WEBVTT 00:06.633 --> 00:13.600 align:start position:10% line:74% size:70% >>> IT MAY HAVE PREMIERED ON 00:08.300 --> 00:16.400 align:start position:10% line:74% size:77.5% PRODUCT WAY THIS 1943 BUT STILL 00:11.366 --> 00:18.733 align:start position:10% line:74% size:47.5% ROPES IN AWED YNSS. 00:13.600 --> 00:20.466 align:start position:10% line:74% size:70% HEDY WEISS IS HERE TO REVIEW 00:16.400 --> 00:21.300 align:start position:10% line:74% size:60% ROGERS AND HAMMERSTEIN'S 00:18.733 --> 00:23.066 align:start position:10% line:74% size:62.5% OKLAHOMA AND OTHER HIGHLY 00:20.466 --> 00:24.266 align:start position:10% line:74% size:45% RECOMMENDED SHOWS. 00:21.300 --> 00:25.366 align:start position:10% line:74% size:80% HOW MANY PRODUCTIONS OF OKLAHOMA 00:23.066 --> 00:26.966 align:start position:10% line:74% size:35% HAVE YOU SEEN. 00:24.266 --> 00:28.633 align:start position:10% line:74% size:75% WHAT MAKES THIS ONE DIFFERENT? 00:25.366 --> 00:31.100 align:start position:10% line:74% size:75% >> PEOPLE ROLL THEIR EYES WHEN 00:26.966 --> 00:33.800 align:start position:10% line:74% size:42.5% YOU SAY OKLAHOMA. 00:28.633 --> 00:37.133 align:start position:10% line:74% size:57.5% FIRST OF ALL ROGERS AND 00:31.100 --> 00:40.500 align:start position:10% line:74% size:75% HAMMERSTEIN WERE JAPANESEYUSES 00:33.800 --> 00:41.933 align:start position:10% line:74% size:72.5% AND IT IS A BRILL KRANT SHOW. 00:37.133 --> 00:45.600 align:start position:10% line:74% size:62.5% AND THIS GEORGE PLACE DID 00:40.500 --> 00:47.333 align:start position:10% line:74% size:67.5% PRODUCTIONINGS THAT I THINK 00:41.933 --> 00:48.933 align:start position:10% line:74% size:75% OUTRANK MEN BROADWAY REVIVALS. 00:45.600 --> 00:50.466 align:start position:10% line:74% size:75% AND THEY HAVE A GREAT ORGANIZE 00:47.333 --> 00:53.033 align:start position:10% line:74% size:55% STRA, THEY HAVE A REAL 00:48.933 --> 00:55.266 align:start position:10% line:74% size:80% ORCHESTRA, WHICH SOMETIMES THESE 00:50.466 --> 00:57.333 align:start position:10% line:74% size:60% DAYS YOU MAY NOT FIND ON 00:53.033 --> 00:59.900 align:start position:10% line:74% size:72.5% BROADWAY AND FABULOUS VOICES. 00:55.266 --> 01:02.166 align:start position:10% line:74% size:70% WE HEAR IN A CLIP, THAT IS A 00:57.333 --> 01:05.866 align:start position:10% line:74% size:80% MONTAGE AND IF YOU HEAR KAURLY'S 00:59.900 --> 01:11.533 align:start position:10% line:74% size:65% VOICE, YOU WILL NEVER HEAR 01:02.166 --> 01:14.266 align:start position:10% line:74% size:55% ANYTHING TO BEAUTIFUL. 01:05.866 --> 01:16.166 align:start position:10% line:74% size:42.5% ♪ PLENTY OF HOPES 01:11.533 --> 01:19.633 align:start position:10% line:74% size:72.5% OKLAHOMA WHERE THE WIND COMES 01:14.266 --> 01:22.200 align:start position:10% line:74% size:57.5% SWEEPING DOWN THE PLAIN 01:16.166 --> 01:24.733 align:start position:10% line:74% size:67.5% AND THE WAVE AND WHEAT SURE 01:19.633 --> 01:29.200 align:start position:10% line:74% size:77.5% SMELL SWEET WHEN THE WIND COMES 01:22.200 --> 01:32.300 align:start position:10% line:74% size:37.5% AROUND THE RAIN 01:24.733 --> 01:34.900 align:start position:10% line:74% size:72.5% OKLAHOMA EVERY NIGHT MY HONEY 01:29.200 --> 01:37.200 align:start position:10% line:74% size:70% AND I SIT ALONE AND TALK AND 01:32.300 --> 01:38.633 align:start position:10% line:74% size:65% WATCH THE HAWK MAKING LAZY 01:34.900 --> 01:40.766 align:start position:10% line:74% size:50% CIRCLES IN THE SKY ♪ 01:37.200 --> 01:41.966 align:start position:10% line:74% size:60% >> HE HAS A GREAT VOICE. 