WEBVTT 00:02.166 --> 00:03.233 align:start position:10% line:84.67% size:72.5% CHICAGOBUSINESS.COM I'M DANNY 00:03.466 --> 00:09.033 align:start position:10% line:74% size:45% ECKER BACK TO YOU. 00:05.100 --> 00:11.566 align:start position:10% line:74% size:80% >> NO SHORTAGE OF BEATLES COVERS 00:06.400 --> 00:13.500 align:start position:10% line:74% size:80% IN THE WORLD BUT WHEN A TALENTED 00:09.033 --> 00:14.633 align:start position:10% line:74% size:62.5% LOCAL GUITARIST LIKE JOEL 00:11.566 --> 00:17.300 align:start position:10% line:74% size:72.5% PATERSON APPLIES HIS ARTISTRY 00:13.500 --> 00:19.033 align:start position:10% line:74% size:60% THAT GETS OUR ATTENTION. 00:14.633 --> 00:21.600 align:start position:10% line:74% size:50% HERE IS JAY SHEFSKY. 00:17.300 --> 00:23.700 align:start position:10% line:74% size:80% >> I LOVE THE BEATLES WHEN I WAS 00:19.033 --> 00:25.700 align:start position:10% line:74% size:15% A KID. 00:21.600 --> 00:28.100 align:start position:10% line:74% size:70% BEFORE I PLAYED GUITAR I WAS 00:23.700 --> 00:33.666 align:start position:10% line:74% size:65% OBSESSED WITH THE BEATLES. 00:25.700 --> 00:36.266 align:start position:10% line:74% size:67.5% MY MOM HAD ALL THE RECORDS. 00:28.100 --> 00:38.000 align:start position:10% line:74% size:12.5% [♪♪♪] 00:33.666 --> 00:40.033 align:start position:10% line:74% size:80% >> CHICAGO-BASED GUITAR VIRTUOSO 00:36.266 --> 00:42.300 align:start position:10% line:74% size:77.5% JOEL PATERSON RELEASED AN ALBUM 00:38.000 --> 00:45.466 align:start position:10% line:74% size:45% OF BEATLES COVERS. 00:40.033 --> 00:48.100 align:start position:10% line:74% size:77.5% AND IF THIS ROOFTOP PERFORMANCE 00:42.300 --> 00:52.500 align:start position:10% line:74% size:80% BRINGS TO MIND ONE FROM 50 YEARS 00:45.466 --> 00:55.166 align:start position:10% line:74% size:72.5% EARLIER, THAT IS INTENTIONAL. 00:48.100 --> 00:57.433 align:start position:10% line:74% size:12.5% [♪♪♪] 00:52.500 --> 00:58.733 align:start position:10% line:74% size:75% >> IN 1969, THE BEATLES PLAYED 00:55.166 --> 01:00.666 align:start position:10% line:74% size:77.5% FIVE SONGS ON THE ROOF OF APPLE 00:57.433 --> 01:04.766 align:start position:10% line:74% size:45% RECORDS IN LONDON. 00:58.733 --> 01:05.566 align:start position:10% line:74% size:77.5% UNTIL THE POLICE MADE THEM TURN 01:00.666 --> 01:07.200 align:start position:10% line:74% size:40% DOWN THE VOLUME. 01:04.766 --> 01:08.700 align:start position:10% line:74% size:12.5% [♪♪♪] 01:05.566 --> 01:11.633 align:start position:10% line:74% size:77.5% THE PERFORMANCE ON THIS ROOFTOP 01:07.200 --> 01:13.266 align:start position:10% line:74% size:72.5% WILL BECOME A MUSIC VIDEO FOR 01:08.700 --> 01:15.233 align:start position:10% line:74% size:27.5% THE RECORD. 