WEBVTT 00:02.400 --> 00:04.166 align:start position:10% line:74% size:12.5% HERE. 00:02.566 --> 00:05.900 align:start position:10% line:74% size:35% APPRECIATE IT. 00:03.133 --> 00:08.166 align:start position:10% line:74% size:32.5% >> THANK YOU. 00:04.166 --> 00:09.900 align:start position:10% line:74% size:80% >> THIS WEEK, THE DANCERS OF THE 00:05.900 --> 00:11.200 align:start position:10% line:74% size:70% AMERICAN BALLET THEATER WILL 00:08.166 --> 00:14.500 align:start position:10% line:74% size:70% TAKE THE STAGE AT THE HARRIS 00:09.900 --> 00:16.400 align:start position:10% line:74% size:70% THEATER IN DOWNTOWN CHICAGO. 00:11.200 --> 00:18.500 align:start position:10% line:74% size:67.5% AMONG THEM IS ONE BALLERINA 00:14.500 --> 00:20.800 align:start position:10% line:74% size:77.5% FAMOUS AS FOR MAKING HISTORY AS 00:16.400 --> 00:23.066 align:start position:10% line:74% size:40% FOR HER DANCING. 00:18.500 --> 00:26.066 align:start position:10% line:74% size:72.5% BRANDIS FRIEDMAN SAT "DOWNTON 00:20.800 --> 00:28.166 align:start position:10% line:74% size:67.5% ABBEY" WITH MISTY COPELAND. 00:23.066 --> 00:33.266 align:start position:10% line:74% size:72.5% >> WHETHER SHE IS ON STAGE... 00:26.066 --> 00:34.866 align:start position:10% line:74% size:47.5% OR ON TELEVISION... 00:28.166 --> 00:36.266 align:start position:10% line:74% size:75% >> THE JOURNEY I'VE BEEN ON IS 00:33.266 --> 00:37.900 align:start position:10% line:74% size:17.5% MY OWN. 00:34.866 --> 00:39.633 align:start position:10% line:74% size:52.5% >> MISTY COPELAND THE 00:36.266 --> 00:42.766 align:start position:10% line:74% size:80% 35-YEAR-OLD IS HISTORY MAKING AS 00:37.900 --> 00:44.800 align:start position:10% line:74% size:67.5% THE FIRST BLACK WOMAN TO BE 00:39.633 --> 00:47.866 align:start position:10% line:74% size:80% NAMED A PRINCIPAL DANCER FOR THE 00:42.766 --> 00:50.600 align:start position:10% line:74% size:77.5% ICONIC AMERICAN BALLET THEATER. 00:44.800 --> 00:52.100 align:start position:10% line:74% size:80% >> THERE HAVE BEEN SO MANY BLACK 00:47.866 --> 00:53.566 align:start position:10% line:74% size:75% WOMEN, BLACK DANCERS THAT HAVE 00:50.600 --> 00:55.166 align:start position:10% line:74% size:65% COME BEFORE ME THAT SLOWLY 00:52.100 --> 00:56.966 align:start position:10% line:74% size:70% CARVED OUT THIS PATH FOR ME. 00:53.566 --> 00:57.900 align:start position:10% line:74% size:80% AND I THINK IT'S THE RIGHT TIME. 00:55.166 --> 01:00.200 align:start position:10% line:74% size:65% I THINK I'VE HAD THE RIGHT 00:56.966 --> 01:02.766 align:start position:10% line:74% size:70% SUPPORT SYSTEM TO BE ABLE TO 00:57.900 --> 01:05.033 align:start position:10% line:74% size:80% HAVE A VOICE AND SPEAK ABOUT THE 01:00.200 --> 01:05.333 align:start position:10% line:74% size:75% LACK OF DIVERSITY ON A BROADER 01:02.766 --> 01:07.600 align:start position:10% line:74% size:72.5% PLATFORM THAN JUST THE BALLET 01:05.033 --> 01:08.000 align:start position:10% line:74% size:15% WORLD. 01:05.333 --> 01:10.466 align:start position:10% line:74% size:67.5% AND IT WAS LIKE THE PERFECT 01:07.600 --> 01:12.300 align:start position:10% line:74% size:15% STORM. 