WEBVTT 00:03.600 --> 00:07.466 align:start position:10% line:74% size:65% MORE, HEDY WEISS GIVES HER 00:05.466 --> 00:10.033 align:start position:10% line:74% size:35% LATEST THEATER 00:06.933 --> 00:12.500 align:start position:10% line:74% size:47.5% RECOMMENDATIONINGS. 00:07.466 --> 00:15.133 align:start position:10% line:74% size:70% >> FOR 45 YEARS STUDS TERKEL 00:10.033 --> 00:16.933 align:start position:10% line:74% size:75% TOOK RADIO LISTENERS ALONG FOR 00:12.500 --> 00:20.233 align:start position:10% line:74% size:40% AN AMAZING RIDE. 00:15.133 --> 00:23.933 align:start position:10% line:74% size:72.5% HE INTERVIEWED THE REFERENDUM 00:16.933 --> 00:28.233 align:start position:10% line:74% size:75% MARTIN LUTHER KING, JR., CESAR 00:20.233 --> 00:29.366 align:start position:10% line:74% size:70% CHAVEZ, GWEN LYNN BROOKS AND 00:23.933 --> 00:31.900 align:start position:10% line:74% size:75% JANICE JOP OPINION, BOB DYLAN, 00:28.233 --> 00:33.966 align:start position:10% line:74% size:35% MARLON BRANDO. 00:29.366 --> 00:35.033 align:start position:10% line:74% size:70% A DECADE AFTER HIS DEATH, IN 00:31.900 --> 00:37.500 align:start position:10% line:74% size:75% FACT, THE STUDS TERKEL ARCHIVE 00:33.966 --> 00:40.300 align:start position:10% line:74% size:32.5% HAS LAUNCHED. 00:35.033 --> 00:43.100 align:start position:10% line:74% size:72.5% TODAY THE FIRST 1200 HOURS OF 00:37.500 --> 00:45.300 align:start position:10% line:74% size:67.5% RADIO PROGRAMS IS AVAILABLE 00:40.300 --> 00:49.733 align:start position:10% line:74% size:52.5% ON-LINE ALL FOR FREE. 00:43.100 --> 00:50.766 align:start position:10% line:74% size:75% EVENTUALLY 5600 HOURS OF SHOWS 00:45.300 --> 00:52.066 align:start position:10% line:74% size:72.5% FROM 1952-1997 WILL BE POSTED 00:49.733 --> 00:54.200 align:start position:10% line:74% size:20% ON-LINE. 00:50.766 --> 00:55.633 align:start position:10% line:74% size:65% TERKEL WAS ASKED ABOUT HIS 00:52.066 --> 01:00.133 align:start position:10% line:74% size:77.5% LEGACY IN 1975 AND HERE IS WHAT 00:54.200 --> 01:06.433 align:start position:10% line:74% size:45% HE SAID BACK THEN. 00:55.633 --> 01:09.600 align:start position:10% line:74% size:77.5% >> THIS SOUNDS ALMOST YOU KNOW, 01:00.133 --> 01:12.800 align:start position:10% line:74% size:72.5% VERY CORNY, BUT I THINK AFTER 01:06.433 --> 01:14.833 align:start position:10% line:74% size:62.5% YOU DIE YOU KNOW YOU HOPE 01:09.600 --> 01:15.600 align:start position:10% line:74% size:72.5% SOMETHING YOU DID, MAYBE THIS 01:12.800 --> 01:16.600 align:start position:10% line:74% size:60% CAME UP BECAUSE IT IS AN 01:14.833 --> 01:18.033 align:start position:10% line:74% size:42.5% IMPORTANT IMPACT. 01:15.600 --> 01:20.066 align:start position:10% line:74% size:40% OF COURSE IT IS. 01:16.600 --> 01:20.833 align:start position:10% line:74% size:67.5% OTHERWISE WHAT'S THE POINT. 