1 00:00:01,434 --> 00:00:04,070 So Albéniz, I don't know his music very well. 2 00:00:04,070 --> 00:00:05,605 Tell me about him. 3 00:00:05,605 --> 00:00:07,440 Well, he's probably the greatest, 4 00:00:09,142 --> 00:00:10,510 most famous guitar composer that never wrote for the guitar. 5 00:00:13,613 --> 00:00:15,915 I mean, he mainly composed for this instrument, for the piano, 6 00:00:17,384 --> 00:00:20,086 because he was himself a virtuoso, a piano virtuoso. 7 00:00:22,222 --> 00:00:25,692 And he tried to capture in his music, let's say, the essence of Spain. 8 00:00:27,660 --> 00:00:30,163 For example, you have the phrygian mode, which is so typical from flamenco 9 00:00:30,930 --> 00:00:32,599 which sounds like this. 10 00:00:32,599 --> 00:00:37,871 ♪♪ 11 00:00:37,871 --> 00:00:39,639 And not only that, 12 00:00:39,639 --> 00:00:43,143 he tried to capture the spirit of some cities from Spain. 13 00:00:43,143 --> 00:00:47,013 He composed pieces naming them "Sevilla," "Cadiz," 14 00:00:47,013 --> 00:00:52,318 "Asturias." Many, many of them. 15 00:00:52,318 --> 00:00:55,488 So he was very interested in Spain as a source of inspiration for his music. 16 00:00:57,057 --> 00:00:58,558 And, of course, another source of inspiration for him was 17 00:01:00,527 --> 00:01:02,462 the king of the Spanish instruments, which is the Spanish guitar, 18 00:01:04,197 --> 00:01:05,732 la guitarra española. 19 00:01:05,732 --> 00:01:07,901 They open strings, the treble and the arpeggios, 20 00:01:08,868 --> 00:01:10,336 the repeated notes, all of that. 21 00:01:11,838 --> 00:01:15,275 You would rarely find in music before this revolution. 22 00:01:17,077 --> 00:01:21,214 But after Albéniz, that became a typical thing for Spanish composers to do. 23 00:01:22,449 --> 00:01:25,251 And it's very the repeated notes. Yes. 24 00:01:25,251 --> 00:01:26,553 You know, the one note repeated, that's a very difficult thing in the piano. 25 00:01:27,987 --> 00:01:29,055 And that's an easy thing then to get that. 26 00:01:29,055 --> 00:02:00,286 ♪♪ 27 00:02:00,286 --> 00:02:02,555 So that's much harder on the piano, I would imagine. 28 00:02:02,555 --> 00:02:04,424 It is. It is. Hands overlap constantly. 29 00:02:06,126 --> 00:02:08,027 And then we have the jumps that you have it in the same place. 30 00:02:08,027 --> 00:02:09,996 We don't. 31 00:02:09,996 --> 00:02:11,197 If you want, I can show you now a "Asturias" on the piano, 32 00:02:12,031 --> 00:02:12,966 how it sounds. 33 00:02:12,966 --> 00:02:35,655 ♪♪ 34 00:02:35,655 --> 00:02:38,591 Only a Spanish composer would write a piano piece 35 00:02:38,591 --> 00:02:40,927 so inspired by the guitar that it fits better on that instrument. 36 00:02:43,730 --> 00:02:45,765 Albéniz created music 37 00:02:45,765 --> 00:02:47,734 with such Spanish personality that to fully appreciate it, 38 00:02:49,369 --> 00:02:51,037 I need to understand the personality of Spain itself.