01:08.000 --> 01:13.666 align:start position:10% line:74% size:75% BUT, IT IS AN INCREDIBLE HONOR 01:10.466 --> 01:16.033 align:start position:10% line:74% size:40% TO BE THE FIRST. 01:12.300 --> 01:17.400 align:start position:10% line:74% size:70% >> AN ADVOCATE FOR DIVERSITY 01:13.666 --> 01:19.633 align:start position:10% line:74% size:70% BOTH IN THE BALLET WORLD AND 01:16.033 --> 01:21.600 align:start position:10% line:74% size:67.5% OUT, COPELAND HAS BEEN OPEN 01:17.400 --> 01:23.300 align:start position:10% line:74% size:77.5% ABOUT HER EARLY DAYS AT ABT AND 01:19.633 --> 01:23.766 align:start position:10% line:74% size:80% THE CHALLENGES OF BEING THE ONLY 01:21.600 --> 01:25.633 align:start position:10% line:74% size:80% BLACK WOMAN IN THE COMPANY FOR A 01:23.300 --> 01:27.500 align:start position:10% line:74% size:15% WHILE. 01:23.766 --> 01:30.500 align:start position:10% line:74% size:70% >> I DID LOOK OUTSIDE OF THE 01:25.633 --> 01:33.933 align:start position:10% line:74% size:50% COMPANY FOR SUPPORT. 01:27.500 --> 01:35.300 align:start position:10% line:74% size:70% I WANTED TO UNDERSTAND OTHER 01:30.500 --> 01:39.133 align:start position:10% line:74% size:80% BLACK DANCERS' STRUGGLES AND GET 01:33.933 --> 01:39.433 align:start position:10% line:74% size:67.5% ADVICE AND KNOW WHAT TO DO. 01:35.300 --> 01:41.733 align:start position:10% line:74% size:75% I WANTED TO PURSUE A CAREER AT 01:39.133 --> 01:42.333 align:start position:10% line:74% size:10% ABT. 01:39.433 --> 01:43.700 align:start position:10% line:74% size:77.5% TO ME THAT IS WHAT WAS GOING TO 01:41.733 --> 01:45.466 align:start position:10% line:74% size:30% MAKE CHANGE. 01:42.333 --> 01:49.233 align:start position:10% line:74% size:62.5% WE GOING TO A COMPANY AND 01:43.700 --> 01:49.600 align:start position:10% line:74% size:80% DANCING WITH OTHER BLACK DANCERS 01:45.466 --> 01:52.366 align:start position:10% line:74% size:60% TO ME, I WOULD HAVE BEEN 01:49.233 --> 01:54.533 align:start position:10% line:74% size:22.5% DEFEATED. 01:49.600 --> 01:56.333 align:start position:10% line:74% size:72.5% I WANTED TO SHOW THAT I COULD 01:52.366 --> 01:58.200 align:start position:10% line:74% size:75% DANCE WHERE I WANTED TO DANCE. 01:54.533 --> 02:00.166 align:start position:10% line:74% size:52.5% AND BE A BLACK WOMAN. 01:56.333 --> 02:01.533 align:start position:10% line:74% size:80% >> IN MANY WAYS COPELAND RETURNS 01:58.200 --> 02:03.200 align:start position:10% line:74% size:72.5% THE SUPPORT SHE RECEIVED FROM 02:00.166 --> 02:05.400 align:start position:10% line:74% size:77.5% OTHER SUCCESSFUL BLACK WOMEN TO 02:01.533 --> 02:08.466 align:start position:10% line:74% size:62.5% YOUNGER DANCERS OF COLOR. 