01:38.633 --> 01:45.533 align:start position:10% line:74% size:80% I GOOGLED HIM THIS AFTERNOON, HE 01:40.766 --> 01:49.733 align:start position:10% line:74% size:42.5% IS FROM OKLAHOMA. 01:41.966 --> 01:52.300 align:start position:10% line:74% size:80% >> NOT ONLY THAT, HE PROPOSED TO 01:45.533 --> 01:54.100 align:start position:10% line:74% size:72.5% HIS CO-STAR THERE, ON OPENING 01:49.733 --> 01:54.533 align:start position:10% line:74% size:77.5% NIGHT AND I DIDN'T SEE IT, BUT, 01:52.300 --> 01:56.500 align:start position:10% line:74% size:60% SO A COUPLE OF STAGE AND 01:54.100 --> 01:58.866 align:start position:10% line:74% size:22.5% OFFSTAGE. 01:54.533 --> 02:00.133 align:start position:10% line:74% size:77.5% AND I HAVE TO SAY WHEN HE WALKS 01:56.500 --> 02:01.766 align:start position:10% line:74% size:80% DOWN THE AISLE SINGING OH WHAT A 01:58.866 --> 02:03.033 align:start position:10% line:74% size:72.5% BEAUTIFUL MORNING, ONE OF THE 02:00.133 --> 02:05.233 align:start position:10% line:74% size:67.5% MOST THRILLING MOMENTS, THE 02:01.766 --> 02:05.633 align:start position:10% line:74% size:42.5% VOICE IS AMAZING. 02:03.033 --> 02:07.666 align:start position:10% line:74% size:67.5% >> YOU SAY IT IS A MUST-SEE 02:05.233 --> 02:09.300 align:start position:10% line:74% size:27.5% PRODUCTION. 02:05.633 --> 02:10.066 align:start position:10% line:74% size:62.5% AND I CAN UNDERSTAND WHY. 02:07.666 --> 02:13.066 align:start position:10% line:74% size:75% BACK TO THE HISTORY OF THE PAR 02:09.300 --> 02:14.866 align:start position:10% line:74% size:35% MONTH THEATER. 02:10.066 --> 02:17.366 align:start position:10% line:74% size:80% THEY ARE ON A ROLL, AREN'T THEY? 02:13.066 --> 02:19.233 align:start position:10% line:74% size:70% >> SIXTEEN NO, MA'AMMIATIONS 02:14.866 --> 02:21.333 align:start position:10% line:74% size:80% THAT WE WILL KNOW ABOUT BUT MORE 02:17.366 --> 02:25.133 align:start position:10% line:74% size:77.5% THAN THAT, THEY FIGURED OUT HOW 02:19.233 --> 02:26.766 align:start position:10% line:74% size:37.5% DO DO IT RIGHT. 02:21.333 --> 02:30.000 align:start position:10% line:74% size:60% THEY ALMOST THERE 30,000 02:25.133 --> 02:32.000 align:start position:10% line:74% size:77.5% DESCRIBE DESCRIBERS AND THAT IS 02:26.766 --> 02:32.700 align:start position:10% line:74% size:80% A REAL COUP, THE LEVEL, IT COULD 02:30.000 --> 02:34.266 align:start position:10% line:74% size:67.5% BE OPERA HOUSE OR BROADWAY, 02:32.000 --> 02:36.633 align:start position:10% line:74% size:30% SPECTACULAR. 02:32.700 --> 02:37.366 align:start position:10% line:74% size:77.5% THEY SPEND COMMON BUT IT IS NOT 02:34.266 --> 02:43.233 align:start position:10% line:74% size:77.5% JUST MONEY, BECAUSE THAT IS NOT 02:36.633 --> 02:44.333 align:start position:10% line:74% size:42.5% ALWAYS THE THING. 02:37.366 --> 02:45.333 align:start position:10% line:74% size:77.5% THEY HAVE FABULOUS TALL SENT, A 02:43.233 --> 02:48.200 align:start position:10% line:74% size:50% BRILLIANT JOB THERE. 