1 00:00:02,833 --> 00:00:07,633 THE EXHIBIT'S PROJECT MANAGER ON 2 00:00:04,433 --> 00:00:10,166 OUR WEBSITE. 3 00:00:05,600 --> 00:00:12,033 >>> AFTER MORE THAN 30 YEARS ON 4 00:00:07,633 --> 00:00:14,633 THE JOB, CORRESPONDENT MIKE 5 00:00:10,166 --> 00:00:17,466 LEONARD RETIRED FROM NBC'S 6 00:00:12,033 --> 00:00:18,966 "TODAY" SHOW IN 2012. 7 00:00:14,633 --> 00:00:19,466 BUT HE HAS NOT SLOWED DOWN OR 8 00:00:17,466 --> 00:00:23,166 STRAYED FROM TELLING STORIES OF 9 00:00:18,966 --> 00:00:25,500 ORDINARY PEOPLE. 10 00:00:19,466 --> 00:00:27,066 IN A NEW SERIES CALLED inCOMMON 11 00:00:23,166 --> 00:00:28,866 HE FOCUSED ON MOMENTS OF 12 00:00:25,500 --> 00:00:29,433 PEOPLE'S LIVES WHERE THEY DO 13 00:00:27,066 --> 00:00:32,633 GOOD WORK AND TOUCH THE LOVES OF 14 00:00:28,866 --> 00:00:34,533 OTHERS. 15 00:00:29,433 --> 00:00:36,633 IN THE SERIES OF THE FIRST 16 00:00:32,633 --> 00:00:37,600 EPISODE, THIS FRIDAY NIGHT IS 17 00:00:34,533 --> 00:00:38,400 THE CHICAGO AREA'S OWN MIKE 18 00:00:36,633 --> 00:00:39,666 LEONARD. 19 00:00:37,600 --> 00:00:41,066 WELCOME BACK TO "CHICAGO 20 00:00:38,400 --> 00:00:42,966 TONIGHT." 21 00:00:39,666 --> 00:00:44,900 >> I'M VERY WELL, THANK YOU. 22 00:00:41,066 --> 00:00:47,166 >> WHAT IS THE NEW SHOW ABOUT? 23 00:00:42,966 --> 00:00:48,066 >> IT IS CALLED inCOMMON ABOUT 24 00:00:44,900 --> 00:00:49,966 THINGS THAT WE HAVE IN COMMON, 25 00:00:47,166 --> 00:00:51,666 ALL OF US. 26 00:00:48,066 --> 00:00:53,733 AND ABOUT KIND OF THE COMMON 27 00:00:49,966 --> 00:00:57,133 THINGS THAT WE TAKE FOR GRANTED. 28 00:00:51,666 --> 00:00:59,266 THAT HAPPEN EVERY DAY. 29 00:00:53,733 --> 00:01:00,433 AND I, A FILM MacKER A HOME 30 00:00:57,133 --> 00:01:01,466 MOVIE MAKER I THOUGHT THE LITTLE 31 00:00:59,266 --> 00:01:04,266 MOMENTS WITH MY CHILDREN WERE 32 00:01:00,433 --> 00:01:05,600 THE GREAT MOMENTS. 33 00:01:01,466 --> 00:01:05,933 NOTHING WAS HAPPENING, WASN'T A 34 00:01:04,266 --> 00:01:07,566 BIRTHDAY, MIGHT BE LOOKING OUT A 35 00:01:05,600 --> 00:01:08,766 WINDOW. 36 00:01:05,933 --> 00:01:11,466 I KNOW PEOPLE RELATE TO THAT 37 00:01:07,566 --> 00:01:12,266 STUFF. 38 00:01:08,766 --> 00:01:14,133 AND EACH EPISODE EXPLORES A 39 00:01:11,466 --> 00:01:14,633 TYPICAL THEME. 