02:03.200 --> 02:11.000 align:start position:10% line:74% size:75% EVEN TAKING QUESTIONS FROM THE 02:05.400 --> 02:12.700 align:start position:10% line:74% size:67.5% BALLERINA'S OF HIP WAY, THE 02:08.466 --> 02:16.300 align:start position:10% line:74% size:77.5% BALLET GROUP BLENDING CLASSICAL 02:11.000 --> 02:18.133 align:start position:10% line:74% size:72.5% BALLET WITH HIP-HOP AND JAZZ. 02:12.700 --> 02:20.166 align:start position:10% line:74% size:75% >> IT IS INCREDIBLE TO BE IN A 02:16.300 --> 02:21.533 align:start position:10% line:74% size:72.5% ROOMFUL OF BROWN DANCERS THAT 02:18.133 --> 02:23.166 align:start position:10% line:74% size:80% THEY ARE BALLERINAS AND THERE IS 02:20.166 --> 02:25.400 align:start position:10% line:74% size:60% NOT A QUESTION ABOUT IT. 02:21.533 --> 02:27.033 align:start position:10% line:74% size:65% LIKE THAT IS WHO THEY ARE. 02:23.166 --> 02:28.833 align:start position:10% line:74% size:75% AND IT'S OK TO BE BROWN AND TO 02:25.400 --> 02:31.000 align:start position:10% line:74% size:37.5% BE A BALLERINA. 02:27.033 --> 02:31.566 align:start position:10% line:74% size:72.5% >> HER PROFILE IS HIGHER THAN 02:28.833 --> 02:34.066 align:start position:10% line:74% size:80% THAT OF MANY PROFESSIONAL BALLET 02:31.000 --> 02:36.100 align:start position:10% line:74% size:20% DANCERS. 02:31.566 --> 02:39.033 align:start position:10% line:74% size:62.5% SHE HAS WRITTEN BOOKS AND 02:34.066 --> 02:40.233 align:start position:10% line:74% size:77.5% RECEIVED ENDORSEMENT DEALS FROM 02:36.100 --> 02:41.400 align:start position:10% line:74% size:72.5% ESTEE LAUDER AND UNDER ARMOR. 02:39.033 --> 02:42.966 align:start position:10% line:74% size:77.5% >> UNDER ARMOR WAS THE FIRST TO 02:40.233 --> 02:44.700 align:start position:10% line:74% size:55% TAKE A CHANCE WITH ME. 02:41.400 --> 02:46.000 align:start position:10% line:74% size:75% AND THE WOMEN WHO WORKED THERE 02:42.966 --> 02:49.333 align:start position:10% line:74% size:60% COULD SEE THE VISION AND 02:44.700 --> 02:51.066 align:start position:10% line:74% size:67.5% UNDERSTAND IT BUT IT TOOK A 02:46.000 --> 02:52.566 align:start position:10% line:74% size:77.5% WHILE FOR THE MEN TO UNDERSTAND 02:49.333 --> 02:54.300 align:start position:10% line:74% size:77.5% AND SEE THAT IT WAS GOING TO BE 02:51.066 --> 02:57.600 align:start position:10% line:74% size:75% POWERFUL AND THAT PEOPLE WOULD 02:52.566 --> 02:59.066 align:start position:10% line:74% size:75% BE ABLE TO ESPECIALLY WOMEN BE 02:54.300 --> 03:00.933 align:start position:10% line:74% size:72.5% ABLE TO RELATE TO A BALLERINA 02:57.600 --> 03:02.300 align:start position:10% line:74% size:75% AND SEE ALL THE HARD WORK THAT 02:59.066 --> 03:03.800 align:start position:10% line:74% size:22.5% IT TAKES. 03:00.933 --> 03:05.266 align:start position:10% line:74% size:72.5% >> COPELAND'S BOOK, BALLERINA 03:02.300 --> 03:07.066 align:start position:10% line:74% size:67.5% BODY WAS IN RESPONSE TO THE 03:03.800 --> 03:08.566 align:start position:10% line:74% size:80% QUESTIONS SHE RECEIVED ABOUT HOW 03:05.266 --> 03:10.333 align:start position:10% line:74% size:77.5% SHE FUELS HERSELF FOR LONG DAYS 03:07.066 --> 03:12.000 align:start position:10% line:74% size:35% IN THE STUDIO. 