01:18.033 --> 01:22.333 align:start position:10% line:74% size:67.5% >> AND WHAT AN IMPACT STUDS 01:20.066 --> 01:25.266 align:start position:10% line:74% size:30% TERKEL MADE. 01:20.833 --> 01:28.933 align:start position:10% line:74% size:67.5% HERE TO TALK ABOUT TERKEL'S 01:22.333 --> 01:31.500 align:start position:10% line:74% size:77.5% LEGACY AND THE ARCHIVE ARE TONY 01:25.266 --> 01:34.100 align:start position:10% line:74% size:62.5% MACALUSO, WFMT'S OF RADIO 01:28.933 --> 01:35.300 align:start position:10% line:74% size:80% SYNDICATION AND THE ARCHIVE, AND 01:31.500 --> 01:36.766 align:start position:10% line:74% size:72.5% GARY JOHNSON PRESIDENT OF THE 01:34.100 --> 01:37.133 align:start position:10% line:74% size:65% CHICAGO HISTORY MUSEUM AND 01:35.300 --> 01:39.100 align:start position:10% line:74% size:60% WELCOME BOTH TO "CHICAGO 01:36.766 --> 01:42.700 align:start position:10% line:74% size:22.5% TONIGHT." 01:37.133 --> 01:43.100 align:start position:10% line:74% size:75% TONY MACALUSO WE ELUDED TO THE 01:39.100 --> 01:45.066 align:start position:10% line:74% size:72.5% BREADTH OF THE PEOPLE THAT HE 01:42.700 --> 01:47.566 align:start position:10% line:74% size:30% INTERVIEWED. 01:43.100 --> 01:50.233 align:start position:10% line:74% size:72.5% BUT EXPAND ON THAT, EXPAND ON 01:45.066 --> 01:51.866 align:start position:10% line:74% size:57.5% WHAT STUDS DID EXACTLY? 01:47.566 --> 01:53.933 align:start position:10% line:74% size:77.5% >> WHAT IS AMAZING TO ME IS THE 01:50.233 --> 01:55.300 align:start position:10% line:74% size:80% CONVERSATIONS WITH FAMOUS PEOPLE 01:51.866 --> 01:57.100 align:start position:10% line:74% size:70% SITTING DOWN WITH ACTORS AND 01:53.933 --> 01:58.966 align:start position:10% line:74% size:62.5% DIRECTORS AND WRITERS AND 01:55.300 --> 02:01.266 align:start position:10% line:74% size:77.5% SCIENTISTS BUT THE FACT THAT HE 01:57.100 --> 02:02.200 align:start position:10% line:74% size:72.5% TOOK IT OUT OF THE STUDIO AND 01:58.966 --> 02:04.566 align:start position:10% line:74% size:67.5% TRAVELED THE WORLD WITH THE 02:01.266 --> 02:06.900 align:start position:10% line:74% size:57.5% PORTABLE TAPE RECORDER. 02:02.200 --> 02:09.100 align:start position:10% line:74% size:75% WE HAVE RECORDINGS OF STUDS IN 02:04.566 --> 02:10.766 align:start position:10% line:74% size:77.5% SOUTH AFRICA OR IN ITALY IN THE 02:06.900 --> 02:12.200 align:start position:10% line:74% size:65% EARLY 60s OR IN THE SOVIET 02:09.100 --> 02:14.500 align:start position:10% line:74% size:75% UNION MEETING WITH JOURNALISTS 02:10.766 --> 02:16.633 align:start position:10% line:74% size:25% AND CHINA. 02:12.200 --> 02:19.266 align:start position:10% line:74% size:72.5% ALSO THE FIELD RECORDINGS ARE 02:14.500 --> 02:19.566 align:start position:10% line:74% size:75% INCREDIBLE AND THE RADIO DRAMA 02:16.633 --> 02:21.600 align:start position:10% line:74% size:72.5% AND STUDS READING STORIES AND 02:19.266 --> 02:24.933 align:start position:10% line:74% size:15% POEMS. 02:19.566 --> 02:26.466 align:start position:10% line:74% size:60% AND STURDS TALKING TO -- 02:21.600 --> 02:27.966 align:start position:10% line:74% size:70% STUDS TALKING TO CHICAGOANS. 02:24.933 --> 02:32.266 align:start position:10% line:74% size:75% >> GARY JOHNSON, STUDS CAME TO 02:26.466 --> 02:34.333 align:start position:10% line:74% size:67.5% WORK AT THE CHICAGO HISTORY 02:27.966 --> 02:35.700 align:start position:10% line:74% size:80% MUSEUM AS A SCHOLAR IN RESIDENT. 02:32.266 --> 02:39.700 align:start position:10% line:74% size:77.5% EXPAND ON HIS IMPORTANCE TO THE 02:34.333 --> 02:41.433 align:start position:10% line:74% size:42.5% CITY AND CULTURE? 