01:11.633 --> 01:17.300 align:start position:10% line:74% size:75% >> THE SONG HAS ALWAYS BEEN IN 01:13.266 --> 01:20.266 align:start position:10% line:74% size:77.5% MY HEAD BUT I NEVER PLAYED THEM 01:15.233 --> 01:23.366 align:start position:10% line:74% size:72.5% BEFORE BECAUSE I GOT INTO ALL 01:17.300 --> 01:27.366 align:start position:10% line:74% size:47.5% THESE OTHER STYLES. 01:20.266 --> 01:27.700 align:start position:10% line:74% size:80% >> JOEL PATERSON IS RENOWNED FOR 01:23.366 --> 01:29.466 align:start position:10% line:74% size:80% HIS MAST TERRY OF CLASSIC GUITAR 01:27.366 --> 01:31.400 align:start position:10% line:74% size:17.5% STYLES. 01:27.700 --> 01:33.133 align:start position:10% line:74% size:65% IT STARTED WHEN HE WAS 13. 01:29.466 --> 01:34.566 align:start position:10% line:74% size:67.5% >> MY MOM HAD A COOL RECORD 01:31.400 --> 01:35.700 align:start position:10% line:74% size:60% COLLECTION AND SHE HAD A 01:33.133 --> 01:37.066 align:start position:10% line:74% size:77.5% LEIGHTON HOPKINS RECORD WHO WAS 01:34.566 --> 01:38.933 align:start position:10% line:74% size:30% A BLUES MAN. 01:35.700 --> 01:43.033 align:start position:10% line:74% size:77.5% AND SOMETHING HIT ME THAT I HAD 01:37.066 --> 01:43.800 align:start position:10% line:74% size:60% TO LEARN HOW TO DO THAT. 01:38.933 --> 01:44.833 align:start position:10% line:74% size:75% TAUGHT MYSELF HOW TO PLAY, YOU 01:43.033 --> 01:50.166 align:start position:10% line:74% size:12.5% KNOW. 01:43.800 --> 01:52.133 align:start position:10% line:74% size:57.5% BLUES FROM THAT RECORD. 01:44.833 --> 01:52.633 align:start position:10% line:74% size:72.5% AND THE 1920s BLUES GUYS LIKE 01:50.166 --> 01:54.866 align:start position:10% line:74% size:15% BLAKE. 01:52.133 --> 01:56.900 align:start position:10% line:74% size:12.5% SO... 01:52.633 --> 01:57.433 align:start position:10% line:74% size:77.5% GREAT GUITAR PLAYING ON ANY OLD 01:54.866 --> 01:59.166 align:start position:10% line:74% size:15% STYLE. 01:56.900 --> 02:01.633 align:start position:10% line:74% size:12.5% [♪♪♪] 01:57.433 --> 02:03.233 align:start position:10% line:74% size:67.5% THAT'S WHAT THIS RECORD IS. 01:59.166 --> 02:06.366 align:start position:10% line:74% size:65% A LOT OF DIFFERENT STYLES. 02:01.633 --> 02:08.433 align:start position:10% line:74% size:12.5% [♪♪♪] 02:03.233 --> 02:10.733 align:start position:10% line:74% size:77.5% >> ALL MY LOVING COMES OUT LIKE 02:06.366 --> 02:13.633 align:start position:10% line:74% size:20% A BILLY. 02:08.433 --> 02:15.900 align:start position:10% line:74% size:12.5% [♪♪♪] 02:10.733 --> 02:18.566 align:start position:10% line:74% size:75% THE BEATLES WERE LOVED RECORDS 02:13.633 --> 02:20.766 align:start position:10% line:74% size:75% AND THEY LOVED ELVIS SO I MADE 02:15.900 --> 02:22.666 align:start position:10% line:74% size:75% ALL MY LOVING SOUND LIKE A SUN 02:18.566 --> 02:26.566 align:start position:10% line:74% size:75% SESSION SONG FINGER STYLE LIKE 02:20.766 --> 02:28.666 align:start position:10% line:74% size:30% CHET ATKINS. 