03:08.566 --> 03:13.700 align:start position:10% line:74% size:75% BUT ALSO THE BOOK IS FOR YOUNG 03:10.333 --> 03:15.933 align:start position:10% line:74% size:77.5% GIRLS AS THEY GROW AND LEARN TO 03:12.000 --> 03:19.000 align:start position:10% line:74% size:65% CARE FOR THEIR OWN BODIES. 03:13.700 --> 03:20.300 align:start position:10% line:74% size:80% >> IT IS ABOUT THE JOURNEY IT IS 03:15.933 --> 03:23.333 align:start position:10% line:74% size:75% NOT ABOUT A DIET AND NOT ABOUT 03:19.000 --> 03:24.466 align:start position:10% line:74% size:62.5% GETTING QUICK RESULTS BUT 03:20.300 --> 03:28.200 align:start position:10% line:74% size:80% ENJOYING THE PROCESS AND BEING A 03:23.333 --> 03:29.466 align:start position:10% line:74% size:70% BALLERINA, IT'S FALLS IN THE 03:24.466 --> 03:31.766 align:start position:10% line:74% size:80% SAME LINE OF THE MAJORITY OF OUR 03:28.200 --> 03:33.233 align:start position:10% line:74% size:55% TIME IS IN THE STUDIO. 03:29.466 --> 03:35.500 align:start position:10% line:74% size:67.5% AND IF YOU DON'T ENJOY THAT 03:31.766 --> 03:36.933 align:start position:10% line:74% size:72.5% JOURNEY AND THAT PROCESS IT'S 03:33.233 --> 03:38.600 align:start position:10% line:74% size:67.5% NOT WORTH IT TO GET THE END 03:35.500 --> 03:39.766 align:start position:10% line:74% size:72.5% RESULTS OF BEING ON STAGE AND 03:36.933 --> 03:40.866 align:start position:10% line:74% size:75% THAT IS HOW I LOOK AT MY LIFE. 03:38.600 --> 03:42.700 align:start position:10% line:74% size:77.5% >> AND SHARES HER LOVE OF BEING 03:39.766 --> 03:44.400 align:start position:10% line:74% size:37.5% IN THE KITCHEN. 03:40.866 --> 03:46.833 align:start position:10% line:74% size:75% PERHAPS WHEN HER DAYS ON STAGE 03:42.700 --> 03:47.600 align:start position:10% line:74% size:62.5% ARE DONE IN THE HOPEFULLY 03:44.400 --> 03:50.600 align:start position:10% line:74% size:75% DISTANT FUTURE, SHE MAY TAKE A 03:46.833 --> 03:52.533 align:start position:10% line:74% size:25% NEW TITLE. 03:47.600 --> 03:54.233 align:start position:10% line:74% size:77.5% >> I LOVE BEING IN THE KITCHEN. 03:50.600 --> 03:56.366 align:start position:10% line:74% size:70% IT'S LIKE I COME HOME AND MY 03:52.533 --> 03:58.100 align:start position:10% line:74% size:72.5% HUSBAND KNOWS THAT I'VE HAD A 03:54.233 --> 03:59.266 align:start position:10% line:74% size:72.5% TOUGH DAY HE IS LIKE LET'S GO 03:56.366 --> 04:01.133 align:start position:10% line:74% size:80% GET GROCERIES BECAUSE HE KNOWS I 03:58.100 --> 04:03.866 align:start position:10% line:74% size:35% WILL BE HAPPY. 03:59.266 --> 04:05.133 align:start position:10% line:74% size:65% IT'S RELEASES SO MUCH LIKE 04:01.133 --> 04:06.066 align:start position:10% line:74% size:65% TENSION AND IT'S CREATIVE. 04:03.866 --> 04:09.166 align:start position:10% line:74% size:35% >> CHEF MISTY? 04:05.133 --> 04:10.366 align:start position:10% line:74% size:62.5% FOR "CHICAGO TONIGHT" I'M 04:06.066 --> 04:11.633 align:start position:10% line:74% size:42.5% BRANDIS FRIEDMAN. 04:09.166 --> 04:13.233 align:start position:10% line:74% size:67.5% >> COPELAND IS IN THE EARLY 04:10.366 --> 04:15.033 align:start position:10% line:74% size:72.5% STAGES OF HER NEXT BOOK WHICH