40 00:01:12,266 --> 00:01:16,900 >> THE FIRST EPISODE IS ABOUT 41 00:01:14,133 --> 00:01:19,200 TIME. 42 00:01:14,633 --> 00:01:22,700 I THAT I THAT IS THE GREAT MOAT 43 00:01:16,900 --> 00:01:26,533 WITTOR FOR ME AND MANY PEOPLE OR 44 00:01:19,200 --> 00:01:30,066 OUR TIME IS RUNNING OUT. 45 00:01:22,700 --> 00:01:30,633 AND THERE IS ONE ON FATE AND 46 00:01:26,533 --> 00:01:32,033 DISTIN KNEE AND HOPE AND ONE ON 47 00:01:30,066 --> 00:01:35,266 ACCEPTANCE. 48 00:01:30,633 --> 00:01:36,866 EACH HALF HOUR HAS A THEME AND 49 00:01:32,033 --> 00:01:37,566 ALL OF THE PIECES IN THAT HALF 50 00:01:35,266 --> 00:01:41,033 HOUR, NOT ALWAYS IN SUCH AN 51 00:01:36,866 --> 00:01:42,300 OBVIOUS WAY. 52 00:01:37,566 --> 00:01:44,266 LET'S LOOK AT THE BEGINNING OF A 53 00:01:41,033 --> 00:01:45,966 PIECE, A CLIP TOWARD THE 54 00:01:42,300 --> 00:01:48,466 BEGINNING OF THE SEGMENT. 55 00:01:44,266 --> 00:01:50,100 HAS TO DO WITH HOME MOVIES. 56 00:01:45,966 --> 00:01:51,600 THE VIETNAM WAR WAS DRAG ON AND 57 00:01:48,466 --> 00:01:54,700 SOCIETY WAS MOVING ON. 58 00:01:50,100 --> 00:01:56,700 SHEDDING TRADITIONS AND CUSTOMS 59 00:01:51,600 --> 00:01:58,833 IN THE STYLE AND MANOR NEVER 60 00:01:54,700 --> 00:02:01,533 BEFORE SEEN IN AMERICA. 61 00:01:56,700 --> 00:02:03,166 LIFE WAS CHANGING RAPIDLY AND I 62 00:01:58,833 --> 00:02:04,466 WAS IN THE MIDDLE OF IT ALL 63 00:02:01,533 --> 00:02:06,233 FOCUSING MY CAMERA ON MOMENTS 64 00:02:03,166 --> 00:02:08,433 BIG AND SMALL, FIGHTING MY 65 00:02:04,466 --> 00:02:09,500 BATTLE WITH TIME, AND LEARNING 66 00:02:06,233 --> 00:02:10,866 ALONG THE WAY THAT THE PAYOFF 67 00:02:08,433 --> 00:02:12,933 DIDN'T COME WITH WHEN THE FILL 68 00:02:09,500 --> 00:02:15,933 WAS DEVELOPED. 69 00:02:10,866 --> 00:02:17,900 IT WAS THE ACT OF FILMING THAT 70 00:02:12,933 --> 00:02:19,633 SEEMED TO MAKE LIFE SLOWDOWN. 71 00:02:15,933 --> 00:02:20,466 BY PEERING THANK YOU VIEW-FINDER 72 00:02:17,900 --> 00:02:22,066 FOR A BETTER ANGLE OF A QUIET 73 00:02:19,633 --> 00:02:24,400 MOMENT. 74 00:02:20,466 --> 00:02:26,033 LIKE CLIMBING ON TO THE ROOF OF 75 00:02:22,066 --> 00:02:26,400 MY HOUSE FOR A MORE TRAMATIC 76 00:02:24,400 --> 00:02:28,566 VIEW OF A STROLL DOWN THE 77 00:02:26,033 --> 00:02:30,933 SIDEWALK. 78 00:02:26,400 --> 00:02:31,933 AND FRAMING MOST ORDINARY 79 00:02:28,566 --> 00:02:35,066 ASPECTS OF LIFE IN WAYS TO BE 80 00:02:30,933 --> 00:02:37,266 NOTED AND REMEMBERED. 