1 00:00:07,574 --> 00:00:08,275 >> 2 00:00:08,275 --> 00:00:08,876 YOU KNOW THE NAMES JOHN 3 00:00:08,876 --> 00:00:10,210 CANDY, GUILD ARE 4 00:00:10,210 --> 00:00:11,311 RADNER, BILL 5 00:00:11,311 --> 00:00:11,979 MURRAY 6 00:00:11,979 --> 00:00:13,013 AN 7 00:00:13,013 --> 00:00:14,448 IMPORTANT FIGURE 8 00:00:14,448 --> 00:00:15,349 MENTORED 9 00:00:15,349 --> 00:00:15,849 THESE. 10 00:00:15,849 --> 00:00:17,317 BERNIE 11 00:00:17,317 --> 00:00:17,618 SAHLINS 12 00:00:17,618 --> 00:00:19,319 MAY NOT BE A 13 00:00:19,319 --> 00:00:20,053 HOUSEHOLD NAME BUT PEOPLE 14 00:00:20,053 --> 00:00:20,621 WHO 15 00:00:20,621 --> 00:00:21,855 KNOW THEATER 16 00:00:21,855 --> 00:00:22,389 AND 17 00:00:22,389 --> 00:00:23,690 COMEDY KNOW HIS 18 00:00:23,690 --> 00:00:24,057 INFLUENCE. 19 00:00:24,057 --> 00:00:26,026 HE DIED SUNDAY AT THE AGE OF 20 00:00:26,026 --> 00:00:26,460 90678 21 00:00:26,460 --> 00:00:28,195 WE'RE JOINED NOW BY 22 00:00:28,195 --> 00:00:29,863 FRIENDS 23 00:00:29,863 --> 00:00:30,898 AND 24 00:00:30,898 --> 00:00:32,599 COLLEAGUES 25 00:00:32,599 --> 00:00:33,600 INCLUDING 26 00:00:33,600 --> 00:00:35,636 SHELDON 27 00:00:35,636 --> 00:00:37,271 PATINKIN, 28 00:00:37,271 --> 00:00:38,672 MARTHA AND 29 00:00:38,672 --> 00:00:39,806 MATT THE DIRECTOR 30 00:00:39,806 --> 00:00:40,574 OF 31 00:00:40,574 --> 00:00:42,042 SECOND CITY 32 00:00:42,042 --> 00:00:42,709 TRAINING 33 00:00:42,709 --> 00:00:43,277 CENTER. 34 00:00:43,277 --> 00:00:44,111 CONDOLENCES TO ALL OF YOU ON THE 35 00:00:44,111 --> 00:00:45,078 LOSS OF 36 00:00:45,078 --> 00:00:45,812 YOUR 37 00:00:45,812 --> 00:00:46,146 FRIEND. 38 00:00:46,146 --> 00:00:46,613 >>THANK YOU. 39 00:00:46,613 --> 00:00:47,781 >>SHELDON, HOW LONG DID YOU 40 00:00:47,781 --> 00:00:48,382 KNOW BERNIE? 41 00:00:48,382 --> 00:00:49,316 >>60 YEARS. 42 00:00:49,316 --> 00:00:50,350 >>60 YEARS. 43 00:00:50,350 --> 00:00:51,418 >>YEAH, WE 44 00:00:51,418 --> 00:00:52,252 HAD A THEATER 45 00:00:52,252 --> 00:00:52,886 THAT 46 00:00:52,886 --> 00:00:53,954 WE BROKE AWAY FROM 47 00:00:53,954 --> 00:00:54,821 THE 48 00:00:54,821 --> 00:00:56,790 UNIVERSITY OF 49 00:00:56,790 --> 00:00:57,558 CHICAGO THEATER 50 00:00:57,558 --> 00:00:58,525 IN 51 00:00:58,525 --> 00:00:59,560 FORM CALLED 52 00:00:59,560 --> 00:01:00,727 PLAYWRIGHTS 53 00:01:00,727 --> 00:01:01,161 THEATER 54 00:01:01,161 --> 00:01:02,095 CLUB IN 55 00:01:02,095 --> 00:01:02,529 1953. 56 00:01:02,529 --> 00:01:03,730 I'M GIVING AWAY MY 57 00:01:03,730 --> 00:01:04,264 AGE. 58 00:01:04,264 --> 00:01:06,767 AND BERNIE WAS ONE OF THE 59 00:01:06,767 --> 00:01:07,134 PRODUCERS. 60 00:01:07,134 --> 00:01:09,002 I WAS THE STAGE 61 00:01:09,002 --> 00:01:09,536 MANAGER, 62 00:01:09,536 --> 00:01:10,604 PRODUCTION MANAGER, 63 00:01:10,604 --> 00:01:11,338 MUSICAL 64 00:01:11,338 --> 00:01:13,841 DIRECTOR, BOX OFFICE 65 00:01:13,841 --> 00:01:15,475 MANAGER, 66 00:01:15,475 --> 00:01:16,510 ASSISTANT DIRECTOR AND 67 00:01:16,510 --> 00:01:17,077 ACTOR 68 00:01:17,077 --> 00:01:18,145 ONLY WHEN WE 69 00:01:18,145 --> 00:01:19,413 HAD 70 00:01:19,413 --> 00:01:19,646 TOO 71 00:01:19,646 --> 00:01:20,414 MANY ROLES 72 00:01:20,414 --> 00:01:22,282 FOR THE NUMBER OF THE PEOPLE 73 00:01:22,282 --> 00:01:23,750 IN 74 00:01:23,750 --> 00:01:24,117 ENSEMBLE. 75 00:01:24,117 --> 00:01:26,320 THE FIRST THING I REMEMBER ABOUT 76 00:01:26,320 --> 00:01:27,154 BERNIE, HE HAD 77 00:01:27,154 --> 00:01:27,821 HIS 78 00:01:27,821 --> 00:01:28,355 OWN 79 00:01:28,355 --> 00:01:29,523 BUSINESS. 80 00:01:29,523 --> 00:01:30,257 HE HAD 81 00:01:30,257 --> 00:01:31,758 TAPE RECORDERS. 82 00:01:31,758 --> 00:01:32,626 >>THAT'S WHERE HE GOT 83 00:01:32,626 --> 00:01:33,660 HIS 84 00:01:33,660 --> 00:01:36,396 BUSINESS ACUMEN WITH A TAPE 85 00:01:36,396 --> 00:01:36,897 RECORDER COMPANY. 86 00:01:36,897 --> 00:01:38,498 >>THAT'S 87 00:01:38,498 --> 00:01:39,800 RIGHT. 88 00:01:39,800 --> 00:01:41,168 HE REALLY WANT TO DO 89 00:01:41,168 --> 00:01:41,668 THEATER. 