02:22.666 --> 02:30.233 align:start position:10% line:74% size:12.5% [♪♪♪] 02:26.566 --> 02:34.266 align:start position:10% line:74% size:80% >> THERE ARE SONGS ON THIS ALBUM 02:28.666 --> 02:37.633 align:start position:10% line:74% size:65% WITH AN OLD TIME NASHVILLE 02:30.233 --> 02:44.100 align:start position:10% line:74% size:67.5% SOUND, 60s SOUL, HONKY TONK 02:34.266 --> 02:45.500 align:start position:10% line:74% size:75% AND SEVERAL INSPIRED BY GUITAR 02:37.633 --> 02:48.900 align:start position:10% line:74% size:37.5% GREAT LES PAUL. 02:44.100 --> 02:49.200 align:start position:10% line:74% size:12.5% [♪♪♪] 02:45.500 --> 02:50.966 align:start position:10% line:74% size:72.5% JOEL PLAYS ALL GUITARS ON THE 02:48.900 --> 02:54.766 align:start position:10% line:74% size:15% ALBUM. 02:49.200 --> 02:55.333 align:start position:10% line:74% size:60% HIS VERSION OF HONEY PIE 02:50.966 --> 02:57.566 align:start position:10% line:74% size:65% INCLUDES 15 GUITAR TRACKS. 02:54.766 --> 02:58.900 align:start position:10% line:74% size:12.5% [♪♪♪] 02:55.333 --> 03:04.266 align:start position:10% line:74% size:72.5% THE ALBUM IS CALLED LET IT BE 02:57.566 --> 03:05.866 align:start position:10% line:74% size:17.5% GUITAR. 02:58.900 --> 03:07.500 align:start position:10% line:74% size:60% AND THE ALBUM COVER IS A 03:04.266 --> 03:10.800 align:start position:10% line:74% size:80% REMARKABLY PRECISE HOMAGE TO THE 03:05.866 --> 03:12.833 align:start position:10% line:74% size:77.5% FIRST BEATLES AMERICAN RELEASE. 03:07.500 --> 03:14.466 align:start position:10% line:74% size:80% >> I GOT THE IDEA TO DO THE POSE 03:10.800 --> 03:15.933 align:start position:10% line:74% size:65% OF FOUR OF ME AND I WANTED 03:12.833 --> 03:17.633 align:start position:10% line:74% size:77.5% GUITARS BECAUSE IT'S CALLED LET 03:14.466 --> 03:19.066 align:start position:10% line:74% size:32.5% IT BE GUITAR. 03:15.933 --> 03:20.766 align:start position:10% line:74% size:12.5% [♪♪♪] 03:17.633 --> 03:24.466 align:start position:10% line:74% size:77.5% >> THE BUILDING ON TOP OF WHICH 03:19.066 --> 03:25.500 align:start position:10% line:74% size:72.5% JOEL AND HIS BAND ARE PLAYING 03:20.766 --> 03:28.633 align:start position:10% line:74% size:77.5% HAS AN IMPRESSIVE CHICAGO MUSIC 03:24.466 --> 03:30.133 align:start position:10% line:74% size:22.5% PEDIGREE. 03:25.500 --> 03:30.566 align:start position:10% line:74% size:72.5% IT WAS ONCE THE FACTORY WHERE 03:28.633 --> 03:32.733 align:start position:10% line:74% size:47.5% HAMMOND ORGANS WERE 03:30.133 --> 03:34.733 align:start position:10% line:74% size:32.5% MANUFACTURED. 03:30.566 --> 03:36.233 align:start position:10% line:74% size:65% TODAY IT'S HOME TO SMASHED 03:32.733 --> 03:42.733 align:start position:10% line:74% size:75% PLASTIC, CHICAGO'S FIRST VINYL 03:34.733 --> 03:45.466 align:start position:10% line:74% size:72.5% RECORD PRESSING PLANT IN MORE 03:36.233 --> 03:47.466 align:start position:10% line:74% size:35% THAN 30 YEARS. 