WEBVTT

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My wife's roommate from college,
Josephine Knight, British
cellist.

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She went back to the source to
the manuscript and found out
that

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a lot of the markings there are,
which are in pencil, were not
Schumann's.

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And so she cleared it all out.

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And it's really
incredibly revelatory.

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I think it changes the piece.

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So, for example, you know,
if we take the opening.

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Scott, will you play with me?

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This is how it went.

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♪♪

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So this is what I
am used to hearing.

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♪♪

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And so you're
thinking, you know,

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this is this angry, angry music.

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What's the real thing?

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The real thing...

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♪♪

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And so the real
thing is a love song.

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Yeah.

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Which is consistent with the
rest of the piece because you

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get that bit in the second
movement with this kind of love
duet.

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One of the things that
I didn't even know,

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the ending is
completely different.

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I heard an old Casals recording
- they cut out for me,

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the best part of the concerto.
That was common.

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Even my own teachers, Aldo
Parisot, Leonard Rose, they...

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And added their own music.