important piece

5
00:00:10,110 --> 00:00:12,045
because Piazzolla recorded it 
with his first orchestra.

6
00:00:13,713 --> 00:00:17,417
It's a piece that you need to 
know if you want to know tango.

7
00:00:17,417 --> 00:00:18,651
Nice. Well, I don't know tango 
because even though I can play 
the violin,

8
00:00:20,186 --> 00:00:21,121
I don't know how to do 
it like he can do it.

9
00:00:22,122 --> 00:00:24,524
So he need to teach me.

10
00:00:24,524 --> 00:00:26,893
Yeah, well, he knows everything, 
so you can show him your 
secrets.

11
00:00:26,893 --> 00:00:34,601
[Speaks Spanish]

12
00:00:34,601 --> 00:00:44,577
♪♪

13
00:00:44,577 --> 00:00:54,054
[Speaks Spanish]

14
00:00:54,654 --> 00:00:55,688
♪♪

15
00:00:57,924 --> 00:01:04,164
[Speaks Spanish]

16
00:01:04,164 --> 00:01:05,265
Okay, you're using your nail?

17
00:01:05,265 --> 00:01:08,535
[Speaks Spanish]

18
00:01:10,403 --> 00:01:12,739
Think about it - tango is 
danceable music but without a 
drum set.

19
00:01:15,075 --> 00:01:17,877
So this is both the melodic 
instrument and the percussive 
instrument.

20
00:01:17,877 --> 00:01:18,478
Exactly.

21
00:01:19,646 --> 00:01:20,580
[Speaks Spanish]

22
00:01:21,581 --> 00:01:23,683
♪♪

23
00:01:25,752 --> 00:01:27,854
It's hard to do to it.

24
00:01:27,854 --> 00:01:30,557
[Speaks Spanish]

25
00:01:30,557 --> 00:01:35,628
♪♪

26
00:01:35,628 --> 00:01:36,930
[Laughs]

27
00:01:36,930 --> 00:01:37,564
I can't do that.

28
00:01:38,565 --> 00:01:39,666
Forget it.

29
00:01:39,666 --> 00:01:45,038
[Speaks Spanish]

30
00:01:45,038 --> 00:01:46,039
Okay.

31
00:01:46,039 --> 00:01:46,906
[Speaks Spanish]

32
00:01:46,906 --> 00:01:54,481
♪♪

33
00:01:56,816 --> 00:01:58,284
Oh, wow. Where you 
put the bow...

34
00:02:00,720 --> 00:02:04,757
When I've played Piazzolla 
before, I always try to make 
that noise, but I've done it 
here...

35
00:02:04,757 --> 00:02:06,459
[Plays wrong note]

36
00:02:06,459 --> 00:02:07,594
and it always sounded like 
somebody mopping the floor.

37
00:02:08,962 --> 00:02:12,031
I didn't realize it 
was on the D string

38
00:02:12,031 --> 00:02:14,434
and I didn't realize that it 
matters where you place your 
bow.

39
00:02:14,434 --> 00:02:16,202
So can you do yours again?

40
00:02:16,202 --> 00:02:18,705
[Speaks Spanish]

41
00:02:18,705 --> 00:02:24,277
♪♪

42
00:02:24,277 --> 00:02:25,411
I see.

43
00:02:25,411 --> 00:02:26,913
Everything you're discussing.

44
00:02:26,913 --> 00:02:28,915
The staccato, the portmanteau.

45
00:02:28,915 --> 00:02:31,651
You can find all that in.

46
00:02:31,651 --> 00:02:34,654
Julio de Caro music, that you 
can find all that in Piazzolla's 
music as well.

47
00:02:36,756 --> 00:02:39,225
Who developed these extended 
techniques for the violin as it 
was it?

48
00:02:39,225 --> 00:02:40,293
Was it Julio de Caro?

49
00:02:40,293 --> 00:02:42,662
Who made it?

50
00:02:42,662 --> 00:02:46,366
Part of it is de Caro and 
part of it comes from before.

51
00:02:48,168 --> 00:02:52,605
Because this is really very 
inventive to use the violin that 
way.

52
00:02:52,605 --> 00:02:53,439
This is not how you're 
supposed to use the violin.

53
00:02:54,440 --> 00:02:56,009
No, no, no. But it sounds good.

54
00:02:56,009 --> 00:02:57,577
Yeah. Yeah.

55
00:02:57,577 --> 00:03:00,914
We love to do what's wrong 
with our instruments.

56
00:03:00,914 --> 00:03:04,717
You know, like you go against 
the academia sometimes to make 
it our own.

57
00:03:05,985 --> 00:03:07,353
I mean, you have to 
play well, right?

58
00:03:07,353 --> 00:03:09,522
But then we have 
our tricks, right?

59
00:03:09,522 --> 00:03:10,657
And break the rules a little 
bit. Selectively. Break the 
rules