1 00:00:06,066 --> 00:00:15,366 >> MANY HOLIDAY THEATER SHOWS 2 00:00:10,200 --> 00:00:17,400 ARE ABOUT TO OPEN BUT TONIGHT 3 00:00:11,433 --> 00:00:17,800 WE LOOK AT SHOWS BEYOND THE 4 00:00:15,366 --> 00:00:21,033 NUTCRACKER, WE ARE JOINED BY 5 00:00:17,400 --> 00:00:21,366 HEDY WEISS. 6 00:00:17,800 --> 00:00:23,000 FOR SHOW UP IS "LOOKINGGLASS 7 00:00:21,033 --> 00:00:25,033 ALICE". 8 00:00:21,366 --> 00:00:25,366 YOU SAY THIS IS THE 9 00:00:23,000 --> 00:00:29,400 QUINTESSENTIAL LOOKING GLASS 10 00:00:25,033 --> 00:00:31,400 THEATER. 11 00:00:25,366 --> 00:00:33,533 >> FIRST, IT IS THEIR NAMESAKE 12 00:00:29,400 --> 00:00:34,700 SHOW THEY ARE MASTERS OF CIRCUS 13 00:00:31,400 --> 00:00:36,633 AND MOVEMENT AND LOGIC AND 14 00:00:33,533 --> 00:00:38,033 ILLOGIC AND THE OTHER REASON 15 00:00:34,700 --> 00:00:41,400 THEY'VE BEEN DOING IT ON AND 16 00:00:36,633 --> 00:00:42,233 OFF FOR 10 YEARS AND THIS MUST 17 00:00:38,033 --> 00:00:44,533 BE REALLY THE BEST ADDITION OF 18 00:00:41,400 --> 00:00:46,633 IT. 19 00:00:42,233 --> 00:00:47,766 WE HAVE A LITTLE CLIP WITH 20 00:00:44,533 --> 00:00:51,966 ALICE IN HER ENCOUNTER WITH THE 21 00:00:46,633 --> 00:00:54,133 RED QUEEN. 22 00:00:47,766 --> 00:00:55,033 >> CAN YOU TELL ME HOW I COULD 23 00:00:51,966 --> 00:00:58,066 GET TO THE OTHER SIDE SO THAT I 24 00:00:54,133 --> 00:01:01,100 MAY BECOME A QUEEN? 25 00:00:55,033 --> 00:01:01,933 >> RUN, RUN, RUN. 26 00:00:58,066 --> 00:01:04,900 >> SHE IS RUNNING AS FAST AS 27 00:01:01,100 --> 00:01:07,066 SHE CAN. 28 00:01:01,933 --> 00:01:09,100 YOU SAY IT IS MODERN. 29 00:01:04,900 --> 00:01:14,833 >> THERE ARE ONLY FIVE ACTORS 30 00:01:07,066 --> 00:01:16,466 AND EVERYONE IS NOT ONLY A 31 00:01:09,100 --> 00:01:19,800 MASTER AT ACROBATICS AND 32 00:01:14,833 --> 00:01:24,866 CIRCUS, MUSICAL INTERLUDES AND 33 00:01:16,466 --> 00:01:26,866 DANCING, DANCING ON CHAIRS 34 00:01:19,800 --> 00:01:29,066 TANGLES, WALTZES THEY ARE 35 00:01:24,866 --> 00:01:30,933 FEARLESS AND THEY ALSO PLAY 36 00:01:26,866 --> 00:01:31,300 MULTIPLE CHARACTERS IN THE COME 37 00:01:29,066 --> 00:01:33,066 BACK IN 1 MILLION DIFFERENT 38 00:01:30,933 --> 00:01:34,466 DISGUISES. 39 00:01:31,300 --> 00:01:35,566 ALSO THEY MUST HAVE AN OXYGEN 40 00:01:33,066 --> 00:01:38,533 MACHINE BACKSTAGE BECAUSE THEY 41 00:01:34,466 --> 00:01:40,533 JUST GO FOR 90 MINUTES. 42 00:01:35,566 --> 00:01:46,733 IT IS VERY CLEVER. 