90 00:01:41,668 --> 00:01:43,103 BERNIE WHO WE JUST MET 91 00:01:43,103 --> 00:01:43,470 CAME INTO 92 00:01:43,470 --> 00:01:44,605 THE THEATER 93 00:01:44,605 --> 00:01:45,739 ONE 94 00:01:45,739 --> 00:01:46,473 DAY, THERE WAS 95 00:01:46,473 --> 00:01:47,541 MAYBE THREE OR FOUR O 96 00:01:47,541 --> 00:01:48,976 F US, LATE 97 00:01:48,976 --> 00:01:49,810 SUMMER, HE SAID 98 00:01:49,810 --> 00:01:50,611 COME 99 00:01:50,611 --> 00:01:51,545 ON I'LL 100 00:01:51,545 --> 00:01:53,480 TAKE TO YOU MY FAVORITE 101 00:01:53,480 --> 00:01:54,081 RESTAURANT IN 102 00:01:54,081 --> 00:01:55,782 TOWN SOX WE 103 00:01:55,782 --> 00:01:56,583 WERE -- IN 104 00:01:56,583 --> 00:01:56,817 TOWN 105 00:01:56,817 --> 00:01:57,050 . 106 00:01:57,050 --> 00:01:58,051 SO WE WERE 107 00:01:58,051 --> 00:01:59,553 POOR, HUNGRY AND 108 00:01:59,553 --> 00:02:00,387 YOUNG AND HAD 109 00:02:00,387 --> 00:02:01,421 VISIONS MORE 110 00:02:01,421 --> 00:02:01,722 THAN 111 00:02:01,722 --> 00:02:03,290 SUGAR PLUMS DANCING IN OUR 112 00:02:03,290 --> 00:02:04,258 HEADS 113 00:02:04,258 --> 00:02:04,925 AND HE TOOK 114 00:02:04,925 --> 00:02:09,029 US TO 115 00:02:09,029 --> 00:02:09,963 FLUKIES 116 00:02:09,963 --> 00:02:10,831 HOT 117 00:02:10,831 --> 00:02:11,665 DOG STAND NORTH ON 118 00:02:11,665 --> 00:02:12,566 WESTERN WHICH 119 00:02:12,566 --> 00:02:13,667 REALLY WAS HIS 120 00:02:13,667 --> 00:02:14,434 FAVORITE 121 00:02:14,434 --> 00:02:14,835 RESTAURANT. 122 00:02:14,835 --> 00:02:16,036 >>HE WASN'T KIDDING? 123 00:02:16,036 --> 00:02:16,970 >>HE WAS 124 00:02:16,970 --> 00:02:18,005 NOT KIDDING AT 125 00:02:18,005 --> 00:02:18,505 ALL. 126 00:02:18,505 --> 00:02:20,874 >>WHAT WAS YOUR FIRST MEMORY OF 127 00:02:20,874 --> 00:02:21,175 HIS. 128 00:02:21,175 --> 00:02:21,942 >> 129 00:02:21,942 --> 00:02:23,410 SHELDON INTRODUCE MED 130 00:02:23,410 --> 00:02:24,211 TO 131 00:02:24,211 --> 00:02:24,511 HIM. 132 00:02:24,511 --> 00:02:25,412 I WAS 133 00:02:25,412 --> 00:02:26,747 TAKING IMPROVE CLASSES 134 00:02:26,747 --> 00:02:28,248 FROM SHELDON WITH A GROUP OF 135 00:02:28,248 --> 00:02:29,216 PEOPLE IN 1981 136 00:02:29,216 --> 00:02:30,350 OR SO AND 137 00:02:30,350 --> 00:02:30,684 BERNIE 138 00:02:30,684 --> 00:02:31,919 WAS AROUND AND I WAS INTRODUCED 139 00:02:31,919 --> 00:02:33,153 TO BERNIE. 140 00:02:33,153 --> 00:02:33,787 IN 141 00:02:33,787 --> 00:02:35,556 FACT, DO YOU KNOW THAT I 142 00:02:35,556 --> 00:02:36,990 AUDITIONED FOR ONE OF THOSE 143 00:02:36,990 --> 00:02:38,492 SECOND CITY 144 00:02:38,492 --> 00:02:38,892 COMPANIES? 145 00:02:38,892 --> 00:02:39,259 >>REALLY. 146 00:02:39,259 --> 00:02:40,794 >>I WAS ALL 147 00:02:40,794 --> 00:02:41,061 OF. 148 00:02:41,061 --> 00:02:41,495 [ LAUGHTER ] 149 00:02:41,495 --> 00:02:42,629 -- I WAS AWFUL. 150 00:02:42,629 --> 00:02:43,030 [ LAUGHTER ] 151 00:02:43,030 --> 00:02:44,364 >>I 152 00:02:44,364 --> 00:02:44,831 HAVE 153 00:02:44,831 --> 00:02:45,899 KNOWN BERNIE AND JANE 154 00:02:45,899 --> 00:02:47,334 SINCE THEN AND THEY ARE 155 00:02:47,334 --> 00:02:48,168 VERY, 156 00:02:48,168 --> 00:02:49,469 VERY FREQUENT THEATER 157 00:02:49,469 --> 00:02:50,270 GOERS AND 158 00:02:50,270 --> 00:02:51,605 THEY ARE -- THEY ARE 159 00:02:51,605 --> 00:02:52,306 REALLY BIG 160 00:02:52,306 --> 00:02:53,807 PART OF THE CULTURAL 161 00:02:53,807 --> 00:02:54,374 SCENE. 162 00:02:54,374 --> 00:02:56,009 SO I'VE SEEN HIM THROUGHOUT THE 163 00:02:56,009 --> 00:02:57,144 YEARS AND, HE 164 00:02:57,144 --> 00:02:58,445 ALSO THEN BEGAN 165 00:02:58,445 --> 00:02:59,213 CREATING 166 00:02:59,213 --> 00:03:00,214 PERFORMANCES BASED ON 167 00:03:00,214 --> 00:03:01,381 VERSE DRAMA WHICH GIVES 168 00:03:01,381 --> 00:03:02,115 YOU SOME 169 00:03:02,115 --> 00:03:03,717 IDEA OF THAT GUYS 170 00:03:03,717 --> 00:03:04,384 RANGE. 171 00:03:04,384 --> 00:03:05,285 >>SO MANY 172 00:03:05,285 --> 00:03:06,820 PEOPLE THINK OF 173 00:03:06,820 --> 00:03:08,856 BERNIE 174 00:03:08,856 --> 00:03:10,123 SAHLINS AND THINK 175 00:03:10,123 --> 00:03:10,457 COMEDY, 176 00:03:10,457 --> 00:03:11,325 SECOND 177 00:03:11,325 --> 00:03:12,693 CITY, 178 00:03:12,693 --> 00:03:13,360 IMPROV 179 00:03:13,360 --> 00:03:14,127 ALL THAT 180 00:03:14,127 --> 00:03:14,394 BUT 181 00:03:14,394 --> 00:03:15,495 HE HAD TREMENDOUS RANGE. 182 00:03:15,495 --> 00:03:16,496 HE STUDIED THE 183 00:03:16,496 --> 00:03:17,264 CLASSIC AND 184 00:03:17,264 --> 00:03:19,766 INTERESTED IN ALL KINDS OF 185 00:03:19,766 --> 00:03:20,100 THEATER. 