81 00:02:31,933 --> 00:02:38,933 WNS THAT REALLYSATION KICKED IN 82 00:02:35,066 --> 00:02:40,500 I KNEW MY GRIP ON THE MOVIE 83 00:02:37,266 --> 00:02:42,866 CAMERA WOULD NEVER LOOSEN AND MY 84 00:02:38,933 --> 00:02:45,400 ONLY CHANCE OF MAKE ANYTHING 85 00:02:40,500 --> 00:02:47,600 IMPACT IN LIFE IS TIED TO THOSE 86 00:02:42,866 --> 00:02:49,133 BITS AND PIECES OF LIFE THAT TIE 87 00:02:45,400 --> 00:02:50,600 ALL OF US TOGETHER. 88 00:02:47,600 --> 00:02:52,766 MIKE, HOME VIDEO STYLE CAMERA 89 00:02:49,133 --> 00:02:53,066 WORK IS YOUR SIGNATURE. 90 00:02:50,600 --> 00:02:55,066 WHY DID THAT BECOME YOUR TECH 91 00:02:52,766 --> 00:02:57,200 MEEK? 92 00:02:53,066 --> 00:03:03,200 >> I STARTED AT HOME. 93 00:02:55,066 --> 00:03:04,800 AND I KNOW THE CHILDREN WERE 94 00:02:57,200 --> 00:03:07,900 NEVER THAN ENTIM DATED BY IT. 95 00:03:03,200 --> 00:03:10,000 WHEN I WAS AT THE "TODAY" SHOW 96 00:03:04,800 --> 00:03:11,700 FIRST I USED THE BIG CAMERAS, 97 00:03:07,900 --> 00:03:12,933 AND MFRT OF THE STORIES I DID 98 00:03:10,000 --> 00:03:15,000 WERE OF PEOPLE THAT NEVER HAD 99 00:03:11,700 --> 00:03:16,100 BEEN ON TV BEFORE. 100 00:03:12,933 --> 00:03:17,300 AND YOU TURN THAT LIGHT ON AND 101 00:03:15,000 --> 00:03:19,066 THEY CHANGE. 102 00:03:16,100 --> 00:03:20,933 I FOUND WHEN THE QUALITY WAS 103 00:03:17,300 --> 00:03:24,233 BETTER WITH LITTLE CAMERAS IT 104 00:03:19,066 --> 00:03:26,300 WAS JUST ME AND THE CAMERA. 105 00:03:20,933 --> 00:03:27,633 >> YOU SHOT YOUR OWN AT THE END? 106 00:03:24,233 --> 00:03:29,466 >> AND COY GET CLOSE TO THEM AND 107 00:03:26,300 --> 00:03:30,866 THEY FORGOT ABOUT THE CAMERA 108 00:03:27,633 --> 00:03:32,733 BECAUSE IT WAS LITTLE. 109 00:03:29,466 --> 00:03:33,700 AND THE QUALITY WAS GOOD. 110 00:03:30,866 --> 00:03:35,533 THINKINGS WERE WAY MORE 111 00:03:32,733 --> 00:03:37,266 REALISTIC. 112 00:03:33,700 --> 00:03:40,766 >> WHAT ARE THE PEOPLE THAT YOU 113 00:03:35,533 --> 00:03:43,533 FOCUS ON? 114 00:03:37,266 --> 00:03:44,733 WHY DID YOU PUT IN THE EPISODE? 115 00:03:40,766 --> 00:03:47,800 >> MY WIFE AND I LIVED IN 116 00:03:43,533 --> 00:03:51,933 PHOENIX AND THAT IS WHERE I GOT 117 00:03:44,733 --> 00:03:53,400 INTO TV, LATE, WHEN I WAS 31. 118 00:03:47,800 --> 00:03:54,466 LOOKING FOR A TV JOB, NO 119 00:03:51,933 --> 00:03:59,533 JOURNALISTIC EXPERIENCE, HE'S IN 120 00:03:53,400 --> 00:04:01,633 THE QUALIFIED. 