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>> MOVIES HAVE LONG BEEN SOURCE

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MATERIAL FOR BROADWAY MUSICALS

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AND NOW ONE OF THE MOST FAMOUS

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MOVIES OF 1980s HAS BEEN GIVEN

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THE MUSICAL THEATER TREATMENT.

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TOOTSIE STARRED DUSTIN HOFFMAN

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WHO AN ACTOR BECOMES A TV SOAP

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OPERA SENSATION AFTER MAKING

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PEOPLE BELIEVE HE IS A WOMAN AND

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DELVED INTO GENDER ROLES DECADES

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BEFORE IT BECAME PART OF OUR

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CONVERSATION.

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THE MUSICAL VERSION IS ONLY IN

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CHICAGO FOR A FEW MORE DAYS AND

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HERE TO TELL US MORE ABOUT IT

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ARE TWO STARS.

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LILLY COOPER PLAYS THE ROLE

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PLAYED BY JESSICA LANG WHICH

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EARNED LANG AN OSCAR.

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AND SAN CONTINUE KNOW FONTANA

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TAKES ON THE ROLE THAT DUSTIN

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HOFFMAN PLAYED.

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SANTINO WAS THE VOICE OF PRINCE

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HANS IN FROZEN.

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I'M HEARING GREAT THINGS TELL US

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ABOUT THIS VERSION OF TOOTSIE.

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HOW DIFFERENT IS IT FROM THE

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FILM THAT PEOPLE REMEMBER?

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>> I THINK WE KEEP THE CORE

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STORY AND THE HUMOR OF THE

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MOVIE.

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BUT IT IS SET TODAY AND WE HAVE

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A BROADWAY MUSICAL INSTEAD OF A

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SOAP OPERA.

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IT'S DIFFERENT BUT I THINK WE

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KEEP THE HEART OF IT FOR SURE.

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>> HAVE BOTH OF YOU SEEN THE

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MOVIE?

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HOW MUCH OF THAT DID INFLUENCE

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THE CHARACTER?

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>> I SAW THE MOVIE TWO YEARS AGO

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WHEN THE DIRECTOR CALLED ME TO

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READ THE SCRIPT AND I SAW IT

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AGAIN FIVE OR SIX MONTHS LATER

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WITH MY FAMILY BUT THAT IS IT.

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I'VE READ THE SCREEN PLAY AND

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GONE BACK TO THAT AND ROBERT

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HORN WHO ADAPTED THE BOOK AND

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THE FILM HAS DONE A GREAT JOB.

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>> YOU HAVE TO DO QUITE A BIT OF

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TRANSFORMATION AS DUSTIN HOFFMAN

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DID.

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TELL US ABOUT THE PROCESS AND

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HOW YOU PULL IT OFF?

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>> THERE IS A LOT OF SHAVING

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INVOLVED.

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A LOT OF UNDER GARMENTS AND

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ELASTIC.

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A LOT OF MAKEUP.

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THERE IS A LOT.

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IT'S A LOT BUT IT'S FUN.

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>> AND WE ARE SEEING IT AND YOU

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TRANSFORM WELL AND BELIEVABLELY.

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>> ABSOLUTELY.

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>> YOU THINK HE IS A WOMAN FOR A

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WHILE?

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>> I DO.

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>> LET'S TALK A LITTLE BIT ABOUT

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THIS SHOW.

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BECAUSE THE DIRECTOR, SCOTT

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ELLIS, TOLD THE TRIBUNE CHRIS

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JONES QUOTE THIS IS 100% NOT

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YOUR GRANDFATHER'S TOOTSIE.

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YOU SAY IT'S BEEN UPDATED TO BE

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SET IN THE THEATER AND A OPEN

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OPERA BUT DOES IT DELVE INTO THE

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ISSUES OF GENDER THAT WERE KIND

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OF BROUGHT UP IN THE MOVIE?

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>> YES, ABSOLUTELY.