02:44.333 --> 02:48.533 align:start position:10% line:74% size:67.5% ANOTHER PRODUCTION THAT YOU 02:45.333 --> 02:49.466 align:start position:10% line:74% size:77.5% THINK HIGHLY OF, THE SCOTTSBORO 02:48.200 --> 02:52.266 align:start position:10% line:74% size:12.5% BOYS. 02:48.533 --> 02:53.500 align:start position:10% line:74% size:25% A STUNNER. 02:49.466 --> 02:56.700 align:start position:10% line:74% size:62.5% TELL US ABOUT IT AT RAVEN 02:52.266 --> 02:57.000 align:start position:10% line:74% size:72.5% THEATER, WE DIDN'T TALK ABOUT 02:53.500 --> 02:58.966 align:start position:10% line:74% size:80% THEM MUCH, AND THEY DO VERY GOOD 02:56.700 --> 03:01.233 align:start position:10% line:74% size:12.5% WORK. 02:57.000 --> 03:03.033 align:start position:10% line:74% size:72.5% YOU CAN TELL THIS STORY ABOUT 02:58.966 --> 03:06.700 align:start position:10% line:74% size:60% THE BLACK BOYS IN THE 19 03:01.233 --> 03:09.600 align:start position:10% line:74% size:65% THIRD'S, TEENAGERS WHO GOT 03:03.033 --> 03:12.000 align:start position:10% line:74% size:77.5% RAILROADED INTO WHAT HAS BECOME 03:06.700 --> 03:14.400 align:start position:10% line:74% size:42.5% A NOTORIOUS CASE. 03:09.600 --> 03:15.933 align:start position:10% line:74% size:67.5% YOU COULD HAVE TOLD IT AS A 03:12.000 --> 03:20.033 align:start position:10% line:74% size:72.5% DOCUMENT TRY BUT WHAT THEY DO 03:14.400 --> 03:24.366 align:start position:10% line:74% size:72.5% IS, IT IS A VAUDEVILLE AND SO 03:15.933 --> 03:25.366 align:start position:10% line:74% size:77.5% YOU GET THE SECURE BITING EDGE, 03:20.033 --> 03:26.433 align:start position:10% line:74% size:77.5% IT IS REALLY GOOD, CAST OF NINE 03:24.366 --> 03:29.033 align:start position:10% line:74% size:75% YOUNG AFRICAN-AMERICAN ACTORS, 03:25.366 --> 03:31.066 align:start position:10% line:74% size:17.5% SUPERB. 03:26.433 --> 03:33.100 align:start position:10% line:74% size:77.5% WE HAVE A CLIP, IN WHICH WE SEE 03:29.033 --> 03:36.400 align:start position:10% line:74% size:62.5% THEM DOING THE VAUDEVILLE 03:31.066 --> 03:37.966 align:start position:10% line:74% size:57.5% VERSION OF HOW THEY GOT 03:33.100 --> 03:49.366 align:start position:10% line:74% size:27.5% RAILROADED. 03:36.400 --> 03:51.200 align:start position:10% line:74% size:75% ♪ SECOND ONLY TO THE CIRCUS AS 03:37.966 --> 03:54.200 align:start position:10% line:74% size:65% THE GREATEST SHOW ON EARTH 03:49.366 --> 03:57.666 align:start position:10% line:74% size:77.5% THAN IT WAS LIKE WALKING INTO A 03:51.200 --> 04:05.866 align:start position:10% line:74% size:75% DREAM WHERE I WAS KBREETSED BY 03:54.200 --> 04:08.333 align:start position:10% line:74% size:47.5% THE PEOPLE AND TOLD 03:57.666 --> 04:10.700 align:start position:10% line:74% size:40% CONGRATULATIONS, 04:05.866 --> 04:12.433 align:start position:10% line:74% size:65% >> YOU CAN SEE DANCING AND 04:08.333 --> 04:14.700 align:start position:10% line:74% size:75% TRADITIONAL SONGS THAT WE SING 04:10.700 --> 04:15.566 align:start position:10% line:74% size:70% ARGS BRILLIANT RETELLING THE 04:12.433 --> 04:17.400 align:start position:10% line:74% size:80% STORY AND GOOD TO BE REMINDED OF 04:14.700 --> 04:20.833 align:start position:10% line:74% size:25% THIS CASE. 04:15.566 --> 04:22.766 align:start position:10% line:74% size:77.5% AND NOT TO BE CONFUSED WITH THE 04:17.400 --> 04:25.266 align:start position:10% line:74% size:70% MUSICAL THE