121 00:03:54,466 --> 00:04:03,133 THIS JOB REQUIRES, AND DANNY 122 00:03:59,533 --> 00:04:07,333 LOOKING FOR A COACHING JOB, WE 123 00:04:01,633 --> 00:04:09,766 WERE IN THE SAME AGE. 124 00:04:03,133 --> 00:04:11,466 I GOT MY JOB IN TV AND DANNY GOT 125 00:04:07,333 --> 00:04:13,300 A JOB AS A HIGH SCHOOL COACH AND 126 00:04:09,766 --> 00:04:14,066 WE SEPARATED AND I GOT A CALL A 127 00:04:11,466 --> 00:04:16,333 COUPLE OF YEARS AGO AND HE SAID 128 00:04:13,300 --> 00:04:19,200 MIKE, REMEMBER ME. 129 00:04:14,066 --> 00:04:22,500 OF COURSE, FROM BROOKLYN AND I 130 00:04:16,333 --> 00:04:23,100 CAME TO PHOENIX ON A WHIM AND 131 00:04:19,200 --> 00:04:25,233 GOT A JOB AS A DRIVER'S ED 132 00:04:22,500 --> 00:04:27,700 INSTRUCTOR. 133 00:04:23,100 --> 00:04:29,033 I KNOW I CAN BECOME A KETCH AND 134 00:04:25,233 --> 00:04:31,533 HE BECAME A GREAT COACH. 135 00:04:27,700 --> 00:04:34,966 AND WENT TO STATE 136 00:04:29,033 --> 00:04:37,566 CHAMPIONSHIPPINGS AND CHANGED 137 00:04:31,533 --> 00:04:39,833 THE LIVES OF PLAYERS. 138 00:04:34,966 --> 00:04:42,166 >> LET'S LOOK AT A CLIP OF DAN. 139 00:04:37,566 --> 00:04:43,766 >> AS THE YEARS AND VICTORIES 140 00:04:39,833 --> 00:04:44,800 ADDED UP SO DID THE LIFE 141 00:04:42,166 --> 00:04:47,533 LESSONS, USUALLY DELIVERED IN 142 00:04:43,766 --> 00:04:48,733 STORY FORM. 143 00:04:44,800 --> 00:04:49,200 I HAD A YOUTH COACH AND WE HAD A 144 00:04:47,533 --> 00:04:51,300 BASEBALL TEAM, WE WERE PRETTY 145 00:04:48,733 --> 00:04:52,833 GOOD. 146 00:04:49,200 --> 00:04:54,500 AND LONG STORY SHORT F WE WON 147 00:04:51,300 --> 00:04:57,033 THIS GAME WE WITH TAKE A TRAIN 148 00:04:52,833 --> 00:04:58,533 RIDE TO VIRGINIA TO PLAY. 149 00:04:54,500 --> 00:05:02,633 AND NONE OF US HAD BEEN OUT OF 150 00:04:57,033 --> 00:05:06,133 BROOKLYN, THIS IS UNBELIEVEABLE. 151 00:04:58,533 --> 00:05:09,600 WE PLAYED ST. MARKS. 152 00:05:02,633 --> 00:05:11,466 A SCHOOL, THESE MATURE ITALIAN 153 00:05:06,133 --> 00:05:13,200 KIDS, WE LAST 24-3 AND WE WERE 154 00:05:09,600 --> 00:05:14,333 LUCKY TO GET THE THREE. 155 00:05:11,466 --> 00:05:16,633 THEY PUT IN A BUM PITCH ARE AT 156 00:05:13,200 --> 00:05:18,033 THE END. 157 00:05:14,333 --> 00:05:20,166 I WILL NEVER FORGET THIS. 158 00:05:16,633 --> 00:05:22,600 WE ARE CRYING. 159 00:05:18,033 --> 00:05:24,500 THIS IS ALL WE HAD. 160 00:05:20,166 --> 00:05:28,366 WE DIDN'T GO HOME TO HOT TUBS 161 00:05:22,600 --> 00:05:30,733 AND SWILLING POOLS. 