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I MEAN --

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THE STORY IS A MAN WHO IS SO

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DESPERATE AN ACTOR WHO IS SO

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DESPERATE HE IS WILLING TO DO

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ANYTHING TO GET THE JOB AND

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MAKES THE TERRIBLE DECISION OF

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TRYING TO PERPETRATE BEING A

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WOMAN.

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AND RUINS SEVERAL RELATIONSHIPS

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ALONG THE WAY.

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>> BECAUSE HE IS A JERK?

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AT FIRST?

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>> ANYBODY WHO TRIES TO DEFRAUD

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EVERYONE THEY MEET IN THEIR NEW

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JOB AND RELATIONSHIPS, DID NOT

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MAKE THE BEST CHOICE.

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HE WASN'T PROBABLY THINKING, I

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WOULD LIKE TO THINK HE IS NOT

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THINKING ABOUT IT AHEAD OF TIME.

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HOWEVER ROBERT HAS THE BOOK

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AGAIN IN BRINGING IT TO 2018 HAS

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TO DEAL WITH WHEN YOU PERPETRATE

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A WOMAN TODAY, WHAT ARE YOU

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DOING?

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AND AT THE SAME TIME COMING TO

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TERMS WITH REALIZING AS IN ANY

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SHOW, ANY ACTING JOB WHEN YOU

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STEP INTO THE SHOES OF ANOTHER

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PERSON, YOU BEGIN TO IDENTIFY

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WITH THEM AND UNDERSTAND WHAT

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THEY GO THROUGH AND HOW THAT IS

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DIFFERENT THAN WHAT YOU GO

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THROUGH.

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AND HOPEFULLY YOU BECOME A

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BETTER PERSON FOR IT.

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AND THAT IS THE SAME WITH OUR

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SHOW.

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AND WE DEFINITELY DEAL WITH ALL

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OF THAT.

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>> AND THERE IS A LOT OF SINGING

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AND DANCING IN-BETWEEN.

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>> ABSOLUTELY.

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>> DO THE LYRICS AND THE MUSIC

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ARE BY DAVID WHO IS MOST FAMOUS

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FOR THE FULL MONTY AND THE

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BAND'S VISIT WHICH RECEIVED 10

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TONY AWARDS.

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THAT MIGHT BODE WELL FOR BOTH OF

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YOU AT NEXT YEAR'S TONY AWARDS.

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AND SEEING A LITTLE BIT OF THE

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CONCLUSION OF THE SHOW WE ARE

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NOT SEEING CLIPS BECAUSE IT'S

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BEING TWEAKED HERE AND THERE.

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NOW LILLY WE ARE SEEING YOU

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BOWING BUT YOU HAVE DONE A

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PREBROADWAY SHOW.

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SPONGE BOB THE MUSICAL.

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TELL US ABOUT THE WHOLE TRIAL

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PERIOD IN CHICAGO HERE WHAT THAT

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IS LIKE?

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>> IT'S REALLY, REALLY SO FUN.

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WE GET THE OPPORTUNITY TO DO TO

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SORT OF PREVIEW THE SHOW WITH A

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DIFFERENT AUDIENCE AND WHILE WE

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ARE STILL WORKING ON IT AND

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FINE-TUNING IT AND MAKING IT THE

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BEST SHOW POSSIBLE.

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SPONGE BOB WAS SUCH A FUN

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EXPERIENCE.

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WE WERE HERE TWO YEARS AGO.

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>> AND YOU PLAYED SANDY CHEEKS.

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>> I DID.

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THE SCIENCE SQUIRREL.

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UNDERWATER.

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QUITE A DIFFERENT CHARACTER.

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>> THE BIKINI BOTTOM.

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>> AT THE BOTTOM OF THE OCEAN.

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I GET TO PLAY A HUMAN THIS TIME

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WHICH IS NICE.