186 00:03:20,100 --> 00:03:21,201 WHAT WAS HIS SIGNIFICANCE TO THE 187 00:03:21,201 --> 00:03:22,035 WORK YOU DO? 188 00:03:22,035 --> 00:03:22,936 >>FIRST 189 00:03:22,936 --> 00:03:24,137 MARTHA I'M SORRY 190 00:03:24,137 --> 00:03:24,638 THAT 191 00:03:24,638 --> 00:03:25,806 WE RUINED YOUR 192 00:03:25,806 --> 00:03:26,340 CAREER. 193 00:03:26,340 --> 00:03:27,674 I APOLOGIZE ON 194 00:03:27,674 --> 00:03:28,509 BEHALF OF SECOND 195 00:03:28,509 --> 00:03:29,977 CITY AND BERNIE. 196 00:03:29,977 --> 00:03:30,644 >>THINK 197 00:03:30,644 --> 00:03:31,812 OF WHAT SHE COULD HAVE 198 00:03:31,812 --> 00:03:33,046 MADE OF 199 00:03:33,046 --> 00:03:33,580 HERSELF. 200 00:03:33,580 --> 00:03:34,815 >>WE HOLD SO MANY PEOPLE 201 00:03:34,815 --> 00:03:35,115 BACK. 202 00:03:35,115 --> 00:03:36,316 >>SHE'S REALLY A GOOD 203 00:03:36,316 --> 00:03:36,783 ACTOR. 204 00:03:36,783 --> 00:03:38,352 >>THAT'S WHAT WE LOOK 205 00:03:38,352 --> 00:03:38,652 FOR. 206 00:03:38,652 --> 00:03:39,820 WE'RE ACTORS FIRST, 207 00:03:39,820 --> 00:03:40,554 COMEDIANS 208 00:03:40,554 --> 00:03:40,888 SECOND. 209 00:03:40,888 --> 00:03:41,355 WE USES TO BE. 210 00:03:41,355 --> 00:03:42,556 I STARTED DIRECTING 211 00:03:42,556 --> 00:03:43,457 FOR SECOND 212 00:03:43,457 --> 00:03:46,293 CITY IN THE EARLY 213 00:03:46,293 --> 00:03:47,294 2000S AND IT 214 00:03:47,294 --> 00:03:48,228 TOOK A FEW 215 00:03:48,228 --> 00:03:49,162 SHOWS FOR 216 00:03:49,162 --> 00:03:50,097 ME TO 217 00:03:50,097 --> 00:03:52,566 DIRECT TO AND PAID ATTENTION AND 218 00:03:52,566 --> 00:03:52,866 KNEW. 219 00:03:52,866 --> 00:03:54,234 HE WAS NOT ACTIVE IN THE THEATER 220 00:03:54,234 --> 00:03:55,235 ON A 221 00:03:55,235 --> 00:03:56,136 DAILY 222 00:03:56,136 --> 00:03:57,104 BASIS 223 00:03:57,104 --> 00:03:58,438 FOR 224 00:03:58,438 --> 00:03:59,573 SOME TIME 225 00:03:59,573 --> 00:03:59,873 THEN. 226 00:03:59,873 --> 00:04:00,874 I REMEMBER WHEN I GOT HIM AT THE 227 00:04:00,874 --> 00:04:02,643 FRONT BAR AND 228 00:04:02,643 --> 00:04:03,076 REINTRODUCED 229 00:04:03,076 --> 00:04:04,211 MYSELF BECAUSE HE 230 00:04:04,211 --> 00:04:05,379 WASN'T UP 231 00:04:05,379 --> 00:04:05,646 TO 232 00:04:05,646 --> 00:04:06,713 DATE ON WHO I 233 00:04:06,713 --> 00:04:07,881 WAS OR WHATEVER. 234 00:04:07,881 --> 00:04:09,149 HE SAID I HAVE HEARD BUT 235 00:04:09,149 --> 00:04:09,950 GIVE ME 236 00:04:09,950 --> 00:04:10,417 A CALL. 237 00:04:10,417 --> 00:04:11,451 HE WROTE DOWN 238 00:04:11,451 --> 00:04:12,452 HIS PHONE 239 00:04:12,452 --> 00:04:12,786 NUMBER 240 00:04:12,786 --> 00:04:14,221 ON PROBABLY A 241 00:04:14,221 --> 00:04:14,821 NAPKIN OF 242 00:04:14,821 --> 00:04:15,889 SOME 243 00:04:15,889 --> 00:04:16,190 KIND. 244 00:04:16,190 --> 00:04:17,324 HE SAID CALL ME. 245 00:04:17,324 --> 00:04:18,058 I CALLED HIM. 246 00:04:18,058 --> 00:04:19,560 IT WAS HIS HOME NUMBER BECAUSE 247 00:04:19,560 --> 00:04:20,827 HE DIDN'T HAVE A CELL PHONE AND 248 00:04:20,827 --> 00:04:22,095 HE WAS AT HOME BEFORE DINNER 249 00:04:22,095 --> 00:04:22,896 AND 250 00:04:22,896 --> 00:04:24,264 HE SAID I WANT TO YOU MEET ME 251 00:04:24,264 --> 00:04:25,165 FOR COFFEE. 252 00:04:25,165 --> 00:04:26,567 MEET ME 253 00:04:26,567 --> 00:04:27,000 AT 254 00:04:27,000 --> 00:04:28,468 THIS TIME AND THIS 255 00:04:28,468 --> 00:04:29,803 PLACE AND BRING A 256 00:04:29,803 --> 00:04:30,137 PENCIL. 257 00:04:30,137 --> 00:04:32,472 THAT WAS THE END OF THE 258 00:04:32,472 --> 00:04:32,906 CONVERSATION. 259 00:04:32,906 --> 00:04:34,274 I WAS CHARMD BY 260 00:04:34,274 --> 00:04:34,608 THAT. 261 00:04:34,608 --> 00:04:36,043 HE WAS DIRECT AND TO THE POINT 262 00:04:36,043 --> 00:04:37,477 AND I COULD TELL HE WANTED TO 263 00:04:37,477 --> 00:04:38,378 TALK ABOUT THINGS. 264 00:04:38,378 --> 00:04:39,313 THAT COFFEE 265 00:04:39,313 --> 00:04:40,614 WAS WHEN I GOT 266 00:04:40,614 --> 00:04:41,248 TO 267 00:04:41,248 --> 00:04:41,748 KNOW HIM. 268 00:04:41,748 --> 00:04:43,784 IT ENDED UP BEING ABOUT A 269 00:04:43,784 --> 00:04:44,685 TWO-HOUR COFFEE. 