162 00:05:24,500 --> 00:05:32,900 AND HE LOOKS AT US AND SAID 163 00:05:28,366 --> 00:05:35,266 FELLAS I'M PROUD OF YOU, IF THIS 164 00:05:30,733 --> 00:05:35,633 IS THE BIGGEST DISAPPOINTMENT 165 00:05:32,900 --> 00:05:38,566 YOU EVER HAVE, WILL BE LUCK YOU 166 00:05:35,266 --> 00:05:41,266 MEN. 167 00:05:35,633 --> 00:05:45,466 HIS SON BRIAN WAS ON THE TEAM. 168 00:05:38,566 --> 00:05:47,400 AND WE WERE ABOUT WEFL THEN, 7 169 00:05:41,266 --> 00:05:48,633 YEARS LATER I GET A PHONE CALL, 170 00:05:45,466 --> 00:05:51,400 BRIAN GIBBONS KILLED IN VIETNAM 171 00:05:47,400 --> 00:05:51,800 AT THE AGE OF 19. 172 00:05:48,633 --> 00:05:54,133 AND I COULDN'T STOP THINKING OF 173 00:05:51,400 --> 00:05:56,766 MR. GIBBONS. 174 00:05:51,800 --> 00:05:59,066 IN THE EPISODE YOU INTERVIEW ONE 175 00:05:54,133 --> 00:06:01,166 OF HIS PLAYERS, FORMER PLAYERS 176 00:05:56,766 --> 00:06:03,700 WHO, WHAT QUOTE DOES HE REPEAT? 177 00:05:59,066 --> 00:06:05,033 >> THE SAME THING. 178 00:06:01,166 --> 00:06:06,700 IF THIS IS THE WORST THING YOUR 179 00:06:03,700 --> 00:06:08,733 LIFE YOU ARE A LUCKY MAN. 180 00:06:05,033 --> 00:06:11,700 YOU SEE THE IMPACT OF A COACH. 181 00:06:06,700 --> 00:06:13,433 DAN IS THE SIMFUL OF ALL COACHES 182 00:06:08,733 --> 00:06:14,400 AND TEACHERS WHO CHANGE LIVES. 183 00:06:11,700 --> 00:06:15,866 AND HE HAS FOUR KIDS AND LAST 184 00:06:13,433 --> 00:06:16,500 ONE TO DRUGS. 185 00:06:14,400 --> 00:06:18,433 HE HAS BEEN MISSING FOR A COUPLE 186 00:06:15,866 --> 00:06:20,300 OF YEARS. 187 00:06:16,500 --> 00:06:22,300 HE CAN DO THE BEST HE CAN, BUT 188 00:06:18,433 --> 00:06:23,800 WE ARE ALL TOUCHED BY TRAGEDY 189 00:06:20,300 --> 00:06:25,333 AND IT IS TOUGH ON HIM BECAUSE 190 00:06:22,300 --> 00:06:26,033 HE'S DONE SO MUCH TO CHANGE THE 191 00:06:23,800 --> 00:06:28,966 LIVES OF OTHERS BUT IT DIDN'T 192 00:06:25,333 --> 00:06:30,033 WORK OUT. 193 00:06:26,033 --> 00:06:31,500 NOT BECAUSE HE'S NOT A GOOD DAD, 194 00:06:28,966 --> 00:06:33,733 HE IS. 195 00:06:30,033 --> 00:06:34,466 YOU USE THE PHRASE TAKING 196 00:06:31,500 --> 00:06:35,900 PICTURES IN AN ATTEMPT TO SLOW 197 00:06:33,733 --> 00:06:44,033 DOWN TIME. 198 00:06:34,466 --> 00:06:45,566 LET'S WATCH ANOTHER CLIP THAT 199 00:06:35,900 --> 00:06:47,800 HAS TO DO WITH TIME. 200 00:06:44,033 --> 00:06:49,700 SOME PEOPLE MEASURE A PERSON'S 201 00:06:45,566 --> 00:06:51,433 VALUE IN FINANCIAL TERMS. 202 00:06:47,800 --> 00:06:52,633 TO THE NET WORTH. 