02:35.700 --> 02:43.033 align:start position:10% line:74% size:77.5% >> WELL, HE ENCOURAGED CULTURE. 02:39.700 --> 02:45.600 align:start position:10% line:74% size:72.5% EPITOMIZED CULTURE BECAUSE HE 02:41.433 --> 02:47.166 align:start position:10% line:74% size:57.5% CROSSED EVERY BOUNDARY. 02:43.033 --> 02:48.933 align:start position:10% line:74% size:77.5% HIS SHOW IN THE EARLY YEARS WAS 02:45.600 --> 02:50.766 align:start position:10% line:74% size:67.5% VERY ORIENTED TOWARD MUSIC. 02:47.166 --> 02:52.100 align:start position:10% line:74% size:77.5% HE WAS PART OF THE MUSICAL LIFE 02:48.933 --> 02:54.833 align:start position:10% line:74% size:77.5% OF THE CITY IN THE YEARS WHEN I 02:50.766 --> 02:56.633 align:start position:10% line:74% size:70% WAS THERE THE THE END OF HIS 02:52.100 --> 02:57.566 align:start position:10% line:74% size:77.5% TIME WITH THE HISTORY MUSEUM HE 02:54.833 --> 02:59.933 align:start position:10% line:74% size:77.5% WROTE A BOOK ON HIS ASSOCIATION 02:56.633 --> 03:02.600 align:start position:10% line:74% size:27.5% WITH MUSIC. 02:57.566 --> 03:02.966 align:start position:10% line:74% size:80% WHEN THERE WAS A PLAY IN TOWN HE 02:59.933 --> 03:05.500 align:start position:10% line:74% size:67.5% INTERVIEWED THE ACTORS, THE 03:02.600 --> 03:08.300 align:start position:10% line:74% size:25% DIRECTORS. 03:02.966 --> 03:10.500 align:start position:10% line:74% size:75% HE WAS PART OF EVERY ASPECT OF 03:05.500 --> 03:11.600 align:start position:10% line:74% size:65% CULTURE TO THE POINT WHERE 03:08.300 --> 03:13.300 align:start position:10% line:74% size:80% OUTSIDE OF CHICAGO HE EPITOMIZED 03:10.500 --> 03:15.800 align:start position:10% line:74% size:22.5% THE CITY. 03:11.600 --> 03:17.600 align:start position:10% line:74% size:67.5% >> AND WHEN YOU LOOK AT THE 03:13.300 --> 03:20.066 align:start position:10% line:74% size:77.5% BREADTH OF THIS ACTIVITY HE WAS 03:15.800 --> 03:22.066 align:start position:10% line:74% size:62.5% NOT JUST A JOURNALIST AND 03:17.600 --> 03:24.666 align:start position:10% line:74% size:77.5% PULITZER PRIZE AUTHOR HE WAS AN 03:20.066 --> 03:26.566 align:start position:10% line:74% size:70% ENTERTAINER AND ACTIVIST AND 03:22.066 --> 03:28.033 align:start position:10% line:74% size:70% HOST OF STUDS PLACE ON EARLY 03:24.666 --> 03:30.833 align:start position:10% line:74% size:77.5% CHICAGO SCHOOL OF TELEVISION IN 03:26.566 --> 03:31.733 align:start position:10% line:74% size:25% THE 1950s. 03:28.033 --> 03:34.400 align:start position:10% line:74% size:80% HOW DID THE STUDS TERKEL ARCHIVE 03:30.833 --> 03:37.533 align:start position:10% line:74% size:37.5% TOMORROW ABOUT. 03:31.733 --> 03:41.333 align:start position:10% line:74% size:77.5% >> WHEN STUDS STOPPED DOING THE 03:34.400 --> 03:42.700 align:start position:10% line:74% size:70% RADIO IN 1997 HE WAS INVITED 03:37.533 --> 03:44.500 align:start position:10% line:74% size:67.5% INTO THE HISTORY MUSEUM AND 03:41.333 --> 03:45.433 align:start position:10% line:74% size:75% BROUGHT ALL THE TAPES WITH HIM 03:42.700 --> 03:48.933 align:start position:10% line:74% size:67.5% AND THE HISTORY MUSEUM TOOK 03:44.500 --> 03:51.000 align:start