43 00:01:38,533 --> 00:01:48,666 TWO ACTRESSES ARE ALTERNATING 44 00:01:40,533 --> 00:01:49,866 IN THE ALICE ROLL. 45 00:01:46,733 --> 00:01:51,866 >> IN TERMS OF THE 46 00:01:48,666 --> 00:01:52,666 FAITHFULNESS OF THE MATERIAL 47 00:01:49,866 --> 00:01:54,733 WHAT WOULD LEWIS CARROLL MAKE 48 00:01:51,866 --> 00:01:56,700 OF IT? 49 00:01:52,666 --> 00:01:58,733 >> I WOULD HAVE LOVED TO HAVE 50 00:01:54,733 --> 00:01:59,900 SEEN IT WITH LEWIS CARROLL 51 00:01:56,700 --> 00:02:00,933 BECAUSE I THINK HE WOULD HAVE 52 00:01:58,733 --> 00:02:02,900 THOUGHT HOW THEY COULD MAKE 53 00:01:59,900 --> 00:02:04,766 THIS REAL. 54 00:02:00,933 --> 00:02:07,466 EVERYTHING HE DID IN TERMS OF 55 00:02:02,900 --> 00:02:11,000 MEANINGS AND TIME AND RHYMES 56 00:02:04,766 --> 00:02:13,000 AND RIDDLES, IT ALL BECOMES 57 00:02:07,466 --> 00:02:16,933 REAL ON THE STAGE. 58 00:02:11,000 --> 00:02:17,233 I SAW ADULTS LOOKING AT IT LIKE 59 00:02:13,000 --> 00:02:22,233 THIS, SORT OF IT'S A GREAT 60 00:02:16,933 --> 00:02:23,500 SHOW. 61 00:02:17,233 --> 00:02:25,533 NOT TOO YOUNG BUT CHILDREN 62 00:02:22,233 --> 00:02:27,666 CERTAINLY WOULD LOVE IT. 63 00:02:23,500 --> 00:02:29,600 >> OUR NEXT SHOW IS SOMETHING 64 00:02:25,533 --> 00:02:30,566 THAT WAS A LOT OF CONTROVERSY 65 00:02:27,666 --> 00:02:32,600 IT'S CALLED THE "THE TESTAMENT 66 00:02:29,600 --> 00:02:37,033 OF MARY". 67 00:02:30,566 --> 00:02:39,033 >> THIS IS A ONE WOMAN SHOW 68 00:02:32,600 --> 00:02:40,533 THE FAMOUS IRISH NOVELIST. 69 00:02:37,033 --> 00:02:43,600 YOU COULD SAY IT'S A BIT 70 00:02:39,033 --> 00:02:43,933 HERETICAL SOME PEOPLE WOULD SAY 71 00:02:40,533 --> 00:02:47,000 THAT BUT I SAY IT'S KIND OF 72 00:02:43,600 --> 00:02:48,400 REALISM. 73 00:02:43,933 --> 00:02:49,533 IT'S TAKING THE GREATEST STORY 74 00:02:47,000 --> 00:02:53,266 EVER TOLD BUT BEING TOLD BY THE 75 00:02:48,400 --> 00:02:54,300 SO-CALLED VIRGIN MARY. 76 00:02:49,533 --> 00:02:56,233 SHE DENIES THAT SHE IS. 77 00:02:53,266 --> 00:02:58,366 LATER IN LIFE. 78 00:02:54,300 --> 00:02:59,466 SHE LOOKS BACK AT THE VERY 79 00:02:56,233 --> 00:03:01,566 WORST EVENT OF HER LIFE WHICH 80 00:02:58,366 --> 00:03:04,133 WAS THE LOST OF HER SON. 81 00:02:59,466 --> 00:03:05,300 WE HAVE A CLIP IN WHICH WE SEE 82 00:03:01,566 --> 00:03:07,833 MARY TALKING ABOUT HOW SHE 83 00:03:04,133 --> 00:03:11,600 FIRST STARTED TO SEND HER SON 84 00:03:05,300 --> 00:03:12,666 WAS MOVING AWAY FROM HER. 85 00:03:07,833 --> 00:03:14,166 THEY HAD BEEN CLOSE AND NOW HE 86 00:03:11,600 --> 00:03:20,400 WAS MOVING AWAY. 87 00:03:12,666 --> 00:03:22,300 >> I DID NOT EAT MUCH. 88 00:03:14,166 --> 00:03:23,600 AND I DO NOT REMEMBER THE FOOD. 89 00:03:20,400 --> 00:03:25,466 ALTHOUGH MY SON AND I SAT 90 00:03:22,300 --> 00:03:28,133 BESIDE EACH OTHER FOR MORE THAN 91 00:03:23,600 --> 00:03:29,066 TWO HOURS WE DID NOT SPEAK. 