270 00:04:44,685 --> 00:04:45,586 >>WHAT WERE SOME OF THE 271 00:04:45,586 --> 00:04:45,919 THINGS 272 00:04:45,919 --> 00:04:46,720 HE 273 00:04:46,720 --> 00:04:47,321 TOLD? 274 00:04:47,321 --> 00:04:48,422 >>HE 275 00:04:48,422 --> 00:04:49,790 WAS WORRIED ABOUT THE 276 00:04:49,790 --> 00:04:51,058 YOUNGER GENERATION AND WHETHER 277 00:04:51,058 --> 00:04:52,259 WE WORRIED ABOUT THE SCENE 278 00:04:52,259 --> 00:04:52,759 WORK 279 00:04:52,759 --> 00:04:53,627 AND THE 280 00:04:53,627 --> 00:04:54,862 INTELLECTUAL PART OF IT. 281 00:04:54,862 --> 00:04:58,665 HE WAS AN 282 00:04:58,665 --> 00:04:59,666 -- 283 00:04:59,666 --> 00:05:01,134 INTELLECTUAL GUY. 284 00:05:01,134 --> 00:05:02,302 HE BELIEVED PERHAPS 285 00:05:02,302 --> 00:05:02,736 RIGHTFULLY 286 00:05:02,736 --> 00:05:03,904 SO THAT SECOND CITY'S 287 00:05:03,904 --> 00:05:04,371 AUDIENCE 288 00:05:04,371 --> 00:05:05,372 WAS MORE 289 00:05:05,372 --> 00:05:06,406 DIVERSE, MORE GENERAL, 290 00:05:06,406 --> 00:05:07,674 MORE BROAD, 291 00:05:07,674 --> 00:05:08,575 MORE 292 00:05:08,575 --> 00:05:09,877 SUBURBAN IN A 293 00:05:09,877 --> 00:05:10,143 WAY. 294 00:05:10,143 --> 00:05:11,078 AND PART AFTER THIS FRUSTRATED 295 00:05:11,078 --> 00:05:11,678 HIM. 296 00:05:11,678 --> 00:05:12,880 BUT IT WAS -- PART 297 00:05:12,880 --> 00:05:14,248 OF THAT 298 00:05:14,248 --> 00:05:15,182 FRUSTRATED HIM AND THAT WAS PART 299 00:05:15,182 --> 00:05:16,717 OF THE SUCCESS OF THE 300 00:05:16,717 --> 00:05:17,184 ALUMS THAT 301 00:05:17,184 --> 00:05:18,151 WENT ON TO 302 00:05:18,151 --> 00:05:19,086 FAME AND 303 00:05:19,086 --> 00:05:20,320 FORTUNE THAT 304 00:05:20,320 --> 00:05:21,788 MORE PEOPLE SOUGHT OUT SECOND 305 00:05:21,788 --> 00:05:23,023 CITY AS A PLACE 306 00:05:23,023 --> 00:05:23,824 TO GO TO 307 00:05:23,824 --> 00:05:25,125 FIND 308 00:05:25,125 --> 00:05:25,425 FUNNY. 309 00:05:25,425 --> 00:05:26,527 HE WAS CONCERNED THAT WE WERE 310 00:05:26,527 --> 00:05:27,995 FORGETTING THAT THE 311 00:05:27,995 --> 00:05:28,395 ORIGINS OF 312 00:05:28,395 --> 00:05:29,863 THE THEATER WERE IN 313 00:05:29,863 --> 00:05:30,597 THE HONEST 314 00:05:30,597 --> 00:05:31,899 SCENE WORK 315 00:05:31,899 --> 00:05:32,533 AND 316 00:05:32,533 --> 00:05:33,100 SATIRE. 317 00:05:33,100 --> 00:05:34,601 MY WHOLE ROLE IN THAT TWO 318 00:05:34,601 --> 00:05:34,902 HOURS 319 00:05:34,902 --> 00:05:36,336 OFFICE TO CONVINCE HIM 320 00:05:36,336 --> 00:05:36,870 THAT 321 00:05:36,870 --> 00:05:38,372 WEAPON HADN'T LOST SENSE -- 322 00:05:38,372 --> 00:05:39,039 THAT 323 00:05:39,039 --> 00:05:40,207 WE HADN'T LOST SENSE OF 324 00:05:40,207 --> 00:05:40,707 THAT. 325 00:05:40,707 --> 00:05:41,775 >>LET'S GO BACK TO 326 00:05:41,775 --> 00:05:43,410 THE ORIGINS 327 00:05:43,410 --> 00:05:44,244 OF SECOND 328 00:05:44,244 --> 00:05:44,778 CITY. 329 00:05:44,778 --> 00:05:46,146 BERNIE WAS ON THE SHOW AND 330 00:05:46,146 --> 00:05:46,713 HERE 331 00:05:46,713 --> 00:05:47,881 IS WHAT HE SAID ABOUT 332 00:05:47,881 --> 00:05:48,916 THE EARLY 333 00:05:48,916 --> 00:05:49,216 DAYS. 334 00:05:49,216 --> 00:05:50,717 >>YOU 335 00:05:50,717 --> 00:05:51,084 SEE, WE WERE 336 00:05:51,084 --> 00:05:52,052 OUT OF WORK 337 00:05:52,052 --> 00:05:53,820 AND WE NEED AID 338 00:05:53,820 --> 00:05:54,755 PLACE TO 339 00:05:54,755 --> 00:05:56,156 SIT. 340 00:05:56,156 --> 00:05:56,557 [LAUGHTER] 341 00:05:56,557 --> 00:05:58,592 IN THOSE DAYS YOU BUILT A COFFEE 342 00:05:58,592 --> 00:05:58,892 SHOP. 343 00:05:58,892 --> 00:06:00,394 WE STARTED BUILDING A 344 00:06:00,394 --> 00:06:01,495 COFFEE 345 00:06:01,495 --> 00:06:01,795 SHOP. 346 00:06:01,795 --> 00:06:02,863 ALL THESE 347 00:06:02,863 --> 00:06:03,664 OUT OF 348 00:06:03,664 --> 00:06:05,098 WORK 349 00:06:05,098 --> 00:06:05,766 ACTORS, 350 00:06:05,766 --> 00:06:06,500 PAUL AND MYSELF 351 00:06:06,500 --> 00:06:07,668 WE SAID 352 00:06:07,668 --> 00:06:07,968 LET'S 353 00:06:07,968 --> 00:06:09,403 PUT A LITTLE SHOW ON. 354 00:06:09,403 --> 00:06:10,337 THE FIRST NIGHT 355 00:06:10,337 --> 00:06:11,972 THERE 356 00:06:11,972 --> 00:06:12,873 WERE IN 357 00:06:12,873 --> 00:06:15,042 THE COLD DECEMBER THERE WERE 358 00:06:15,042 --> 00:06:15,542 500 359 00:06:15,542 --> 00:06:16,910 PEOPLE OUT 360 00:06:16,910 --> 00:06:17,444 THERE. 361 00:06:17,444 --> 00:06:18,879 I PERSONALLY HAVE MET 362 00:06:18,879 --> 00:06:19,479 2,000 363 00:06:19,479 --> 00:06:20,747 PEOPLE THAT WERE THERE. 364 00:06:20,747 --> 00:06:21,181 [ LAUGHTER ] 365 00:06:21,181 --> 00:06:22,382 >>SHELDON NOW 366 00:06:22,382 --> 00:06:23,584 WE TAKE SECOND 367 00:06:23,584 --> 00:06:24,618 CITY FOR GRANTED. 