203 00:06:49,700 --> 00:06:56,133 OTHERS USE A FAR DIFFERENT 204 00:06:51,433 --> 00:07:03,333 STANDARD. 205 00:06:52,633 --> 00:07:05,766 >> HE PROBABLY HAS MOST TRUE 206 00:06:56,133 --> 00:07:08,500 CHARACTER ANYONE WOULD IMAGINE. 207 00:07:03,333 --> 00:07:10,833 THE CLOCK TICKS FOR ALL OF US, 208 00:07:05,766 --> 00:07:12,066 WITH VARIABLE DEGREES OF 209 00:07:08,500 --> 00:07:14,100 ALLOTTED TIME. 210 00:07:10,833 --> 00:07:15,466 DAN INVESTED HIS SHARE OF TIME 211 00:07:12,066 --> 00:07:16,666 IN THE LIVES OF OTHERS. 212 00:07:14,100 --> 00:07:17,166 AND IT PAID OFF. 213 00:07:15,466 --> 00:07:19,200 IN ANOTHER CONDITIONED OF 214 00:07:16,666 --> 00:07:21,766 WEALTH. 215 00:07:17,166 --> 00:07:23,566 >> MY MOTHER USED TO TELL ME, 216 00:07:19,200 --> 00:07:25,966 YOU WANT TO BE RICH, COUNT YOUR 217 00:07:21,766 --> 00:07:27,766 BLESSINGS AND I DO THAT. 218 00:07:23,566 --> 00:07:29,900 >> YOU KNOW, TELLING STORIES, 219 00:07:25,966 --> 00:07:30,433 FOR THE GOOD IN EVERYDAY PEOPLE, 220 00:07:27,766 --> 00:07:32,266 HOW DO THIS COME TO BE YOUR 221 00:07:29,900 --> 00:07:36,033 NICHE? 222 00:07:30,433 --> 00:07:37,566 >> BECAUSE I GOT IN THE BUSINESS 223 00:07:32,266 --> 00:07:39,466 SO LATE AND I HAD MANY BLUE 224 00:07:36,033 --> 00:07:42,133 COLLAR JOBS AND HAD NO MONEY. 225 00:07:37,566 --> 00:07:44,800 YOU FEEL THAT YOU ARE FORGOTTEN 226 00:07:39,466 --> 00:07:45,700 AND WHEN I GOT IN TV I GRAFFITI 227 00:07:42,133 --> 00:07:46,966 STATED I DID SPORTS, AND 228 00:07:44,800 --> 00:07:47,966 GRAVITATED TO THE PLAYER IT IS A 229 00:07:45,700 --> 00:07:48,833 DIDN'T GET A LOT OF ATTENTION 230 00:07:46,966 --> 00:07:50,133 AND I DEPARTMENTS DO THE 231 00:07:47,966 --> 00:07:51,600 QUARTERBACK BECAUSE EVERYONE 232 00:07:48,833 --> 00:07:54,566 ELSE DID THAT INTERVIEW. 233 00:07:50,133 --> 00:07:58,233 I WOULD GO TO THE GUARD OR 234 00:07:51,600 --> 00:08:00,300 SECOND STRINGER, AND I THINK THE 235 00:07:54,566 --> 00:08:00,966 WHOLE WORLD IS MADE OF A LOT OF 236 00:07:58,233 --> 00:08:02,933 PEOPLE WHO DO WORK AND DON'T GET 237 00:08:00,300 --> 00:08:04,833 NOTICED FOR IT. 238 00:08:00,966 --> 00:08:06,466 I HAD AN EMPATHY FOR IT BECAUSE 239 00:08:02,933 --> 00:08:08,000 OF STRUGGLING TO MAKE A LIVING 240 00:08:04,833 --> 00:08:10,766 MYSELF AND GETTING TO TV SO 241 00:08:06,466 --> 00:08:12,233 LATE. 242 00:08:08,000 --> 00:08:14,600 WITHOUT JOURNALISM OR ANYTHING. 