position:10% line:74% size:50% LOVING CARE OF THEM. 03:45.433 --> 03:53.233 align:start position:10% line:74% size:77.5% AND IN ABOUT 2009 WITH THE HELP 03:48.933 --> 03:54.666 align:start position:10% line:74% size:75% OF SOME GREAT FRIENDS OF STUDS 03:51.000 --> 03:56.900 align:start position:10% line:74% size:67.5% AND ARCHIVE, THE LIBRARY OF 03:53.233 --> 03:57.733 align:start position:10% line:74% size:77.5% CONGRESS TOOK ALL THE TAPES AND 03:54.666 --> 03:59.200 align:start position:10% line:74% size:77.5% BEGAN THE PROCESS OF DIGITIZING 03:56.900 --> 04:01.033 align:start position:10% line:74% size:12.5% THEM. 03:57.733 --> 04:03.533 align:start position:10% line:74% size:75% >> GARRY PICK UP THE STORY HOW 03:59.200 --> 04:05.266 align:start position:10% line:74% size:40% THAT CAME TO BE? 04:01.033 --> 04:08.500 align:start position:10% line:74% size:80% >> WELL, WHEN I WAS PRESIDENT, I 04:03.533 --> 04:09.833 align:start position:10% line:74% size:72.5% REALIZED FROM A MEETING I HAD 04:05.266 --> 04:11.933 align:start position:10% line:74% size:75% WITH STUDS A FEW DAYS BEFORE I 04:08.500 --> 04:15.566 align:start position:10% line:74% size:77.5% STARTED, THAT THIS WAS GOING TO 04:09.833 --> 04:18.500 align:start position:10% line:74% size:80% BE ONE OF MY MOST IMPORTANT JOBS 04:11.933 --> 04:22.400 align:start position:10% line:74% size:80% IS FINDING A WAY TO BACKUP THESE 04:15.566 --> 04:22.833 align:start position:10% line:74% size:67.5% MAGNETIC TAPES WHICH GO THE 04:18.500 --> 04:24.533 align:start position:10% line:74% size:70% DIRECTION OF MAGNETIC TAPES, 04:22.400 --> 04:27.666 align:start position:10% line:74% size:35% DETERIORATION. 04:22.833 --> 04:29.466 align:start position:10% line:74% size:70% SO FOR THE FIRST FEW YEARS I 04:24.533 --> 04:31.533 align:start position:10% line:74% size:77.5% TRIED TO FIND A WAY TO GET THEM 04:27.666 --> 04:34.500 align:start position:10% line:74% size:67.5% BACKED UP AND DIGITIZED AND 04:29.466 --> 04:36.133 align:start position:10% line:74% size:62.5% CHARLES BENTON, IMPORTANT 04:31.533 --> 04:39.700 align:start position:10% line:74% size:72.5% CHICAGO FIGURE WAS ASSOCIATED 04:34.500 --> 04:42.633 align:start position:10% line:74% size:80% WITH THE LIBRARY OF CONGRESS AND 04:36.133 --> 04:43.800 align:start position:10% line:74% size:80% THEY HAVE A PACKARD CENTER WHICH 04:39.700 --> 04:46.166 align:start position:10% line:74% size:80% IS THE TECHNICALLY BEST PLACE TO 04:42.633 --> 04:47.900 align:start position:10% line:74% size:77.5% DIGITIZE MATERIAL IN THE WORLD. 04:43.800 --> 04:49.866 align:start position:10% line:74% size:72.5% AND HE HEARD ME GIVE A SPEECH 04:46.166 --> 04:52.166 align:start position:10% line:74% size:75% ABOUT THIS SUBJECT AND CAME UP 04:47.900 --> 04:53.633 align:start position:10% line:74% size:77.5% ARKED OF AFTERWARDS AND SAID WE 04:49.866 --> 04:55.133 align:start position:10% line:74% size:80% ARE GOING TO MAKE THEM DO IT AND 04:52.166 --> 04:58.000 align:start position:10% line:74% size:37.5% BY GOD, HE DID. 04:53.633 --> 05:00.133 align:start position:10% line:74% size:50% >> THEY JUST DID IT. 04:55.133 --> 05:00.633 align:start position:10% line:74% size:60% IT WAS A PRO BONO THING? 