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>> AND WE SHOULD NOTE THAT YOU

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COME FROM QUITE THE PEDIGREE YOU

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COME FROM A THEATER FAMILY.

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YOUR DAD IS CHUCK COOPER WHO I

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TOLD YOU I SAW ON BROADWAY 20

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YEARS AGO IN HIS TONY

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AWARD-WINNING ROLE IN THE SHADE

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OF LIFE AND THERE HE IS WHEN HE

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WON THE TONY AWARD.

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>> AND THAT IS MY BROTHER.

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>> YOUR BROTHER EDDIE THAT IS A

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BEAUTIFUL NAME, BY THE WAY.

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YOUR AND MOTHER WAS AN ACTRESS

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ALSO?

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>> YES, SHE WAS.

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AND I HAVE A SECOND BROTHER ALSO

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WHO IS AN ACTOR.

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IT IS A THEATRICAL DRAMATIC

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FAMILY.

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>> ARE YOU IN COMPETITION FOR

179
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ROLES?

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>> LUCKILY I AM THE ONLY GIRL I

181
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DON'T HAVE TO WORRY ABOUT THAT.

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>> WELL, IF THEY TRYOUT FOR

183
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TOOTSIE --

184
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>> YOU NEVER KNOW, I GUESS.

185
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>> AND YOU ARE KNOWN FAR AND

186
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WIDE FOR OTHER ROLES.

187
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YOUR ROLE ON CRAZY EX-GIRLFRIEND

188
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AS GREG WHERE YOU HAD A STRANGE

189
00:06:17,266 --> 00:06:22,933
RELATIONSHIP WITH REBECCA,

190
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RACHEL BLOOM AND AT POINTS YOU

191
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BURST OUT IN SONG.

192
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YOU WERE ABLE TO USE SOME OF

193
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YOUR THEATRICAL CHOPS YOUR

194
00:06:28,733 --> 00:06:31,866
MUSICAL THEATER CHOPS IN THE

195
00:06:30,500 --> 00:06:33,066
SHOW.

196
00:06:30,833 --> 00:06:34,666
WAS THAT FUN?

197
00:06:31,866 --> 00:06:37,400
OR DID IT HELP?

198
00:06:33,066 --> 00:06:40,400
>> IT WAS FUN.

199
00:06:34,666 --> 00:06:41,666
IT'S RARE AS YOU KNOW, THERE ARE

200
00:06:37,400 --> 00:06:43,566
FEW MUSICAL TELEVISION SHOWS.

201
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SO PART WAS A THRILL AND

202
00:06:41,666 --> 00:06:48,300
EXCITING TIME IN MY LIFE.

203
00:06:43,566 --> 00:06:52,066
>> THE SONG WHERE YOU SAY

204
00:06:45,000 --> 00:06:53,300
GOOD-BYE TO REBECCA WHICH WE

205
00:06:48,300 --> 00:06:55,000
CANNOT PLAY ON TV BUT IT WAS

206
00:06:52,066 --> 00:06:56,133
REALLY CLEVER.

207
00:06:53,300 --> 00:06:57,633
>> THANK YOU.

208
00:06:55,000 --> 00:06:59,000
>> EXCEPT FOR THE FACT THAT YOU

209
00:06:56,133 --> 00:07:01,066
ARE WALKING AWAY AND SHE IS

210
00:06:57,633 --> 00:07:02,033
CRYING AND YOU ARE NOT COMING

211
00:06:59,000 --> 00:07:04,466
BACK AND YOU LEAVE THE SHOW.

212
00:07:01,066 --> 00:07:06,300
>> SOMETIMES PEOPLE HAVE TO DO

213
00:07:02,033 --> 00:07:07,533
WHAT THEY THINK IS BEST FOR

214
00:07:04,466 --> 00:07:08,833
THEIR FUTURE AND FAMILY THAT WAS

215
00:07:06,300 --> 00:07:10,666
THE SITUATION WITH GREG.

