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>> THE TERM OUTSIDER ARTIST IS

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BIG ENOUGH TO INCLUDE A CREATIVE

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PERSON WITHOUT CLASSICAL

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TRAINING AND A SILENT ARTIST WHO

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COMMUNICATES THROUGH THE

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MYSTERIOUS PICTURES SHE MAKES.

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A ART SHOW IN TOWNS LOOKS AT

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WORKS FROM ARTISTS IN CHICAGO TO

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NEW ZEALAND ALL OF THEM MAKE THE

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CASE FOR ART AS THERAPY.

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>> AT INTUIT THE CENTER FOR

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INTUITIVE AND OUTSIDER ART A

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PAIR OF NEW SHOWS COULD NOT BE

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MORE DIFFERENT.

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ON ONE SIDE CARTOON WORLD

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CREATED BY A NEW ZEALAND ARTIST

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WHO HASN'T SPOKEN IN MORE THAN

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50 YEARS.

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ON THE OTHER SIDE, WORKS BY TWO

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CHICAGO ARTISTS WHO FIGHT

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ADDICTION WITH CREATIVITY.

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FOR THIS, INTUIT BROUGHT IN A

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CURATOR WHO RAN THE SOUTH SIDE

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COMMUNITY ARTS CENTER FOR SIX

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YEARS.

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>> WE ARE IN A SPACE OF OUTSIDE

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ART AND THEY ARE CALLED ARTISTS.

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THEY ARE IMPORTANT TO THIS

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INSTITUTION AND WE NEED TO

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CHALLENGE LABELS AND BOLSTER

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THEM.

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IT'S EXCITING FOR THE ARTISTS TO

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TAP INTO SOMETHING A COMMUNITY

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OF ARTISTS THAT TRADITIONALLY

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WOULD NOT BE IN DIALOGUE WITH.

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>> HE CHOSE ARTISTS WITH

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COLORFUL WORK AND COLORFUL

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LIVES.

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>> I LEFT CHICAGO IN 2007 TO

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JOIN THE ARMY.

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I WAS 38 YEARS OLD.

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I WAS GOING THROUGH A REALLY

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ROUGH PATCH.

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IT WAS MY OWN FORM OF TREATMENT.

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IN ORDER TO OVERCOME MY OWN

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PERSONAL ADDICTIONS AND ALSO TO

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SUPPORT MY DAUGHTERS.

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>> EARLY ON, ROBERT JOHNSON

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PAINTED THE GLASS ON DISCARDED

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WINDOWS BUT STOPPED MAKING ART

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WHILE IN THE ARMY.

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NOW HE HAS A NEW APPROACH.

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>> I'VE SHIFTED TO DIFFERENT

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MATERIALS CANVAS BOARD, FOUND

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CANVASS FROM THRIFT STORES THAT

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I JUST REWORK BUT I DO STILL

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HAVE A BASEMENT FULL OF WINDOWS

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THAT I WILL BE GIVING ATTENTION

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TO.

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>> WE ASKED THE OTHER CHICAGO

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ARTIST IN THE SHOW ABOUT USING

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ART AS THERAPY.

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>> I'M USING IT NOW TO KIND OF

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KEEP ME ANCHORED BECAUSE I'M

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STRUGGLING TO STAY CLEAN AND

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HEALTHY.

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IT'S VERY IMPORTANT FOR ME AND

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MY SON.

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>> THE HIS WORK INCLUDES

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SCULPTURE, METZ TALL WORK AND

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COLLAGE.

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THIS IS CALLED HEROIN THE

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MUSICAL.

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>> I WILL START WITH AN IDEA

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THAT MAY CHANGE BY THE TIME I

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FINISH WITH THE PIECE AND I

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START CREATING STORIES IN MY

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MIND AS I'M WORKING ON THE

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PIECE, NARRATIVES THAT ONLY MAKE

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SENSE TO ME.

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AND THEY BECOME THE PIECE

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EVOLVES OUT OF THAT AND BECOMES

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PART OF A NARRATIVE IN MY HEAD

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THAT YOU KNOW, WOULD SEEM LIKE

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NONSENSE TO SOMEONE ELSE.

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>> IN THE GALLERY NEXT DOOR

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CARTOON NARRATIVES HAVE AN

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UNUSUAL ORIGIN THEY WERE CREATED

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BY SUSAN TE KAHURANGI KING A NOW

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68-YEAR-OLD NEW ZEALANDER WHO

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HAS NOT SPOKEN IN ALMOST 60

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YEARS.

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>> SUSAN WAS ONE OF 12 CHILDREN.

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AND SHE BEGAN CREATING ART AT A

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YOUNG AGE AND RECEIVED MUCH

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SUPPORT FROM HER FAMILY.

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SHE QUIT SPEAKING BY THE AGE OF

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EIGHT.

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SO WILL NEVER QUITE KNOW EXACTLY

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THE MEANING BEHIND EACH

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INDIVIDUAL ARTWORK COUPLED WITH

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THESE WONDERFUL DRAWINGS WE HAVE

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THE ARCHIVES OF HER SISTER

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PETITA KING WHO HAS BEGUN

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COLLECTING WORKS THAT RELATE TO

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SUSAN'S LIFE AND ARTWORK.

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>> WE SPOKE TO HER SISTER ABOUT

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GROWING UP WITH A UNIQUE SIBLING

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AT FIRST IN RURAL NEW ZEALAND.

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>> IT WASN'T A SCHOOL FOR SUSAN

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IN THE SMALL TOWN BECAUSE SHE

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HAD SPECIAL NEEDS.

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THERE WAS NO DIAGNOSIS BUT SHE

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WAS A LITTLE DIFFERENT SHE COULD

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NOT TALK ALTHOUGH SHE WAS TALK

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AS A THREE-YEAR-OLD.

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IN ORDER TO ADDRESS SUSAN'S

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EDUCATIONAL NEEDS THE FAMILY

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SHIFTED TO AUKLAND.

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>> SUSAN STOPPED DRAWING AND

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RESUMED HER WORK IN 2008.

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HER LIFE STORY BECAME THE BASIS

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FOR A DOCUMENTARY.

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>> SHE KEEPS TO HERSELF AND SHE

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DRAWS IN THE BACKGROUND AND WE

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KNOW THEY ARE GREAT DRAWINGS BUT

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THERE IS NOT REALLY ANY VERY

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LITTLE IF ANY INTERACTION.

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>> IN RECENT YEARS HER WORK HAS

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BEEN SHOWN IN PARIS, NEW YORK

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AND NOW CHICAGO.

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>> NOW IT'S LIKE EVERYBODY IS

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RALLYING AROUND SUSAN.

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LIKE SHE THE MAN.

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>> THE WORK BY THE TWO CHICAGO

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ARTISTS WILL BE ON VIEW AT

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INTUIT, THE CENTER FOR INTUITIVE