368 00:06:24,618 --> 00:06:26,720 THE PUBLIC TAKES ITS FOR 369 00:06:26,720 --> 00:06:27,254 GRANTED, ITS INFLUENCE AND 370 00:06:27,254 --> 00:06:27,521 ALL 371 00:06:27,521 --> 00:06:28,822 OF THAT. 372 00:06:28,822 --> 00:06:30,123 REMIND US HOW IT WAS DIFFERENT 373 00:06:30,123 --> 00:06:32,426 FROM WHAT WAS HAPPENING IN 374 00:06:32,426 --> 00:06:33,427 THE 375 00:06:33,427 --> 00:06:33,727 50s. 376 00:06:33,727 --> 00:06:34,862 >>THE 377 00:06:34,862 --> 00:06:35,629 COMPASS CAME 378 00:06:35,629 --> 00:06:35,963 BEFORE 379 00:06:35,963 --> 00:06:37,464 SECOND CITY AND WAS MORE OR LESS 380 00:06:37,464 --> 00:06:38,866 THE SAME BUT WAS IN THE 381 00:06:38,866 --> 00:06:40,634 UNIVERSITY OF CHICAGO 382 00:06:40,634 --> 00:06:40,701 A 383 00:06:40,701 --> 00:06:41,635 REA AND 384 00:06:41,635 --> 00:06:42,836 DEPENDED ON THAT 385 00:06:42,836 --> 00:06:44,171 AUDIENCE FOR 386 00:06:44,171 --> 00:06:45,005 WHAT IT WAS. 387 00:06:45,005 --> 00:06:46,006 IN FACT, 388 00:06:46,006 --> 00:06:47,007 WHAT 389 00:06:47,007 --> 00:06:48,976 DAVID 390 00:06:48,976 --> 00:06:49,409 SHEPHERD WHO 391 00:06:49,409 --> 00:06:50,944 WAS THE 392 00:06:50,944 --> 00:06:51,712 PRODUCER MOVED IT 393 00:06:51,712 --> 00:06:52,212 NORTH, 394 00:06:52,212 --> 00:06:53,347 IT DIDN'T DO AS WELL. 395 00:06:53,347 --> 00:06:55,249 WE WANTED TO OPEN 396 00:06:55,249 --> 00:06:57,885 ANOTHER 397 00:06:57,885 --> 00:06:59,019 COMPASS, WELL BERNIE AND PAUL 398 00:06:59,019 --> 00:07:00,387 WANTED TO OPEN IT. 399 00:07:00,387 --> 00:07:01,955 DAVID WOULDN'T LET THEM HAVE THE 400 00:07:01,955 --> 00:07:02,256 NAME. 401 00:07:02,256 --> 00:07:03,991 BUT INSTEAD OF 402 00:07:03,991 --> 00:07:04,157 OPENING 403 00:07:04,157 --> 00:07:05,025 IT IN 404 00:07:05,025 --> 00:07:05,592 THE 405 00:07:05,592 --> 00:07:06,760 UNIVERSITY AREA, 406 00:07:06,760 --> 00:07:07,661 WE OPENED IT 407 00:07:07,661 --> 00:07:08,195 A 408 00:07:08,195 --> 00:07:09,229 BLOCK AWAY FROM 409 00:07:09,229 --> 00:07:10,731 WHERE SECOND 410 00:07:10,731 --> 00:07:11,698 CITY IS RIGHT 411 00:07:11,698 --> 00:07:12,599 NOW AS A MATTER OF 412 00:07:12,599 --> 00:07:13,867 FACT -- NO SEVERAL BLOCKS 413 00:07:13,867 --> 00:07:14,334 AWAY. 414 00:07:14,334 --> 00:07:15,569 ON A STRETCH OF WELLS 415 00:07:15,569 --> 00:07:15,903 STREET 416 00:07:15,903 --> 00:07:18,205 THAT NO 417 00:07:18,205 --> 00:07:18,839 LONGER 418 00:07:18,839 --> 00:07:20,707 EXISTS 419 00:07:20,707 --> 00:07:22,809 1842 NORTH 420 00:07:22,809 --> 00:07:24,044 WELLS, WHERE DO I REMEMBER THAT 421 00:07:24,044 --> 00:07:25,045 AND NOT WHO I 422 00:07:25,045 --> 00:07:26,413 MET YESTERDAY? 423 00:07:26,413 --> 00:07:26,780 [LAUGHTER] 424 00:07:26,780 --> 00:07:28,282 AND IT WAS A RECONVERTED -- IT 425 00:07:28,282 --> 00:07:29,716 WAS TWO STORES, 426 00:07:29,716 --> 00:07:30,817 A 427 00:07:30,817 --> 00:07:31,985 RECONVERTED 428 00:07:31,985 --> 00:07:33,520 CHINESE LAUNDRY AND 429 00:07:33,520 --> 00:07:34,922 A 430 00:07:34,922 --> 00:07:35,689 RECONVERTED 431 00:07:35,689 --> 00:07:36,990 HOT 432 00:07:36,990 --> 00:07:37,724 SHOP. 433 00:07:37,724 --> 00:07:38,692 -- HAT 434 00:07:38,692 --> 00:07:39,560 SHOP. 435 00:07:39,560 --> 00:07:40,527 WE WERE 436 00:07:40,527 --> 00:07:41,461 THE FIRST 437 00:07:41,461 --> 00:07:43,163 STOREFRONT 438 00:07:43,163 --> 00:07:43,497 THEATER. 439 00:07:43,497 --> 00:07:45,065 >>ONE OF THE THINGS HAROLD SAID 440 00:07:45,065 --> 00:07:46,800 HE MADE IT OKAY TO BE SMART 441 00:07:46,800 --> 00:07:47,467 ABOUT 442 00:07:47,467 --> 00:07:48,035 HUMOR. 443 00:07:48,035 --> 00:07:49,536 HE HELPED ESTABLISH 444 00:07:49,536 --> 00:07:50,270 HUMOR AS 445 00:07:50,270 --> 00:07:51,538 SOMETHING THAT IT WAS OKAY 446 00:07:51,538 --> 00:07:52,940 TO BE 447 00:07:52,940 --> 00:07:53,874 INTELLECTUAL AND LOVE 448 00:07:53,874 --> 00:07:54,208 HUMOR. 449 00:07:54,208 --> 00:07:55,275 >>WE WERE OFF IN 450 00:07:55,275 --> 00:07:56,510 THE 451 00:07:56,510 --> 00:07:56,910 UNIVERSITY. 452 00:07:56,910 --> 00:07:59,213 OUR AUDIENCES WERE DOCTORS AND 453 00:07:59,213 --> 00:08:00,547 LAWYERS AND MANY, 454 00:08:00,547 --> 00:08:01,048 MANY 455 00:08:01,048 --> 00:08:01,982 PSYCHO 456 00:08:01,982 --> 00:08:03,317 ANALYSTS, ALL 457 00:08:03,317 --> 00:08:04,284 OF WHOSE CHILDREN 458 00:08:04,284 --> 00:08:06,220 WERE IN VERY BAD 459 00:08:06,220 --> 00:08:06,553 SHAPE. 