216
00:07:07,533 --> 00:07:12,800
>> SINCE THE TWO OF YOU ARE NOT

217
00:07:08,833 --> 00:07:14,333
GOING TO SING FOR US TONIGHT

218
00:07:10,666 --> 00:07:16,200
BECAUSE YOU ARE TIRED AND BUSY,

219
00:07:12,800 --> 00:07:17,700
WE WANT TO HEAR WHAT YOU SOUND

220
00:07:14,333 --> 00:07:20,766
LIKE AND WE WILL BEGIN WITH YOU.

221
00:07:16,200 --> 00:07:20,766
LET'S TAKE A LISTEN TO YOUR

222
00:07:17,700 --> 00:07:20,766
VOICE HERE...

223
00:07:23,266 --> 00:07:29,333
♪I'VE BEEN SERVING MY WHOLE LIFE

224
00:07:25,800 --> 00:07:32,066
TO FIND MY OWN PLACE.

225
00:07:27,666 --> 00:07:34,633
MAYBE IT'S THE PARTY TALKING OR

226
00:07:29,333 --> 00:07:37,366
THE CHOCOLATE FONDUE♪

227
00:07:32,066 --> 00:07:38,633
♪BUT WITH YOU I SEE YOUR FACE

228
00:07:34,633 --> 00:07:41,200
AND IT'S NOTHING LIKE I'VE EVER

229
00:07:37,366 --> 00:07:41,600
KNOWN BEFORE♪

230
00:07:38,633 --> 00:07:44,100
>> THERE YOU ARE AS PRINCE HANS.

231
00:07:41,200 --> 00:07:45,900
>> YES.

232
00:07:41,600 --> 00:07:48,533
>> WHO STARTS OUT AS A GOOD GUY

233
00:07:44,100 --> 00:07:50,633
LIKE REVERSE TO TOOTSIE HE

234
00:07:45,900 --> 00:07:54,100
STARTS AS A GOOD GUY AND BECOMES

235
00:07:48,533 --> 00:07:54,866
KIND OF A JERK.

236
00:07:50,633 --> 00:07:56,200
IT'S CAUSED CONTROVERSY.

237
00:07:54,100 --> 00:07:58,633
>> REALLY?

238
00:07:54,866 --> 00:08:00,166
>> BECAUSE IT SAYS WELL IT MIGHT

239
00:07:56,200 --> 00:08:02,533
HAVE SCARED CHILDREN WHO THOUGHT

240
00:07:58,633 --> 00:08:02,966
YOU WERE --

241
00:08:00,166 --> 00:08:06,033
THEY --

242
00:08:02,533 --> 00:08:07,666
>> REALLY?

243
00:08:02,966 --> 00:08:09,466
THE OLD MERMAID THAT IS SCARY

244
00:08:06,033 --> 00:08:10,800
VILLAINS AT DISNEY.

245
00:08:07,666 --> 00:08:11,100
>> I THINK YOU MIGHT HAVE

246
00:08:09,466 --> 00:08:11,900
FRIGHTENED ME WHEN YOU TURNED

247
00:08:10,800 --> 00:08:13,133
THERE.

248
00:08:11,100 --> 00:08:16,633
HOW WAS THAT?

249
00:08:11,900 --> 00:08:17,633
>> I HAD A BLAST.

250
00:08:13,133 --> 00:08:20,100
WE RECORDED THAT SONG WHEN I WAS

251
00:08:16,633 --> 00:08:22,166
IN CINDERELLA.

252
00:08:17,633 --> 00:08:24,166
I HAD TO FLY TO LA TO RECORD

253
00:08:20,100 --> 00:08:26,233
THAT WITH KRISTEN BELL EIGHT

254
00:08:22,166 --> 00:08:28,466
MONTHS PREGNANT AT THE TIME AND

255
00:08:24,166 --> 00:08:29,766
I FLEW RIGHT BACK AND WENT BACK

256
00:08:26,233 --> 00:08:31,700
INTO THE SCHEDULE AT CINDERELLA.