SCOTTSBORO BOYS. 04:20.833 --> 04:26.966 align:start position:10% line:74% size:65% THERE IS A MUSICAL DONE ON 04:22.766 --> 04:29.266 align:start position:10% line:74% size:65% BROADLY WAY BRIEFLY AND IT 04:25.266 --> 04:30.333 align:start position:10% line:74% size:80% HASN'T GOTTEN TO CHICAGO YET BUT 04:26.966 --> 04:31.633 align:start position:10% line:74% size:80% I COULD NOT SEE THAT THERE WOULD 04:29.266 --> 04:33.733 align:start position:10% line:74% size:77.5% BE ANYTHING BETTER THAN WHAT WE 04:30.333 --> 04:34.433 align:start position:10% line:74% size:42.5% ARE SEE AT RAVEN. 04:31.633 --> 04:39.500 align:start position:10% line:74% size:77.5% AND THE REBEL, WORLDS PREMIERE, 04:33.733 --> 04:40.933 align:start position:10% line:74% size:35% TELL BUS THAT. 04:34.433 --> 04:42.966 align:start position:10% line:74% size:77.5% >> A WORLD PREMIERE, BUT, REVEL 04:39.500 --> 04:44.533 align:start position:10% line:74% size:22.5% WITH A V. 04:40.933 --> 04:48.500 align:start position:10% line:74% size:62.5% HOUSE THEATER IN CHICAGO, 04:42.966 --> 04:52.200 align:start position:10% line:74% size:62.5% ASSOCIATE ENSEMBLE GROUP. 04:44.533 --> 04:54.366 align:start position:10% line:74% size:70% THIS IS BASED ON THE ANCIENT 04:48.500 --> 04:57.733 align:start position:10% line:74% size:60% GREEK DRAMA THE BACCHAE. 04:52.200 --> 04:59.833 align:start position:10% line:74% size:77.5% IT IS HE INVENTEDDED BY PUTTING 04:54.366 --> 05:02.333 align:start position:10% line:74% size:72.5% IT IN 1 NINE 30'S APPALACHIA. 04:57.733 --> 05:03.866 align:start position:10% line:74% size:75% AND INSTEAD OF BEING ABOUT THE 04:59.833 --> 05:07.400 align:start position:10% line:74% size:70% GOD THAT LURESED WOMAN UP TO 05:02.333 --> 05:09.133 align:start position:10% line:74% size:67.5% MOUNT A PEOPLE PUSS THIS IS 05:03.866 --> 05:11.600 align:start position:10% line:74% size:72.5% ABOUT A PREACHER WHO WOOS THE 05:07.400 --> 05:13.766 align:start position:10% line:74% size:80% UNHAPPY WOMEN THIS THE TOWN TO A 05:09.133 --> 05:15.666 align:start position:10% line:74% size:72.5% MOUNTIAN IN THE APPALACHIANS. 05:11.600 --> 05:19.800 align:start position:10% line:74% size:77.5% WE HAVE A SCENE IN WHICH WE SEE 05:13.766 --> 05:20.166 align:start position:10% line:74% size:75% THE SHERIFF LEARN HIS OWN WIFE 05:15.666 --> 05:21.833 align:start position:10% line:74% size:75% IS AMONG THOSE TAKEN UP TO THE 05:19.800 --> 05:23.366 align:start position:10% line:74% size:22.5% MOUNTIAN. 05:20.166 --> 05:23.766 align:start position:10% line:74% size:67.5% >> THAT'S WHAT SHE'S DOING? 05:21.833 --> 05:24.800 align:start position:10% line:74% size:62.5% >> THAT'S WHAT I'M SAYING 05:23.366 --> 05:26.066 align:start position:10% line:74% size:20% SHERIFF. 05:23.766 --> 05:29.033 align:start position:10% line:74% size:32.5% I DON'T KNOW. 05:24.800 --> 05:30.600 align:start position:10% line:74% size:75% WHETHER KNOWS WHAT IS GOING ON 05:26.066 --> 05:31.933 align:start position:10% line:74% size:22.5% UP THERE. 05:29.033 --> 05:34.000 align:start position:10% line:74% size:57.5% >> I'M NOT THE SHERIFF. 05:30.600 --> 05:36.733 align:start position:10% line:74% size:42.5% THAT IS YOUR JOB. 05:31.933 --> 05:40.633 align:start position:10% line:74% size:75% I HAVE TO SEE IF I CAN GET THE 05:34.000 --> 05:41.700 align:start position:10% line:74% size:80% BANK TO WAIT ANOTHER WEEK OR SEE 05:36.733 --> 05:44.066 align:start position:10% line:74% size:72.5% IF THE FACTORY CAN GET GOING. 