460 00:08:06,553 --> 00:08:07,855 AND 461 00:08:07,855 --> 00:08:09,423 PROFESSIONALS, GENERALLY 462 00:08:09,423 --> 00:08:10,257 SPEAKING. 463 00:08:10,257 --> 00:08:10,958 THE REFERENCE LE 464 00:08:10,958 --> 00:08:11,992 VEL WAS VERY 465 00:08:11,992 --> 00:08:13,794 DIFFERENT IN THOSE DAYS FROM 466 00:08:13,794 --> 00:08:14,595 WHAT IT IS NOW. 467 00:08:14,595 --> 00:08:15,696 WHEN MIKE AND ELAINE 468 00:08:15,696 --> 00:08:18,198 WERE DOING 469 00:08:18,198 --> 00:08:18,832 THEIR -- MIKE 470 00:08:18,832 --> 00:08:19,700 NICHOLS 471 00:08:19,700 --> 00:08:20,234 AND 472 00:08:20,234 --> 00:08:21,134 ELAINE 473 00:08:21,134 --> 00:08:22,336 WERE DOING THE 474 00:08:22,336 --> 00:08:23,804 NIGHTCLUB ACT AND 475 00:08:23,804 --> 00:08:24,972 BROADWAY ACT THEY WOULD ASK 476 00:08:24,972 --> 00:08:25,239 FOR 477 00:08:25,239 --> 00:08:26,573 AN AUTHOR, 478 00:08:26,573 --> 00:08:26,974 ANY 479 00:08:26,974 --> 00:08:28,075 AUTHOR 480 00:08:28,075 --> 00:08:28,809 FROM ANY 481 00:08:28,809 --> 00:08:30,410 TIME, ANY PLACE AND THEY 482 00:08:30,410 --> 00:08:32,779 WOULD 483 00:08:32,779 --> 00:08:33,780 IMPROVISE THE 484 00:08:33,780 --> 00:08:34,615 SCENE IN ANY 485 00:08:34,615 --> 00:08:34,915 PLACE. 486 00:08:34,915 --> 00:08:35,983 >>WOULD YOU 487 00:08:35,983 --> 00:08:37,584 GET STEPHEN 488 00:08:37,584 --> 00:08:38,585 KING IF 489 00:08:38,585 --> 00:08:39,586 YOU ARE LUCKY. 490 00:08:39,586 --> 00:08:40,988 BUT WHAT 491 00:08:40,988 --> 00:08:41,622 BERNIE 492 00:08:41,622 --> 00:08:42,856 RESENTED, THAT 493 00:08:42,856 --> 00:08:43,957 MATT WAS 494 00:08:43,957 --> 00:08:44,558 TALKING 495 00:08:44,558 --> 00:08:45,826 ABOUT WAS THAT 496 00:08:45,826 --> 00:08:47,027 THE REFERENCE LEVEL WAS 497 00:08:47,027 --> 00:08:48,529 TELEVISION AND 498 00:08:48,529 --> 00:08:48,795 THE 499 00:08:48,795 --> 00:08:49,229 REFERENCE 500 00:08:49,229 --> 00:08:51,331 LEVEL WAS MOVIES, 501 00:08:51,331 --> 00:08:52,833 BLOCKBUSTERS 502 00:08:52,833 --> 00:08:53,166 MOSTLY. 503 00:08:53,166 --> 00:08:54,334 AND HE WAS 504 00:08:54,334 --> 00:08:56,770 CONVINCED 505 00:08:56,770 --> 00:08:58,172 THAT THE 506 00:08:58,172 --> 00:08:58,839 REFERENCE LEVEL OF THE 507 00:08:58,839 --> 00:08:59,306 SHOWS 508 00:08:59,306 --> 00:09:00,741 COULD STILL BE 509 00:09:00,741 --> 00:09:01,775 AS 510 00:09:01,775 --> 00:09:02,376 INTELLECTUALLY 511 00:09:02,376 --> 00:09:03,744 ORIENTED OR 512 00:09:03,744 --> 00:09:04,244 LITERARILY O 513 00:09:04,244 --> 00:09:04,945 RIENTED 514 00:09:04,945 --> 00:09:07,014 AS IT WAS AND THE AUDIENCE WOULD 515 00:09:07,014 --> 00:09:07,748 KNOW WHAT WAS 516 00:09:07,748 --> 00:09:08,248 HAPPENING. 517 00:09:08,248 --> 00:09:10,083 AND ANY TIME IT IS AND MATT HAS 518 00:09:10,083 --> 00:09:10,817 BEEN VERY HELPFUL 519 00:09:10,817 --> 00:09:11,952 IN DOING THAT, 520 00:09:11,952 --> 00:09:12,586 THEY GET IT. 521 00:09:12,586 --> 00:09:14,688 THEY 522 00:09:14,688 --> 00:09:15,722 DO. 523 00:09:15,722 --> 00:09:16,390 >> 524 00:09:16,390 --> 00:09:16,890 MARTHA, TALK 525 00:09:16,890 --> 00:09:18,926 ABOUT HIS 526 00:09:18,926 --> 00:09:19,660 INTEREST -- CONTINUING INTEREST 527 00:09:19,660 --> 00:09:20,661 IN THEATER IN 528 00:09:20,661 --> 00:09:21,428 GENERAL AND WHAT 529 00:09:21,428 --> 00:09:22,763 HE MEANT IN THE 530 00:09:22,763 --> 00:09:23,297 THEATER 531 00:09:23,297 --> 00:09:25,032 COMMUNITY BEYOND THE COMEDY 532 00:09:25,032 --> 00:09:25,332 WORLD. 533 00:09:25,332 --> 00:09:27,634 >>FOR ONE THING, PHIL, HE HAD A 534 00:09:27,634 --> 00:09:29,069 VERY SPECIFIC 535 00:09:29,069 --> 00:09:30,437 IMPACT 536 00:09:30,437 --> 00:09:31,738 ON 537 00:09:31,738 --> 00:09:32,573 THEATER. 538 00:09:32,573 --> 00:09:33,774 SHELDON IS THE ONE 539 00:09:33,774 --> 00:09:34,408 WHO 540 00:09:34,408 --> 00:09:42,549 INTRODUCED THE FOLKS ATHE ST 541 00:09:42,549 --> 00:09:44,151 STEPPANWOLF TO BERNIE. 