257
00:08:28,466 --> 00:08:34,000
I LOVED DOING THAT.

258
00:08:29,766 --> 00:08:36,366
AND IT WAS FIVE DAYS.

259
00:08:31,700 --> 00:08:37,866
>> WE KNOW IT MADE A FEW BUCKS

260
00:08:34,000 --> 00:08:40,333
ALONG THE WAY AND BECAME ONE OF

261
00:08:36,366 --> 00:08:40,633
DISNEY'S BIGGEST HITS.

262
00:08:37,866 --> 00:08:42,133
HOPEFULLY YOU SAW SOME OF THAT

263
00:08:40,333 --> 00:08:43,333
MONEY.

264
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>> DISNEY GOT MOST OF THE MONEY

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AND THEY DESERVE T.

266
00:08:43,333 --> 00:08:47,133
>> BUT YOU GOT THE FAME.

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00:08:45,066 --> 00:08:48,266
>> YES.

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>> LILLY LET'S HEAR YOU.

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00:08:47,133 --> 00:08:59,666
BECAUSE YOU HAVE A BEAUTIFUL

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VOICE AS WELL.

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♪AND NOW AND NOW

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00:09:01,100 --> 00:09:13,200
[♪♪♪]

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00:09:07,833 --> 00:09:14,366
>> THAT IS A GREAT SONG THAT MY

274
00:09:10,566 --> 00:09:17,633
FRIEND ZOE WROTE AND IT WAS A

275
00:09:13,200 --> 00:09:18,033
GALA FOR THE WOMEN'S PROJECT

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00:09:14,366 --> 00:09:19,600
WHERE I DID A PLAY LAST YEAR.

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00:09:17,633 --> 00:09:21,433
>> WOW.

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00:09:18,033 --> 00:09:24,700
WELL, YOU BOTH HAVE GREAT VOICES

279
00:09:19,600 --> 00:09:27,200
AND IF PEOPLE WANT TO HEAR THEM

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00:09:21,433 --> 00:09:28,566
THEY HAVE TO GO TO TOOTSIE.

281
00:09:24,700 --> 00:09:30,500
SO 0 YOU'RE ONLY HERE FOR A WEEK

282
00:09:27,200 --> 00:09:32,933
AND THEN YOU TAKE TIME OFF

283
00:09:28,566 --> 00:09:34,400
BEFORE IT OPENS NEXT MARCH.

284
00:09:30,500 --> 00:09:34,900
WHAT DO YOU DO IN THAT

285
00:09:32,933 --> 00:09:35,266
INTERVENING TIME?

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00:09:34,400 --> 00:09:36,466
>> VACATION.

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00:09:34,900 --> 00:09:37,666
SLEEP.

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00:09:35,266 --> 00:09:39,000
>> DON'T SING.

289
00:09:36,466 --> 00:09:41,033
>> DON'T SHAVE.

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00:09:37,666 --> 00:09:43,433
>> WELL, THAT IS GOING TO HAVE

291
00:09:39,000 --> 00:09:45,466
TO CHANGE ONCE YOU GET BACK.

292
00:09:41,033 --> 00:09:45,833
>> FOUR MONTHS TO GROW A BEARD

293
00:09:43,433 --> 00:09:47,433
AND BODY HAIR EVERYWHERE.

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00:09:45,466 --> 00:09:49,600
>> OK.

295
00:09:45,833 --> 00:09:51,733
>> YOU LAUGHED.

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00:09:47,433 --> 00:09:52,666
>> THANK YOU.

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00:09:49,600 --> 00:09:54,366
IT'S GREAT TO MEET YOU AND

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00:09:51,733 --> 00:09:55,833
CONGRATULATIONS ON THE SHOW AND

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HOPEFULLY IT WILL BE A SUCCESS