1 00:00:02,866 --> 00:00:13,266 DECADE. 2 00:00:05,433 --> 00:00:14,066 >>> AN AWARD CELEBRATING 3 00:00:13,266 --> 00:00:15,166 ACCESSIBILITY IN THE ARTS, 4 00:00:14,066 --> 00:00:15,933 RECENTLY GIVEN OUT TO THE 2023 5 00:00:15,166 --> 00:00:17,266 RECIPIENT. AN ANNUAL AWARD 6 00:00:15,933 --> 00:00:21,533 PRESENTED BY ARTS MIDWEST FOR 7 00:00:17,266 --> 00:00:22,066 MIDWESTERN ARTIST 'S WITH 8 00:00:21,533 --> 00:00:22,866 DISABILITIES. HOW 9 00:00:22,066 --> 00:00:23,866 CORRESPONDENCE INTRODUCES US TO 10 00:00:22,866 --> 00:00:24,300 US THIS YEAR'S ONLY CHICAGO 11 00:00:23,866 --> 00:00:26,433 RECIPIENT. 12 00:00:24,300 --> 00:00:28,700 >> VISUAL ARTIST MATT CLARK 13 00:00:26,433 --> 00:00:30,833 GIVES HIM A VOICE. 14 00:00:28,700 --> 00:00:41,566 >> THAT SORT OF POWER GIVEN 15 00:00:30,833 --> 00:00:41,566 BACK TO ME, 16 00:00:43,033 --> 00:00:45,266 I THINK WITH THIS 17 00:00:44,500 --> 00:00:46,266 MOMENT OF TRANSITION FOR ME. 18 00:00:45,266 --> 00:00:47,766 >> THE POWER HE REFERS TO COMES 19 00:00:46,266 --> 00:00:48,500 AS A RESULT OF HARD WORK AFTER 20 00:00:47,766 --> 00:00:49,200 BEING DIAGNOSED WITH WHAT'S 21 00:00:48,500 --> 00:00:49,666 DESCRIBED AS AN INVISIBLE 22 00:00:49,200 --> 00:00:50,400 DISABILITY. 23 00:00:49,666 --> 00:00:51,300 >> WHEN WE HAVE DISCUSSIONS 24 00:00:50,400 --> 00:00:51,866 ABOUT DISABILITY IT'S VERY 25 00:00:51,300 --> 00:00:53,000 OFTEN THESE VISIBLE 26 00:00:51,866 --> 00:00:54,100 DISABILITIES AS THEY GET A LOT 27 00:00:53,000 --> 00:00:55,433 OF ATTENTION SO THEN WHAT 28 00:00:54,100 --> 00:00:57,333 HAPPENS IS THE INVISIBLE 29 00:00:55,433 --> 00:01:00,600 DISABILITY , IT'S HARDER TO 30 00:00:57,333 --> 00:01:02,400 BELIEVE. SOMETIMES THERE'S THE 31 00:01:00,600 --> 00:01:04,200 STIGMAS THAT EXIST BEHIND 32 00:01:02,400 --> 00:01:06,000 MENTAL HEALTH BECAUSE PEOPLE 33 00:01:04,200 --> 00:01:10,000 SAY THINGS LIKE PULL YOURSELF 34 00:01:06,000 --> 00:01:10,900 UP BY THE BOOTSTRAPS OR WORK 35 00:01:10,000 --> 00:01:11,833 THROUGH THE SADNESS. MAN UP. 36 00:01:10,900 --> 00:01:13,333 THERE'S NOTIONS THAT WE SHOULD 37 00:01:11,833 --> 00:01:20,266 BE ABLE TO MOVE BEYOND THIS 38 00:01:13,333 --> 00:01:21,000 BECAUSE WE CAN'T SEE IT. I WAS 39 00:01:20,266 --> 00:01:21,700 DIAGNOSED WITH SCHIZOAFFECTIVE 40 00:01:21,000 --> 00:01:22,433 DISORDER. IT'S TWO PARTS, 41 00:01:21,700 --> 00:01:25,300 WINNING THE LOTTERY OF MENTAL 42 00:01:22,433 --> 00:01:26,933 HEALTH. YOU GET THE MIXTURE OF 43 00:01:25,300 --> 00:01:33,966 SCHIZOPHRENIA AND A MOOD 44 00:01:26,933 --> 00:01:34,800 DISORDER SO I GET SEVERE 45 00:01:33,966 --> 00:01:36,033 DEPRESSION. I WAS DIAGNOSED 46 00:01:34,800 --> 00:01:37,500 AFTER A SERIES OF MISDIAGNOSIS 47 00:01:36,033 --> 00:01:41,833 TRYING TO WORK THROUGH WHAT WAS 48 00:01:37,500 --> 00:01:42,533 GOING ON AND IT WAS PROBABLY 49 00:01:41,833 --> 00:01:43,766 18 YEARS AGO NOW. 50 00:01:42,533 --> 00:01:44,566 >> THAT SAID, THE COMMUNITY OF 51 00:01:43,766 --> 00:01:47,100 OTHER DISABLED ARTISTS HELPED 52 00:01:44,566 --> 00:01:48,833 HIM TO FIND A SPACE . 53 00:01:47,100 --> 00:01:52,766 >> I WAS WORKING WITH THE 54 00:01:48,833 --> 00:01:54,300 COUNSELOR . THEY DID ENCOURAGE 55 00:01:52,766 --> 00:01:57,533 ME SINCE I WAS MAKING ART 56 00:01:54,300 --> 00:02:00,100 BEFORE , THEY ENCOURAGED ME TO 57 00:01:57,533 --> 00:02:01,566 USE IT AND TALK ABOUT THIS 58 00:02:00,100 --> 00:02:04,733 BECAUSE IT'S ONE OF THE THINGS 59 00:02:01,566 --> 00:02:09,433 THAT IS MOST DIFFICULT FOR ME 60 00:02:04,733 --> 00:02:10,766 WHEN I'M IN MY WORST STATE. 