542 00:09:44,151 --> 00:09:46,086 THEY 543 00:09:46,086 --> 00:09:46,987 WERE 544 00:09:46,987 --> 00:09:48,922 LEAVING AFTER BEING IN 545 00:09:48,922 --> 00:09:49,289 HIGHLAND 546 00:09:49,289 --> 00:09:49,857 PARK. 547 00:09:49,857 --> 00:09:51,124 THEY HIRED PEOPLE 548 00:09:51,124 --> 00:09:52,459 PART-TIME TO 549 00:09:52,459 --> 00:09:53,093 DO BUSINESS 550 00:09:53,093 --> 00:09:54,228 STUFF AND THOSE 551 00:09:54,228 --> 00:09:54,862 GUYS 552 00:09:54,862 --> 00:09:55,996 SAID, LOOK, THERE'S NO 553 00:09:55,996 --> 00:09:56,496 MONEY, WE 554 00:09:56,496 --> 00:09:57,931 HAVE TO CLEZ 555 00:09:57,931 --> 00:09:58,298 AND 556 00:09:58,298 --> 00:09:59,433 RUSS SMITH WHO 557 00:09:59,433 --> 00:10:00,500 WAS THE FIRST 558 00:10:00,500 --> 00:10:01,869 MANAGING DIRECTOR 559 00:10:01,869 --> 00:10:03,337 JOHN 560 00:10:03,337 --> 00:10:04,204 MALKOVICH'S 561 00:10:04,204 --> 00:10:06,240 ROOMMATE IN 562 00:10:06,240 --> 00:10:07,808 COLLEGE. 563 00:10:07,808 --> 00:10:08,442 THEY SAID WE HAVE TO 564 00:10:08,442 --> 00:10:09,176 MOVE TO 565 00:10:09,176 --> 00:10:10,744 CHICAGO AND GET A NEW BOARD. 566 00:10:10,744 --> 00:10:11,812 IT'S BERNIE WHO HE 567 00:10:11,812 --> 00:10:13,113 CONNECTED 568 00:10:13,113 --> 00:10:13,680 THEM 569 00:10:13,680 --> 00:10:14,715 TO WHO WAS 570 00:10:14,715 --> 00:10:15,449 HELPFUL IN 571 00:10:15,449 --> 00:10:17,251 BUILDING A BOARD AND CONNECTING 572 00:10:17,251 --> 00:10:17,551 THEM. 573 00:10:17,551 --> 00:10:19,486 AND ALSO VERY GOOD FRIENDS WITH 574 00:10:19,486 --> 00:10:20,554 RICHARD WHO WAS ALREADY COMING 575 00:10:20,554 --> 00:10:22,122 BUT I THINK 576 00:10:22,122 --> 00:10:22,689 WAS 577 00:10:22,689 --> 00:10:23,457 ENCOURAGED. 578 00:10:23,457 --> 00:10:24,391 >>A. 579 00:10:24,391 --> 00:10:25,459 CLAIMED THEATER 580 00:10:25,459 --> 00:10:26,960 CRITIC. 581 00:10:26,960 --> 00:10:27,361 >> 582 00:10:27,361 --> 00:10:28,161 YES, 583 00:10:28,161 --> 00:10:29,563 THEY'RE THEY ARE 584 00:10:29,563 --> 00:10:30,197 CRITIC. 585 00:10:30,197 --> 00:10:31,398 WHAT RUSS SAID TO ME 586 00:10:31,398 --> 00:10:32,332 IN REGARD 587 00:10:32,332 --> 00:10:33,166 TO 588 00:10:33,166 --> 00:10:34,868 BERNIE'S INFLUENCE HE HELPED 589 00:10:34,868 --> 00:10:35,369 THEM 590 00:10:35,369 --> 00:10:36,436 GAIN A CERTAIN 591 00:10:36,436 --> 00:10:37,104 AMOUNT OF 592 00:10:37,104 --> 00:10:38,539 LEG MATCY, THESE 593 00:10:38,539 --> 00:10:39,339 PEOPLE 594 00:10:39,339 --> 00:10:40,541 ARE 595 00:10:40,541 --> 00:10:41,375 SERIOUS. 596 00:10:41,375 --> 00:10:42,142 BERNIE 597 00:10:42,142 --> 00:10:42,943 HAS ALWAYS TAKEN 598 00:10:42,943 --> 00:10:43,810 THAT 599 00:10:43,810 --> 00:10:44,678 INTEREST -- 600 00:10:44,678 --> 00:10:46,647 >>HE WAS THE FIRST PERSON 601 00:10:46,647 --> 00:10:47,014 BRINGING 602 00:10:47,014 --> 00:10:49,416 WAITING FOR 603 00:10:49,416 --> 00:10:50,384 GOODEAU 604 00:10:50,384 --> 00:10:51,185 TO 605 00:10:51,185 --> 00:10:51,552 CHICAGO. 606 00:10:51,552 --> 00:10:53,921 >>MATT WE MENTIONED AT THE 607 00:10:53,921 --> 00:10:56,156 BEGINNING OF THE SEGMENT ALL THE 608 00:10:56,156 --> 00:10:56,990 FAMOUS PEOPLE THAT 609 00:10:56,990 --> 00:10:58,058 HE MENTORED. 610 00:10:58,058 --> 00:11:00,394 WHAT DO YOU THINK IT 611 00:11:00,394 --> 00:11:01,094 MEANT TO 612 00:11:01,094 --> 00:11:02,062 HIM TO 613 00:11:02,062 --> 00:11:03,363 BE BRING IN 614 00:11:03,363 --> 00:11:03,764 GENERATION 615 00:11:03,764 --> 00:11:05,132 AFTER GENERATION OF TALENTED 616 00:11:05,132 --> 00:11:05,499 PEOPLE? 617 00:11:05,499 --> 00:11:07,234 >>IT'S PART OF WHAT DRIVES 618 00:11:07,234 --> 00:11:08,302 FOLKS LIKE BERNIE TO THE 619 00:11:08,302 --> 00:11:10,003 BUSINESS IN THE FIRST 620 00:11:10,003 --> 00:11:10,871 PLACE 621 00:11:10,871 --> 00:11:12,105 IS 622 00:11:12,105 --> 00:11:13,207 CULTIVATING AND CONNECTING TO 623 00:11:13,207 --> 00:11:14,541 PEOPLE WHO CARE ABOUT THINGS AND 624 00:11:14,541 --> 00:11:15,976 ARE PASSION ABOUT THE WORLD AND 625 00:11:15,976 --> 00:11:17,344 HAVE OPINIONS AND 626 00:11:17,344 --> 00:11:18,278 POINT OF 627 00:11:18,278 --> 00:11:18,579 VIEWS. 628 00:11:18,579 --> 00:11:19,980 HE WAS A VERY 629 00:11:19,980 --> 00:11:20,514 OPINIONATED 630 00:11:20,514 --> 00:11:20,848 PERSON 631 00:11:20,848 --> 00:11:22,115 AND EVEN 632 00:11:22,115 --> 00:11:22,616 IN MY 633 00:11:22,616 --> 00:11:23,483 CONVERSATIONS 634 00:11:23,483 --> 00:11:25,452 WITH HIM, IT WAS A 635 00:11:25,452 --> 00:11:26,920 TWO-HOUR 636 00:11:26,920 --> 00:11:27,287 ARGUMENT. 