04:58.000 --> 05:03.433 align:start position:10% line:74% size:70% >> THEY DID IT AS A NATIONAL 05:00.133 --> 05:04.866 align:start position:10% line:74% size:22.5% TREASURE. 05:00.633 --> 05:05.900 align:start position:10% line:74% size:70% AND THEY ARE STILL DOING IT. 05:03.433 --> 05:08.100 align:start position:10% line:74% size:67.5% IT'S METICULOUS WORK AND IT 05:04.866 --> 05:09.933 align:start position:10% line:74% size:30% TAKES YEARS. 05:05.900 --> 05:11.733 align:start position:10% line:74% size:62.5% THEY ARE HALFWAY THROUGH. 05:08.100 --> 05:14.900 align:start position:10% line:74% size:72.5% EVERY FEW MONTHS I GET A HARD 05:09.933 --> 05:16.266 align:start position:10% line:74% size:77.5% DRIVE WITH MORE STUDS TAPES AND 05:11.733 --> 05:17.466 align:start position:10% line:74% size:67.5% I DON'T DELEGATE THE JOB OF 05:14.900 --> 05:19.700 align:start position:10% line:74% size:67.5% LISTENING TO THOSE TAPES TO 05:16.266 --> 05:21.066 align:start position:10% line:74% size:47.5% ANYONE ON MY STAFF. 05:17.466 --> 05:21.700 align:start position:10% line:74% size:55% I KEEP THAT TO MYSELF. 05:19.700 --> 05:23.833 align:start position:10% line:74% size:60% >> YOU PERSONALLY DO IT? 05:21.066 --> 05:26.133 align:start position:10% line:74% size:12.5% I DO. 05:21.700 --> 05:28.133 align:start position:10% line:74% size:12.5% I DO. 05:23.833 --> 05:30.400 align:start position:10% line:74% size:65% >> YOU KNOW HIM PERSONALLY 05:26.133 --> 05:30.700 align:start position:10% line:74% size:75% PROBABLY BETTER THAN TONY OR I 05:28.133 --> 05:32.033 align:start position:10% line:74% size:70% DID, I INTERVIEWED HIM A FEW 05:30.400 --> 05:33.533 align:start position:10% line:74% size:15% TIMES. 05:30.700 --> 05:35.233 align:start position:10% line:74% size:42.5% WHAT WAS HE LIKE? 05:32.033 --> 05:36.033 align:start position:10% line:74% size:75% >> WELL, WHAT YOU HEARD IN THE 05:33.533 --> 05:42.766 align:start position:10% line:74% size:72.5% RADIO, OF COURSE, IS WHAT YOU 05:35.233 --> 05:46.966 align:start position:10% line:74% size:35% GOT IN PERSON. 05:36.033 --> 05:48.866 align:start position:10% line:74% size:77.5% BUT HE WAS CURIOUS, HE WAS VERY 05:42.766 --> 05:52.500 align:start position:10% line:74% size:75% INTERESTED IN EVERYONE HE MET. 05:46.966 --> 05:54.533 align:start position:10% line:74% size:80% AND THE STORIES ARE TOLD ABOUT A 05:48.866 --> 05:56.600 align:start position:10% line:74% size:75% PROJECT WE HAD WITH TEENAGERS. 05:52.500 --> 05:58.866 align:start position:10% line:74% size:62.5% AND THE TEENAGERS GOT THE 05:54.533 --> 06:00.733 align:start position:10% line:74% size:72.5% OPPORTUNITY TO INTERVIEW HIM. 05:56.600 --> 06:02.233 align:start position:10% line:74% size:70% AND THE REASON WHY THEY FEEL 05:58.866 --> 06:03.100 align:start position:10% line:74% size:62.5% COMFORTABLE DOING THAT HE 06:00.733 --> 06:06.033 align:start position:10% line:74% size:77.5% ESTABLISHED HIS OWN INTEREST IN 06:02.233 --> 06:07.333 align:start position:10% line:74% size:30% OF ALL THEM. 06:03.100 --> 06:09.366 align:start position:10% line:74% size:60% HE CARED ABOUT EVERYONE. 06:06.033 --> 06:10.633 align:start position:10% line:74% size:60% HE CARED ABOUT EVERYONE. 