243 00:08:10,766 --> 00:08:16,366 AND ON THE "TODAY" SHOW, SOCIETY 244 00:08:12,233 --> 00:08:17,566 MOVED ON AND THESE PHONY REALITY 245 00:08:14,600 --> 00:08:20,000 SHOWS AND PEOPLE ARE FAMOUS FOR 246 00:08:16,366 --> 00:08:24,833 NOTHING. 247 00:08:17,566 --> 00:08:26,900 SEEMS LIKE WE FORGOT ABOUT THE 248 00:08:20,000 --> 00:08:28,066 PEOPLE LIKE DANNY MACK. 249 00:08:24,833 --> 00:08:29,333 IT IS NOT LIKE HERE'S THE GOOD 250 00:08:26,900 --> 00:08:31,166 NEWS SHOW. 251 00:08:28,066 --> 00:08:31,833 THOSE CAN BE SAPPY. 252 00:08:29,333 --> 00:08:34,533 HAVE YOU THE SENTIMENT AND STUFF 253 00:08:31,166 --> 00:08:38,233 LIKE THAT. 254 00:08:31,833 --> 00:08:40,233 A LOT OF TERRIFIC STORIES AND I 255 00:08:34,533 --> 00:08:41,966 KNEW FROM MY 32 YEARS ON NBC I 256 00:08:38,233 --> 00:08:42,666 DID OVER A THOUSAND STORIES 257 00:08:40,233 --> 00:08:44,066 ABOUT PEOPLE WHO WERE NEVER ON 258 00:08:41,966 --> 00:08:45,900 TV BEFORE. 259 00:08:42,666 --> 00:08:47,700 AND THEY WERE GREAT. 260 00:08:44,066 --> 00:08:49,733 THE PEOPLE WERE GREAT. 261 00:08:45,900 --> 00:08:52,200 AND I JUST THINK WE NEED IT. 262 00:08:47,700 --> 00:08:54,833 I THINK IT MAKES US FEEL GOOD 263 00:08:49,733 --> 00:08:56,266 WHEN WE SEE SOMEONE LIKE US WHO 264 00:08:52,200 --> 00:08:57,666 IS ABLE TO BE, LIKE DANNY, 265 00:08:54,833 --> 00:08:59,400 CHANGE LIVES, TINY HOUSE. 266 00:08:56,266 --> 00:09:01,966 NOT A LOT OF MONEY. 267 00:08:57,666 --> 00:09:04,200 BUT MADE BIG KRUBTTION. 268 00:08:59,400 --> 00:09:05,833 >> MY UNDERSTANDING IS YOUR 269 00:09:01,966 --> 00:09:08,200 CONCERN ABOUT THE IMPACT, YOU 270 00:09:04,200 --> 00:09:10,166 ARE CONCERNED ABOUT THE 271 00:09:05,833 --> 00:09:10,966 POTENTIAL IMPAJT THAT YOUR STORY 272 00:09:08,200 --> 00:09:12,000 CAN HAVE ON THE SUBJECT ONCE YOU 273 00:09:10,166 --> 00:09:12,866 CLEAR TOWN. 274 00:09:10,966 --> 00:09:14,466 TELL ME ABOUT THAT? 275 00:09:12,000 --> 00:09:15,933 >> IT IS INTERESTING. 276 00:09:12,866 --> 00:09:16,266 AS YOU KNOW IN OUR BUSINESS WE 277 00:09:14,466 --> 00:09:18,366 CAN MAKE SOMEONE LOOK GOOD OR 278 00:09:15,933 --> 00:09:20,633 BAD. 279 00:09:16,266 --> 00:09:22,433 IF I GO TO A SMALL TOWN AND I 280 00:09:18,366 --> 00:09:24,233 MAKE SOMEONE LOOK BAD THAT IS 281 00:09:20,633 --> 00:09:25,300 NOT A GOOD THING BUT IT IS OKAY, 282 00:09:22,433 --> 00:09:27,966 BECAUSE THE PERSON