92 00:03:25,466 --> 00:03:31,100 THERE WAS NOTHING WE COULD HAVE 93 00:03:28,133 --> 00:03:32,333 SPOKEN UP. 94 00:03:29,066 --> 00:03:33,266 IT WOULD HAVE BEEN LIKE 95 00:03:31,100 --> 00:03:37,233 SPEAKING TO THE STARS OR THE 96 00:03:32,333 --> 00:03:38,333 FULL MOON. 97 00:03:33,266 --> 00:03:39,133 >> THAT IS ACTRESS LINDA 98 00:03:37,233 --> 00:03:41,166 WRIGHT SHE DOES A WONDERFUL 99 00:03:38,333 --> 00:03:46,766 JOB. 100 00:03:39,133 --> 00:03:48,766 IT SOUNDS VERY DARK AND IT IS 101 00:03:41,166 --> 00:03:50,766 DARK BUT IT IS ALSO VERY FUNNY. 102 00:03:46,766 --> 00:03:52,733 AND SHE IS WONDERFUL AND SHE 103 00:03:48,766 --> 00:03:54,766 DESCRIBES HIS FOLLOWERS IT'S 104 00:03:50,766 --> 00:03:56,800 KIND OF LIKE A'60S CALLED SHE 105 00:03:52,733 --> 00:03:58,933 CALLS THEM THE TWITCH YOURS AND 106 00:03:54,766 --> 00:04:02,200 THE MISFITS AND THEY ARE 107 00:03:56,800 --> 00:04:02,500 OBVIOUSLY OUTCASTS ALL OF THEM 108 00:03:58,933 --> 00:04:04,266 AND SHE IS VERY MOCKING ABOUT 109 00:04:02,200 --> 00:04:06,233 THEM. 110 00:04:02,500 --> 00:04:08,266 SHE IS BEING PURSUED BY THE 111 00:04:04,266 --> 00:04:09,466 WRITER OF THE GOSPEL, ONE OF 112 00:04:06,233 --> 00:04:11,566 THE WRITERS OF THE GOSPEL AND 113 00:04:08,266 --> 00:04:13,500 SHE WILL HAVE NONE OF IT. 114 00:04:09,466 --> 00:04:15,500 >> FOR EXAMPLE, IN THE PLAY 115 00:04:11,566 --> 00:04:16,366 YOU RIGHT SHE NOTES THAT SHE 116 00:04:13,500 --> 00:04:18,100 THOUGHT RAISING LAZARUS WAS A 117 00:04:15,500 --> 00:04:24,466 MISTAKE. 118 00:04:16,366 --> 00:04:24,733 >> RATIONALE IS THAT HUMAN 119 00:04:18,100 --> 00:04:26,533 BEING SHOULD NOT BE PLAYING 120 00:04:24,466 --> 00:04:27,600 GOD. 121 00:04:24,733 --> 00:04:29,633 THAT IS KIND OF A TOUCHY 122 00:04:26,533 --> 00:04:31,833 SUBJECT TO SAY THAT. 123 00:04:27,600 --> 00:04:33,066 AND ALSO YOU CAN'T MESS WITH 124 00:04:29,633 --> 00:04:35,033 NATURE AND SHE THOUGHT THAT IS 125 00:04:31,833 --> 00:04:36,066 WHAT THAT WAS AND SHE THOUGHT 126 00:04:33,066 --> 00:04:38,866 IN PART THAT WAS WHY HE BECAME 127 00:04:35,033 --> 00:04:40,466 SO DANGEROUS. 128 00:04:36,066 --> 00:04:42,400 >> WHAT DOES THE AUDIENCE TAKE 129 00:04:38,866 --> 00:04:45,566 AWAY FROM THIS DO YOU THINK? 