06:07.333 --> 06:12.166 align:start position:10% line:74% size:67.5% SO MAKING THIS WAY DOWN THE 06:09.366 --> 06:12.433 align:start position:10% line:74% size:65% HALL, TOOK TIME BECAUSE HE 06:10.633 --> 06:13.666 align:start position:10% line:74% size:70% TALKED TO EVERYONE ALONG THE 06:12.166 --> 06:15.066 align:start position:10% line:74% size:10% WAY. 06:12.433 --> 06:16.766 align:start position:10% line:74% size:60% THAT IS WHAT I REMEMBER. 06:13.666 --> 06:18.466 align:start position:10% line:74% size:50% >> THAT IS FOR SURE. 06:15.066 --> 06:21.433 align:start position:10% line:74% size:75% AND THE ARCHIVES WHAT IS GOING 06:16.766 --> 06:22.766 align:start position:10% line:74% size:55% TO BE IN THE ARCHIVES? 06:18.466 --> 06:24.200 align:start position:10% line:74% size:60% WHAT IS IN IT RIGHT NOW? 06:21.433 --> 06:26.233 align:start position:10% line:74% size:42.5% RADIO INTERVIEWS? 06:22.766 --> 06:28.566 align:start position:10% line:74% size:50% THE BOOK INTERVIEWS. 06:24.200 --> 06:30.000 align:start position:10% line:74% size:60% >> THE RADIO INTERVIEWS. 06:26.233 --> 06:32.733 align:start position:10% line:74% size:62.5% THE BOOK INTERVIEWS ARE A 06:28.566 --> 06:33.500 align:start position:10% line:74% size:72.5% SEPARATE BIG BODY OF WORK AND 06:30.000 --> 06:36.133 align:start position:10% line:74% size:80% TOOLS THAT ALLOW PEOPLE TO SHARE 06:32.733 --> 06:37.933 align:start position:10% line:74% size:12.5% THEM. 06:33.500 --> 06:40.000 align:start position:10% line:74% size:80% THEY WILL BE TRANSCRIPTS AND 150 06:36.133 --> 06:42.300 align:start position:10% line:74% size:70% SO AND THEN LOTS OF THEM AND 06:37.933 --> 06:43.900 align:start position:10% line:74% size:75% PEOPLE CAN SEARCH DOWN TO FIND 06:40.000 --> 06:45.600 align:start position:10% line:74% size:57.5% SPECIFIC WORDS AND THEN 06:42.300 --> 06:47.166 align:start position:10% line:74% size:80% HIGHLIGHT TEXT AND GRAB THAT AND 06:43.900 --> 06:50.533 align:start position:10% line:74% size:75% SHARE THE AUDIO THAT GOES WITH 06:45.600 --> 06:52.633 align:start position:10% line:74% size:75% IT IT BECOMES POSSIBLE TO TYPE 06:47.166 --> 06:54.966 align:start position:10% line:74% size:75% IN A WORD LIKE ATOMIC BOMB AND 06:50.533 --> 06:56.266 align:start position:10% line:74% size:70% FIND REFERENCES TO BOB DYLAN 06:52.633 --> 06:57.800 align:start position:10% line:74% size:62.5% TALKING ABOUT IT AND FIND 06:54.966 --> 07:01.633 align:start position:10% line:74% size:75% REFERENCES FROM CHICAGO SCHOOL 06:56.266 --> 07:04.800 align:start position:10% line:74% size:80% KIDS TALKING ABOUT THE TOPIC AND 06:57.800 --> 07:06.100 align:start position:10% line:74% size:67.5% SHARE IT WITH THE WORLD AND 07:01.633 --> 07:10.300 align:start position:10% line:74% size:22.5% REUSE IT. 07:04.800 --> 07:11.900 align:start position:10% line:74% size:55% >> GARRY ARE THERE ANY 07:06.100 --> 07:14.166 align:start position:10% line:74% size:80% INTERVIEWS THAT JUMP OUT AT YOU? 07:10.300 --> 07:18.100 align:start position:10% line:74% size:60% WHAT STANDS OUT FOR YOU? 07:11.900 --> 07:19.766 align:start position:10% line:74% size:30% >> A COUPLE. 