WILL RALLY 283 00:09:24,233 --> 00:09:30,100 AROUND AND BLAME ME. 284 00:09:25,300 --> 00:09:34,200 IF I MAKE HIM LOOK TOO GOOD, HIM 285 00:09:27,966 --> 00:09:36,833 OR HER, LIKE A HERO, BETTER THAN 286 00:09:30,100 --> 00:09:38,733 THEY ARE, I LEAVE TOWN, RIGHT, 287 00:09:34,200 --> 00:09:40,033 AND THEY SAY WAS HE BRAGGING TO 288 00:09:36,833 --> 00:09:41,866 REPORTER OR DOING ALL THIS. 289 00:09:38,733 --> 00:09:45,900 SO HAVE YOU TO BE CAREFUL, I 290 00:09:40,033 --> 00:09:47,833 LEAVE THE TOWN, THEY STAY. 291 00:09:41,866 --> 00:09:50,000 AND DIA STORY IN A STATION, AND 292 00:09:45,900 --> 00:09:50,666 I KNOW THAT IF I MADE HIM LOOK 293 00:09:47,833 --> 00:09:59,100 TOO GOOD, HE WILL GET RIBBED ALL 294 00:09:50,000 --> 00:10:00,733 THE TIME. 295 00:09:50,666 --> 00:10:02,833 AND GET RESENTEDDED BY PEOPLE. 296 00:09:59,100 --> 00:10:04,333 IT IS IN OUR CARE TO DO THE 297 00:10:00,733 --> 00:10:05,666 RIGHT STORIES AND CARE FOR THE 298 00:10:02,833 --> 00:10:07,900 PEOPLE WE DO THE STORIES ON. 299 00:10:04,333 --> 00:10:09,000 WE LEAVE. 300 00:10:05,666 --> 00:10:10,900 AND WHAT WE LEAVE IS HOPEFULLY 301 00:10:07,900 --> 00:10:12,633 THE TRUTH. 302 00:10:09,000 --> 00:10:14,500 >> WHAT DO YOU WANT TO CONVEY 303 00:10:10,900 --> 00:10:17,433 THROUGH THE SERIES? 304 00:10:12,633 --> 00:10:19,266 >> THAT WE ARE IN IT TOGETHER. 305 00:10:14,500 --> 00:10:21,933 THERE IS A LOT OF TALK ABOUT 306 00:10:17,433 --> 00:10:25,066 INEQUITY AND THE REST BUT IN 307 00:10:19,266 --> 00:10:26,900 BASIC THINGS AND ENJOYMENT AND 308 00:10:21,933 --> 00:10:29,166 HAPPINESS, HAVING MEANING. 309 00:10:25,066 --> 00:10:31,266 WE ALL CAN'T HAVE MEANING. 310 00:10:26,900 --> 00:10:33,066 YOU KNOW, I CAN SAY TO THE BEING 311 00:10:29,166 --> 00:10:34,833 BOY, YOU ARE DOING A GOOD JOB. 312 00:10:31,266 --> 00:10:36,033 THAT MIGHT LIFT HIS SPIRIT AND 313 00:10:33,066 --> 00:10:36,966 HE MIGHT GO BACK TO SCHOOL. 314 00:10:34,833 --> 00:10:39,333 I DON'T KNOW. 315 00:10:36,033 --> 00:10:41,433 IT DOESN'T HURT. 316 00:10:36,966 --> 00:10:43,500 AND I DON'T WANT TO COME ACROSS 317 00:10:39,333 --> 00:10:44,866 AS I AM THE GOOD NEWS GUY ABOUT 318 00:10:41,433 --> 00:10:46,400 A LOT OF STORIES THAT DESERVE TO 319 00:10:43,500 --> 00:10:47,833 BE TOLD AND THAT'S WHAT I WILL 320 00:10:44,866 --> 00:10:49,366 TRY TO DO. 321 00:10:46,400 --> 00:10:51,533 MICHAEL LEONARD CONGRATULATIONS