05:40.633 --> 05:44.633 align:start position:10% line:74% size:57.5% BUT YOU'RE THE SHERIFF. 05:41.700 --> 05:46.200 align:start position:10% line:74% size:67.5% >> HOW LONG HAS SHE BEEN UP 05:44.066 --> 05:49.066 align:start position:10% line:74% size:12.5% THERE 05:44.633 --> 05:50.700 align:start position:10% line:74% size:40% >> ALL DAMN DAY. 05:46.200 --> 05:53.300 align:start position:10% line:74% size:52.5% I HEAR NEAR DRINKING. 05:49.066 --> 05:57.500 align:start position:10% line:74% size:40% MY WAIVE DRINKS. 05:50.700 --> 06:00.400 align:start position:10% line:74% size:72.5% >> WHAT YOU DIDN'T SEE IS YOU 05:53.300 --> 06:01.533 align:start position:10% line:74% size:77.5% SEE THIS FANTASTIC CLOG DANCING 05:57.500 --> 06:03.033 align:start position:10% line:74% size:65% AND AMAZING MUSIC AND THIS 06:00.400 --> 06:04.600 align:start position:10% line:74% size:80% REMOVABLE SET WITH PLANNINGS AND 06:01.533 --> 06:07.633 align:start position:10% line:74% size:60% YOU GET THE SENSE OF THE 06:03.033 --> 06:11.100 align:start position:10% line:74% size:80% MOUNTIAN AND THE TOWN, AND IT IS 06:04.600 --> 06:12.466 align:start position:10% line:74% size:75% A VERY VIBRANT PRODUCTION, AND 06:07.633 --> 06:15.000 align:start position:10% line:74% size:67.5% NOT GREEK TO ME, IT IS FUN. 06:11.100 --> 06:16.166 align:start position:10% line:74% size:72.5% >> EVERY TROUK I HAVE SEEN AT 06:12.466 --> 06:18.200 align:start position:10% line:74% size:75% THE HOUSE THEATER IS HIGH LYNN 06:15.000 --> 06:19.666 align:start position:10% line:74% size:25% INVENTIVE. 06:16.166 --> 06:21.733 align:start position:10% line:74% size:42.5% >> VERY PHYSICAL. 06:18.200 --> 06:23.866 align:start position:10% line:74% size:77.5% THEY REALLY KNOW HOW TO USE THE 06:19.666 --> 06:24.233 align:start position:10% line:74% size:70% SPACE AND HOW TO DESIGN SETS 06:21.733 --> 06:26.600 align:start position:10% line:74% size:67.5% THAT ALMOST HAD A CINEMATIC 06:23.866 --> 06:30.333 align:start position:10% line:74% size:20% QUALITY. 06:24.233 --> 06:30.966 align:start position:10% line:74% size:70% >> THE NEXT ONE IS A PRICE A 06:26.600 --> 06:33.066 align:start position:10% line:74% size:72.5% REVIVALAL OF SORTS, AN ARTHUR 06:30.333 --> 06:34.900 align:start position:10% line:74% size:30% MILLER PLAY. 06:30.966 --> 06:36.600 align:start position:10% line:74% size:72.5% ABOUT TWO ESTRANGED BROTHERS, 06:33.066 --> 06:38.900 align:start position:10% line:74% size:62.5% ONE IS A COP AND ONE IS A 06:34.900 --> 06:39.833 align:start position:10% line:74% size:77.5% SUCCESSFUL SURGEON AND THEY HAD 06:36.600 --> 06:41.200 align:start position:10% line:74% size:80% A RIFT EARLIER ON THAT HAS TO DO 06:38.900 --> 06:42.800 align:start position:10% line:74% size:40% WITH THE FATHER. 