03:42.733 --> 03:49.033 align:start position:10% line:74% size:77.5% LIKE MANY DEVOTED GUITAR GEEKS, 03:45.466 --> 03:51.033 align:start position:10% line:74% size:75% JOEL PATERSON KNOWS EVERY LICK 03:47.466 --> 03:53.533 align:start position:10% line:74% size:72.5% FROM EVERY RECORDING FROM ALL 03:49.033 --> 03:56.533 align:start position:10% line:74% size:67.5% THE GREAT GUITARISTS YOU'VE 03:51.033 --> 03:59.000 align:start position:10% line:74% size:37.5% NEVER HEARD OF. 03:53.533 --> 04:01.000 align:start position:10% line:74% size:77.5% >> I WAS JUST PLAYING BLAKE AND 03:56.533 --> 04:02.800 align:start position:10% line:74% size:60% I REALIZED SCOTTY MOORE. 03:59.000 --> 04:05.400 align:start position:10% line:74% size:62.5% HE CAN DO THE SAME THING. 04:01.000 --> 04:07.400 align:start position:10% line:74% size:80% >> AND THERE ARE NODS TO MANY OF 04:02.800 --> 04:09.466 align:start position:10% line:74% size:47.5% THEM ON THIS ALBUM. 04:05.400 --> 04:11.266 align:start position:10% line:74% size:75% >> SAME THING HE WAS TRYING TO 04:07.400 --> 04:14.300 align:start position:10% line:74% size:55% PLAY LIKE CHET ATKINS. 04:09.466 --> 04:15.066 align:start position:10% line:74% size:77.5% MOST OF THE BEST GUITAR PLAYERS 04:11.266 --> 04:19.633 align:start position:10% line:74% size:80% IN THE WORLD ARE COUNTRY SESSION 04:14.300 --> 04:21.300 align:start position:10% line:74% size:25% MUSICIANS. 04:15.066 --> 04:24.533 align:start position:10% line:74% size:57.5% THEY CAN PLAY ANYTHING. 04:19.633 --> 04:27.300 align:start position:10% line:74% size:80% DEFINITELY RECORD LABELS WANT TO 04:21.300 --> 04:30.266 align:start position:10% line:74% size:80% SEPARATE THINGS IN GENRES BUT AS 04:24.533 --> 04:32.766 align:start position:10% line:74% size:72.5% MUSICIANS WE JUST LIKE MUSIC. 04:27.300 --> 04:35.533 align:start position:10% line:74% size:12.5% [♪♪♪] 04:30.266 --> 04:35.933 align:start position:10% line:74% size:80% >> AND ON LET IT BE GUITAR, JOEL 04:32.766 --> 04:39.133 align:start position:10% line:74% size:80% PATERSON APPLIES ALL THAT TO THE 04:35.533 --> 04:40.866 align:start position:10% line:74% size:20% BEATLES. 04:35.933 --> 04:44.433 align:start position:10% line:74% size:12.5% [♪♪♪] 04:39.133 --> 04:45.900 align:start position:10% line:74% size:72.5% FOR "CHICAGO TONIGHT" THIS IS 04:40.866 --> 04:48.833 align:start position:10% line:74% size:30% JAY SHEFSKY. 04:44.433 --> 04:50.833 align:start position:10% line:74% size:77.5% >> LISTEN TO THAT ALL NIGHT AND 04:45.900 --> 04:53.633 align:start position:10% line:74% size:77.5% YOU CAN SEE JOEL PATERSON EVERY 04:48.833 --> 04:55.766 align:start position:10% line:74% size:77.5% SUNDAY NIGHT AT THE GREEN MILL. 04:50.833 --> 04:56.700 align:start position:10% line:74% size:72.5% AND ON NOVEMBER 22 AND 23 HIS 04:53.633 --> 04:58.433 align:start position:10% line:74% size:80% BAND WILL BE THERE PLAYING THOSE