07:14.166 --> 07:20.900 align:start position:10% line:74% size:75% 1991, HIS FIRST INTERVIEW WITH 07:18.100 --> 07:26.600 align:start position:10% line:74% size:52.5% ALEX COT DUGOUT WITS. 07:19.766 --> 07:28.033 align:start position:10% line:74% size:15% HE IS. 07:20.900 --> 07:30.533 align:start position:10% line:74% size:70% >> THE AUTHOR OF [INAUDIBLE] 07:26.600 --> 07:32.966 align:start position:10% line:74% size:75% THE FIRST WORDS ARE EVERY ONCE 07:28.033 --> 07:36.633 align:start position:10% line:74% size:77.5% IN A WHILE YOU ENCOUNTER A BOOK 07:30.533 --> 07:39.933 align:start position:10% line:74% size:55% AND YOU SAY THAT'S IT. 07:32.966 --> 07:42.066 align:start position:10% line:74% size:72.5% AND THERE GOES ALEX YOU KNOW, 07:36.633 --> 07:43.133 align:start position:10% line:74% size:45% ANOINTED BY STUDS. 07:39.933 --> 07:44.566 align:start position:10% line:74% size:77.5% AND WONDERFUL TO HEAR THE FIRST 07:42.066 --> 07:47.433 align:start position:10% line:74% size:70% INTERVIEW FROM SOMEONE STILL 07:43.133 --> 07:49.800 align:start position:10% line:74% size:20% WITH US. 07:44.566 --> 07:51.733 align:start position:10% line:74% size:75% A COUPLE YEARS AGO THERE WAS A 07:47.433 --> 07:53.366 align:start position:10% line:74% size:67.5% WONDERFUL DOCUMENTARY MOVIE 07:49.800 --> 07:55.433 align:start position:10% line:74% size:72.5% ABOUT JAMES BALDWIN THERE ARE 07:51.733 --> 07:55.700 align:start position:10% line:74% size:75% SEVERAL INTERVIEWS WITH STUDS. 07:53.366 --> 07:57.566 align:start position:10% line:74% size:70% THOSE ARE THE TWO THAT STAND 07:55.433 --> 08:00.200 align:start position:10% line:74% size:10% OUT. 07:55.700 --> 08:01.466 align:start position:10% line:74% size:65% >> HOW ABOUT FOR YOU TONY? 07:57.566 --> 08:04.333 align:start position:10% line:74% size:72.5% >> TALKING WITH NELSON ALGREN 08:00.200 --> 08:06.133 align:start position:10% line:74% size:77.5% TALKING ABOUT A FRIEND AND THIS 08:01.466 --> 08:08.500 align:start position:10% line:74% size:70% IS A RADIO DRAMA SOUND SCAPE 08:04.333 --> 08:11.233 align:start position:10% line:74% size:65% PROGRAM THAT TOOK ALGREN'S 08:06.133 --> 08:15.033 align:start position:10% line:74% size:80% STORIES AND ESSAYS AND POEMS AND 08:08.500 --> 08:15.600 align:start position:10% line:74% size:75% ALGREN AND STUDS ALL PERFORMED 08:11.233 --> 08:17.533 align:start position:10% line:74% size:67.5% AND IT IS A RADIO HOMAGE TO 08:15.033 --> 08:19.466 align:start position:10% line:74% size:20% CHICAGO. 08:15.600 --> 08:20.800 align:start position:10% line:74% size:65% FULL OF BEAUTIFUL POWERFUL 08:17.533 --> 08:23.500 align:start position:10% line:74% size:47.5% IMAGERY LATE 1950s. 08:19.466 --> 08:26.466 align:start position:10% line:74% size:77.5% >> GARRY HOW DO YOU HOPE PEOPLE 08:20.800 --> 08:27.066 align:start position:10% line:74% size:55% WILL USE THIS ARCHIVE? 08:23.500 --> 08:30.200 align:start position:10% line:74% size:75% >> I HOPE PEOPLE USE IT ANYWAY 08:26.466 --> 08:32.200 align:start position:10% line:74% size:25% THEY LIKE. 08:27.066 --> 08:34.933 align:start position:10% line:74% size:77.5% AND WHAT I MEAN BY THAT IS, NOT 08:30.200 --> 08:37.266 align:start position:10% line:74% size:77.5% ONLY LISTENING TO IT FROM START 08:32.200 --> 08:40.466 align:start position:10% line:74% size:62.5% TO FINISH AS I DID WHEN I 08:34.933 --> 08:44.033 align:start position:10% line:74% size:77.5% LISTENED