130 00:04:40,466 --> 00:04:46,466 WHAT DID YOU TAKE AWAY? 131 00:04:42,400 --> 00:04:48,766 >> I WOULD HAVE LOVED TO HAVE 132 00:04:45,566 --> 00:04:50,033 WATCHED THIS WITH POPE FRANCIS 133 00:04:46,466 --> 00:04:52,866 AND AFTERWARD I WOULD HAVE 134 00:04:48,766 --> 00:04:54,133 LIKED TO HAVE SAT DOWN WITH HIM 135 00:04:50,033 --> 00:04:55,166 AND SAID WELL, YOU ARE A MODERN 136 00:04:52,866 --> 00:04:55,533 THINKER IN MANY WAYS IS THIS 137 00:04:54,133 --> 00:04:57,166 BABY THE WAY IT REALLY 138 00:04:55,166 --> 00:04:57,433 HAPPENED? 139 00:04:55,533 --> 00:05:02,100 THAT IS WHAT I TOOK AWAY FROM 140 00:04:57,166 --> 00:05:04,366 IT. 141 00:04:57,433 --> 00:05:06,200 >> THE UNKNOWABLE. 142 00:05:02,100 --> 00:05:08,466 NEXT IS SORT OF A HOLIDAY SHOW 143 00:05:04,366 --> 00:05:13,400 I'M CURIOUS ABOUT WHAT YOU 144 00:05:06,200 --> 00:05:15,333 THOUGHT OF THE " THE HUMANS". 145 00:05:08,466 --> 00:05:15,733 >> IT ALREADY HAS A DATE IN 146 00:05:13,400 --> 00:05:16,833 NEW YORK WITH A DIFFERENT 147 00:05:15,333 --> 00:05:18,233 PRODUCTION. 148 00:05:15,733 --> 00:05:20,466 I THINK YOU CAN EITHER LOVE IT 149 00:05:16,833 --> 00:05:23,033 OR HATE IT OR START OUT HATING 150 00:05:18,233 --> 00:05:24,766 IT IN AT THE END LOVING IT. 151 00:05:20,466 --> 00:05:29,433 IT'S ABOUT A FAMILY, 152 00:05:23,033 --> 00:05:31,366 DYSFUNCTIONAL FAMILY THAT 153 00:05:24,766 --> 00:05:32,533 GATHERS AT THANKSGIVING AND A 154 00:05:29,433 --> 00:05:34,466 REALLY CRUMMY APARTMENT IN NEW 155 00:05:31,366 --> 00:05:35,633 YORK THAT HASN'T HAD THE 156 00:05:32,533 --> 00:05:40,600 FURNITURE MOVED IN YEARS AND 157 00:05:34,466 --> 00:05:42,633 EACH ONE HAS PROBLEMS. 158 00:05:35,633 --> 00:05:43,666 WE SEE A PAIR IN WHICH THEY ARE 159 00:05:40,600 --> 00:05:45,200 SITTING AT DINNER AND THEY ARE 160 00:05:42,633 --> 00:05:47,233 SAYING GRACE AND THE 161 00:05:43,666 --> 00:05:51,433 GRANDMOTHER WITH DEMENTIA 162 00:05:45,200 --> 00:05:53,400 SUDDENLY HOOKS ONTO SOMETHING. 163 00:05:47,233 --> 00:05:58,766 >> FROM MY BOUNTY TO CHRIST 164 00:05:51,433 --> 00:05:59,033 OUR LORD, AMEN. 165 00:05:53,400 --> 00:05:59,700 >> DO YOU REMEMBER BRIDGET AND 166 00:05:58,766 --> 00:06:01,633 AMY? 167 00:05:59,033 --> 00:06:04,100 AMY AND BRIDGET? 168 00:05:59,700 --> 00:06:06,100 >> DIG IN. 169 00:06:01,633 --> 00:06:07,166 DON'T WAIT. 170 00:06:04,100 --> 00:06:12,000 >> EVERYTHING LOOKS GREAT. 171 00:06:06,100 --> 00:06:13,100 >> YES. 172 00:06:07,166 --> 00:06:15,666 >> IT IS A RAINBOW CHARD SALAD 173 00:06:12,000 --> 00:06:17,233 PACKED WITH NUTRIENTS. 174 00:06:13,100 --> 00:06:22,666 >> YOU GUYS DID A GREAT JOB. 175 00:06:15,666 --> 00:06:28,033 >> AWESOME. 176 00:06:17,233 --> 00:06:32,900 >> DIG A HOLE SHOWER. 