637 00:11:27,287 --> 00:11:28,922 I HAD TO BE PREPARED AND HE 638 00:11:28,922 --> 00:11:29,957 CHALLENGED MY 639 00:11:29,957 --> 00:11:30,824 POINT 640 00:11:30,824 --> 00:11:31,625 OF 641 00:11:31,625 --> 00:11:32,125 VIEW. 642 00:11:32,125 --> 00:11:33,193 HE RESPONDED TO 643 00:11:33,193 --> 00:11:34,661 THAT 644 00:11:34,661 --> 00:11:35,629 AND 645 00:11:35,629 --> 00:11:36,496 COMEDIANS TEND TO 646 00:11:36,496 --> 00:11:37,364 BE THAT 647 00:11:37,364 --> 00:11:37,798 KIND 648 00:11:37,798 --> 00:11:38,498 OF PERSON. 649 00:11:38,498 --> 00:11:40,133 >>HE 650 00:11:40,133 --> 00:11:40,968 SAID AT 651 00:11:40,968 --> 00:11:42,135 ITS BEST IT'S 652 00:11:42,135 --> 00:11:42,603 NOT 653 00:11:42,603 --> 00:11:43,871 A COMEDY OF COMMENT. 654 00:11:43,871 --> 00:11:45,038 >>FIRST OF ALL WE DON'T 655 00:11:45,038 --> 00:11:47,975 DO 656 00:11:47,975 --> 00:11:48,308 JOKES. 657 00:11:48,308 --> 00:11:49,977 IT HAS ALWAYS BEEN 658 00:11:49,977 --> 00:11:51,879 PART 659 00:11:51,879 --> 00:11:52,646 OF 660 00:11:52,646 --> 00:11:54,515 PRINCIPLE OF WHAT SECOND CITY IS 661 00:11:54,515 --> 00:11:55,516 THAT IT'S NOT US 662 00:11:55,516 --> 00:11:56,583 AGAINST THE 663 00:11:56,583 --> 00:11:57,885 AUDIENCE IT'S THAT WE'RE 664 00:11:57,885 --> 00:11:59,353 IN THIS 665 00:11:59,353 --> 00:12:00,454 TOGETHER. 666 00:12:00,454 --> 00:12:01,154 AND 667 00:12:01,154 --> 00:12:02,189 BERNIE LIKED 668 00:12:02,189 --> 00:12:02,623 SCENES, YOU 669 00:12:02,623 --> 00:12:04,358 THIS USED TO BE CALLED PEOPLE 670 00:12:04,358 --> 00:12:06,426 SCENES, NOW THEY ARE CALLED 671 00:12:06,426 --> 00:12:07,494 BEHAVIOR SCENES THAT ARE 672 00:12:07,494 --> 00:12:08,562 ABOUT 673 00:12:08,562 --> 00:12:09,763 INTERPERSON 674 00:12:09,763 --> 00:12:10,230 RELATIONSHIPS. 675 00:12:10,230 --> 00:12:11,899 >>HOW ARE YOU GOING TO REMEMBER 676 00:12:11,899 --> 00:12:12,232 BERNIE? 677 00:12:12,232 --> 00:12:13,300 >>60 YEARS OF 678 00:12:13,300 --> 00:12:14,301 ONE OF MY 679 00:12:14,301 --> 00:12:15,669 BEST 680 00:12:15,669 --> 00:12:16,303 FRIENDS, 681 00:12:16,303 --> 00:12:17,137 MAN WHO 682 00:12:17,137 --> 00:12:17,838 REALLY 683 00:12:17,838 --> 00:12:18,405 IS 684 00:12:18,405 --> 00:12:20,107 RESPONSIBLE FOR WHAT MY 685 00:12:20,107 --> 00:12:20,707 CAREER 686 00:12:20,707 --> 00:12:22,142 IS OVER AND OVER AND 687 00:12:22,142 --> 00:12:23,510 OVER 688 00:12:23,510 --> 00:12:23,844 AGAIN. 689 00:12:23,844 --> 00:12:25,379 THE WAY I STARTED AT SECOND 690 00:12:25,379 --> 00:12:25,679 CITY 691 00:12:25,679 --> 00:12:26,914 I WAS A COLLEGE 692 00:12:26,914 --> 00:12:28,315 ENGLISH TEACHER 693 00:12:28,315 --> 00:12:30,017 BECAUSE I WAS BEING A GOOD 694 00:12:30,017 --> 00:12:30,617 JEWISH BOY AND GETTING 695 00:12:30,617 --> 00:12:31,585 OUT OF 696 00:12:31,585 --> 00:12:32,786 SHOW 697 00:12:32,786 --> 00:12:33,153 BUSINESS. 698 00:12:33,153 --> 00:12:33,587 [ LAUGHTER ] 699 00:12:33,587 --> 00:12:34,655 AND HE CALLED 700 00:12:34,655 --> 00:12:35,556 ME ONE 701 00:12:35,556 --> 00:12:36,490 NIGHT 702 00:12:36,490 --> 00:12:37,858 AND 703 00:12:37,858 --> 00:12:38,425 SAID, YOU STILL 704 00:12:38,425 --> 00:12:40,694 AN ENGLISH 705 00:12:40,694 --> 00:12:41,028 TEACHER? 706 00:12:41,028 --> 00:12:41,929 AND I SAID, YEAH. 707 00:12:41,929 --> 00:12:43,463 HE SAID ARE YOU GOING TO BE AN 708 00:12:43,463 --> 00:12:44,831 ENGLISH 709 00:12:44,831 --> 00:12:45,299 TEACHER THE REST 710 00:12:45,299 --> 00:12:46,133 OF Y 711 00:12:46,133 --> 00:12:47,568 OUR 712 00:12:47,568 --> 00:12:47,868 LIFE? 713 00:12:47,868 --> 00:12:49,136 I SAID WHAT DO YOU WANT 714 00:12:49,136 --> 00:12:49,670 BERNIE? 715 00:12:49,670 --> 00:12:50,871 I HE SAID I WANT YOU TO 716 00:12:50,871 --> 00:12:51,471 TAKE 717 00:12:51,471 --> 00:12:52,906 OVER AS 718 00:12:52,906 --> 00:12:53,807 MANAGER AND 719 00:12:53,807 --> 00:12:54,374 ASSISTANT 720 00:12:54,374 --> 00:12:55,509 DIRECTOR FOR PAUL AND I 721 00:12:55,509 --> 00:12:57,044 TOOK THE 722 00:12:57,044 --> 00:12:57,344 JOB. 723 00:12:57,344 --> 00:12:58,779 THANK YOU ALL FOR BEING 724 00:12:58,779 --> 00:12:59,980 HERE AND 725 00:12:59,980 --> 00:13:00,547 AGAIN 726 00:13:00,547 --> 00:13:01,715 OUR 727 00:13:01,715 --> 00:13:02,149 CONDOLENCES. 728 00:13:02,149 --> 00:13:03,116 >>THANK YOU. 729 00:13:03,116 --> 00:13:03,684 HE WILL BE MISSED. 730 00:13:03,684 --> 00:13:04,451 >> 731 00:13:04,451 --> 00:13:08,451 INDEED.