61 00:02:09,433 --> 00:02:12,933 WHEN I CAN NO LONGER VERBALIZE 62 00:02:10,766 --> 00:02:15,200 WHAT I'M SAYING. FROM THERE 63 00:02:12,933 --> 00:02:20,300 THEY WANT TO ME TO USE HEALING 64 00:02:15,200 --> 00:02:21,333 ART TO TALK SO TO SHARE MY 65 00:02:20,300 --> 00:02:26,300 EXPERIENCES BUT IN A VISUAL 66 00:02:21,333 --> 00:02:27,366 FORM. 67 00:02:26,300 --> 00:02:27,933 >> THE EXPERIENCE WAS GROWING 68 00:02:27,366 --> 00:02:29,233 UP IN THE CHURCH. 69 00:02:27,933 --> 00:02:30,433 >> I GREW UP IN A RELIGIOUS 70 00:02:29,233 --> 00:02:32,566 ENVIRONMENT AS WELL. WHEN I 71 00:02:30,433 --> 00:02:33,600 WAS REALLY YOUNG AND FIRST 72 00:02:32,566 --> 00:02:36,933 DIAGNOSED THERE WERE DOCTORS 73 00:02:33,600 --> 00:02:41,466 THAT WERE SAYING I NEEDED TO 74 00:02:36,933 --> 00:02:43,133 REPENT OF MY SINS , I NEEDED TO 75 00:02:41,466 --> 00:02:45,900 DO THE RELIGIOUS THING WHICH 76 00:02:43,133 --> 00:02:48,000 HAD NO ROLE IN WHAT I WAS 77 00:02:45,900 --> 00:02:48,700 EXPERIENCING. THAT CAME 78 00:02:48,000 --> 00:02:51,466 PROBLEMATIC AS WELL. 79 00:02:48,700 --> 00:02:52,866 >> WITH THE HELP OF OIL PAINT, 80 00:02:51,466 --> 00:02:54,900 HE BROUGHT HIS EXPERIENCES TO 81 00:02:52,866 --> 00:02:57,733 LIFE AND CELEBRATING 82 00:02:54,900 --> 00:02:58,633 DISABILITIES BOTH VISIBLE AND 83 00:02:57,733 --> 00:03:02,133 THE INVISIBLE. 84 00:02:58,633 --> 00:03:04,466 >> RELIGION PLAYS A PART IN 85 00:03:02,133 --> 00:03:05,366 THE WORK THAT I SEE IT MORE 86 00:03:04,466 --> 00:03:10,033 CRITICALLY. THE FIGURES I USED 87 00:03:05,366 --> 00:03:12,800 TO WORK ARE OFTEN THE NET 88 00:03:10,033 --> 00:03:13,900 OBSTINATE. RELIGIOUS FIGURES 89 00:03:12,800 --> 00:03:17,133 UNDER DIFFERENT THINGS. I COULD 90 00:03:13,900 --> 00:03:20,700 PULL UP THESE SORT OF STORIES 91 00:03:17,133 --> 00:03:22,100 FROM HISTORY THAT HAVE BEEN 92 00:03:20,700 --> 00:03:23,300 HANDED DOWN TO US AND EVOLVED 93 00:03:22,100 --> 00:03:26,033 THROUGH VISUAL ART AND I COULD 94 00:03:23,300 --> 00:03:30,200 POSE THE QUESTION AGAIN . THIS 95 00:03:26,033 --> 00:03:31,200 PERSON HEARD VOICES. THEY 96 00:03:30,200 --> 00:03:32,666 DANCED IN THE STREET. THEY DID 97 00:03:31,200 --> 00:03:34,633 ALL OF THE THINGS THAT WOULD 98 00:03:32,666 --> 00:03:38,633 GET THEM INSTITUTIONALIZED 99 00:03:34,633 --> 00:03:43,200 TODAY WHY DO WE VENERATE THEM 100 00:03:38,633 --> 00:03:46,700 AS THE SAME TIME WE TREAT THE 101 00:03:43,200 --> 00:03:47,866 PEOPLE IN OUR HOME NOW? THEY 102 00:03:46,700 --> 00:03:50,200 MIGHT BE EXPERIENCING SIMILAR 103 00:03:47,866 --> 00:03:51,600 THINGS. WHY CAN'T WE TREAT 104 00:03:50,200 --> 00:03:53,700 THEM WITH HUMANITY? EVERYONE 105 00:03:51,600 --> 00:03:56,833 EXPERIENCES MADNESS 106 00:03:53,700 --> 00:04:00,700 DIFFERENTLY. CERTAINLY FOR 107 00:03:56,833 --> 00:04:01,500 SOME PEOPLE THIS IS HELPFUL. 108 00:04:00,700 --> 00:04:07,133 MEDICATIONS CAN BE HELPFUL. 109 00:04:01,500 --> 00:04:07,900 THEY MAY NEED IT. SO TO 110 00:04:07,133 --> 00:04:09,800 CATEGORICALLY DISMISS THE POWER 111 00:04:07,900 --> 00:04:14,866 OF ART WOULD BE PROBLEMATIC. 112 00:04:09,800 --> 00:04:16,000 >> FOR CHICAGO TONIGHT . 113 00:04:14,866 --> 00:04:18,566 >> EACH AWARD HE RECEIVED $3000