177 00:06:22,666 --> 00:06:35,700 >> SO I THINK IF YOU CAN SAY 178 00:06:28,033 --> 00:06:37,733 THERE ARE TOO MANY THINGS GOING 179 00:06:32,900 --> 00:06:39,933 ON LIKE EVERYBODY HAS TOO MANY 180 00:06:35,700 --> 00:06:41,200 THINGS GOING ON IN THEIR LIFE. 181 00:06:37,733 --> 00:06:43,166 THERE IS THE DEMENTIA, THERE IS 182 00:06:39,933 --> 00:06:44,300 THE LOSS OF A FINANCIAL FUTURE. 183 00:06:41,200 --> 00:06:46,233 THERE IS A HEALTH SCARE. 184 00:06:43,166 --> 00:06:48,300 >> THERE IS A SCANDAL. 185 00:06:44,300 --> 00:06:50,833 >> THERE IS A SCANDAL. 186 00:06:46,233 --> 00:06:52,733 THERE IS A RELATIONSHIP OF THE 187 00:06:48,300 --> 00:06:56,833 YUPPIE GIRL AND HER BOYFRIEND 188 00:06:50,833 --> 00:06:58,700 WHO HAS DEPRESSION AND SHE'S 189 00:06:52,733 --> 00:07:00,833 NOT EVERYTHING SHE'S CRACKED UP 190 00:06:56,833 --> 00:07:02,733 TO BE.I'VE SEEN OTHER PLACE 191 00:06:58,700 --> 00:07:04,733 BY THIS PLAYWRIGHT THIS IS ONE 192 00:07:00,833 --> 00:07:06,766 OF HIS TECHNIQUES. 193 00:07:02,733 --> 00:07:08,000 EITHER AT SOME POINT YOU GO 194 00:07:04,733 --> 00:07:10,033 ENOUGH OR YOU GO I KNOW THAT 195 00:07:06,766 --> 00:07:11,133 PERSON AND I KNOW THAT PERSON 196 00:07:08,000 --> 00:07:13,933 AND THEY JUST HAPPEN TO ALL BE 197 00:07:10,033 --> 00:07:15,966 AT THE SAME TABLE. 198 00:07:11,133 --> 00:07:16,366 >> A TABLE MOST PEOPLE WOULD 199 00:07:13,933 --> 00:07:18,666 PROBABLY NOT WANT TO BE AT. 200 00:07:15,966 --> 00:07:20,666 [LAUGHTER] 201 00:07:16,366 --> 00:07:22,933 >> IT TURNS OUT TO BE ABSURD 202 00:07:18,666 --> 00:07:23,200 AND QUITE TOUCHING AT THE END. 203 00:07:20,666 --> 00:07:24,900 >> YOU LOVED IT MORE THAN I 204 00:07:22,933 --> 00:07:26,933 DID. 205 00:07:23,200 --> 00:07:28,166 I'VE BEEN TO SEVERAL SHOWS 206 00:07:24,900 --> 00:07:29,600 THERE AND HAVE BEEN MESMERIZED 207 00:07:26,933 --> 00:07:30,766 THIS ONE MAYBE NOT SO MUCH. 208 00:07:28,166 --> 00:07:31,166 >> INCLUDING ANOTHER ONE THAT 209 00:07:29,600 --> 00:07:33,466 WAS AT A TABLE AT THE 210 00:07:30,766 --> 00:07:39,466 RESTAURANT. 211 00:07:31,166 --> 00:07:40,466 >> MY WIFE DID LOVE IT. 212 00:07:33,466 --> 00:07:42,600 THE ENSEMBLE ACTING WHAT DID 213 00:07:39,466 --> 00:07:43,933 YOU MAKE OF IT? 214 00:07:40,466 --> 00:07:45,933 >> I SAW THE DIRECTOR JOE 215 00:07:42,600 --> 00:07:46,333 MONTELLO FROM BROADWAY HE IS 216 00:07:43,933 --> 00:07:49,166 DIRECTING HE HAPPENED TO COME 217 00:07:45,933 --> 00:07:52,500 AND SEE IT. 218 00:07:46,333 --> 00:07:54,766 IF I WERE HIM, I WOULD SAY IT 219 00:07:49,166 --> 00:07:57,833 IS DIRECTED BY PJ POPPER RALLY 220 00:07:52,500 --> 00:08:03,566 THE ACTORS ARE REALLY GOOD JUST 221 00:07:54,766 --> 00:08:05,800 LIKE LIFTED AND BRING IT THERE.