06:39.833 --> 06:45.466 align:start position:10% line:74% size:80% THE FATHER IS DEAD AND THEY HAVE 06:41.200 --> 06:49.300 align:start position:10% line:74% size:77.5% TO GET RID ALL OF THE FURNITURE 06:42.800 --> 06:50.800 align:start position:10% line:74% size:70% AND ANTIQUES AND THIS BRINGS 06:45.466 --> 06:52.800 align:start position:10% line:74% size:75% THEM TOGETHER BRIEFLY, AND THE 06:49.300 --> 07:05.533 align:start position:10% line:74% size:57.5% GREAT CHARACTER IN THIS 06:50.800 --> 07:05.533 align:start position:10% line:79.33% size:77.5% PRODUCTION WHICH IS DIRECTED BY 06:52.800 --> 07:05.533 align:start position:10% line:84.67% size:50% LOU CONTI, THE ACTOR 07:07.366 --> 07:10.800 align:start position:60% line:74% size:12.5% MIKE 07:08.200 --> 07:12.866 align:start position:10% line:74% size:22.5% NUSSBAUM. 07:08.566 --> 07:15.533 align:start position:10% line:74% size:75% HE PLAYS AN ANTIQUE DEALER AND 07:10.800 --> 07:17.333 align:start position:10% line:74% size:75% HE REALLY DWEENT TO BUY IT BUT 07:12.866 --> 07:19.000 align:start position:10% line:74% size:77.5% HE WANTS SOMETHING TO LIVE FOR, 07:15.533 --> 07:20.466 align:start position:10% line:74% size:70% THE MOST FANTASTIC CHARACTER 07:17.333 --> 07:24.833 align:start position:10% line:74% size:77.5% ROLE THAT YOU WILL EVER SEE, IF 07:19.000 --> 07:26.666 align:start position:10% line:74% size:72.5% YOU DIDN'T CATCH HIM, YOU ARE 07:20.466 --> 07:29.700 align:start position:10% line:74% size:62.5% REALLY MISSING SOMETHING. 07:24.833 --> 07:31.200 align:start position:10% line:74% size:72.5% WE HAVE AN INTRODUCTION WHERE 07:26.666 --> 07:32.300 align:start position:10% line:74% size:80% THE BROTHERS SQUABBLE, AND YES I 07:29.700 --> 07:34.133 align:start position:10% line:74% size:72.5% THINK YOU SEE A LITTLE BIT OF 07:31.200 --> 07:37.200 align:start position:10% line:74% size:35% MIKE NUSSBAUM. 07:32.300 --> 07:39.366 align:start position:10% line:74% size:72.5% >> IT IS IMPORTANT TO ME, BUT 07:34.133 --> 07:40.066 align:start position:10% line:74% size:70% WHY, IT IS ALL OVER THE DAM. 07:37.200 --> 07:43.700 align:start position:10% line:74% size:67.5% HE CASS COME TO YOU IN GOOD 07:39.366 --> 07:44.700 align:start position:10% line:74% size:15% FAITH. 07:40.066 --> 07:46.833 align:start position:10% line:74% size:62.5% I CAN'T SEE WHY YOU CAN'T 07:43.700 --> 07:48.766 align:start position:10% line:74% size:47.5% CONSIDER THE OFFER. 07:44.700 --> 07:49.966 align:start position:10% line:74% size:60% YOU ARE TURNING IT DOWN. 07:46.833 --> 07:51.300 align:start position:10% line:74% size:72.5% GOOD GOD, WHAT IS SO DREADFUL 07:48.766 --> 07:53.633 align:start position:10% line:74% size:60% ABOUT TELLING THE TRUTH. 07:49.966 --> 07:55.900 align:start position:10% line:74% size:65% CAN IT BE WORSE THAN THIS? 07:51.300 --> 07:58.033 align:start position:10% line:74% size:35% >> WHAT TRUTH? 07:53.633 --> 07:59.000 align:start position:10% line:74% size:52.5% >> FOR GOOD'S SAKE... 07:55.900 --> 08:00.300 align:start position:10% line:74% size:77.5% >> I DIDN'T WANT YOU TO THINK I 07:58.033 --> 08:02.833 align:start position:10% line:74% size:42.5% COULDN'T MAKE IT. 07:59.000 --> 08:06.666 align:start position:10% line:74% size:27.5% I'LL DO IT. 08:00.300 --> 08:09.233 align:start position:10% line:74% size:80% >> THERE IS A REASON MY TIMELINE 08:02.833 --> 08:10.066 align:start position:10% line:74% size:72.5% IS BEING CONSIDERED FOR A NEW 08:06.666 --> 08:11.400 align:start position:10% line:74% size:67.5% THEATER AT THE SCHOOL UP IN 08:09.233 --> 08:12.600 align:start position:10% line:74% size:77.5% ANDERSONVILLE, WORKING ON DOING 08:10.066 --> 08:14.400 align:start position:10% line:74% size:77.5% THIS AND IT LOOKS LIKE THEY ARE