TO IT AS A KID, BUT IN 08:37.266 --> 08:46.100 align:start position:10% line:74% size:77.5% LITTLE PIECES, IN PODCASTS THAT 08:40.466 --> 08:48.300 align:start position:10% line:74% size:80% PEOPLE MAKE FROM WHAT THEY HEAR, 08:44.033 --> 08:50.200 align:start position:10% line:74% size:80% BUT I ESPECIALLY WANT PEOPLE WHO 08:46.100 --> 08:51.633 align:start position:10% line:74% size:75% RIGHT NOW NEVER HEARD THE NAME 08:48.300 --> 08:53.666 align:start position:10% line:74% size:80% STUDS TERKEL TO COME TO KNOW HIM 08:50.200 --> 08:54.033 align:start position:10% line:74% size:40% AND TO LOVE HIM. 08:51.633 --> 08:56.000 align:start position:10% line:74% size:75% BECAUSE OF THE RICHNESS OF THE 08:53.666 --> 08:59.000 align:start position:10% line:74% size:22.5% ARCHIVES. 08:54.033 --> 09:00.066 align:start position:10% line:74% size:67.5% >> AND SPEAKING OF PODCASTS 08:56.000 --> 09:02.500 align:start position:10% line:74% size:62.5% THERE IS A NEW PODCAST IN 08:59.000 --> 09:05.500 align:start position:10% line:74% size:47.5% CONNECTION TO THIS. 09:00.066 --> 09:10.233 align:start position:10% line:74% size:75% IT IS BUG HOUSE SQUARE AND ONE 09:02.500 --> 09:13.966 align:start position:10% line:74% size:80% OF THE HARDEST TASKS WAS FINDING 09:05.500 --> 09:15.633 align:start position:10% line:74% size:80% OUT WHO COULD HOST A PODCAST AND 09:10.233 --> 09:17.633 align:start position:10% line:74% size:62.5% YVES IS A CHICAGO POET, A 09:13.966 --> 09:19.900 align:start position:10% line:74% size:72.5% SCHOLAR, ACTIVIST, TEACHES AT 09:15.633 --> 09:22.366 align:start position:10% line:74% size:72.5% THE UNIVERSITY OF CHICAGO AND 09:17.633 --> 09:25.233 align:start position:10% line:74% size:80% ALL AROUND RENAISSANCE WOMAN WHO 09:19.900 --> 09:27.800 align:start position:10% line:74% size:77.5% IS BRINGING WILL BRING STUDS TO 09:22.366 --> 09:29.066 align:start position:10% line:74% size:60% A YOUNGER NEW AUDIENCE A 09:25.233 --> 09:30.366 align:start position:10% line:74% size:50% MILLENNIAL AUDIENCE. 09:27.800 --> 09:31.833 align:start position:10% line:74% size:75% >> TONY MACALUSO, GARY JOHNSON 09:29.066 --> 09:33.833 align:start position:10% line:74% size:75% THANK YOU SO MUCH FOR STOPPING 09:30.366 --> 09:35.833 align:start position:10% line:74% size:62.5% BY AND TALKING ABOUT THIS 09:31.833 --> 09:36.833 align:start position:10% line:74% size:57.5% IMPORTANT BODY OF WORK. 09:33.833 --> 09:37.833 align:start position:10% line:74% size:57.5% AND THE FACT IT WILL BE 09:35.833 --> 09:38.333 align:start position:10% line:74% size:72.5% ACCESSIBLE TO SO MANY PEOPLE. 09:36.833 --> 09:39.066 align:start position:10% line:74% size:40% I APPRECIATE IT. 09:37.833 --> 09:40.700 align:start position:10% line:74% size:32.5% >> THANK YOU. 09:38.333 --> 09:42.366 align:start position:10% line:74% size:32.5% >> THANK YOU. 09:39.066 --> 09:47.166 align:start position:10% line:74% size:75% >> AND YOU CAN READ MORE ABOUT 09:40.700 --> 09:47.800 align:start position:10% line:74% size:77.5% THE STUDS TERKEL ARCHIVE ON OUR 09:42.366 --> 09:47.800 align:start position:10% line:79.33% size:77.5% WEBSITE AND FIND THE ARCHIVE AT 09:47.166 --> 09:47.800 align:start position:10% line:84.67% size:20% STUDY...